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Mateuš Conrad Jul 2016
a Darwinist's wet-dream, a youth's depression... i'm not surprised why the two share the same phenomenological plateau: after the said school morphed into existentialism and hit a brick wall with English utilitarianism, it's no wonder it started drawing on parallels - in the 19th century you had the fable of premature dementia - in the 21st century you'll find it hard too curb the fable of premature depression... less schizoids take their own life than premature depressed - the phenomenon of Darwinism's inquiry of the sea-turtles as naturally and intrinsically worthy pity meant that teenagers suffering from premature (unnatural) depression were simply told: aw... you'll get better... we'll just keep looking at the cruelty of nature for inspiration in the realm of sympathy... like ******* will... pharaohs of the food chain... you produced the architectural pointlessness of pyramids... myriads of the crucifix, and the cult of the tombstones... my grandmother visiting the grave of my grandparents almost every, single, day; her son couldn't care less... attaching personalities to inanimate products like cars or planes or Toy Story didn't help, either... but finding Nemo was a bit like finding the great white shark - Darwinism and Disney shouldn't mingle - pity doesn't last outside of what's petted - dogs and cats - you pity an animal outside the realm of what's pitied, you might as well be worth sushi.*

if fame isn't clenched within mortality -
if fame exists in the realm
of posthumous affairs - it exists
for the immortals to judge whether
it out be resurrected -
to be minded in the daily affairs of
inhaled oxygen -
only because the Coliseum was never minded,
but the Caesar's thumb was...
when i see fame i see only c.c.t.v.
"metaphors" - what is fame anyway?
we have a culture of fame surrounding us!
but we can hardly fathom why so many
scientists are left anonymous with their
anaesthetics and antibiotics -
in this world, what's useful is left anonymous,
what's useless is best cited - and constantly
refreshed - what is fame?
what if not cloning? it's such a shame to
be productive in aiming for such goals
rather than attempting carpentry's prodigy son -
if fame is becoming near butcher's worth of
**** and the buttocks exposed -
then fame has became absolutely devalued -
just after the 20th century the game changed -
we have devalued fame... as we have devalued currency -
fame just becomes a Friday newspaper
on the underground train foot-printed with ink-smears
and that other running-mascara -
as with so many billionaires, so with to many
famous people - the last anarchic act before the
insignificance of insects at a picnic bundle of folded
napkins became apparent - we reached the insect
paradox - not lizard cold blooded essence,
but the phobia blooded essence of insects -
the easily replaced - Auschwitz replenished within
a free society... numbers... satellite navigation -
never had i seen Narcissus so petrified with a mirror -
given that someone stole his mirror and the mirror
was shared among so many... Narcissus, synonym of
solipsism, was never so petrified as he was now -
the insect number overcame the feline king's presence -
not much thought concerning the poachers -
the insect-like numbering less the feline king's
presence - the mane completely cinematographic, suited
only for an intro roar - nothing imitable -
it was all slightly less panicky than expected -
so easily squashed the insects were, as we played gods -
but in number we became the most resembling them -
as if by prerogative to prior life on this earth...
we thumb-pressed a fly to death... as we knew in our
waking-dream that something too awaited us to be minded
as the prime venture we gave our thumb to act upon...
that, cold, lizard-like insignificance -
long before our science fiction dreams became realistic -
we realised something counter our current projection
of interests - from the tier of the cold blooded,
to the tier of the hot blooded, into the tier of
the exoskeleton where blood is confused with mush and
bone, where porridge is both brain tissue and liver tissue -
where beings are more emotionally resilient toward
phonetic stresses, as in units of encoded sounds,
and there this sense of coherency -
we look at dinosaurs with superiority of that famous
example of a brain in a pickle jar that's an anaconda -
the snake - but we're also spied against with insects -
they're looking at us - let us speak in terms of Darwinism
as is loved by those citing adaptability and 1 millions years -
well... we have all the time in the world -
the serpent the most abstract remnant of the dinosaurs
is looking at us... and he's saying: look toward the termite
mounds, and the ants as if you were Solomon...
they are the last evolutionary caricatures readied to usurp
your laughter with seriousness... they are neither
cold nor hot blooded... but simply hard-skinned
and uniform in aquatic assemblage contained within -
as once was Mars inhabitable, when Earth wasn't -
given those millions of years - capturing the speed of light
reduced our note-keeping of history as an act of
derelict intelligence - thus from capturing the speed of
light, into a history of day-to-day-day-by-day -
the plagiarism of 20th century art in the 21st -
the speed of light and the expanse of Darwinism -
strobe light historical-science - flash blink flash blink;
what is fame if we're entertained by the paupers in this realm
these days? we're not watching fame worked for,
as something resurrected out of light of interest, selflessly
attired to be cruelly exploited for selfish reasons -
watching the television (my "metaphor" for Plato's Cave)
is like watching homeless people on the street -
i see paupers of fame being paid to be paupers of fame -
the exploits of c.c.t.v. paranoia - the beggars eating lice
or maggots to support their claim to fame...
just like homeless people... the t.v. is the technological
replication of the cave, shadows... shadows...
when Mars was inhabitable Earth was the prior Venus -
the inhabitants of Mars left... and isn't Darwinism dangerous
when it comes to history? imagine two minutes tomorrow
after two p.m. - is that possible with the given kaleidoscope
of interests? Earth was once inhabitable, purest volcanic -
sending probes to Mars has already unearthed our lack
of common sense unity - communism failed,
the sea lion had his harem - we're not built to communicate
with insects' inherent dictatorial precision - hence we're less
bound to succeed in the theory of evolution -
we evolve to be selfish - we don't evolve to be collectively
minded - esp. given money - insects do that...
we're not insects... unless only in our delusional or orbit of hope...
i just wonder what resemblance we will take
to have given the abstract dinosaur - the serpent -
watching the insects evolve from the Tales of Gulliver
into the green-skinned fables of our science-fiction fancy;
what i've written down just now, will not give me fame...
it has already outlived me... it is outside of human history -
just like what modern Darwinism encapsulates,
national history when trying to govern assimilation of
immigrants with the significance of the year 1066...
and then the canvas of: millions of years ago...
the second big bang... although this one being more
complicated than based upon atoms and sub-atomic particles...
too much colour... too much ready geometry of spheres...
Amber S Jan 2014
at a young age, my father taught me to love
instead of killing, my father would capture spiders,
centipedes, beetles in empty pickle jars.
he would show me the anatomy, let me admire
the different colors, the shape of the pinchers,
how each one moved.
we had a praying mantis hung up on the wall,
it scared my girlfriends.
we had a hairy tarantula encased in a glass orb,
guests could never stare at it for too long.

