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"instruments" poems
i love you this morning it's a come home safe morning fog on the road & no seatbelt kind of morning the sun is over easy & nothing's on fire there's punctuation where i don't want it and extra love in the glovebox of my car been thinking about being honest how these poems are all me but they tell the story how someone else might believe it happened within reasonable doubt no copy & pasted love letters no 'who ever says hello first gets my attention for the day' try a little tenderness in my ears and today there are instruments in the back of my head i think you love me because i'm sunburned felt it in a 'come hell or high water' kinda way, that 'touched from far away' kinda way that 'if i touch this piano one more time one of us is going to break' kinda way and i drove over 17 bridges yesterday and today i'll do it again and i think nobody gets what that means except maybe you i just tell them i love the scenery that somebody must've made these trees blush just for me you know how i love to change the subject i bet they'd love the view i bet you would too and all these metaphors for other things are beside the point this is a metaphor for why i don't wear my seatbelt a metaphor for why whiskey knows me better than you could ever try to all the buildings seemed to sag yesterday and all the stars are doing that cliche thing where they talk quiet jet noise & some lumbering giant made everything shake not those hand metaphors not another one of those & keep the sea to yourself i think it was a train it's sound hugged the embankment for a moment and then trailed off into nowhere and that's kind of like me how there's a town called 'rescue' close to my home & it's no coincidence that i've never been there
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Sep 28, 2014
Sep 28, 2014 at 5:53 PM UTC
river music
i love you this morning it's a come home safe morning fog on the road & no seatbelt kind of morning the sun is over easy & nothing's on fire there's punctuation where i don't want it and extra love in the glovebox of my car been thinking about being honest how these poems are all me but they tell the story how someone else might believe it happened within reasonable doubt no copy & pasted love letters no 'who ever says hello first gets my attention for the day' try a little tenderness in my ears and today there are instruments in the back of my head i think you love me because i'm sunburned felt it in a 'come hell or high water' kinda way, that 'touched from far away' kinda way that 'if i touch this piano one more time one of us is going to break' kinda way and i drove over 17 bridges yesterday and today i'll do it again and i think nobody gets what that means except maybe you i just tell them i love the scenery that somebody must've made these trees blush just for me you know how i love to change the subject i bet they'd love the view i bet you would too and all these metaphors for other things are beside the point this is a metaphor for why i don't wear my seatbelt a metaphor for why whiskey knows me better than you could ever try to all the buildings seemed to sag yesterday and all the stars are doing that cliche thing where they talk quiet jet noise & some lumbering giant made everything shake not those hand metaphors not another one of those & keep the sea to yourself i think it was a train it's sound hugged the embankment for a moment and then trailed off into nowhere and that's kind of like me how there's a town called 'rescue' close to my home & it's no coincidence that i've never been there
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60
She keeps songs locked away in boxes like secrets. She will take them out like postcards to help her remember the feeling of a different time, a different person by her side. She likes the one that makes her eyes close to see the lights. She smiles at the one that   makes her stand up on tiptoes, the one that helps her forget she doesn’t know what to do with her hands. The tune will carry her. Like it did the times when voices broke like a heart. When instruments’ strings would snap and hurt.
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Apr 5, 2019
Apr 5, 2019 at 1:34 PM UTC
Music
Ambar ki aftaabi mein muskurata hai tu Samundar ki gehrayeon se gunjtah hai tu al-Ala As-Salām, al-ʻAziz As-Salām Darkht ke  har patton mein lehrata hai tu Baarish ki har boond se barasta hai tu al-Ala As-Salām, al-ʻAziz As-Salām Har takhayyul mein nazar aaye tera hi kalam Innayat rahe hum pe sada tera bas karam al-Ala As-Salām, al-ʻAziz As-Salām Har tassavur mein hai  teri hi tasveer Muqqamal karde ab meri bhi taqdeer al-Ala As-Salām, al-ʻAziz As-Salām Har nabz ke tarranum mein gun gunata hai tu Har labz ko mere haathon se likhata hai tu al-Ala As-Salām, al-ʻAziz As-Salām Kabool kare meri ibadat mera ye junoon samet le kadmo mein, mil jaye sukoon al-Ala As-Salām, al-ʻAziz As-Salām Translation Your smile is in the radiance of the skies Your sounds echo  from the depths of the ocean the most High, source of peace, the most glorious , source of peace You sway in every leaf of a tree you are in every drop of the rains the most High, source of peace, the most glorious , source of peace behind every thought is your pen continue to grace us always with kindness the most High, source of peace, the most glorious , source of peace In every portrait, I see your image help me complete my destiny the most High, source of peace, the most glorious , source of peace you are the hum in the melody of every pulse My hands are mere instruments of your every word the most High, source of peace, the most glorious , source of peace Accept my worship, and my fervour absorb me into your feet, and grant me peace the most High, source of peace, the most glorious , source of peace
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Jan 16, 2015
Jan 16, 2015 at 12:08 AM UTC
al-Ala As-Salām (A prayer- Hindi -Urdu)
Ambar ki aftaabi mein muskurata hai tu Samundar ki gehrayeon se gunjtah hai tu al-Ala As-Salām, al-ʻAziz As-Salām Darkht ke  har patton mein lehrata hai tu Baarish ki har boond se barasta hai tu al-Ala As-Salām, al-ʻAziz As-Salām Har takhayyul mein nazar aaye tera hi kalam Innayat rahe hum pe sada tera bas karam al-Ala As-Salām, al-ʻAziz As-Salām Har tassavur mein hai  teri hi tasveer Muqqamal karde ab meri bhi taqdeer al-Ala As-Salām, al-ʻAziz As-Salām Har nabz ke tarranum mein gun gunata hai tu Har labz ko mere haathon se likhata hai tu al-Ala As-Salām, al-ʻAziz As-Salām Kabool kare meri ibadat mera ye junoon samet le kadmo mein, mil jaye sukoon al-Ala As-Salām, al-ʻAziz As-Salām Translation Your smile is in the radiance of the skies Your sounds echo  from the depths of the ocean the most High, source of peace, the most glorious , source of peace You sway in every leaf of a tree you are in every drop of the rains the most High, source of peace, the most glorious , source of peace behind every thought is your pen continue to grace us always with kindness the most High, source of peace, the most glorious , source of peace In every portrait, I see your image help me complete my destiny the most High, source of peace, the most glorious , source of peace you are the hum in the melody of every pulse My hands are mere instruments of your every word the most High, source of peace, the most glorious , source of peace Accept my worship, and my fervour absorb me into your feet, and grant me peace the most High, source of peace, the most glorious , source of peace
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37
A steady cadence   pulsing in a heart beat like rhythm, voices and strummed instruments all in harmonized concert, An orchestral multitude, of frogs and crickets, never tiring or ceasing, How many must there be, to render such a cacophony? Sustained and loud enough to keep city folk wide awake. Nature's Music of the night, should you but choose to listen. How do they do that, all night with absolutely no intermission? A crescendo finale triggered only by the coming dawn's first light, and the boastful crowing calls of our cocky persistent red rooster chicken. Where these musicians go in daylight is anybody's guess. To sleep I suspect, deserved resting up for yet another night of endless music.
