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"interred" poems
Mirror by Kajal Ahmad, a Kurdish poet loose translation/interpretation by Michael R. Burch My era’s obscuring mirror           shattered because it magnified the small and made the great seem insignificant. Dictators and monsters filled its contours.             Now when I breathe its jagged shards pierce my heart and instead of sweat I exude glass. Keywords/Tags: Kajal Ahmad, Kurd, Kurdish, translation, mirror, shattered, magnified, dictators, monsters, jagged, shards, sweat, perspire, leak, bleed, extrude, protrude, glass The Lonely Earth by Kajal Ahmad loose translation by Michael R. Burch The pale celestial bodies never bid her "Good morning! " nor do the creative stars kiss her. Earth, where so many tender persuasions and roses lie interred, might expire for the lack of a glance, or an odor. She's a lonely dusty orb, so very lonely! , as she observes the moon's patchwork attire knowing the sun's an imposter who sears with rays he has stolen for himself and who looks down on the moon and earth like lodgers. Kurds are Birds by Kajal Ahmad loose translation by Michael R. Burch Per the latest scientific classification, Kurds now belong to a species of bird! This is why, traveling across the torn, fraying pages of history, they are nomads recognized by their caravans. Yes, Kurds are birds! And, even worse, when there's nowhere left to nest, no refuge from their pain, they turn to the illusion of traveling again between the warm and arctic sectors of their homeland. So I don't think it strange Kurds can fly but not land. They wander from region to region never realizing their dreams of settling, of forming a colony, of nesting. No, they never settle down long enough to visit Rumi and inquire about his health, or to bow down deeply in the gust- stirred dust, like Nali. Bi Havre (“Together”) possibly the oldest Kurdish poem loose translation/interpretation by Michael R. Burch I want us to be together: we would eat together, climb the mountain together, sing songs together, songs of love, songs from the heart, sung from above. I want us to have one heart, together. Many words in this ancient poem are in doubt, so I have excerpted what I grok to be the central meaning. And because Kajal mentioned Rumi, here are my translations of Rumi: Raise your words, not their volume. Rain grows flowers, not thunder. —Rumi, loose translation/interpretation by Michael R. Burch Birdsong by Rumi loose translation/interpretation by Michael R. Burch Birdsong relieves my deepest griefs: now I'm just as ecstatic as they, but with nothing to say! Please universe, rehearse your poetry through me!
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Apr 1, 2020
Apr 1, 2020 at 3:00 AM UTC
Kajal Ahmad "Mirror" translation
Mirror by Kajal Ahmad, a Kurdish poet loose translation/interpretation by Michael R. Burch My era’s obscuring mirror           shattered because it magnified the small and made the great seem insignificant. Dictators and monsters filled its contours.             Now when I breathe its jagged shards pierce my heart and instead of sweat I exude glass. Keywords/Tags: Kajal Ahmad, Kurd, Kurdish, translation, mirror, shattered, magnified, dictators, monsters, jagged, shards, sweat, perspire, leak, bleed, extrude, protrude, glass The Lonely Earth by Kajal Ahmad loose translation by Michael R. Burch The pale celestial bodies never bid her "Good morning! " nor do the creative stars kiss her. Earth, where so many tender persuasions and roses lie interred, might expire for the lack of a glance, or an odor. She's a lonely dusty orb, so very lonely! , as she observes the moon's patchwork attire knowing the sun's an imposter who sears with rays he has stolen for himself and who looks down on the moon and earth like lodgers. Kurds are Birds by Kajal Ahmad loose translation by Michael R. Burch Per the latest scientific classification, Kurds now belong to a species of bird! This is why, traveling across the torn, fraying pages of history, they are nomads recognized by their caravans. Yes, Kurds are birds! And, even worse, when there's nowhere left to nest, no refuge from their pain, they turn to the illusion of traveling again between the warm and arctic sectors of their homeland. So I don't think it strange Kurds can fly but not land. They wander from region to region never realizing their dreams of settling, of forming a colony, of nesting. No, they never settle down long enough to visit Rumi and inquire about his health, or to bow down deeply in the gust- stirred dust, like Nali. Bi Havre (“Together”) possibly the oldest Kurdish poem loose translation/interpretation by Michael R. Burch I want us to be together: we would eat together, climb the mountain together, sing songs together, songs of love, songs from the heart, sung from above. I want us to have one heart, together. Many words in this ancient poem are in doubt, so I have excerpted what I grok to be the central meaning. And because Kajal mentioned Rumi, here are my translations of Rumi: Raise your words, not their volume. Rain grows flowers, not thunder. —Rumi, loose translation/interpretation by Michael R. Burch Birdsong by Rumi loose translation/interpretation by Michael R. Burch Birdsong relieves my deepest griefs: now I'm just as ecstatic as they, but with nothing to say! Please universe, rehearse your poetry through me!
