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Ken Pepiton Oct 2018
Axt would I, I sed yah soyam

Signing a song played in the white noise that surrounds me

nights like these past 7043,

Who chounted en chant em, enchantemgood

So no we are at what is a befinning place.
beginning (90's too ****, U2 too Northern Euro,
Green Day, Coolio,
Noise to a message dying to be heard
welcome to another
imaginary garden in an ever expanding mind

field of unthinkable things,
back then

we have whiteout but it doesn't work here

My culture had near simultaneous eruptions of supermarkets

and Fords.

This guy, his culture had near simultaneus disruptions of progress and
interruptions of information
some os were lost in the middle synchrony
instance if I cationic plus or minus
simaltan

Oh, I get it. You, dear reader, have been
out of it.
We went public with the entire plan for public
key distribution,
through six palanced stacks of energy stores

Chakra, chi, science make ya think eh. Polarize, see

everything groovy --no
[contemprayery idle intense ify AI keep us current]

lie, good, no lie is always safe. Don't wanna stumble any souls.

I was mentioned, my being a speaker in a story, I was said
to have said something, upon a time,
on the cover of the Rolling Stone,

I witnessed a lie being told and said my ears weren't garbage cans,
like a brainwashed cult

no, **** I was a cultivated follower of a confessed
follower cultivator.

I bloom when I imagine being treated as a mushroom,
I never paid much attention,
I never felt
insane
but
I can imagine
wee whatifs crept in… aha

The Olde Deluder, Satan, Act

that, a tiny gleam, a single ATP gone ADP

but there was light. A story I lived is now being told
without me,
oy vey Jah knowaddamean.

There was a wiseman, who,
by his wis-dom saved a city, and no one knew
that same wiseman's name,

proverbs are intentional games, the rules,
hiding a thing, done by God, glory ifies him
seeking out a matter, done by a being translated king,
transmutes that seeking into honor

Honor is hard to compare to the war flavored twists,
knots and tangles where woof and warp held

long long long before war was imagined, honor was.

A medal of honor for valor, what does it mean?

Leonard Wood got one. For his part in solving
the Apache problem.
He also,

Flash I had my wires crossed, in a way, it may
enlighten.
You see, I had thought that I had read Leonard Wood,
be cause I had imagined he was in New Jersey, but that
was Lord Amherst, Jeff

He tweerted ( wrote in a letter on paper we've a fact simile):
"to try Every other method that can serve to Extirpate this Execrable Race."

From <https://www.umass.edu/legal/derrico/amherst/lord_jeff.html>

Could be the source of the whole shores of triple ease retirement lure/trap/moneymoneymoney makeit fakit

I asked once, who's to blame and whose to blame,
samesame came an answer, I sware, quick as

next, twixt being and being possible,

realize

we do change things, in time, which,

if we can agree, is limited for us,
to now, no thens behind

mere, mere, mere ifs and whens ahead

be

--so there's been music all along
life's the song

skip a decade, like skippin' a grade

grad Harvard at a prepubescent 12

If I had a Hammer time, one message

one valiant try to be will smith,

Live and Learn, old man, say the dude on the radio
in he's hammaheadphones, cain't touch

Bomb. Jesus lent me Jael's hammer,
radioman nailed it.

If I had a hammer was the prayer,

MC, he was the Godsmacked nail in the coffin

Dark inside gothish messages hurgle and gurgle
guts twisted in freak pride love hate list lust

dichotomies of choice in ever learning
good citizenship worth honor and glory

of the sort men dare to die for, facing darkness,
the NULL set ***** and ***** and *****

This ain't gravity tuggin me,
this is that monster who lives forever in top forty radio

When/then Radioman emerges, Like the Mighty Quinn from

deep beneath Gibson's darkest ever imagined ICE wall…

What's on? (ellipses, do those mean POV shift or selah?)

I forget, s still all alchemistry t'me, if allyagots ahammass,

realize, if it matters, t'me, bubble bustin' need no nail.

I gotti'd a hamma, gonna hamma in the moan

O.G., mighty man of valor, where'dyew arise from?

We, the integrated us, non autonomous, inarrogant
We were dancin' to that I'm a Loser, Baby

so why don't cha killme, knowwad i'msayin

This old man been wandern in the desert far far far
side the madding crowd
making minced
meet
broken spirit. we goin together to a re-pair place

at the center of you'n'all you know, yo bubble but

--- everlearning everclear outlawed, good lawed
--- moon shine spiritment lauded out loud
--- the world all ways works when a garden is

beyond the pale,
Irish
rye whiskey, wheat bread liqui
if I were an
old gay ninties guy drinking ***** laudnum
singin'

on the corner with the hourus girl's c

Making the Con Next Ion, watchathank,
is it The Nineties A to Z , ending wit, it’s a hard
knawks life, or

a Bohr-TED talk or
a video of Schrödinger's  
verdamte dead cat?

Or am I surrounded by so great acloud of witnesses that some times I spend

simply hummin' along, life's beat me to the ground,

which gladly,
I'm so glad, I'm glad, I'm glad which

loses its meaning if you never experienced such a fall
ending in absorption of it all.
Ginger Baker, slam that cymbal, CRASH1

Life, in every key, there's a clue. Some where,
there's a lock on a true thing we need

to, eventually, know all things.

Keywords lost givitawaygivitawaygit it back tenfo'

Black spirit-filled tongue talkin' grandpa friend of
Johnny Walker, Red not Black,

He challenged me ye see. I recall what was on TV.
Nixon sayin' he,
honest he,
anti-****** he,
bombin invadin he was Notacrook, the super hero
he imagined

Bio is building energy, all the time does is
test the effort.

Is life lived this way worth the effort?
if/then/else

Who chose, integrated me, all the masks and voices I have accepted as ideas that can have apiece of me.

BTW, kids, even if an angel of light asks you to take a little piece of my heart, don't

yer killin me and I know where the next story started,

you are lost without me, fretnot, I'm the way

I heard that, that's no claim I mist'tok as my response.

Deeper, are we absobbing any thing, deeper tincture
of time, t'me see

POV
SameYesTodayForever (SYTF) protocols have been in place, as far as we know,

since words made sense naturally, eons ago, at least.

If you want my future then forget my past
musing medium messages sayin

what the hell? A game, you sayin' life's a game?

Ja, was oder vice nicks versus universal soldier godlet

Jump when I jump, remember… don't cry

I woulda danced with wolves to have changed
one mind that followed me

beyond that point,
no return, is such a mortal POV, you see
as far as you cansee

Deep. the gem. all the meaning ever was was
in that gem.

Dare me for no reason? Is that reasonable,
ration my tears to test my mettle

I went mad in 1995, have I made that plain?
Things crumbled around me for ten years,

I was helped by hoping I knew a truth about those
manifested imaginary gems
given kings and potentates
said to possess great powers and the meaning og every mystery unknown to man

eh, say again
gems
given kings and potentates
said to possess great powers and the meaning OhGEE every mystery unknown to man

lies lies lies they all were lies lies lies lies

I told you so, and it is still sweet to say
you know

You heard it all before, greatest test story ever told.
That was no test.
this is.

Jump when I jump, remember… don't cry

Epic stories deserve more than mere words,
but, you know, click,

words are what we make things from.

