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You have my breath taken.
You have my whole world shaken.
Your love gradually healed my pain.
I yearn to be a recipient of sweet kisses in the rain.
Let’s dwell in the mist of bliss.
I’ll wait for my winter hug and summer kiss.
These are my intimate thoughts.
Interludes of profound emotions.
Hal Loyd Denton Jan 2012
Soulful interludes Cento Taka

Walk up a country lane to farmhouse darkness the finesse the true an deep point of navigation everything bathed held in quiet glory
Become the farmer go to the fields at first light let the machinery flow through your eye gate steel formed with lines of brute power
Rubber round the glide across richest black soil these fields so common quickly turn from spurious to immeasurable splendor as told
In the farmer’s heart as he stands on his porch looks into this six foot stand dark brooding stretches endlessly away its volume weighs
On his soul as it comes in great waves into his consciousness the finest feeling of accomplishment brightness his face well done Cloyce
Gatewood you left a lot behind as you passed from this green productive land

Purposely walk along the streets of the big apple no senses it can’t activate music your taste go on a quiet early evening slip in unseen
To the concert hall look on from the shadows as the master opens the case tenderly and lovingly takes out the violin you will hear
Sounds that can only be formed in dreams it’s not possible in the realm of those that are awake you will hear the spruce plate and the
maple ribbing create such acoustic sounds only sounds of tears gently coursing that only God can hear are brought forth from the bow
And the strings take caution lean on something or set or you could fall from weak legs and a mind and heart to full overloaded with
Beauty the master uses outward physical means to bring and evoke the music of his hidden soul thank you Johann Sebastian Bach.
Or perhaps your interest lies in art paints and canvass art shows abound museums house every piece imaginable the higher beauty
Of New Mexico and its desert shapes not found on the surface no need to worry Georgia O Keefe went from these very streets her
Vision her eye that looked beyond barren waste made the desert flower before it biblical time that it bud as a rose when the prince
Shall come by the way happy birthday great prince on that note maybe your taste runs in ancient musty yesterdays the master piece
Of Rembrandt he stalked the world as a lion his brush his power his strokes exude genius timeless wonder captured executed with
Deftness enthralling praise of the crowd still is heard well at least in sweetest whispers it is a museum you know.
Great writing telling lines your delight book stores out number restaurants food for the mind far greater than the temporal treats
Consumed and then soon forgotten No man is an island John Donne (1572-1631). … "All mankind is of one author, and is one volume;
When one man dies” or the words of Henry David Thorough “most men live quiet lives of desperation”
Maybe you’re the outdoors man leave the soul of a city that flows back and forth from divine true heart and goodness to a city noted
As a volcano the pressure intense at times that’s the cost of greatness well walk among the redwoods john Muir possessed the good
Sense to set this treasure aside in fact a Golden gate is at one end of Muir Woods the Barbary Coast its greater cloak that defines
Beauty through breath taking sites cliffs that rise and border the pacific waters, detailed by a Salinas resident you might have heard of
His two stories Cannery Row Grapes of Wrath and several others made John Steinbeck an American literary giant not bad for great
Outdoors men well this completes my Cento salute. Authors and masters who elevate us all.
Aztec Warrior Jan 2016
Piano Cello Interludes*

I am listening to music,
piano with cello interludes,
thinking about you.
I hear the passionate sadness
mourning from the cello
as the piano weaves hollowness
and melancholy from black and white
minor keys.
I feel the disconnect
between the requiem’s movements
and the reality
of an alive, beating
but confused, sullen heart
fighting to be free.
~~~
It always amazes me
to hear the bow guiding the strings
in pulsing tempo
to the fingers caressing ivory
in such a way
that only a smile
can answer in return,
allowing for a kiss of life
in the midst of chaos
and death.
~~
In moments like this
I want to sit beside you,
place your hand in mine
and tell you all I have learned
and know;
all the secrets
that wander through my mind;
even those held in
dark recesses,
cobwebcluttered
and filled with spent emotions.
~~~
But I know I can’t.
Not because I don’t want to,
nor from fear,
though, to do so is scary
since it would mean giving you
my heart.
No, not because of this.
Rather, cause
I don’t think
this is what you need
or want.
~~~
Life is complicated,
complex in its existence
and it is this contradiction
between desire’s want
and equality’s need;
between what’s flesh
and what’s fantasy;
between art, aesthetics
and reality,
that guides my choices.
It’s how this contradiction
interpenetrates,
thereby shaping
and changing reality.
It is this contradiction
I hear,
feel and taste
in the weaving of piano and cello.
Music living with us in the gutter,
while enticing us to look at the stars.
~~~
I am listening to music,
piano and cello interludes,
I see vast galaxies,
nebulae,
and shooting stars,
Knowing this,
this music of you,
will last a lifetime.
~~~
~~Aztec Warrior/redzone 2.24.14


enjoy the music that goes with this poem
https://youtu.be/QgaTQ5-XfMM
I wrote this poem almost 2 years ago now,  for a wonderful, sweet friend who posted here and at WC. She was special to me and no longer posts because of personal reasons and because of harrassment. I miss her in so many ways, her poetry, its rawness and yet beautiful, her challenges and the way she has handled them with courage and the hugeness of her heart...

I wrote this on my birthday and gave it to her.. This poem is very special to me and think it is one of the best I have ever written. So, my friend, where ever you are I think of you often, miss you, and send you my love..

Thanks to all who read, I hope you enjoy it..
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Mateuš Conrad Feb 2017
it became clear as day... i knew this was coming,
the day when i brushed aside all the science,
the dogma, and said nothing of a big bang
fancy, but to keep me inside it rather than,
outside of it: whatever it was that imploded...
if the **** thing didn't implode why all this
gesture two describe it as an explosion, and give way
to phenomena? they're not imploding into
singled out individuals...
   ah, **** this boring scientific crap,
the rubber-band of me learning chemistry at university
had to snap at some point... it had to...
i also decided that the term big bang is really
ugly... given humanity and the care for aesthetic,
whether inner or outer, the big bang has no
impetus to succumb to it if your mind is
even remotely interested in science,
     i'd call it the imploded onomatopoeia...
i can't write a cat's meow or a dog's bark or a crows
croak to perfection, words have
no ~ markings attached to them,
which shows you how shallow existentialism
is with its lack of symbols, only the ditto,
and that's never really explained, for what i've
read it's a stylistic inclusion akin to italics...
no existentialist expresses whether a dittoed word
is ambiguity, or whether it's a loan word,
like a Pole might loan the word weekened
and speak the foreign word in his native tongue:
as if we invented it...
  Poles do that, a lot... i mean: it's easier to loan
foreign words than create your own...
   i call this an T. Edison stagnation...
the moment you start loaning words,
is the moment you're left with about two famous
Poles in the history of mankind,
and even that's disputed, since the Germans
want Copernicus, and the French want Chopin...
you basically become unimaginative, not firm,
loose, bubbly, lard...
    that sort of language encoding can belong
among merchants, but look how the former
mechant of Mecca has become strict,
where's the lingua franco?
             i know it's english, dummy,
  but i mean: why use so many loan words in your
own ethnic tongue, so blatantly,
    try to tell an englishman to use
    the german word zeitgeist with as much
of a populist zeal as a Pole who incorporated
the english word weekend, it's not going to happen...
thankfully the english know they're of germanic
descent for the most part,
    and partly norse, and celt... and roman...
****! what a brothel, you get all kinds here,
anglo-slavs and afro-saxons to boot these days...
magic... the ******* 60s were true, after all.
  but it's the puritanism in me regarding language,
well, given that Poles have become almost
akin to Jews in Europe, given the history...
oh look, the Polish-Lithuanian commonwealth,
ah crap, look, it's gone, no, wait, it's up and running
once again... no wait... they joined the E.U.
when papa essex and mama normandy said:
we're out! dumb chocolatiers, it was bound to
be too sweet, too true... too pointless to continue...
faking what the Mayflower people did "across the pond".
and it's almost fun learning how
the central european commonwealth was based
on the fact that: only a foreign ruler can claim
a crown over the geography that once spanned
from the baltic to the black sea...
yeah, and i am ethnically bound to talk about it
without having to: i don't even know the polish
anthem, the english one? it's the easiest
in the world, done in under a minute...
     god save our gracious king,
something something... something something...
  when i became naturalised as a "citizen" i think
i sang it... no, wait... i didn't...
    just like i didn't accept the catholic bureucracy...
i should have a tetranoun / "grammaton" /
tetrakilogram name in the paperwork,
what, catholic and not baptised, and not chosing
another name for yourself at the ceremony
involving the purple bishop?
   well, that's the first joke i spotted with what i later
realised as the Hebrew divinity, and how
i wouldn't desecrate the principle...
       but it's not even about that!
     it could well be about the 2015 film
fathers and daughters, and how they say
novels take years to write, edit, i say: vulgarity
is necessary, as are conjunctions,
     and as is phlegm...
                               but it's not even about that,
the sunday times magazines...
the style magazine on purpose, the dating columns
are going off-print! i can't believe it!
         what am i going to be reading from that magazine
on a sunday?
   i did once say (keeping up with the goldfish,
scatter brain, short-memory span, therefore telegram
poetry, many punctuation marks,
disorientating, punctual, but disorientating,
a *******-base on purpose,
i don't think many people will like it; good):
it would be nice to see a journalistic sabbath,
yes, a media sabbath, after all Monday newspapers
are so thin! anorexic news... that's Monday,
people have been lazing too much on sunday,
actually reading every single page that a monday
newspaper, just makes no sense!

and yes, the very point of enforced interludes
is that you might find yourself in the scottish
highlands looking at a waterfall, for example
the above is an uninterrupted waterfall,
and then gaze into the void of a sea not too far away...
and looking at that sea, you can see the most
perfect interruption...
    the romance died when science explained
the mystery of hearing the sea in a seashell deep inland...
there should be taboo subjects, taboo topics that
are better explained by love,
not this omnipotent dissection method,
just saying...
   how philosophers will call it abstract
and a poet will call it metaphor...
   given that both are not equipped to the application
of any sort of reality, or dare i say a schism from
it, akin to calling the two approaches
a realism, or some quasi or pseudo sort.
i can call democracy for all its wants to be the most
perfect consolidation of man under the rule
of man, but then a tornado comes or a tsunami
and all of man's efforts to rule himself crumble
into disaster... and how rare to see it when
discussed in philosophical theory,
    democracy as an abstract, is also a metaphor,
ob-, prefix denoting away from:
and then the suffix -tract... well, i was thinking of
a road... the less trodden track...
        apparently it means an area...
                democracy as nothing but a cancerous growth,
it spreads to almost every cavity where people
are content with an alternative political establishment,
for they like the basis for the ***** that
made it to the egg and beat all the other ***** that
would otherwise make it into a tissue or into a ******...
thankfully metaphor, i.e.: something not literally
applicable has the potent of not being abstract,
abstract, i.e.: working from the heights of ideal
to the depths of an idea, that has to compete with
the many narratives that later allow the idea to resurface
as a lightbulb...
                    these two cruxes are very much akin,
philosophy says abstract! poetry says: metaphor.
keeping in mind, i took to poetry like a mozart to a piano,
i never actually intended to say these things,
i merely envisioned conducting a philharmonic orchestra
for deaf people...  oh sure, this wasn't supposed
to be a one-man show, a monologue,
i never intended to say these things...
i wrote these poems in mind of conducting an orchestra,
which is a useful method of creating an implosion,
which goes back to, that dread, the bing bang...
    ever hear a ******* bang in vacuum?
     i wrote these "poems" so that someone who sounds
like a violin might play the violin parts,
someone that sounds like a clarinet might play
the clarinet parts... and if sound has a colour,
it would be a ****** colour when encoded for the eyes to see,
akin to something being monochromatic,
therefore this mono-nausea...
  i write the same encoded sounds for someone
playing either violin, piano, clarinet or harp...
  let's also add in sax...
           but that couldn't make it onto the orchestral palette...
what a bollocking, either 4 beers and
the expected weak bladder or constipation...
it was never to be a soloist performance,
which is why it imploded,
      why or precisely how i was not writing this
for myself, for myself to speak these words...
  tad too empathetic concerning what's universally
human, i.e. a condition of some sort?
which is how i react when one of my favourite
columns from the journalistic columns gets the schtick...
and is out-grown...
               out-dated, who would have thought that
a dating column could allow two lonely hearts so much
space to later pull them apart...
     neither cosmo nor dolly have made it
     to a love brick, that sits firm at the base of the pyramid...
which is sad how the dating scene will go on,
and they will go on, dating...
monday shuffle, tuesday shuffle, wednesday shuffle
(catch the pop ref. point to a song, we all boogie
down with the groovy kids once in a while,
basically a music video that was actually a advert
for some sort of liquid, root beer? ginger beer?
i know, i know: i scratch your back, you scratch mine).

i might call this: what happens with interludes,
or quiet simply: interludes.

i was never into writing something akin to an Ikea
manual of putting up a cupboard,
Ikea has probably the best library for self-help,
a, b, c, d, e... a few screws, a few wooden bits,
and something resembling corkscrew...
the only self-help there is, i.e. put a cupboard together,
by yourself. is there any other self-help manual
that can beat the Ikea manuals? i don't think so.

and how happy can a man be, having lost
the ability to drink perfumes (i.e. whiskey) and turn to
miss стандарт, with such jovial missing or
never had expectations?
   i guess, quiet easily, it's there, a bottle,
with a little story on the label,
   once upon a time (in 1894 to be exact),
  dmitry mendeleev received a decree (do it
or i **** you, harasho?) from the tsar...
to create the imperial standard (i.e. triple filter,
akin to the imperial standard of measuring
in inches rather than in millimetres,
the French, who apparently took forever to create
the concept of 0 from O... eat a doughnut,
much easier)...
   and i never thought i'd say that ***** is more
appealing to my natural ingestion of
Dionysus' blood...
     the more i think of it, i do think that writing
can become akin to painting,
it just doesn't have to be rigid, scientific,
order-prone... it can reach the levels of chaos as
easily as it can become dull and a shopping list...
   many people can't see writing as painting
in the same way that language has many more
function of applicable needs in other profession...
read a poem to a surgeon during an operation,
he needs language as rigid as a mountain
that said: no avalanches are bound to me!
     the reason why novels take years to complete
is the over-rule of science in the humanities,
i don't understand why poetry has to be bred for a
scientific pragmatism, that it apparently does work,
akin to soap, or bleach...
          science can poke it's crazy head in every direction
it wants, usually the interchange of words:
                 bang ******* hole (b.b.b.b.) /
   howlin' wolf's backdoor man / **** -
but science has become a dog, barking up the wrong tree...
the money's are down... houston, we have a [problem!
they're down... they're walking upright,
they lost the joys of having a tail and swinging from
tree to tree, and if an abstract parasite akin to cancer
doesn't **** them... your argument will surely be the one
thing that will... eventually.
    
and i did mention runes, didn't i?
   well... if writing can be anything like painting,
it can only ingest ******* as foundation,
  no shapes, no cubism, no definite "things"
(for lack of a better name)...
        just spontaneity... and hazard, and chaos...
just like life evidently seems to be bound to
reveal itself as guarding against nothing...
well... i appreciate the runes...
not in an ****-Satanic cult sort of status,
i just appreciate them because the Slavs didn't leave
any original phonetic code...
     which is why Poland is still so ****** catholic,
minus the Pope? add the proper post-script to communism?
it might have been the next Russia with its oligrachs,
minus the gas pipes and all those resources
people boast about, but who weren't originally
bound to inherit, like Arabs and oil...
   you need practical nations using the resource,
western nations, overly-bureucratic nations that
make a man "do a job" licking envelopes and shooting
ink into fountain pens...
         just saying...
hard to be lazy, hard to be mystic, harder still being
a monk... wait and see how these peeps talk when
they retire... it's hard being lazy, "lazy"...
        now i see heidegger's concept of dasein
as the real problem of happening, how things necessarily
and subsequently, unnecessarily happen...
then i look the alien remnants of nomadic tribes of
the Amazon and realise: they're still here,
but nothing's happened.
or that's how i take a break from that german's ponderings,
and loosen into some sort of stroll...
       just about the right time,
when poetry stops talking about sounds,
and takes to complicating modern painting,
akin to working on complicating a square,
  the most famous to be worth complicating (rather
than contemplating) would be piet Mondrian...
   if you ever find the spare time:
i'll be in the space that tries to revive the runes
under no ******* ᛋᛋ...
to be honest, i'd like to refine several runes...
given that the non-diacritical latin is largely lost to
the virtual world...
what runes would i refine?
   ᚲ (k / c) at least make it larger, like <,
ᛃ (j), i'd probably just call is skew, i.e. /,
ᛝ would remain and ᛜ would be lost
to denote the grapheme ŋ (i.e. njae) -
and that's because i'm either itchy, or stitching up
a carpenter's worth of lack of cruve,
   like the arabic alphabet is curved twice-over
and the woman are clad in shadow and ninja and niqab...
just like runes once were, hiding curves,
or at least the men overly defensive of their woman...
once the latin curves were introduced...
well: there came the mini-skirt, and the mini-couper car.