i compare these insects to my father.
elegiac, with pinchers hidden but
like the insects, i could never understand my father.
when he disappeared for days, reappearing with nothing
but a frown and the scent of beer,
i imagined him with the wings of a beetle, and he had
to fly off to a faraway kingdom.

i compare these insects to my father,
beautiful, but threatening.
his scorpion’s tail was his hand with a bottle,
his poison was the amber liquid squishing
his blood.

i compare these insects to my father,
fragile, unwieldy.
as a butterfly glides through spring, it is similar
to my father discussing his favorite things,
or deep in thought in a novel, or how his eyes
glint when he sees me after a long
but my father is far more exquisite than
any butterfly.

i still am intrigued by insects, yet i do not
admire them in empty jars.
i set them free, imagining if my father ever longed
to escape his own
Why is it that some people don't believe that we should **** animals for food,
but those very same people will **** insects just because they think they're annoying or creepy.
I understand that insects are insects not mammals, but how does that make it any better to **** them.
I also accept the fact that some insects such as the mosquito can spread deadly diseases, but then again so can heaps of things.
I know that insects can reproduce a lot quicker than most other living creatures and so there will a lot more of them, but i still think that their deaths would be noticed by others of it's species.
So do harmless insects, no matter how annoying and creepy they are, not deserve to live.
Thanks to The Masked Sleepyz for the title.
It's so simple and yet it works, and I like it, thanks again.
Berne Aramaic Element

From Bethlehem the messages of the fields of Moab are felt, after the death of Eimelech and sons Mahlon and Quelion, Naomi remaining alone, Alone in the middle of the ears. Lepidoptera would begin to fly in all the lands of Judah after this distressing event. From the far reaches of the fields in the hot afternoons, Ruth could be seen in the fields and in the Hera united tightly with Naomi, where each one fence after fence will go the other in the name of Jehovah. Ruth deliberately gathers the grain and ears with the sheaves, between the reapers and the swollen sheaves, to provide sustenance for a whole past life of famine brought by Naomi's lamentations. Then Ruth after gleaning the grasses, thanked Boaz by looking into his eye fixedly, being able to see in him, how to lift the hay and run it to the world of the midwives to feed the newborn children, that way everyone will eat and be satisfied with the pottage until they are very satisfied.