Tell me your stories,
she woulda seemed to whisper, woulda drained me drownd me
in just if I'd love linked

to the money machine of your dreams

had I not rode the grey dog outa Nashville,
back in '82,

I'da missed seein' flyover country that feels like mine,
when I take this POV.
I wandered into a sattelite radio 90's A-Z, kinda like those histories of philosophies old people listen to when they're ******. Oh, the moonshine experiment worked, FYI
Nigel Morgan Dec 2012
He said I’m the wrong shape. I could do with putting on a few pounds and, almost as an after thought he said, you’ll have to cut your hair – yourself.  I know she was an artist, and a mother, and a gardener. I had to admit to him I didn’t know any painters. My cousin Julie’s a sculptor – same thing he said – but I had to tell him I hadn’t yet looked at her painting, only what he showed us in his presentation.  He then told me exactly where in the National Museum of Wales I could see one of her paintings – Gallery 14 – and its from this period, a Parisiene picture. He suggested I might go to Cambridge and spend a day at a place called Kettles Yard. There are more Winifreds there than anywhere else in the UK, and many pictures by her close friend Christopher Wood.
 
Oh dear. This is difficult. The only thing going for me seems I’m about the right age and I’ve have children, though mine are older than hers in the production. I was so surprised to get this part, but as Michael said over the phone, your profile fits. Except for the weight and the hair, and I know nothing about painting. Why should I? Jeff told me, the composer Morton Feldman once said if you haven’t got a friend whose a painter, you’re in trouble. I’m in trouble. But he has very kind eyes and when he touched me gently on the shoulder after Lizzie and I sung that shells duet I had to look away.
 
Reaching down arm-deep into bright water
I gathered on white sand under waves
Shells, drifted up on beaches where I alone
Inhabit a finite world of years and days.
I reached my arm down a myriad years
To gather treasure from the yester-millennial sea-floor,
Held in my fingers forms shaped on the day of creation….
 
They sleep on the ocean floor like humming-tops
Whose music is the mother-of-pearl octave of the rainbow,
Harmonious shells that whisper for ever in our ears,
‘The world that you inhabit has not yet been created’

 
Mind you, I don’t envy Lizzie being Kathleen Raine. Now that is a difficult part, even though she’s only in Act 2. Raine was definitely odd. He says I have to understand their friendship, because there was something about it that made them both more than they were. I don’t understand that.
 
Jane and the children are amazing already. Martin (my ‘other’ half Ben Nicholson) said they’d been rehearsing with Robert because his wife (Robert’s wife Debbie) is at WNO and they were scared about this one. I’ll say this for him he knows exactly how children interrupt, constantly. It’s clever the way he uses the interruptions to change direction of the dialogue. Conversations are often left unfinished. The bit when that ***** Barbara visits the apartment unexpectedly is brilliant. She’s completely demolished by these kids of her lover.
 
But those letters . . . he said, can you imagine your husband writing to you over a period of 40 years? Quite a thought that. David wrote to me a few times when I was in Madrid for Cosi just after we’d met, but it was all telephone calls after that. Why waste paper, time and a stamp. But I take his point – their letters are so beautiful – and they were separated for God’s sake. He’d gone off with another woman, and even brought her to Paris. And you could not have two totally different women – she ,slight, chain-smoking, work-a-holic, sharp-tongued with that Yorkshire edge, and me with ‘a quiet voice, trying always to be gentle and kind ‘– W would be called an earth-mother these days. She was a kind of hippie, only she had money – mind you most of those hippies of the 60s had money otherwise they couldn’t have done drugs (heard that on Radio 4 last week in a programme about Richard Brautigan). But they wrote to each other almost every day.
 
Dear Ben,.
            Do you know there are several kinds of happiness, and there is one sort which I have found. It is the sort that is within oneself, enjoying fresh promise, and taking all the experiences of life that one has been through, so-called sad ones and so-called happy ones, to make up understanding that is further on than joy or sorrow. I have been extremely lucky – I have had ten years of companionship with an ‘all-time’ painter, working in the medium of classic eternity and that has been better than a lifetime with any second-class person – isn’t it - I have found it so…
 
Best love Winifred

 
What’s clever about the letter sequences is the way the two-way correspondence is handled as a duet and right in the middle of it you’ll get a flashback – like Winifred suddenly remembering her first meeting with Ben.
 
I heard this voice
In the room next door
I couldn’t breath, I couldn’t move
I knew, I knew for certain
This was the man I would marry.
And when we were introduced
He seemed to know this too.

 
We gaily call this an opera, but it’s not. It’s something else. It simply doesn’t do what you think it’s going to do. Even when you do something for a second time the accompaniment doesn’t do what you expect and remembered. It’s this open-form business. Something else I know nothing about. He mentioned Umberto Eco – now I’ve read Name of the Rose. When Braque or Mondrian or Jan Eps visit unannounced I have no idea which one it’s going to be – these guys just used to turn up. Sometimes two at once. W didn’t invite them. They came for her English hospitality (home baking I think) and her beautiful apartment come studio – beautiful, because she made it so. Her French was appalling, and this is difficult because I speak quite well, and now I have to speak like an idiot. Bridget  (playing Cissy the Cumbrian nanny) having her French lesson is a hoot, and with the children correcting her all the time, it’s lovely.
 
He was very sweet when we broke for lunch. Sara, he said, as I collapsed into an auditorium seat to find my bag and mobile, Sara, we’ve got to find you a painter to spend a day with . . . so you’ll know how to stand in front of an easel.  I phoned Sarah Jane Brown who has a studio in Cardiff and she’d love to meet you. Here’s her number. She paints flowers and landscapes – as well as the abstract stuff - just like Winifred. Her tutor at the RCA actually knew Winifred. And with that he disappeared to a dark corner of the theatre and unwrapped his sandwiches. You can tell he’s not into break discussions with Julian or Michael. I think he’s terribly shy. He’s interested in the cast and so he picks them off one by one. Julian I know doesn’t like this. I think everything needs to go through me, he said at the end of yesterday’s rehearsal. Who does he think he is?! Lizzie reminded Julian he was the composer and what he doesn’t know about this whole period and its characters isn’t knowledge. Liz thinks he’s a sweetie – and she’s sung his Raine settings at Branwyn Hall last year – with Robert who was his MD with BBCNOW. Liz knows Julian hasn’t done his usual homework because he’s got this production in Birmingham on the boil. Unknown Colour is a distraction he can do without.
 
This afternoon it’s back to the mayhem of those ensemble scenes in Act 1. They’re quite crazy, but I’m already beginning to feel I can start to be someone other than me. Did you know I have this lovely song? It’s quite Sondheim . . .
 
*I like to have a picture in my room.
Without one, my room feels bare
however much furniture is there;
Pictures play so many roles.
My room has too much going on in it
for something extravagant.
In the morning it is a sanctuary,
in the daytime a factory,
in the evening a place of festivity,
and through the night a place of rest.
 
I want a window in it,  
And a focal point, something alive and silent.
A bunch of flowers on the window sill?
Yes, but they will wither.
A cat curled up on the hearth?
Yes, but it will go away and prowl upon the rooftops.
 