who needs a big bang origin, when you can have all
of this? if i kept that much dynamite in my head
i'd be seen wearing hawaiian shirts short-sleaves
and drooling over porridge at breakfast...
        and my... when was it such a sin to drink
***** and listen to the blues?
LDuler Feb 2013
Love often materializes
Into whispered interludes
Of hazy inertia
And tender warmth
Whispered Interludes by Geneviève Pardoe Macchiarella is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Mateuš Conrad Feb 2016
.the crows' persistent croak undermines all attempts at man's adventure into universal fame, or one that might distinguish man's composition, from earth, as intended for adam, to air, as intended for odin, to water as intended for poseidon, to fire as intended for the tetragrammaton.

it fails, most of the time,
poetry is scarce,
too much fondness of the abstract,
hence residues of
distracted verse, whimsical,
overburdened pronoun usage -
such likes - complex punctuation
to replace diacritical marks in
france or germany or norway,
poetry doesn't have the impetus,
just doesn't have the impetus to
package fudge, package fudge paragraphs
of fiction, poetry isn't anything
unless it's anti-fiction,
there's no point idealising
how you would fit into a glass stiletto
when it doesn't allow a fitting: cindarella was first
two jealous sisters got their heel
and big toe cut off, you want to encode
that as .pdf or .jpeg?
technophobes ***-standing:
is that enough for a start-up religious cult?!
i'm just wishy washy wondering,
all bets on it taking off - congregation of
en masse suicide seems a fanciful expression,
mind you, i have no excuse.
where there's a middle there ain't no finger,
no message evaluation and furthered to
an execution, the middle has an eroteme:
not exactly erotically thematic, just
a hunch off huh...
so... poetry... it's scarce, tumble **** practice
of a lost joke...
poetry exhibits itself sometimes in tight-tangle prose
of a knausgård - fancy wording a mile apart
would make traffic accidents aplenty,
and it happens... ramble ramble ramble (worded),
then some poetic ecstasy like an unguided tour
of a gallery making you kneel in anti-catholic
gesticulation of a painting by francis bacon...
shouldn't happen, but it did...
so while prose writers are like things infused
with packaged designation of the right
digestion and right diet content of carbohydrates,
poets are like: what sustenance from air?
we ramble sometimes, **** naked i presume,
but we do, and when we do, we draft novels
for other people, we're not into nation building
or writing novels... we're the anorexia of prose...
and that's grand... because it means
that our readers have to be self-involved,
not ready to grasp the rooting of prose diction...
more fused to the open airs
of writings' scarcity...
we need strong readers not numbers...
we need people who are self-involved,
who would spit and kick a copper statue of
the poet represented in a public square with
people of the spoken tongue the real tourists
wondering: who's that?

that aside...
          i went to sleep thinking about chess...
into bed at around 1am
woke up at around 9am...
past two nights? interludes of
perhaps 2 / 3 hours...
    cutting on the alcohol is one thing...
keeping a tally?
proof: co-op sells 1liter labelled bottles
of scotch,
but as it turns out, according to my braille tally?
it's: ⠷⠷ (500ml) + ⠷⠷ (500ml) + ⠷ (250ml)...
they label it as a liter...
but it's actually 1.25liters...
three days later: you get the full picture:
-esque akin to 'and on the third day he rose
again, according to the scriptures...'

good luck to the men and their vanity
projects...
   i will never become as famous as
the man who "invented" stumbled upon
fermentation to produce beer / wine...
distillation to produce whiskey / *****...
dom perignon and albert hofmann
are known now... give it a few centuries later...
****! gone!
       but to overshadow the universal
stability of a woodland pigeon cooing,
a crow croaking, a fox laughing?
   my words are here: yet these examples
retain the future unchanged...
by void, crook, vogue or folly...

so i went to sleep thinking about chess...
there's the king: the point
of the game...
              to topple the king...
get ol' charlie firsty on the chopper...
distract charlie zee 'eck'und
with pseudo-harems and handel...
and fireworks on the thames...
little learning tool offshoot of louis XIV...
the king is just an elevated pawn...
it seems the king only controls the pawns
given his own movement rules...
the queen though?
   she's the bishop and the rook combined,
as she's also the king and pawn, combined...
the knight is the only odd piece
on the whole board...
   why? didn't queens feast their eyes
upon knights of old, at tournaments...
chivalry: the dropped oopsie handerchief moment
when the king wasn't looking?
the knight piece is the only outsider piece
on the board... hence it's ontological
grasshopper routine of jumping
outside the line of pawns and then
jumping back into line...
the king is a king in name only:
it would appear...
  while the most powerful piece on the board
is the queen: since if the king merely
control the pawns:
   at a battlefield a king command pawns
(soldiers)...
  in the background...
the queen will command...
   the bishops, the knights,
   the rooks (houses, castles) -
she's not on the battlefield with with pawns...
and soon knights become judges
and lawyers - merge with the bishops...
i never like playing chess -
but i liked thinking about chess...
  from the perspective of: the queen is
the most powerful piece on the board...

you could even rewrite chess by expanding
the board... so it would look like so:

1. denotes pawn         9. denotes king

2. denotes bishop        6. denotes queen
3. denotes knight        4. denotes rook.


1 1 1 1 1 1 1 1
         9 3               (battlefield formation)
      2 4 4 2             (behind the scenes formation)
        3 6    

but the board would have to be expanded from
64 to say... 100 squares... per board...
it's still chess... but with a twist...
it's what real life would look like...
one knight would be faithful to the king
and stand behind his army on the battlefield...
the other knight would be *******
the queen in secret surrounded
by castles and the clergy / the judicial system...
well: so many people have become so good
at the game of chess...
   kasparov vs. deep blue...
         so smart: and yet no imagination.

besides... i had more important things to do
today than remember what i fell asleep with...

1. making the perfect sausage rolls...
the most pristine invention of the english
and how the french fumed when their puff
pastry was "degraded"...
never use meat from sausages...
always minced pork...
and instead of adding carrots...
celery... and who would have thought
that fennel seeds are the secret ingredient...

2. watching india get their *******'
whipped and their ***** put into
a meat grinder by the new zealand side
at the cricket world cup...
**** me the last 5 overs!

3. lamenting the state of cinema...
the pursuit of "being" via distraction
with the end goal of fulfilling "happiness"...
so much for "being" and so much for "happiness"...
take two prime examples...
it only took 8 years to spare all the details
that seperate them...
1958's the inn of the sixth happiness
starring ingrid bergman...
those movies! mmm hmm!
i would gladly take away all the current
heavy editing and metallurgy scaled
CGI for a classical western panoramic view...
no dialogue... just an expansive camera
distance where the characters are dwarfed
by the grander scheme of things:
even if it's just a valley or a field...
cinema dropped the paranoramic
   interlude, resorting for the clausto-****
of heavy editing with multiple cameras
switching backwards and forwards
like watching a game of tennis...
    actually: both genres degraded themselves
dropping the panoramic view at times...
less in sport, more in cinema...
but this is 1958... the 1950s! the glory days of cinema...
fast-forward to 1966... and the film:
ALFIE...
       what's the difference between a lothario
and a ****? a self-employed ******...
or some other weird combition of 'not-a-joke'...
wait a minute... why are the women
so ******* dumb come the mid-1960s in cinema...
while back in 1958: they were so admirable?!
ingrid bergman learned mandarin,
she was ambitious, she was stubborn...
she was bossy...
  come the 1960s we're talking about
    beings without either soul or will
simply orientated at being dumpster *** toys...
i don't even know where the men
did that to them...
           the women in 1950s cinema
gained respected... they were commanding...
or at least decisive in giving
the least expected virtue: generosity
and on top - a sense of fairness -
                             a merit pyramid...
1960s cinema women, "women" are nothing
more than sloppy teenagers...
these women are not women...
1960s cinema doesn't depict women...
it's starting to depict one direction:
  pissy-pants teen girls...
               ******* at the sight of harvey styles
sighing and ****...
        plus... back in the day:
cinema used to be... engaging...
ben-hur? how long? 5 hours?
  gone with the wind? how long? 7 hours?!
cinema like opera: 15 minute interludes,
toilet breaks before the next part went on...
now? a quckie 1.5 hours long CGI ***** fest
of minimal dialogue and the heavy editing
juxtapositions of "angles"...
       people don't watch modern cinema
because it's engaging...
they watch it... because it's... distracting...
pretty bright lights! ooh! aah!
i love the fact that i'm being snarky
           and sarcastic... what else can you be?!
   i don't even think is missed that much
when it comes to the sub-culture of drugs...
psychadellic or otherwise...
i ****** well missed on a decent amount
of cinema...
   and when that happens...
       look at me...
                            what's that phrase...
a bitter old man... aged 33...
bitter doesn't even cut it...
              it's not even a bitterness...
it's an elevated sense of nostalgia...
   for me nostalgia is something i was present
at when it started going to ****...
late 1990s... cartoon network, early internet...
etc.,
              1990s date night movie quality
requiring adults to employ babysitters...
i was there...
1950s cinema? yeah: i wish i was nostalgic
about that... but i wasn't there...
hence the technical observations...
and how, objectively: movies were...
oh god so much better.
Mateuš Conrad Jan 2019
.all of Dante: no feminism; surely woman was such a half-"breed" that she didn't deserve the partiarchal sustenance anomaly of a Dante... a: mutation... half-wit me: succor? no succor! surely a man these days, would rather read ****-****** poetry from the 20th century, and watch football... than be levelled to a "need" to fathom the courtship of woman... it's enough for me to read the Braille of a key and a keyhole: and... like... some miraculous enterprise of a door... i'm out: dodo project... all the man that i will ever be: is being the man i was not expected to be: one thing being a puppet in the hands of the gods: another to be a puppet being kicked and shoved by a fellow human mob; fin; yep... fancy a gambled spotting of a Dante on a roundabout of: on a whim, within a whim, and... whenever she puts on lipstick in an advert: i am not thinking about her thinking of the metaphor for: *******.

you know...
i once stop myself...

i'm reading some
homosexual poetry
from the 1950s

and then i...
"reflect":

what is woman
writing in
the 21st century...

??????

archeologist...
certainly not
an entymologist...

one word...
pre-
whatever ethnic
grouping i was
part of...

***'gy'el...
one word savior,
much more
than an "our father..."

oh i'm way, way past
brown, coco,
copper tanning,
way past the Bangladeshii:
100 shades of
  goo...

gold smitten...
and some of Cairo
hushed extra-
     extravagance
of the dimmed
sandy-
-hued locket of
             timid amber...

4 artifacts from
the 20th century
imprinted on my collectivised
aspect of a singling out
mind:
the holocaust
of the 1940s...
itallian **** from the 1970s...
music videos
from the 1980s...
t.v. reruns of cartoons
in the 1990s...
4th artifact... ****!
****!

what's the fourth 'un?

westerns:
with their scoop of:
any action, no action,
all action:
   panorama to boot...
a decade bias:
'60s...

             and with so many
takes on, "the trip",
i sometimes they didn't
drag god, the word, logos,
into their phantoms
upon the wake...
if only... they didn't desecrate
the shrines of
ingesting hallucinogenic
fungus,
by simultaneously
writing about them:

no go: zombie area...
   i too wish:
no x-ray was handy
in the variety of poem...
but:
******* desecrated
the sights...
like the machu picchu
of the soul...

what then:
at the end of a bottle?
another bottle!

       and prior to?
all of the worthy set
that constitutes
the making of life:
in the collective quest
of the repeated set
of mistakes.

- i tune in into
the speakeasies of
american psychologists
who:
a controversial
opinion is as much
degrading
as a shot of *****...

they could have tripped
all they wanted...
but have recorded:
nothing of their
experiences...

   and all would be:
just as well...
stiff & the stale Vatican:
holy men
for a worth of a leather
shoe... or a cotton shroud's
worth of a hood 'n'
fabric...

                as i sometimes...
have to stop...
no writing,
and interlude of reading...
and nothing but
a shelter in music...

rarely does the sound
of falling rain
compensate
music...

     i remember that the first
time i heard
       ola gjeilo i was in
transit, i cried,
because only the kind
of beauty never to be
attached in attaching itself
to the world, the organic,
will ever make me
cower into complete
shadow:
disowning a heart,
both in rhythm as
           in subject-matter...

now i know the word
to counter what
is being strained:
4000 b.c.

                to boot...
summary:

40s lamb for the slaughter...
70s italian ****,
80s music videos,
90s televised cartoons...
50s new york poetry...

         some jazz,
some painting,
   and then some of 21st century's
summary "criticism"...
         19th century architecture...

but of course...
  none of this even
suggests a chance to savour
  a contemplation
as recuperation...

         to me?
the poets of the 20th century...
should have never have
dragged
  the word into the phantasmagorical
world of the fungus "deity":
namely?
whatever word
is to be extracted from the dream
world is nothing but:

****, skyscraper,
*****, oyster, hat...
             screwdriver...

we have been abandoned
by dreams
...

we have been kicked out
from our "2nd Eden",
the Eden of Dreams...
and, it's as if:
we... "don't know it"...


i can only see my persistent
inability to dream,
the anglo-saxon lie that:
we can elaborate on
sleep with: staggering
dream-architectures...

      no! we've been kicked out!
second strike!
i blame the beatnik poets:
because why would you
drag the word into
hallucinogenic experiences...
while desecrating
the altar of the unconscious?

to have been kicked out
of the Eden of Sleep...
is to face the reality
of standing before
the Narcissus of a mirror's
rejection of the 3D man...
an no 2D avatar waiting:
mind you...
   the atom, the... "man"...

i sleep, i don't dream,
all i see is the
gnawing worm:
                         εποχoν -
the bulwark
released from
being tied to an orbit
for our safety: on a leash:

gnarl - up!
and gnashing teeth
like a mythology
of a grinding into
    spit
from a crushing wheel;

however much i try...
i can't dissociate
the following:

fjør-

                             & -skå...

da!

             no anglo-saxon can
lie to me,
in saying:
  he's the architect of
the dream-world:
while mine:
    remains shackled
to ruin...

                     and sometimes:
baron music
shoves a sock soaked
in **** down my throat:
and i...

mingle fingers away from
flesh,
and entomb them
in the wind:
and lacerate myself
with a vision
of an x-ray's worth
of gaze.
Cné Oct 2017
Shall I speak of autumn leaves while summer doldrums reign?
Wistfully, I wait for frost to paint my window pane.

Dare I yet imagine smoke from chimneys wafting forth?
Can you taste the chilling breeze that lingers from the north?

There is no time like autumn, when relief from summer's sway
Gives rise to fireside interludes and sweet rolls in the hay.
It’s in the 90s here in Texas. Where is the cooler temps!
Cory Childs May 2011
Prelude:
How could this have come to be, this life, so ever-changing?
these laws that pushed the smallest things to pull the greatest mountains?
and what could cause the chance to think and wonder why we can?
Sophia flowed through mystery where Logos formed a plan.

Act 1:  Epigenesis

First Interlude:
At the heart of sacred grounds, a man claims what is righteous
with ****** standard pointed proud and conduct that disguises
a savage pulse, an ancient thirst; is Cronus set in stone?
Impressing eager, weaker men, Saint George goes on and on.

Act 2:  Saint George

Second Interlude:
Where the wood once bloomed unbound, a shaft of ivory rises
and reigns above a throne of clouds, where veil of white disguises
a wilting rose, a potted plant; did Gaea plan her fate?
Behind the stained-glass window's view, Joanna meekly waits.

Act 3:  Joanna
These are excerpts from an operetta I'm composing.  I had hoped for these stanzas to be able to stand on their own as poetry.  In the work, the first stanza will be read aloud while a feminine Eros and a masculine, deified Logos meet in the middle of the stage and, after clasping hands, Eros is pushed down by Logos.  The interludes will be sung by a full female choir.
Mateuš Conrad Nov 2016
this will make sense in the end, or at least along the way... a modern version of the Ruben's judgement of Paris, although if you watch the debate, the mediator already insinuates the "confusion": to my left or to my right, ha ha, left to right, right to left, 1st 3rd 2nd... that's putting it mildly, if i were Paris i'd have given the apple of knowing to Hera, queen of the goddesses... naomi wolf... beauty is in the eye of the beholder... and your phallus in the hand of... mhmm... softer than the flesh of an oyster at the end of the day... they did say once in times just after Pericles: make my inner as beautiful as my outer, and my outer as beautiful as my inner... then take art as not representing images: or the "shallow" arguments... any man would have given the apple to the intellectual Aphrodite (karen straughan)... we all know that antigone darling is Athena: who speaks so little you start to equate wisdom to be a distant synonym of needing courage to engage with a plebiscite crowd... oh don't give that prize to her: she'll probably tongue-tie herself and will never be able to speak into a microphone, the intellectual Aphrodite knows all too well the conundrum... it's the cougar attired in crimson that fuels the whole debate... she doesn't need to have inner beauty, you phallus is already shouting 'sir! yes sir!' at the drill sergeant anyways... you take Aphrodite as a paradoxical beauty, namely that of long conversations and not long interludes of ******* and baking cookies... you'll leave Aphrodite confused... i once heard an English motto: don't take for a wife a woman that's too attractive... that wasn't intended to be within the bias of intellect, i mean a beautiful woman within the bias of being able to manage a harem of 72 male virgins... well **** yeah, artists leave clues, whether knowing or unknowing... they're working from triangles, poets end up writing from Δ, they obscure textures and antonyms of what appears to be monochromatic, we say: red, crimson, burgundy in x-ray confines... the point being: there's no intellectual debate to be had with someone representative metaphorically or not of Hera... you can't have a Parisian fashion week catwalk where you find dehydrated beauty on the outside and an anorexic ego on the inside... what you find in Hera is a volume (voluptuousness) on the inside, within which there's a leech libido that transgresses all demands for intellect... unless it's pistons-well-oiled orientated... please, read some Marquis... if you get an ******* having read a few of his works: you're qualified - or as i like to call it: neo-classical *******... ever masturbated over Bronzino's Venus, Cupid, Folly and Time? well, if you haven't i guess **** ******* and gang-banging is your outlet: mine are pictures of Aria Giovanni and Chloe Vevraire (googlewhack no. 3!): Chloe Vevrier... but if you're never done the Odysseus pokes fun at Polyphemus... yep: the ghost hand: nobody!