From this land of ears of corn, will arrive the celebrations of Shavuot and of good grace for the stay of the Hexagonal Birthright in Gethsemane. The actors and landowners of these lands are making a great contribution to this phylogeny (with the consolidation of the Aramaic language in the garden).

Ruth appears saying: “Look well all the field, we are all in it, we have water and enough heat from the Shemash ignition, to grow the ears of wheat, and here is the refuge of Jehovah who gives us his protection, making us an equal part of his children to sustain us. I feel great pride in being deferential to Naomi; she will help me with the ears that will migrate to Gethsemane, with the transcendent visit of the Apostle Saint John. The bumblebees, bees and wasps will be satisfied; they will provide the nutrient food to those who will have to make the communications in the garden. "Blessed is the food that it gives you by harvesting, preserving and lavishing it"

A great axiom of archaeological heritages begins to be evidenced in this agriculture of transmission from the field to the expression of the cognitive and emotional areas that represent the oropharyngolaryngeal endocranial molds of sheep that become inert with crops and insects. Here the beloved rhetoric of insects will intervene with personal wings from the basic prop of their emotions, attracting signals from the fields and their images described by the flocks of insects that migrated from this Ruth book passage, to be able to retransmit them with the phonetic signals that go beyond the spike, which is rather a settlement or a Kibbutz, current to mold or settle archaic civilizations under an idiomatic link, which will address the phylogeny as cephalization of invertebrate animals with those of the benefits of support of adhesion between so much science and simply the invocation of Jehovah bringing us food languages with nuances of religious joy.

Phylogeny in Gethsemane: **** erectus crossed multiple evidences of pro-adaptive evolution beings, - Neanderthal / **** sapiens. The children of Israel wrote parables, epistles, verses, stories and books ..., their vocal and phonetic tract spoke of storms and environmental factors between heaven and earth, of the "Great noise outside of us, but little silence in us." The elementary thing is the larynx that only has to pronounce the image that denounces a concept, evokes the minimum sounds in different positions of its instrumentalized mega sound. Talking about how language varies according to history, and the civic-environmental environment instructing us in its threshold and descent, by detaching itself by the air effusions of language at the laryngeal level. It authoritatively collects the intervals of vocalization and relationship with agriculture in all its dimensions, descending through its internal walls, but rising through our parietal emotions outside of itself.

Of the little air that the world has left, to continue digesting temporarily, it has to let the air flow, which is possessed of mechanically inert particles, and unsanctified prophecies with corollaries of miracles.  Inherence that has made the super existence of those who still do not perish by the hand of a monarchical mandate. Thus the mute swallows air in asphyxiating and polluted halves, while others redistribute them for those who need to sit at the table to pick up the Bread and share it with others. "Here the echo of my Christian body resounds." That in Aramaic, it will signify much more than the language in its blood, grapheme and phonemes or stylistics, it is the shock of vibrating beyond the deep ground, reverberating with the grace of its divine enunciation”. Joshua, swallows spikes and olive leaves simultaneously arranging us in his arms, as his children, a sheep in his arms giving us milk-hydro milk from the sustenance of his creative verb.  "A strict fact of preserving the Aramaic and not misleading them by turning the pages in history." The Aramaic must be incorporated for the times that Joshua after more than two thousand years He is still here walking from one place to another, to tell us that He is still here, only suggestive of your walk plagiarizing with your larynx the sound of his expression DE shepherding. The sheep is a mammal ..., more mammal than man, since its statement always reflects in the bases of its skull, for the rest of its offspring as a biblical language, under all the rainbows of the cherubs, together with the children surrounding them in identical intention. **** habilis - **** Sanctus, in a process that has a Christ base and peripheral anatomical capacity for language in the wandering of the sternum to confuse them with each other, not altering the structural or functional complexity. From the potential of the Lepidoptera and winged insects, the phenotype will arise that will relate and relativist the mechanics of the Aramaic or the Aramaic method, of not misplacing the tongue because it is divine, as well as divine and laryngeal torque of those who have Aramaic blood and body, since his mechanized mystique is to devour the smallest words with the maximums in a whole range of sounds of the field speaking of: "Come to my field here the spikes and insects will speak more than the mechanical potential of your Voice."

They continue through the field Ruth forming phonemes in small verses, which go hand in hand with the words and those that refer to them; They are settlements of those who do not speak only suggest the presence of Jeheová without being present, but if after being with his stomach satisfied, parodying the activities of the field with his poetry made reality in a poetic-hydric whole and of the transgenerationality of the ancient peoples who no longer speak .., "They only express their wisdom with agro-phrases of wheat ears and olives in all their songs."