A picture will always be there.
It will make no sound. It will wait.
If it is true I shall never grow tired of it.
I shall see something fresh in it
when I glance at it tomorrow.
It will always be my friend.
AmberLynne Nov 2014
We arrive home
and I see you look over there.
I've been so happy
just spending time with you.
It's been just the two of us,
a welcome escape.
It's not often this happens,
when we get time alone
without interruption
from texts or a phone call.
But tonight we are free
and we have the most
mundanely grand plans.
And I look forward to them
with utmost glee.
But then it happens.
We pull in and you say
you're going there
"just for a minute."
I'm not fooled,
it's never just a minute.
Our plans are derailed,
I'm left to bring in the groceries
alone.
And do the dishes,
alone.
We said we'd tackle them
together,
tag-team the massive pile.
Yet here I am,
alone.
And I get left feeling like
a complete and utter *****
because I'm upset at the fact
that you want to go home
to tell your parents good night.
I just want this to be your home.
And I'm afraid
it never will be.
You'll always have to go there
and we'll always have some
sort of interruption.
And I'll never have you
all to myself, never,
and sometimes I'll be left
feeling completely *******
alone.
11.6.14
Freedom is being able to use my razor.
Freedom is being able to use my razor.

To glide it without caution against my skin; with no interruptions from noisy roommates.
To glide it without caution against my skin; with no interruptions from noisy roommates.

In the warmth of these curtains I am safe.
In the warmth of these curtains I am safe.

I let the warmth soak me in the droplets caressing my skin, washing away the dirt.
I let the warmth soak me in the droplets caressing my skin, washing away the dirt.

I lather myself in the memories of the day as I unwind, the tension fades.
I lather myself in the memories of the day as I unwind, the tension fades.

A smile comes to my lips as I step out of my night time ritual; Showering.
I smile comes to my lips as I step out of my night time ritual; Cutting.

**Freedom is being able to use my razor.
Michaela Feb 2015
He means very little to me-
on a regular, uninterrupted day.
But when he talks to me,
he is maliciously welcoming.
He's toxically enduring
and determinedly warm.

It's possible Stockholm Syndrome,
it's definite injustice.
Sweet, sweet injustice.
Sweet interruptions.
My sweet bitterness to his sweet nonchalance.
And then;
sweet realisation that I may not be alright,
but merely distracted.
I always thought I was doing okay.
Richelle Leigh Dec 2011
the earth shook the neighbors again today
but truly, i can't say that i felt it.
yours is the only one that still hits me.
your earthquake spirals through my veins
interrupting the day, awakening me by the night
i await the tremors with anxiety and need
disrupting intellectual thought, curving daily motion.
absence of your presence denies me
everything, yes, everything.
grasp ahold of me, my love, and shake me
shake me from the depths of this nightmare
return, return and make this right
troubled mind shrouded by memories
that which flow to my very core
this dark red heart beats for you
my courageous veins are your love's roots
weaving through flesh and blood
daring to grow more and more sturdy
your earthquake scares me, my love
for i cannot control it.
your memories will not crumble with the earth
shaking and trembling, i'll stand my ground
holy is your image, voice, and touch
hot is the molten passion, coursing through my young heart
rupturing from the only place that i know
your earthquake, my love, determines so much
faulty is the mind and brave is the heart
crazed intuition lurking from daily interruptions
my love, continue to shake my world
for i know you are still there
my love, continue to shake my world
for i know nothing else
if a day pass where i cannot feel that vividness
all will be forgotten. all will be dead.
my love, i beg of you---
send me that earthquake today.
Nigel Morgan May 2014
She opened the door of the gallery and there it was, there it lay, before her, nearly perfect: her exhibition. The opening was an hour or so away and there were, naturally, a few adjustments to make, but in essence it was right, and as she walked to the middle of the rectangular space (to survey the full effect ) she felt held by the quiet wonder of it all; that she had made all this and with ‘the quality control of nature’s accidents’. He’d written those words some years previous when a solo show was but a dream she would enter between sleep and wakefulness, when she would think of the west coast of Scotland and the poetry of its seashore, the infinite variety in the seashore strand between sand and sea. It was such natural accidents of form and transformation by nature’s hand that had guided her imagination into rightness and towards this exhibition.

At breakfast that morning she had come to the table dressed to greet her audience, and for the first time as a featured artist in a festival of some repute. She had felt the quiet joy of choosing the right combination of clothes to be the public person she had now become. He had loved the new dress she had bought to clothe her gallery persona. She had been conscious of his eyes following the lines this frock so generously drew around her body’s shape and form, the way the material fell across her *******, lay smoothly on her thighs.  It was a very grownup frock and with the jacket and scarf made her look purposeful, confident. His looking made such confidence possible, his admiration and what she could tell was that coming together of love and passion that, her being dressed in this formal way, so often evoked.

In the gallery she had worried over the lighting, climbed up the metal ladder with the fluffy green glove thoughtfully provided to enable those small adjustments of direction to be made on a hot spotlight. There were four large pieces flanking a corner that had embossed lines running across their surfaces, lines that needed oblique light to reveal the shadowing of this effect of swirls and marks of a retreating tide on sand.  Two smaller pieces needed rearranging; she’d placed them, late the evening before, in the wrong sequence. Poster boards were to be filled with her poster and put outside on the pavement by the gallery entrance. She opened the main door, a very green door with its top and bottom bolts and black-painted handle ring. The street outside was a welcoming mix of 18th and 19th C buildings, hardly one the same, the sort of three storey buildings that had simple plaques prominently placed into the brickwork from a distant past when proud builders would describe a structure’s use or ownership with a title and date. By ten o'clock this one-way street was lined with parked cars, but now there was little traffic. It was a quiet sunny morning in a market town.

‘Don’t mind the dog, ‘ he said. ‘He’s used to coming in here.’ It was a long-haired verging on the side of scruffy sort of dog, used to keeping its own counsel, probably used to being taken to exhibitions. ‘Just popping in,’ he said, this man who, and she couldn’t help noticing this, seemed to hold much in common with his dog; the long, but retreating on the forehead, hair, slightly scruffy from the want of a comb or a good brush (like his dog), he had dressed without much thought (because who dressed thoughtfully to walk a dog?), and that’s what he was doing, walking the dog and, seeing the Gallery open, thought he ought to look in.

Giving him her brightest smile, she embarked on performing the artist’s music of conversation, that score holding gentle melodies and welcoming harmonies. Although she had become quite practised in talking to her audience there was always the challenging inquiry that would catch her off guard.

‘Well, are you finished with the seashore now?’ said the man with the look-alike dog. For a moment a half dozen possible answers seemed possible. ‘Could one ever finish with something so extraordinary and various as that hinterland between land and sea?’ No, that was seemed a mite critical and clever. ‘Oh, I’ve hardly started’ was tempting, but rather smug and too confident by half. ‘I just love the seaside’ would probably do, as no one else was listening. ‘Merleau-Ponty says the complexity of the seashore is a metaphor in the search for self-identity’. She did wonder what he’d make of that, but finally decided on ‘It’s such a rich source of ideas and images I’m sure there’s a lot more I want to do with the subject.’

”It’s all the same colour”. She’d had that one a few times. ‘When I’m on the beach I’m fascinated as much by the texture and shape of what I see  and feel than the colour. I like the subtlety of the colours in the sand. I think my pieces – and she waved her hand towards what she had titled her Sand Marks pieces – show so many of the different shades of colours you find on the seashore.’

