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JoJo Nguyen May 2016
I'm interlacing with Lehman
again what does
that mean I
don't know but maybe
the answer connects Dean
with Ella and
him with us in Film
on TV through VR
singing Broadway Medleys
in a cool Grandfather's wobble
in a crystal Voice
like Mom's clarion call
a silver thread
running through our dull
tapestry I'm mixing
metaphors
muddling music
weaving songs before work
before heatmaps
Seurat R packages
multicolored modality
in higher dimension
again what does
that mean I
don't know but maybe
we just keep interlacing
Ahmad Cox Nov 2013
Interlacing stories
Interlacing fates
Running together
Through space
And through

Time as we
Weave our
Stories and
Thoughts

We find that
We are more
Connected

By fate and
By time than

We can imagine
Shofi Ahmed Aug 2018
The world is small even heaven isn't big
but an uncreated Word is,
an expression of love and promise!

The tale of the beginning
the tale of the end without the ending.
Soon God said it 'Qun' be
bang it couldn't be bigger indeed.

Everything small and big the complete
creations panache came to be so big!
The body is small the soul came in the front
and every soul big banged in one go.
All heard the same Word it was only one
that sets the tone for the first to the last
so sweet it took everyone’s heart!

The death wouldn’t touch the soul
that already died but couldn’t die.
Revived there and then instantly,
hearing the 'Qun' the uncreated melody!
Crooned up even through the dead-end
surged up to the other side of the black hole.
Like a waxing Moon passed over, crossing
the asleep body in the shadow, yet in the making!

Unable to resist it, the first big bang
didn’t happen amidst the material entity
not in the star, milky way or in the galaxy.
Adam was yet to be in the body
the physical ear was yet to hear it!
Unlike the tuned in abyss soul there
that harks and the clouds rise and rain
only to revert back to the sea
showering the shallow terraqueous body.

He said ‘Qun’ again and the first physical big bang
on the matter takes place in Fathima’s joint
interlacing her live soul and pre-design body.
It cuts through the irrational pi in between
the soul and body so that gel in melody!
With pure love without a condition
that shall keep up perpetuating the body!

Nature that was yet to be, gets a mirror in its entirety
and bangs big hearing an echo of ‘Qun’ be, says the Almighty
it comes to be and shall perish only to be an eternal body!
Gladys P Jun 2014
A parade of fluorescent silhouettes,
Aim against a tranquil lit afternoon sky,
In a collage of interwoven blossoms,
Casually stretching,
Side by side.

Releasing a pleasant aroma,
Interlacing within the calming sea,
As the water creases, upon a bed of shimmery grains,
Below a shade of fluffy clouds,
A place you would never want to leave.

When the tides slowly washes in,
In a rich and mild lather .... lacking impel,
Underneath a ribbon of distinctive seashells,
Leaving a mesmerizing imprint,
And a magical spell.
LDuler Mar 2013
The leeching color from my eyes
My parched mouth puckered
My joints are stiff, stubborn and brittle
Creaking like exhausted floorboards
Wringing my fists, white ands shriveled
Twisting my hands, skinned and raw
I'm ill with desperate thriving
Too weak to carry on, don't have the choice
Veins laden with liqueur, thinning hopes and regret
Pulsing pulsing pulsing
Bones fluttering with birds of bad omen
Scalp rid of hair to make place for the thorny crown of vanquishment
Blood diluted with bitter disappointment,
Sloshing, smearing through my mucked-up system
Aching from the deadly drone of existence
From small victories, large defeats
I'm the mortar, they're the pestle
Clobbering into my hollowed life.

The hammer of that thing
Routine so dull and tedious
Pounding and pounding and pounding
When you can't even scream or weep
Thud thud thud
My temples scream with dank submission
My brain is reeling, hurling from the vertigo of it all.

Morning, noon & night
The dead avenues, the empty buzzing
Beats hammers in my brain
Throb throb throb
I'm quivering with numbness.

I'm mature now, I'm ripe
So ripened and rotten
Adult things, adult preoccupations pulsing around me
It seems like person really only has two choices
Get in on the aimless hustle or be forsaken
I've taken it all up
Rent, coffee, wine, cigarettes and newspaper
Forgotten pills
Unpaid bills
Thump thump thump
Anguish, pain, woe and misery
Turbulence and stress, the banging hammer.

I'm a drunkard, a wanderer
With a beaten, battered suitcase
Days like these, weeks like these, when all the weapons are pointed at me
I'm a ***, an outcast
A pigeon in the pummeling rain
Dribble dribble splash
The ache is a relentless thing.

My job, my rent, my house
My walls limp with memories stuck with rotting glue
Wallpaper torn, curling at the edges
The cold hard floor radiates and screams
The couch, cold & hollow
Incrusted with bits of filthy grime
The dead radiator hisses like an angry snake
The shades down, no sunlight
No life seeping through the venetian blinds
And my clothing sits in the chairs
Like the dead emptied out
The blankets are thin, frayed and tattered
As hope is
The moths, on the other hand, are alive and well
They weave webs of moribund rot
Interlacing me into their strands of decay.

Surrounded by the coldhearted, they snarl
And their laughs abash, dishearten the pure
Bruising me relentlessly
They are so tired, mutilated
either by love or no love
All their bleak and sunken eyes
All their weak and drunken souls
All their meek and shrunken hearts
Vultures with neckties
Weasels in frocks
Collared beasts, that's all they are.

The mournful poet with the shrapnel wound
Was so wrong
I guess he wanted to be lyrical, but his words led astray
Time is not water
It does not flow easy, smooth and transparent
It drags you into dark alleys and batters the hell out of you
Punches you in the ribs, rips your skin,
Jerks you by your hair, stabs you, disfigures you
Leaves you crippled and broken, gasping for air.