you know, you can cram a lot into a 30 hour "day",
which results in the complete erosion
for the capacity to dream afterwards,
to actually work from the unconscious and create
a subconscious medium vector that connects
to points of consciousness: 30+ hours awake,
however many hours asleep, and then awake again
for another 30+ "day" to digest...
the classical definition of the subconscious, in theory,
is that you get plenty of sleep,
and it's a bit like that schematic A x B (algebraic)
A knows x     and B knows x...
   something mutual acknowledgment
via the same schematic but
A knows x, B knows x,
A knows that B knows x,
A knows that B knows that A knows x,
   which is all very Aristotelian to be frank,
it's this hyperlogic of having to acquire
great technological feats and reduce such
complexities to cat-videos on the internet as
the Egyptian partake in the genius that actually
made it possible... the slogan goes
Moses, you fool! said Nefertiti...
    so B knows x and knows that A knows x
and knows that A knows that B knows x
and B knows it's not necessarily anywhere
alphabetically less, even though the French said
a, b, c... which was very imperial of them,
that's the imperial version of what the mathematical
imperialism proved with the English inches, miles
and furlongs... but in this French case of imperialism
it wasn't a e i o u, b c d f g h j...
            that's what 30 hours awake does to you,
you wouldn't think of alcohol as a party drink,
a social barrier deconstruct... after 30 hours
you're hoping to meet Vladimir Klitschko on your
way to bed... aye pleasing Cossack, give us a
smacker goodnight... one glove it filled with
whiskey, the other with naproxen and amitriptyline...
boom! k.o. snooze, baby:
you gotta love buddhist honesty...
at least you get to see the bright side of life...
  and if people start thinking that Kant was the harbinger
of ill fate... you obviously haven't met a necromancer...
it was only von Kleist for ****'s sake!
       and he had the American option of a suicide
pact with a terminally ill woman and a bullet from
a pistol in a ditch... you can't get more romantic than that...
and there i was, mid-afternoon, having done a few of
the household chores: the washing, the ironing and
cooking a two-course meal while my mother did
the taxes (seems only mothers understand their sons
these days... women my age?
   ever see David Attenborough describe Emperor
penguins? money was invented for women,
because it brokered the end of the brotherhood of man,
we became famished by feminine needs
and have reduced inherent sports in us (hunting)
to sledgehammer bashing entertainment...
i'm the "drunk" that would rather watch ten hours
worth of ping-pong that tennis...
    i don't know why they resurrect the Olympics
every four years, have a **** coverage of it anyway
and then go back to that Glaswegian diet
of deep-fried pizza and haggis... and i hope to never know,
maybe Sepp Blatter knows...
but that's 30 hours of being awake, and only not
able to relax, by writing...
                 you wouldn't see this sort of "abuse" of
alcohol anywhere in the world...
the Soviet sleep experiment is actually not that silly...
too much sleep can also make you feel the minutes
upon your wake as if you've been stung by a bee...
three of my all time favourite songs?
the stone roses'* i wanna be adored,
    chromatics' cherry,
and finally: i can be forgiven for having missed this,
i got into them seriously with the album aufheben
and didn't really move anywhere else,
the dandy warhol effect got me...
but this song out of obscurity, 20th century technology
translated into mp3 and then onto c.d. and then
back into mp3... a song from an album that doesn't
even appear on their discography...
the brian jonestown massacre's pol ***'s pleasure penthouse,
the song in question? fingertips.
so there's that three...
      but **** on me, i half expected android (2015)
to be like ex_machina (whatever year that was)...
same topic... what the difference between android
cyborg and robot?
                                  aren't robots the proper a.i.?
as in: in production, the thing that's not hand-crafted
is artificially crafted, because it is crafted to a large yield
of a product? isn't that so? i can't distinguish (as of yet)
the difference between android and cyborg, i guess
as a Latin man (a - z user) i have to condescend the Grecian
pompousness of demeaning Hebrews (original anti-semitism
originated in Greece, not Rome, the Romans gave
the Jews not elaborate architectural schemes to abide by
in honour of Octavian, but the supposed pride in Greek
thought, undermined what later science would provide
a Latin man with, given the translation of יחֵוָחֵ,
indeed variables... i once wrote a piece about
the two Adams... namely how אָ (alef)
and עַ (ayin) are prominent letters among consonants,
but no vowel kindred of Eve is equal...
or how Eve is covered in both mainstream Islam
and orthodox Judaism... and Christianity is
a Rastafarian dream for more jerky reggae reggae...
they never sing down with Rome, judgement upon
Rome... they always sing about Babylon...
well, polytheistic or poly-schismatic,
it's all Hindu from hereon in - apart from that
here's a very tiny heresy... is that yod he vav he
or is it yod he vav het?
         there is a difference, afterall:
he (ה)        and het (חֵ) obviously differ... oh!
xet!                   god this garden is a mess,
               i guess the fruit of knowing good from evil
was intended to say: till the land, deforest,
learn agriculture... that's good, the **** you do to each
other... well: that's hardly a tonne of grain...
but they so alike though, even when you apply a noun
to these two symbols!
  could have said he xet but instead it's known as he het:
no wonder the Hittites came along for a curious look...
mind you, had not a prominent Roman, a centurion,
asked for help... we'd be prudish in runic from the northern
invaders... so thankfully no one within the Roman confines
of encoding sounds didn't have the bright spark idea
of looking at the very tiny little island of Israel and that
four lettered word and how it became known
to say o = omicron, ε = epsilon and γ = gamma,
   and cutting those things apart leaving only letter
having done plastic surgery on the noun that denotes the
letter that's denoted by the symbol, rearranged it
and got the idea of εγo: ****** marvellous!
- this is not brian pallenberg's story about the pleasure
penthouse album...
but you know what really got me in those 30 hours:
day, night, day, night: a NHLF debate between
naomi wolf, karen straughan & antigone darling,
the part where karen makes the point that
once upon a time men who beat their wives
in Scotland were publicly whipped (dhaal,
straugan), and if they were beaten-up instead by
their wives, a plebiscite of good-wishers would turn up
at the house and apply the Freudian theory of
a castration to the man, bang pots and pans,
and then in public display him having to ride on a
donkey backwards, having to hold the donkey's tail
for stability...
     see that woman in red in that debate? a true political
man-eating beast of ***** readied in atom bomb
explosions... the one next to her isn't wearing any tights...
unconsciously you're thinking: i like her french freestyle
of not having shaved her legs... the smart one is wearing
jeans and she looks oh so desperate to get out...
    the discussion doesn't even enter the realm of ideas...
hen-picking is discussed... all poetry ascribed to language
is gone... is it politically correct to ascribe the sexuality
of female chickens with the word hen to women?
behind me in Blackpool stag-dos (dos? no does...
there isn't even a ******* spelling for that phrase...
hen-nights and the inflatable Juan)...
well obviously your mind is working out why you'd
**** the middle 'un right away... she doesn't say divorcee
which is so "unsexy" but say she's a mum twice,
a mum, a single mum... polly wants a *******...
her address is new york city? ******! i'm heading there,
right now! can a white guy use urban colloquial
in the suburbs on a piece of pixel paper, which he claims
is mere the cartesian extension of his thought
and disinterest in rhetorical skills? i hope so...
it's not like herr adolf wrote a disclaimer saying:
read this or a thousand volts up your ****!
that really was a constipated debate, plus the red was all
provocateur and peppered with "you know",
   and "i know absolutely nothing": there were no ideas
in the debate! whenever there was a chance to debate
ideas, the debate turned into a debated about words,
and what words to use: to simply brush aside any clinching
to a idea-debate... perhaps because feminism is
an ideology without any coherency of ideas, as stated
from the debate: a coherency of wording: and that better
be hen = an asexual chicken, rooster = an asexual chicken...
it's still a chicken kiev at the end of the day.
now? i might squeeze in another poem...
     but it would still be great to get any kind of analysis
comparing the movie android and ex_machina...
the only problem would be: both creators are men...
so that's gender-stereotyping already...
but hell! she gets to build a buggie that she directs with
a laser pen... so that's nice...
but i'd love a discussion on these two films,
given that the music in both films is very oomph!
thriller genre always had better music than horror...
horror music is too romantic... thriller music?
***** back-stabbing you whenever you think you're
going to get a comfortable 10 minute slot...
but it's there... aside from both robotic creators being male...
woman: ex_machina - out of the machinery of man
          ergo? deus, or woman as...
i actually have a problem with the word android...
the woman is a factor of playing the two men against
each other... the android actually find a mechanical
part of himself in the way the "human" talks to the woman,
while the "android" is prejudiced against the rigidity
of his ****** movement: unlike the "human" having
an intellectual rigidity... the woman plays the two against
each other... well, 30 hours no sleep...
  i'm doing the helter-skelter trying to throw ideas
by way of remembering the actual plot of the film...
this obviously adds nothing to the discussion:
meaning i probably gave away a "spoiler" -
but more the point, i need a refill and some fresh air
to breath, having farted into a leather chair for the past
hour.
Fertile earth’s seductive sorcery
Like ephemeral effulgence’s effluent effusion
Can lead you to believe that it’s not a travesty
Like life’s visceral intuitive eternal is not lost in subtle evasive confusion

Life’s virile translucence reflects this glow
Like an aorist ensemble of interludes transposition
Can lead you to believe that you’re in the know
Like omnipresence presages omniscience’s ubiquity is existential exigency’s peroration’s exposition

Corporeally preternatural metaphysical mystique
Like a mirador bartizan tableau panorama
Can inspire us to rise above its critique
Like spatiotemporal’s telemetry incarnate is creation’s vivid intrepid cyclorama

Spectral verve’s liaison’s consortium
Like eclectic synectic’s conclave’s fatidic
Can leave you lost in germane compendium
Like terminus thrall’s apriori inclination is transcendental accession’s endemic mnemonic

Monad’s transitional majestic splendor
Like residual harmonic vibration’s resilience
Can autonomously evoke and vicariously render
Like rubato’s actuator’s prospectus revealed is orchestration rendition’s intriguing brilliance

Eidetic preterit’s aesthetic amendments
Like protractive analyses’ dimensional delineation
Can lead to cogent salacious enticements
Like phantasmagoria’s fantasia fantastication’s magniloquence is sultry solace’s ostentatious ideation
I wrote this poem at the request of my best friends wife when he was dying of a brain tumor.  I like to think it helped.
Mateuš Conrad Nov 2016
they day finishes with: at last! a schoth reserve
for highlands nomads!
     long gone is the fatamorgana of soberness
coupled with a very softcore soviet sleep
experiment: i chance you to also say:
the soviet sleep experiment is a way to censor
dreams, **** it: another paul mccartney
can write another yesterday into the repertoire,
you can hear of marathon-men who did over
100 hours without sleep, and when it came to
sleeping: hour-long interludes...
as all the p.o.w's realised was the case:
stop this dream-industry of disney! stop it!
nearing 36 hours is nothing,
when i'm going to do a hiatus in Poland visiting
my grandparents i'm planning to top that,
perhaps 48... just to get the glory days of Jews
in ancient Egypt and Joseph the adviser to
the pharaoh: 7 lean years, followed by 7 years
of starvation: what we otherwise carpe diem
over-indulgence - Moses wrote the book
of disgrace... when things turned sour,
obviously he was *******, just a little bit,
from a Jew becoming an adviser to the pharaoh
by interpreting his dreams which were always
in abundance given his lavish lifestyle...
dreams come to people who aspire to lavish
lifestyle, dreams come to people who take no
pleasure from the simplest prospects of a peaceful
hermitic life... they need both the lavish life
and the lavish hope of an afterlife with abundant
dreams... they can't master the opposite:
from simple pleasures that life has to offer:
one forsakes the capacity to the need to dream...
yet those who attain a comfortable Buddhist /
bourgeoisie / middle life: through the ethic of hard
labour find dreams nonsense... only
aristocrats find meaning in dreams, because
they have enough life insurance to guarantee them
the very unentertaining life, hence the Freudian
cinema, and here is their seeking of meaning,
because outside of their sleep nod,
their meaning is already akin to a predatory creature
kept in a zoological confinement, rather than
beckoned to attest the prime element beyond
the classical elements of fire and: where was the
Japanese army bombing the hell out of that
****** tsunami to make the orca-surf shrapnel?
where? nowhere! the reporters were there prior,
i'd swear you could have done the reverse Aleppo
with that tsunami wave by bombing it and
saving lives... but no... atoms bombs were never
intended for warfare as such, they're non-profitable...
all the arms-dealers across the world make more
money from millions of bullets and thousands upon
thousands of guns being sold: atom bombs make
no economic sense... atom bombs make
no economic sense in terms of dealing arms...
the soviet sleep experiment was one of the topics
at the end of today... the other was feline pavarotti
in a cattery: i swear to god that ginger is acting
too much like a bloodhound... moans all the ******
time, i've heard every kind of Tosca, but a cat's Tosca?
never in my life has a cat so many variable versions
of meow... animals really do possess their owners,
but in a way that shows the owners to themselves...
a poem a day: keeps the psychiatrist away.
and back to the soviets, who discovered Yiddish
dream-factory ******* that only applies to
aristocrats akin to Wilhelm Oedipus II,
    i never understood why people desired so much
from dreams, pure unconscious doesn't allow it,
it's shallow dreaming that becomes easily swayed
by a decreasing poignancy of the senses that
creates dreams, and as we've already been told:
they're bound to millisecond intervals -
snoring can be seen as a prompt for dreaming,
but then pure unconscious that's beyond the sensual
realm of pulverising you with everything external
          doesn't allow dreams, because it allows rest...
the subconscious makes more sense in terms of dreams
than what it currently prescribed,
             on the fully-waking hour of what people call
reverse-psychology (popularly), or who people can
influence you and treat you as a pawn...
   in the waking hour the theory of the subconscious
is that it's somehow there, and it's brimming with
theories ranging from the unitary stealth workings
of a superego, to advertisers competing for your
attention, as in: how can this person be manipulated?
that's the strain of thought working from consciousness
where you are said to have: no free will,
no critical approach toward the world with thought,
that you are naive and gullible...
  such people do exist, because they're not working
on the subconscious from the unconscious position,
hence they are most probably highly-developed dream-machines,
they probably even dream in colour and remember
dreams vividly... but take all the things i said
about the subconscious from a conscious pinpoint
and invert the starting point from an unconscious
pinpoint, and all that manipulating dynamic that
the subconscious is supposedly is fed fades
   to simply expose the subconscious as the medium
of dreams, whereby dreams appear from a sensory
hush of all external factors... a few days back i dreamed
i woke in a bed covered in cobwebs and spiders crawling
in them... the last thing i remember looking at?
my pet incy-wincy hanging on a silken web in
the corner of my room... for this to be true,
and for all that pompous subconscious theoretical *******
to go away, to actually work on the subconscious
having a dream reality rather than a reality of
being easily swayed by superego or advertisement
and willingly giving up your will to external factors
that go beyond mere senses... you have to acknowledge
at least 36 hours of the soviet sleep experiment, clock:
no nodding.m i've set the threshold,
the junkies did over 100 hours without sleep,
but they were army material, i'm... dunno.
              a break with an article on melanie martinez,
and then back into today's end...
    it's pouring cats & dogs outside, and will so
throughout tomorrow, one of the street lamps has
turned itself into solitary disco strobe...
   e.e.m. (epileptic eye movement)
           vs. r.e.m. (rapid eye movement) -
the difference? the latter invokes the theatrical curtain
of the eyelids... the former invokes your eyes
having rolled to the back of your head so you only
see the sclera...
but a real life problem too!
in these pseudo-capitalistic societies, companies
have started to do the Pontius Pilate tactic,
they are companies without employees,
what they want are subcontractors, people who
are self-employed, because actually employing
employees is bad business for them: you have to
have a pension fund... and what capitalist wasn't
old people getting money for doing nothing?
most construction companies are following this trend...
but the problem with that is that these companies
are employing useless managers, construction
site managers that should be on a site for at least 2
days a week... even 3... so they can get the knitty-gritty
of organisation done and the project runs smoothly...
but as i've already known for months,
say a roofing company from Gloucester is given
a London-based contract... it has employed a
project manager... who 1st of all doesn't have the right
credentials to be a manager... and this pleb travels
to London from the village of Gloucester
and is on a construction site for about half an hour,
doesn't make any notes,
and spends the rest of the time being a ******* tourist
in and around London, a day like this happens,
an authentic waterproofing problem...
   so you have these flats near the city airport,
and they're connected with walkways and have planters
too... you lay the concrete, then do the waterproofing:
primer, hotmelt, fleece, hotmelt, felt.
                  now the problem, why impose self-employment
and also employ parasitical managers who know
jack **** or are interested in selfies on tower bridge?
only because they can get a cheap train ticket back
to the village of Gloucester before the rush-hour commute?
the problem is simple, or hard, depends whether
there's an actual plan and someone is bothered..
four elements...