Those Sand Marks, a collection of variously dyed and marked two metre plus linen-lengths, dominated one wall of the gallery. They floated a few centimetres from the white wall, and when people moved past them the slight shadows cast by the linen lengths seemed to ripple in the human-made breeze. She could never look at them without thinking how their very accidental making – binding a linen cloth with inner placed objects and using the natural dye of tea – could create such absorbing results. She would follow with her gaze one of the linen-lengths from bottom to top (or top to bottom) and find herself walking on the wet sand of a Scottish beach, overwhelmed by the clear light and space with only the sea sound surrounding. He would tell her, had told her often, how moved, how affected he had been when he first saw them hung. To him, these ‘marks’ carried an essence of this aesthetic she now owned and for which had become recognised.

Even on this, her first day, she had been visited by a small number of admirers and supporters, some travelling distances to see her work with the aura of the original, a truer view than that possible on the back-lit screen of their computer monitors. Ladies who loved textiles, the containment and privacy to sew and stitch secured in their busy lives. These friendly and smiley women (the comfortable side of sixty) understood something of what she was doing here, and perhaps imagined themselves as thirty-somethings walking Scottish beaches free from children and the relentless list-making of house and home and occupation, able to create imaginary worlds of marks and folds, pleats and textures. Full of enthusiasm for the medium, what they perhaps didn’t have was the skill of seeing, a skill she had grown up with, had always owned to some degree: found, fostered, honed, developed into a second-nature activity of always looking.

There would be the occasional brief lull when the gallery was empty or close to empty, as though needing the space to come up for breath after being occupied by people and their movement. She would then walk slowly around the long well-lit room viewing her pieces and her arrangements of pieces from different angles. She would look at his poems placed antiphonally between her work, commissioned for her catalogue, her book of images of the sea shore paired with, incorporating even, her made pieces. She’d chosen a favoured few she’d felt caught the essence of being in the sea’s company, in the sand and shore’s domain. Like everything he did it had been undertaken with the utmost intensity of purpose. She saw him now in her mind’s eye with his notebook sitting against rocks, paddling in the great shallow pools, walking head down along the tide line, those bright days on a Scottish island and before, before on that ellipse of beach by the fishing station.

He would tease out an idea formed from a little motif of words, perhaps like the very music that was his private territory: here, alone, apart we are marked by the tide’s turn. Yes, we are marked by being solitary in such unconfining space, the marks at our feet become the lines, the mounts, the fingers, those interruptions, breaks and blockages found in the tridents, chains and crosses of the art of palmistry. We read the seashore as a psychic oracle reads the hand, hoping, as Kathleen Jamie so rightly says, for the marvellous. And marvellous it so often is.

Standing in this gallery was like being gathered about by the seashore. It was a short jump in the imagination’s miracle to hear the soft breathing of the sea, the wind caressing the face, the warmth of the afternoon sun on the freckled cheek.

See how those we love are transformed
when the sea is their only boundary

a figure stands before a sand bar
in a crescent of water left by the tide
an affecting geometry of solitude
. . .


These words had always stopped her in her perambulating tracks. She thought of her son, far distant on the beach, at rest for once, still, motionless within the confluence of the elements of the beach, at the epicentre of her gaze, all things flowing to and from his tiny, far-away figure.
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
Calli Kirra Jul 2014
I'd find myself so deep in the void of mania and ardor for you, complete with scorching coals and lava, then I'd become disgusted, pushing you to the edge of my plate like a child does broccoli.
Tom Atkins Feb 2020
Light. Space.
Line. Interruptions.
Triggers and memory.
A gallery with art on one wall,
a mix of truth and pain.
compelling whispers shout.
A place to learn what you say,
what you create,
matters less
than what is seen and heard.
Light. Space.
Line. Interruptions.
Triggers and memory.
A poem for all creators. We think we are creating X. But as soon as our creation is read, seen, heard by others, it becomes something entirely new.
kiran goswami Jun 2020
Every day, as the clock ticks
and I sit to write a poem,
all I receive is an interruption
and another interruption.

So whenever,
I pick up my pen to write a poem,
I get interrupted.
My mother shouts from a corner of her room.
Her voice crashes to every notorious wall
that claps with its ears.
She asks me to do her a favour
and every time this happens,
the favour she asks me to do,
somehow slit the throat of the wire
that holds the chandeliers of my words.
In the end,
my words fall into the wells of my eyes
and my poems turn me blind.
So every day, I sit to write a poem,
all I receive is interruptions.

So whenever,
I turn to a blank page to write a poem,
I get interrupted.
The clouds race with each other
and the sun becomes their referee.
They chase the wind that carries out the Great Prison Escape organised by Bushell.
The lightning cheers for them in awe
and thus pauses in Argentina for 16.73 seconds.
When they finally reach across the finish line,
It looks like my negative 1 has turned
into positive after crossing 0.
They shed all their sweat like a camelia bush.
My words disappear and what remains is a wet page,
Still blank.
So every day, I sit to write a poem,
all I receive is interruptions.

So whenever,
I sketch some lines and curves to words,
to write a poem,
I get interrupted.
My thoughts begin to perform flamenco.
They lift their filters in the air
so that I can see my imperfections,
to which I chose to turn blind
as the pieces of the chandelier have left nothing in my eyes.
So when my thoughts finally conclude their performance.
My pen stands dried
as if someone stole the gold thread,
I was going to perform kintsugi
on my paper with.
So every day, I sit to write a poem
all I receive is interruptions.

So whenever,
I begin penning my words to write a poem.
I get interrupted.
My surrounding performs an orchestra,
While I run to my words like
two lovers separated by fate.
My hair race with the clouds that just stopped,
for they were tired.
I jump through the hurdles that
the leaves outside
and the people inside my window create,
and while I jump,
They pull my hair
and a few strands fall.
With every strand,
my poem disappears.
So by the time I reach
and kiss my words,
I become full of words
but 'poem-less'.
So every day, I sit to write a poem
all I receive is interruptions.
John McDonnell Aug 2013
People say I’m always late,
And that I always make them wait;
I take so long to arrive,
They could **** me with their eyes.

I don’t mean any disrespect;
And if I could I would correct
This awful quirk of mine,
Of never getting there on time.

Could I have a broken clock?
I wish I knew the method to unlock
The secret to a scheduled life,
And thus avoid so much strife.

I’ve tried the systems, plans and schemes,
To change my life has been my dream;
But interruptions plague my day,
Distractions lead me all astray.

It’s not that I am unaware
Of Time’s passage or don’t care.
No, I savor every minute;
I wish I had them without limit.

The seconds pass, I feel them go;
I mourn them all, you know.
I want to hold them, keep them fast;
Not let them slip into the Past.

And that’s the reason I’m a mess
At schedules and the rest;
I can’t work fast, I can’t resist;
The weight of Time I can’t dismiss.

I hope the world will understand
Just why I botch up every plan.
Confusion is never my desire;
Each moment’s like a jewel to admire.

I ask your patience, if you please;
I’ll try my best to appease;
But if I’m late have sympathy,
I mix up Time with Eternity.
Sora Mar 2013
The scuff of sneakers, boots and flats form the solid and stable beat.
Add in the chuckles, silences and brief interruptions to create the varying and rhythm.
All that remains is what goes unsaid but is speeding around in your mind.