Sweating in a rocker
Lanky skeleton hands clasped, praying- for what?
I'm not living, or dying
I'm simply crawling backward
Or no, I'm not crawling, I'm being dragged,
Through nights of lonely perfidy, breathing the beaten dusty air
The dark wind wailing, ebbing through the frail curtains
Laying in bed, too wretched to move
When memories, of heaven and hell,
Droop like broken shades
Across the window of my mind
And ****, I can feel my soul slowly dropping down through the mattress
My stomach is heaving, my teeth clenched and gritted
But not with fear, no, it's too late for dread
And it *****, because we realize we were all so caught up in a life in which we can find no meaning...we end up wrong and graceless and sick
We're born shriveled and alone, we die shriveled and alone
No matter what.
The Hammer by Geneviève Pardoe Macchiarella is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Jenn Coke Feb 2016
Its length is known as “one year” by realists,
Also referred to as “anniversary” by idealists,
But “four seasons” is how I would like to call it
As with the passing of time I learn him bit by bit.

We met in front of Record Hall
On a rainy night and boy did I fall
For this one man named Timothy
Who approached me differently.

We first found each other online
But he was unlike the other swine
Looking for a body and easy ***,
Trying to buy me with their checks.

Plus, he did not follow the ordinary formula
Like “coffee sometime?” which is just so blah;
Rather, he proved that he had read my profile
Attentively, so I imagined he must not be vile.

He did not mention or imply anything ******,
So I started to credit him some trust accrual;
He opened us up by relating to my stories
And spoke smoothly with sarcastic ease.

I fell for his chivalry and charm
As well as his unstinted smarm,
His passion for engines and parts,
Never giving up until it all starts.

He won me over with his corny memes,
Matching weirdness, and future schemes;
His unfaltering boldness and fearlessness,
Manliness, and, in due course, closeness.

A spontaneous boy who does puzzles with me,
A romantic gentleman who invites me to the sea,
A free-spirited dude who is a spirits connoisseur,
An audacious chap who is a cooking amateur –

He has a nerdy side as he likes to figure things out.
He has a masculine side as he enjoys working out.
He has a brave side as he goes off-roading in his Jeep.
He has a sweet side as he pulls me closer in his sleep.

He slyly squeezes out my personal info
From myself and makes me go “Woah,”
As he discreetly plans adventurous trips
Which makes me want to ****** his lips.  

He is not afraid or disinclined to reveal his worries.
He is not abashed to update me on his **** stories.
He was not nervous about exposing his cover letter.
He was not anxious about taking me to his mother.

Weight? He does not ask me to gain any or lose.
Change? He needs not fix or loosen my screws.
He takes me as I am, not as a mechanical robot.
He finds sufficiency in all that I do and have got.

He does not care that I wear makeup or look like a dude.
He does not complain that I take long to finish my food.
He disregards that I do not adhere to societal standards.
He discounts that I occasionally think and act backwards.

He makes me relax and loosen up in his presence;
He emits a homely atmosphere and is my defense.  
Hell, we even start doing ***** lovey-dovey acts
Such as calling each other’s names in several packs.

He uses his witty senses to title my works,
Which, to other people, may stir up smirks,
But he does not give two ***** about them;
As long as we represent to each other, a gem.

We are compatible and agree in many manners;
We are avid Android users, not iOS supporters,
We take pleasure in dallying under the covers,
We enjoy mysteries and psychological thrillers.

We follow a handful of seasonal anime together
And we tend to swiftly marathon them altogether.
We even have our own convenient organization
In times when we watch anime together in elation.

He asks, “wanna watch” when there is an update
And picks a title; I agree and say “ready” and wait;
He says “go,” I thumb him, we watch simultaneously;
Then, whoever finishes first sends a thumb amiably.

He tries to pass time with me after work so demanding
So he sometimes falls asleep and leaves me hanging.
However, he impresses me in still choosing to be dutiful
All the while exhibiting humanness, which is beautiful.

I am pleased that we have similar likes and interests,
Glad that both tally with “real love will stand any tests,”
Blessed that both are open to expressing affection,
Thankful that we are looking in the same direction.

Even apart, I admire his strong patience,
Extending over many hours and nations!
Oh, I almost forgot – he is also tall and fit;
The more I think, he has it all – you name it!

The list of what I love about him keeps growing,
With things to cherish constantly overflowing;
I cannot expect more or imagine anyone better,
So I find myself dedicating to him this love letter.

Gosh, how I miss our sessions of wine and cheese,
Cinematic baths and interlacing, candlelit bodies,
Our woolgathering moaning and perspiring mess,
Many nameless moments and silent togetherness!

April 6, 2015, on OkCupid, he gave me a look;
April 11, 2015, he “friended” me on Facebook;
April 15, 2015, he suggested meeting up to study;
April 18, 2015, he dated me and became cuddly.

All this from last year… one year forward, today,
We are still together and have not gone astray –
As long-term and long-distance partners, we are
In the hardest, yet happiest, relationship by far!
I miss him, my other half, my home, very dearly.
I am thankful for his being, loving, and waiting for me.
C Davis May 2014
Oh, What a View!
      from this hazy morning hue,

Familiar faces        interlacing
    back-trip Flashes
Heart is Racing

In my brain &
  through my veins
i still feel the
                       ACID STAIN

Recollections of
Reckless Havoc,
Wreaked when I was
Trapped in Magic

man
  last night
                                           who was i ?

  right now i'm fading from my sight

I am here while i am There
and I have yet to    Find my Mind .
(disregard the circumstances under which I wrote this poem.)
JoJo Nguyen Jul 2016
did we know that today
in 2016 we'd be reading the future
about the Great American
soft
depression interlaced
August 16 with Lehman
Goldman
Sach King David
how this time it will be
different but the bubble
starting
in 1995 always burst
even if its only two years
later Elizabeth Montgomery
died we were joining the Academic Mafia
around Circle Drive
Korean BBQ
Blues Caravan and
cruising around East Los
in a Blue Toyota pickup truck
now
there's a parked Prius
because we're too busy
running
numbers a racket
in Cambridge that leaves us
just a bit of fried egg in the morning
with coffee vorleser-ing and documenting
just
as any moral Hannah would do
in 1939 to say hey this is the way
we wanted right boxcars leading
to abattoirs today we do our best
imitation
of a weak McNamara
mea culpa
Nat Lipstadt Aug 2013
Welcome Back To This, Your Isle



The rabbits beneath the deck,
Even the pesky deer who eat the shrubbery,
Sea creatures, living and spirits of the dead,
Lying on the paths and in the creeks of Silver Beach,
All inquire:

Was it better wherever you went?

