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I am quiet. I am shy. But don’t you dare think for a minute that that means I have no voice. I am short, and I don’t speak unless called on, but don’t you dare think that that means that I am any less of a person. I have a voice, and I will be heard. I was forgotten on the bus because I was too quiet, too small, too shy. I am afraid to look people in the eye, to walk past a male without feeling in danger. I have been shoved, pushed, squished, and squashed! So I am fed up, and trust me, you don’t want to make me mad.

I am 14, I am a female, and I have a voice! I have opinions, and you **** well better listen! I will have opinions about my life, and I will have a say in the matter. You can try to put me down, but I’m already short! You wanna know why us short people have such fiery tempers? It’s because we are closer to hell. And we will give it to you too.

Don’t you dare tell me that I can’t. I can do anything, and I will do it better than you ever could. I was captain of my baseball team for 5 years. Yes, that’s right boys, I, the quiet, nerdy, small girl bossed your ***** around on the field.

My step-father insists I have no voice. Now, as I’ve said before, you know I do. My step-father insists that I am too young, my step-father insists, that I, know nothing. I want to yell, I want to scream out: “YES I DO!” But my mother insists I stay quiet. My mother insists that I should submit to his whims, my mother insists that I must behave for him, to not anger him, DO NOT ANGER THE BEAST! This is what I am taught every day!

Don’t you dare make him mad, don’t you dare have opinions, don’t you dare have a say. Because you are a 5’4, 14 year old female, raised by a single mother and a ***** donor. Because you come from the bottom of the heap, so why should you? Because you are bullied, because you are quiet, shy, short, nerdy, and you want to have a voice.
I have no idea what people will think, but oh well...
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
    in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
    where wave pretends to drench real sky.'

'Well then, if we agree, it is not odd
that one man's devil is another's god
    or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
    is our life's whole nemesis.

So we could rave on, darling, you and I,
until the stars tick out a lullaby
    about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
    implacably from twelve to one.

We raise our arguments like sitting ducks
to knock them down with logic or with luck
    and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
    who insists his playmates run.

Now you, my intellectual leprechaun,
would have me swallow the entire sun
    like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
    should inflame the sleeping town.

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
    caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
    playing his prodigal charades.

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
    blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
    graves all carol in reply.

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
    brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
    while footlights flare and houselights dim.

Tell now, we taunq where black or white begins
and separate the flutes from violins:
    the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
    joins his enemies' recruits.

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
    there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
    an insight like the flight of birds:

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
    some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
    cycling phoenix never stops.

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
    and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
    away our rationed days and weeks.

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
    in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
    the simple sum of heart plus heart.
Madisen Kuhn Apr 2015
i’ve given up on days that begin in late afternoon,
skipped breakfast and lunch,
days that fade slowly and end with
****** cut-out holes in eyelids because
the second i close them and it all goes black,
every moment with you comes back
played on fast-forward, the memories moving so quickly
that both our faces are blurred
and it feels like everything i’ve ever felt for you
is overflowing the tub, filling the washroom with
suds that take forever to melt

i’ve given up on those days.

i’ve traded them for ones that begin with
sunrises instead of sunsets,
days that are spent falling forward
instead of trying to chase the past, and i don’t
look back and see something broken, or
something that was better off left unopened

i look back and see our bodies so close together
that you can’t tell where yours begins and mine ends,
i see my heart that grew twenty-three times its size,
i see you and me wrapped up in something that
i didn’t know existed outside of blurry 35 mm
and overdue and falling-apart library books
that sit on the nightstands of middle-aged women
who are bored with their lives

and i’m just so happy i got to love you at all.

but i’ve folded up all the days spent with you
and taped them in the messy pages of my journal
and now i’m running into the sun,
running away from every lie that’s trying to
wedge its way in between my ribs,
running in the opposite direction of words like "regret"
and any feeling that insists that none of it was worth it

because all of it was worth it.

every moment we were together pumps
through my veins, and it will always be there;
it will be there when we’ve both graduated,
when you move out west,
when you kiss your family goodnight,
when you sit in your backyard with tears
in your eyes because you’ve lived a life
you are proud of

it will be there when i finally make it to new york city,
when i kiss someone who isn’t you,
when i find the answers you inspired me to search for,
when i sit on my rooftop with tears on my cheeks
because i’ve lived a life fuller than i could’ve ever imagined

and you and i will live these lives apart,
we’ll move on and forget what it felt like
to wake up beside one another;
we’ll find what we’re looking for elsewhere
and we’ll understand why this all had to happen the way that it did

but what we had will always exist somewhere,
in rotting apples and old mail and unplayed mix CDs,
in mosaics that line the city streets, in sirens and
red and white flashing lights that shine through
your window while you are asleep

you and i were magic,
we always will be.
From the BBC today,


Excerpt

Why does Taylor Swift write so many one-note melodies?

"It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master.

Take, for example, her first US number one, OUR SONG

Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song."

That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope.

But Our Song also establishes another of Taylor's trademarks: The one-note melody.

Excerpt

Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech.

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

Rebuttal

Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands.

ALL POETRY BEGAN AS RHYME IN SONG.

Cadences are singing statements that confer a discipline and unity.

Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion.

One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state.

It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE.

If you want to sell and make money you better start thinking about the 99% of people who are not geniuses.

If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine.

You are not an artist.

You are an employee.



"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ



                                           BECOME
                              EVERYONE ON EARTH
               ALL POETRY BEGAN AS RHYME IN SONG
                      HOW BADLY EVERYONE INSISTS
            NOT SHARED BY THE MAJORITY OF PEOPLE
                                         HOW BAD
                    
                 artist?
or employee?
BBC article conclusion.
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
begin end begin he writes come to party in my room ashtray spilled on sheets mirror smeared clothes scattered everywhere i’m reclining on floor pulling on ***** hair writing lonely-hearts poem i don’t care about your photograph i just want to know will you come to party in my room? i have confidences to share secrets to reveal no one to give my body to i need to feel warmth of another there is food if you are hungry i’ll just watch listen to you will come won’t you? please this is no prank are you there? i just wanted to invite you to party you’re my only guest i need you i sound desperate you want to know how long i’ve been this way kind of let myself go grown used to this room that keeps my secret used to sleeping alone in big double bed i think i shall go take hot bath don’t come another night perhaps i can do it quite well myself thank you you probably would have felt out of place anyway - london 1971

nothing wrong with beating off but i prefer female sometimes pretty thing replies Odys you have a way with words actually he prefers woman all times tends to be too impatient rough handling himself needs woman’s gentler slower adoring touch

i wouldn’t mind wife if she is simply **** in residence leaning against doorway posing between me and kitchen he considers let’s get cruel in cruelty one finally realizes one’s own true self-interest who am i? am i cruel enough to be sick-hearted *******? am i capable of oppression torture? do i honestly desire *** slave? do i believe all hope of becoming normal human is gone? he hears her words i have cuffs crop leg spreader flogger hood paddle cane like swelling bruises on my *** never touch my face arms legs i like to be spit on while you pull hair i like servicing man who takes pleasure in giving brutal intense pain *** on my face **** **** on me i'm looking for white muscular egotistic man who is into sadomasochism i enjoy abuse part just as much as *** part is he lightweight no stomach for collared sadism? He mumbles to himself bottom line i respect love women this existence is killing me ignores his thoughts sings aloud we’re used to being rude to each other used to getting crude with each other come on now pretty thing sit next to me

female fantasy number 1 man’s ******* is like handle on slot machine if woman pulls it right way 3 cherries line up in his eyes ***** jingle ring money shoots out ***-hole female fantasy number 2 science invents way in which more money woman spends shopping more weight she can lose

i imagined you were plateful of pancakes you giggled when i poured syrup on your face i smiled pondering how lovely you would taste we sat for a while gazing into each other’s eyes until you got cold rubbery i didn’t want to eat you anymore

maybe he is not so charming anymore maybe Odysseus has become blunt  difficult he tries to be respectful but sometimes he is excessive self-willed time place names have lost any mearing during lively discussion with pretty thing creativity versus craft he confronts original invention requires destruction surely you realize that? pretty thing replies Odys i didn’t realize you were so dominant you seem so playful puppy-like in daytime i never would have guessed you’re such a chauvinistic ******* he questions chauvinistic ******* what’s that suppose to mean? i don’t know what you’re talking about she answers don’t play dumb Odys i know you’re smart at semiotics he asks semiotics what does that mean? I don’t know the word listen you’re right and i’m wrong i apologize i didn’t mean to get so argumentative he reaches for dictionary on floor next to chair pretty thing crosses legs speaks i’m very careful to use simple words everyone can understand but i’m just sign painter isn’t that right Odys? what would i know? he pleads you’re not making any sense we both use brushes paint similar techniques that’s beside the point i apologize she insists you’re way off the subject Odys he begs you’re right i’m wrong whatever i said made you get so upset please forgive me her voice cold terse i need to go home Odys you scare me you’re way too fanatic

thinks to himself promise her anything but give her the finger just when she’s finally starting to fall for whole scam give her the slip 6 to 12 weeks is average life expectancy for modern romance it’s fast world we’re all expendable can’t hear what you’re saying music is too loud rule number 1 no matter how beautiful she is there’s always someone who’s sick of her rule number 2 why would you even be talking with her if she didn’t have *****? rule number 3 they’re all ******* ******! he tries to recall if Bayli ever behaved like ***** he concludes no never did she become one?

in restless sleep he dreams someone tells him Bayli is working at ******* bar he goes to see her Bayli looks young beautiful wearing thong nothing else many men are pursuing her he excitedly approaches but she seems to only vaguely recognize him she questions do i know you? he answers Bayli it’s me Odys! she answers my name is not Bayli Odys who? where do you know me from?” he pleads Bayli, look at me Bayli smiles hesitantly as she looks around for support points finger towards Odysseus 2 bouncers approach shove him against wall force him outside bouncer barks her name is not Bayli now get hell out of here you freaking loser! they go back inside slamming door as he walks away neighborhood kids throw apples at him wakes up confused sad from dream

he vows i don’t need love love is for those too lame to stand alone bear solitude self-avowal love is sign of weakness compliance control love is contract made between two people too spineless to take pleasure in own freedom love is way to take advantage exploit love is convenience pact for mutual security love is cumbersome weight tied around athlete’s neck love is suffering love is a lie illusion cover-up for everyone’s petty lame problems

1984 chicago suffers harsh winter furious winds blow across lakefront Mom and Dad take Odysseus to dinner at posh new restaurant in art galleries district on the way Mom and Dad argue about parking Mom wants to leave car with valet Dad insists they first look for space Mom gets annoyed the wind will ruin my hair drop me and Odys off at door then do what you want Dad says you’re going to miss me when i’m gone Mom snaps we’ll see when are you planning on leaving? Dad wears navy blue blazer white shirt burgundy foulard silk tie he is in good spirits winning personality keeps table lively Mom wears beige cashmere turtleneck darker beige wool skirt brown alligator high heels gold earrings she waves then greets roths weissmans who are led by young hostess they walk past table make brief polite conversation after several rounds of drinks Dad speaks you know, it’s about time Odys are you dating anyone in particular? Odysseus hesitates confesses he has had ****** relations with hundreds of girls his knees begin to shake under table he admits maybe I’m incapable of sustaining intimate relationship with one woman i’m conflicted blocking all these feelings inside never learned how to love can’t hold on to anything all i know how is **** and run Mom interjects don’t use that word! she suggests he travel get some fresh ideas Dad becomes irritated lights cigarette waives to waiter orders another Absolute on the rocks bursts out what the hell do you mean you never learned to love you grew up in a house of love *******! didn’t you learn anything? are you purposely trying to ruin dinner? you watch your step mister or i’ll whack you right here at the table! you make me sick with all your excuses one of these days you’re going to wake up Odys and I hope it’s not too late Mom immediately glances at roth’s weissman’s table then glares sharply at Dad she snaps Max lower your voice! people can hear you we’re in a restaurant can we please change the subject? she instantly regains composure continues i spoke with your sister Penelope today and she let me know she might be landing a new account she’s being wined and dined this evening by c.e.o. of prominent san francisco agency later waiter clears entrees asks if anyone wants after-dinner drink dessert Mom orders coffee apple pie with scoop of vanilla ice cream Dad orders coffee Mom asks what do you wish for in your life Odys? who do you want to be? he exhales long breath answers i used to dream of becoming renown painter but now i’m not sure sad to say don’t know what i want sometimes i think of priesthood but i’ve done too much sinning Dad grows irate who puts these ideas into your head? you ******* ungrateful kid! what the hell is matter with you? Mom interrupts Max don’t lose your temper we’re in a restaurant she glances at roth’s weissman’s table nods with big smile on face Odysseus feels entangled in web of desires deceptions debts he vacillates from one aspiration to next grown comfortable in his failures distrust
Left Foot Poet May 2015
for Tascha

deep in the pond of unhappy, swimming,
drowning the next contemporaneous
depression thought quickly swallowed,
desperation in quick glances everywhere,
dawn is no consolation but just another
daily drawing tighter of twine cutting
disillusionment


dear god, commences every thought,
delayed answers have yet to arrive,
**** the deity's non-responsivness,
dare not say out loud lest,
deserved fates be worse, be realized,
didn't know? how can that be?
disguiser par excellent, I am the original
deceiver

But I never think about

death or dying, for that would be
defeat finale, a statute to, a status of none, a
destiny some wick spark, still insists can be
deferred

differed always,
diffidently, but grasping yet at the
double entendre that is my
dark vision of a future already past

May 2015
may 2015, back when I could write...
Chiyo Aug 2014
I have bruises like amethyst
But the truth is I’m the catalyst
When I see colours of bismuth
I know you mean business
Bruises like amethyst
But you say you’re a pacifist
An analyst an activist

But you held my mind so it contorts, distorts
And aborts so it can’t resonate or fabricate
Or rationalise a world inside
That doesn't exist and insists
That I can’t be kissed and won’t be missed

I've got a black heart like tourmaline
But I'm the alkaline to your acid time
Trust me I am fine, I'm a pale blue
Crystalline Structural perfection
Don’t need your affection or your ways
Of objections did my bra strap give you an
*******?  