That man from Uzbekistan,
He was telling us how peace and non-violence starts with us,
With middle-schools, with teens, with future leaders
To all those who laugh, when I say violence is never the answer,
You're the ones I worry about

That man from Uzbekistan,
He was speaking to us about how the kids had a parliament in Uzbekistan
Those kids had  a say in what their fate would be

Believe it or not,
But adults are not the only things to make up our society...
Infants, toddlers, 5th graders, 8th graders, 11th graders, seniors, the diseases make up us, us..

So maybe parents shelter us too much, or not at all.
And kids throw fits in the grocery store
While teenagers attempt to jump off the nearest bridge
This is our society..
But we're like those kids in Uzbekistan
We have a say in what our fate will be

That man from Uzbekistan,
He was sharing out how blessed he was to be living here in the United States
Even though he could live in a much more peaceful and welcoming society.

I have no idea how many years i will be,
Or what has to happen before we get the message across..
That's what's played out isn't acceptable

The American people,
Were baffled, devastated, overwhelmed
That all those stereotypes really were mixed within us.
Obama stood up in that room
With a shaky camera man, staring while he slumped and grieved
He addressed our nation,
Homeland,
Country
Community
Family
About Newtown,
Clackamas Town Center

No leader should ever be forced to speak about children dying long before there time was up

Or about average people ducking and diving from bullets

Gun Control is only a little layer
And that's the start of our restoration to end up being a peaceful, safe country
It begins with how youth are shown how to solve problems.

I'm willing to reach my hand out to every single state in this country
And if that means devoting everything I've got to making our restoration successful,
Then so be it..

No leader or person should be raising candles to the sky for little kids to see that they are missed.
And I took all of this in at a Lebanese Luncheon
Joseph Childress Jun 2014
Joseph Childress

Construction
Some people
Put
Their worth
In the hands of others
Let them
Decide

Others fight
Off
With words
Or get
Disturbed
By interruptions
In class

Why reply
With what I believe
Are the makes
Of I
When it’s
Construction
Is still
In progress

The finished
Monument
Will stand
Before all soon
And no one
Will question
Its greatness.
I awoke to my conscious talking me today.
She said: "You were talking in your sleep again, when will you learn?"
I apologized.
Then I asked her, what I said.
She refused to tell me.
She said: "Your subconscious is a dangerous being, I'd rather not make them mad."
I left it at that.
I don't think I want to know.
I just wish I could rest when I need to.
Even my sleep seems to come with interruptions
I wish I could tell you all that I think,
but there aren't enough minutes in the day,
to explain.
I wish I didn't have to have these conversations,
constantly having to remind myself who I am,
and why I'm worthy.
Trying to shut out my disappointment in myself,
I carry it like a bag of bricks everywhere I go.
If I could I'd build a house with them instead,
to protect me from my thoughts.
I tip-toe around every word that comes out of my mouth,
trying so hard to make sure it sounds exactly like I need it to sound.
Kicking myself for the stupid things I've said,
the stupid outfits I've worn,
the stupid mistakes that I've made.
I've heard some of the things said about these other people,
the ones who wore their hair wrong,
or made a stupid joke,
but,
when I'm not around I must be "other people" too, right?
My conscious tells me to cut it out.
She tells me:
"Life is worth more than the things you've said, and the way that you've looked.
It's all the sunsets you've watched,
the stars you've gazed at,
the people you've loved,
the people who have loved you.
This life is worth more than the things you say in your sleep.
The things you want are not tangible,
they can't be held.
You want to look in the mirror and smile at your reflection.
You want to wake up to someone who sees the stars in your smile,
especially since you can't see them yourself.
You want to love everything,
beggars can't be choosers and you know this.
You have to love it all,
which is an impossible task I know,
but it's worth a shot.
Maybe if you tried just once,
you could let me sleep without any interruptions."
Emily Grace Oct 2012
A simple bottle,
Cheap chunky plastic,
Designer garbage.
Empty of its liquid energy.
Glossy label parrying the flash,
Glaring retrieval of light.
Sickly bold orange cap,
Impudently tight,
Defending the blanched carpet below.
Moment of fragility,
Suspended on the humid waves of air,
Eternity in an insubstantial moment.
It wafts away from his fingers,
Plastic given wings,
Fixed by his steely eyes,
A forced arc,
Stretching to the ceiling.
Focused intensity.
An infinite gap looms
Instants before the catch.
He didn’t notice the stray,
A camera pointed his way,
Capturing this moment,
Making it magical.
Clarity is threatened by obscurity,
People pressing in,
Bending the frame.
Time is lost,
Too much wasted on boredom,
And playing catch with yourself.
Spine lax, body slumped.
Interruptions and distractions surround.
His face vivid in the mix,
Lost in the wash of faces,
So much like his,
Flushed by the same blood.
His unwavering gaze
Holds the emptiness in shackles.
Second of silence in the crushing sound,
Relentless muttering rumble,
The voices of family,
So constantly buzzing.
Jumbled tumbling voices.
A peanut gallery seeking constant attention.
The camera congeals the moment,
Silencing the mass.
In the absence the bottle and the boy
Infinitely alone,
Endlessly still.
vircapio gale Jul 2012
the perfect poem

would start by acknowledging its imperfection
and yet would bind the heart to listen
in any mood
any clime, any mind...

it would forgive contingent interruptions
in its contribution to evolution

and to grandly synthesize the facts,
it would pierce its central theme in one or so lines,
a one-stroke ******
embedded somewhere safe, an apex valley
of words and symbols to communicate
rather than excommunicate
or bemuse...

an accord of human
commonality,  invitation to wonder
or to leave off reading for later|

to wake or soothe to sleep,
it would be a poem you could wear into battle
or soft-intone to soothe a dying loved-one's breath.
the perfect poem would promise laughter
after every tear, catharsis guaranteed.
it would be godly and irreverent,
honest and veiled.
erudite, but conversational: a soul-mate in the etymons.
chalk-full of sultriness,
elementally seducing
with allure of verbal petrichor,
released from a long-awaited desert cloud,
dripping at the center aching...
and all wants fulfilled
(but for the other yearnings it instilled).

even a cursory perusing-over yields
a boundless sphere of cheer!
(you may not find it here, or anywhere)
an epic of haiku in casual/dress wear...
therapeutic, silent or aloud,
empathy in every line, attentive to the reader's work.
a collaborative lore
entwining evermore and more,
tolerant of others, wiser for their scorn --
it would shift its meaning, each read through:
twelve interpretations would do;
in fact it would take up residence in you,
it would help with shopping, too,
save the queen, start a culture all its own
a witness to atrocity and fame,
a judge of victors, the criminally insane,
an analgesic to the lame.
both densely, and loosely writ
it would be spontaneous, yet crafted by a practiced art.
it would rhyme, as if the muses commanded it to rhyme
contrived at the dawn of time
to be contrivance free...
for your particular ears, for your soul, right now
an ever-present origin of meaningfulness sent
like similes for your life only --
it would foster to create within itself
expression's manifold and measure,
in line with styles all in vogue
the global culture's wold,
hermeneutic gold.
it would be made of wood, and snow
of sun and space, the universe in tow.
it would spiral, dance and sing beneath its sounds
teach a novel lesson, for novel ears,
    each and every time
it would be memorized, and hung
glazed with caligraphic meditation
in a cloister boarding only **** monks,
it would bear no clumps.
it would smoothe out all the lumps,
it would offer more than i can say...
the perfect poem wouldn't even mind being thrown away;
it would come again some day.
in fact, on second thought, it may come a different way--
created in the fae-lines of the eyes,
the ears and mind: the double prance
of in and out and everywhere resize
the meaning-giving dance.
sinngebung: meaning giving
etymon: A word or morpheme from which compounds and derivatives are formed.
petrichor: the name for the smell of rain on dry ground
wold: a usually upland area of open country
hermeneutics: the study of the methodological principles of interpretation
Being loved,
when no one asked,
is a weird feeling.