       1. drainage matt,
             2. pebbles,              3. filter layer
and 4. ~artificial turf... plastic-like, not asphalt,
     i grant it a status of artificial asphalt,
  or turf coloured copper...
the debate ranged about where the filter layer should go,
but there was no manager with the appropriate
method statement to give... the ******* crane arrives
at 8am, and he texts the day before that he might have
an answer by noon... or that some other manager should
be consulted to the method statement...
i suggested that first: the drainage matt, then the pebbles,
then the filter layer and then the artificial asphalt...
   the other suggestion was: drainage matt,
filter layer, pebbles and then the artificial asphalt
        given that pebbles will never be spread like
a plateau of concrete, meaning there will be pockets
beneath the artificial asphalt to soften the walk
and give more spring to the step...
                  and then i read a newspaper in england
and start to think: are these the only people on an actual
payroll? with safety in retirement schemes?
          i used to think of journalists as daring...
Watergate journalism that did something...
               then you turn on the 24 news channels
and state media is no different to free-enterprise media...
     as people my age say: television is really
a piece of 20th century antiquity... who gives a ****
that millions watched a man walk on a moon
on it... at least a billion people watched the cinnamon
spoon challenge from some ******* on the internet!
     or that guy who gave his cat l.s.d.,
or that guy who jumped off tower bridge and caught
pneumonia and had to be rescued...
still, the rain is ******* down, i've got my headphones
on, and that rebel street-lamp has turned into
a discoteque strobe's of needy rhythmic epileptics -
as every: i count most psychiatric terms in popular
use as undercover poetics, people who don't read
poetry, nonetheless apply psychiatric terms
   an unilateral transcript of denoting them as metaphor(s)
in everyday sprechen; and yes,
our informal vocabulary usually suffers for the fact
that we have chosen a fixed (courteous, hierarchical)
formal vocabulary, that erodes any chanced deviation
akin to a cat-stretching: e.g. (a) so and so died,
(b) oh, i'm sorry,        (c) and you're the one who
brought back the resentful Lazarus?
(d) as if you could have, prevented the inevitable;
a conversation between four strangers.
Isoindoline Nov 2012
I can feel us on the edge here
this narrow ridge we’re hiking
it’s thin enough in places
that I’m nearly certain we’ll
topple down the side

But we haven’t yet and
it could be your acrobatics
or mine
that’s got us still balancing
in an act a professional
tightrope walker
would balk at

We’re daring though
and the view from up here
so far is breathtaking
and the thrill of chill wind
against our faces
exhilarating

The peak not yet in sight
shrouded in soft white fog
that was forecast to disappear
by noon
instead it’s rolling down the side
thickening and reaching
for us

Our view goes white with gray
eddies loosely defined
interludes of curling air
the pebbled ground slowly fading
so we clasp our hands together
it’s less stable but
comforting
as the mist swirls between us

Soon there’s nothing
no outline
the last wisp of your hair
is gently consumed
into this vaporous world
where only a touch
obstructs
surreal isolation
If you have ever been hiking a mountain in dense fog, you know how strangely alone it is possible to feel, even with another person along.  I've only done so once myself, but I will not soon forget it.  Also, better title suggestions?
Geno Cattouse Jun 2016
When the day is blazing
I'm ready for brisk and lazing.
sunshine as crisp as pine needles.
Seeing for miles in ocean blue skies.
Then the needle quivers on E
the sun commits to losing the fight.

Comes night,Oh I despise but summer nights in summer skies bring crickets,fire Flys and sweet possibilities. So stay and the children will squeal and play and cool wafting air to chase the night away.
you too please stay.
No go.No stay
I want to make love to you night and day
I can't choose so one and two makes three
both of you
stay ?
nosipho khanyile Jul 2018
when you get to know me,
you enter a galaxy
with endless

affectionate interludes,
ecstasy & dreams,
desires.

but beware of the black holes
that hold my demons.
don't be scared when they
when they welcome you with
anxiety and aggression.

because they're not real
Mateuš Conrad Nov 2018
.                                                 what?
between MC hammer...
and men at work...
there's a choice?
come on...
you could have given
me an easier question,
like... Debussy
contra Satie...
or, like...
  egg yolk or egg white?!
point being...
i'd love to see
christopher lambert
play the role of
raiden in that... mortal kombat
game made into a motion
picture...
you know...
if i owned a PS2...
i'd still be a gamer...
but i never owned a PS2....
or the metal gear solid 2
gaming experience...
not the PS1 experience
fighting ****** mantis...
you know that hack / cheat...
when you switch controller
slots...
when ****** mantis is
giving his grandiose speech..
and you switch the controller
ports, so that in in the game
you're not predictable...
   final fantasy 7?!
completed it with a walk-through...
sorry... homework...
that being said:
all of Friday night and all of
Saturday morning...
and some Tenchu....
wacky-Jacky...
      cow later chow,
enter mein...
           choppers chop chop...
these days?
i game...
           when i take a ****...
i figured... if there are people who
take a book to the crapper...
i'll take a game...
    war robots....
      you know what's fascinating?
the interactive applicability of
a game...
                     team-work...
mesmerizing...
                the whole gaming
structure drifted from a narrative,
to a congregational dynamism...
solipsism unraveled...
i dig the whole team work,
while taking a ****...
love it... 5 stars review...
     but am i a gamer...
do i not think that
a.i. is a revamp of Pinocchio?
no...
     but metal gear solid?
a ******* solid game
on PS1...
       you would be talking to a gamer
if i was allowed to buy
a PS2 console...
         oh right...
  i read books and listened to music,
and ended up writing anti-routine /
anti-technicality poetry /
anti-rhyme poetics....
                                      my bad;
"we're" calling a revision
of chess in play;
yeah... sorry...
   i was never into paragraphs,
with dialogue interludes...
for me...
  poems were always above
a structural stature of paragraphs;
something to do with
haiku or... whatever came out of
Godzilla's mouth.
Master of the murmuring courts
    Where the shapes of sleep convene!—
Lo! my spirit here exhorts
    All the powers of thy demesne
    For their aid to woo my queen.
       What reports
    Yield thy jealous courts unseen?

  Vaporous, unaccountable,
    Dreamland lies forlorn of light,
Hollow like a breathing shell.
    Ah! that from all dreams I might
    Choose one dream and guide its flight!
       I know well
    What her sleep should tell to-night.

  There the dreams are multitudes:
    Some that will not wait for sleep,
Deep within the August woods;
    Some that hum while rest may steep
    Weary labour laid a-heap;
       Interludes,
    Some, of grievous moods that weep.

  Poets’ fancies all are there:
    There the elf-girls flood with wings
Valleys full of plaintive air;
    There breathe perfumes; there in rings
    Whirl the foam-bewildered springs;
       Siren there
    Winds her dizzy hair and sings.

  Thence the one dream mutually
    Dreamed in bridal unison,
Less than waking ecstasy;
    Half-formed visions that make moan
    In the house of birth alone;
       And what we
    At death’s wicket see, unknown.

  But for mine own sleep, it lies
    In one gracious form’s control,
Fair with honourable eyes,
    Lamps of a translucent soul:
    O their glance is loftiest dole,
       Sweet and wise,
    Wherein Love descries his goal.

  Reft of her, my dreams are all
    Clammy trance that fears the sky:
Changing footpaths shift and fall;
    From polluted coverts nigh,
    Miserable phantoms sigh;
       Quakes the pall,
    And the funeral goes by.

  Master, is it soothly said
    That, as echoes of man’s speech
Far in secret clefts are made,
    So do all men’s bodies reach
    Shadows o’er thy sunken beach,—
       Shape or shade
    In those halls pourtrayed of each?

  Ah! might I, by thy good grace
    Groping in the windy stair,
(Darkness and the breath of space
    Like loud waters everywhere,)
    Meeting mine own image there
       Face to face,
    Send it from that place to her!

  Nay, not I; but oh! do thou,
    Master, from thy shadowkind
Call my body’s phantom now:
    Bid it bear its face declin’d
    Till its flight her slumbers find,
       And her brow
    Feel its presence bow like wind.

  Where in groves the gracile Spring
    Trembles, with mute orison
Confidently strengthening,
    Water’s voice and wind’s as one
    Shed an echo in the sun.
       Soft as Spring,
    Master, bid it sing and moan.

  Song shall tell how glad and strong
    Is the night she soothes alway;
Moan shall grieve with that parched tongue
    Of the brazen hours of day:
    Sounds as of the springtide they,
       Moan and song,
    While the chill months long for May.

  Not the prayers which with all leave
    The world’s fluent woes prefer,—
Not the praise the world doth give,
    Dulcet fulsome whisperer;—
    Let it yield my love to her,
       And achieve
    Strength that shall not grieve or err.

  Wheresoe’er my dreams befall,
    Both at night-watch, (let it say,)
And where round the sundial
    The reluctant hours of day,
    Heartless, hopeless of their way,
       Rest and call;—
    There her glance doth fall and stay.

  Suddenly her face is there:
    So do mounting vapours wreathe
Subtle-scented transports where
    The black firwood sets its teeth.
    Part the boughs and look beneath,—
       Lilies share
    Secret waters there, and breathe.

  Master, bid my shadow bend
    Whispering thus till birth of light,
Lest new shapes that sleep may send
    Scatter all its work to flight;—
    Master, master of the night,
       Bid it spend
    Speech, song, prayer, and end aright.

  Yet, ah me! if at her head
    There another phantom lean
Murmuring o’er the fragrant bed,—
    Ah! and if my spirit’s queen
    Smile those alien prayers between,—
       Ah! poor shade!
    Shall it strive, or fade unseen?

  How should love’s own messenger
    Strive with love and be love’s foe?
Master, nay! If thus, in her,
    Sleep a wedded heart should show,—
    Silent let mine image go,
       Its old share
    Of thy spell-bound air to know.

  Like a vapour wan and mute,
    Like a flame, so let it pass;
One low sigh across her lute,
    One dull breath against her glass;
    And to my sad soul, alas!
       One salute
    Cold as when Death’s foot shall pass.

  Then, too, let all hopes of mine,
    All vain hopes by night and day,
Slowly at thy summoning sign
    Rise up pallid and obey.
    Dreams, if this is thus, were they:—
       Be they thine,
    And to dreamworld pine away.

  Yet from old time, life, not death,
    Master, in thy rule is rife:
Lo! through thee, with mingling breath,
    Adam woke beside his wife.
    O Love bring me so, for strife,
       Force and faith,
    Bring me so not death but life!

  Yea, to Love himself is pour’d
    This frail song of hope and fear.
Thou art Love, of one accord
    With kind Sleep to bring her near,
    Still-eyed, deep-eyed, ah how dear.
       Master, Lord,
    In her name implor’d, O hear!
Mateuš Conrad Apr 2016
i knew robert, he used to make clean cuts of newspapers without licking the edges, oh let's not play that game of targeting the word as a misnomer when it's an umbrella for the technicalities: the horror happens with the third child, the second child shows signs of weakness, anaemic or lisp tongue, the third child is the parents' mistake... i was the first and the last, Chernobyl hit me as a foetus, no can do, national socialism was accepted freely, the castration of women. me, now? i'm living out a pseudo-Stalinist plot-line in democracy, democracy dilutes despotism, because democracy believes in the great number of despots, but doesn't own up to it, it's not one singular person to mind, democracy has despotism inherent in it without iconoclasm... they loath en masse cult-lie practices in politics, dis-inhibited concerning one person, they pretend to be vultures, they congregate in the house of commons and say the dictator does not exist, but hell he does, he's only so abstract he doesn't have a body, but the thought is pervasive, it's a thought cloning device - well hey hey! science fiction! that'll topple Jane Austen's sensibilities, won't it?! well the plot is: as a former satellite state inhabitant and knower of a man experienced in the party propaganda i'm reliving it all in england... the "defender" of democracy... more like a sociopathic advert for a detergent - bop boo ya.

so this x-files episode from season 1, episode 23...
we'll mind that in a minute... based on the re-interpretation
of the acronym i.q. -
capitalism has just lost its scouts, the advertisers,
technology cheated them,
i got live t.v. and recorded t.v. -
ha ha... i can basically record something
and skip the adverts - magic -
interludes, ******* a ***** and pulling
out and not ******* - delayed?
no, just censored sensations of the muscle -
capitalism's crutch, the advertising mechanism
is long gone, how are they going to penetrate
the bypass on t.v.? those 3 minute interludes
are just seen at speeds x30 so for me to enjoy the
program... yes, the nationally televised
was courteous enough to let you enjoy
the whole show without adverts -
the private always seem to be the young
interrupting the old, unthinking *******
to mind respect, well, here you go...
x30 sprinting past your efforts - i need to be
thinking about the plot, not a *******
cleaning detergent or the migration of wildebeest
in africa, no thank you, take your charity
soup of tears elsewhere, i like to salt mine
to my own gusto -
a repressed storage i call it, there's a theory
in physics akin to this psychological theory:
the, big, bang - bangs in vacuum though?
a red herring? i'm sure -
but guess what, from my library the only
book i like rereading is *r.d. laing's

the politics of experience and the bird of paradise,
scout's honour, the only book i reread
within the framework of snippets, and i'm all
candy after re-reading it -
but yeah, this season 1 episode 23 -
the i.q. question:
intelligence                 is left                intact
what's challenged is the q.,
i.e.                     quotient                -
transcending into a different grammatical make-up,
i.e.                        quantity             - the        t,
the quantity of reproductive intelligence,
well geniuses are about as numerous as thieves -
both are intelligent, only the former delves in
paperwork -
so the other i.q.                            quality    related,
qualifier -                             why inspect a
quotient on a non-qualifier?
                                   well, he's already presupposed
as intelligent, no matter if Einstein 150 :
                     master & blaster (70) -
but he's still qualified as intelligent, although
at a parallel - the less useful, the more unique -
so there's

i.q. no. 1           -      intelligent by the expected quantity
                                 reflecting eugenic success -

and there's...

i.q. no. 2           - intelligent by a phenomenal quality
                            reflecting eugenic anomalies -
                          
mutation with the latter, coherence with the former...
oh come on, after being fed rigid science,
those little electron orbits in emblem of nuclear
power plants with a nucleus to later learn
that these orbits don't actually exist
because electron ontology is based on spontaneously
appearing and disappearing clouds -
much like psychology: negative thoughts,
no thoughts, positive thoughts -
the pure proton as the cartesian
i am, the pure electron as the cartesian i think
and the pure neutron as the cartesian therefore,
but see the ambiguity of the neutron?
it's inconclusive, which side will win?
well, the answer is neutral - because the two sequences
are in a stance of un-resolvable co-, i.e. coexistence -
indeed the atomists invaded solipsism
that matched up to the psychological theatricals
of theories surrounding the ego - a courtesan
of protons, neutrons and electrons, a natural at it.
Graff1980 Aug 2016
Last night the truth was in the bottle. It may be a tad bit cliché, but the stripping away of my cognitive functions was a relaxing endeavor. Okay, there’s nothing cliché about that last sentence. Still, there I was past the crowded living room, cluttered with soda cans and people, past the small kitchen and the three guys playing cards, past the three wine coolers sipped through a straw, and the mixed drinks, pass all that there was the truth.
Dropping the regular essence of me, I slid behind the idiot clown. I tripped and stumbled, babbled and mumbled. My emotions unguarded, I spewed love almost as much as I spewed chunks of a greasy sausage pizza with little chewed up black olives. It was fun. One moment of not thinking. One moment of not dealing with the concrete and the abstract, the struggles and oppressions, my realistic paranoia and dark observations. I plopped limply down on the couch then slid off the side of it jokingly. The ground shuddered with a soft thud.  My friends laughed. I laughed. The truth is I like the sound of innocent laughter. It is a relief. All those synapse spitting out calming fluids. Till, what little stress that was left disappears.

     Before that the truth was in caffeine induced writing frenzies. There were small interludes of creativity swirling around dark depressive moods. I pushed and prodded the black keys as if I was chipping away chunks of stone on a marble sculpture; exposing myself and my truths.

     Someone told me that to be a great writer doesn’t require me to suffer. I thought it’s a good thing they’re not mutually exclusive, because the truth is I was suffering long before I started to write. The doubt which comes from learning more and more bled me to the verge of insanity. Maybe it was vanity that pushed me to seek the truth.

     Before that the truth was in quiet walks. The strolls down old dirt paths and memory lanes, crossing the mental traffic of past and present. I lingered at the jagged grey sparkling stone markers, sitting on newly grass covered plots, just hanging out at the graveyard because it was quiet. I wasn’t some emo kid. The truth was that I just preferred the quiet. It was the same reason I raced through the day to get to the night. Night was as nonjudgmental as the pine infested graveyard. No harsh sun glaring down. No strangers staring at me until I had to turn my head to the ground. The truth was the quiet, and the quiet was liberating.

      Before that the truth was in books. Kernels of wisdom locked in works of fiction. Little leather bound universes creeping in and transforming my mind.  Now, I prefer biographies; back then I loved the fantasies. Though in truth all nonfiction is fiction, because all reality is perceived relatively and written thusly. So, I stashed book in my back pack and back tracked down old alley ways to read away the lonely days. I sat in those dark corners, the dusty gravel biting my big bubble ****, but I was there for the quiet.