You could say I'm a feminist
But I'm more of a scientist
Busting body myths like biologist
You say ‘but **** are ****** organs’
Listen you morons, all ******* are a erogenous zone
Regardless of gender , boys nips literally have no purpose
Except when they get nervous for getting a little lip service

Trust me I'm fine, I'm a pale white crystalline
Structural perfection I don’t need your objection
Not a gem stone for your collar bone I don’t give a **** about
Your muscle tone, I'm a cyclone all alone I could spend a
1,000 years on my own.
sorry not sorry ok
i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven
it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache
Ashley Nicole Nov 2014
Kiss your lips
And inhale laughter,
Oh god, the way
Your mouth curls,
Eyes become
Gentle slits,
And the bending
Of your brow
Insists on
Intimacy,
Every ounce
Of my soul
Says, "Yes,
Please."
Could be I’m on a mission:
Convince the entire world
I am the World's Greatest Living
English Language poet;
Of course, genius such as mine
Goes generally unrecognized until
The posthumous crowd weighs in.
And yet, wouldn’t it be nice?

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Yes, wouldn’t it be nice?
(The Nobel Prize,
Tribute at the Kennedy Center,
A MacArthur Grant,
The Presidential Medal of Honor,
Reverent BJs from hipster groupies . . .
The Poet Laureate in his vicarage,
Enjoying my sweet twilight celebrity.)

(Cue “Guys & Dolls” soundtrack: “What's in the daily news?
I'll tell you what's in the daily news.”)
23: Beheaded at Nigerian Election Rally!
Amanda Knox Gets Away with ****** Again in Italy!
Kung Pow: Silicon Valley Penisocracy Crushes Ellen Pao
German Crash Dummy Co-pilot Flies Jet into the Alps!
Hilary’s Emails Are *****!
Sierra Leone Ebola Lockdown!
Iran: Kooks with Nukes!
Sri Lankan President’s Brother Dies from Ax Wounds!
Saudi Diplomats Evacuate Yemen!
Stampede at Hindu Bathing Ritual, Bangladesh Kills at Least 10!
Simply put:  THE WORLD IS IN A STATE OF ****.

Perhaps it’s time we turn again.
Seek solace in poetry—
“Yeah, chemistry,” insists my Sky Masterson,
My “Guys & Dolls” alter ago.
Surprised? You shouldn’t be.
All poets are gamblers & moonshiners.
We polish our chemical craft,
Sweet-talking the distillation apparatus,
Getting us, getting at linguistic essence.
Cunning linguists are we.
(Colonel Angus, are you back?)
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
We open this hearing to determine
Whether or not S.I. Hayakawa—guilty of
Numerous crimes against humanity & other
Professional Neo-Fascist “entrechats.”--
Whether or not he merits a kinder, gentler
Wikipedia BIO.
(Wikipedia ( i/ˌwɪkɨˈpiːdiə/ or  i/ˌwɪkiˈpiːdiə/ WIK-i-***-dee-ə) Wikipedia)
We open this forum, focusing on his
Courageous stand against the
SDS & Black Panthers, part of
An unlikely coalition: The Worker-Student Alliance
& It’s rival, Joe Hill Caucuses.
Da Name of the Place:
(“I like it like that!” Hot Chelle Rae-“I Like It Like That” lyrics| Metro Lyrics www.metrolyrics.com Lyrics to 'I Like It Like That' by Hot Chelle Rae. “Let's get it on, yeah, y'all can come along/Everybody drinks on me, buy out the bar /Just to feel like I'm.”)
The name of the place: San Francisco State,
1968-69, the longest student strike in U.S. history,
Led successfully to the creation of
Black & Other Ethnic studies programs
On campuses across the country,
And, one could argue,
Gave the green light to
Osama Hussein Obama,
Our first Uncle Tom President.
But I digress.

ACTING SFSU President, Dr. Hayakawa—
Perpetual audition, the pressure on,
Feisty, independent-minded & combative,
Screaming at that skeevy student mob:
(Skeevy as in “He bought the thing from
Some skeevy dude in an alley.")
Declaring “A State of Emergency,”
Calling in the SFPD, whose
Inexplicable slogan says”
“Oro en Paz,
Fierro en Guerra.”
Archaic Spanish for
Gold in peace,
Iron in war, by the by,
For you holdouts,
Those of you who still
Think the “English First Movement”
Breathes life still.
I’ve got more news for you:
That crusade died long ago,
Locked up, dark & shuttered,
Bank Repo thugs, their thick
Neck muscles flexing from side to side,
Sashaying across the parking lot,
Like John Wayne on steroids,
Right up to the front door.)
The SFPD: San Francisco city fuzz,
(As they were known at the time) &
The California National Guard, as well,
Obstreperously, generously catered by
Governor Ronald Wilson Reagan,
(Early stage, Alzheimer’s at the time.
But still very much “The Gypper,”
Still chipper in Sacramento.)
Ronnie--keenly interested in
The Eureka State’s congressional clout,
Lassoes a seat in the U.S. House of Lords:
AKA: The U.S. Senate, SPQR.
It’s still hard . . .

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Still hard to believe that California was once
Rock solid in the clutches of the GOP,
Gripped tightly in the Party’s
Desperate talons. But the grip slipped,
Slipped in the slip-sliding 1970s.
It got harder and harder . . .

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Harder and harder to remind
Leroy & the rest of his ebony posse,
That it was Abraham Lincoln—
“The Great Emancipator” himself—who was,
Our first Republican President.
The Emancipation Proclamation:
That toothless rhetorical flourish,
Based solely on Abe’s
Constitutional authority as
Commander-in-Chief,
Not on a law passed by Congress.
It was just Abe blowing smoke
Up their ***** again,
Just an egalitarian blast from
His Old Kentucky past,
A youth spent splitting rails,
Busting his *** just like
Any plantation ******,
A stark plebeian commonality,
Too deeply etched to be ignored.
Poor Abraham Lincoln:
Probably a **** Creek crypto-Jew,
Neutered by the opposition:
His very own Republican majority Congress,
Another example of the GOP
Shooting off its own foot, right up there
With Mitt Romney’s "47 percent of the people,”
The rhetorical gaffe which cost him his
Second & final shot at the White House.
But I digress.

Senator Sam S.I. Samuel Hayakawa:
That inscrutable Asian fixer, is now U.S. Senator,
Republican, California, 1976-83
Pulpit-bullying his Senate colleagues,
Fiercely opposed to transfer of the
Panama Canal & Panama Canal Zone to
Panama: a diplomatic no-brainer; Duh?
Their freaking name is on both of them.
Senator Sam, obstinate & blustering:
"We should keep the Panama Canal.
After all, we stole it fair and square.”
And Hayakawa, later the driving impetus
Behind the Far Right “English Only” movement.
His co-founding an "Official English"
Advocacy group, U.S. English;
Their party line summarizes their belief:
“The passage of English as the official language will help to expand opportunities for immigrants to learn and speak English, the single greatest empowering tool that immigrants must have to succeed."
That’s how they sold it, anyway.
In sooth: just old-fashioned nativist
Anti-immigration hysteria.

Hayakawa: always the high achiever.
Hayakawa: The Great Assimilator,
Preaching his xenophobic Gospel:
“Immigration Must Be Reduced!”
Aryan rhetoric, of course,
A bi-product of radical authoritarian nationalism,
A movement with deep American roots.
Senator Sam: a Japanese-Canadian-American,
Always tried too hard to fit in.
Sam, comfortable in Chicago during WWII,
Not personally subject to confinement,
Advocated that Japanese-Americans
Submit to FDR’s 1942, Executive Order 9066.
“Time in camp, will eventually work to Japanese advantage."
Later, during the Congressional debate over
The Civil Liberties Act of 1988 . . .
(Passed the House on September 17, 1987 (243–141)
Passed the Senate on April 20, 1988 (69–27, in lieu of S. 1009)
Reported by the joint conference committee on July 26, 1988,
Agreed to by the Senate on July 27, 1988 (voice vote) and
By the House on August 4, 1988 (257–156,
Signed into law by President Ronald Reagan 8/10/88.
He opposed $reparations for WWII internment:
“Japanese-Americans should not
Be paid for fulfilling their obligations."
Some guys, I guess, would say, or
Do anything for Bohemia Club membership.
Plagued by night terrors, nonetheless,
His Manzanar nightmares, his vivid
Imaginary experience at other Japanese
Internment Sites: Tule Lake & Camp Rohwer.
Stalag (German pronunciation: [ˈʃtalak])
Stalags, infamous still,
“Stalags ‘R Us,”
Still palpable memories for
Issei ("first generation")
& Nisei ("second generation").
See: 323 U.S. 214. Korematsu v. United States
(No. 22: Argued: October 11, 12, 1944.
Decided: December 18, 1944.140 F.2d 289.
The opinion, written by Hugo Black,
Chief Justice Harlan Stone, Presiding.)

Hayakawa: a strange duck, of course,
But we mustn’t ignore his strong credentials,
And I’d like to disabuse anyone here
Of the notion that it was anything
Other than his academic record
That got his case to this Forum.
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
So begins this fractured Pardoner’s Tale,
This petition for forgiveness,
The Capo di Tutti Capi,
Presiding: the original Italian mafioso,
His Eminence--the Vicar of Jesus Christ,
The Supreme Pontiff
Pope Paparazzi of Rome!
Roma: the only venue large enough to
Dispense dispensation of this magnitude.

Hayakawa: everyone says his C.V. is “impeccable.”
But did anyone ever freaking Google it?
Just where did Professor Sam go to school?
Undergrad? The University of Manitoba,
Truly, by any Third World Standard
A great bastion of intellectual rigor;
Grad school? McGill and U Wisconsin-Madison.
He was a Canadian by birth,
His academic discipline was Semantics.
(As in “That’s just semantics,”
That all-purpose rejoinder in any argument.)
Professor Hayakawa, The Semanticist,
He taught us: “All thought is sub-vocal speech.”

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Hmmm? We think in words.
The medium of thought is language.
If you grok this for the first time,
Let’s stop to celebrate our enlightenment,
With a cultural nod of respect,
We salute our Islamic brethren.
Radical Islam: the new bogeyman,
Responsible for keeping lights on in Alexandria,
Paying the defense & intelligence bills,
Sustaining that sinister
Military-Industrial complex
Ike warned us about.
Hang in there, Mustafa, old buddy.
Like the Cold War, this insanity
Will eventually blow over.
Orwell’s Oceania will reshuffle
Its deck of global grab-***, and a
New enemy will suddenly appear.
Big Brother, as always,
In the full-control mode,
Simply put: on top of the situation.
So Hurrah!
Allāhu Akbar. “God is Great!
The Takbīr (the term for the
Arabic phrase: usually translated as
"God is [the] greatest.")

“All thought is sub-vocal speech.”
What a simple, yet profound insight!
Just a short hop, skip & jump to the
Realization that, perhaps, the clarity
& Power of our minds can be groomed,
Improved upon by mastery of—
In Sam’s case, anyway--the English Language.
Was this, perhaps, the germ of U.S. English,
The political lobbying organization
He co-founded, dedicated to making
English, the official language of the United States.
Hayakawa: a wooly conservative of his own design;
No wonder Governor Reagan loved him.

Dr. S.I. Hayakawa, a colorful and polarizing
Figure in California politics during the 1960s and 70s.
Can we forgive his daily afternoon naps.
Asleep on the floor of the U.S. Senate,
Leaving California so pathetically,
So ostensibly under-represented.
Senator Sam’s comatose presence at
Washington-on Potomac; the
District of Columbia.
A long time ago,
In a distant galaxy . . .
Far, far away.

TEAR GAS.
Alas, long before he got to Washington,
Long before ever setting foot off campus,
He called for tear gas to
Disperse those pesky college kids.
I repeat myself for emphasis:
He authorized the use of tear gas at SF State.
Tear gas: a lachrymatory agent?
Actually, a potentially lethal
Chemical agent . . .
(Yeah, Chemistry!
To wit: Sgt. Sara Brown,
Referencing “Guys & Dolls” again.)
Outlawed for use during wartime,
Banned in international warfare
Under both the 1925 Geneva Protocol; & the
Chemical Weapons Convention;
“Tear gas:  a weapon of war against
The people. We believe that
Tear gas remains a chemical weapon
Whether used on a battlefield, or city streets.”