Sponsor numbers,
and Ibprophen,
reading,
feeding,
what's for breakfast tomorrow?
Hope with a guilty side,
Chinaski hidden in a,
recovery library,
words to the poet,
a secret vice,
are nostalgic tremors,
a giggle for the unknown,
terminal uniqueness,
and a desk map with no ****,
pray for the piggly wiggly roommate,
the hope overpowers the guilt,
and the coffee makes,
me smile,
a good day,
a better,
turn,
click.
Trying some prose
Traveler Jan 2016
Cognitive surge
Synaptic flash
Thought conversion
Physical reflex
Bypass mind
Engage fingertips
Prepare to converse
Cyber circuits delay...

Standby
Interruption
"Yeah  
Okay
Yep!
Later"

Now
What­ was that thought again...
e fields Nov 2018
Desired to be more attuned with idols
Their private lives gleaned from
Stills and moving images cutting swaths across
Skyscraping billboards, TV screens
The sides of passing buses
Subway cars headed deeper in,
Further in, beneath
Magazine spreads pulled out for
ad-hoc posters taped and tacked across
the plaster-sputtering suburban drywall paths
Like screams in arctic winds

Many, the young mean-spirited things
Wanting kinship with these enemies
Trying to plot a course to
**** diagonally-up across
their strident wildlife scenes

Attuned with idols riding their
phantom wavelengths with the
maverick assistance of Reds and
water-cut pints of irish whiskey
Then Father comes in proclaiming
to have saved our democracy on
the whim of a lever-pull upon
a municipal voting machine

No interruptions now please
I will direct the favors of my unborn
I am honed in on what really matters:
Hemingway hedonism.
Getting dead with generations
slinking in and out of frame
from before and after
me
L Smida Aug 2013
And the question is, “What constitutes the good life?” And the neurons in my brain automatically begin to connect and arrange themselves into a conveyor belt of possible responses. This is not about fancy cars and giant mansions. This is about searching high and low for the unique existence of character buried in the depths of your heart. The labyrinth of suffering is something that traps and consumes every single one of us. Being aware and accepting the circumstances that will occur after exploring all the different solutions of discovering a way to escape is a major fundamental element needed to survive. Ostracizing yourself from the countless number of distractions in today’s generation to truly identify your individuality is the most crucial procedure in recognizing an outbreak from conforming to false associations. Infinite minutes are wasted every day because there are numerous amounts of interruptions that interfere with our life’s mission. Eliminating these disturbances will erase people’s impulses to shake hands with laziness. More people need to realize that utilizing time and wisely spending the precious moments we have left should be more carefully valued before it is too late. At times like this, it is perfectly acceptable to be self absorbed on account that working towards a goal is in effect. Take the time to focus on figuring out how to learn and how to proceed in expanding the mind’s personality. It is so important to acquire the ability to control the aspect of reason. But once enough experience is achieved to gather the information on how to conquer the labyrinth of suffering, you will then inaugurate the good life.
There is only one way to assemble the knowledge as to where the door lies and that is by simply living life and never giving up. Take chances and live on curiosity. We learn by putting ourselves in situations that are out of our comfort zones, giving the opportunity to mess up. Overcoming the situation is when we gain the confidence to promote ourselves to the next level. Life is full of mistakes but it is about being intelligent about those obstacles. Building up from those faults and taking advantage of everything life offers. We will move on from every mistake only to come face to face with another one. But life carries us. It challenges us. And the brave souls that accept that challenge are the ones that go on living the good life.
my first paper for this semester
A Crazed Girl Nov 2013
Cheap toxic plastic in friendly packaging;
bending under heat,
breaking under pressure.
What pseudo-efficiency.

Take out the silver!
Savor the feast, and
abolish interruptions.

Or stick with hollow forks.
Perfect polymers that crack
under the weight of your gluttony.

Your life– a feast, punctuated by
the casual dismissal of those
disposable *****.
Mateuš Conrad Jul 2016
without veneration for what i already censored and ensured that what Christianity venerates as holy, in curses, or oath words - in newspapers aplenty, f%&@ - and i would venerate that? why not the little censor backpacker with the tetragrammaton word forever hushed, thought about? enough fucky-fucky-sucky-sucky i'm sure - it's so much eloquent to censor speaking something sacred than something debasing - you can just claim to be speaking pardonable French - and i rather a humility be indebted to something that can take intellectual promises and fulfil them, than have to play peek-ah-boo with the murk of Cockney slang - so childish... so ****** childish i reeks of sulphur in what's to be achieved by "seeming" polite - even with oath words censored, people have no greater vocabulary - and i really do like to see a great respect of spelling.

in practical terms - i sort of "lied" about how how Hebraic
schooling hides vowels - they do indeed,
hide 4... i once wrote a poem entitled *two Adams
-
prior to investigating the matter further, only
today i stumbled upon the meaning - i was intending
a story of Eden with two Adams - a homosexual
affair - perhaps Satan the surrogate mother -
so less myth including the second Eve (Lilith) -
but the Hebraic school doesn't hide all the vowels -
it has two variations of the vowel a -
aleφ (א) and ayiν (ע) - hence the premonition of
the two Adams was subconscious rested in this
observation, i've seen a Hebrew alphabet prior -
but i didn't attach much detail to it worthy of furthered
inspection - it would seem natural that out of 5 vowels
four are hidden as if diacritical marks akin to
the umlaut or acute stresses ( ¨ or ´ ) - by
hiding four vowels you are bound to get a tetra-
something, in this case a -grammaton - further details
also emerge: why are two identical vowels apparent
among the consonants? aesthetic purposes? a full-circle
effect? a closure? i was in north London today and
i was spotting orthodox Jews, i don't know why
but i seem them with their curls either side of their heads
and think of Italian Mafia - they really do look
like the Mafia - call them Dactyl Mafia (not a foot
in poetic meter, or the sons of Cybele / Rhea -
but as in that sweet fruit - a date, plenty of date trees
in the middle east) from now on, i will - so with
4 vowels hidden as diacritical marks, 1 vowel for
whatever reason ~mirror image given the cutting up
of a- from -leph and a- from -yin - yang bangs
the saucers for a symphony impromptu as if Jamaican steel -
hence i'm supposing the deja vu of the H hey'tches -
and from that you get the perfect storm for perfect
laughter: עה אה
                          עה אה
                                   עה אה! (alias of a definite article -
looking at the world, no talk of philosophical veils and
ultra-realities - it's just definitely there and you might
as well laugh about it).