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75
I am the Poet, hear my siren’s song My woven whispers ****** ways and words Mesmerizing, you will feel you belong Be part of an inner circle and be heard Write with me, no lines will be false or blurred Together we will create and be strong There’s no need for pleasure to be deferred I am the Poet, hear my siren’s song I have been sad and alone way too long Belonging together is most preferred Creating brings joy, won’t you come along? My woven whispers ****** ways and words Take a chance and your senses will be stirred Part of our circle, not lost in the throng We are more together, grace is conferred Mesmerizing, you will feel you belong All ideas are welcomed, no thought is wrong Just know this; your spirit won’t be interred May our venture be successful and long Be part of an inner circle and be heard I am the Poet krs July 21, 2015
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Jul 21, 2015
Jul 21, 2015 at 6:34 PM UTC
I am the Poet
Viking chiefs Valhalla bound, at death, were not interred I've found. On a fire ship they 'd place their chief and cremate him per their belief. Was it an obsequious grief that gave rise to this strange belief? For seafaring folk it scarce seems mete to lose a captain, then burn the fleet. With Dragon heads fixed fore and aft Those ships brought terror, sword and shaft. Irish Monks would think its fine to burn one to the water line. The ship of death was burning bright as it sank within the fjord that night carrying the Viking chiefs cremains to his Viking gods' domains. Was it conspicuous consumption that drove the Vikings to this junction? Perhaps after a life , ****** and gory, they craved going out in a blaze of glory.
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May 26, 2012
May 26, 2012 at 8:17 AM UTC
Fiery Dragon
A Poem in 3 Parts by Sara L Russell, 4/6/15; 00:51am I There is a grey area between this world and the next. People can be foolish; they dabble in ouija, in dowsing, in automatic writing; and - wittingly or unwittingly, they may open a portal to the other side. That is how they enter. Beware of inviting them in. Shadow people are there where needle pierces skin; where the ****** sits, glassy-eyed, on the precipice of oblivion; they lurk in unholy places where godless politicians declare themselves to be speaking for God; they haunt the dreams of drunkards, schizophrenics, junkies and the paranoid. But they are not spun out of dreams, they are real. Shadow people were there when the ancient pharaohs of Egypt were interred, with all their gold; they took them to Hades for also burying their wives and servants, alive. They were there in **** concentration camps, sitting on the left shoulders of those who blindly carried out orders of death and torture. They subsist in underworlds of catacombs, they lurk in the spaces between our conscious and unconscious minds; In blackened mirrors they seek out a vortex, My friends, be the light that keeps out the darkness, Do not seek to question the dear and foregone, No matter how much they are missed; for there are others lurking in the shadows. Be not the portal inviting them in. II Did I see you in Bohemian Grove, smiling at the Cremation of the Care? Were you there, and did you have more than one shadow? Did I see you in that Great Hall with chequered floors, where the Eye of Horus watched over a pyramid of gold? Did you lift a cup of the good red wine, did blood brothers drink each other's health, gazing through a glass darkly? Did we toast the Cremation of the Care, and how many others were there? III Sometimes we visit Hell in our dreams, though we may fervently pray before sleep. There is no shame in sleeping with the light on. Wear a cross, if you think that it will help. Sometimes the citizens of Hell visit us, in that stasis between sleep and wakefulnes; they are only ever seen at the outer periphery of our vision. It's never a good idea to look at them directly. Sometimes they venture a little closer than the rules allow. Sometimes the line between their domain and ours is blurred. Occasionally, the breeze seems to whisper your name - only, it's not the breeze. Be vigilant. Always try to see them first.
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Jun 3, 2015
Jun 3, 2015 at 7:55 PM UTC
Shadow People
A Poem in 3 Parts by Sara L Russell, 4/6/15; 00:51am I There is a grey area between this world and the next. People can be foolish; they dabble in ouija, in dowsing, in automatic writing; and - wittingly or unwittingly, they may open a portal to the other side. That is how they enter. Beware of inviting them in. Shadow people are there where needle pierces skin; where the ****** sits, glassy-eyed, on the precipice of oblivion; they lurk in unholy places where godless politicians declare themselves to be speaking for God; they haunt the dreams of drunkards, schizophrenics, junkies and the paranoid. But they are not spun out of dreams, they are real. Shadow people were there when the ancient pharaohs of Egypt were interred, with all their gold; they took them to Hades for also burying their wives and servants, alive. They were there in **** concentration camps, sitting on the left shoulders of those who blindly carried out orders of death and torture. They subsist in underworlds of catacombs, they lurk in the spaces between our conscious and unconscious minds; In blackened mirrors they seek out a vortex, My friends, be the light that keeps out the darkness, Do not seek to question the dear and foregone, No matter how much they are missed; for there are others lurking in the shadows. Be not the portal inviting them in. II Did I see you in Bohemian Grove, smiling at the Cremation of the Care? Were you there, and did you have more than one shadow? Did I see you in that Great Hall with chequered floors, where the Eye of Horus watched over a pyramid of gold? Did you lift a cup of the good red wine, did blood brothers drink each other's health, gazing through a glass darkly? Did we toast the Cremation of the Care, and how many others were there? III Sometimes we visit Hell in our dreams, though we may fervently pray before sleep. There is no shame in sleeping with the light on. Wear a cross, if you think that it will help. Sometimes the citizens of Hell visit us, in that stasis between sleep and wakefulnes; they are only ever seen at the outer periphery of our vision. It's never a good idea to look at them directly. Sometimes they venture a little closer than the rules allow. Sometimes the line between their domain and ours is blurred. Occasionally, the breeze seems to whisper your name - only, it's not the breeze. Be vigilant. Always try to see them first.