Thus, history will be your judge,
You unleashed tear gas on college kids,
So I wouldn’t expect a rep makeover
Any time soon, Ichiye-san, my ichiban friend.
script on screen life is but a dream a b c d e f g gee **** g-chord ******  geezz script on screen row row your boat h i j k ellemenoh *** oh please baby *** for me let me watch you stream merrily merrily merrily script on screen q arrest tee you vee double you x why zee

last night i watched a woman answering questions about ***** size she spoke about the toilet tissue roll test for years i’ve been thinking my ***** is rather undersized (compared to studs on **** sites) this morning i took the test undid the roll from wall and stuck my ******* in the hole at first i had trouble getting it in so i guess my thickness is healthy then i slowly managed to shove the entire head of my **** out the other end by that time clear pre-*** was dripping from my ***** hole pressure from my hand gripping tissue roll felt surprisingly arousing i began ******* the roll squeezing pushing in deeper jerking almost bringing myself to ****** i passed the test the toilet tissue roll appears kind of twisted indented

what will happen next hoping for heartbreaking story with happy ending man masturbates while woman urinates both watch each other intently what is so fascinating

Asheville is small yet monumental by luck or fate he hooks up with Tim Calaprese a gregarious loving soul Tim loves women and wine and dogs particularly Farina he owns a beat up old house on steep hill overlooking downtown Asheville Odysseus rents a room for $200. a month Tim is a wine salesman and gone much of the time Odysseus is critically destitute he goes to Salvation Army they provide bed-sheets towels he sells tent and camping equipment to hippies on Haywood Street for several weeks he and Farina live on convenience store hotdogs he gets job prepping house exterior to be painted his boss tells him he is a good worker after a hard day’s work the boss lays him off he gets hired as a waiter for the dinner shift in the restaurant of a resort hotel he is weary of waiting tables but needs cash in the mornings he takes Farina to ****** Lake to swim then they go back to house paint on the porch many mornings are overcast with fog around noon sun comes out warms afternoon Odysseus loves Blue Ridge Mountains he paints a series of mountain scapes while listening continuously to Palace Brothers Pearl Jam Pavement Sebadoh Steve Earle occasionally he works on story about the clone sometime in 90’s DNA has become a factor and he needs to incorporate detail into story

on stormy afternoon in July as thunder echoes through Blue Ridge Mountains phone rings Odysseus is suffering from severe attack of food poisoning it is difficult to reach receiver phone keeps ringing it is Penelope her voice sounds shaky she says doctors have diagnosed her with leukemia it is startling shock she is only 43 years old his stomach rips he needs to run back to toilet telephone cord is not long enough Penelope says it is urgent Odysseus return to Chicago to see if he can be bone marrow match for her he tells her he will drive up immediately after food poisoning passes Penelope becomes irritable he can feel himself leaking between his legs hangs up immediately runs to toilet spends most of night in bathroom brief naps in bed in the morning he hears someone knocking at door he does not know who it is he cannot leave toilet he hears footsteps enter house call his name Odysseus are you there where are you it is Penelope and Sean he flushes toilet comes out to greet them what a weird surprise why didn’t you think to give me some notice he questions as he lies down on bed Penelope and Sean want to take Odysseus to hospital he tells them they are overreacting food poisoning will soon work its way out of his system Penelope asks if there is anything she can do Odysseus answers Farina hasn’t been out for a good walk in days Please be an angel and take her up the street there’s a field there she likes Penelope calls come here Farina let’s go for a walk Farina follows they depart out door Sean sits down at foot of bed he forcefully speaks Odysseus i know you you like to skew the facts to fit your own purposes then hammer me for whatever make-believe you can cook up when are you going to finally start being a man live up to your responsibilities Odysseus questions what facts are you talking about i’m sick as a dog now is not the time to have this talk Sean challenges yes it is you listen to me your sister is sick and needs your help Odysseus replies i’m heading to Chicago as soon as i’m well enough to travel Sean insists that’s not soon enough we’re taking you to a hospital Odysseus stands from bed Sean stands up facing him they stare each other down Odysseus goes to slip on jeans Sean stands in the way Odysseus tries to step around Sean shoves Odysseus back unto bed Odysseus stands shoves back fistfight ensues mostly Odysseus throws wild punches Sean blocks as they violently jostle out door Sean trips on wet porch falls breaks rib Odysseus grabs his pants car keys flees Penelope and Farina watch puzzled as he drives off day after incident and departure of Penelope and Sean Mom calls insists Odysseus return without delay to Chicago he answers i’m on my way Odysseus packs car with Farina drives north he feels pressure of his family envisions himself as piece of living meat whose sole purpose is to supply Penelope with bone marrow momentarily imagines his family as predators Mom is the real killer she knows how to delegate ****** Dad had been a killer for Mom Penelope has learned from Mom how to contend Odysseus is weak link he taught himself to brave harshest conditions yet is no competitor he is worker bee stupid dreamer all alone in greedy predatory world more than anything he loves and wants to help Penelope he is annoyed by nervous tension of family
Tommy Randell May 2019
When we first got together and
You taught me how to kiss
It was a shock to come to know
That pleasure has a fist.

We are not taught as children
Playful Tigers come with risks -
The tongue can be a dagger
As it pierces with a twist.

Did you know before we met
Or was I the catalyst?
Did I wake those demons in you
Like the monologue insists?

You rained on me like fire
So hot it made me hiss,
Then like a glacier in my arms
You pierced me with a twist.

All your stories made me trust you.
Your lust made me enlist
In your army of surrender
The perfect activist.

See me kneeling down before you
The execution fast and slick -
I want now nothing less from you
Than you pierce me with a twist.

Torturer and Victim
How has it come to this,
On a sunny day in heaven
The war of shame persists?

Your compliments are scissors,
Your caress is salt and grit -
Right there from my mirror
You stare, piercing with a twist.
hand slaps shoulder knee rhythmically that’s called hamming the bone sitting on a street curb singing making up lyrics i got a transitor sister loves cossack named jake he rides Cherokee chopper all he’s ever known is hate he’s going down underground where a man can be a man wrestle alligators live off the land ebb flow i don’t know racing chasing hair-pin turning at 150 miles per hour downshift to 3rd spread the word sweet sour naked flower touching skin deep within defies all sin with a grin speed speed speed all i need i’m getting off coming on you tawny scrawny bow-legged pigeon-toed knock-kneed Don Juan Ponce de Leon Aly Khan all wrapped up into one going to have ******* good time good time tonight i feel like an orphan mom and dad seem so far away tonight i feel like an orphan you make me feel this way hand slaps shoulder knee rhythmically hand bone hand bone

Odyseuss drifts job to job construction worker office assistant waiter whatever he does not understand how road to recognition works continues showing portfolio to art dealers but they react indifferently he does not know how to attain notice in art world begins to suspect there is no god watching over souls instead he imagines infinite force juggling light darkness creation destruction love hate Mom and Dad insist he can earn respectable income if only he will learn commodity futures like cousin Chris Mom says you can work down at the exchange and paint on the side a part of Odysseus wants desperately to please his parents he considers perhaps Mom is right for the time being maybe build up nest egg it seems like sensible plan he wonders why Dad and Mom never speak about money how to save manage they treat the subject as forbidden topic Odysseus has no idea what Dad or Mom earn or investment strategies Odysseus is about to make serious mistake the decision to get job working at commodity exchange needs deeper examination why is he giving in to his parents what attracts him to commodities trading is it Chris’s achievement and the money? does Odysseus honestly see himself as a winning trader or does it simply look like big party with lots of rich men pretty young girls is that where he wants to be why is he giving up on his dream to be a great artist does it seem too impossible to reach who makes him think that? is he going to give up on his true self? he halfheartedly follows his parent’s advice begins working as runner at Chicago Mercantile Exchange several friends including Calexpress disloyalty for entering straight world commodity markets are not exactly straight in 1978 clearing firms pay adequately hours are 8 AM to 2 PM over course of next 6 months Odysseus runs orders out to various trading pits cousin Chris rarely acknowledges Odysseus maybe Chris feels need to protect his image of success perhaps in front of his business associates Chris is embarrassed by Odysseus’s menial rank and goof-off attitude maybe Chris senses what a terrible mistake Odysseus has made

Chicago suffers harsh winter in February Roman Polanski skips bail in California flees to France in April President Carter postpones production of neutron bomb which kills people with radiation leaving buildings intact in October Yankees win World Series defeating Dodgers in November Jim Jones leads mass-****** suicide killing 918 people in Jonestown Guyana in December in San Francisco Dianne Feinstein succeeds murdered Mayor George Moscone in Chicago John Wayne Gacy is arrested

darkness descends upon Odysseus his heart is not into commodity business more accurately he hates it he loathes battleship gray color of greed envy he resents prevailing overcast of misogyny he meets many pretty girls yet most of them are only interested in catching a trader it is rumored numerous high rolling traders hire young girls for sole purpose of morning ******* remainder of day girls are free to mingle run trivial errands commodity traders typically trash females it is primitive hierarchy Odysseus bounces from one clearing firm to another then moves to Chicago Options Exchange then Chicago Board of Trade on foyer wall just outside trading floor hangs bronze plaque commemorating all men who served in World War 2 Uncle Karl’s name is on that plaque Daddy Pat bought his son seat hoping to set him up after war Uncle Karl’s new wife wanted to break away from Chicago persuaded him to sell seat move to California Uncle Karl bought car wash outside Los Angeles with Daddy Pat’s support Mom and Dad encourage assure Odysseus commodities business is right choice they promise to buy him full seat on exchange if he continues to learn markets they feel certain he can be saved from his artistic notions the markets are soaring in profits cousin Chris is riding waves a number of Chris’s friends are sons of parents who belong to same clubs dine at same restaurants as Mom and Dad Odysseus is not alpha-male like Chris Odysseus is a dreamer painter poet writer explorer experimenter unlike Chris who has connections Odysseus starts out as runner then gets job holding deck for yuppie brokers in Treasury Dollar trading pit Odysseus holds buy orders between index and middle fingers sell orders in last 2 fingers arranged by time stamp price size in other hand holds nervous pencil he stands step below boss in circular pit in room size of football field full of raised pits everything is traded cattle hogs pork bellies all currencies gold numbers flash change instantaneously in columns on three high walls fourth wall is glass with seats behind for spectators thousands of people rush around delivering orders on telephones flashing hand signals shouting offers quantities every moment every day calls come in frantically from all around world space is organized chaos sometimes not so organized fortunes switch hands in nano-seconds it is global fiscal battleground rallies to up side or breaks to down side send room into hollering pushing shoving hysteria central banks financial institutions kingpin mobsters with political clout daring entrepreneurs old thieves suburban rich kids beautiful people pretty young females abound big guns **** in same air stand next to low-ranking runners everyone flirts sweats sneezes knows inside they are each expendable Odysseus is spellbound by sheer force magnitude he feels immaterial only grip is his success with girls it is not conscious talent he grins girls grin back Chris’s trader friends recognize Odysseus’s ability they push him to introduce girls to them it is way for Odysseus to level playing field he has no money or high opinion of himself he simply knows how to hook up with girls

1979 January Steelers defeat Cowboys at Super Bowl Brenda Ann Spencer kills 2 faculty wounds 8 students responds to incident “i don't like Mondays” in February Khomeini seizes power in Iran in March Voyager space-probe photographs Jupiter’s rings a nuclear power plant accident occurs at Three Mile Island Pennsylvania in May Margaret Thatcher is elected Prime Minister in England in Chicago American Airlines flight 191 crashes killing 273 people in November Iran hostage crisis begins 90 hostages 53 of whom are American in December Soviet Union invades Afghanistan 1980 in November Ronald Reagan defeats Jimmy Carter one year since Iran hostage crisis began

he meets good-looking younger girl named Monica on subway heading home from work he has seen her running orders on trading floor she is tall slender with long dark brown hair in ponytail pointed nose wide mouth innocent face she confides her estranged father is famous Chicago mobster Odysseus recognizes his name they talk about how much they dislike markets arrant disparity of wealth between traders and themselves Odysseus says i hate feeling of being so disposable worthless Monica replies yeah me too he tells her if i was a girl i’d ******* myself to several handsome generous traders Monica acknowledges that’s an interesting idea but who? how? which traders? do you know? he answers yeah i know exactly who and how Monica says if you’re serious i’m in i have a girlfriend named Larissa who might also be interested i’ll call Larissa tonight following day Monica approaches Odysseus at work agrees to meet at his place after markets close that afternoon Monica and Larissa show up eager to learn more about Odysseus’s scheme Larissa is petite built like a gymnast giggly light brown hair younger than Monica he lays it all out for them cousin Chris and his buddies the money ******* both girls are quite lovely he suggests they rehearse with him he will coach them on situations settings techniques girls consent for 4 weeks every afternoon they meet at Odysseus’s place get naked play out different scenarios he shows girls how to pose demure at first then display themselves skillfully fingers delicately pulling open ***** spreading wide apart buns working hidden muscles he directs each to take up numerous positions tasks techniques then has them switch places he teaches them timing starting slow gradually building up rhythms stirring into passionate frenzy having two mouths four hands creates novel sets of possibilities one girl attends his front while other excites his rear he positions them side-by-side so he can penetrate any of all four holes he stacks them one on top of the other many other variations after reaching ****** several times making sure to reciprocally satisfy their eager needs Odysseus dismisses girls until following day finally after month of practice Monica and Larissa feel confident proficient primed Odysseus arranges for girls to meet with 2 traders through Chris most traders have nicknames Twist who is hosting event is notoriously wild insatiable on opening night Odysseus behaves like concerned father Larissa and Monica each bring several dresses and pairs of shoes Odysseus helps them choose suggests Monica ease up on make-up he styles Larissa’s hair instructs Monica to call him when they arrive again when they leave he requests they return directly to his place Monica wears hair pulled back in French twist pearl earrings sleek little black dress black stiletto heels she stands several inches above Odysseus Larissa wears braided pigtails pink low-scooped leotard brown plaid wool kilt just above knees brown suede cowboy boots he kisses each on lips then pats their butts warns them to be careful mindful Monica winks Larissa giggles more than an hour passes as Odysseus sits wondering why he has not heard from girls suddenly reality hits he does not want to be commodities trader and certainly not a **** this is not how he wants to be known or remembered Odysseus wants to be a painter and writer Monica and Larissa are good sweet girls whom he has misguided he calls Twist’s place Twist answers Odysseus asks to speak with Monica when she comes to phone he questions are you all right Monica answers yes we’re fine we’re having a fantastic time why are you calling what’s wrong he explains you were suppose to call me when you arrived i began to worry i think maybe this whole arrangement is a bad idea i want you to call it off and come back home i don’t want either of you to become prostitutes i love you both and don’t want to be associated with dishonoring you Monica says it’s a little late to call it off but we’ll see you when we’re done kissy kiss bye Odys another hour passes then another he frets wondering what they are doing after 4 hours as he is about to call Twist’s house again doorbell rings Monica and Larissa both giggling beaming Odysseus can spot they have a coke buzz Monica announces you should be proud of us Odys we got each of them off 2 times we left them stone-numb and tapped out the girls open their purses each slaps 5 hundred dollar bills unto table Monica says this is your cut Odys we both got a thousand for ourselves he replies i can’t touch that money we need to sit down and talk Monica demands no talking Odys take off your clothes he insists i’m serious Monica i’m never going to send you out again Larissa claims there’s no turning back for me i had too much fun Monica  pleads come on Odys we’ll be good we promise now take off your clothes Twist and his buddy never attended to our needs i’m ***** as hell Larissa where’s that little bottle of dust Twisty handed you

Chicago Monday night December 8 1980 Cal and Odysseus sit at North End they're on 4th round feeling buzz the place is lively adorned with holiday decorations Cal says you’ve changed Odysseus questions what do you mean? how? Cal says the commodity markets and your cousin and his friends they’ve changed you when was the last time you painted Odys? are you dealing coke Odysseus looks Cal in the eyes answers they’re so ******* rich Cal you can’t believe it one drives a black Corvette Stingray another a ******* Delorean anything they want they buy girls cars clothes condos boats yeah i’m dealing coke to Chris’s friends it’s my only leverage remember the Columbian dude Armando we met at tittie bar? i score from him and keep it clean Chris’s buddies pay up for the quality i don’t remember my last painting maybe the black painting i never finished after breaking up with Reiko Lee a girl falls off bar stool crashing to floor at other end of bar Cal says Odys, you better play it careful you’re messing with the devil got any blow on you suddenly bar grows quiet someone turns up TV volume they watch overhead as news anchorman speaks slow solemn camera pans splattered puddle of blood pieces of broken glass on steps to Dakota Building Cal looks to Odysseus John Lennon has been murdered Cal waits for Odysseus to say something tear rolls down cheek Cal glances away stares down at floor they drink in silence
Sade LK Dec 2014
OCD
My scars don't look like
Anyone else's-
They're more careful,
Organized, precise and
Exact.
Not light, but
Never deep enough
Never deep enough
Never deep enough
Never deep enough.