3:23 until 3:58 - Muse's Stockholm Syndrome -
in my hand Milton's Paradise Lost -
that grand Greek style epic that really bit off
William Blake's tongue and ear with self-improvised
jealousy - concerning book iii - Satan's entry into
this world - indeed through t book iv -
guiltless he, for the chess piece was already made -
and what only kept it from a sacrificial bite
was the motive of the game being begun -
the nudge of a pawn could have made a rook fake
advance across the line of pawns - yet man's
pawn also took charge.

no daytime interruptions this time - 400 years by
the pyramids and 3 years in Auschwitz -
the latter: no purpose, our insider was there, Eva Braun -
my grandfather visited Auschwitz, from the stories he
recounted... none of my relatives died there,
most of them on the front, don't expect me to go,
I AIN'T GOING! i'll go to a Kosher bakery -
i'm not going out of principle, on the principle that
it wouldn't be personal, or so i heard, impersonal,
catching Pokemons in that facility - as you might
have guessed weird things are happening in the night
at times, moving stars, appearing and disappearing
without a fixed zodiac - pretty common these days -
once i watched a triangle of such rebels move across
the sky, once a Gemini variations, most of the time
one star moving... then another -
happened to me in Venice, keeps happening
in Essex, happened in Ostrowiec Św. in Poland too
(my grandfather watched with me... thought they
were satellites at first... and i was like... satellites?
really? give it a day, you'll come to your senses - we can't
see satellites from earth! look again, same size and brightness
as all the other stars in static zodiac, to the naked eye
and not a telescopic eye, the same size) -
so i'm sitting there having a beer, and giving up my
thought to the altar of what's happening -
three proofs during the night - star of Bethlehem -
the Koran - come on! total darkness - we're talking
using phonetic encoding by an illiterate person -
good at numbers when it came to being a merchant -
but in terms of letters? total caveman, Khadija (Muhammad's
first wife) must have written the first few Surahs -
Stephen Vizinczey's in praise of older women -
learning a foreign language aged 40 must be hard enough,
this is Prophet Blind-man in Reverse - it's a completely
different story being literate an being illiterate, esp. when
looking at sound encoding - less damaging for the latter,
even more damaging for the former given universal
education and the lost monopoly on literacy by the priesthood.
so, those two proofs (after 40 days in the desert without
food or water, any idiot could make water into wine -
imagine the dehydration, alcohol dehydrates, hydrate
and you'd be jumping-jack any time, esp. at a wedding,
with so much joy euphoria adding to a sip of water after
40 days in a desert).
Aiden Williams Nov 2012
Sweet the skin,
The taste of hazel,
Her eyes the colour of passion.
The curvature of her bones like the number of August.
The sheen of her body the colour of Spring.
Between her lips the warmth of an ocean
To be liberated from its dam of cotton.
Warm silk,
Thick, warm to the touch
Like the flesh of a peach,
Sweetness of a plum.

A lock to a key,
The sand to the sea.
Freedom --
And creation.

Humidity of the Amazon,
Sweat of the wild.
Intensity of fear
Gravitys pressure
Lost in space between flesh,
Covered in a flickering light
Just the outline in your sight.
Her body akin to mans best friend
Each nerve touched to the brainwaves sent,
Glee only seen by the twitch of the bottom kiss.

As the light protrudes through the window pane,
No interruptions,
No aubade.
Into the light,
To match heat emitted of the Sun.
Judy Ponceby Oct 2010
Walking step by step,
my mount makes his way through the deep green forest.
Mayapple leaves and redbud trees, visible.
Slowly making our way down the trail
Meandering here and there,
Watching the deer munching young spring leaves,
Staring at us as we stare at them.  

Its easy in the saddle,
No stress, no calls, no incessant interruptions.
You can take in nature, rest your mind.
Relax in the saddle, hang your feet out of the stirrups,
Pat your equine friend on the shoulder,
and just be.

He will flick an ear, or swish his tail, sidestep,
or shy away from some unusual object once in awhile.
But mainly, just easing down the trail,
listening to the babble of the nearby brook,
watching the sunlight filter through the leaves.
Squirrels and red-headed woodpeckers
chattering angrily at our passing.

I don't know that there is anything quite so peaceful.
Just moseying like an old cowhand.
cheryl love Apr 2015
It is hard not to interrupt when you are engrossed.
I was sitting, deep in my study
Under a single desktop light,
Listening to the patter of rain
As I wrote, late in the night.
The other sound was the scrape of the nib
As it traced ink over the page,
A setting on out of the mood within
As I traced McMurtrey’s rage.

I often would write at night back then
For the house was dark and still,
With none of the interruptions that
The day would seek to fill,
So the world outside would fade from view
As the Moon came out to shine,
Then I could re-visit the world I knew
In the latest storyline.

Each tale I told from a birds-eye view
As I watched from my secret place,
A god’s perspective of what I knew
Of despair, or a saving grace,
My characters hung from puppet strings
That I dangled down from my pen,
And I teased and taunted with sufferings
In the way that I did, back then.

I never would share with the world outside
What happened within these walls,
Or open up to their prying eyes
My visions of haunted halls,
For that would take them into the light,
Out here where the world is real,
And men could see what a cruel pen
A storyteller reveals.

The night that I sat there, pondering
How to make McMurtrey fail,
He’d been obsessed with the girl Mei Ling
She was like his Holy Grail,
The storm outside was gathering
And the thunder brought more rain,
When after a lightning flash, I heard
A tap on the window pane.

It made me start, I must admit
My skin had begun to crawl,
I very slowly swivelled my chair
Around, aside to the wall,
I pulled the curtains apart just then
And I peered out into the night,
But the face that stared in back at me
Was stark in the pale moonlight.

I heard him say, vaguely, ‘Let me in!’
As the lightning flashed once more,
Despite myself, I got to my feet
Unlocking the outer door,
He strode on into the study, stood
In a stance, most threatening,
‘I’ve come in search of my lady love,
As you well would know - Mei Ling!’

The room had shimmered and shifted then
And it faded from my sight,
We stood in the Hall of Gordonstall
And I thought, ‘This isn’t right.’
The hall was hung with the tapestries
They’d brought from an old Crusade,
But nothing was real, I knew it then,
They were things that my pen had made.

‘Mei Ling’s betrothed to a Mandarin
And she wears his dragon ring,
The last I heard she was headed out
On her way back to Beijing.’
‘Then you’d better pull out your pen, old man,
Ensure that the lady stayed,
Or you’ll never get out of your mind again
While this storyline’s delayed.’

I wander the Hall of Gordonstall
And I see no way outside,
I hadn’t written the doorways in
And the walls are high and wide,
I need someone from the real world
To knock at my study door,
But I fear that I’ve lost myself inside,
As I pace the flagstone floor.