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73
lord they say of that home overhead is beauty rapturous but the interred holler a song showing gold to be lead for his might is rancorous thought that allure captures still for when have the greedy had their fill not in this life not in the next for the fearful are still afraid and will be still, when down they're laid despite their fight the sickly go too for all their bated breaths could not help in their deaths that fed the soil what hungered so going silently into that goodnight
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Jul 1, 2021
Jul 1, 2021 at 2:00 PM UTC
Dublin Blues
the curling smoke from warming fires rise into the slate gray sky of the Beqaa Valley sheaves of rising prayers expire in twisted plumes dissipating into the gloom of an ever looming winter overcast refugees from the Arab Spring's uncivil wars gather for warmth around waning embers, smoldering in the underbelly of the lowliest bottom of rusted steel drums, tended with scavenged debris some thought better suited to fortify the faltering hovels of last resort the fires join us in communal rings straining the tenuous links of brotherhood, the politics of men assiduously tear asunder we count ourselves among the fortunate, blessed exiles recused from the acrimony of desecrated cities, welcoming the residencies of bewailing lullabies of colic infants, the searing hunger of stunted children and the incomprehensible babble the elderly eloquently speak in tongues of a desperate exasperation our nagging impotence swaddle us in ambivalent inabilities to master circumstances profanely denigrating our humanity privation is our daily bread the bitter manna feasting on the animosity the banquet of rancor generously prepares for peace starved pilgrims in these refugee camps the cold cuts deeper hunger pangs grow sharper our blighted dignity, vanished livelihoods, and the presence of recently interred loved ones trudge through our mean encampment as fully enfranchised citizens in our distressed kingdom what was lost can never be recovered our homeland leveled yet doors still stand open silently pleading all to cross a new threshold the full restoration of our hope, the reconstitution of our flagging humanity, the spark of the holy spirit willfully uniting us in the salvation of reconciliation is nigh we are the divine children stoking the embers tending the fire that light pathways through the cold darkness of a broken world Oh come Emmanuel, dwell among us Oh come Emmanuel ransom once again the poor captives of Israel…. Selah Music Selection: L'Accorche-Choeur, Ensemble vocal Fribourg Veni Veni Emmanuel Everywhere Christmas 2013 jbm
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Dec 24, 2013
Dec 24, 2013 at 10:48 AM UTC
Emmanuel
the curling smoke from warming fires rise into the slate gray sky of the Beqaa Valley sheaves of rising prayers expire in twisted plumes dissipating into the gloom of an ever looming winter overcast refugees from the Arab Spring's uncivil wars gather for warmth around waning embers, smoldering in the underbelly of the lowliest bottom of rusted steel drums, tended with scavenged debris some thought better suited to fortify the faltering hovels of last resort the fires join us in communal rings straining the tenuous links of brotherhood, the politics of men assiduously tear asunder we count ourselves among the fortunate, blessed exiles recused from the acrimony of desecrated cities, welcoming the residencies of bewailing lullabies of colic infants, the searing hunger of stunted children and the incomprehensible babble the elderly eloquently speak in tongues of a desperate exasperation our nagging impotence swaddle us in ambivalent inabilities to master circumstances profanely denigrating our humanity privation is our daily bread the bitter manna feasting on the animosity the banquet of rancor generously prepares for peace starved pilgrims in these refugee camps the cold cuts deeper hunger pangs grow sharper our blighted dignity, vanished livelihoods, and the presence of recently interred loved ones trudge through our mean encampment as fully enfranchised citizens in our distressed kingdom what was lost can never be recovered our homeland leveled yet doors still stand open silently pleading all to cross a new threshold the full restoration of our hope, the reconstitution of our flagging humanity, the spark of the holy spirit willfully uniting us in the salvation of reconciliation is nigh we are the divine children stoking the embers tending the fire that light pathways through the cold darkness of a broken world Oh come Emmanuel, dwell among us Oh come Emmanuel ransom once again the poor captives of Israel…. Selah Music Selection: L'Accorche-Choeur, Ensemble vocal Fribourg Veni Veni Emmanuel Everywhere Christmas 2013 jbm
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122
A-Artifacts of long ago they're ever searching out R-Relics in the Earth's soil layers interred deep C-Curios from cultures past they're excavating out H-History is alive in the things buried so deep A-Abroad and at home their trowels seeking out E-Enlightening the world with fragments of the deep O-Open our eyes to the objects they shovel out L-Lasting stories of past societies entombed down deep O-Ongoing discoveries made with what they dig out G-Great civilizations lie in quietness beneath the deep I-Interesting journals and facts these specialists put out S-Saving the ken of ancestries which are lodged deep T-Times way back in eons past to-day bought out S-Surfacing from the ground out of a sleep most deep
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Jul 17, 2014
Jul 17, 2014 at 9:06 PM UTC
Archaeologists(Acrostic Poem)
I know this foreign method      made my throbbing veins its home 'cuz the familiar's not familiar      and I'm not fine           lest I'm messed up on wine.      And 9/10 of all the times I've tried to crack a smile since I lost you have turned out as half-assed lies. I wander streets, worn out, while I wonder where you are and what you're thinking about while      you drive down Henderson...           I'll try to dry out           from time to time         but fall back into bouts        internal I'm interred in        eternally--and I'll never win them.        I'll. Never. Win them. Not without...           Sorry... I meander through months while      you walk through my mind --and I'm glad if you're happy?--      but you were quite angry     with me that night I took      and torched our collection      of 5 years' shared memories           QUITE ANGRY              with me.     And the things you said were mean           but you meant them. And you were right About how wrong I was how bad I am, and how I taste like lemon lies on the tongue.      You were right.      And I'm drunk. And sad and sorry and selfish and stupid and absorbed by a salted skyline of cold, purple steel           every night. It ***** You teach kids for a living, about the age of 9. Me? I try to dry out now and then, time to time, but it's hard. And you're far. And I'd still come if I could,      but it's hard      following this heart      when it's buried      at the confluence      of the Red and Assiniboine           Rivers. Beneath The Forks... And that heart? Like the ground above it,      it's covered with ****** commercial architecture and the clothing of bureaucracy,      but ****       we had fun there. Didn't we...?