After Walking through narrow cobbled streets, now they are full of character with the Bedouin fumaroles, it is like walking through a heart hungry for alkaloids and lipids; to tour its synagogues evoking an outstanding barrage of pilgrimages without knowing how much more they will have to accompany our steps. Jerusalem, the walls that protect it, are witnesses to many battles that have been fought "in the name of God." As well as the soil that speaks for itself. Without a doubt, the Mount of Olives can be seen from Jerusalem beautifully, but not in the same way the other way around. The trees, whose fruits contribute positively to the economy of the region, in addition to symbolizing strength, security, prosperity, give hope in the journey of history with the same thing that never tires of the same. The orchard or garden of Gethsemane, a name that refers to the olive presses that are used to extract and process the oil. According to the Gospels, the Lord came to Gethsemane with his disciples to spend some time in prayer. But, as the environment in Jerusalem was one of insecurity and high tension, due to the celebration of the Jewish Passover festival in a context of political and military occupation of the Roman Empire, Jesus, very saddened, began to feel anguish ... asserting himself from the branches each once felt an olive near his fingers.

Etréstles says: "All the physical, emotional and spiritual forces of Jesus, here are smelled digging into the organic tissue, experiences that go beyond the intellect ..., it is the own and unequivocal admissibility of military feet walking on the ground after their meditation and recollection. From today, when the lights in the shadows will fill the limits of the garden with ecology, the giant camels will have to graze when the atmospheres have to make the tribune grow grass on his evangelizing poetics, to have it for tomorrow in the dawn meditation. All the pros and cons will have to be lost with the guests prayers that will inhabit the spaces that human reason does not have to intervene”.

Meditation with the Cherubim, the hexagonal primogeniture and insects penetrating the divisions of time that the cessation of a breath is obtained and being able to offer with the imagination the inclemency of having everything just beginning. That is prayer; it begins cyclically and then returns to the beginning, without leaving us comforted to finish what does not enclose the lapse circle of the meditative circumambulation.

Apostle Saint John said: More than pain and worry, after praying, he regained his strength and courage to face life, with its troubles and betrayals, with courage, dignity and hope. But more than this atavistic-anthropological complex, it is the salvific integrity that the verb saves the verb, through the vibrational prayer of the sound and perception of the words, and more with the Aramaic sound that is narrowing like the streets of Jerusalem, to distinguish biases of praising essence in the elements of noise, almost to the harmonic limit of a sound perfecting in a psalm or parable, which emerges from its oropharyngeal movement, leaving without expiation the abrupt change towards Hebrew thought and doctrine, together with the external sound emancipating the perfect cacophony of its vibratory inner howl, beyond the ritual that satisfies our needs by having a Father. He sanctifies and purifies because it is life and the dawn of new land that lies in the garden of prayer, every time I have to get up is to take the Bible and look as in a whole interlocution for me prostrating, and every time I get up and that I speak with my father I am attentive to close myself to his dimension.

The food that returns and feeds back, is the blood provided with justice to inhabit the body that synthesizes its protein oratory. The food that you go there from a breeze and merriment, puts on the tables all its clothes to sit around, it is the lament that smells like seed that evaporates from the hands, it is the heat of the holy field. The food that speaks of inviting so many to sit next to us is the one who least thought he was lacking in love, and that he should not be prepared, being the one who would eat everything until he was satisfied, leaving nothing in the compote or yeast, because of he will persist the food that satisfies only for the one who has the excessive spirit of the famine of whom it can be satisfied. Gethsemane is a flowery field where Lepidoptera, drunk with angels, fly, who only have one mission; “Give food to those who owe the desire to eat and nothing else, because the rest that suggests it is abstention, and this will be procrastination of the verb, which ceases to create and endow even if it wants it, since all the support of life can cease at risk bread and wine more than a toast and cheers! Rather, it is due to the devotional nurtured circle of the action of lavishing the Son-Father circle, granting the establishment of hunger-satiety to forge genetic and paternal seeds to recirculate them in the procreation chain.