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Aug 10, 2018
Aug 10, 2018 at 4:45 AM UTC
Night Music
The gentle tone of her teaching, In wonderous melodies, orchestral knowledge from a sweet teacher, Education set by the awareness of harmonizing, delicate instruments, Wisdom and foresight, cast by no other judgement but of a conductor, Whomst hand leads to the ups and downs of the intensity, recognised Ensembling in the beauty of a sinfonietta, sounds flows uninterrupted Let the singing pendulum to your mistress's pleasure fall to the bottom, attached to the chipped illusionists mask of anticipation! To this dance the mascarade does not crack in the shadow of sound, A wise scholar would not sacrifice one topic relevant to learn to the passing time, to her students unfortune that is, cast in pure grief, A wise conductor does the same with musical notes, the story flows, With the moon high in the sky, time stands in her way, questioning her to dance with the devil amongst a distorted, whicked dark, But resillient to the end, tough and with no distraction taking her focus the director of this event finishes the creation of art, an orchestra A craftwoman of tempo and elegance always stands out after all, bringing the musical score to life. ~ Umi
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Apr 4, 2018
Apr 4, 2018 at 6:28 PM UTC
Maestra
The night is only a sort of carbon paper, Blueblack, with the much-poked periods of stars Letting in the light, peephole after peephole -- A bonewhite light, like death, behind all things. Under the eyes of the stars and the moon's rictus He suffers his desert pillow, sleeplessness Stretching its fine, irritating sand in all directions. Over and over the old, granular movie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars. He is immune to pills: red, purple, blue -- How they lit the tedium of the protracted evening! Those sugary planets whose influence won for him A life baptized in no-life for a while, And the sweet, drugged waking of a forgetful baby. Now the pills are worn-out and silly, like classical gods. Their poppy-sleepy colors do him no good. His head is a little interior of grey mirrors. Each gesture flees immediately down an alley Of diminishing perspectives, and its significance Drains like water out the hole at the far end. He lives without privacy in a lidless room, The bald slots of his eyes stiffened wide-open On the incessant heat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping up with her hatful of trivial repetitions. The city is a map of cheerful twitters now, And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently brainwashed.
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15.4k
Insomniac
The night is only a sort of carbon paper, Blueblack, with the much-poked periods of stars Letting in the light, peephole after peephole -- A bonewhite light, like death, behind all things. Under the eyes of the stars and the moon's rictus He suffers his desert pillow, sleeplessness Stretching its fine, irritating sand in all directions. Over and over the old, granular movie Exposes embarrassments--the mizzling days Of childhood and adolescence, sticky with dreams, Parental faces on tall stalks, alternately stern and tearful, A garden of buggy rose that made him cry. His forehead is bumpy as a sack of rocks. Memories jostle each other for face-room like obsolete film stars. He is immune to pills: red, purple, blue -- How they lit the tedium of the protracted evening! Those sugary planets whose influence won for him A life baptized in no-life for a while, And the sweet, drugged waking of a forgetful baby. Now the pills are worn-out and silly, like classical gods. Their poppy-sleepy colors do him no good. His head is a little interior of grey mirrors. Each gesture flees immediately down an alley Of diminishing perspectives, and its significance Drains like water out the hole at the far end. He lives without privacy in a lidless room, The bald slots of his eyes stiffened wide-open On the incessant heat-lightning flicker of situations. Nightlong, in the granite yard, invisible cats Have been howling like women, or damaged instruments. Already he can feel daylight, his white disease, Creeping up with her hatful of trivial repetitions. The city is a map of cheerful twitters now, And everywhere people, eyes mica-silver and blank, Are riding to work in rows, as if recently brainwashed.
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How do we begin The music Of love making? Are we sure That the language we share Is harmonic? Who arranges the pulse of the piece? Who decides which beats are Accented Which beats Are not? Will they give rise To our motif? Will our phrases Use repetition or contrast Be weak or strong ****** or repose? Will our passage Be AABB Or AABA? How many themes And how many variations Will we play on our delicate instruments? Will our cycle be a symphony or will we happily create a one movement work with an air of spontaneous inspiration and call ourselves a rhapsody?
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Jan 6, 2011
Jan 6, 2011 at 6:17 PM UTC
Love's Musical Questions
Days that cannot bring you near or will not, Distance trying to appear something more obstinate, argue argue argue with me endlessly neither proving you less wanted nor less dear. Distance: Remember all that land beneath the plane; that coastline of dim beaches deep in sand stretching indistinguishably all the way, all the way to where my reasons end? Days: And think of all those cluttered instruments, one to a fact, canceling each other's experience; how they were like some hideous calendar "Compliments of Never & Forever, Inc." The intimidating sound of these voices we must separately find can and shall be vanquished: Days and Distance disarrayed again and gone both for good and from the gentle battleground.