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Jan 20, 2015
Jan 20, 2015 at 1:47 PM UTC
The Forks
I know this foreign method      made my throbbing veins its home 'cuz the familiar's not familiar      and I'm not fine           lest I'm messed up on wine.      And 9/10 of all the times I've tried to crack a smile since I lost you have turned out as half-assed lies. I wander streets, worn out, while I wonder where you are and what you're thinking about while      you drive down Henderson...           I'll try to dry out           from time to time         but fall back into bouts        internal I'm interred in        eternally--and I'll never win them.        I'll. Never. Win them. Not without...           Sorry... I meander through months while      you walk through my mind --and I'm glad if you're happy?--      but you were quite angry     with me that night I took      and torched our collection      of 5 years' shared memories           QUITE ANGRY              with me.     And the things you said were mean           but you meant them. And you were right About how wrong I was how bad I am, and how I taste like lemon lies on the tongue.      You were right.      And I'm drunk. And sad and sorry and selfish and stupid and absorbed by a salted skyline of cold, purple steel           every night. It ***** You teach kids for a living, about the age of 9. Me? I try to dry out now and then, time to time, but it's hard. And you're far. And I'd still come if I could,      but it's hard      following this heart      when it's buried      at the confluence      of the Red and Assiniboine           Rivers. Beneath The Forks... And that heart? Like the ground above it,      it's covered with ****** commercial architecture and the clothing of bureaucracy,      but ****       we had fun there. Didn't we...?
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67
I am not old, yet. My skin is not powdery and white, see-through like a paper lantern. But there is a part of me which When I dare to reach for someone I love Reaches with brittle ***** fingers, soft and cold and fluttering like white moths That edge closer to a flame until they catch. There is a part of me that feels old, and fragile. And already even in the crest of my youth I’ve cursed this body For its frailty, its needs. It suffers and complains, always crying out for something, Never sated, never still. I’ve said it feels like living inside a porcelain doll A look, and cracks can spider out along an arm, A word and blood can bloom beneath the surface, seeping up into Bruised pictures and symbols. I must always be gentle, I must always be Watching. Too passionate, and fissures form, marring the cheek, spreading like shadows thrown by a lace curtain. I stare out, burning to touch everything, And yet I pull back: To dare is to risk, and I’ve seen Both reward and loss. I have seen a thousand shining colors spread across me like sunrise, Warming my skin, Calling to me like prayer until a bit of light escaped through the spaces between my atoms and reached another person’s palms, But I have also seen the pale, flat shards of myself, Sifted through white dust in dismay For a salvageable portion. Indeed, there are rooms in this world where sharp edges of me still linger Waiting in obstructed corners and beneath heavy refrigerators To gouge a foot or snag a hem, Interred In the dark and hollow places where they flew when I shattered and could not gather them all. I have known Intimately My own fragility, How maddeningly breakable I am And how difficult to mend. And there is a part of me now, always, Which whispers to me when I would be bold, “You are not old, yet. But wouldn’t you just love To live that long?”
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Feb 1, 2017
Feb 1, 2017 at 10:36 PM UTC
"Till Human Voices Wake Us, And We Drown."