Eurydice speaks: “My body flames like a spike towards my beloved Joshua, I come from the mask of a ship. I went to Jerusalem to look for flowers, which pour out aromatic herbs to bring and bless their words tied at their feet. I was late and I have lost my way, unable to find my way back. I only saw that from afar some lights in the northern area of the orchard lit up like cycling olives exploding in the air in fireflies that swarmed next to the Lepidoptera ..., they guided me here. But I repeat, when I saw the lights I go back as a child in my distant Greece, with my Orpheus when I managed to sleep Cerberus near Lake Styx. But I reiterate ..., beyond the lights I have been able to see how the insects are weaving and concocting his words, my beloved Joshua, which the auditors will be able to help the square and interpret for many more than thousands of years, taking us with their pre-recipients that we they allow you to feel your voice and hear it as far away as if it were closer than the olive branch that caresses your face. But I reiterate, I never thought that I would get lost, I am even arriving as if it were the figurehead of the prow of my ship, I always wanted to be near a world of light from the Olive Tree of Barnea genetics like this one that has led me to meet it "

Eurydice heads to the holy place, when she approaches the Fireflies and Lepidoptera come out to collect her, she allied themselves to the twisted shadows of the olive trees sharpening in clear harmony with the mirror archetypes of the dark foliage, reflecting the green shadows on the wild fruits by the oleaginous branches that went towards the branches embracing with those of the olive tree or thorny thousand-year-old olive tree, procreating the sacredness and ancient magistracy, for Eurydice it was clear that in her nation whoever wounded or cut an olive tree had the penalty of exile, she knew that she was in the House of the Olives, were in transit to their maturation in the autumn months of the boreal hemisphere, with their raps decorating the wisdom of have it with a favorite daphnomancy or divination of Joshua's message with the olive tree, with its white petals like the apostle's cassock, becoming lumpy in its texture when the olive begins to be born emitting crucifixion howls.

Just eleven days, before the ekadashi of the full moon, the phenomenon of the beat occurred, which happens after a year of abundant olive harvest and another in which the harvest is small, here the change in nuances is evident and corrugated textures of the countenance of the olive trees, without it being possible to think that this phenomenon will necessarily occur biennially or triennially. It was suspected and it was known that the developing fruits would go in this event through their hormones and the substances that intervene in their growth acting as inhibitors of the differentiation of the buds, so many of them would change when they were transformed into a flower to do so in wood, and from this process it was deduced that the turn occurs when grass and gospel are needed. The actions destined to promote greater harvests in the years that correspond to load, by taking care of the planting of meditation, and the abandonment of it in the years of discharge that contributes even more to accentuate the failure in doubts of faith. Some varieties of olive trees are truer than others, so it can be assumed that a genetic component generates this phenomenon. On the other hand, there will be the Christian cultivation technique, reducing the amount of time, such as watering or early harvesting of the olive, stop the tables that need to have it on their tablecloth. In such a way, that this phenomenon will help together with the genetic phylogeny, to reinsert lost words expired from antiquity in the emanation of God's wisdom, through the universe acting as a great Drupe or peach, which will assimilate to be the amygdala that will allow to assent the sent vibrations when they connect with the plagued ground walked and retracted of the Messiah, bringing to his earth the words in Aramaic of the sacred salvation of his prosapia, word and surveying work; which will allow them to transfer some appropriate property of their spirit to Patmos when they return.

Says King David: “like the olive grove of Barne of old stone, it will serve us for the harvest in the morning, with its fat percentage it will help us to feed the Shemash fat in the new Sun to wield the winds that will curb the nocturnal mist of the waning moon. All of us as kings have been baptized with oil at our coronations, also coins traded in Kar, to pay their benefits, with the allegory of Yotam, in the Book of Judges to choose the king of trees ..., the olive tree refusing because it had to produce oil, in the menorah are the two tiny olive branches, but large ones are lighting up the great temple of life. Now we will need it, since the eleven days come before we rescind the cessation of Aramaic as a lost language, rather to reimpose it in the entity of its gesture-visual channel- and spaces of what it hears or hears in repeated aramic oropharyngeal systems and voices when lamenting in Hebrew cheerfully passages of the Torah, with the same meaning and channeling source of pentateuch. To recast him in the Barne species to transcend genetics, together with his phylogeny towards Katapausis and the monastic cell of St. John on Patmos with Vernarth. "

Eurydice kept giving atomic waterspouts of momentum at her feet, to soon reach Gethsemane. When she arrived, she saw how the cherubs were pruning the Olives next to the Hexagonal Birthright. Everyone was preparing for the festival of the olive tree in the Garden. She was nearing the end of King David's itchy speech among the Roses of Sharon, but on the cobblestones where a Cherub was replying to her, so that nothing would be wasted if she was heard by her figurehead ears. He arrives and carries the aromatic trans essences and flowers to begin with intuitive adoration for each barefoot step he took, each petal and particle of his essence revere the base of the invested Messiah, reaching the perfect triangulation of the acetoso balsamic and the thorns with flowered arámicos of this revival of the path of the Barne olive grove species, to initiate a night in which to rest with its pinches that it deposited when brooding between the eyebrows of the spiritual garrison that was stationed in Gethsemane.
Berne Aramaic Element
Breanna Smith May 2012
Sweetly does the rain
Sing against my window,
As it stirs the lavender
That caresses my nose,
Growing beneath my window as
My mother planted it there to do.
Wary do I grow of counting the
And cracks in my ever changing ceiling.
I try making out images instead of counting, Lacking creativity all I can see is