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9.6k
Argument
We find multiple ways to disconnect Where business and technology intersect We kick one another for cash When we need equilibrium for our economy Our morals disintegrate to ash And we trade away our autonomy But we don't dare reflect Instead we disconnect We turn people into symbols and numbers So we can more comfortably slumber After causing heartbreaking pain Through bureaucratic chains Because face to face Our heart will race And we'll examine our submerged morals That lie in the depths with the coral But our reflection is too much to bear So we cowardly choose not to care The only way we can feel ecstatic Is to turn people into demographics The Internet connects us But also satisfies lust And imitates human contact Which has a negative impact The feeling leaves us sated And we don't feel the need to change Our armor becomes plated And we shoot arrows from long range Because we don't like the idea of being one another We get used to the idea of not seeing one another We disconnect so we don't have to try We disconnect so we can slowly die The ****** disconnection continues As we find more violent avenues We utilize fatal instruments To ****** without the sense Of physically feeling The life we're stealing We stabbed one another with swords Until the bullets soared But we still needed more So we disconnected further And became satellite searchers Studying people through actions Defining them by faction We don't have any interest in their personality or flaws All we're concerned with is if they're breaking the law The law we wrote to tip the scales The law that makes us too big to fail A husband leaves his wife Disconnecting from her life She's left with a child To raise in the wild Until a drone drops a bomb On the struggling single mom She's not an investor So we'll just harvest her worthless life Who'll be her protector When she's near someone we don't like? We **** her from our computer That's the way we casually mute her We carefully cultivated a disconnect To treat one another like insects This mentality will infect Until we interject Once we finally reflect Love will connect
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Oct 26, 2017
Oct 26, 2017 at 6:09 AM UTC
Disconnect
We find multiple ways to disconnect Where business and technology intersect We kick one another for cash When we need equilibrium for our economy Our morals disintegrate to ash And we trade away our autonomy But we don't dare reflect Instead we disconnect We turn people into symbols and numbers So we can more comfortably slumber After causing heartbreaking pain Through bureaucratic chains Because face to face Our heart will race And we'll examine our submerged morals That lie in the depths with the coral But our reflection is too much to bear So we cowardly choose not to care The only way we can feel ecstatic Is to turn people into demographics The Internet connects us But also satisfies lust And imitates human contact Which has a negative impact The feeling leaves us sated And we don't feel the need to change Our armor becomes plated And we shoot arrows from long range Because we don't like the idea of being one another We get used to the idea of not seeing one another We disconnect so we don't have to try We disconnect so we can slowly die The ****** disconnection continues As we find more violent avenues We utilize fatal instruments To ****** without the sense Of physically feeling The life we're stealing We stabbed one another with swords Until the bullets soared But we still needed more So we disconnected further And became satellite searchers Studying people through actions Defining them by faction We don't have any interest in their personality or flaws All we're concerned with is if they're breaking the law The law we wrote to tip the scales The law that makes us too big to fail A husband leaves his wife Disconnecting from her life She's left with a child To raise in the wild Until a drone drops a bomb On the struggling single mom She's not an investor So we'll just harvest her worthless life Who'll be her protector When she's near someone we don't like? We **** her from our computer That's the way we casually mute her We carefully cultivated a disconnect To treat one another like insects This mentality will infect Until we interject Once we finally reflect Love will connect
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67
Toting the mysterious bundle and sporting a sore back I drag my feet up the last few steps, expended of vigour I almost couldn't resist prematurely looking through the sack Remembering the words from the wise old seer Grimacing I walk a slow gait to get to the table Set the bundle down and relieve my weight onto a chair Parched throat but wait longer I am unable Curiosity takes charge and into the gift I will tear Blood is pumping along with an increasing heart rate Fingers scrambling clumsily over the strings that bind Nails digging frantically into this package bearing my fate Gnawing thoughts of uncertainty flooding my mind At last my fingers win the battle that lasted The final string has fallen... Obstinate knots all undone I pick the cloth by the edges to have it unfolded The contents inside reach out like rays of the sun Corners of the cloth open up like a fully bloomed blossom Exposing the treasure that lay solemn and quiet inside Common objects we'd normally perceive as random Petty things now important as they attempt to guide I pick up the first and notice an engraving on it's stem Between my fingers - an unassuming feathered quill Barely legible, such little space the words do cram "Here is your sword... Draw blood and let spill" More riddles, I sought to examine the next A flat bottomed vial filled with jet black ink On it is a label with scrawling of time worn text "Here is your blood; let flow what you think" Lastly, lay bound up sheets of yellow stained parchment They reek of age-old herbs; intoxicating slightly At the top of the first, a note scribbled not so recent "Within these pages, you must bleed to find Sanctuary" Staring down at the objects laid in front of me In hopes of discovering something I should miss Then finally it struck me, so plain to see I'm using the instruments now, writing to find release...
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Sep 13, 2014
Sep 13, 2014 at 10:58 PM UTC
The Parting Gift (III)
Toting the mysterious bundle and sporting a sore back I drag my feet up the last few steps, expended of vigour I almost couldn't resist prematurely looking through the sack Remembering the words from the wise old seer Grimacing I walk a slow gait to get to the table Set the bundle down and relieve my weight onto a chair Parched throat but wait longer I am unable Curiosity takes charge and into the gift I will tear Blood is pumping along with an increasing heart rate Fingers scrambling clumsily over the strings that bind Nails digging frantically into this package bearing my fate Gnawing thoughts of uncertainty flooding my mind At last my fingers win the battle that lasted The final string has fallen... Obstinate knots all undone I pick the cloth by the edges to have it unfolded The contents inside reach out like rays of the sun Corners of the cloth open up like a fully bloomed blossom Exposing the treasure that lay solemn and quiet inside Common objects we'd normally perceive as random Petty things now important as they attempt to guide I pick up the first and notice an engraving on it's stem Between my fingers - an unassuming feathered quill Barely legible, such little space the words do cram "Here is your sword... Draw blood and let spill" More riddles, I sought to examine the next A flat bottomed vial filled with jet black ink On it is a label with scrawling of time worn text "Here is your blood; let flow what you think" Lastly, lay bound up sheets of yellow stained parchment They reek of age-old herbs; intoxicating slightly At the top of the first, a note scribbled not so recent "Within these pages, you must bleed to find Sanctuary" Staring down at the objects laid in front of me In hopes of discovering something I should miss Then finally it struck me, so plain to see I'm using the instruments now, writing to find release...