I am not old, yet. My skin is not powdery and white, see-through like a paper lantern. But there is a part of me which When I dare to reach for someone I love Reaches with brittle ***** fingers, soft and cold and fluttering like white moths That edge closer to a flame until they catch. There is a part of me that feels old, and fragile. And already even in the crest of my youth I’ve cursed this body For its frailty, its needs. It suffers and complains, always crying out for something, Never sated, never still. I’ve said it feels like living inside a porcelain doll A look, and cracks can spider out along an arm, A word and blood can bloom beneath the surface, seeping up into Bruised pictures and symbols. I must always be gentle, I must always be Watching. Too passionate, and fissures form, marring the cheek, spreading like shadows thrown by a lace curtain. I stare out, burning to touch everything, And yet I pull back: To dare is to risk, and I’ve seen Both reward and loss. I have seen a thousand shining colors spread across me like sunrise, Warming my skin, Calling to me like prayer until a bit of light escaped through the spaces between my atoms and reached another person’s palms, But I have also seen the pale, flat shards of myself, Sifted through white dust in dismay For a salvageable portion. Indeed, there are rooms in this world where sharp edges of me still linger Waiting in obstructed corners and beneath heavy refrigerators To gouge a foot or snag a hem, Interred In the dark and hollow places where they flew when I shattered and could not gather them all. I have known Intimately My own fragility, How maddeningly breakable I am And how difficult to mend. And there is a part of me now, always, Which whispers to me when I would be bold, “You are not old, yet. But wouldn’t you just love To live that long?”
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44
It was at the stroke of midnight that the Earls took flight; sailing from Lough Swilly, sheltered only by the night. They headed for the continent fleeing from the Stuart King. Better far a death in exile than let the English clip their wings. They sailed to raise an army to reclaim their ancient rights, Not admitting that Kinsdale had become their final fight. They lost sight of Downpatrick as they sailed the storm swept sea. The verdant hills of Ireland they nevermore would see. The English and the Spanish had determined to make peace. Tyrconnell died soon after, some say he died from grief. James Stuart called them traitors; took their titles and estates. The Gaelic order was broken and by Protestants replaced. Tyrone would end his days in idleness; his corpse interred in Rome. His spirit wanders restless still, a soul without a home.
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May 10, 2017
May 10, 2017 at 10:31 AM UTC
The Flight of the Earls, 9/4/1607
he steps forward to bless us with song benediction’s serenade binder clips and clothespins weaken wind as sheet music tries to take flight with each strum he was fighting it emoting with sad lips and blue eyebrows taking deep breaths let out with heavy sighs but holding steady singing and crying come from the same place as he sang the sun sneaked out shadows surrendered their stronghold a moment of warmth shown upon our gathering near the pine tree at our father’s grave Terence’s ashes to be interred with dad a musician, an artist, a writer of songs and poems a technician, an electrician, a wood worker his many gifts now only spoken of in past tense a son to two, a brother to eight an uncle to many a father to one daughter his passion relived in his writings and works his essence reflected in her eyes
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Sep 6, 2010
Sep 6, 2010 at 10:59 AM UTC
Katya's Eyes
He put a flint to the lantern once They’d walked across the crest, Were lost in a group of headstones that Lay hidden from the rest, And down in a slight depression he Lit up a certain tomb, Where the name of Elspeth Trelawney Was reflected in the gloom. Trelawney held up the lantern high While Corby held the ***** And Gordon Bracks with an old pick-axe Stood back, he was afraid. ‘I fear the spirits are out tonight In this graveyard of the ****** ‘Get on, and turn up the sod,’ he said, Trelawney forced his hand. The Squire was quiet and ashen-faced As the two had bent their backs, Corby tipping the earth aside Then standing aside for Bracks, ‘The earth is solid, it’s packed right down, We need to pick it loose,’ ‘Just do whatever you have to do, There’s little time to lose!’ The Squire had buried his Elspeth back In eighteen twenty-four, For seven years he had held his grief But he couldn’t take much more, ‘I have to see her again,’ he said, To kiss her pale, dead lips, To stroke the hair on my darling’s head And caress her fingertips.’ She’d taken the coach and four one day Way out in the countryside, The coachman, used to a horse and dray, Had begun to speed the ride, He whipped the horses and lost the reins As the coach began to slide, Tipped the coach in the watercourse Where Elspeth drowned and died. He hadn’t looked at his lover’s face Before she was interred, But tried to avoid the loss of grace In her face that was inferred. ‘I only want to remember her As she was in the flush of life, Not in the throes of death,’ he’d said When talking about his wife. They’d rushed to hurry the burial, On the day that she was found, Popped her into a coffin, then, Planted her in the ground, Trelawney later had agonised That he hadn’t let her lie, ‘I couldn’t bear her to be around,’ He said, with a tearful eye. But now he wanted to see her face, They lifted the coffin lid, While Gordon Bracks had turned his back To see what Trelawney did, The horror showed on the Squire’s face As he gazed into her eyes, For Elspeth lay in a bleak dismay As her fate was realized. Her hands were raised and they looked like claws They’d scratched at the coffin lid, The clumps of hair she had torn right out Was the final thing she did, And on the lid she had scratched his name In the torment of the ****** ‘Trelawney, may you be cursed by God!’ She’d scratched, with her dying hand. David Lewis Paget
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Jan 14, 2014
Jan 14, 2014 at 7:41 PM UTC
The Final Message