Dusk is capturing the world now and
The rain has finished it’s melody,
The insects and frogs
Take the stage and
Somewhere in the distance
Is the cry of a lone hawk,
Maybe feeling left out of the insects and frogs Choirs as,
He cries 
His sad

Pondering as to what the
Hawk’s story is
And as I ponder
I begin to hum
A soft melody keeping time
With the frogs and insects,
Maybe I am feeling left
Out like the hawk?

A breeze joins in,
String up the glories
Smell of lavender again
And cooling my face as it
Comes through the open window
I slowly drift
Londis Carpenter Sep 2010
When insects play
Do they hide and seek?
Do they close their eyes
And try not to peek?

Do they count to ten
By an old Oak tree?
Do they "Rally! Rally!
All's in free?"

When Insects play
Do they jump a rope?
Do they ride a sled
Down a snowy *****?

Do they ever play games
Like "Truth or Dare?"
Or run with scissors?
Or cut their own hair?

Do they walk on stilts?
Do they "Kick the Can?"
Do they build little castles
Made out of sand?

Do they play football?
Or fly a kite?
Do they chase fireflies
On a summer night?

Do they play the same
Sort of games we do?
do they go to the park?
Or to the zoo?

In the summer,
Outdoors in the sun,
I've watched the Insects
Have great fun.

I've watched them soaring
In the breeze.
Build tree houses
Made of leaves.

I've seen mud daubers
In the day
Making mud pies
Out of clay.

When at the pond
I've watched with glee
How certain beetles
Can water-ski.

And if you have never,
Ever seen
A young prince ant
Courting a queen,

Then you have missed
A wondrous sight--
As ants with wings
Take off in flight.

I would love to have
Some insect friends.
I would like to join
Their insect games.

And I would teach
Them games I play,
If I could be
As small as they!
copyright (c) 2002 by Londis Carpenter--all rights reserved
Valsa George Jun 2016
The afternoon was excessively humid
The earth seemed a seething hot furnace
Dark clouds were gathering overhead
Lightning drew florescent patterns in the sky
Thunder boomed and rumbled
A few sparse drops of water hit the window pane
The air grew dark, leaves shivered
Soon the rain pelted down in torrents
Drumming on the corrugated tin roofs

Spreading a dark curtain between the eye and the sky
It poured down in full fury for about an hour
In no time it flooded the ditches and hollows
But its might slackened and it vanished as quickly
As it had come, like a messenger on an urgent errand

The day was dying and I witnessed another rain
The rain of insects into the sequestered freedom of the night
Termites and white ants, sleeping in the hollows
Suddenly emerged from their lairs in thousands
Out of every crack and cranny, every fissure and hole
From under every boulder and brick
Winged termites emerged, fluttering about dreamily
Never knowing they were on their first and last flight
They all flew towards the bright light in the porch
But striking against the concrete ceiling
They fell down one by one, some losing their wings
And creeping on the floor, like wounded warriors
A quivering swarm of insects, a clumsily moving mass

This was the harvesting time for the geckos
In one and two, the lizards emerged from their hide
Flicking their tail, they stood ready for the catch
With their darting sticky tongue, they began
Devouring the insects, hastily cramming their stomachs
Until they could hold no more

When the insects began invading the inner space
I switched off all the lights and went to bed
The cool air and the sonorous but rhythmic chants of the frogs
Put my sleepy eyes into sound slumber
Early morning as I woke up
I saw the porch strewn with filmy wings of the termites
They lay like scattered chaff after the corn has been stored
Also some weak survivors, staggering to their end

I thought, to what bleak fate, the exodus of insects
Had taken off on their wings for their maiden flight!
The other day when it had rained after a dry spell and soon after the rain had stopped, I witnessed winged ants in thousands taking into the sky..... another rain!!
Silence Screamz Mar 2015
We are insects of our own demise
Scattering through the cracks in the pavement
Looking down with their bulging eyes
The giants await to squash our brains out
and crush our fragile bodies