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36
Loneliness is a pain, Not the pain of a knife cutting through skin, sinews, muscles,and drawing blood. Not the pain of a tooth in your mouth throbbing and sending shocks of horrors through highways of swollen nerves.. Not a fatal pain of a dying cell being devoured by a cancerous growth that thrives on the death and the pain of the very cells that produces its been. Not the pain of the prisoner s body been tortured by men who see no wrong or feel no shame as they insert sharp hot instruments into natural and man made orifices in their captives helpless, hopeless bodies. Not the pain of age as the body's functions start their natural march towards unreliability , Hips, knees knuckles, elbows and all the other joints as they begin to slowly dry up and rub against each other like stones rolling down a hillside. Not the pain of hearts slowing, livers hardening,lungs wheezing like ripped accordians bellows . Not the pain of childbirth. Not the pain of accidents that show no fairness to the person in the wrong place at the wrong time. Not the pain of self inflicted wounds that can fool you into thinking that that pain is the answer to your problems. Not the pain of the young healthy times when the body, and mind could accept it and overcome it Not the pain of hunger or thirst. Loneliness is the pain of the soul . Loneliness is the pain of dreams that are dreamt when your asleep and when you'r awake. Loneliness is the pain of memories . Some half forgotten some that are so clear you could almost touch them. Some you'd rather forget. Some you would spend the rest of your life reliving over and over again. Loneliness is the pain that at times can be part relieved momentarily through the bottom of a whiskey bottle or a point of a syringe filled with a concoction of juices from plants poisonous to both the body and the soul. Loneliness can never be cured by earthly things. Loneliness is a pain that can only find peace through a kinderd spirit. Pat Rooney 2013
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Feb 13, 2014
Feb 13, 2014 at 2:24 AM UTC
Loneliness is a Pain
Loneliness is a pain, Not the pain of a knife cutting through skin, sinews, muscles,and drawing blood. Not the pain of a tooth in your mouth throbbing and sending shocks of horrors through highways of swollen nerves.. Not a fatal pain of a dying cell being devoured by a cancerous growth that thrives on the death and the pain of the very cells that produces its been. Not the pain of the prisoner s body been tortured by men who see no wrong or feel no shame as they insert sharp hot instruments into natural and man made orifices in their captives helpless, hopeless bodies. Not the pain of age as the body's functions start their natural march towards unreliability , Hips, knees knuckles, elbows and all the other joints as they begin to slowly dry up and rub against each other like stones rolling down a hillside. Not the pain of hearts slowing, livers hardening,lungs wheezing like ripped accordians bellows . Not the pain of childbirth. Not the pain of accidents that show no fairness to the person in the wrong place at the wrong time. Not the pain of self inflicted wounds that can fool you into thinking that that pain is the answer to your problems. Not the pain of the young healthy times when the body, and mind could accept it and overcome it Not the pain of hunger or thirst. Loneliness is the pain of the soul . Loneliness is the pain of dreams that are dreamt when your asleep and when you'r awake. Loneliness is the pain of memories . Some half forgotten some that are so clear you could almost touch them. Some you'd rather forget. Some you would spend the rest of your life reliving over and over again. Loneliness is the pain that at times can be part relieved momentarily through the bottom of a whiskey bottle or a point of a syringe filled with a concoction of juices from plants poisonous to both the body and the soul. Loneliness can never be cured by earthly things. Loneliness is a pain that can only find peace through a kinderd spirit. Pat Rooney 2013
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20
BACKGROUND. I was working at an international airport as a aircraft cleaner, this ment we went on to the planes to clean them before they went on there next flight. I was the supervisor of a team of 6 that night, so it was my job to go to the aircraft and talk with the number one, (the number one is the head hostess), she told us when we could board the aircraft. At the door I could see a young girl and a lady, sitting in the front row, I asked the number one if we could board, she told me they are waiting for a wheel chair for the young girl. The wheel chair did not turn up until after this story. This is what happened next. I will pick the story up after my question to the number one. THE SHORT STORY, OF A TRUE EVENT IN MY LIFE. I am standing on the aircraft by the young girl and the number one, when I heard the girl say. MOM! can I see the controls of the plane. I am not sure if the number one heard this, so I related to her. She told me she would ask the captain, and left to do so. I was alone with the girl and the lady, so I spoke to the lady. Hi i said, where have you come from? The lady answered, we have been to disney land. Wow or something like that I said, that must have been fun, the young girl spoke up. it was, I saw lot of things, Micky Mouse. I asked the girl her name. Samantha she said. At that the number one came back. And told us, as soon as the wheel chair is here, the captain say you can look at the flight deck. The young girl said, can I not go now? I needed to get my cleaning team on the aircraft! So I said to the number one. I will carry her to the flight deck if that is ok. It was agreed. So I picked up young Samantha, and carried her forward to the flight deck. number one and Lady behind me. The number one past me, to ask the captain, if this was ok, and it was. As we entered the captain said, hi my name is John. the young girl said hi my is Samantha, welcome sammy, said the captain. The co pilot stood up, to give Samantha his seat. The captain and Sammy talk about the instruments. The captain still had his head phones around his neck, What are those? Sammy asked. That is my contact with the flight controllers he said, can I have a go? Sammy said. The captain put on his head phone and asked the control tower, and she did have a go. Then the wheel chair turned up, and the captain was told by the number one. You must go now Sammy, thank you John she said, I picked her up from the co-pilots seat, thanked the captain, and the co-pilot on the way out, also the number one, and took the girl down the plane, Sammy then asked me. What is your name? Paul I said, she then said this to me. Thank you Paul I will remember that the rest of my life, at this the lady burst into tears, I placed Sammy in the wheel chair and walked with them to the exit. I asked the lady, why do you cry, she told me that Sammy was dyeing of cancer and he flight was for a cure and a trip to disneyland, but the cure, did not work, and Sammy might be dead within the year. I cried for about an hour!
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Nov 15, 2011
Nov 15, 2011 at 7:37 AM UTC
THIS IS A SHORT STORY, OF A TRUE EVENT IN MY LIFE. Not a Poem!