He put a flint to the lantern once They’d walked across the crest, Were lost in a group of headstones that Lay hidden from the rest, And down in a slight depression he Lit up a certain tomb, Where the name of Elspeth Trelawney Was reflected in the gloom. Trelawney held up the lantern high While Corby held the ***** And Gordon Bracks with an old pick-axe Stood back, he was afraid. ‘I fear the spirits are out tonight In this graveyard of the ****** ‘Get on, and turn up the sod,’ he said, Trelawney forced his hand. The Squire was quiet and ashen-faced As the two had bent their backs, Corby tipping the earth aside Then standing aside for Bracks, ‘The earth is solid, it’s packed right down, We need to pick it loose,’ ‘Just do whatever you have to do, There’s little time to lose!’ The Squire had buried his Elspeth back In eighteen twenty-four, For seven years he had held his grief But he couldn’t take much more, ‘I have to see her again,’ he said, To kiss her pale, dead lips, To stroke the hair on my darling’s head And caress her fingertips.’ She’d taken the coach and four one day Way out in the countryside, The coachman, used to a horse and dray, Had begun to speed the ride, He whipped the horses and lost the reins As the coach began to slide, Tipped the coach in the watercourse Where Elspeth drowned and died. He hadn’t looked at his lover’s face Before she was interred, But tried to avoid the loss of grace In her face that was inferred. ‘I only want to remember her As she was in the flush of life, Not in the throes of death,’ he’d said When talking about his wife. They’d rushed to hurry the burial, On the day that she was found, Popped her into a coffin, then, Planted her in the ground, Trelawney later had agonised That he hadn’t let her lie, ‘I couldn’t bear her to be around,’ He said, with a tearful eye. But now he wanted to see her face, They lifted the coffin lid, While Gordon Bracks had turned his back To see what Trelawney did, The horror showed on the Squire’s face As he gazed into her eyes, For Elspeth lay in a bleak dismay As her fate was realized. Her hands were raised and they looked like claws They’d scratched at the coffin lid, The clumps of hair she had torn right out Was the final thing she did, And on the lid she had scratched his name In the torment of the ****** ‘Trelawney, may you be cursed by God!’ She’d scratched, with her dying hand. David Lewis Paget
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73
His remains were borne away to the cemetery And were interred in a "G" marked grave finally, Having led he a life of wine, women and Song. He was therefore committed to the land Of no returning more, who on this shore was The philanderers' prince, using his john thomas To make lucre off ladies libido--a ****** For he knew how to set their body whole aglow And ensured their ****** playing the field as A merchant of amour in the Sin City of Las Vegas and had a great liking for cards-- When easing up his muscles--and  for billiards. He's a 6'4 and broad-chested feller; chunky Enough for that **** business. A bloke beefy!
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May 16, 2012
May 16, 2012 at 2:24 AM UTC
The G-Man (Part 1)
I Didn't Need any new Friends in my full life Yet you interred my life with A furry and vigor that couldn't be denied Turned my world up side down Making it topsy-turvy   Thank you for You and I
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Sep 29, 2013
Sep 29, 2013 at 2:06 PM UTC
Diamond
swimming under lightning, lighting our submergence flash allure: smooth bodies, bright to glimpse and shadow-grin intent collide and mingle folds of pleasure, firmly bent to tangle, clasp and spurn the world above, rely on one another's breath, stored for loving long in bubbles gasping sweet melodics free as with imagined merfolk passion-songs of lore, prescient lapping dance of tidal fruits you loved before they came, moonray columns stage us in our seashift wombs--again-- within a womb--like instant chrysalises blinking luminescent bursts i am interred within the waves you ripple into me, blind carnal pressures built from ancient shores become the sea again the magnitude entrances on its own, that acrophobic thrill celestial in our interthreaded eyes, open to a color deeply in the dark of octopodal ink a curtain phosphorescent armpit pulse, caressing thumb and lip, billows, sways the dance anew, to sonar drumbeat, pulmonary height the spinal scream a surface ripple for the sky, symphonic deep to barely whisper into air
0
Feb 17, 2013
Feb 17, 2013 at 9:06 AM UTC
underwater love
I found you lone brick, of a million, one part of a mortared whole your brothers now buried by time, without benediction   progeny of clay, shale, you were born in a kiln as hot as all creation dragged to this plain by spoked wheel and mule--sweat of the honest illiterate long before the dusters blew the crops to hell, and Tom Joad's kin to the promised land the mason who laid you in a proud straight row is now in the ground too not a mile from you, where the county put him the hot Friday a man set foot on the moon the bricklayer’s days with the trowel long past, his memories of you, your place in all weathers interred with him   I found you , and you are the man’s legacy, he yours
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Feb 19, 2018
Feb 19, 2018 at 4:09 PM UTC
ode to a brick
.  .  .  .  .  .  . .                 . .  .   .   .   .   .   . i would like a space marked out wherein in silence i'd observe my sacral auguries,   and insularly divine amid mid-dawning light contingencies, to sweep a magic sweep for sunrise-                                                                        -tabula|_|rasa and find, founded in a flout: a sect beyond sects to section self sectionless~ inwrought helix interhelix nest~ and there reside attentively ()blinking()        s l o w      ...ly in rainbow eyelash quiver flow, arrows     soaring      ' '  '    '         '              'centerly to        pin    each                whirl of dream,                        of sleep,                            mneumonic residue,                                              prehensions right    or wrong    clear through -- symbological goo, too-- all too evidently called from out an obvious deep oblivion of plenum om, or so it's said it's seen in clear eidetic percept room of alter overmInd of mindstuff's tomb [*] and form of selfish altar drama gone and soon for looking in or out or neither both oblique, about aboutness-mirror zoom~ to which what spectionism halves behaving in a twofold twining intro free: the finest of the fine: insight-interred        intuited sign quiescently, albeit doubtfully at times, benign . . . .