      Before that there was science. Beakers and Bunsen burners burning out atoms, and chlorophyll. I never really felt I had a talent for their postulates or formulas. Yet their subtle certainty, mired in uncertainty was appealing. They offered ever evolving truths. The strange transition from one logical position to the next and I was willing to adapt to any new facts.

      Before that there was god. I was his egotistically elevated idiot child. I could converse with adults on their level because in this they were as juvenile as I was; those ancient books that no longer make sense to me. Then it was the emotion of loving unearned certainty. The comfort of cowering beneath the awe and love of an all-powerful and all-knowing father figure, I called it the truth.

      Sometimes, when I couldn’t sleep, cause a life’s worth of anxiety was hounding me the truth was in the music. Soft sounding syllables serenading me to sleep, moving to the rhythm of a calmly flowing beat. The music gave me something to focus on. It was a converging point to calm the chaos. Once in a while the music would play out some story or point out some struggle. My Tracy Chapman that was the truth.

       Sleep was preferable to the waking madness of daily living. So, if I was tired I slept. People used to make me feel guilty about it. However, I realized that sleep healed the body and the mind. Sleep let me dream. Dreams let me do things beyond reality. They directed me to grand fantasies, or pointed out painful truths about myself. I could wake up crying, or I could go to bed sad and wake up content. That was the truth.  

       In-between all these things I pondered relative and certain truth. Was it constant or changing based on perception? People passed, none returned. I got older. Now my teeth are starting to rot right out of my face, but I still devour information; listening to the wild tales of strangers. Sometimes, I trust too much, other times I trust no one.

      The truth is I exist, amidst whatever this existence is. Beyond that I cannot clearly define this reality. What is the truth?
Ottis Blades Dec 2009
Solitude helps me find shelter in pain
the inspiration comes as a form of retaliation
against the incertitudes of the heart
interludes of interwinding moments.
Words only write themselves
if there's suffering to be had;
ageless solitude is immortal
like ghosts of loves past.

Love in the time of cholera
love in the time of aids
uncertain loves in the times I live
I roam the Earth without being part of it
only certain of my own existence
in any given moment, time or place
I live where I don't belong
and yet I don't belong where I live.

Solitude has bonded
with what is left of me
scrapping together the remains of my soul
becoming one with my bones.

Like a mortal disease
and yet its bitterness
taste better than any sweets
I wouldn't trade it for anything that breathes,
anything that touches the Earth
anything that sees the Sun.

My notepad becomes
engulfed with it's aroma
and it's aura escapes through my pores
turning this pen into a sword
stained with my revenge
there is nothing I wouldn't dare to say
if my heart is ravaged with pain
painted with disdain
repossessing my very being
that it wouldn't dare to lose;
Solitude feeds my spirit
better than any muse.

Anything that ever needed
to be said or written
has seen the light of day
Solitude finds a way
to re-arrange the alphabet
when words are scarce,
when nothing comes my way
I will take these scribes
when my flesh only knows darkness
not seen by the sun,
but in one with the Earth.
Ariel Baptista Jan 2015
What have I done to you?
My lambs ear child grown thorns
Along the backbone of our narrative
Each vertebra a catastrophe
And I can’t make skeletons fall in love with me
No matter how much flesh I force on them
And in the interludes of the symphony they wrote for us
I taught you dark by darkness
I watered you with gasoline
And snatched each word from off your tongue
I sprayed fresh poison into your lungs
And I can still recall
The twelve tears
Blurring that birthday
That suffocating epiphany
Of this-has-gone-too-far
And these aren’t scars
They’re time bombs
Landmines in the marrow of your bones
And this is not a ******* throne
It’s an electric chair
Look at me I dyed my hair
And I mourn us with the black around my eyes
Here we are we walk this line
I ask you how you are
And you say “fine”
And I am shocked at how much those thorns sting me
Every ******* time.
Mateuš Conrad Feb 2017
i actually like the way slavoj žižek understands fascism, given the fourth movement of Beethoven's ninth symphony... as it stands: i really had to take pleasure in my suffering... i once called it: an exquisite pain... it's not that acknowledging pain is difficult, what's difficult is taking pleasure in it... on a whim... nothing as flamboyant as baron sacher-masoch's take on it, transcending toward the ****** thesis... i am the grey matter, the everyday comparison to a factotum sort of analogue of what pain constitutes... and i'm actually free from depressive apathy... i am sometimes prone to laugh like i might be experiencing what the Fore women experienced... the kuru "disease", otherwise known as the creutzfeldt-jakob "disease"... yes... mm... uncontrollable laugher... akin to St. Vitus' dance... sydenham's chorea.. it's hard to see why there should be any cure to the experience... given that the experience is so liberating and has no materialistic mono-mania of a well tended to economy... cannibalism really has a great array of noun-arsenal... a bit like the poetry of Christianity it's akin to... to really believe this *******: you have to take it to the extremes and make every word: utterly isolated, and in a sentence utterly meaningless... it's like a swarm of wasps honing in on a body of a bear that mistook its ash-phlegm nest for a beehive feast... sometimes it happens... but sure as all else concerning: why not take pleasure in an anti-cross crucifixion, i.e. a sick-bed? sure, it's less theatre and many less marble statues worthy of a church... but, if according to žižek / rzirzek / really? ź ż vs. ž... a fascists takes pleasure from suffering... i must be in this club, since i do, the pain in my brain with its sizzling quiz of blood emeshed in synapses has moved to my *******... ******* ahoy! i sit in a chair, and when drink (esp. when drinking): they are goosebump prone, titilating me... amusing me... all the pain concerning my brain has moved into a pleasure reaction bound to the testicles... i couldn't have foreseen this waterfall if i didn't explore the word fascist beyond the communal horror of spotting an orthodox practitioner in either street or cyber-space...

e.g. the fore of papua new guinea
(ghee-knee... later the debated about
quinoa... apparently it's not qui-
       or french agree, we-noah...
  but something else... oh, it's related to a quiz
asking me whether i could possibly be a 5% liberal
elitist... well, if you were reading
the sunday times magazine: it would ask you
that... i did cut it apart as qui- -noa...
  but apparently it's pronounced:
kin-wah...                 once again my point:
you don't use highly concentrated phonetic
units, i.e. diacritical marks...
you're bound to leisure in this linguistic hell
of constantly "correcting" people....
just saying... what's the matter, toad stole
your burp?)

   and i really wanted to write a neat poem...
poems like this emerge,
you go to a shop, by the cheapest whiskey
two cans of beer and a bottle of cola...
it's early February... the cars parked
have the eerie circumstance of jack o'fogfrost
breathing onto the windows...
    your fingers itch from the cold...
you start to really see a skeleton walking
rather than something resembling protein
fat and carbohydrate...
    thankful for winter: to naturally imagine
a skeleton walk in the cold
   smoking a cigarette and drinking the beer
while the whiskey cools in your rucksack...
all you end up needing is
   a square mile, and outer English suburbia...
and a look into that forest you once frequented
walking as if with gauged eyes into
the custard darkness...
   then sitting on a stump, taking all the clothing
items from your torso and listening in
as something neared, cracked a branch
and you uttered into the forest:
  no animal would dare come so near...
      
... (man has to drink, take a break...
         sneaky ******* get to see
a work in progress... lucky them...
           too much of a sober me)...
hey! i'm warming the stove, it's not going to
shoot out firecrackers made from words
into a
     hoghmony celebration.... oh look...
another googlewhack!
      http://tinyurl.com/z8xeqpsn
(billionth of another! this is how i play the "lottery")
ah freckle feckle ****... scoot for new years...
hogmaney...  hogmoney...
  hagmanny...
                 ­  ****! Hogmanay!
    what was i "saying"?
                            
ah wait... i know... i know...
i was watching this film goat (2016)....
with james francko doing cameo but mainly producing...
if anything could put you off going to
university, well, notably an american university
it's this film... now i drink, i really do, heavily...
but what went on in that film was nothing short
of happens when people lack any respect for liquor...
i could watch the roman empire in a zoo...
what i witnessed in this film was:
well... can't see a point of caging a lion,
but i can see all the reason for caging man...
but the problem arises with:
you can take children to a zoo...
          you couldn't even want a child
to experience this sort of Iraqi **** made in
America...
                       i drink, i really do...
i slurped on a prostitutes ****** when drunk...
hell... i even wrote this...
          and i am really starting to believe
that going to university was the worst mistake of my life...
i left it, educated as a chemist,
without a clear move toward a career as a chemist...
    would i care to learn the use of language
to university level? i.e. get an english degree?
      not if i were a middle-class woman
   who's daddy was a doctor or a dentist...
                            people from my background,
double that up with a father who works in construction
and me being of immigrant stock (when will i get
to say expat?) -
  it was the biggest mistake of my life...
you see... other immigrants start to get jealous...
     they say you have to die: for raising for head
above the water...
         a bit like they kicked the hell out of
Jamie Redknapp's career in football...
now he's a pundit... but not a football player...
they smacked him about...
good thing my grandfather was a Silesian miner
for some time... i decided to dig trenches...
yes, metaphor: write poems...
   because i still can't see what nature ordained me
to possess... and why these little hitlers decided wasn't
fair for their "sense of worth"... oh i can name them...
one of them, a childhood sweatheart of a friend,
egyptian / persian, used to call me during
weekdays and sing to me over the phone...
   apparently he could ******* 20 times a day...
i tried 4 times in one day... nothing came out...
      the other was an add on to being in school from
the age of 16 to 18... a paddy-sikh...
   loved barrington levy and driving a car while
******... loved the whole gansta gimmick...
a complete *******...
                           and to think i was fooled into their
little of jealousy... this will make absolutely no sense
to you... given we (a) never spoke outside the realm
of my tornado... and (b) had a coffee?
               well... let's just say: one stupid move on
my behalf while intoxicated on marijuana
aged 21 taught me all i needed to know...
  from the age of 21 through to the age i am now:
some could consider me a monk...
                 or that infamous word: cenobite -
oh i'm just obsessing about how i want to
put my top 3 picks into classic.fm's hall of fame,
and write 3. christopher young's something to think about,
2. christopher young's something to think about...
1. christopher young's something to think about...
as i realised the past two days...
  collecting a personal library of classical music
makes no sense... unless it's Händel... (æ, i.e. :)...
and classical music only makes sense
with a d.j., and yes: a radio...
            there's no point being poncy about classical
music when you collect it...
        unless it might be something by Hans Zimmer
or any other movie soundtrack...
      and you can just sit back, listen to the radio,
and the classics just come and come...
i spent today lying in bed, because classic.fm
was playing from about 6am to about 1pm...
  and then i extended it to 3pm because
of aled jones and the voice so necessary as
that of alexander armstrong... in between?
                     bill turnbull... a news anchor
if i'm not mistaken... couldn't handle it...
  no, not the voice: the choice of music...
but even such people are absolutely necessary...
and would anyone care to remember
the ****** megastore on oxford street?
  the classical music department?
does anyone remember is being sealed off by
   glass like an aquarium from all the other music
genre departments in the store?
   a bit like walking into a lunatic asylum:
everything had to be cork-lined waiting for a Proustian
novel... first you had to appreciate
and build up a palette for silence... before
some concerto could be "ate" like refined sushi...
    radio and classical music does work,
i might have made a mistake collective obscure tastes,
i.e. proto-folk examples in Polish and compositions
of German industrial music...
   i might have done that... yeah, so true with the jazz...
but you have to have a Houdini weak-spot...
so in bed... rummaging through the radio and
television listings and reviews...
   after doing a bit of a crossword (which i can't
for the love of god) and a 6 x 6 su doku...
        now that's definitely sunday activity...
looking through the radio and tv listings...
   esp. noting the day's programme of bbc radio 4...
well, it's not that i'm a convert, with a house
in south-west london...
                i just heard that england is famous
for its eccentrics... i wanted to experience
    the most eccentric practice on these isles...
      tending to a garden would have made sense...
if it wasn't February...
   so reading the listings and reviews was the next
best thing...
    what with confusing Aled Jones with Alex Jones...
that famous britpop bassist turned cheese-maker.

then how do you begin taking fatal
mortal steps, simply motivated by biological
dynamics? i could have ended that
servitude to the waterfall, or should
i correct myself: required it to continue...
      but then interludes in the case of opera
leave me peasant-like, most ignoble...
      there's the 15 minutes were no fame is mentioned,
and no one forces art to become advert...
   since we're talking of the thin-red-line,
i can't but help myself reading more book reviews
in English, than actual books in Polish...
because i care for the cognitive labourers,
i really do... i think they are needed
to bypass actual books, meaning they do all
the work... or should i say arbeiten?
well.. enough critics about, you get to
dissociate yourself from the actual origin...
     a bit like waving your hand at god
and embracing the "awe" inspiring profusion
of the human tongue becoming over-bearing...
not even bearing grudges...
  but no gratitudes either...
                it just is what you care to make of
germans the sole originators of
   the proto "bayeux" tapestry given a.i. -
but then you treat the germans as they
are currently given the sway,
and you awake a humanity in them:
a humanity only germans know how
to acknowledge: a collectivisation -
germans know no concept of individualism
akin to the late-removed isle Saxons...
i.e. the English... the English are always
blitzkrieg specific about the individual,
the fact that so many individuals get a chance to vote
leasves me with blisters of what i can best
estimate as noted to being conscience...
          the germans are best appropriate to
express the volk... the english are like stuffed
animals worshiping the name Byron... Milton...
Blake... Newton...
         and let's leave them there, because if they
finally manage a homogeny of an ethnic
accord to give a momentum unto it via their lack
cohesion... i am assured a passage to
the houses of parliament to laugh,
as a test of my carve to veto, rather than vote.
mainland europe calls them: the islanders!
you can't help but see a care to blow up
the tunnel la mange... the channel tunnel...
because if a 2nd ****** arose...
the tanks would flod that serene countryside...
     i come across foxes all the time...
once i picked a dead fox near the bus station
in romford using two bin bags from the nearby skip...
and walked with it home, weighed it,
just under 10 kilograms... i weighted myself first,
then with the dead fox enclosed in the bin bags...
then i walked with the fox and threw it into
a meadow... i was thinking along the lines:
at least the sanitation officer will have a day off..
  obviously i was tattooed with the idea that
i was some sort of shaman, given two people witnessed
me picking up the corpse...

900 gull herrings eating their own...
      chimanzees also take to a nibble...
        banana slug females are fond of eating
"******", when the mating gets heavy...
not ever, as ever, but with Darwinism had i ever
managed to see a woman like a mantis...
  sorry... looking at the ***-hole of nature like that
will eventually leave you paralysed and
not even awe-struck but fear-woken...
             because it really can't be so much a desire
to look at it as if it was necessarily needing
incorporation, but was necessarily incorporated
nonetheless...
         the ogasawara incident... 1945...
       yoshio had a fine fine palette...
                          cannibalism was never suggested
as equivalent of a war crime...
  and one said: human thighs tasted like chicken,
another said: a bit like raw tuna...
          judeo-christian food prohibitions...
    well... once the prohibitions come along with
the poetry... left can mean right...
and right will evidently mean left...
                 during the yuan dynasty...
         pedohpiles were more or less reductive in
their transgressions... they ate more: than they ******.
two freedoms then, china prone to omnivore status
and hindustan prone to vegetarianism...
               both examples lead to a success rate of
a billion examples...
                       it's only these pest-like infections of
mono-this omni-that are keen to always give their
i love yous as politico dictates...
  maxims even... so very fond they are: of their maxims...
they even infected their youth in the 21st century
stating that: no one is akin to us,
if not in his youth, having been ***** by abou10
10 favourite maxims... most kept, hardly any employed...
1261 edict: when children were asked to stop
plucking out their eyeballs...
   horror films are therefore, equivalent to soft-core
******... history is thrice over the real horror movie...
    but given our faculty of memory is so
(putting it mildly) "biased"... i think we're over-sensitive
in giving imagination the scenes from both
horror and Disney... we've already gave the former
and the latter we have just sold...
           but hey! a placentta fry-up like a setting sun,
illuminates with more choice of hue than
noon and the "dehydrated" shadow (yes,
i know, a better word would be suited, but i have
no time to ascribe it to a tailor-fitting, a neat and tidy
resonance... treat dehydrated as a dwarf shadow,
mingle that with photon and phonetic -
that light illuminates, and traps things into bites,
like H or He denote hydrogen and helium
respectively... and qui- and -noa denote
necessary argument of what sound goes where,
rightly)...

evidently i did take the quiestionnaire about
whether i am a liberal elite...
it had to be done... why would i otherwise read a sunday
newspaper?
            end result? 0-50 (norm), 51-100 (aspiring),
    101-150 (not quiet there), >150 (elitist snob)...
(ref. the 5%, charles murray, coming apart,
   the bell curve... superzips)
q1: what is the top prize in the thunderball and when
is it drawn?
   a1: i play the googlewhack lottery.
      alt. a1: 0 (alright), 5 (days rights), 10 (what is thunderball?)
             talk of chav tax...
q2: how many people in your vicinity voted for
    Brexit?
    a2: i just had an opinion... voting is cheap
when you can't express a ballot veto.
   alt. a2: 0 (all of them), 5 (one or two)... 10 (aghast at the question)
              a bit ******* obvious, no point explaining....
q3: what is your favourite dish on th
Joseph Childress Oct 2010
I REFUSE TO LOSE…
Most dudes are confused,
Stuck between the two,
Wondering if the one is really you,
Or if their mind is playing tricks,
So they just never mind, which is a terrible thing to do.