BACKGROUND. I was working at an international airport as a aircraft cleaner, this ment we went on to the planes to clean them before they went on there next flight. I was the supervisor of a team of 6 that night, so it was my job to go to the aircraft and talk with the number one, (the number one is the head hostess), she told us when we could board the aircraft. At the door I could see a young girl and a lady, sitting in the front row, I asked the number one if we could board, she told me they are waiting for a wheel chair for the young girl. The wheel chair did not turn up until after this story. This is what happened next. I will pick the story up after my question to the number one. THE SHORT STORY, OF A TRUE EVENT IN MY LIFE. I am standing on the aircraft by the young girl and the number one, when I heard the girl say. MOM! can I see the controls of the plane. I am not sure if the number one heard this, so I related to her. She told me she would ask the captain, and left to do so. I was alone with the girl and the lady, so I spoke to the lady. Hi i said, where have you come from? The lady answered, we have been to disney land. Wow or something like that I said, that must have been fun, the young girl spoke up. it was, I saw lot of things, Micky Mouse. I asked the girl her name. Samantha she said. At that the number one came back. And told us, as soon as the wheel chair is here, the captain say you can look at the flight deck. The young girl said, can I not go now? I needed to get my cleaning team on the aircraft! So I said to the number one. I will carry her to the flight deck if that is ok. It was agreed. So I picked up young Samantha, and carried her forward to the flight deck. number one and Lady behind me. The number one past me, to ask the captain, if this was ok, and it was. As we entered the captain said, hi my name is John. the young girl said hi my is Samantha, welcome sammy, said the captain. The co pilot stood up, to give Samantha his seat. The captain and Sammy talk about the instruments. The captain still had his head phones around his neck, What are those? Sammy asked. That is my contact with the flight controllers he said, can I have a go? Sammy said. The captain put on his head phone and asked the control tower, and she did have a go. Then the wheel chair turned up, and the captain was told by the number one. You must go now Sammy, thank you John she said, I picked her up from the co-pilots seat, thanked the captain, and the co-pilot on the way out, also the number one, and took the girl down the plane, Sammy then asked me. What is your name? Paul I said, she then said this to me. Thank you Paul I will remember that the rest of my life, at this the lady burst into tears, I placed Sammy in the wheel chair and walked with them to the exit. I asked the lady, why do you cry, she told me that Sammy was dyeing of cancer and he flight was for a cure and a trip to disneyland, but the cure, did not work, and Sammy might be dead within the year. I cried for about an hour!
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42
people **** people with nothing but fingers and hair and their very heavy breath. their breath like a crow beak before crucifixes of straw. like a tightening banishment of a lung. remember when we would blow it onto our car window and create that consistent mirth of fog to begin in? the bodies riddled with bullets that flank the highway are no such thing. the schoolchildren lying face down in the corner of the closet are no such thing. they are just winter coats with schoolchildren to fill them for the time being. no amputation of what’s mine will aid them into the grave. no mass communication grief. so why would you call it a mass grave when in truth it was just a pit i dug to fill with crowds of people who died under the pretense that they had previously done so, that nothing was new under the sun. and when people **** people like people do with their instruments as ways of extending themselves into the world and into the marrow of our body obliterating organs of people with their stretching of the muscular rib, shoulder. one eye closes firmly. it’s nothing but a hand gun as if to say a hand eats the gun and makes it whole. as if to say the reinforced metal door exit plan for people who are being killed by other people clicked shut and locked 15,000 years ago and i can’t quit slamming what’s left of me into it. your kid is very dead. but then again so is mine. suppose they killed each other. suppose they both made the mistake of dragging their small, stupid bodies through the trajectory of another body in the first place. in the chip aisle of a gas station maybe. in theaters this christmas. in the midst of a good song that began playing on the lobby radio just a minute before, oh yeah before, things really got going. i saw people killing people on television the other day with their whole bodies, devouring themselves like surgical gloves slick with oiled consumption and bleeding out and i could do nothing. some kids died just because and they told me so and i was told nothing could ever help them because they were just people and they were dying. “breaking news” ended up just being people again. in those moments, i was eating breakfast. our houses were very quiet and needed me in all of them, grandfather clock over CNN, clarifying what has already been committed and committed again. the cipher was others lost blood.
0
Dec 9, 2019
Dec 9, 2019 at 12:24 AM UTC
clarification
people **** people with nothing but fingers and hair and their very heavy breath. their breath like a crow beak before crucifixes of straw. like a tightening banishment of a lung. remember when we would blow it onto our car window and create that consistent mirth of fog to begin in? the bodies riddled with bullets that flank the highway are no such thing. the schoolchildren lying face down in the corner of the closet are no such thing. they are just winter coats with schoolchildren to fill them for the time being. no amputation of what’s mine will aid them into the grave. no mass communication grief. so why would you call it a mass grave when in truth it was just a pit i dug to fill with crowds of people who died under the pretense that they had previously done so, that nothing was new under the sun. and when people **** people like people do with their instruments as ways of extending themselves into the world and into the marrow of our body obliterating organs of people with their stretching of the muscular rib, shoulder. one eye closes firmly. it’s nothing but a hand gun as if to say a hand eats the gun and makes it whole. as if to say the reinforced metal door exit plan for people who are being killed by other people clicked shut and locked 15,000 years ago and i can’t quit slamming what’s left of me into it. your kid is very dead. but then again so is mine. suppose they killed each other. suppose they both made the mistake of dragging their small, stupid bodies through the trajectory of another body in the first place. in the chip aisle of a gas station maybe. in theaters this christmas. in the midst of a good song that began playing on the lobby radio just a minute before, oh yeah before, things really got going. i saw people killing people on television the other day with their whole bodies, devouring themselves like surgical gloves slick with oiled consumption and bleeding out and i could do nothing. some kids died just because and they told me so and i was told nothing could ever help them because they were just people and they were dying. “breaking news” ended up just being people again. in those moments, i was eating breakfast. our houses were very quiet and needed me in all of them, grandfather clock over CNN, clarifying what has already been committed and committed again. the cipher was others lost blood.