People always ask why
I do such pretty patterns:
Because this is the only thing in life
That I can really control
Control
Control,

And I find it so beautiful-
Though, not so much tragic.

My scars are not chaotic like a
Car-wreck,
They are consistent like a
Coma-
Proof that I was awake
The whole time I was sleeping,
And I could feel everything
Even though I could tell no one.
No one.

That this
Unconscious obsessive compulsion
Demands order
Order
Order,
it
Insists by instinct,
An intricate simplicity.

Still, I will 'ever envy
Those stitched gashes, once
Gushing
Gushing
Gushing with surrender and
Serenity...
Each raised and rough coarse collagen fiber
To form a white flag
Forever etched in flesh;
To tell the world
They, were a slave to freedom-

I am only a slave
To *myself.
Written December 6th & 8th, 2014
miranda schooler Dec 2013
i want a good heart .
i want it to be made of good stuff .
i want the stain glass window builder to be my drinking buddy .
i want to drink only the punch of a million gender queer school kids taking free martial arts lessons to survive recess .
i stopped calling myself a pacifist when I heard gandhi told women they should not physically fight off their rapists .
i believe there is such a thing as a non violent fist .
i believe the earth is a woman muzzled , beaten , tied to the cold slinging tracks .
i believe the muzzled have every right to rip off the bible belt and take it to the patriarchy’s *** .
i know these words are going to get me in trouble .
it is never polite to throw back the tear gas .
just like its never polite to bring enough life rafts .
they crowd the balconies where the wealthy shine their jewels .
but sometimes love ..
sometimes real love
is ******* rude .
is interrupting a wedding mid vow just as the congregation is about to cry .
to stand up in your pew to say 
“ is everyone here clear on how diamonds are mined ?” 
hallelujah to every drag queen at stonewall who made weapons out of her stiletto shoes .
hallelujah to the blues keeping the neighborhood awake .
to the activist standing in the snow outside of the circus 
holding a ten foot photograph 
of a baby elephant in chains ,
when it’s probably some little kid’s birthday .
hallelujah to making everyone uncomfortable .
to the terrible manners of truth .
to refusing to clean the blood off the plate .
bend this spine into a bow 
i can pull across the cello of my speech .
love readies its heart’s teeth ,
chews through the etiquette leash .
takes down the cellphone tower after millions of people die in wars in the congo fighting for the minerals that make our cellphones . 
love blows up the dam .
chains itself to the redwood tree ,
to the capital building when a trailer of mexican immigrants are found dead on the south texas roadside .
love insists well intentioned white people officially stop calling themselves color blind .
insists hope lace it’s ******* boots 
always calls out the misogynist , racist , homophobic joke . 
refuses to be a welcome mat where hate wipes its feet .
love asks questions at the most inappropriate times .
overturns the defense of marriage act then walks a pride parade . asking when the plight of poor single mothers will ignite our hearts into action like that .
love is not polite .
deadlocks our rush hour traffic with a hundred stubborn screaming bikes .
hallelujah to every suffrage movement , hunger strike .
hallelujah to insisting they get your pronouns right .
hallelujah to tact never winning our spines .
to taking our power all the way back to that first glacier that had to learn how to swim .
to not turning our heads from a single ugly truth .
to knowing we live in a time when beauty recruits its models outside the doors of eating disorder clients .
that is not a metaphor .
this is not a line to a poem .
an indian farmer walks into a crowd of people and stab himself in his chest to protest 
the poisoning of his land .
a buddhist monk burns himself alive on the streets of saigon .
a united states' soldier hangs himself wearing his enemy’s dog tags around his holy neck .
may my heart be as heavy 
as a tuba in the front row of the mardi gras parade five months after katrina .
may it weigh the weight of the world 
so it might anchor the sun 
so it might hold me to my own light until i am willing to sweat as much as i cry .
until i am willing to press into the clay of our precious lives .
a window .
might our grace riot the walls down .
may the drought howl us awake
may we rush into the streets 
to do the work of opening each other’s eyes .
may our good hearts forever be 
too loud to let the neighbors sleep .
Michael Smit Nov 2018
I write my pretty poetry
and I beg to know of thee
what you see
and what you want to be
what makes you flee
and what makes you free
how often do you plea
do you like a bee
or am I irritating thee
with my random personality

I'm sorry but that's my gravity
I don't need you I have my sanity
I call it sanity and you call it insanity
like I asked you who to be
I'd rather follow my fae

It seems to me
you lack the imaginary
and that I cling to the extraordinary
I mean who likes ordinary
I pick extraordinary  
One more time
Extraordinary

My mind is endless
I act kind of senseless
Oh I see breakfast
here comes my fist
if you insist
I can't resist
Am I dismissed
I know there is something I've missed
the crazy insists
I can't resist
The malevolence
in your intelligence
I don't know where I thence
hence
I make no sense

This baby is crazy
But the God our lord made me
To be whoever I want to be
if you dream it you can achieve it
Believe it and you will see
Jake Taylor Nov 2011
the niggly nasty narcissist
who keeps you off the road insists- to stay in all your thoughts he sits and strips your magical mind to bits with all his games and all his grifts a punch a preach consider the junk he's ******* sift, mist or haze
send him away
cause your wisdom yo its better than this,
so think - the ways to rip this spit
im a free man now
peel the author away from this
blow your mind !
just to see the way that i can outline this
and keep myself a verse afar from all your ****
Where Shelter May 2018
trigger warning:
Hate long poems?  move on.
Love words?  pleasure your self

<=>

drought and famine of the spirit,
over-staying summer
house guests in an overly sun blanched,
voided, white outed, mental abode.

faculties parched,
overly starched,
compositions lost in transition,
why can't they make it ashore?

It's after 2 AM, and though
ferries have stopped running,
mainland hangover hangerons are
working overtime to prevent
"author"izations, so all I get
when I press send is a whole lot of
"permission to cross," denied!

causes of vexation undisguised,
dual natured and manifold,
luxuriating and drowning in home grown,
city organic insipid,
makes one quick to blame
nobody in particular,
but yourself, repeatedly.

reasons many, the distractions of
rustling contradictions populate,
another life road fork looming,
a track record for choosing badly,
colors the blacktop even blacker and
ramps up desires for a janitorial,
but first do no harm, status quo.

Need a beer.
Need a distraction.
Need a homework assignment,
which I buy at the IGA market:

obey the eleventh commandment
which every writer knows;
you think you're Mr. Bigshot,
so pudding prove it,
write it,
one true sentence,
let it be a constitution for all,
with the lengthy consistency,
of a Hemingwayesque,
one true sentence.

dearth to riches occurs
as fast as a basketball
three second violation,
inspiration dripping like
windshield condensation,
got so many true sentences,
how ya gonna choose,

O sinner man?

sadly you don't hear or feel
my background music,
stringed surf sounds playing
Perlman's Mozart low to
the thunderous, sweltering,
swells of applause of
90+ degree heat
w/o a Crescent Beach breeze
to console the disowned

these superheated thoughts
now focused,
emerges a bill of sight,
lading my heart's many heresies,
staccato thoughts now,
rapid fire rebel,
a pre-discourse insurrection,
voices of words lash out -

pick me - immortalize me,
I wanna be,
a constitution for one,
one true sentence.

The Moment of Ownership.

Hillel did it,
standing on one leg,
a Sanskrit mantra,
not by me,
not for me,
not through me,
even more succinct.

full clarity unobtainable,
begin when fighting thru
the static of each nerve,
knowing that
each thought,
each emotion,
is a constitution
of sorts,
recognizing life is a series of
moments of ownership,
but that are truly ours
only when relinquished.

each one, a true sentence
when writ, spoke,
but only when disabused
of notions of possession
only true, when gifted away.

Lucian Freud painted those whom
he knew best, their portraits,
fully clothed but wholly naked,
a painter of revelation
thru the skin tones of the flesh.

exposeur of skins interior
displayer of old and ungainly,
left us eyesight more true
than an honest mirror,
with poetic brushstrokes overlay,
gained entry to what his
grandfather named id and ego,
artist's superego, his reflections,
a continuous judgment
on a pool of stretched canvas
that makes me despair that:

I will ere succeed
to cross the borderline
that modernity insists upon,
self preservation, neurotic fears,
impositions on my psyche and
that my moments of ownership
will be n'ere be stamped "transferred."

I take back my life,
by giving it away
this alphabetized self portrait,
a wrinkled sketch of me,
my ownings, undertakings
needs taking by you
so I can disown it.

these words are my own,
their conjunction is a
junction to you,
and a constitution for me.

once this expiation
is in your purview by the voted
election of Send,
bonded by a mutual
Moment of Ownership?

so net net,
bottom line,
these are my
one true sentences,
summarized, constitutionalized:
I am yours, for the taking,        
so come by, for and through me,
in many moments of ownership.


p.s. let us shelter together in place, an island growing
lost for many years; for Mary Winslow
Some things exist behind curtains of experience.  

Those whose tongues have
tasted the holy fire know the touch
of something divine.

Those who have laid eyes on
their sleeping bodies, and walked
away to places unknown, can grasp
the idea of an inbetween.

Those who have groped in the darkness
for something to believe in again, who
have longingly looked over the cliff edge,
know that true despair does exist.

As for me,

I know that true fear can
come in the form of footsteps
behind you on the empty street.

The person at the bar who insists on
hollow compliments and free drinks.

Friends who scoff at your anger for
men who yell out their passenger side
windows about the treasures beneath
your clothes.

True fear can come in the middle
of the afternoon, as you face
off against the four floor staircase
to your apartment, when your steps
are echoed by the man in 2b who has
a wife, son, and a taste for resistance.

Don't tell me I'm overreacting,
when the single most terrifying thing
I can do is walk alone under the street lamps.

Don't tell me I'm too uptight just
because I've learned that flattery
can come with a horrifying price tag.

Don't tell me I'm wrong just
because you don't understand.

Look me in the eye when you have
waited until a security guard can walk you
to your car.  When you have held your
breath in a shared elevator.  When you have
lowered your eyes to the men who yell
obscenities at you, because standing up
for yourself could prove deadly.  

Look me in the eye when you have held back
the curtain of experience, and walked in the shoes
of someone who lives every moment knowing
this could be the day someone decides to steal
from me what is only mine to give.

Then look me in the eye when you tell
someone of your wound, and they reprimand
you for daring to walk this world as a woman.
Not actually in love with this. But I've been putting off writing for far too long, and everyone always says that if you are in a rut, the best thing to do is write until you feel inspired again. So here we go.
Alone in the workhouse. Is where she gave birth.
The starch Parish Surgeon. A Drunken old Nurse.
The cries of a boy child. In her arms did he lie.
Gently kissing his forehead. Before she did die.

Not to be married. Mentioned the Nurse.
Was not to be heard of. Almost a curse.
No Father to speak of. Illegitimate offspring.
His Mother a corpse. With no wedding ring.

Without relations. Brought up with force.
Grown as a captive. Poverties course.
Life in the workhouse. Juvenile offenders.
Selfish providers. Fat cat Pretenders.

"Mrs Mann", Overseer. An hierarchy lie.
Starves and abuses. Would let them all die.
Nine years of age. Each picking a straw.
The boy stumbles forward. Asking for more.

Gruel knocked aside. The fat man, Bumble.
Shocked and alarmed. Off top shelf does stumble.
Dragged by the scruff. Out in the snow.
Sowerberry’s undertakers is where he will go.

Childish look. Innocent way.
To walk at the head of the hearse, they will pay.
Treated unfair. Leading the dead.
Next to a coffin they position his bed.

Insecure Claypole. With nasty remark.
Temper unleashed. Thrown into the dark.
Overwhelming silence inviting a tear.
By morning, escape. Will leave this room clear.

Seventy mile trek. Things look so bleak.
In London he lands. Dejected and weak.
The first friendly face stands counting his loot.
All wide eyed and fresh. In whistle and flute.

"Jack Dawkins the name. But you call me Dodger.
Need somewhere to stay, cause I know this old Codger."
Old Fagin insists to offer him bread.
A warm place to live. A snug place to bed.

Next mornings instruction as Fagin explains.
We live by our wits. Rely on our brains.
Its not thieving we do. We take it by slight.
If they wanted to keep it, why leave it in sight?

Bet and Nancy drop by. For a drink they are glad.
Showing concern for this down trodden lad.
Oliver’s training goes on for days.
Each time he succeeds is allotted with praise.

The day that gave Oliver oh so much tension.
When he met the man he had heard no one mention.
Gruff, rough and evil, A man no one likes.
With Bulls-eye his dog. The man known as Sikes.