It’s easy to walk away, and just say,
“I’ll try another day”
Or “I’ll try another way”
The answer is right in their face.
Fear of commitment is what it usually boils down to,
Afraid…
Afraid they’ll give you all their trust, just to get played.

But I’m not confused nor afraid,
See, I’m confident in my confidence,
I know that you’re the way.
You’re the path that god has paved,
And I won’t be led astray.
I’m not like those other dudes,
Confused minds have made them fools,
Fear filled hearts have changed their moods,
I’m smarter, so many mistakes, I know, I grew,
It’s altered my personality and my point of view,
On love, relationships and even you,
You see I’m ready to do, what I know have to,
Packed my thoughts, I’m ready to move,
But there is a problem between us being two,
And my love that problem is you.
Still I REFUSE TO LOSE.
Most girls know what to do,
Confident on who to choose,
No hesitation, no interludes,
No deep thinking, it would just prelude
To lose, who they wanted to give all their love to.
It’s easy to say, “We’re meant to be”,
“He’s meant for me”,
And “Just wait, you all will see”,
Or “I do!”, really fast, before the question has been asked.
Fear of loneliness is the problem
When you look inside,
Afraid…
Afraid they’ll be alone for the rest of their lives.

But those girls are nothing like you.
You're unsure what to do,
Indecisive with your decisions.
Your insecurity has you imprisoned,
Steel bars made from your blurred vision,
And you’ll never break the tension.
You’re not like other women,
Your mind is not confined,
It’s just your heart being blind.
You’ve made mistakes but have yet to grow,
Past regrets will stunt your growth,
You have to Learn, Live and Love to make the most,
Throw away those futile, feudal thoughts,
And let me show,


You don’t have to worry
About those problems and mental feuds,                                                                                 When you REFUSE TO LOSE.
katie Jun 2015
We never listen to albums from beginning to end anymore.

Thanks, Spotify.
Sorry for sinning, Taylor Swift.
And I guess there is an owed apology to ACDC and the Beatles because you aren't on there either.

But guess what.

Today I actually listened to an old favorite from beginning to end.
(not you guys though)

Good News for People Who Love Bad News.

Every song. In order. And it threw me back to ninth grade,
Faster than even my favorite photograph could.

The lyrics made me scream them and the even the (three) interludes made me smile.

And you're right, Taylor,
It was a work of art.

Good thing it was nearly free
(99 cents for three months)

Or else my morning would have not have passed so swiftly. Or so modestly.
James Leggett Jun 2016
professional phone calls
seeping with the excess of formality
much like the strangers in your living room
who call themselves family
and the only room to breathe exists
in the interludes between conversations

in this limbo
you're sometimes caught
thinking about a girl who doesn't
love you
or the rugged edges of a face
resembling your father's

laps of repetition
dial, pause, voicemail
scripted dialogue left
from the same lips
which never found the right words

sometimes the steady ring
summons expectations of an answer
a voice without a body
to meet your work demands
or the simple silence
drawing you further into the void

marking progress
in tally sheets
tangible records of what you
have and have not done
measured by the 10-5 hourglass
before you're allowed to leave
(start with a bow and a swish)
we are a thousand beating symphonies
variations of a familiar theme
treble clefs and four/four rhythms
chord progressions up to E
(sorrow and anger and love and hate)
arpeggios and interludes
minuets quadrilles and waltzes
the refrains, the fermatas, the reprises
we are a thousand sweeping overtures
(the last note rings through an empty auditorium)
Zy Marquiez Oct 2010
Shuddering violently throughout
the void of life,
desolate anomalies keep
harboring corruptive interludes
of transgression

This...transgression...if you will...
engrosses all in its path
with...

Defiance.

A hostile challenge to
venture upon
all crossroads
which leads towards Poseidon

Thence,

Maraudering throughout these crossroads,
devastation itself pulverizes
all hope, rending it futile
for those who wish to aid

Caliginous clouds set the tone...
for the sullen events lurking near...

However,

This, only but a mere
beginning
Soon we shall
Intro the Wicked
Mateuš Conrad Oct 2017
you know what's more intimidating beside speaking of a personal detail in the life of a person you know? speaking of a universal truth; there's nothing more intimidating that giving reference to a common fact of referencing life, one limb of the triad crumbles into a suckling squid... revealing the sparring partners you get to: well, you juggle with three *****, you puppeteer two.

i could understand english humour -
sure, the black comedy "tact" -
but then the anglophone world was
overtaken with comedy -
the last tier before the final bow of
downfall - the one prior comes in
the form of a "fascination"
with culinary escapades -
   prior to the last resort of humour
comes the culinary escapade -
i once understood english humour,
more than was worth since it was
reinforced by canned laughter -
but there was something to be had...
these days? maybe english humour
imploded: and it attacked its worst
ally: ***.
   make fun of ***, you're making
fun of life...
     and how isn't english humour
not peppered with too-overtly
sexualised jokes? jokes by children
of divorcees...
  tell you what: life's short,
you're *****, see a ******* before
you see a psychiatrists...
cheaper, and you get the full
workout... after all, vietnam made
the war zone pocket sized...
            i don't understand english
humour... it's beyond political satire...
these people are pushing the absolutely
wrong buttons...
  i remember watching this
video in trafalgar sq., these two white
kids, bouncing a basketball -
      then one bounces the ball
off the head of a black guy,
and the white boy is so "jokingly"
apologetic...
                  what happens next?
the black guy smashes a glass
bottle over the white boys head...
the white boys is hit unconscious:
**** me, that was funny!
            the anglophones have
really ******* the genre of comedy...
i can call them anglophones -
  speaks not good english,
but he overshadows about 100+
anglo boys in his roofing job...
     my father...
    the english are slackers in
the industrial industry: which is why
it's filled with slavs and romanians,
but at least they do their job
and never bother going to the gym...
the english ponces?
do a ****** paper-fiddling job
and then hit the gym...
            horse-hoof lickers.
          i was once acknowledged
as speaking spaghetti english:
yes, but when my father questioned me,
he didn't mind me not having
learned the full alphabet:
what am i, a trained puppy?!
         now he lives with his father,
with his father having divorced his mother
and living with a thai ****** breeding
chickens...
        guess my loss in the "friendship"
case of "affair".
            the english have actually
exhausted the genre of comedy,
they're not funny anymore...
    they're pathetic...
         i'll joke the next time i sucker
one's head off the clock into
the unconscious minutes...
          the english overdid comedy
by a mile, they're as about funny as
a donkey-riding rider alongside the
remaining three-horsemen...
slouching toward jerusalem...
                   the fact that the english
are telling are joke: reiterating that they
are: seems rather troubling.
   i don't want to know its a joke unless
i actually laugh, a comic telling me
"it's" a joke is rather troubling...
             why have the english changed
from a culinary fetish to a joke
fetish over a decade?
         ****** food makes for a good joke...
oh yeah, me, beta-male,
  when all the best restaurant cooks
are male...
                    i still will not get an english
joke: the so-called *nuance" is
only a *nuisance
-
     there's a threshold of acceptable
nuance in comedy, after a while it's like
lying: thinking you'll get away with it...
it's called: "being" subtle...
when in fact you're a vermin nibbling
on the edges of peoples' patience...
  after all you stop excusing the self-excusing
comics who want to catch themselves
excusing themselves and retire with
a backlog of canned-laughter lax.
                   no point in comedy:
if someone laughs for me.
          what's the point of comedy if
i am not the one to spot the self-imposed
prompt for a laugh?
   what am i? a ******* windowlicker who
laughs when taking a **** holding
his pecker?!
                      you conniving little
******* wanks...
                              i have to say:
the big laugh comes prior to the creeping
weep...
              no, i forgot you being "intricate"
in "nuance" -
  nuance is gone, baby, nuance is gone,
we're dealing with subversion,
and the last word ascribed is "nuance"...
i always said the english as perfecto
two-faced actors: they lie telling the truth,
as they tell the truth, while lying.
        next time i trust them with a hamster
i'll ask just more than a vet nurse...
and i don't mind pakistanis -
i just mind the english pakis -
the anglo pakis - pakistanis are fine with me,
i event managed to grit to an invite
by one muhammad to admire his
crocodile farm in kenya -
  anglo pakis? hate them like i hate
my acne skin... i'm thirty and at the ends
of puberty, yet still: the explosion of
hormones... might as well be a down syndrome
kid: l'oreal should look into extracting
down syndrome genes to make the face cream...
******* never age:
mother's aged 80, and he's shy of 35.
            n'ah, the english did comedy once,
they did it well, they didn't have to ****
off canned laughter obstructing me from
laughing at what i found funny...
   they took the complacent communist rule of:
****** laugh when all other idiots
ought to laugh...
that black guy in trafalgar sq. smashing
a glass bottle over the white guy that bounced
the basketball off his head was funnier
to watch...
         comedy these days is not
nuanced... there is no nuance:
what you hear is what you get:
   and the english way of a dog curling up
its tail between its legs and running away
is not gonna work...
                     what you said is what you
meant: given that blah blah bi bi blee boo
was intended to translate into:
         can you get me a tonne of glue?
the origins of comedy are not based upon
excuses of nuance: comedy can only
be excused by canned laughter:
not nuance.
               politics is nuanced:
if you drag comedy into this cesspool of
nuance: you're not exactly riding
a horse fully shoed into the sunset of
laughter...
   politics is nuanced:
you can't expect comedy = politics -
    to thus express: oh, we're just misunderstood
akin to politicians: nope, we're just lying
is not going to cut it...
          the best jokes are from a people
who say jokes the least:
after all, the omnipotent psychology says:
the most nervous person at a party
tells the most jokes...
    guess western society has had
its turns...
                    first they make comedy
intelligent, then they make cooking mundane,
then they make comedy excusable,
then they make wacky dishes,
     then they make comedy "nuanced",
then they get a glass bottle smashed
over their heads...
          then they make a case for
the microwave...
           and then the once ha ha become an aah...
     that sigh of relief...
         watching this spectacle:
slayer's behind the crooked cross -
   not the jews, but the greeks invented
sado-masochism of the northerns -
the greeks painted the jews as irrational -
   even though the archeological findings
disprove the greeks' little "messianic" story...
i still find english humour naked, lacking,
you can only push nuance to a certain
sisyphus moment in time,
  before sisyphus decides to give it a rest,
and toils no more, and never allows
the stone to roll up the hill,
   and interludes with pondering...
        after all: thought is never a medium
of futility... it being: the ultra-verb,
it being the omni-limb...
                             these days we know
that the englishman is no longer funny...
because his jokes are overtly plagiarised
by "excusing" himself with giving
a nuanced explanation: rather than a punchline:
comedy has a limit: on how intelligent
is can become... children laugh at calamity
short-scripted:
    do you think adults ask for a long-scripted
"base" for giggles, when the narrative prior joke
ends up being so mundane,
to be only backed up canned laughter?
euro trash, sure, but what an island of trash
to back it up...
      i love intelligent tragedy...
the english invented "intelligent" comedy:
people laugh at this sort of crap
by a mimic format: everyone knows its not
funny: then again: by laughing at it
it's peacocking to impress...
                   there's no intelligent comedy...
people who laugh at "intelligent" comedy
are bystanders, eaten up by canned laughter.
Mateuš Conrad May 2016
it's largely based on the introduction, drunk poetry of Bob Dylan's blonde on blonde, or Dave Bowie's heathen albums that can be treated as fully-loaded novels with missing charting song, you can champ the narratives akin to nearing ancient symphonies making Nietzsche more of a German Chopin than an idea formation, excusing himself with too maxims; yep, Bob Dylan's blonde on blonde given Nick Hornby's care for the music in what's a fluke of care for piquant fidelity, country and blues, bought at a supermarket; or avoid both and head straight for Ticlah's si hecho palante.

for some strange reason i woke up early,
usually i miss the morning staying up
till 5 or 6 a.m., like a vampire scared of sunrise,
winter is my most productive period,
summer my least productive,
spring and autumn are seasons when
magic happens, just today the oak tree was
brushing away its flowery bloom
before the fat yoke of chestnuts would fall
a few months later, the spring bloom
of pink or white was already tailored for
the excess greenery of summer, over a period
of two days the flowers withered and
the green leaves appeared.
she once complimented on my cooking skills
and my taste of music, notably *tool
,
i first met her when we got together in the
student flats and two girls were *******-up
frying pancakes... the dough stuck to the
frying-pan... so i said 'you need to put some
oil into the mixture!' hey presto a Michelin star
on my attire rather than Victoria's crux
of a soldier... that's how it goes with philosophy
nothing pompous i promise you,
Plato misquoted Socrates talking about
looking funny at men who sought brothel comforts
(the norm in Amsterdam, no guilt, no tabloid spice,
o.k. o.k. Leo Getz style, 'it's like going to the gym,
she was South American, plump, she had a little nergo
boy fetch beers for her clients, she kept the window
open so passersbys could hear her moan after laughing
at my addressing her genitalia with may i taste the fleshy
floral patterns?
ah ****, didn't work, you get to write
about *** and it just ends up a string of cliché
like philosophy and the maxim - prostitutes and the
Gemini lips, try kissing both at the same time);
i'd be funny-looking at the other route of philosophers,
mainly through the army, i'm all lazy eye cross-eyed with
those *******... (i do "pending" interludes since
with drunk finger playing the keyboard i tend to
delete by accident about 1 poem for each 10, heartbreaking
experience) - lost the drift, i must be in Birmingham:
no river... no flow. standard model always included
rivers for people congregating, in the countryside
a church would be enough, but for urbanity a river...
this phenomenon of canal cities like Venice is
truly staggering, call it the Maldives of the west,
the Maldives of Europe, 100 years from now
it will probably be more than a Glastonbury fashion
statement of donning farmer John's galoshes.
i've lost the plot... fun-*******-tastic!
oh yeah, the pancakes... well after falling in love
with organic experiments i learnt to love cuisine,
well d'uh cooking, my flatmate just cooked risotto
after risotto until i started pulling rice grains from my nose...
esters and perfumes, the smelly ****, like pickled cabbage,
the grand joke of british asians...
yeah sauerkraut and chicken escalopes are the grand
joke, although try shoving asian spices under your
armpits and you'll be walking the catwalk of Versace for
sure (hey man, stick has two ends!)...
it's an escalope and that's hardly the profanity of
a chicken Kiev, also called a schnitzel... but not schabowy...
you know there's this great aesthetic joke concerning
polish graffiti about the orthography of ****** / phallus
in poland? yep, the variations: huj, hój, chuj, chój...
technically they all sound the same,
they're found next to the anarchists' A and swastikas
on communist apartments.
she wanted so so much, i was at the end of the third year,
and there she is, moving out of her student accommodation
to live with me in my private flat (rented)...
i mean, great... but i'm about to sit my final exams
to get a piece of paper telling others i'm qualified...
what a ******* mess: i know a 3rd of examinable material
i was studying i'll fail, physical chemistry is not my
strong point, organic i can ace, inorganic i can do well on...
but she's there, full-on intense teen... it's a juggling
act that requires a clown, rather than a man,
i'm not saying i'm perfect, but there's too much idealism
in her that requires a hefty stash of pecunia bratus
(money trees)... ah i wish, but had i wished it
i would be writing such uninhibited poems...
up-to-speed... on today's menu!
that's the culinary abhorrence of poetry, remembering
ingredients in recipes rather than rhymes,
for example Thai green curry, and the ***** curry,
the former with spoonful of green Thai sauce to replace
the use of lemongrass, and lime leaves,
actually the limes we replaced with lemons,
the Thai sauce was added, the garlic & ginger paste used,
onions, mangetout added last to add a crispness on the bite,
new potatoes avoided, half a jar of Thai green curry paste,
Thai fish sauce, not salty enough soya sauce was added
(both light and dark), coconut milk of course, caster sugar,
chicken (well, d'uh), basil... yes... basil! lemon zest
and rice, chilli powder!
the second curry involved: cumin seeds, fennel seeds,
a cinnamon stick, garam masala, chilli powder,
turmeric, chopped tomatoes, sugar, chicken stock,
chopped coriander... all in all this is a culinary attack
of poetry, it's not clearly an ancient revenge,
but when i was younger i was instructed to memorise
a poem, aged circa 7... the poem in question was
school bell, i didn't get why we had to memorise it,
it wasn't anything spectacular, i protested,
gave an oath in swear words against my classmates,
got told off... culinary principles invoke the need
to memorise recipes rather than poems,
curbing the influence of fast-food outlets...
i rather remember the ingredient lists of dishes than poems...
indeed i did make these dishes today,
but only because i switched the radio off
and inserted bought art into the device:
Tom Petty's and the Heartbreaker's greatest hits
and !!!'s (chk chk chk's) myth takes album.
Mateuš Conrad Oct 2016
only today i learned ø denotes
        an encoding of diameter,
and it's Scandinavian,
                     or how the globe is
past the equator,
         and the lob-sided earth,
winters in Australia in the Summer months
in Europe.