Were the:

Bears, hiding in the forests outside Berlin,
Eagles, double headed, of Russia
Herring, fried, creamed, wined,
From the vendors on the docks of
Helsinki, Riga, Visby and Tallinn,
Salmon, smoked and cured in Stockholm,
More impressive,
Tastier than our striped bass,
Island cohorts of yours, who waited patiently
For their chronicler to return?

Did the Little Mermaid and her Dolphin
Guardians of the Port of Copenhagen
Welcome you more warmly than your friends,
The ospreys, lizards, turtles and owls
Who overwatch your steps and safety
When hiking in Mashomack Preserve?

Are the interlacing tidal creeks,
Woodlands, fields, salt marshes and the ragged,
Irregular but charmed coastline of this cherished island
Any lesser than those of Scandinavia?

Are the sea-going ferries that transverse the
Baltic Sea and the Gulf of Finland,
More poetic than the Menantic or the Lt. Joe,
Who carry you swiftly home to us?

The National Geographic people say that in
Tivoli Gardens, The Amerikaner (ha!) waffle ice cream cone
Is one of the ten best in the world.
Guessing they have not made it yet to the
Tuck Shop for some Moose Tracks!

Were you unaware that our isle settled before
Peter the Great ever envisioned creating the grand
Boulevards of his capitol, St. Petersburg,
Route 114 was a traveled forest path,
By settlers and Indians, not serfs.

Of the Treasures, the Gold Room of the Hermitage,
The Amber Room of Catherine's Palace,
Wrote not a single word, we observe.
Your attentions, they did not deserve?

The answers all, self evident.

Here, surrounded by the gentle breezes of
Long Island Sound and Gardiners Bay,
Sweet and salty flavors of the Peconic atmosphere,
Words unlocked, from your eyes to the page fall,
Smudged by joyous tears, for the muses of the island
Have embraced you yet again and rebirthed
Inspiration, within their comforting, sheltering grasp.


Silver Beach

July 22, 2012
Grace Spellman Apr 2017
the rough texture on his fingers
from putting his soul into his art
his guitar, all black and shiny
a piece of art alone, extra special when he plays it
the warmth of his palm
i trace the lines that cover it
making an 'A' on the center
i clasp my hand, interlacing our fingers
rubbing my thumb against his
i kiss him
nothing makes me happier
than the simple feeling
of his hand
there was no poem neath my pillow

no poem on my tongue, none from eye envisionaries, no dew gift from my grassy emissaries, parting residue of an unknowable finger touch

nothing stirring, the mother muses mushing their shushing noises,
only breathy quietude, an airy surround sound tissue,
the cadence of intermingled hearts, the mother and the child

two awakenings, one instantaneous, the other restless unhurried slow, but within an impatience to intersect,
the overlap is love stars crossing,
impatience weaponized to make
momma aware her companions refreshed status,
a needy for love’s suckling,
embrace of fresh baked smiles from hot heartedly hearth furnaces

thus a-born a new poem, a welcomed well coming, in words,
the alliance of alliterated words from the interlacing of the mother’s chest heaving and the sniffling joy of a five year old boy reimagining the dreams that crossed from mother to son, and back again, requiring composition and joint authorship of them

the only and only true authentic authorship,
mother and child, their owned unique
duality of singularity
Laura Sep 2018
We sit next to each other
In the mezzanine
Of the crowded theater
Our matching purple outfits
Far too dressy for the occasion
But who cares
We look **** good

You put your hand out
Palm up
And look at me
As I smile
My coy, giddy smile
And place my hand on top
Interlacing my fingers with yours

The lights dim
And the show starts
But you never let go of my hand
Even when it gets weird and clammy
You never pull away
Even when I snort into your shoulder
And wipe away my laughing tears
You still hold onto me
You gently stroke my arm
Your warm thumb
Against my smooth bicep
And I can't help but smile

I look over
And catch you staring
Which makes me blush
And get coy again
The mezzanine
The balcony
The floor
It all disappears
When I feel your touch
Your light touch
Just glide over my skin
I float to another dimension
When you lean over
And kiss my cheek
Only coming back
To the mezzanine
When I open my eyes
Valsa George Jul 2016
Let me be,
As God intended me to be:
Neither a wicked elf,
Nor a fairy godmother,
Never a demon,
Nor an angel,
But a true woman,
Oh! No, not the ‘Phenomenal Woman’
Of Maya Angelou,
Drawing a hive of honey bees round
‘With the span of my hips
Or the stride of my steps’
But,
One with a loving heart,
Calm and caring
Though at times touchy and itchy

A gracious host and a helpful neighbor
Able to stand in my own light
And lessen the darkness of the night

An abiding spouse
In whom my man can see
An ocean of love in my dewy eyes
And feel the steady warmth of my grip
When the seas of life grow stormy,

For my children, an adorable mother
In whom they can confide,
Their doubt, despair or delight
A counselor, a friend and guide
With the balm to heal their wounds
Touch and move their spirits
And show them the miracle of love

Piecing together these different roles
Let me, into a close knit texture weave
The fabric of my life!
Like the interlacing threads
Of a great tapestry!

In a way, is not living the art of quilting
Bringing out unique patterns
Of exquisite beauty and delight
From the scraps thrown in our way!
Mitchell Nov 2012
The sun hit my closed eyelids
As I clenched my hands,
Steadying myself for the first, but
Not the last blow to my abdomen; Inside
Myself, the internal organs, felt rattled like someone
Had put both their hands on both sides
Of a chicken coop and shook
The poor things to Hell. There wasn't
Any medical personnel on duty - the fight was
A bare-knuckle - but I knew the barmen
Had every kind of liquor for any kind of cuts
I soon would be acquiring. I took one to the stomach,
Then my upper arm and I brought my right forearm
Up to protect my face. His fist connected with
My forearm, but I didn't feel anything and slapped his palm
Away with my open right hand and swung with my left, the top
Three knuckles connecting with his jaw, the pinky knuckle not connecting with anything.
I later found out I had broken George's jaw with that punch. He
Staggered back and shook his head roughly after the blow, perhaps being to blame
For part of the break he later would find out he had acquired. His eyes
Looked at me filled with sweat and blood shot. His lips were strangely dry. The
Sun on my back shone into his face and reflected the hundreds of droplets of sweat
Lined across his dirt covered brow and deeply lined face.