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53
My feet sweat, my shoulders burn But I am indifferent. Nature plays around me. Close your eyes. The last thing you see is a white butterfly dance past the tree-line into oblivion blue. Bush leaves crackle above you in branches and below you, let loose through brittle grass. A light wind conducts a symphony in which Each shrub plays a part. Each dry branch, kindling ready to explode, Itching to snap its dangerously perfect note. Thorns whistle sharply - reeds hiss and hum. Every breeze is a clown, taking up instruments And jostling melodies to play all at once. The grass rushes to its queue, dry as a bone. Leaves follow behind in vague harmonies. I wait on the edge of an eventful storm. The sky is blue. A storm of events - something big, Behind the horizon, behind the mirage. A rhino. A microlite . Electric fences, purring. A wan nation celebrates, then groans behind the hills. Natures orchestra sings to no one in particular
0
Mar 5, 2013
Mar 5, 2013 at 2:21 PM UTC
Bushfire Season
By the music and it's heavenly way into a human's soul, through the harmony of the instruments The rhythmic sound of music has the power to fill one's heart with a certain feeling that is endless As all the notes come together, being played accompanied by the soft tune of her voice, it sank into my heart, reflected it, cherishing, wishing in bliss that such beauty, never should end Coming in a clear pattern which leads me to ask; Where shall it lead to, or where does this end, alike the night, my hopes are for this to be undawning, so that it can fill me with joy. Overflowing with emotions, more than I am able to convey with words or any fitting expression, my eyes shed tears, of grief. What is it that may has touched my spirit, is it the sound, or are the instruments responsible for this sudden heartache ? Of course, unable to find an answer, I consume the music until the very last note has been played and the prayer which has been sung comes to its border, its final point where it has no meaning to continue. ~ Umi
0
Feb 7, 2018
Feb 7, 2018 at 10:52 AM UTC
Music
At a very small age, much too young to know what a true love felt like, I learned that I’d never be the special girl in your life. I could see from the distance already wedged between us that there would always be a much larger section of your heart that I’d never be good enough to fill. I was only a very small part of your world, taking up a tiny section of your heart like a sliver wedged deep inside the membrane of your greatest ***** like a paper cut to the side of your finger; so small just to push aside but too much pain to forget completely. I was the mistake you were trying to move on from, to put behind you, to forget about me as if I never existed. Even from a modest age, I knew how to long after a man who barely knew that I belonged to him. You were out of my league; in a total different game. I could hang on to someone like they were the air I needed inside my lungs to breathe. But you only ever wanted to be let go. Oxygen is nothing that I’ll ever be able to touch. You taught me what it meant to be temporary before I would ever know what commitment was and I learned soon enough that they didn’t mean the same thing. I tried and I tried and I tried to be your girl. I experienced my first broken heart when you asked her to marry you. We never had a relationship but she became the wedge between our potential friendship. I learned what heartbreak felt like by a man who said he loved me but had the strangest way of showing it. I learned that actions spoke louder than words but sometimes actions didn’t speak at all. I learned to never believe the truth because you’d taught me how good a lie felt within my ears; like the harmony of an orchestra whose conductor was blind to the instruments being played in front of him. We’ve never known harmony; always out of tune, I hated the sound of music. I loved fairytales but hated Cinderella and the reality that she brought to my life. Blood wasn’t thicker; It meant nothing to be related biologically when romantic love came into play. From a young age, I learned the world was a cruel and unfair place and I had to fight from my corner of the ring by myself. I learned what favoritism meant and not because you chose me. I learned temporary, but never knew commitment. The ratio of lies to truths was far greater. After knowing distance, I knew how to be cautious. After you broke my heart, I learned hate. I knew how it felt to hate before I would ever know how to love. I knew it like the back of my hand; more than I could ever know you. But it’s time I taught myself something so I’m learning forgiveness. I forgive you, for not knowing what it means to be a father. I forgive you for never choosing me and for always picking her. I tried and I tried and I tried to be daddy’s girl, but you never allowed me that privilege and your heart was never large enough for both of us, so I forgive you for loving her more; I forgive you for being my dad.
0
Jan 19, 2015
Jan 19, 2015 at 11:12 PM UTC
I Wanted You; You Chose Her
At a very small age, much too young to know what a true love felt like, I learned that I’d never be the special girl in your life. I could see from the distance already wedged between us that there would always be a much larger section of your heart that I’d never be good enough to fill. I was only a very small part of your world, taking up a tiny section of your heart like a sliver wedged deep inside the membrane of your greatest ***** like a paper cut to the side of your finger; so small just to push aside but too much pain to forget completely. I was the mistake you were trying to move on from, to put behind you, to forget about me as if I never existed. Even from a modest age, I knew how to long after a man who barely knew that I belonged to him. You were out of my league; in a total different game. I could hang on to someone like they were the air I needed inside my lungs to breathe. But you only ever wanted to be let go. Oxygen is nothing that I’ll ever be able to touch. You taught me what it meant to be temporary before I would ever know what commitment was and I learned soon enough that they didn’t mean the same thing. I tried and I tried and I tried to be your girl. I experienced my first broken heart when you asked her to marry you. We never had a relationship but she became the wedge between our potential friendship. I learned what heartbreak felt like by a man who said he loved me but had the strangest way of showing it. I learned that actions spoke louder than words but sometimes actions didn’t speak at all. I learned to never believe the truth because you’d taught me how good a lie felt within my ears; like the harmony of an orchestra whose conductor was blind to the instruments being played in front of him. We’ve never known harmony; always out of tune, I hated the sound of music. I loved fairytales but hated Cinderella and the reality that she brought to my life. Blood wasn’t thicker; It meant nothing to be related biologically when romantic love came into play. From a young age, I learned the world was a cruel and unfair place and I had to fight from my corner of the ring by myself. I learned what favoritism meant and not because you chose me. I learned temporary, but never knew commitment. The ratio of lies to truths was far greater. After knowing distance, I knew how to be cautious. After you broke my heart, I learned hate. I knew how it felt to hate before I would ever know how to love. I knew it like the back of my hand; more than I could ever know you. But it’s time I taught myself something so I’m learning forgiveness. I forgive you, for not knowing what it means to be a father. I forgive you for never choosing me and for always picking her. I tried and I tried and I tried to be daddy’s girl, but you never allowed me that privilege and your heart was never large enough for both of us, so I forgive you for loving her more; I forgive you for being my dad.