The earth shakes with every black soul
We fear the evil that awaits
Decimated with no survivors
We are insects, no more!!
looking down at the lesser known of society, the people living on the streets and under the bridges, the trash can fires to keep them warm, what world awaits them as they try to survive
I breath in the misty air
The birds are chirping everywhere
I pass by a nearby stream
Where fishes looked a sparkling green
The waterfall sprays cold mist
Where Romeo and Juliet once kissed
The sun shines on the forest floor
While I eat an apple to its core
Insects fly and crawl around
A rainbow stone was also found
The leaves are green with big raindrops
They are as big as two gumdrops
The ground is wet and full of mud
The flowers are about to bud
A beautiful and gracious butterfly
It's wings the color of the sky
But now my trip is over
My souvenir is a four leaf clover
But what I will never forget
Are the animals and insects I met
This was my very first poem I had ever written. I wrote this in the 6th grade and it was this poem that made me realize that I loved writing poetry
Palace of the Camelids

The roosters of Persepolis crow again. Their disloyal resonances and deadly gloom came from seventy kilometers from the Iranian city of Shiraz in the province of Fars, near the place where the Pulwar River flows into the Kur (Kyrus). The Gallos ghosts came mounted on the houses of the twelve Giga Camels, the remaining six recovered. They were coming to retreat, to take the path to Jaffa. The House of Camels was started, as preservatives of the required immunity, in order to be in accordance with the sanitary ellipticals and adaptation to the departure of Judah. They were going to the semicircle of the Lepidoptera consorts united with the ghostly camels Giga and those of the Early Rising Roosters, who will give the first rank in the game of the Birthright, after seven weeks in Judah. Knowing that the phylogeny of animalia is of wide versatility, this super being of the desert  animalia, which will agree to the departure of all and the repatriation of the hexagonal Birthright, except King David who will enter the Celestial Cenotaph in Jerusalem, escorted by the Cherubs.

From Tel Gomel came the reverberations and voices of the last metallic rattles of the swords and the howls of the Macedonian infantry, colliding with each other with their pernicious weapons. While these screeches reverberate like an anvil falling in ninety degrees on the hail pieces of hope of the Achaemenids ..., and their families had to say goodbye to their family plains, as many already lost their cracked souls from inhaled mutilating curses. Today a miraculous event was to occur, a Dorus Hetairoi fell from the high sky, and it came flaming  with fire. And from the northwest side fell a Sarissa spear, which it intercepted in the vicinity adjacent to Joshua's stone, forming a neat Cross lit with the brightest star. It was nothing less than the vehement fire of Meshuva, which brought with it drops of water from the Jordan with the Image of the Baptist, to make the hierarchical gravitation on the pony of the Camels, which at this point had all the dominance of the plague of the ailments that could cause a great impact on the twelve camels, due to an endemic outbreak caused by some leprosy attacking the surroundings, carrying higher infections to those who ride them.

The scene was one of total rhetoric consonant with Tel Gomel, "Gaugamela Palace of the Camels." This paradox came to resent the reciprocity of magnificence of these camelids in the perfect analogy with Gethsemane, for this purpose of agreeing with The Ghosts of Shiraz, shortly before the great battle of Gaugamela began in 332 BC.  equating the lands arranged before the planted areas where these divine species continued to bring the sensitized sense of war around turned into battering rams of mustangs passing through the auscultated portals of the Orchard in agony of interplay.

Over the soft roar of Tel Gomel, maidens in white tulle with half-crossed dresses came, serene and chaste from the plain of the Palace of India; they were the wives who married the commanders of Alexander the Great. They were from the war lineage that also came to concelebrate the farewell to the Animalia and the Hexagonal Birthright. Today the seven miracles are brought together in a perfect line of the apeiron, which of all things, is identifying this first principle with the "indefinite" or "unlimited." Considering that the constitutive principle of things was the apeiron, which is not water, nor earth, nor fire, nor air; it has no concrete form, it is infinite. The cosmos is born, develops and perishes within that "apeiron" in Gethsemane.