When he came at me again he was blind. I ducked, let him run through me
And quickly turned around. George was confused and I was not and all
Of a sudden I felt I was fighting a helpless child for some meager money that
Would only come half my way. I looked at him, up and down, saw poor George
Disorientated, scared, and alone; he reminded me of a fawn I had seen without his mother
Caught in between the cross-hairs of my rifle, its solid black eyes and quivering
Nose and ears looking for any sign of security of comfort, but receiving nothing. I pulled
The trigger on that fawn and, being a slave to my own routine, I pulled the trigger on
George, landing a right hook to his ribs, bringing him down to both of his knees, and then,
Interlacing my fingers and palms together, bringing down "The Hammer" as the men
Would later call it, across of George's head that drooped off his shoulder's like an
Apple just about to fall from the tree. He hit the dirt face first with the booming cheer
Of the ruckus cloud behind.

"Is it over then?" I asked him.

"I think you killed him!" a faceless joker screamed from the crowd.

"Yeah, you slaughtered him Ernie! Yah' killed him!" another one screamed.

Maybe I did, maybe I didn't, all I knew was that George wasn't going to be getting up by himself.
I bent down and put the back of my brown bloodied palm up to his mouth. There was a breath. At least there was that. I was happy that there was that. If he was dead we'd have to get rid of the body, either in the swamp which was a good half hour car ride and being a Saturday, the streets were crawling with cops. The first thought that actually came into my mind when I saw Georgie hit the ground and thinking that he was dead that we would take him down to the river, tie some rocks to his feet, and throw him in there. A cowardice thing to do, but ****** was something that tagged a man for a life and I couldn't imagine myself going back to prison for the second time - nearly died the last time I was in there.

"Get up George," I said as I pushed him lightly by the shoulder.

He gurgled and spit and tried to get something out.

"What?"

"Fuckinn neally kilt me there Ernie," he struggled to get out.

"I'm sorry, George, but we were fighting, weren't we?"

"Fukkinn basterd," he grumbled and tried to get himself up. He slowly rose to his knees and swatted at me when I tried to help him. He spit a large string of thick, dark blood into the dirt and coughed. He shook his head like an old dog that had just taken a beating and said, "Really lait in to me, din' you' Ernie?"

"Needed the money George," I said, he now letting me help him to his feet, "You know how it is."

"I know, I know." He slumped his head and threw his arm around my shoulders.
Ushered into the breathable
Strung on undefinable threads,
Life's atmospheric interlacing;
A weaving, hidden to opaque sight

Subtle ties, loosen and relax,
Chest enmeshed entirely,
Titillating summations of Earth's enthusiasm
Entwine in activities of the lungs and heart

Pumping action, energy, growth,
Air feeds fire, and power, and blood,
Burning from the inside, animated,
Billions of cellular suns, throbbing

Light in the garden of the body,
Alive with murmurs, and hums
Of love, all of time, and space,
Moved to produce this oscillation

Ecstatic the body expands in swells,
Ecstatic the body contracts in swells,
Ecstatic are the waves exchanging,
Ecstatic is the surge of breath
NuurSeraph May 2014
There is a Softness in the Shadows,
On a breezy, Sun~filled Day.
Splashing Contrast divides the Colors,
trading within the shade,
An interlacing patchwork, Arrangement by Rotation,
Earth's Grandly Spun Bouquet.

Movement amongst the shifting Patterns,
playfulness in~All direction,
Like children chasing randomness, Laughing in the garden
that echoes through with effortless, nonchalant Expression.

Eastwardly to Westwardly,
Tracing loftily between Tree leaves, Mountains broad projectories, deepening the Shadows Shade,
Yawned in stretching reach,
Duality of Accolades,
like Coastlines of a Beach.

Lost in Lover's parting Kiss,
In Amorphous Amore,
Animates explicitly,
A shy Shadow's story.
Into the deep embrace of Night,
A lingering at Sunset's Crest,
Hallowed out in Shadow's shade,
Sewing~dreamy patchwork Seams
of Fabric feathered Sleep.
Intro + Middle + Outro
Kiss me,
So I may drown in this amorous affair,
Savoring the delicious taste,
Of your lips against my own.

Hold me,
Your arms clasped around,
My petite body,
Skin touching skin,
Finding warmth in your blanket,
Of security and adoration,
Burrowing into the flowing fabric,
Of your embrace.

Never let me go,
I yearn to hear the inhales,
And exhales of your breath;
You glance at me,
Chuckling in delight,
As your thoughts turn,
To how enchanting you view me to be.

Caress me,
Allowing your firm hands to explore,
The slight curves,
Of a soft feminine exterior,
Yearning for the stroke,
Of your fingertips upon me.

Does love not knock upon the door,
Of your innermost chamber?!

Listen Please,
Silence your scattered thoughts,
Allowing you to hear,
The lulling seductive melody,
Depicting the presence of Eros,
In the heat of the night.

I shall pray you stay,
With fingers tightly interlacing,
For the fates bestow us,
With a blessing,
Perhaps a curse,
Receiving a bond to unite us.

An illicit connection,
In the eyes of others,
Yet I behold my desire,
For you as a dragonfly,
Mysterious and ancient,
A beautiful creature,
Existing almost as long,
As the sands of time,
Flying among the earth,
To be free.

Breathe me in,
Granting me the chance,
To enter your body,
Mind and soul,
Engrossing our spirits,
To complete the other,
Through gazing into,
The eyes of the other.

Cherish me,
As our lips encounter,
Passionately nibbling,
As they collide in portrayal,
Of our irrevocable love,
Tantalizingly sweet
As the Riesling rests,
Within my wine glass,
Tempting me to consume,
Pleasure through the delicious taste,
Awaiting for me.