The day comes around, when Oliver goes out. With Charley and Dodger, their isn’t much doubt.
The two older boys get the items they sought. Though in all of the turmoil Oliver’s caught.

Brought before Fang, the court Magistrate. Innocent plea onto deaf ears migrate.
Last minute witness brings light forth to shine. On innocent captive in front of said shrine.
The message is out, the crooks are all fraught. Nancy is allotted to spy in the court.
The boy is acquitted. Nothing is told. Nancy relays that they haven’t been sold.
The kindly old victim shows pity on boy.A quiet misdemeanour, a look in his eye.
A child of worth, should not be alone. Mr Brownlow decides to take Oliver home.
For the first time in ever, contentment and love.Poured onto said urchin from those up above.
A picture looks down on this scene from the wall. Similarity so true, most evident for all.
But outside a danger does start to lament. The signs coming out from a previous event.
Sikes and his lady hide out in the shade. Waiting in patience for mistake to be made.
A simple small errand would easily portray. That Oliver Twist is not of bad way.
Mr Grimwig suggests that the boy should be bound. With a parcel of books and the sum of five pound.
Brownlow agrees but his friend will soon gloat. Of the loss of said books and the crisp five pound note.
Surely as hell the time is upon. When onto the streets the child is soon gone.
But Grimwig still boasts that the boy they did trust. Was simply a fraud and just earning a crust.
The kindly old man does have to agree. That Oliver Twist is about on a spree.
Held up and imprisoned by this awful pair. Terrified boy removed to old Fagin’s lair.
Bill Sikes decides that the boy needs a blow. Nancy steps in, she will not stoop so low.
Be satisfied Bill for you have ruined his life. Condemned the poor boy to an history of strife.
Is that not enough to cast onto him. He has been through the mill, now he’s out on a limb.
Brownlow decides to post a reward. For information on the loss of his young ward.
Bumble arrives for the five guinea toll. As he opens his mouth the lies they do roll.

Oliver is taken, carted away.
By Nancy and Bill to the place where they lay.
No notice is taken to the tears he will sob.
For Sikes plans to take the small boy on a job.

Shepperton town is the place they will go.

To silence the boy a gun he will show.
Darkness will produce where his sights are set on.
A quick in and out and with goods they’ll be gone.

Toby Crackit and Sikes are partners in Crime.
Through a small window will make the boy climb.
But plans all go wrong and they do not get a jot.
Although in the event the poor lad will be shot.

Old Bumble is called to the workhouse for wine.
With widowed matron intending to dine.
Things interrupted the matron must go.
To visit old Sally on deathbed below.

The dying old woman does make good a wrong.
As she pours out a death persons song.
She tells Mrs Corney about a gold locket.
That she in the past had decided to pocket.

Inside it gave clues to someone’s true worth.
As owner was dying whilst still giving birth.
To a small sickened child it could of helped save.
Returned him to family as she went to her grave.

Three Cripples a pub where to Fagin will fast. A man named of Monks will throw light on the past.
The story of Oliver’s plight he does pitch. Not knowing the boy has been left in a ditch.
Giles and Brittle two servants regale. Remembering the robbery they did make fail.
An embellished story that has one slight hitch. The bloodied young man will make their story switch.
Doctor and Constable soon to arrive. While injured is taken upstairs to survive.
Upon seeing Oliver, Miss Rose does exclaim. That burglar and boy are not one and the same.
Officer’s Blather and Doth examine the scene. Oliver soon will explain his regime.
Miss Maylie house owner and her niece Miss Rose. Will not let the boy to a prison expose.
Losberne the surgeon and Rose take some time. For ways to conceal the boy from the crime.
Giles and Brittle are forced to retake. Admitting to Officers that they made a mistake.
Oliver’s life takes an healthy uplift. And lady and niece are so glad of this gift.
Tender care and love, make this young lad at home. Never again need to feel so alone.
Losberne takes Oliver to London to see. Where Brownlow and Bedwin could possibly be.
Upon their journey the news they do find. The persons in question have left England behind.
Without any warning poor Miss Rose gets sick. Oliver runs to get Losberne so quick.
On his return as he walks down the lane. He comes on a man who is writhing in pain.
Having retrieved some assistance for man. Returns towards home just as fast as he can.
Wanting to make certain of good news for Rose. Memory of the man in the lane simply goes.
Maylie’s sons Giles and Harry attend. Harry wants Miss Rose as more than a friend.
Whilst Harry is aiming for fortune and fame. Miss Rose has a sensitive mark on her name.
Although the misdeed was no crime of her own. Her parents wrongs will not leave her alone.
Harry is aiming at Prime Minister. So marriage beneath him would cause quite a stir.
With love in his heart the relentless Harry. Tells Miss Rose once more that he does want to Marry.
Although after this time he will not ask again. A tearful lady does have to refrain.
Oliver wakes up in shock from a sleep. Whilst at the window two men they do peep.
Fagin and other man, run off for their shame. Memories rekindled. The man in the lane.
Giles and Harry soon at Oliver’s aid. Searching the grounds but no trace can be made.
Away from the scene things come to an head. Old Bumble and Corney it seems have been wed.
The matron tells husband about what she’s learned. About the dead woman, money could be earned.
Chance meeting with Monks Bumble does make. To meet this caped man his new wife he does take.
For twenty five pounds a deal is made. She passes the goods for which she has been paid.
The locket from Sally, she did take and hold. Inside of locket a ring made of gold.
Inscribed on the inside the man Monks saw there. The name of Agnes and two locks of hair.
Inclined is the man, evidence must go. Weighted and thrown into rivers own flow.
Sikes is in fever and sweat it does shine. As Fagin arrives to deliver some wine.
Fagin replies he does not think it funny. The sickened Sikes still demands from him money.
Fagin takes Nancy back to his hideaway. To get Sikes the money he must indeed pay.
A visitor arrives, two men speak alone. Inquisitive Nancy can hear their drone.
Whatever she heard commits her to see and knock on the front door of Mrs Maylie.
Admitting to Miss Rose so that she should know. Who kidnapped the boy from Mr Brownlow.
She explains what it is she heard from the other. That Monks is indeed poor Oliver’s brother.
Oliver later is out for a treat. He spots Mr Brownlow out on the street.
The young man relates what he saw unto friends. Mr Giles and Miss Rose to Brownlow attend.
Oliver is allowed a visit to see. Brownlow and Bedwin who don’t disagree.
The story from Nancy is passed onto both. To keep it from Oliver they all swear an oath.
The idea to see Nancy would be a vantage. So visit they must, upon London Bridge.
Plans are drawn up things are in sight. The deadline is Sunday. The time is midnight.
Sowerberrie Robbed, Claypole the crook. To London a journey. The police he should duck.
A meeting with Fagin does help to define. The shaking of hands as this union align.
With Dodger locked up the need for a new. Association, by joining the crew.
First on the agenda a visit to court. To view on the sentence that Dodger has bought.
The sentence is in, result deportation. For Dodger a blow, Fagin some irritation.
Fagin tells Noah he will give him one pound. To latch on to Nancy and follow her around.
The midnight meeting from shadows perceived. Of talk about Monks who is not too relieved.
Spying for gentry Nancy will announce. When Monks will attend at that old ale house.
Idea as such, he will be forced to declare. The truth about all he has worked for and where.
Sikes is informed of Nancy’s concern. Anger and hatred through him will burn.
When he returns home, throws the girl onto bed. Lifts up his stick and beats Nancy dead.
Sikes will flee London the following day but tries to drown Bulls-eye who could give him away.
Brownlow captures Monks, taking him to his home. After constant question his cover is blown.
The secret of Monks they were soon to discover. Real name Edward Leeford they then did uncover.
His father he told was forced into marriage. With woman with whom he had tried to disparage.
This loveless union for the father was coarse. So he left but was not to secure a divorce.
Agnes Fleming, this lady became his only affection. The two of them seemingly lost their direction.
As a result of this loving affair. A woman alone with unborn child to care.
Fagin and Noah by police are detained. Though Sikes and his freedom still they remained.
Held up alone at his iniquitous den. Out of the way of all other men.
Bates he does follow, Bulls-eyehe will track. Calling on others to help him attack.
Murderer Sikes is forced now to flee. For the ****** he did to his poor Nancy.
He uses the rooftop with avoiding intent. Hoping that crowds will soon give up, relent.
Using a rope to air his escape. About his person the rope he will drape.
High up on rooftop Sikes does his trek. With rope still entwined in a loop around his neck.
A slip as he ran caused a rooftile to loose. Effecting in Sikes with his head in this noose.
Onlookers can see this of this man that they dread. Asphyxiated. Hanging stone dead.
They say what it is that made this man die. Was caused by seeing into Nancy’s eye.
That her ghost came along and did have its way. Making Bill Sikes forever pay.
Even though this story we cannot prove. For many a persons minds this does indeed sooth.
A Letter its told was found by another. Proving to us to be Edwards mother.
Destroying both a Will and letter. Ensuring that Edwards life will be better.
Agnes’s father found out when she left. Became broken heart and soon to bereft.
His shame and honour were both denied. Accelerated greatly the time when he died.
Poor little sister is taken we see. By good Samaritan lady named Mrs Maylie.
Bringing this child up as her own. Miss Rose as she is now, to us be it known.
Bumble and his wife confess. To their dealings in this mess.
Concealing to Oliver’s history. Never again, office be held by he.
Harry’s makes change of his life’s employ. Prime Ministers aim he will deny.
And thus open another direction. To marry her of his hearts affection.
Fagin is sentenced for all of his crimes. The Gallows imposed for his evil times.
Oliver will feel a need to beset. Fagin for proof of his legitimate
Noah is pardoned, excluded his time. For his testimonie about Fagin’s crime.
Monks travels by ship to the new world. It isn't to long until his life is unfurled.
His wicked ways again he will try. Imprisoned, eventually this is where he will die.
Oliver becomes the adopted son. Brownlow a father does also become.
Miss Rose as aunt that will often frequent. To see Olivers life gaining so much betterment,
Life now to all will be a good friend.
This story is formally now at an end.
A poetic translation of Oliver Twist by Charles Dickens..
May 28th 2011
1967 san francisco is transformed into city of missing children haight ashbury brims with scraggly orphans thousands sit on street curbs live in cars hang out on floors of shops roam streets parks sleep on sidewalks unthinkable social cultural phenomenon Odysseus embraces madness walking through different neighborhoods going without food sleep in golden gate park floral smells so strong he can taste flowers kids openly pass joints acid doses trip dance make music laugh Odysseus is risk-taker but he is not street smart along with flocks of totally wasted kids street hustlers abound Odysseus sets down backpack beside eucalyptus tree rests when he wakes backpack is gone he is penniless disconnected hitchhikes across bay to berkeley less congested more manageable meets some runaways like him but not like him they squatter in abandoned house off telegraph avenue maybe 20 hippies crashing in house Odysseus adopts enormous closet hidden in back bedroom as his space has small window feels like sanctuary sometimes he comes home finds 5 or 6 kids sleeping in closet in a way people in house become his family tribe some of people are suspicious especially older secretive man with 2 tongue-tied underage girls whom he claims are his daughters Odysseus suspects veiled ****** exploitation girls are lovely yet behave frightened repressed life on street does not come easy telegraph avenue overflows with lost souls searching to hook-up fragrance of frankincense drifts amidst music drug deals rip-offs bullying brawls hierarchy from hell’s angels down Odysseus stays high dances sometimes panhandles “i live in commune with 2 pregnant girls” whatever cash he collects scores acid **** subsists on diet of gum candy sunflower pumpkin seeds sometimes ketchup with french fries his acne crescendos he learns if he drops acid daily by third or fourth day he cannot get off no matter how much he doses tries peyote cactus buttons after waiting nearly hour to get off he suffers stomachache dizziness projectile vomits finally flies into freaky hallucinations he swallows mescaline capsules feels sick to his stomach forgets about his nausea trips for 9 hours tries psilocybin mushrooms laughing straight through night experiments with stp trips for 3 days Bobby Stern and Martha Quigley come out from chicago to visit they are curious about the scene need to hook up Odysseus introduces them to his friends shows them telegraph avenue he turns and they have vanished he does not know where they have gone everybody is losing everybody new kids show up everyday oakland **** named red rat kidnaps Martha is heiress from distinguished chicago family their disappearance makes chicago papers after week Bobby and Martha manage to escape they never reveal to Odysseus what red rat did to them radio plays doors’ “light my fire” and jimi hendrix’s "purple haze" Odysseus has crush on beautiful blonde Patty she  ran off for summer from her parent’s home in sunset section of san francisco Odysseus and Patty hang out go see country joe and fish in provo park on sundays hitchhike into city watch Jefferson Airplane play for free in golden gate park hitchhike to marin see Grateful Dead jam at muir beach dude hands out free acid Odysseus is total acidhead acid reveals everything in new intensified light *** on acid is beyond *** wilder than *** more primal *** so intense it transcends limits of eroticism acid helps Odysseus realize his true self his pain sadness tears lies crazy-*** side first tingling tremors in stomach chest hands then initial flashes of sparkle traces of color echoes of giggling laughter lucid thoughts sometimes he swallows such large doses all he can do is stare out at white light what is it about massive hits of acid? measure of how fierce his spirit? self-punishment? escapism? he wonders why he so desperately needs to escape from what whom? himself? Mom’s numerous efforts to convince him he is mentally disturbed? Dad’s fists? escape from real world to where? Odysseus hangs with Pluto skinny 16 year old ****-addict golden wavy hair rotting teeth finesse with girls Pluto claims crystal **** enhances *** more than acid needles frighten Odysseus he lets one of Pluto’s girls hit him up with methamphetamine feels sudden overwhelming rush through head body forgets about needle before it ever leaves his arm having been initiated Odysseus begins scoring with Pluto’s girls Pluto knows tons of girls Odysseus loves feeling numb free being out of control not giving a **** getting ****** ****** by pretty girl if he could have his way he would go from ****** to ****** with pretty girl all day every day deep in drug induced state because drugs lower inhibitions allow them to explore some sick disgusting stuff that is paradise for Odysseus he is rapidly slipping into street life drug addiction wakes up with ants crawling in his hair witnesses numerous fights freak-outs 2 different kids o.d. while he is present lots of creepy stuff  by early august realizes he might wind up dead soon or rotting like Pluto Odysseus has spirit but troubled by what he sees troubled enough to return home go back to school he feels lost desperate alone not thinking plots drug deal swindle double-crosses some people guilt and shame for conning people haunts him for years he gives Pluto half the money tells him to share with Patty with his cut buys ticket back to chicago Penelope is first to greet him she gives him big hug comments “you need a shower and shave real bad!” his hair is wild scraggly beard Odysseus holds on to her he has missed his little sister glad to be near her feels panicky his parents will punish him Mom and Dad are relieved but agitated their worry and shame at his flight have turned to anger resentment they rationalize he selfishly ran off merrymaking for 3 months they sternly make plans for his next semester while Odysseus was away in california Penelope has ****** ******* for first time in back seat of Jed Zurbeck's black pontiac Penelope in secret goes to see doctor for pregnancy test doctor recognizes Penelope’s last name calls house Odysseus answers phone doctor asks to speak with Mr. or Mrs. Schwartzpilgrim Mom picks up phone doctor informs her Penelope is pregnant all hell breaks loose doctor makes house call with Mom and Dad present offers 2 options for Penelope “you can be picked up by limousine on state street and blindfolded you will be taken to an undisclosed location where abortion procedure is performed then re-blindfolded and returned by limousine to state street or you can report incident as **** and get signatures of three physicians then have abortion in a hospital” Mom and Dad choose to report it as a **** fabricate story about Penelope walking home from school and being grabbed pulled into alley by black man who rapes her Penelope is made to tell lie three times deeply disturbs her after abortion is done in hospital Dad makes Penelope swear not to admit abortion to anyone insists she tell Jed Zurbeck she made up stupid lie and she was never really pregnant Penelope obeys and tells no one
Phoebe johnson Apr 2019
Nostalgia is a ***** liar that insists things were better than they seemed.
L B May 2017
“...Your words were found and I ate them.
They became a joy to my heart. In my mouth—
a sweet delight, but in my belly—bitter...”
                                                ­ --Jeremiah