0
Aug 4, 2012
Aug 4, 2012 at 4:32 PM UTC
(templum) for an inner sectionalism (/escapism)
.  .  .  .  .  .  . .                 . .  .   .   .   .   .   . i would like a space marked out wherein in silence i'd observe my sacral auguries,   and insularly divine amid mid-dawning light contingencies, to sweep a magic sweep for sunrise-                                                                        -tabula|_|rasa and find, founded in a flout: a sect beyond sects to section self sectionless~ inwrought helix interhelix nest~ and there reside attentively ()blinking()        s l o w      ...ly in rainbow eyelash quiver flow, arrows     soaring      ' '  '    '         '              'centerly to        pin    each                whirl of dream,                        of sleep,                            mneumonic residue,                                              prehensions right    or wrong    clear through -- symbological goo, too-- all too evidently called from out an obvious deep oblivion of plenum om, or so it's said it's seen in clear eidetic percept room of alter overmInd of mindstuff's tomb [*] and form of selfish altar drama gone and soon for looking in or out or neither both oblique, about aboutness-mirror zoom~ to which what spectionism halves behaving in a twofold twining intro free: the finest of the fine: insight-interred        intuited sign quiescently, albeit doubtfully at times, benign . . . .
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41
My mind's like a seafaring vessel, Ready to sink with an overload Of volatile rhymes that scuffle and wrestle And at any moment may explode Heaven knows I've tried to stem the tide, But every thought turns to poetry; I fear, while interred on some peaceful hillside, I'll be rhyming through eternity!
0
Oct 28, 2021
Oct 28, 2021 at 1:09 PM UTC
Full Steam Ahead!
Jack ropes and merriopes In solicitous rhyme in fer derilious velope envy implicitous insectuaryan harridannous Ensole brodequins forbearing to lace Trace elements of that remaining empoisonous For failure interred Is succes disinterred? And if so, form where? Where derinferred strands failure unerred By error masked muscovado coloured Breadth Pneumonic, perhaps caustically mate Aerial’d on the glib side of acoustical elimination Veritable under pooh stick discrimination Matte clouds of drab depression ove in An area of low pressure According to yon hypothalamic forecaster. Core has ter Fail lently viola lapidavitious stretch so she as fer ter rousse fer ter kamuskova. An epic Scribbled on der calen. Sole of brevity then being approximately an inch and a Bit minus that Torrent all yendergelpin cleaving The very schism wit! It cynicism Be as may be a pea, no spelling bee entrusted Where? In there? In that jumble of line? Barely knows his lime from his rhyme, or indeed Lime from lime. He’s just trying to fill up that calendrous space And make some sense of it.
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Dec 23, 2013
Dec 23, 2013 at 3:19 PM UTC
Epic Scribbled on a Calendar
“Sweet Kiss” was the horse and Frank Hayes was his rider, Both destined this day to gain fame. Frank was a stable boy on his first stake horse; The horse too was a novice, but game. This pairing went off at 20-1, but was well worth the risk of a “fiver”. Sweet Kiss won the race and the bettors were stunned for his jockey fell off, a cadaver. Frank suffered a heart attack on the last turn and the horse was the only survivor. Frank Hayes, undefeated, was interred in his silks. “Sweet Kiss”, undefeated, retired. Jockeys are short but have memories long- None were willing to be her next rider.
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Apr 16, 2015
Apr 16, 2015 at 11:27 PM UTC
Sweet Kiss of Death
Death affirms and is the term of life; flesh and firmness, egg and ***** the means. Breath interred within a Word and light, deftly perched perpetually in-between: born to discontinuous distraction, borne through a contemptuous nadir;      but in a moment, all's destroyed,      and in the black and empty of the void, a helix (and a hollow core) appears. Baphomet the emblem of Its power, sacrament the reverence revealing devilment to Wisdom yet to flower, absent comprehension of Its meaning. Pan personifies the All unbounded, flouts the misconceptions of the seeing:      Hermes the unmaskèd death,      Aphrodite's basking cleft, the androgyne transcends within its being. O - not called "the little death" in jest, Gnosis vaunted in the ebb of Lust, though is Not, the know'r of Life and Death: know that All It Is is what thou Wast, Its continuity the end thou seekest in contemplation, *** and wist for death:      Thanatos, eternal sleep,      Eros, infinitely deep, Generation poised to manifest.
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Nov 14, 2013
Nov 14, 2013 at 12:47 AM UTC
Thanateros
- i look up at my feet and understand what it is like to be buried underneath the entirety of the Earth— maybe Atlas was simply interred after all... s jones 2021 .