Reminding me of the same reasons,
I crave you,
My beloved.
If I asked you what you see in me
Would those rivers
Flow the same
A vessel for to hold the sea
Or a levee for to claim

Would you see walls you can absolve
A tree with no leaves
A riddle
No man could ever solve
Or a truth you can believe

Tell me true, what you can see
When your sky
Is not blue
A web interlacing what cannot be
Or one that ties my heart to you

Would you tell me you celebrate the jewel
You’ve found
For a kingdom of your own
Kept as a keystone
To create a harmonious sound
You cannot compose on your own
Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
Gladys P Sep 2014
Autumn adorns the universe,
Into a transitional seasonal display,
Preparing for a whimsical change,
Upon evergreen trees, in rouge and ember shades.

Lavishly, shedding slowly,
Into a fusion of tones, leaving embellishing grounds,
Bearing naked branches,
As they casually toss down.

Stroking their leaves, and sending colorful hues,
Like a genuine piece of tapestry,
Beautifully interlacing,
And harvesting, 'neath the suns abundance of energy.
Onoma Jun 2018
in a desert pegged to a

loadstar, whose sands try

to scrape free.

with a sound the wind

scarce believes could

empty it out.

only loincloth and limbs

move toward her...with

lips the sun has lingered on.

for all his moving, he takes

her face in his hands...

setting down his mouth's

word on her closed eyes.

eyelids raw with

interlacing quivers.

visions of water.
James M Boyer Jul 2010
Upon yonder window the twilight breaks
While her beauty outshines the sun
the night falls with the stars trailing
And with her his heart truly beats.
The sonnets have all been written
And the plays have all been played
But love has never left the pages
Before this moment of hearts first flight
Where afterglow bleeds into presence.

Forever… and always for this kiss to dream
When dreams have not yet been slept
His soul treads her path -
Of interlacing glimpses and long hidden stares.

He falters step and fumbles words
Unsure if he’s awake -
Or trapped by the weight of his sheets
Only aware of the ambiance between them -
The silhouettes of realities fading
Where her smile is all he needs to breathe
And the epiphany of like minded self
Intoxicates every sense of being.