...But that night
by dim background of next-room light
I could not see your face
just feel your hush of shadow words
on spine of shudders

Seems we dropped this bomb
that would not stop exploding!

...And I was sure?
that it was right?
because...because....!
Their eyes were slanted!
So they could not see—
the “Good Guys”
VANISH—
WIDE-EYED—!
in its TOO-MUCH-LIGHT

Still your voice insists
in pause and fissioned hiss
that I MUST KNOW
in tender half-life
TRUTH
too pure
too deadly white

I swallow lethal glowing dose
HOW CAN YOU SPEAK
SUCH WORDS SO CLOSE!

EXPOSED!

“...in mouth sweet—in belly bitter…”

Stories? and the Grandma Song
rendered tender—lull of voice
Soul’s cabinet cleared of venial sin
Last of all—the tucking in.....

They say you first get sick....*

Seems we dropped this bomb
that would not stop exploding!
And I am invisibly ill—with truth
approaching critical mass

Will angry rads incise their ways?
Will leaden swords of angels drive them back?

In this night—
my bedtime stories fainted at your
whispers...whispers...WHISPERS—

fusing an oblong fear
that I MUST NOT DROP!
but I cannot hold!

Fetal-folded
frail and freezing
under covers— just barely peeking

“Jesus hanging on the cross…Tell me-- was it I?”
Jesus hanging in the cross
TELL ME! IT’S NOT TRUE!

"Tell me, mother
Were you God talking?

I could not see your face
by the next room’s light..."
My mother told me some bad **** sometimes just before bedtime, and I never forgot it.
Written 1995
Sarina May 2013
There was nothing I was ever so ashamed of
that I dumped it in a river to drown,
but one time my best friend accidentally tossed my pink fishing pole
into the bayou when a spider dangled from the line.

We were eight, everything was wishy-washy
because she called herself a mulatto like it were an insult
and my older friends kept mentioning that my mom walked herself

to a liquor store very late at night
twelve-packs bruising her German-colored shoulder.
I did not tell them my father had hidden away her car keys.

Girls teased me and I still wanted to kiss their cheeks at goodbyes,
The Little Mermaid featured at our sleepovers
saying, “kiss the girl,” so I did
but we stopped talking when I bought my training bra,
it proved what was in my skirt, my lips could not touch them again.

You cannot kiss a girl if you are a girl,
even if Disney movies say it is okay because Mickie Mouse
has no ***** to be ashamed of though a wife of the opposite ***.

I learned important things until I turned ten
and Hurricane Katrina unraveled the bayou into my house
and I existed in four different classrooms in my fourth grade year
where nobody had enough time
to learn my name, much less the way it is spelled.

Now, in therapy, the certified insists
that I am a girl who kisses other girls because my mother
only put her lips on a bottle.

But maybe I wear striped dresses just because mold grew that
shape in my home on Camellia Street,
mud decorated the fallen refrigerator so it looked like
a cow some punk tipped over.
I just wish the sidewalk I use to rollerblade on hadn’t flooded.
Angie May Mar 2015
****** because at baby showers girls may only have PINK blankets
and boys may only have BLUE blankets.
****** because straight boys pretending to be gay are hilarious,
but gay guys are fashion accessories for girls to collect and fight over.
****** because I was bullied in 7th, 8th, 9th, 10th grade for liking girls.
****** because the gay community thinks I'm pretending to be straight
and the straight community thinks I'm pretending to be gay.
****** because witches were burnt at the stake, and so were we.
****** because gay people are killed every single day for the love they have.
****** because transgender kids **** themselves because it's easier than feeling the disapproval of your parents.
****** because my dad insists that there are only two genders.
****** because if you have a ***** you are "he".
and if you have a ****** you are "she".
and if you break the rules you are "it" "drag queen" "******".
****** because if you identify as something other than what you were born as, they will refuse to respect that.
****** because they will only refer to you as what your genitals say.
****** because I am genderfluid and people will not respect that.
****** because I am bisexual and people cannot respect that.
****** because I will not tolerate your use of this word.
And now, as Dawn rose from her couch beside Tithonus—harbinger of
light alike to mortals and immortals—the gods met in council and with
them, Jove the lord of thunder, who is their king. Thereon Minerva
began to tell them of the many sufferings of Ulysses, for she pitied
him away there in the house of the nymph Calypso.
  “Father Jove,” said she, “and all you other gods that live in
everlasting bliss, I hope there may never be such a thing as a kind
and well-disposed ruler any more, nor one who will govern equitably. I
hope they will be all henceforth cruel and unjust, for there is not
one of his subjects but has forgotten Ulysses, who ruled them as
though he were their father. There he is, lying in great pain in an
island where dwells the nymph Calypso, who will not let him go; and he
cannot get back to his own country, for he can find neither ships
nor sailors to take him over the sea. Furthermore, wicked people are
now trying to ****** his only son Telemachus, who is coming home
from Pylos and Lacedaemon, where he has been to see if he can get news
of his father.”
  “What, my dear, are you talking about?” replied her father, “did you
not send him there yourself, because you thought it would help Ulysses
to get home and punish the suitors? Besides, you are perfectly able to
protect Telemachus, and to see him safely home again, while the
suitors have to come hurry-skurrying back without having killed him.”
  When he had thus spoken, he said to his son Mercury, “Mercury, you
are our messenger, go therefore and tell Calypso we have decreed
that poor Ulysses is to return home. He is to be convoyed neither by
gods nor men, but after a perilous voyage of twenty days upon a raft
he is to reach fertile Scheria, the land of the Phaeacians, who are
near of kin to the gods, and will honour him as though he were one
of ourselves. They will send him in a ship to his own country, and
will give him more bronze and gold and raiment than he would have
brought back from Troy, if he had had had all his prize money and
had got home without disaster. This is how we have settled that he
shall return to his country and his friends.”
  Thus he spoke, and Mercury, guide and guardian, slayer of Argus, did
as he was told. Forthwith he bound on his glittering golden sandals
with which he could fly like the wind over land and sea. He took the
wand with which he seals men’s eyes in sleep or wakes them just as
he pleases, and flew holding it in his hand over Pieria; then he
swooped down through the firmament till he reached the level of the
sea, whose waves he skimmed like a cormorant that flies fishing
every hole and corner of the ocean, and drenching its thick plumage in
the spray. He flew and flew over many a weary wave, but when at last
he got to the island which was his journey’s end, he left the sea
and went on by land till he came to the cave where the nymph Calypso
lived.
  He found her at home. There was a large fire burning on the
hearth, and one could smell from far the fragrant reek of burning
cedar and sandal wood. As for herself, she was busy at her loom,
shooting her golden shuttle through the warp and singing
beautifully. Round her cave there was a thick wood of alder, poplar,
and sweet smelling cypress trees, wherein all kinds of great birds had
built their nests—owls, hawks, and chattering sea-crows that occupy
their business in the waters. A vine loaded with grapes was trained
and grew luxuriantly about the mouth of the cave; there were also four
running rills of water in channels cut pretty close together, and
turned hither and thither so as to irrigate the beds of violets and
luscious herbage over which they flowed. Even a god could not help
being charmed with such a lovely spot, so Mercury stood still and
looked at it; but when he had admired it sufficiently he went inside
the cave.
  Calypso knew him at once—for the gods all know each other, no
matter how far they live from one another—but Ulysses was not within;
he was on the sea-shore as usual, looking out upon the barren ocean
with tears in his eyes, groaning and breaking his heart for sorrow.
Calypso gave Mercury a seat and said: “Why have you come to see me,
Mercury—honoured, and ever welcome—for you do not visit me often?
Say what you want; I will do it for be you at once if I can, and if it
can be done at all; but come inside, and let me set refreshment before
you.
  As she spoke she drew a table loaded with ambrosia beside him and
mixed him some red nectar, so Mercury ate and drank till he had had
enough, and then said:
  “We are speaking god and goddess to one another, one another, and
you ask me why I have come here, and I will tell you truly as you
would have me do. Jove sent me; it was no doing of mine; who could
possibly want to come all this way over the sea where there are no
cities full of people to offer me sacrifices or choice hecatombs?
Nevertheless I had to come, for none of us other gods can cross
Jove, nor transgress his orders. He says that you have here the most
ill-starred of alf those who fought nine years before the city of King
Priam and sailed home in the tenth year after having sacked it. On
their way home they sinned against Minerva, who raised both wind and
waves against them, so that all his brave companions perished, and
he alone was carried hither by wind and tide. Jove says that you are
to let this by man go at once, for it is decreed that he shall not
perish here, far from his own people, but shall return to his house
and country and see his friends again.”
  Calypso trembled with rage when she heard this, “You gods,” she
exclaimed, to be ashamed of yourselves. You are always jealous and
hate seeing a goddess take a fancy to a mortal man, and live with
him in open matrimony. So when rosy-fingered Dawn made love to
Orion, you precious gods were all of you furious till Diana went and
killed him in Ortygia. So again when Ceres fell in love with Iasion,
and yielded to him in a thrice ploughed fallow field, Jove came to
hear of it before so long and killed Iasion with his thunder-bolts.
And now you are angry with me too because I have a man here. I found
the poor creature sitting all alone astride of a keel, for Jove had
struck his ship with lightning and sunk it in mid ocean, so that all
his crew were drowned, while he himself was driven by wind and waves
on to my island. I got fond of him and cherished him, and had set my
heart on making him immortal, so that he should never grow old all his
days; still I cannot cross Jove, nor bring his counsels to nothing;
therefore, if he insists upon it, let the man go beyond the seas
again; but I cannot send him anywhere myself for I have neither
ships nor men who can take him. Nevertheless I will readily give him
such advice, in all good faith, as will be likely to bring him
safely to his own country.”
  “Then send him away,” said Mercury, “or Jove will be angry with
you and punish you”‘
  On this he took his leave, and Calypso went out to look for Ulysses,
for she had heard Jove’s message. She found him sitting upon the beach
with his eyes ever filled with tears, and dying of sheer
home-sickness; for he had got tired of Calypso, and though he was
forced to sleep with her in the cave by night, it was she, not he,
that would have it so. As for the day time, he spent it on the rocks
and on the sea-shore, weeping, crying aloud for his despair, and
always looking out upon the sea. Calypso then went close up to him
said:
  “My poor fellow, you shall not stay here grieving and fretting
your life out any longer. I am going to send you away of my own free
will; so go, cut some beams of wood, and make yourself a large raft
with an upper deck that it may carry you safely over the sea. I will
put bread, wine, and water on board to save you from starving. I
will also give you clothes, and will send you a fair wind to take
you home, if the gods in heaven so will it—for they know more about
these things, and can settle them better than I can.”
  Ulysses shuddered as he heard her. “Now goddess,” he answered,
“there is something behind all this; you cannot be really meaning to
help me home when you bid me do such a dreadful thing as put to sea on
a raft. Not even a well-found ship with a fair wind could venture on
such a distant voyage: nothing that you can say or do shall mage me go
on board a raft unless you first solemnly swear that you mean me no
mischief.”
  Calypso smiled at this and caressed him with her hand: “You know a
great deal,” said she, “but you are quite wrong here. May heaven above
and earth below be my witnesses, with the waters of the river Styx-
and this is the most solemn oath which a blessed god can take—that
I mean you no sort of harm, and am only advising you to do exactly
what I should do myself in your place. I am dealing with you quite
straightforwardly; my heart is not made of iron, and I am very sorry
for you.”
  When she had thus spoken she led the way rapidly before him, and
Ulysses followed in her steps; so the pair, goddess and man, went on
and on till they came to Calypso’s cave, where Ulysses took the seat
that Mercury had just left. Calypso set meat and drink before him of
the food that mortals eat; but her maids brought ambrosia and nectar
for herself, and they laid their hands on the good things that were
before them. When they had satisfied themselves with meat and drink,
Calypso spoke, saying:
  “Ulysses, noble son of Laertes, so you would start home to your
own land at once? Good luck go with you, but if you could only know
how much suffering is in store for you before you get back to your own
country, you would stay where you are, keep house along with me, and
let me make you immortal, no matter how anxious you may be to see this
wife of yours, of whom you are thinking all the time day after day;
yet I flatter myself that at am no whit less tall or well-looking than
she is, for it is not to be expected that a mortal woman should
compare in beauty with an immortal.”
  “Goddess,” replied Ulysses, “do not be angry with me about this. I
am quite aware that my wife Penelope is nothing like so tall or so
beautiful as yourself. She is only a woman, whereas you are an
immortal. Nevertheless, I want to get home, and can think of nothing
else. If some god wrecks me when I am on the sea, I will bear it and
make the best of it. I have had infinite trouble both by land and
sea already, so let this go with the rest.”
  Presently the sun set and it became dark, whereon the pair retired
into the inner part of the cave and went to bed.
  When the child of morning, rosy-fingered Dawn, appeared, Ulysses put
on his shirt and cloak, while the goddess wore a dress of a light
gossamer fabric, very fine and graceful, with a beautiful golden
girdle about her waist and a veil to cover her head. She at once set
herself to think how she could speed Ulysses on his way. So she gave
him a great bronze axe that suited his hands; it was sharpened on both
sides, and had a beautiful olive-wood handle fitted firmly on to it.
She also gave him a sharp adze, and then led the way to the far end of
the island where the largest trees grew—alder, poplar and pine,
that reached the sky—very dry and well seasoned, so as to sail
light for him in the water. Then, when she had shown him where the
best trees grew, Calypso went home, leaving him to cut them, which
he soon finished doing. He cut down twenty trees in all and adzed them
smooth, squaring them by rule in good workmanlike fashion. Meanwhile
Calypso came back with some augers, so he bored holes with them and
fitted the timbers together with bolts and rivets. He made the raft as
broad as a skilled shipwright makes the beam of a large vessel, and he
filed a deck on top of the ribs, and ran a gunwale all round it. He
also made a mast with a yard arm, and a rudder to steer with. He
fenced the raft all round with wicker hurdles as a protection
against the waves, and then he threw on a quantity of wood. By and
by Calypso brought him some linen to make the sails, and he made these
too, excellently, making them fast with braces and sheets. Last of
all, with the help of levers, he drew the raft down into the water.
  In four days he had completed the whole work, and on the fifth
Calypso sent him from the island after washing him and giving him some
clean clothes. She gave him a goat skin full of black wine, and
another larger one of water; she also gave him a wallet full of
provisions, and found him in much good meat. Moreover, she made the
wind fair and warm for him, and gladly did Ulysses spread his sail
before it, while he sat and guided the raft skilfully by means of
the rudder. He never closed his eyes, but kept them fixed on the
Pleiads, on late-setting Bootes, and on the Bear—which men also
call the wain, and which turns round and round where it is, facing
Orion, and alone never dipping into the stream of Oceanus—for Calypso
had told him to keep this to his left. Days seven and ten did he
sail over the sea, and on the eighteenth the dim outlines of the
mountains on the nearest part of the Phaeacian coast appeared,
rising like a shield on the horizon.
  But King Neptune, who was returning from the Ethiopians, caught
sight of Ulysses a long way off, from the mountains of the Solymi.
He could see him sailing upon the sea, and it made him very angry,
so he wagged his head and muttered to himself, saying, heavens, so the
gods have been changing their minds about Ulysses while I was away
in Ethiopia, and now he is close to the land of the Phaeacians,
where it is decreed that he shall escape from the calamities that have
befallen him. Still, he shall have plenty of hardship yet before he
has done with it.”
  Thereon he gathered his clouds together, grasped his trident,
stirred it round in the sea, and roused the rage of every wind that
blows till earth, sea, and sky were hidden in cloud, and night
sprang forth out of the heavens. Winds from East, South, North, and
West fell upon him all at the same time, and a tremendous sea got
up, so that Ulysses’ heart began to fail him. “Alas,” he said to
himself in his dismay, “what ever will become of me? I am afraid
Calypso was right when she said I should have trouble by sea before
I got back home. It is all coming true. How black is Jove making
heaven with his clouds, and what a sea the winds are raising from
every quarter at once. I am now safe to perish. Blest and thrice blest
were those Danaans who fell before Troy in the cause of the sons of
Atreus. Would that had been killed on the day when the Trojans were
pressing me so sorely about the dead body of Achilles, for then I
should have had due burial and the Achaeans would have honoured my
name; but now it seems that I shall come to a most pitiable end.”
  As he spoke a sea broke over him with such terrific fury that the
raft reeled again, and he was carried overboard a long way off. He let
go the helm, and the force of the hurricane was so great that it broke
the mast half way up, and both sail and yard went over into the sea.
For a long time Ulysses was under water, and it was all he could do to
rise to the surface again, for the clothes Calypso had given him
weighed him down; but at last he got his head above water and spat out
the bitter brine that was running down his face in streams. In spite
of all this, however, he did not lose sight of his raft, but swam as
fast as he could towards it, got hold of it, and climbed on board
again so as to escape drowning. The sea took the raft and tossed it
about as Autumn winds whirl thistledown round and round upon a road.
It was as though the South, North, East, and West winds were all
playing battledore and shuttlecock with it at once.
  When he was in this plight, Ino daughter of Cadmus, also called
Leucothea, saw him. She had formerly been a mere mortal, but had
been since raised to the rank of a marine goddess. Seeing in what
great distress Ulysses now was, she had compassion upon him, and,
rising like a sea-gull from the waves, took her seat upon the raft.
  “My poor good man,” said she, “why is Neptune so furiously angry
with you? He
Liam May 2013
personal journal musings from last week...*