    high philosophy begins with Beijing
dialectical highs,
    but take the route of lower philosophy
and encounter diacritics rather than dialectics,
because that matters, too,
        θought, a moral ought,
   and φilosoφy - and missing ought -
          and the two being irreversibly twins
in said... or θought an immoral ought,
                 sure, tubes, mistook ø74 for something
akin to φ...
    high philosophy never acquires a diacritical
dilemma...
                  or why local don't do anything
but actuate automatic application
   and those immigrant, or bilingual troops question...
    ø = diameter, not to be confused with the θ;
             higher philosophy begins with dialectical
beginnings,
               "lower" philosophy also begins with
dialectics, but it ends with diacritical application,
rather than utopian: nowhere from nothing.

what am i going to say next? *machado de assis's

philosopher or dog? introduction.

          ........................................­..................................
..............................­......................................................
..........­.................................................................­.........
.......................................................­.............................
...................................­.................................................
...............­.................................................................­....
............................................................­...........
(or a paragraph on the pleasure of drinking,
    or how to save you an optometrist appointment,
or how to take an interlude,
   to do the opposite of the Andy Warhol stipend
for making enough buggers hearing your
opinion, unchallenged,
                    but never having a diacritic concern).
hence the pending, or what everyone seems to
desire these days, circa 100 years later,
     how to provoke an interlude, how to hunger
for interludes rather than fame,
           i also drew a sketch before starting,
       shat -
                  and hey presto!
           ****!
                   yuck in orange in florescent.
yellow (florescent), F, pretty pretty pretty,
          in pink the bit about diameters and phi,
           again in yuck orange: swigs and the wiggle...
a paged concern for graffiti.
                  again, pending, yet to be hottie
and poster boy of a poem,
        again the impromptu break worth of fame that
actually isn't fame, but a chance to compare
                   how much whiskey makes up for the
Niagara continuum.
        again, (pending):
............................................... (how the hell do you
write pending ~15 minutes later?!)

the concept of Monday is greatly undermined
by Darwinism,
    as is Tuesday through to Sunday,
generally the function-able week desists the idea
of an Iron Age, as does the pantomime
of all that's worth celebrating -
generally speaking Darwinism is anti-history,
theology has nothing to ask of Darwinism
to argue against,
                             theology isn't a history,
but Darwinism is the purest variation
of history, variance of how we define logic
and its applicability, whether it's
i + think            /             1 + 1
    and have the moral attraction toward a 2
         or variate a moral action into a 3:
cos Radiohead simply sang 2 + 2 = 5 in a song:
cheat! matchstick principle regarding counting!
machado de assis? Darwinism is peppered with
overt imagery than salted with:
you get to sneeze a lot...
             a writer's voice: irony, mockery,
         consolidating the lessened counter-productiveness...
Flaubert, Dickens, Zola, Balzac, etc.,
                    homie, rap that **** out, condense it,
i thought Brazil was half the way America should have
endeared you? i had problems with Prussia
Austria and Russia... guess i was wrong how thuggish
i had to be with the Orpheus *******...
       cos the lyre was dumbo blunt deaf and therefore
cacka...
     higher philosophy begins with dialectics,
"lower" philosophy begins with diacritics -
     a return to the source, a debate with Ivory scales
concerning the Rosetta - a neo-formatting of
what's quiete
                           right: Sophia: hence anew: Rosetta.
and all for the pear that's woman and whether Satan
chose the fruit prudently according to Milton.
or the progress of a drunk:
centipedes and Fitzgeralds, Hemingways,
lust and last said...
                           the cf. of every apparent transitory
made to provoke the quasi and quack,
              ducking the Donald and the *****,
in agreement,
                     a happiness toward the tiresome
encrusting of what's worth being stated,
and then the deviatory,
                              as marketed a deviation
from a Louis Napoleon -
                                    because no Belarus was
to be chequered by an impeding force...
                      hence the cha cha cha...
                                    and hence the stanzas of
Argentinian tango...
              juicy and later the cruelty choking
of what some might make of Macbeath's habitual thinking
                                       worthy of a classroom
                audience; and that too is
exposable in return for being disposable.
higher philosophy is regarded as such with
dialectics,
                        but "lower" philosophy is
yet to be regarded as such with diacritics -
     not a case of what's to be said, and thus bedded,
but a case of how's something said,
                                and thus given a freedom
of: bedded, wedded, pimped, or whimpered into
                                     surviving writing a poem about;
also achieved by Humphrey and that chuckle of
revising Casablanca for an unnecessary quote dynamic /
diatribe when Hiroshima said
                 much more than the above certified:
boom! 1 million ******* dead.
       that's an overt-quote that gropes the many
amens among the citations of Marilyn, and still gets away
with                     a memory of J.F.K.,
           because that ****-honing masterpiece
was needing my memory rather
                                   than a b. b. q.    scewing.
          i find people rather forgetting:
jeopardy battered boundless gym orientational
                     thoughtless two shots of tequilas
            and three paraphrases of sours in biting a lemon
to upkeep a trough of a suntan with the H-He:
boom boom, higher tier laughter,
             ingesting that inflation of prop
                    boom boom, v bomber,
                     squeeze...
                    lob-side lo & behold,
                                       'n'        - squiggly extra thus born.
Prabhu Iyer Aug 2012
Again that roar of sea dying into murmur.
Yet another splash and retreat.
Wild wind wet with the constant spray.
Sometimes I don't and sometimes, you don't.
We walk together here, this way.
Sometimes the sea, the world at others.
Yes, sometimes there's only one person's track here.
So many years now, yet everything is in those first days.
Voices that persist in the interludes to birdsong.
At noon they peep in through revolving
shadows of the tireless fan.
Forms that flit in and out of my mind
as I motor away into the ebbing evening.
Streak of light that dissects the painting on the wall
late every night. Blinding every morning.
Broken well that chimes back
your own distorted voice and visage.
Sometimes I wish I could walk out of your life.
Sometimes, you wish you could from mine.
My altar went dark the day after I set it in order.
What if I lose you, what if I lose you?
The rose plant died when the maid watered her
this summer when I was away.
What of me finding her dead like this?
Withered leaves, speak to me.
This bare silence is thorny to my soul.
Solitary pond, speak to me past the springs of teals,
rain that obscures the closed temple to the deity of love.
Jack Sep 2013
******* nature


Lovely pink roses on a stone wall
like buttons on a cotton dress
climbing to the top
opening when the light finds
so many interludes frolicking beyond the
painted iron gate

Swinging hinges sing the melody of love
as soft thorns pull at cloth canopies
of translucent chiffon and soft lace hue,
releasing vine clung threads,
knotted of perfume, watching as buttons
free fall to the lawn, like so many petals
.perhaps in my company we wouldn't be... opening a bottle of red wine... to let it breathe... or pouring it into a bowl to give it more air to breathe with: otherwise on life-support machine through the bottle-neck... right here, right now, we have... a glass bottle of beer (13, guinness hop lager) and 4 cans of stella artois (the wife beater's lager, so they say)... yes... beer in cans... for all intesive purposes - a good way to transport beer... in aluminium cans... but we're not bums... we don't drink beer straight from cans... we pour our beer into a tall glass and wait... so the beer can exfoliate like aladdin's jinn in the glass... away from the confines of the can... we don't drink beer from a can... we can drink it straight from a bottle... but if it comes in a can... we pour it into a tall glass... just so... so there's some head on top... we're not english in that respect either... of cutting the head (of foam) off the beer... which is probably why i always order a stout in a pub... you can't pull one without the creme de la creme on top... a head on a beer is what makes it look less like carbonated **** or concentrated lemonade... we're not bums... we drink beer from glasses... never directly from cans - the metal gets in the way... a beer like a wine needs to breathe too.

i found that there are only two types of music styles
that are suitable for drinking -
that's... drinking and not going out -
playing a cat with an imaginary fireplace...
the less imaginary fireplace being:
a stare confined to... watching a pillow...
and the general schematic of a bed...
and sitting hunched in imitation: all crow because
no crow doesn't get you far
on golgotha of daydreams: if only i...
humble servant of dusty feet - the tourist,
the pilgrim - would set off...
         on an amphetamine riddled skew into
a messiah complex adventure...

                     but not me...
                once upon a time the only music
worth drinking to was the blues...
            a long, long time ago...
                hell: once upon a time any music
would do if we all decided to go dancing...
or at least waited for the dance to come of its own
volition and not mine: i.e. the me in i would
just be dragged under the teasing waves
and slurped out to sea...

                   a thousand waves are all but the single
tongue of some swindling kraken...
drinking and random shamanic interludes in
the youth of the night-club...
when there wasn't a tally for score or...
the ones shot down by manfred...
good thing he was called manfred...
   and not some swabian helmut! oi oi!
                                             von Richthofen!
and that was when...
           until came the five beers and on
the 4th it became apparent...
                                  the red garland quintet...
soul junction...

   and it's not... a gerry mulligan's night lights...
piano sentimentality and the ode
to all things urban, cosmopolitan...
                        yes... it's not grenadine in that
sulk of yours... it's cranberry juice...
the city and... the sewers and...
                                 jazz for the urban scenes
of: anywhere but the park...
the graveyard... a choo-choo slowing into
a station... and billy joel come:
mid-life crisis and a new york state of mind...
while over 'ere we have...
     teasing the woods: where concrete ends
and mud begins... thus we can have our Adam...
and...

only today i was walking past his bride...
doing my odd citizen duty of recycling glass...
and buying the amber sedatives (carbonated)
for an evening with some cannonball adderley
or some donnie byrd... or a horace silver...
that's the beauty of jazz...
the music is all there is... the names come and go...
sonny rollins and the story behind
the bridge... and how he would pretend to
but not pretend to... retire and go off and practice
on the bridge so as to not disturb his neighbours...
all the details are there: on the vinyl sleeve
from 1963...

now that's jazz... i don't even want to mind
how pretentious this might sound...
but... it doesn't in that: jazz is jazz in that there
might come some great improv. -
after all: it's all somewhat improv. -
   but you can't really make such basic
generalißations...
        speedy-shoom-of-a-choo-choo whizzing past...
schematic!
   classical music is all a priori...
                              jazz... it's all a posteriori...
how? when people phone in between
1pm and 5pm to classic.fm and they make requests...
they sometimes ask for something specific...
but usually... they vaguely allude to... a feeling...
something "uplifting" - play something "uplifting"...
ergo... there's this... a priori "item"(?)
in the music that's... an expectation...

          i do know what jazz sounds like
a quintent: drums, bass, piano, trumpet, sax...
yes... the guitar... asking the algorithm:
a quintet is five - what is six?
        sixtet - d'uh... sextet... well that's the basic
"i know what jazz sounds like"...
but with jazz there's always this lag...
it's this lagging behind:
    i don't exactly know what i'll feel until
only after i've heard it and in the meantime too...
jazz is all a posteriori -

while classical music for me is all a priori...
given that... it's not exactly improvised:
there's the orchestra, the movie, the script...
   and it's such a music that doesn't worship
itchy fingers of improv. - the stale or rather:
the head-about-to-explode of scoring the music like
a dissected **** of beef...
the cuts for the violins the cuts for the woodwinds...
more so: the almost shy drumming...
the wet-drumming... like rain playing
rattle fingers on tin (roofs)... or what rain would
sound like... if it was made from sand...
either way... jazz is a baggage...

hardly any sort of envisioning a journey from
(a) priori through to (b) posteriori -
and at least with jazz... you never have to really
cite who's playing... in a passing gesture
for all necessary bookmark purposes
of: where i am in the library of jazz...
unlike in classical music... where...
it's either Mozart, Beethoven or then again...
some obscure composer... perhaps ola glejlo...
but it's less about the music per se:
it's about the music of THE composer...
bonus marks for keeping to a rigid diet of one
and completing the herculean task of digesting
his entire oeuvre...

-       so i was walking past the most usual scene...
a car stopped... and she got out...
she must have been no more than 16 pushing 18...
the heavy make-up hid her otherwise boyish
contorts... a short black dress...
and as she got out of the cab...
she had her high-heel shoes in her hands...
   she was walking the cement barefoot...
i peered into her eyes... the lights were out...
perhaps her soul was screaming - perhaps this was
her first disappointment - and it was only... what...
not even 10pm on a saturday night...
my nights of youthful regret usually came after 3am
having to wrestle a berserker...
or how a dog looks like when it takes
to beer with a fond heart and only three legs...
god forbid but "they" would also cut my tail off
to further throw me off balance...
the walked passed and i looked into the cab...
a very, very nervous asian was looking at me
and then her... this didn't exactly look like...
she was ***** or was fighting to escape...
           aren't those scenarios usually stage in and around
woods - without any pedestrians walking past?
call it a trainwreck a carwreck...
                      or just running mascara...
that bad, eh?
at this point... society is a cruise ship...
and i'm stuck with ottis and none of that sentimentality
of the dock: running away with a bag of
chips wrapped in newspaper away from
seagulls... who... are apparently prone
to kleptoparasitism - a real thing... i swear to god...
the animals that want to eat in the realm
of trans-species... dogs have had their
kleptoparasistism repressed: crumbs from the table...
the chicken bones with hopes for
cartilege and someone who... is bad at
cleaning the flesh off the bone: pucker up...
move aside leech... watch this slurp...
ol' hank mobley and wayne shorter...
        one cascade after another...
5th beer in and...

yeah... so that's what a carwreck looks like...
for a girl in her late teens...
the cute black dress...
   getting out of the cab holding her high heels...
walking home barefoot...
she wasn't crying just yet...
but i could see puffy tender demon baron
of the soft cheeks readying to turn into
medussa's stare-grip... but not there yet...
this must have been her first time at "life"
and the night life and saturday...
         the cab driver looked scared shitless...
as if frozen in time... about to have his photograph
taken by a more sensible shadow of his...
i did think she just escaped a bad
session of prostitution...
but not even prostitutes look so ******* gloomy
as she did...

the ******* ***** it up -
the pundit ***** it up - the show goes on...
stage or no stage... an audience or no audience...
those eyes though... not yet crying...
but they felt... like wheeping oysters nonetheless...
you know when eyes are like that...
teasing bulging out... they appear dimmed
at first... but that's a dimming before
the sparkle of tears...
it's the 29th of febuary - yes...
mr. zodiac wasn't kind to those who still believe
in the horoscope but never tried
gambling on a winning team or horse...
it's still winter and those poor feet of hers...
she must have told the cab driver to stop...
hell... half a mile before she would get home...
a 6ft2 115kg sore thumb up with a beard
up ahead: stop! let me walk past him...
that's why i gave an inquisitive stare at the cab driver...
the cab driver was looking at me...
aren't the **** victims the ones jumping
out of the cab as it speeds off or whatnot?
so this was... staged?
              i read the "situation" wrong...
well no... i didn't find a lancelot in me...
there was no door to be held open...
           not tonight...
                                           i was in a mood for
beer and jazz... and luckily for me...
marvel of all marvels...
     haig club (1627) was sold at a bargain...
                        down from 25 quid to 16 quid...
goodbye excessive drinking the cheap *****...
hello: clubman haig... is it whiskey...
is it ms. amber... or is it chanel no. 5 -
                   is it whiskey or is it a perfume?
a snapper of a dinner standing-up...
   the scent of the last bite still on my moustache
even though i had washed my teeth...
the beer bottle opened - a drizzle on the hand
and then the hand smearing the liquid all over
the stinking hairs from an unwelcome scent...
i don't mind stinking like hops...
                  but hops is better than smelly food...

- regrets? ah yes... the "what if" universe at large...
that "whaf if" this and "what if" not...
"what if" yes and... when a man takes to walk
the street at night... he's only looking for empty
streets and... the hope of not seeing his reflection:
which is never about abruptly stopping
a cab and taking your shoes off
and walking in a tight-knit black dress
having met the world and...
                     was it heartbreak or just...
disappointment that... there are no unicorns
and she isn't daddy's precious?

any of the rudy van gelder editions...
                      "what if" i had more than just these
words... a barren wasteland of a flat
with no furnishings, not a book to call it a genesis
of a private library... not a single record
to play... no bed no curtains...
and she was the: honey-catch and snare and...
what if i were still in my late teens and
didn't have these invisible tattoos of historical
dates and the tattoos that riddle bones
that are... "habits of hygiene"...
      by hygiene i imply: ontological fixtures...
immoveable objects of accumulating my mortal
years for this formal circumstance of
the worst magic trick of all...
                   transient and... packaged elsewhere...
apparently going nowhere...

if this was a truly urban scenario...
but we're talking essex...
the outskirts of greater london...
if i bothered myself tonight i might go
to a place where i'd sit on a throne of a stump
of oak and listen to owls...
spot a rabbit, spot a badger... the foxes would
come of their own accord...
and perhaps even a deer or two... or three...
there's no glit of a picaddily circus romance:
when a girl decides to get out of a cab early
and put her porcelain toes on the wintry cement...
as if: supposing she be enticing me...
as i was thinking about the scared-shitless
cab driver...        

to have once upon a time believe in love:
the sort of love you'd see in movies...
but that's of course...
before you'd get a chance to see love...
in opera...
blue pill red pill... spiderweb of fiction...
blah blah...
watch the sort of love in movies...
then go and see an opera...
most notably verdi's la traviata...
  the movies fizzle out and you don't really
need to read this to begin with...
        i was in love once...
it was a love that was in love with itself...
          a mirage a carrot on a stick...
probably something akin to this sort of impromptu...
rescuing a girl walking barefoot home...
oh sure... happens almost every other saturday...