Forever… and always for this kiss to dream
When dreams have not yet been slept
He’s lost himself within her beam
Of interlacing doors and worlds apart.
written on July 17, 2009.- From Through Our Hands We Speak From The Heart
Jessica Golich Oct 2014
Pure tranquility amongst immense vulnerability
Embrace the placid pace as interlacing moments of divinity create a symmetrical vision of femininity and masculinity
Cultivating humility in unobtrusively exercising providential gifts
Ancient relations uncovered through self-refinement; revel in a realm of silence peculiarly deepening this divine assignment.
I: Introduction—A History Lesson
The word ******* was derived from the Sanskrit
svastika,
meaning good fortune,
or well being.
The shape is a monogram,
the interlacing of two Brahmi words,
a hooked cross which, over 5,000 years ago,
represented the rays of the sun,
the four directions of our natural compass,
and the four elements of our world.
Earth, wind, fire and water,
the symbol was balanced,
sitting firmly on its base
like a poised animal
on its haunches.
In other interpretations,
the symbol was a sacred text
explaining, “here is how the sun moves across the sky.”
A map of the heavens,
a lesson in astronomy.
The *******, when standing on its base,
is still sacred today
in many religions.
It is
the Buddha’s footsteps,
the seventh saint in Jainism,
and the four possible places of rebirth
in animal and plant world,
hell, earth and the spirit world.
In the 1870s the ******* was changed forever.
An archaeologist engrossed in discoveries
from ancient Troy and Mycenae,
Heinrich Schliemann,
found the symbol likeable
and claimed it,
because as a man he had the power to define.
He designated it
the symbol of his people—the Aryans—
and soon this is what it became.
By 1907 the ******* was turned at an angle
physically
becoming a hooked cross precariously balancing
on its side.
Its meaning, however, was turned upside down.
The cult of Aryan supremacy
claimed it,
and finally ****** adopted the
bedraggled image
as the symbol of the **** party
marking the beginning of its legacy
as an image of hate,
a harbinger of genocide,
and unthinkable atrocity.
In the course of twenty five years,
under the direction of ****** and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele
and countless other men with vacant expressions
and the ability to spell death with pointed fingers
the ******* came to mean loss
of integrity, of citizenship, of basic rights,
of personal safety, of property,
of an untarnished image of humanity
of hope.
Under the *******
unraveled a calm, coordinated,
and systematic extermination
of 6 million Jews
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Under the *******,
there were gas chambers
and the burning of children’s bodies.
There were prison-like ghettos,
and there was no humanity.
Part II: A lesson in Linguistics
First, language is meaningful only
because of shared understanding.
Words mean nothing,
symbols are vacuous
unless we share recognition
of the things that they signify.
All language is arbitrary
if we cannot agree on what object,
or emotion or event in history
are called forth by the words that we say.
Second, to be able to change meaning, you must have power
and you must have time.
Trust me,
if I could rewrite the meaning of every blood-soaked word
I would.
I would scrub them clean of their histories.
I’d redefine them,
make them useful,
maybe even kind.
But I can’t, and neither can you.
At least not alone
and not on command.
Because I’m sorry to say
that that’s not how language works.
I’m sorry to say
that a symbol made synonymous with hate
cannot be used innocently,
cannot only mean what it meant before ******
and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele.
Even if you claim to redefine it,
even if you claim to only use it for what it once was
even if once it was beautiful,
like the stalwart path of the sun,
the ******* has innocent blood on its hooks
and it eyes us sideways like a crooked lamppost
burdened with memories we cannot dismiss.
We remember.
As a society, we remember,
because pain is a finicky creature
that will not be reasoned with,
or re-defined out of existence.
We cannot use the ******* without remembering the pain
how it was ironed onto the starched coats
and painted on the national flags
of those who murdered
6 Millions Jewish men, women and children,
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Even if you say so.
Even if you claim to only use it for good.
We remember,
we remember.
Part Three: A Story
In elementary school my Hebrew teacher was Mrs. Wygodski.
When I was ten she seemed ancient.
I remember her shaky hands, but the steadiness of her voice.
Most of all I remember the numbers on her forearm
from when the Nazis decided she was no longer a girl,
but a numerical value.
I remember her telling us about the concentration camps
when they shaved her tiny girlish head
and gave her *****, ill-fitting clothes,
when they took her arm and erased her
like a message in the sand,
and she became a number.
In elementary school someone wanted to play a joke
so they scrawled a *******
on its side
in large black ink on the white board of class.
The symbol was the first thing you saw
when you entered the room.
I remember
when she came in she was smiling
as usual
her grey hair down, her kind, open face,
a miracle of a woman,
to withstand the darkest night and still smile.
I remember that Mrs. Wygodski said it is important to forgive
but I could never understand how she forgave the Nazis.
She would look at us and say
“hate is the darkest tunnel,
and harder to climb out of
than forgiveness is to bestow.”
The day she walked into the room with the *******
looming large on the white board
I will never forget the look on her face.
As the symbol spoke to her directly
it unearthed everything she spent years flattening down,
memories she sifted through for decades with trembling fingers,
images she shelved in the recesses of her mind
to make room for the possibility of tomorrow, and the warmth of smiling children.
For a moment
that symbol broke her,
and in that moment, the ******* once again stole her humanity,
and turned Mrs. Wygodski into the number
they once told her she was.
Part Four: Land of the Free
Today thousands of hate groups continue to use the *******
teetering sideways
the way that ****** intended it.
Once a symbol of good fortune,
it is now the most widely recognized symbol of hate
the world has ever known.
Used in the United States
the ******* has opened its claws
and staked claim to the beating hearts,
and hopeful sovereignty
and promised dreams
of countless African Americans,
who became the targets of the same bottomless hate
that engulfed millions in the holocaust.
Under our star spangled banner
the ******* has overseen
thousands of racially driven lynchings,
ongoing police brutality
the imprisonment of one out of three black men
and the bombing of black children in their Sunday school dresses.
In Oregon,
the ******* celebrates the sealing of borders,
is embraced by the very groups
who once outlawed black existence
in our very own state constitution,
the same groups
who once dictated the state’s refusal
to ratify the 14th amendment
of equal protection,
and the 15th amendment
giving African Americans the right to speak
at the ballot box
and be heard
by their government.
In the land of the free, the *******
is still tattooed on chests
and ironed to coats
and scrawled on the walls of my classroom.
In our communities
there are
the European Kindred,
the Northwest Hammerskins,
Volksfront,
the National Socialist Party,
and the Ku Klux ****.
And they wear the *******
because they recognize its meaning,
the meaning we all know
the meaning imbedded deep
by the pointed guns of the Einsatzgruppen
Today,
here,
they wear the ******* because they want to swallow the world.
Part 5: In Conclusion
To whoever drew the *******
last week,
last year,
in every year before that
in the bathroom, in the hallway, on my classroom wall and desks.
I forgive you.
Not because I want to
but because Mrs Wygodski would.
I will give you the benefit of the doubt.
I will believe you didn’t mean it.
I will believe you didn’t know.
I will still have hope in your humanity
because what choice do I have?
This is my refusal to become what the Nazis wanted,
what hate groups still want.
That is how I resist.
I refuse to hate you,
I refuse
to hate.
However, now that I’m addressing you directly,
I want to take this moment to make clear
that when I see the *******
this is what I see:
I see Mrs Wygodski,
with her kindness that was like a spring
flowing from somewhere dark and unseeable
and I see her face when she walked into a room with that symbol
and I see the colors of her world bleed out.
I see my missing family members,
who I never actually had the chance to really see.
So I imagine them,
my grandfather’s aunts, uncles and cousins
from a shtetle somewhere in Poland,
erased completely from history, from record, from existence
by ******* wearing men
who forgot how to be human.
Finally, I see my students.
The rest of them,
with their still young impressionability
and their beautiful array of skin colors, backgrounds, ethnicities, cultures
and their intact understanding of love.
They are the hope that our grandparents thought was lost,
and this ******* is their antithesis.
It is the undoing of their sanctity,
it is you spitting in the face of everyone who is not you.
And if you do that intentionally,
if you do that knowingly
and with purpose,
well, that
is unforgivable
This was a powerful poem written by my teacher, Sam. I really loved the power of her words and the mental image it left in my head. Enjoy!
Sometimes,
I try to escape you.
Whether in my thoughts;
or in my day.
I have become spectacular at blocking out
the memories.
But sometimes,
I try to escape you.
When I see the curve of your cheek
lit in the soft moon light
and all I want to do is reach out and cup my hand on your face;
I try to escape you.
When I close my eyes with you right next to me;
and I dream of interlacing my fingers with yours,
my head on your chest.
When I can hear the actual sound of your heartbeat being imitated in my sleep;
and I wake up and wonder.. hope.. That I wasn't dreaming;
too afraid to ask in fear of being chastised for wanting you..
I try to escape you.
And in the morning, I prepare myself to go home.
Even though I know I'll miss you
and only think of you when I'm there.
But then you ask me to stay one more night
and I can't say no to your beautiful green eyes
or your bright smile.
I try to escape you.
But I can't.
**My love.
This isn't meant to be a sad piece.. I just love you too much sometimes that it hurts my heart.
Landscape silhouettes
pirouetted off
pockmark lights in the dark;
the city shivers
in its myths and windy whispers,

Just a subtle rumble 'neath his humble feet,
heart aflutter, stuttering
palpitation structure sputtering; the lightless rain
glanced across the window brackets
of the moving train.

Silence yawned across his vapid eyes
like labored lullaby sans interlacing rhyme device -
Home, the beckoning, fulfillment's underlying premise
calling off at every stop
'til seats bowed under weight of emptiness.

Friendless in the long stretch
between conductor's breath,
fresh with mints and benevolence,
punching tickets
with a lonely sickness...

Ah, fitful sleep awaits us
past the sliding doors
and walk to familiar shores,
horizons bleak,
and nothing more.