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89
On a clear sky night The sound of harmonica dancing By the angles of the Moon Drum pounds  widespread Waves floating in an ecstatic pace The quiet bay listened with radiant Shells Star specks lit sky humming The Earth murmuring deeply Pines reverberating in back chorus Kids giggling around trippin' in thick dark Tripping over some minor rocks, happy to Embrace the unexpected music, dogs wiggling Heavenly carousel shining upon their faces Theater dreaming  of the joyfull now This exuberant laughter unsyncopated Steps rhythm fading on their paths Instruments put down, sounds of Crickets, bare naked, two plunges
0
May 3, 2015
May 3, 2015 at 11:52 AM UTC
Harmonica and Drum
There is a storm gathering in             my womb soon to explode into a thousand crimson stars lighting up my veins with fire and unraveling deep-set,           knotted scars and the gentle rage outside my window presses on, inside my head as I lie here, my thoughts twisted in a cozy, yet empty bed my thoughts unfurl in misty haze            curl into                       smoky                  rouge as nightsky thunder rolls into creamed saxophone                           deluge the snare drum beats in firelight ripple sheets in silky flutter as my fingers strum my womanly instruments into loamy, primal butter my voice in quiet utterance as the heavens open            to heavy rains                     that liquefy                            my desert                  hydrate my            bare-soul caves so I electrify my echoes into fruited, crystal drips frothing up my cherry wine upon these moistened, hungry lips
0
Jan 19, 2018
Jan 19, 2018 at 9:36 AM UTC
hydration
your clean lips and serene eyes are instruments they, with fearless precision play those neatly folded tufts of skin on either side are speakers they, with unnatural ease amplify the epidermal pyramid sloping symmetrically amid your instruments is a songstress she, with innate necessity sings the song of life your head is a concert music to my troubled eyes ©Jason Cole
0
Mar 23, 2015
Mar 23, 2015 at 10:22 PM UTC
Concert Head
I'm not a writer... Or anything resembling that I am just me... Sharing my words picked out from life's hat I can't find the most accurate to say So letters I dabble in various permutations Layers of letters turn into words and come to play Could call them journals, these text-laden creations But I'm not a writer... Or anything resembling that I am just me... Penning the words picked out of life's hat I'm not a poet... Or anything mimicking that I am just me... Relating experiences out of life's hat I can't conjure poems... About anything or everything Can't use my words to incite or inspire These are just ideas and I just like rhyming They are just experiences that fuel my fire But I'm not a poet... Or anything mimicking that I am just me...  Spouting rhymes out of life's hat I'm not an artist... Or anything pretending to be that I am just me... Drawing scenes from life's hat I can't sketch a portrait with a simple pencil Can't put together an installation and call it art I can paint fairly well; of which I have done several I can draw out emotions and depictions from the heart But I'm not an artist... Or anything pretending to be that I am just me... Producing paintings out of life's hat I'm not a musician.. Or anything fantastic like that I am just me... Playing melodies from life's hat I don't have the quality of voice to match that of a crooner I can't play instruments that could earn a place in a band I can sing in key without the help of a tuner I enjoy music best with a guitar in my hands But I'm not a musician.. Or anything fantastic like that I am just me... Singing songs from life's hat I'm not a writer, poet, musician or an artist... I do a little of everything, not excelling at any one title Although I wish to have everything clenched in one fist All I ever really do is just dabble....
0
Aug 23, 2014
Aug 23, 2014 at 9:34 AM UTC
Dabble
I'm not a writer... Or anything resembling that I am just me... Sharing my words picked out from life's hat I can't find the most accurate to say So letters I dabble in various permutations Layers of letters turn into words and come to play Could call them journals, these text-laden creations But I'm not a writer... Or anything resembling that I am just me... Penning the words picked out of life's hat I'm not a poet... Or anything mimicking that I am just me... Relating experiences out of life's hat I can't conjure poems... About anything or everything Can't use my words to incite or inspire These are just ideas and I just like rhyming They are just experiences that fuel my fire But I'm not a poet... Or anything mimicking that I am just me...  Spouting rhymes out of life's hat I'm not an artist... Or anything pretending to be that I am just me... Drawing scenes from life's hat I can't sketch a portrait with a simple pencil Can't put together an installation and call it art I can paint fairly well; of which I have done several I can draw out emotions and depictions from the heart But I'm not an artist... Or anything pretending to be that I am just me... Producing paintings out of life's hat I'm not a musician.. Or anything fantastic like that I am just me... Playing melodies from life's hat I don't have the quality of voice to match that of a crooner I can't play instruments that could earn a place in a band I can sing in key without the help of a tuner I enjoy music best with a guitar in my hands But I'm not a musician.. Or anything fantastic like that I am just me... Singing songs from life's hat I'm not a writer, poet, musician or an artist... I do a little of everything, not excelling at any one title Although I wish to have everything clenched in one fist All I ever really do is just dabble....
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36
Looking back, memories distort. Replace damaged nodes with something similar Perhaps reconstructed From previous set-up before X and Y parameters Report Step One: Check patient notes to self Re-calculate from de-constructed Inject imagination Respect self-defence mechanism or immediate virus node termination (a response attack organism) Re-calibrate instruments awareness Strip upgrade Love version 4.1 Reboot only in emergency Refer to install options Error: Temporal Lobe Anomaly Virus detected Internal nodes infected Import Rejection version 3.2 and couple with Lets Be Friends upgrade 1 (Advanced program) Monitor assimilation Danger! Overheated components - Re-inject Memory Node Objective Hindsight applet. Refer to Step One It is now safe to shut down Should you wish to.
0
Nov 15, 2012
Nov 15, 2012 at 8:09 AM UTC
Love 2.0 compliant
My mouth blooms like a cut. I've been wronged all year, tedious nights, nothing but rough elbows in them and delicate boxes of Kleenex calling crybaby crybaby , you fool! Before today my body was useless. Now it's tearing at its square corners. It's tearing old Mary's garments off, knot by knot and see -- Now it's shot full of these electric bolts. Zing! A resurrection! Once it was a boat, quite wooden and with no business, no salt water under it and in need of some paint. It was no more than a group of boards. But you hoisted her, rigged her. She's been elected. My nerves are turned on. I hear them like musical instruments. Where there was silence the drums, the strings are incurably playing. You did this. Pure genius at work. Darling, the composer has stepped into fire.