David Lewis Paget
i had an idea to
in the middle of
but only if
on christmas day
i tried to make a sentence
but your interruptions got in the way
your interruptions got in the way
I wanna be the hero, I want to be the good little boy, but all this life has me down
and I can’t live in this little town, where everybody frowns, and people walk around with crowns
Looking down because you act a little different and weep yourself to sleep.
It may not be just this town the destroys little boys dreams,
But I’m not going to stick around to watch my home split apart at the seams

My first memory I told my momma that I was the ugly duckling from her story,
she whispered “goodnight son”, and rolled her head back chuckling
She must have known for a long time that it was truth
But she insisted on tucking me in so I showed her my pearly white tooth
Because I thought she made the world all better
But when she kissed my head she told me a lie, and It was all to stop the bed wetter.
And it worked for that moment of time
I was too young to understand that other people wouldn’t be so kind

And when my daddy read me stories the next night it was no different
I told him that I was the black sheep that cried wolf, but he was indifferent
He just told me his stories even louder to stop my interruptions
From breaking the perfect bubble they wrapped me up in complexions.
My father told me about the three little piggies and how I was the strongest of them all
Because the big bad wolf could never blow down my bedroom wall
But what he didn’t tell me that all along he was the wolf in disguise
He was eaten himself, and I was next to be gobbled up; a pig who won first prize

However, I never got the chance to go weeeee weeee weee all the way home
Like every six-year-old kid dreamed of on their first day gone.
Within ten minutes of being in reality, I was told that Santa wasn’t real,
That stories were just fiction, and broken hearts won’t actually heal
I ran home that day fertilizing the grass below
It felt dead inside the kick to my reality was low
The grass I ran home on had been bone dry for six years
But I never really knew what to name crying since Elmo never really showed any tears

I wanna be the hero, I want to be the good little boy, but all this life has me down
and I can’t live in this little town, where everybody frowns, and people walk around with crowns
Looking down because you act a little different and weep yourself to sleep.
It may not be just this town the destroys little boys dreams,
But I’m not going to stick around to watch my home split apart at the seams

From the crib to the high chair, from the training wheels to the big boy seat, I was off
Off to meet talking trains, dancing zoo animals, and bright smiling people lit like Rudolf
I wanted laser guns shooting at me, ninja stars whizzing past my face
And everyday boys like me saving the day from bad guys that I'd have to chase
But nowadays criminals are for the news crews, and fights were for action scenes,
Adventures and joys were six planets away in Pluto’s playful puppy dreams
But I distinguished reality as fake because your fake was my reality
That I so desperately tried to hold onto since it was more lively than gravity

I was told the easter bunny had died and my cat didn’t go to the vet to rest;
the Superheroes were just drawings on a piece of paper destroying the forest
Not fighting the joker nor galactic alien ships; not even raising a finger to save a cat,
But I watched thousands of people die on my kindergarten screen in a concrete grave.
Superman never showed up to stop either of the hijacked planes,
And Mrs. Burger, the only teacher to ever give me a red light, cried for at least an hour in pain.
Before this, I had no idea what death was, but it had become blatantly clear to see
That whatever it was, where ever it took people, I swore up and down It would never take me

Because I wanna be the hero, I want to be the good little boy, but all this life has me down
and I can’t live in this little town, where everybody frowns, and people walk around with crowns
Looking down because you act a little different and weep yourself to sleep.
It may not be just this town the destroys little boys dreams,
But I’m not going to stick around to watch my home split apart at the seams
Another poem I wrote in my high school journal that I have been dying to share
JB Claywell Dec 2017
I watched my very own
Charles Bukowski
eat a tangerine outside of  
the arthouse  
where we were reading.

His name is not really Bukowski,
but he has told tales in the same  
vein as the Laureate of Drunkards
for longer than I have been alive.

I have listened to that same back alley
patois,
and barroom wisdom for long
enough that I feel a certain level  
of comfort in calling the old gizzard  
this municipality's own  
Charles Bukowski.

The grizzled old poet  
is telling wanton tales  
of love and honeydew.

He goes on and on,
recounting the times  
that he's drunk  
strong potato liquor
with Bengal tigers  
in the backseats  
of roaring taxis
on his way to parties  
hosted by zebras and  
gazelles.

We each light a cigarette,
pausing to smoke for a while.

Seeking to continue  
the conversation with  
my salty comrade,  
yet knowing my own  
stories cannot compete,
I surge onward nonetheless.

His interruptions jam my  
traffic before I can even make  
it onto the onramp of his  
particular, peculiar highway.

His mouth is already working,
though his tangerine consumed.

He's chewing his next story into
digestible, deliverable bits.

And, now he's chewing the rind.

His mouth,
his words,
his life,
and my own for all of it,
is full of  
zest.

*

-JBClaywell
©P&ZPublications 2017
for David, the tiger.
I love falling without expectations,
seeing yes in the garden of your eyes.
Being blinded
as if the earth moved
when we are sharing
the same sweet skies.

I love feeling as if I have been struck
clear to my soul.
When I run headlong into your arms and find
the half of me that is,
only with you, becomes whole.

I love the moments when I can sit very still
and get lost in the light of you.
The brilliancy of your heart
outshines any diamond  
in expressions of love’s hue.

I love how you roll into the air
as a whispered voice,
from lips confessing love reigns
inside your heart.  
The sound takes me places  
where my heart leaps to start.

I love waiting to relive  the treasure
of velvet minutes I hold of you
in my memory.
They are the sweetest interruptions
and I will embrace them
forever, lovingly.
just something a little sweet :)
Edward Feb 2012
“I love you”. You said and then you slipped away.
Broken dreams, meaningless futile efforts at happiness?
Mingled with useless feelings, promises of safe havens cast aside
Unmatched emptiness, soulless societies tearing apart concrete foundations

Searching with fevered panic, unhealthy unions superseded by drunkenness
Vacant eyes, struggled smiles stare back with futile efforts of understanding
Unreachable depths of ******* broken only by moments of saneness
Interruptions of innocent faces, blankly staring in wonderment at nothingness

Empty sentiment screams from hollowed eyes, foul breath from yellowed rotted smiles
Halo dirtied by unwashed hands, melodies of undying love, waking emotions.
Saneness interrupts
Passions momentarily subside, shameful memories, guilt ridden questions of why.
Seek forgiveness, absolution, resurrection of self worth.
Intimidated inner child crying, wanting wholeness

Inebriated ears cannot hear the mournful cry.
Sightless to the destruction of beautiful dreams
Cynical hearts cannot feel the bottomless abyss, created by selfish needs
Beautiful white light eclipsed by black desires, reality escapes

Averted eyes, wanton lies, excuses spring forth from rancid lips of deception
Healing words cast aside, ***** by visions of drunken ******.
A warped sense of empowerment dissuades sanity.
Trapped in the tentacles of forbidden lust.
Saneness interrupts

Written By Edward Gordon Green.
JGuberman Sep 2016
While Abraham was binding Isaac
to Mount Moriah he was interrupted by
a knock at the door.
         "Who could this be?" he thought.
         "We don't even own a door," he cried.
So he continued binding Isaac to the
altar. Again, a knock that could make
the deaf hear. Abraham had to stop
and look for the door.
          He yelled, "Leave me alone, I'm doing
God's work!" and returned to continue
the akedah. And again a knock interrupted
him, and again, and again---Abraham
did not know what to do, whether to laugh
or to cry.
           And then he thought: "This will be
the history of my children. When we will
be doing our work or God's work there will
always come a knock at the door to interrupt
us...whether we own a door or not." And
it came to pass that the history of the Jews
is a history of interruptions.
Line 12 *akedah* from the Hebrew meaning the act of binding cf. Genesis 22:9.

This poem was written in September 1981, now 35 years ago  and was first published 30 years ago in the now long defunct Orim; A Jewish Journal at Yale 2:1 (Autumn 1986) p. 35.

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