Locomotive groans
pervade the embers of the gloam
and glitter bright,
against the clutching fingers
of this woeful night.
Pauline Morris Feb 2016
Laying on my back on my bed alone
Fingers laced, hands over my forehead
Fans mechanical whirring, trying to soothe my ravaged mind
Replaying in my head, every word exchanged on the phone
Moonlit shadows pirouette across my walls
Smoothly and so gradually they become our shadow selfs
Our very own love story playing out like a movie shown
At an old time drvin-in, the screen so big you can't miss a thing
It shows our endless nights of talking, about all our hopes and fears
And how we nurtured our love and respect and how it's grown
The shadows played on, to show that first ****** kiss
Our lips interlacing for what seems to be a life time
Two bodies entangling, if you listen you can even hear the moan
Our shadow selfs now inseparable, the rest of our lifes spent together
Even as the shadows slip across the screen and age creeps in
It is the greatest love story I have ever seen, it's our story that the moonlit matinee sown
Sora Jan 2014
The orbs are comfortable
To lay within the glow
Rounding up and over the moon lit by
Nightly prayers from the children and the whispering ambitions of the aged

Will we ever fit in
Well, fit out of the confinements we dredge to make it all okay when the family cries
Each of us have all been strapped with Velcro from our Day 1 to fit standards
But does it mean anything..
For if we fall short, it hurts more than falling long
Why must we hurt and bleed and scrape against the bottom when we're trying our hardest

Age holds no value
When the interlacing branches of the forest
All look the same
Because we cannot dare differentiate ourselves
What it is to live "normal" and society's "regular"

Maybe we hide ourselves
under scars and lyrics, between role lists and bus seats
Maybe our orbs are colored neon, or maybe a lingering Oregon grey

So maybe, clicks and groups and minorities
And maybe even the "freaks"
Are all synonyms for "normal" and "regular"

So please, these orbs have become comfortable
Don't hang your head and hide one minute more.
Breathe me,
So I may be the air,
To sustain you,
With a new exhilarating sensation,
For you have never met,
A beauty quite as fair.

May the inhales of breath,
Give you my tantalizing aroma,
To waft through your mind,
For all eternity as each exhale,
Entwines your spirit with mine,
Reaching a point of immense depth,
So pure and divine.

Time seems to freeze,
As Hazel eyes mirror my own,
Glancing up my form,
As you witness a treasure,
So grand and rare,
Engendering you to be bereft.
Of all senses,
Except for the feeling to stop and stare.

You speak the words,
Of an effable language,
In such a distinct dialect,
Only the key of your heart,
Opens the lock of my own,
Through those amorous words,
Only the beating of our hearts may decipher,
Even if fate leaves us worlds apart.

Fingers interlacing in an affectionate embrace,
As our hearts waltz in the stillness,
Of the night,
As I notice the sway of your hip,
Full of masculine grace,
Pressing your body against mine,
As you me so deliciously tight.

The moment I encountered you,
I reach the peak of the highest mountain,
Falling as I may,
You bestow me with the gift of insight,
Wrapped in a ribbon of trust,
Ever so bright;
A chance I have never been granted before,
So even if I slip,
Your love always keeps me,
From shattering upon the Valley floor.

Loving you is all you ask of me,
So forever I shall,
Until I no longer breathe,
Our cold bodies soon to be side by side,
Under an old willow tree.
At one moment in time
  she was poetry in motion,
'til she pirouetted herself
  unto dusty shelves
midst old clouded rhymes
   & recollected love notes
yet, there were echoes
  glistening 'tween strands
   of web's interlacing design,
meshing her finessed
  past within gossamer's
complex entanglements
  amid labyrinths of
    ancient symphonies
she dances, still ~
  silently in her head
flirting with destiny
       albeit, not as grand
NuurSeraph Apr 2014
You know what I've been fantasizing about around my projectory...besides some stimulating evening entertainment...I like the art of BellyDance. It's sensuous and extreme mastery of smooth kundalini up and around the body.
Yeah, right...I know.
No, but seriously, imagine man, our own Island. Yeah, our Own Island. The Crew would celebrate the SkyClad Moon around a wood fire, the tribal drum patterns interlacing trading Ecstasies of rhythm beat into our hearts coherent waves generating yes by us, through us, into the night's Enchanted Moon. 
Oh she and her seductive powers moving tidal waves into the hours splash crash and receding just to come back for more. You Know What this is about you know what it stands for
yeah, and if we want to bring it into our human sexuality, mating powers, let's trade energies why not talk our bodies into majesty
~ see what happens• usually magic from my memory I like magic I like cosmic kinds of bliss in exchange for a mystical talk with God~ Lets work it out. Of man & ladies ...you know, all the crazies, no end to the amount of this kind of party. let's make the magic happen this doesn't have to stay imagination I know how it manifest and if you have questions come see we will figure out the rest ...
imagine
Need a vacation
Kelly Roland May 2013
Even a master welder
could not feat these bars
that wind and twirl
encasing, interlacing
your thoughts with the world

for all may be what never was so
where a smile once beamed
a soft glow, now resides
torn from the out, inside
feeling weakened and tried

because you tried and you tried
but your fire was put out
by eager firemen
with hoses that spewed
and skewed, the world you once knew
for things you could not understand

but you learned to understand
grew up and found you can
live without starting a fire
and live to aspire
to be
important

but when the town falls asleep
my thoughts slowly creep
back into my conscience
ready or not Im
ready

and something so small as
barefeet or chopsticks
become the most important things
at all

red lipstick and straw hats
a smile and a wave at
someone Ive never met
how good it can get
when i havent heard yet
what I need to know

the need to go
and learn on my own
miles of road
on an endless mind
that only interprets
what goes unfiltered
Kenshō Nov 2019
im sinking down
To a place where i hang out
when no ones around
where the birds fly, maybe soar
a memoir of yore
when i used to lay on the floor
and imagine an upside down world.
Where people jump in and out of doors
and balance on beams nd round the bend they twirl
Overdone masculinity rules this world but in mine it twas a girl
No sides were taken, no war, no fight. and she was black
History moves forward and you cannot take anything back
when i look back to back i tend to think we have two faces
the breath is being lost and we've all gone missing in our paces
I want to evolve my system but there is no racing
I want to speak and there is only facing
No missing, just placing
until our spirits are interlacing
towards one envisioned nation
hi
happy 11/11 humans
sharp blades
cut thin ice
I am wrapped in a cocoon
showered in unconditional light