- the beer is for these musings, for the jazz
and for... cleaning the kidneys and a work-out
for the bladder... the shot-at-a-crescendo
will come with the haig club whiskey...
is 70cl really worth 25 quid?

- there's a difference between food with a USE BY date
and food with a BEST BEFORE date...
most notably goat's cheese...
once the best before date expires...
which is way way down the line from
the use by date... the cheese starts to taste
like... ash...

i should know since i know of the alternative
to doing shots of tequilla...
the salt is replaced with licking some cigarette
ash...
the tequilla is replaced with *****...
and the slice of lemon is replaced with
black peppercorns...

so i do know what ash tastes like...
piquant tastes: this omelette of an octopus and
of tongue...

- society is a cruise ship and i'm waving it goodbye...
welcoming a sunset of a sea as calm
as a mirror... telling my feet to take root
and stand... inaccessible...
otherwise... i am barren when it comes to having
some (h. p.) lovecraftian sensibilities from
maine... aloof and anemic... anemic with bloodshot
eyes...

- of course she isn't a mystery...
the narrative would run: the little match girl...
hans... hans! hans?! hans andersen is drilling
a hole into my head about... a woman walking
home barefoot...
yes... but she is walkig home...
unlike the little match girl...
and unlike the little match girl...
this girl was carrying a pair of shoes with her...
it's not my problem whether
i'm the sore thumb that "got in the way"...
a fork in the road: like any other fork...
like any other road...

do you have to reach being 34 to see these
teenage break-ups and regrets come and bump into
you after you've done...
that most spectacular feat of towing a backpack
full of glass for recycling?
where is one to recycle bones?!

- right not all the ***** in the world is...
something of an adhesive... a hitchhiker pollen...
a hard-on of: ****** yourself for a hard-on
just because even flapping a pancake will do right now...
to ease constipation whenever necessary...

- it's a torilla... but it's wrapped like a burrito...
well... it's a torilla... kultur shock -
sarajevo - the entry level shock-awe and
blitzkrieg of drinking from the fountain
of the Haig...

- second tier... to treat pornographic movies
like... early cinema... silent...
otherwise a return to the magazine form...
and the ripe imagination readied for:
improv... or... when was the last time
my left hand didn't feel like an oyster...
and an oyster didn't feel like a leash...
and a woman's ****** stopped being
an hour worth 120 quid? -

             - third tier... the haig club whiskey
is not worth 25 quid... it's over-rated...
you're basically paying for the bottle...
i'll stick to my guns...
only the irish know how to make whiskey
on these isles... bushmills: mellow, tame...
the picts have decided to lodge
a smoking salmon into their barrels to die...
i'm supposed to have an aftertaste of vanilla...
with all that smoke... i'd be happy to taste
hungary and smoked paprika! that would
be a bonus to boot! -

- i can appreciate the picts for trying...
but let's just leave brewing whiskey to the irish...
and let's keep the english away from hops...
they'll make an undrinkable ale from it...
never the lager...

   - armed with balkan rock... standing before
the h'american monolith of tongue and culture...
or... just before what's filtered for the export...

- no... of course i don't think h'americans are dumb...
i just think there's only a naive majority...
i'm going to find the vermin and huddle among
them...

- sooner or later we'll be calling the germans
come spring... for winter provisions...
"keeshond" or: hund... i much prefer the latter...
from under the iron curtain forged from
a broken jaw when biting the curb of:
under the silicon veil... nowhere else to go...
beside Ishrael...
                        
          remains of the ottoman - which is hardly
me put into an iron maiden of akimbo...
where's the geisha and the samurai?!

- is your beard long enough?
      like mine... i tease it... catch it with braille
cardinals: the thumb the index and middle fingers...
twirl it... wait for some thread to tie it together
into a hanging ******* of a bundle...
while at the same time:
          before you... a throng of vermin...
this beard... a magic flute!
the zenith of my thinking...
and ultimately: the nadir of any narrative
that might be inclined to escape and
not become 3D...

- i listen to songs in german...
i put on airs of pride - my chin starts to contort into
the moon's scythe and sickle...
even if the night is overcast with beard,
or cloud...

- then i put on a record that's 20 years old...
deftones' white pony...
and i remember being a teen...
hungry for hormonal diet...
a diet to stop the bones from aching
as they grew extra sprouts:
adverse to the skin and photosynthesis...
bones that were expected to grow
entombed... not in flesh...

- sketches from the gasoline additive when
it comes to a beer, starter...
otherwise: elite... gonna breed on top
of the general... pucker up the tremor for a vibrato
kiss and leech her lips off...
to expose her most pristine:
todlächeln -
                           not a chelsea grin...
the joker lapse... i mean... extending the shaving
lines and just, completely, forgetting there's
any botox involved to grow a peach
from a duck of the reinvention of
the deflating balloon...

   leave no selfie without it...
                   herr grinsen: die / das / die / das...
i keep forgetting the definite plural and
the definite singular... feelz... feels...
maximum impromptu: das bösartigwimmern...
anything in german at this point...
sounds better than...
wenigbruder englisch...
                       dies, mein krawatte beste...
alle schwarz alle weiß:
      say to me... nein pinguine willkommen...

anything to keep these mosquitos these
zeppelins away... alt vater großartig Schwab
from this... herd of minor dicta
of the children of the house of ßaß...
translated nomad from the high pressure
***** basin of:
later, trajectory... later... the yawn and canyon...
and the sky above...

- beer first... whiskey after...
shrapnel... and gasoline... no car... no speeding...
fast but otherwise still walking...

            - a hurrah and the cohort of a hum...
to match the echo of the centipede...
         the silence and otherwise the simplified
complications of a conversation...
the bed torn between *** and sleep...
between saturday sunday and monday through
to friday...
   and the need to drink with someone else...
"the need"...
          
the skulls breaks at the sight of sea-riddled-and-*****
cliffs... daggers persuaded to be forever sharpened...
the fiddly parts of ***** as accountants when
it came to the pennies, copper, and granules
of sand... seized: the rivers of time...
constipated shock value elevated...
                            
                                am i to find a lover when
the orchestra tells me...
these words will never find a dear sir / madam
or circle round for a yours sincerely...
                godzilla... the theme i remember from
the days when the japanese still had control over the beast...
otherwise... an overweight t-rex with...
arm extensions... the lotus feet of the chinese...
which also includes...
the savory diet of... tendering dog meat...
i.e. beating the dog to a plum softening...
which is: then again... not curing the already dead
curated meat...
life aware needs to be involved...
brick by brick brick on brick...
the status quo: made in china...

         cheap whiskey... although in an expensive bottle...
that is the haig club whiskey...
        so much for ezra pound admiring
the ******* ideograms...
what's to admire... when...
it ends up being a crude...
current latin emoji-infiltrated grafitti
equivalent to: CUL8R...
               chow-chuckle-mein-hong-shui-chew?
all that intricacy into the ideogram...
and all that remains is...
bat soup... and an advantage at playing
poker... omnivores...
you'd think that Islam would be...
more geared to break ranks among the omnivores...
like all the fickle gods... a good joke...
they abhor / are told to herd sheep
because: what sort of pig would survive the desert
and not become crispy bacon...
camels are fine too... as are their testicles...
never mind the pork leather shoes and pork
leather belts...
but the chinese omnivores are fine by
Allah: Muhammad & Co....

                               khadijah **** khuwaylid..
wrote the first surahs of the quran...
she was the literate:
the stephen vizinczey epitome:
                          in praise of older women...
last time i heard... muhammad was illiterate...
pray! that i've exhausted sympathy on
him being an orphan...
but not a ******* oliver twist thrown into
an orphanage! b'ooh h'oo...

                     the end... the whiskey isn't going
to drink itself;
as i have exhausted the patience of my bladder...
while there's the remaining concern
for a bewildering and a simultaneously
bewildered peacock... on the hunt for coy;
which is not exactly the darwinian daydream
of the short-hand greek alphabet...
the α-β male thermodynamic...
          the Σ-Δ female harem...
salmon swimming up-stream to spawn...
                             and... Ω-man / unicorn...
                     sha! schtil!
Fertile earth’s seductive sorcery
Like ephemeral effulgence’s effluent effusion
Can lead you to believe that it’s not a travesty
Like life’s visceral intuitive eternal is not lost in subtle evasive confusion

Life’s virile translucence reflects this glow
Like an aorist ensemble of interludes transposition
Can lead you to believe that you’re in the know
Like omnipresence presages omniscience’s ubiquity is existential exigency’s peroration’s exposition

Corporeally preternatural's metaphysical mystique
Like a mirador bartizan tableau panorama
Can inspire us to rise above its critique
Like spatiotemporal’s telemetry incarnate is creation’s vivid intrepid cyclorama

Spectral verve’s liaison’s consortium
Like eclectic synectic’s conclave’s fatidic
Can leave you lost in germane compendium
Like terminus thrall’s apriori inclination is transcendental accession’s endemic mnemonic

Monad’s transitional majestic splendor
Like residual harmonic vibration’s resilience
Can autonomously evoke and vicariously render
Like rubato’s actuator’s prospectus revealed is orchestration rendition’s intriguing brilliance

Eidetic preterit’s aesthetic amendments
Like protractive analyses’ dimensional delineation
Can lead to cogent salacious enticements
Like phantasmagoria’s fantasia fantastication’s magniloquence is sultry solace’s ostentatious ideation
I wrote this poem at the request of my best friends wife when he was dying of a brain tumor.  I like to think it helped.
Alessander Mar 2015
a facsimile of happiness
a continuous depression filled with interludes
of sunsets shimmering off loving eyes


          neither logic nor morality warm beds
          so we keel over, head long into midnight streets
          groping for lips to kiss
              ears to listen
                 hands to caress
                   ******* to obliterate


for Newton's apple to drop
or Buddha's lotus to blossom
for Gabriel's sword to rip chests open


       some are enslaved to absolute subjectivity
                                  a tattered rag flapping on the wind
                       they are forever drowning drowning drowning
             dooming any who dive in to save


                        they can not step back and observe the play
                        they are the play: the king, the jester, the soldier
                         the longing maiden, bitter spinstress, sword-smith's daughter
                         the prideful hero or stubborn villain
                         the country bumpkin chopping wood
                         the raving madman in the wilderness
                        
                             ­       

          oblivious to the back-drop or matrices
            the paradigms of passion
             the translucent chemical pulleys
            the perpetual violations of history
              ******* them

                even in the womb


the birth of an idea is the most wondrous phenomenon
the booming I AM forever resounding
it is a big-bang of metaphysical splendor
it is the unity of art-science-religion
the holy trinity of being
"Laughing lion" is from Nietzsche
Rowan Deysel Mar 2016
Hello again, heartless friend.
So slyly in the backgrounds blend.
Your veering vanish, vaguely here.
Your gaze of increments - insincere. 
Healer of the hearted scars.
Swallower of the heavened stars.
The paths in which we dream and delve.
Allow the doubling ones to twelves.

Slices of the eternal elude.
Movements of monstrous magnitude. 
A hesitant dawdle. A lingered delay.
The mountainous sway is steered away. 
Hoarded heaps of hourglass bliss.
Outnumbered by wasted nothingness.
With interludes of want, of miss.
To slowly morphed indifference.

The pendulums that abruptly swing.
The burdens they still hope to bring.
The envied earn of Earth's endeavor.
The better late. The better never.
The eerily empty echoed need.
The blossomed tree from planted seed.
The curse of a continuous grief.
The ever stealthy, silent thief.

The cogs, gears, hours and hands.
The burn of beauty, bleak and bland.
The coziest, surrounding choke.
The whelm from the transparent cloak. 
The running out. The ever essence.
The grand keeper. The watchful presence.
The potential of the plainest plan.
The currency of the wisest man.

What horrors - hallowed by the tick.
Will sound for both healthy and sick?
Will compose secrets, never told?
Will fumble flame to frigid cold?
The end stays always promptly nigh.
For the intimate, infinite blink of eye.
I fear your wasting, more and more.
The constant count to twenty four. 

Unresurrectable and second to none.
Airborne, regardless of having fun.
As retrospective wisdom blinds.
Our youthful hopes and manic minds.
On and on. From time to time. 
Song to song and rhyme to rhyme.  
Betrayer of all mice and men. 
Less of if and more of when.
Of all phrases of mouth and pen.
The worst are "I've done nothing, again".
Mateuš Conrad Oct 2018
.wasn't it Wittgenstein who said: you can write a work, considered to be philosophy, purely by an insinuation of comedy, i.e. peppered by jokes? so... what's "reason" "logic" have to do with anything? then again, for all of Wittgenstein's "wisdom", i always thought he was a constipated thinker... perhaps he could have written more if he was blind and wrote Braille, or deaf, and appeared as a mime... i don't deal with reason, reason is already apparent in the unfathomable will, some term freedom, while logic is, it just boils down to sticking to 1 + 1 = 2.

i don't know exactly how they've done,
but they sure as **** have...
i'm having my Marquis de Sade
Bastille moment,
you know, when he was cheering on
the mob from one of the few
existing windows of the Bastille...
funny moment:
my parents visited Bastille,
went to the Bastille Sq. and said:
'where's the Bastille?'
    ha ha...
            never gets old, like Family Guy...
humor, but only pulverizing humor...
like... getting ****** by a ***** machine
after dropping some MDMA...
(which i've never taken,
so... no wink wink implication...
just the gateway ****...
  English gateway ****...
skunk...
               which, if you know...
could turn you into a psychotic rogue,
cut your testicles off and ****
your mother...
    come to think of it...
i was diagnosed as psychotic...
still am...
          and look me...
          your happy sailor!)...
England is the new Bastille,
last night i watched Channel 4 news
make a comeback and cover
the Rotherham "incident"...
god, the ditto-heads looked so uncomfortable,
that i started feeling doubly uncomfortable
for them...
       when the words dropped like
shouts into a cave, the echo did
a vladimir klitschko punch-back...
asian... **** gangs... of pakistani origin...
better than watching a boxing match...
a shout into the cave...
   and then the echo back...
          faces worse than the faces
associated with ******* a lemon,
eating raw garlic, or eating a heap of cinnamon...
and yes, drinking is the way,
a responsible drinker, makes food,
cleans the house,
writes ******* against a "punching bag"
of pristine white...
             point being...
what was some weird downturn in the media...
but to think that we would have
to come to this,
to make news, of the actual news...
feels like the mainstream has
come full circle...
   who was is, Kenneth Rexroth?
maybe... he lamented...
           these days we only write about reading...
besides the point,
if the genre of philosophy is not
your happy go-to genre of literature,
and you prefer self-help books...
sure...
          but do me a favor...
if you're interested in philosophy,
are ready to think in between reading
said genre, for a period of three years,
with interludes whereby reading
some other genre...
              but philosophy is not your
"thing"... just start off with
        thomas mann's novel
           doctor faustus...
            believe me,
                  that book is on par with anything,
by any other, German.
oh no... it's not that people do "stupid"
things, like my parents and the Bastille
incident...
                 it's that they do unpredictable
things that is the funny part.
Adrian CG May 2014
I found myself rather regretfully royalty
I was the only prince who loved lakes like licentious ladies loyally
without question favoring the bodies long overdue with residue
sounding this through soft interludes of chorus contorted to slither through forests

I’ve intensely investigated an inner identity that is immediately invaded
Intrinsically it envelops the slopes of my sinking body a womb created
Warmth and depth traveling the leagues of notches spiraling spines
when the repetition sets like leaving eight minutes left I’ll call this skin mine

and of this, a mirrored radiation met my edges with great intention
the waves of infinitely expelling time held my cells in detention
radical rays of reason seasoned the sensational sensibility within me
meticulously making messes of undefined cross-faded reality

I separated the sections of spaces between the places I’m unfamiliar to
I comforted myself with resounding sighs of width washing away a ‘who’
but the width was not distance
it was the cognitive dissonance of temporal restrictions
eight grade year,
John Vogel Sep 2012
In the mind of a poet deep secrets lie dormant, waiting to be revealed
deep in the crevices of the primordial subconscious lie answers to
unasked questions, wordless thoughts, unspoken desires
The poet pours forth a veritable fountain of verbose interludes
choosing each word carefully to project the perfect mood
as a painter paints in hues and shades, the poet paints in words
in verbs and nouns portraying visions of thoughts and feelings
creating a work of art ... a picture can paint a thousand words
But in the mind of a poet  a word can paint a thousand pictures
to choose just the right word to portray just the right emotion
to convey just the right thought - this is the art of the poet
And in the mind of a poet, every word is integral to the whole
every single word is seen as necessary to express the perfect thought
the perfect meaning, the perfect expression of mind and soul
In the mind of the poet, the creator is the creation creating the creator
the poet becomes as a god, creating from darkness and void
Writing into existence with sentences new creations, bringing new life
expressing new visions, new revelations...
In the beginning was the word
And the Word was in the Mind of a Poet.
Frieda P Jan 2014
my mood of mind beckons
me to paint an intense aura
   colors flavor'd  of ***** interludes
reckless abandon in tint'd hues of scarlet sin
    a sultry dance of rhapsody unfurled
restraints of silk ribbon'd enchantment
    ending together in a little death of
     poetic frenzied ecstasy

— The End —