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Jun 12, 2021
Jun 12, 2021 at 9:30 AM UTC
the deepest earth
i am a survivor, i am a scavenger, i am a man with no shame. i am an artist, i am a writer, i am an iconoclast. i am a lover, i am a creator, i am a destroyer. i am quality, i am worthless, i am absence. i am man, i am conqueror, i am world-ender. i am an addict, i am old, i am wizened. i am free, i am young, i am unnurtured. i am secret, i am becoming, i am a wreck. i am a shadow, i am oblivious, i am obvious. i am obscene, i am abhorrent, i am hidden. i am a seeker, i abstain – i am a liar. i am a deceiver, i am an actor, i am unknowable. i am entirety, i am citizen, i am insolence. i am thought, i am concept, i am revoked. i am wanderer, i am thoughtless, i am lost. i am undying, i am inured, i am fleeting. i am alive, i am mythologized, i am end. i am a thief, i am a monster, i am alive. i am a philosopher, i am a thinker, i am superfluous. i am good, i am evil, i am unaligned. i am pragmastic, i am irrational, i am common sanity. i am emotional, i am withheld, i am interred. i am new, i am ruined, i am interregna. i am proper, i am erased, i am discrection. i am sought, i am not, i am simple. i am somnolent, i am erratic, i am errancy. i am abstinence, i am uncontrolled, i am the world. i am fraught, i am emptiness, i am humanity. i am dandelion, i am magnolia, i am an albatross. i am talent, i am intelligence, i am fettered. i am here and now, i am then and when, i am done. i am malice, i am harm, i am self-destruction. i am a fighter, i am encephalic, i am lost. i am alone, i am alive, i am free.
0
Jan 27, 2013
Jan 27, 2013 at 2:46 AM UTC
927 11.37ante
i am a survivor, i am a scavenger, i am a man with no shame. i am an artist, i am a writer, i am an iconoclast. i am a lover, i am a creator, i am a destroyer. i am quality, i am worthless, i am absence. i am man, i am conqueror, i am world-ender. i am an addict, i am old, i am wizened. i am free, i am young, i am unnurtured. i am secret, i am becoming, i am a wreck. i am a shadow, i am oblivious, i am obvious. i am obscene, i am abhorrent, i am hidden. i am a seeker, i abstain – i am a liar. i am a deceiver, i am an actor, i am unknowable. i am entirety, i am citizen, i am insolence. i am thought, i am concept, i am revoked. i am wanderer, i am thoughtless, i am lost. i am undying, i am inured, i am fleeting. i am alive, i am mythologized, i am end. i am a thief, i am a monster, i am alive. i am a philosopher, i am a thinker, i am superfluous. i am good, i am evil, i am unaligned. i am pragmastic, i am irrational, i am common sanity. i am emotional, i am withheld, i am interred. i am new, i am ruined, i am interregna. i am proper, i am erased, i am discrection. i am sought, i am not, i am simple. i am somnolent, i am erratic, i am errancy. i am abstinence, i am uncontrolled, i am the world. i am fraught, i am emptiness, i am humanity. i am dandelion, i am magnolia, i am an albatross. i am talent, i am intelligence, i am fettered. i am here and now, i am then and when, i am done. i am malice, i am harm, i am self-destruction. i am a fighter, i am encephalic, i am lost. i am alone, i am alive, i am free.
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31
A lonesome threshold, yesterday was light as confetti / from a wedding that bled in thirty litres of martyred roses / How long are three hundred steps from a church, to stucco walls the colour of sorrow? Soil, the tint of blood, ichor of mountain Gods, deveined for lost embrace of roots / Wind whistling away regrets in the dust of liberated souls / Would it sing for her, embalmed in the bowels of earth’s sanguine hum? April heat, weighted with a dirge of tears salted in ocean / rusting the trumpet and violin strings / Who will tune the piano for mass, now that those musical men sailed before her, in paper boat memoirs? The Goliath tree rooted in bones, a giant on such sustenance / gatekeeper of souls tethered to fleshy sinews in beds of solitude / Will she be interred in fruit, as he suppers on her animated putrefaction? Suffering, twice a child, once a lady, she didn’t stay long to be swaddled in linens of pity, cottons of commiserations / Where will I store the enameled chamber *** for when I grow up to be her likeness? Nightshades, funneling viscous memories, trumpeting in a pastel wilderness, alkaloid racket waiting to sound in the poisons of prayerful echoes / When will they bloom, toxic with grief of a swelling past, so I may sleep as soundly as her?
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Apr 5, 2021
Apr 5, 2021 at 6:18 PM UTC
A dirge on a hot April day is the sound of a tree feasting on sinews
Her two golden lamps made me pause, As she spread her liquid gaze upon my flesh, And slowly blinked When she discovered that I stared back. The dry valleys of age ran crazily over her face, Deepening as she squinted in the sun, A sun whose weakening hold on life Put forth its meager attempt at warming her. Her tattered, faded scarf was wrapped demurely About her head; I am sure they had lived together long And seen and watched many like me pass On the graying pavement. When she approached, she was like an old cart With as many creaks, the difference being that There was no one to pull her, help her along; Certainly not I, who was mesmerized by her limping stride. She cast her golden lamps into mine, lifting the shade; I could see where her pride had been interred, Left for dead, yet a shred of dignity still tried to dance, As she plaintively asked, “Could I, perhaps, have but a cent?”
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Oct 26, 2012
Oct 26, 2012 at 12:06 AM UTC
The Widow Beggar