pitch black, led by street lights
I'm interlacing my soul
across the rink of memories
deathly blades below my childish toes

make one false move
and I drown
between the cracking waters
as my mother is pulling me out
blanketing warmth distances me
from the paralysing thought of the world
aar505n Jan 2015
Left a nasty mark
Left side of my face.
Sparked inner disgrace
Embarked upon a new place
Where defaced faces are not remarked.
But in the dark, I got displaced.
This space was dead quieted.
No lark sung here, but hark!
A lone bark cried out. And then another and another.
Braced myself, as stark fear crept inside.
Out of the dark, the pack show their faces
And the race began - They chased me through the park
Traced me deeper in the woods. No hiding place seen
Lack of light, pitch black, trees attack, narrowly missing me.
Can't hack this, graceless at racing.
Face grazed by twigs, looked back at the pack, closing in
Quickened paced and - smack. I found the ground embracing me
Ending the chase as they arced around me
Surrounding me in the dark
My eyes glaced over, sparking more than fear
To enter my brain, all them interlacing  together
Death's intamacy marked the end.
I prayed for a coup de grace
Just in case skies aren't empty
Jaws opened and crashed down on me.
Biting, chewing, tearing through me.
Eating raw meat, sweat as nector for them.
Brittle bones break and snap.
They drain my marrow leaving hollow bones.
I laughed.
I laughed louder and louder.
The unearthly sound echoed in the night.
The biting became more frantic, more panicked
Couldn't understand the drastic change.
My fears displaced into the dark of ether
I got up and shooked myself free.
They couldn't defaced me anymore than I am
Frightened by the bite though it's no harsher than the bark
And being frightened, I gave them power over me
Power to tightened my very being.
Misplaced my own proper power prove to be a mistake.
But now I know those shadows do not mark my end
The gallows can wait.
I disembarked from this dark park, leaving behind the barks.
Face still defaced, but with an ace up my sleeve.
An unfamiliar imbalance has sunken into the very being of my existence
Sluggish and slow, the twenty-four hour days repeat themselves
and I feel the imbalance continue to grow...

Creativity and emotions bubble to the surface of my mind
whirlwinds of interlacing thoughts and ideas yet to be formed into stories
worlds exist within my mind,
slowly evolving, growing, living, breathing on their own

But tethered am I to the world of imbalance
where red skies and black ground damper the life within
concrete creations and false purposes that provides printed success

Tethered am I to the world of imbalance
where greedy pigs squeal and splash until they get their way
evolved to wear suits, and leave the squalor to the poor

Tethered am I to the world of imbalance
where a false savior excused future sins
but offers no solace to those whom the sinners wronged

But,
against a darkness wearing my own face
against tyrants who control my life
against every defeat wrought by my mistakes

I still stand, a legacy of lessons at my back, and an immeasurable amount of teachers ahead

Despite the mud in which I travel so slowly through
my feet carry me forward, the weight of my world on my shoulders
This is my journey, an epic told by whimsical poems
my face is not one of a crowd
but a symbol at the forefront of the army that is my passion
soldiers brought to life by the stroke of a key that fight for me

Words are my weapon and I will not be silenced.

c.d.l.
8/20/13
D I A Mar 2015
Cracked images
Stained glass
Each piece arranged
In an interlacing jaggered masterpiece
Tears fall
Tracing paths
Highlighting the intricate symbols
Liquid crystals in the dying light
Sparkling pearls upon living glass
Dexterous additions
To the visual symphony.

The storm grows
The heavens pour
Colours flash amongst the greys
It tastes like salt.
Kylie Hailstone Jun 2013
Salt-filled air bites at the senses
as water from above and below
intertwine,
woven together in intense immersion
with an imminent addition
to the ocean's continuing collection of structures,
made of the forests' dead,
and interlacing spines from branches,
given no chance to grow.

Now only to be resting miles below their home,
standing meekly against the current of the deep.

Saturated skies echo sadness from the sea,
while man's eye only grazed
upon the shore
before remorseless waters' waves
tumble and lure to underwater graves.

The sharp cold of the evening sky's drizzle
dissipates the day's warmth.
The sun recedes beyond,
sinking beneath the bottom of the sky,
and leaves the scene at peace
as if no one were ever there.
NuurSeraph Oct 2014
My marginal dysfunctions like a panther saunter gliding me out to peripheries edge.
We won't comment on loose banter, someone says.
My mind circles the time as the crow flies,
too disturbed for reentry, tweets the parakeet.

Phase out with allegiance to no one,
Phase back in with desperate facade.
I am blank, bleak and broken.

Well...that's just the token to get us back in ...the Dahlia wasn't always black to begin with you know, so many colors remain to absorb our sorrow.

So lost, forgotten and frail...
a ghastly scene so serene and forsaken.
Do not fret my fellow faire, we are ghosts of crimson lore, pathos to the people...morose...together on the edge of forever.

Interlacing fingers, we stand then walk the plank of insanity...who will hold my hand??
The mind is a beautiful act of celebration...
Alexa Jan 2016
Crisp, cold winds dance up a creaking trunk
lingering on the neck before tracing their way up the branches.
Leaning into the cold bark
interlacing long fingered gusts between outstretched buds.
The last leaves still clinging
quiver and drift away in swirling arcs.
A new dew rests upon shaking skin
glassy, smooth and sharp.
Whorling zephyrs drifting further
finding new flirtations in the night.
There is a blizzard outside
Gigi Tiji Dec 2014
interlacing faces
dilate pupils as
fingers intertwine
between synchronized paces,
cold walks and kind smiles

I feel a tremble coming on and warm shimmery bubbles radiate right through me as electric caresses and magical messages cause goosebumps to rise like mountain ranges on celestial bodies

I like you, you
mystical water gazelle

you swing sweetly
the tides of my seas
and sing softly the
stars of my skies
winter sakuras Dec 2016
Farewell my love,
May we be together in our next lives
when no one will hold us back
and tell us we weren’t meant to be together,
for the sun adores the moon from the distance
and then once every few millennium,
holds her graceful silver form in his golden strong embrace
during every tide of the interlacing full eclipse,
where separated souls and bittersweet loves,
are finally reunited.
For forbidden love

— The End —