Stopped in at my neighborhood pub last night
  a couple of pints, some word exchange
Colorful place on a perfect Spring evening
  people on tap, constantly spilling in and out

The place is bustling and packed
  loud and dynamic
Sound flowing on open air
  drifting in from sidewalk patio and out to beer garden

Luckily nab a lonely stool near the entrance
  girl sitting kitty-corner around curving end of bar
Casually we cover topics from her mac 'n cheese
  to wind chill generated by ceiling fans

Conversation is suddenly confiding
  prior night's end-all fight with her live-in boyfriend
Obvious need to talk to someone neutral
  bartenders are busy, so it's me and we do

She's come seeking emotional sanctuary
  awaiting his departure to some event
Unhappy with her role in the argument
  unhappy with the person she has become with him

They'd intended to go ring shopping
  as recently as last week
She now looks forward only to the comfort of
  quiet, pajamas, ice cream, dreamless sleep

Upon leaving, she twice asks that I promise
  to be here if she finds no solitude and must return
This is no request...more of an appeal
  alone in privacy is one thing...alone in festivity another

I promise twice - I'll be here
  she doesn't return
I sincerely hope that she's well on her way to
  an ice cream induced pj slumber

              Less than an hour later...same bar stool

Pleasingly boisterous bachelorette party arrives
  staking claim to a nearby parcel of floor
Numerous "excuse me" squeeze-throughs  for drink orders
  rendering me a semi-familiar bar obstacle

One reveless wedges in, questions me
  what color underpants do I have on...don't recall
Insists that we check...dark bluish-grey
  too bad...she was hoping for purple to match her own

Impishly waiting long enough for my mind to stew
  she finally reveals the query as part of a formal interactive checklist
I apologize for not being more daring in spectrum
  we laugh, nevertheless...strike one

Eventually exchanging pleasantries with another
  a more subtle approach, but the inquisition repeats
Here we go again...Batter up!...Red?...very sorry...strike two
  I'm feeling of no value to this effort

Red offers me a redeeming pitch from the list
  someone must serenade the bride-to-be
I accept and get to meet the veiled celebrity
  she wears an engaging and jubilant aura

Gauging the atmosphere, I decide against romantic
  opting for a song that playfully questions the sanity of her choice
From my heart, I sing the chorus to Matchbox Twenty's "Unwell"
  It goes over very well and I avoid strike three

She and I hit it off, we discuss her wedding plans
  discover our roots are in the same part of the city
I'm rewarded for my musical contribution
  allowed to buy her a shot of Patrón...the checklist dwindles

Now partaking in the excitement of their celebration  
  an honorary addition to the large but exclusive group
My joyous new acquaintance has us take a picture together
  a snapshot of this special occasion to which I've somehow been privileged

A train of waves, goodbyes, thanks, and good lucks
  trails the party as I watch it crawl to the next establishment
In the hushed cacophony, I return to my thoughts
  a fantastic diversity of emotional experience within two short hours

My elbows on the bar in sober contemplation
  counting crows ...one...two...juxtaposed
A contrast of simultaneous realities
  somberly lamenting vs vibrantly anticipating

Reflecting on the beauty in such contrasts
  that serve to define the images of our lives
I finally come to the inevitable conclusion
  it's time for another pint...of ice cream
Ivy Smith Jun 2015
"I'm fine," she says with a halfhearted grin.
"I'm fine," she says again, waving away a helpful hand.
"I'm fine," she says to herself, several minutes later.
"I'm fine," she whispers, wiping her face.
She's not fine.

"I'm fine," she says moments after the cry leaves her lips.
"I'm fine," she says to herself, sinking to the floor.
"I'm fine," she tells herself, shaking in a ball.
"I'm fine," she repeats, picking up the razorblade.
She's not fine.

"I'm fine," she says to her concerned family.
"I'm fine," she insists as those who love her worry.
"I'm fine," she says to anyone who listens.
"I'm fine," she lies as she slices her wrists.
She's not fine.

"I'm fine," she cries, sobbing on the bathroom floor.
"I'm fine," she wails, but only in a whisper.
"I'm fine," she mutters, watching the blood leave her wrist.
"I'm fine," she practices, stepping from the room.
She's not fine.

"I'm fine," she assures the world outside.
april Mar 2015
for him:
he greets me goodnight and goodmorning everyday. he doesn't forget telling me to eat properly. he helps me to figure out what to wear. he doesn't let me wear revealing clothes even when it's really hot outside. he insists on walking me back to my house even though it's afternoon and there are many people outside. he always texts back. he met almost everyone i know in my life. he loves me. he told me that one day when he bought me ice cream. he knew my favorite ice cream flavor. he loves me. but i never wanted him.

for you:**
it's different. you might not always text back because i know you're busy. you might not talk to me when you're online but i understand. you might get jealous a little bit for what he's doing for me but i know you wanted to do that for me too, you're just a miles away. but i'm sure for what i'm feeling. you might not talk to me for one day and i could still wait for you until you do. i'd do that. because my feelings for you are far more different than i have ever felt in my entire life.
// things i never said but wanted to
david badgerow Jan 2012
today is ****** monday
there's one knocking on
my front door
he is scribbled and bleeding
from his forearms,
he carries a pigeon on a leash
and gets high on hotrod drivers' eyes.
i'll give him two pints of hillbilly sugar
and a book of voodoo pictures,
but he insists upon my daughter
and at least 3 lines of coke.
instead i hand him a corn on the cob
and the number of the girl scout troop up the road,
he asks me for one more moose head and although
i'm almost out, the sun is still yellow
so i pour him a double brandy
because
today is ****** monday
there's one
driving naked down
a one way street
Third Eye Candy Aug 2013
lovers are burning.] balsamic ****** gallops from shame
into the overwild wetness of labial volcanoes, caramelized in musk. by love's labor.
laid bare, their bodies origami inhibition...[ lovers are burning. ]
and surrender is victorious !
Eros is speechless. maidens howl into cumulus goose-down, chewing carnal haikus
with swayed backs.... hips wide and wanton. masculine wands plow oyster beds, unmade.
they joust pearls... and [ lovers are burning ]
.... a damp conflagration; tongue stoked and windswept, conspires.
monotony is slain !
puritan harps are plucked and thrummed ! lewd harmonies anoint the perfect pitch
and a chorus moans. the ghost of sylvia plath, straddles Apollo; and he earns his wreath
surging besotted. [ lovers are burning ] and laurels forgotten.
lotharios charge the seldom road; the starfish door to Saturn's parlor.
pumping unbridled, that glistening, cloven moon. her riding crop insists !
his urgency must do.
satyrs sup salaciously and summon staves to dip in brine. they grin and grind
their sutras, stripping karma gears with silk scarves. ankles to a post, well spread...
cushions crush. flowers press... stamen fed.
nymphs clutch their serpent stones
to drain what nectar slips the slit. they ***** and throat.
they peck and pinch their quivers; knock their arrows to the purpose, half spent.
[ lovers are burning ]
eyes ablaze. nostrils fetch randy fumes of consent. mouths seek.
a pouty swamp with Spanish moss.... finds a matador
and a bull, a china shop.
lovers are burning the rough sketch of a lost god
and their angels are voyeurs
with unclean thoughts