0
5.3k
The Kiss
“Never trust a ginger” she sings giggling looking at the red head next to me. Her song is a pretty good representation of our friendship. Throw in a ***** bump and some dorky dance moves oh yea that’s the definition of our friendship. Laughing and dying at things no one else gets actions no one else see’s and mouthed words no one else understands. That’s just a little inside view of our “love”. “Never kiss a ginger” It’s a little late for that don’t ya think blackberry tea and coffee making her laugh till she dies. Hysterics that break her down till she’s on the floor rolling rolling down a hill and being so dizzy she can’t get up. Oh but she’s a monster that chases you around trying to tackle you to the ground. Falling off the playground rail and hitting her head just like in our story so she lays there laughing hysterically. All I can do is shake my head “Never kiss a ginger…twice” yea that’s a little better. he won’t be telling my slightly stunned, amazed face its cute again. The face we later joked about mouth dropped to the floor eyes wide. Like did that seriously just happen. Our dumb and quirky reactions to everything exaggerated, excited yeses and happy little dances. "Never date a ginger” I’m not nor have I ever… where do you get these thoughts that run through your head? Ok I can’t say much my mind wanders to the strangest places and leads us to the greatest conversations. Like cops on bikes with prisoners in baskets leading to Mortal Instruments characters all riding one bike. I’ve no idea where our minds get these strange ideas and imaginings. “Never love a ginger” I never said I love him don’t let your mind wander dangerous things happen when our minds wander anywhere from dinosaurs ruling the world to death and the things in between are sometimes worse to think about “Never like a ginger” OI! with this again I don’t I promise there’s nothing there now please shut up. Yes, yes I love you now please don’t attack my legs again I really don’t feel like falling on the floor it’s not very appealing. Uh-oh
0
Mar 9, 2015
Mar 9, 2015 at 11:17 AM UTC
Gingers and Best Friends
“Never trust a ginger” she sings giggling looking at the red head next to me. Her song is a pretty good representation of our friendship. Throw in a ***** bump and some dorky dance moves oh yea that’s the definition of our friendship. Laughing and dying at things no one else gets actions no one else see’s and mouthed words no one else understands. That’s just a little inside view of our “love”. “Never kiss a ginger” It’s a little late for that don’t ya think blackberry tea and coffee making her laugh till she dies. Hysterics that break her down till she’s on the floor rolling rolling down a hill and being so dizzy she can’t get up. Oh but she’s a monster that chases you around trying to tackle you to the ground. Falling off the playground rail and hitting her head just like in our story so she lays there laughing hysterically. All I can do is shake my head “Never kiss a ginger…twice” yea that’s a little better. he won’t be telling my slightly stunned, amazed face its cute again. The face we later joked about mouth dropped to the floor eyes wide. Like did that seriously just happen. Our dumb and quirky reactions to everything exaggerated, excited yeses and happy little dances. "Never date a ginger” I’m not nor have I ever… where do you get these thoughts that run through your head? Ok I can’t say much my mind wanders to the strangest places and leads us to the greatest conversations. Like cops on bikes with prisoners in baskets leading to Mortal Instruments characters all riding one bike. I’ve no idea where our minds get these strange ideas and imaginings. “Never love a ginger” I never said I love him don’t let your mind wander dangerous things happen when our minds wander anywhere from dinosaurs ruling the world to death and the things in between are sometimes worse to think about “Never like a ginger” OI! with this again I don’t I promise there’s nothing there now please shut up. Yes, yes I love you now please don’t attack my legs again I really don’t feel like falling on the floor it’s not very appealing. Uh-oh
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55
To me you show choir is really cool. There are 16 singer dancers' 1 drummer' 1 piano' 1 guitar' And string instruments. Of course I am auditioning for drummer. Because I am one. Everyone will think I am phenomenal. Because I am. I will blow people's mind like tnt mixed with grenades ' bombs'C4' And Fire. I am that good. But is it only 7th and 8th graders. So next year they will need a drummer. And next year that part will be mine. And no one will take it for me.
0
May 21, 2014
May 21, 2014 at 6:04 PM UTC
AACS SHOW CHOIR
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor. I try to ignore you as the jaunty sound clashes with my melancholy mood, Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe, Hanging on for it's own amusement, Ignorant of my desire not to be teased nor humoured at this anxious time. I feel I shouldn't like your racket, My naïve ears and young years sense, not only an inappropriate comedy in your sound, But also a daunting undertone, Adding to my sense of having been plunged into deep icy waters. Perhaps your music soothes those who are leaving, Your high happy notes providing optimism and assurance of recovery, Or of a restful sleep enveloping dear ones. For me, however, at the point of no-return in my pilgrimage, I hear only the low notes, Out of time with my quickened pulse, And lending a foreboding soundtrack to my slow deliberate steps. But you play for no pay, Busking in this hospital, Doing good both night and day. Yes, you are well known in this place, Admired for the hours you commit to this space where lives can hang in the balance, And where your instrument by day is a sharp sleek scalpel, Invasive in its desire to alleviate suffering, Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto. But out of hours your instrument of choice lends you a voice, Allowing flourishes and improvisations. But were you aware that for visitors like me who visited repeatedly, The clarinet would take on a significance beyond other instruments, Taking me instantly back to bittersweet memories of visiting my family, As, in turn, they aged and became unwell and recovered and became unwell again. Now I am older and a little wiser, I reflect and ruminate on this period; My memories of family are more than just hospital visits, And I wonder if I could ask one thing of you? Why no Rhapsody in Blue?!
0
Sep 16, 2018
Sep 16, 2018 at 6:45 PM UTC
The Medical Clarinettist
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor. I try to ignore you as the jaunty sound clashes with my melancholy mood, Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe, Hanging on for it's own amusement, Ignorant of my desire not to be teased nor humoured at this anxious time. I feel I shouldn't like your racket, My naïve ears and young years sense, not only an inappropriate comedy in your sound, But also a daunting undertone, Adding to my sense of having been plunged into deep icy waters. Perhaps your music soothes those who are leaving, Your high happy notes providing optimism and assurance of recovery, Or of a restful sleep enveloping dear ones. For me, however, at the point of no-return in my pilgrimage, I hear only the low notes, Out of time with my quickened pulse, And lending a foreboding soundtrack to my slow deliberate steps. But you play for no pay, Busking in this hospital, Doing good both night and day. Yes, you are well known in this place, Admired for the hours you commit to this space where lives can hang in the balance, And where your instrument by day is a sharp sleek scalpel, Invasive in its desire to alleviate suffering, Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto. But out of hours your instrument of choice lends you a voice, Allowing flourishes and improvisations. But were you aware that for visitors like me who visited repeatedly, The clarinet would take on a significance beyond other instruments, Taking me instantly back to bittersweet memories of visiting my family, As, in turn, they aged and became unwell and recovered and became unwell again. Now I am older and a little wiser, I reflect and ruminate on this period; My memories of family are more than just hospital visits, And I wonder if I could ask one thing of you? Why no Rhapsody in Blue?!
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35