for gospels.
Sage King Mar 2013
One hundred to five to one to one
no one
They don't need your apologies
Come around the stand and say that to my eyes
you don't see
They don't crave verdict driven "sorry"s
nailed to a cross by a stone gavel
Burn that haunted cross
As the hearts and souls of the teaming
wish they could do again
trying to stand against definitions of self
definitions of manhood
little girl, only thirty-three years old
silenced in fear, silenced by fear
as the confident voices blow into her ear
1...2...3...4...5
times two
a grip that claims, that yells, that demands
a redefinition to the meaningless phrase
I love you.
Three months--- screams are muffled in horror, quieted verbals
ringing where only one can hear
Seven years---body is sliced by knives as she looks in the mirror
and sees a human hole.
How can you live, how can you say
that you know that everything will be all right with time
Who gets time?
Not ninety-nine thousand
demoralized, demonized, unrecongnized,
set free with a fine, or gone undefined alltogether
as Fear's closet of nails confines a million
ostracized and mortified
unable to band together
thank you judicial priority.
One hundredth of abusers given time
two years later out again
But one hundred-thousand others
hear you tell them
how to heal a womb ***** unsacred,
how to stand against a beast stripped naked,
how to quickly turn a limb placated
before it comes down to bruise her swollen rainbow skin.
And you justify a girl ripped open
entered in agony, her ***** broken
the first time she was eight years old
the hundredth time she was nine.
And you sympathize
as the sad man cries behind the podium
how can you not understand that no means no
no means don't
no means stop
stop means help me.
He understood that
he understood and he disregarded
every being on this rock for his own sick pleasure
I care about you.
he said to himself
Where were you when she got drugged in a bar
Where were you when he was ambushed by orange
Where were you when her husband refused to hear her terrified words
Where were you when they pleaded to anyone
Please please please please, Oh God make it stop
Now where are you behind your news desks, your podiums, your microphones, and your clipboards
when they risk their lives to ask for justice
when they cry out for the safety of their daughters
of your daughters
only so child souls aren't slaughtered
as they are thrown into a system that insists
they are not good enough.
A system of blow-up dolls, of pop songs, of stripper poles
defining a woman as only a hole.
He stole my innocence
You stole my dignity.
You stole my dignity, you stole my daughter's, my granddaughter's, sister's, aunt's, mother's
when you insist that the fix
is covering my body
shielding my ******
and saying no.
No is what I say to you
No is what I say to your apologies, your sympathies, your pities
She shouldn't have to get down on her knees for him
or for you
You say you've seen everything
Maybe you've seen everything
Films, shows, the **** scenes of everything
But you have not experienced everything
And I pray to God
that you have not done everything
But as far as I know, you haven't done anything
And legs and mouth and hearts
will be torn open
as hope is stripped from the holy bodies of the screaming unspoken
over and over and over again
Ninety-nine thousand lives you do deprive
where were you when she died
terrorized when the judge whispered
1...2...3...4----
This poem was written to be slammed, focusing on the revolting ignorance of the justice system concerning cases of ****** abuse and ****. It may be triggering.
april 11 1952 Mom gives birth to beautiful blue-eyed girl Mom takes name Penelope from Great-Grandma Penny who died week after Odysseus was born Mom and Dad are not educated to know greek mythology and homer it is odd coincidence they picked Odysseus’s name out of book of names thought it sounded strong  anglo old money Odysseus is thrilled to have sister to share childhood with when Odysseus is 6 and Penelope is 4 Grandma Betty invites them to visit her house block away she serves them oatmeal cookies orange juice shows them her latest small painting of field brightly colored flowers birds in sky lower left corner is horse or dog painting is still wet she shows them magazine picture she copied from Odysseus realizes it is pony in lower left corner when they return home Mom yells at Odysseus “where were you? why didn’t you think to call or leave message with Teresa? do you have any idea what a nervous wreck you’ve made me!” she slaps hard Odysseus’s face reprimands “don’t i have enough to worry about without you pulling something like this? you only think about yourself it’s so typical of your selfishness wait until your father gets home he’ll deal with you now go to your room!" every time he gets caught in mistake he is punished the drill is Mom gets upset with Odysseus flies into rage yells slaps him around threatens him with Dad gets home has a few drinks Mom tells Dad explodes beats Odysseus Mom is judge jury Dad is executioner afterward Dad goes back into living room pours another drink sits in celadon green lounge chair Odysseus is trained to wipe tears put on pajamas go to Dad apologize admit fault promise to be good kisses Dad and Mom goodnight goes to bed that is the drill

Odysseus is barefaced curious exploring discovering tries to connect with Mom and Dad but they are unavailable they are his parents not his friends as far back as he can remember he lives in world of “it’s safe free here Mom and Dad can’t see us” children are smarter than parents think figure ways to self-protect something stirs inside Odysseus creature separate from Dad and Mom whatever psychological or emotional patterns are developing he does not understand obediently goes along

Mom and Granny Mattie take Odysseus and Penelope to browse shops on oak street at one store little statuette like kind Granny Mattie collects catches Odtsseus’s eye he slips it in pocket on drive home he takes statuette out to show Penelope she asks where he got it Mom Granny Mattie overhear ask Odysseus where he got statuette he confesses took it from store Mom gets livid steers car back to oak street Granny Mattie insists “it’s just a figurine let him keep it Odysseus meant no harm i don’t see why you want to make such a big fuss Jenny!” Mom replies “he’s got to learn right from wrong!” they all return to store mom explains to sales clerk what son has done Odysseus hands back figurine apologizes when Dad gets home he dishes out punishment years later Penelope remarks “that was the first time i realized Odys you needed to reach out for something beyond the family”

Odysseus wants to die he is 7 years old and wants to die he knows his life is critically messed up wants new different existence person he is becoming is too error prone ruined already he is way too ******* himself Dad’s temper Mom’s criticisms subsequent self-absorbed social demands drive him to ideas of suicide Dad and Mom are too busy to notice Mom always uses sleeping pills placidal nebutal seconal miltown whatever is the latest Mom says she does not dream Odysseus guesses she does not remember her dreams on account of those pills everyone dreams years later Mom remarks i need sleeping pills to forget about you Odys as Mom describes “i run a formal beautiful household” she delegates chores to weekly staff of brown skin ladies it is house of feminine décor matching pillows sheets pulled tight under elegant bedspreads everything put away in proper place furniture in precise order little dinner bell servant’s foot buzzer beneath Mom’s chair at dining room table maids in servitude once a week white woman with big shoulders foreign accent shows up to give Mom massage Mom is not to be disturbed during that hour Odysseus knows first names of each laundress cleaning lady doormen deskmen garage men janitors caterers at holidays tall black effeminate John comes twice a month on sunday to cook serve traditional american breakfast along with fried bananas apples afterward he cleans up shines silver first 13 years of Odysseus’s life are lived in buildings with elevators staff of residence employees

Mom’s closet is vast with colors textures ground level hundred or more neatly arranged clear plastic boxes containing pairs of expensive shoes walls of imported French and Italian designer label dresses skirts suits blouses top shelf fashionable purses hats other feminine accoutrements also two large dresser chests filled with drawers of sweaters scarves girdles lingerie hosiery more accessories Mom often wears joy by jean patou arpege by lanvin chanel # 5 Mom shops at saks bonwit teller occasionally marshall fields within several years most of her buying will be done at fantastico, exclusive import boutique on oak street clothes jewelry cosmetics are important to her but most important is hair she prefers bottle blonde color wears hair trimmed medium length fluffed up sprayed fixed as do many women of her generation social stature she visits beauty salon twice a week must enjoy letting her guard down with other women while being served by homosexual men her hair prevents her from driving in car with top down all other outdoor activities that might threaten hairdo Penelope mimics Mom though she keeps her things in less tidy fashion she is being groomed to be queen like mom maybe Mom is more sympathetic to Penelope because both innately share female experience Mom portrays herself as lady of elegance Penelope is different from Mom more earthy bumbling routinely scratches Odysseus’s records leaves her drawers messy Mom takes baths so her hair will not be disturbed Dad takes showers Odysseus and Penelope take baths together then apart as they grow bigger ****** is normal in Schwartzpilgrim household Dad hints reserve Odysseus follows takes showers Mom leaves bathroom door open while bathing she is constantly changing clothes traipsing around in robes slippers elegant silk lingerie
Odysseus is angry without knowing what reason scared hopeless longing not a good student teachers raise suspicions Mom claims he is mentally not right in third grade parents send him to well-known psychiatrist conducts many tests finds Odysseus’s i.q. scores quite high doctor’s diagnosis is learning disabilities emotional anxiety recommends weekly appointments Odysseus continues to see various psychiatrists all the way through college in late 1950’s early '60’s psychiatric field is somewhat unreliable one downtown child’s psychiatrist chats about other patients then gives Odysseus baby ruth candy bar another psychiatrist with office in Wilmette tells him parents need therapy advises he will someday live independent of parents free of their influences

Odysseus Penelope Ryan Siciliano play in undeveloped land across from Schwartzpilgrim’s apartment building there is big tree they often climb near corner of commonwealth and surf streets Ryan is going on about his favorite actor errol flynn and movie “they died with their boots on” suddenly two bigger older boys approach bully them down from tree Odysseus does not recognize older boys from neighborhood bigger older boys push Penelope to ground then elbow trip Odysseus punch Ryan in stomach panic shoots through all three of them bigger older boys glare down with taunting eyes after terrifying moment Ryan then Odysseus jump up flee across street they hide beneath parked cars in underground garage of Odysseus’s building hearts pound in terror hearing footsteps on concrete grow louder they hold their breaths voice speaks out "they’re not here they’ve gone Odys where are you?" Odysseus and Ryan crawl out from under cars feel ashamed of their cowardice in front of Penelope and putting own self-preservation before her protection Ryan is particularly disturbed explains his family are sicilian code of conduct Ryan insists Odysseus swear never to divulge their weakness Odysseus promises later Penelope tells Mom

harper is broad-minded exceptional school housed in old english tudor building on second floor along hall is long glass cabinet displaying among other things 9 large jars each containing developing stages of fetus girls wear uniforms of navy blue skirts with knee socks white blouses blue sweaters which are school colors boys are allowed to wear blue jeans and shirts in good taste Miss Moss teaches fourth grade classroom is duplex with stairs leading up to balcony directly under stairs is secret meeting place and beneath balcony are classmate cubbyholes there is sunroom facing south overlooking entrance stairs to school where older students hang out Odysseus thinks Miss Moss is pretty wonders why she is not married she has deep blue eyes dark thick eyebrows premature graying hair she wears in bun he has crush on Miss Moss thinks she is best teacher he has ever known she teaches greek mythology assigns each member of class character in ancient greek mythology Odysseus is appointed Hermes son and messenger of Zeus Hermes has affair with Aphrodite resulting in child Hermaphroditus Hermes also fathers Pan rescues Dionysus saves Apollo’s son there is voice speaks inside Odysseus’s head no one can hear voice except Odysseus it is voice of smart-*** disobedient twisted child when Miss Moss says “where shall we begin today?” Odysseus automatically answers in his thoughts “how about up your sweet ***?” it is uncontrollable voice for his amusement only often he tries to ignore voice but sometimes it speaks out when voice speaks out Odysseus gets in trouble his friends think voice is funny adults get offended when he reflects on classmates at Harper and distinction of their privilege he wonders what went wrong they are troubled class in fifth grade they cause miss penteck to have nervous breakdown and retire other classes produce famous actors playwrights renowned restaurateurs prosperous investment bankers leading doctors Odysseus’s class produces delinquents gangsters social dropouts drug addicts suicides they take their privilege and run it straight to hell

creature inside Odysseus can be little monster teaches Penelope how to go berserk going berserk involves entering strange residential building in neighborhood elevator up getting off about middle floor pushing all elevator buttons scrambling down stairs knocking over umbrella stands spilling ashtrays ringing doorbells pounding doors running out lobby doors escaping uncaught Penelope is good warrior princess brother and sister can be little terrors

Ryan Siciliano and Odysseus go to see “the magnificent seven” at century theater they head south along broadway street college-age girl with large bouncing ******* appears walking north Ryan and Odysseus glance at approaching girl then nod to each other no plans uttered as college girl passes both Odysseus and Ryan reach up grab her ******* pet squeeze then run do not look back keep running laughing all the way to theater they watch movie with jaws hanging open mcqueen is brilliant all seven are so groovy movie inspires both Odysseus and Ryan.

in 1960 Mom and Dad send Odysseus and Penelope to sunday school at temple shalom teacher calls him aside "Schwartzpilgrim what do you want to be when you grow up?" Odysseus answers "architect or maybe an indian warrior" teacher says "do you know story of judas maccabi? he was a great warrior leader learn about the festival of lights and wield your sword wisely Odys Schwartzpilgrim" Odysseus replies "yes sir" two weeks later he gets kicked out of sunday school for pulling seat out from under girl during solemn religious service he never learns hebrew nor is he bar mitzvahed

Odysseus is hyper-sensitive about race and religion knows he comes from race of people who once were born into slavery nazis systematically exterminated millions of them at aushwitz-birkenaub belzek chelmno majdanek sobibor stutthof treblinka black and white photographs of faces emaciated children adults flicker before his thoughts knows jews are hated not considered caucasian in europe and russia not allowed to own land for many centuries what does it mean to be member of race of people who are despised and blamed? he sympathizes with all minorities particularly negroes who were forced from homeland collared into slavery and native americans who were cheated out of land and slaughtered by white people
Bob B Sep 2018
Recently, in the "New York Times,"
An op-ed essay has hit the press,
Thus causing the president
To send out vicious tweets in distress.

Claiming to be a senior White House
Official, the writer wants to let
The people know that even though
Trump is unhinged, not to fret.

Because Trump is ill-informed,
Impulsive, and given to constant lying,
He can't be trusted to handle the job,
Which to many is terrifying.

He's impetuous, adversarial,
Reckless, petty, and quick to revile.
Any good has happened DESPITE
And not BECAUSE of his leadership style.

The writer insists that our knowing
One special thing will lessen the gloom:
Even though Trump is a mess,
Luckily, there are "adults in the room."

Thwarting the president's misguided
Impulses is the task
Of these "adults," each of whom
Has to hide behind a mask.

To publish the piece anonymously
Some people feel is wrong.
But, hey, it only confirms something
That we have known all along.

-by Bob B (9-6-18)
Anya Oct 2018
She comes to class and goes
“There’s bees in my Head”
Then pulls out
Another mug
Of coffee
Which happens
To be the cause

Another comes
Face on the verge of tears
“He did it again!”
We all know who
“He” is
Then proceeds to
Accept hugs
While giving
An in depth narration

Another comes in
“I’m, just, dying”
She proceeds to get
More hugs
While another friend
Calls her “hot”
And she insists she’s not

The fourth comes in
She’s been sacrificing
Her free time
To attend this class
And her sad tired smile
Says it all
She gets hugs too

And here I am
In the middle
Suffocated
...
Am I emotionally immature?
Am I too much of a cynic?
Is it me, or is it them?
Am I just different?
Or too self conscious?
...
Why do they have so many problems?
...
Then class starts
And I turn to our model,
A plastic skeleton dubbed
-Bony Bonez

And lose myself
In the charcoal

— The End —