This existential infinity of the principles of the world is born from this feat in Gethsemane. Affirming that only this immaterial element or any other of the so-called elements, will bring the apeiron nature of the Garden in flames of sisel love doves, from which all the heavens and the worlds that are in them are generated in Gethsemane renewed towards the infinity of Joshua's love. Now, from where there is rebirth for things, there is also reconstructive destruction, creating needs; that in effect, they repay each other by blaming and retributing for their injustice, according to the disposition of the time, thus speaking of these things in rather poetic terms, these maidens come in their flocked chariots of Sisellas feathers from Tel Gomel, for the blessed that he bathes the subsoil of Tel Gomel and Bumodos, among the cosmic flushes of the Apeiron of the Messiah beyond its origin in the Kafersuseh (many births under a great single multivalent spirit, among thousands of origin stables of Dimensional Beam powers, where I love her sir venerates from the trapeze hung from beam to beam. The fireflies, Bumblebees, Bees and Wasps resemble the profiles of the hollows and hills that were hidden before the figure of this entire nascent profane world, but grandiloquent to migrate and wear the engineering of the large beams that support the structural sky, predominantly on the horizontal and its bending. The World after decompressing dragged the orographic linear cords of Gethsemane, puncturing the cords of the rocks and their average messianic lithosphere, in this way the inertia was opened twisting towards the rock, gathered a set of guidelines that distilled from later moments and adaptation of the inertia to adapt with the Aramaic dynamics emerging from the mouth of all Bern olive trees after yawning and trapped dust silt.

Vernarth says: "With my Xifos I will restore life beyond the burning of wounds, come worms to snack on your Hoplite meats, come now ..." I am Hetairoi ... "and I usually die several times over the worst pains in the jaws of ambrosia with Hestia, but I do not tolerate others suffering pain beyond my control. In the minutes that the wind horns besiege, the jailer's living Garden will be freed from us, which leads him constrained to unleash the insidious and opaque spheres of isolation that deprives knowledge even when he is drunk on death itself and not attentive to it. that blooms on the thorns full of Saracen alcohol "

On gigantic dimensions the insects copulate  the shadows directed on the shadows of the Camels Gigas, thus beginning the departure of the Aramico Huerto, converted into the new palace of the animalia, but containing the airs of pollen on each particle of the concretions of the Mashiach. , now on the platform of the Palace of the Camelids and on the holy hummus of the Garden of Gethsemane.

The Apostle Saint John says: "anguish urges to go to the other side of memory and have to look at other tree species with water from the universe that irrigates the world the swamp" ... Petrobus appears sitting on his golden cloud with Raeder...
Raeder says: “I will go with miraculous airs, and terrified themselves of our own miracles, bathed in the water of the stream and from the head of Petrobus we will go dispensing water where there is none, but he has no memory only the instinct of who need. That is why I have to hang on his jade rings that his webbed legs carry. Now is the time to continue somewhere in the line of the twelve camels after these seven weeks in Judah”

Eurydice intervenes: “I will climb on the camels and talk with them about why the line that leads us will never separate from Gethsemane. We know that we have to return from Jaffa to Limassol to remove the Mariano gold medallion, which was bathed in the background, and that Procoro awaits us immersed in the aroma of the Orchard. I keep a crack in my heart where a Berne Olivo tree grows, and that from its shoots that come, will populate the houses of Skalá and the heights of Patmos”

King David: “I will proclaim on the baptismal airs, and that the ghosts of Shiraz will raise Olivos from the columns of the avenues of Bern, to raise the columns of passageways that lead to the heights of Agamemnon creating the kingdom of Mycenae in the mythology that propitiated the sovereignty of all Argos. This is suddenly ingested in the triad of the Hebrew, Aramaic and Hellenic worldview, to triumph over the excess of external knowledge that they had of it and it will have to be kept in my cenotaph full of wandering aromatic insects”

Etréstles states: “the emanations of the Sun and the progression of other suns will always be the adjective that will make us be part of each particle of land here in El Huerto, Messolonghi, Limassol, Rhodes and Patmos. Wherever I have ever been, the lashes of my eyes have closed completely enough to keep them semi open until the encounter of new lights that protect those of an anonymous dawn with them closed.

Also after this episode, Campaspe, one of Alexander the Great's concubines, appears. She came in the name of all the maidens and concubines who were betrothed to their commanders in India. The beauty of this noble woman is renowned.

Campaspe says: “We were all going to be Sovereigns, but the face of death was always in front of the Commanders of Alexander the Great. The outfits we wore were only black and scents of Palacios de Guagamela. The cold that comes from another leads me to possess those of others that are not what brings me here. I was delivered to the hands of a painter who portrayed me, but the true meaning of the warm mustard lands of Gaugamela are in the din of the wasteland pleasure of the solitude of the spaces, there is no more striking and curative good, than the one that has come from Vernarth to Tel Gomel, paraphrasing as the sensuality of sadness that continues to manifest itself here in the floating ungulate hands of the ghosts of Shiraz, bringing to the greater confusion of uniting all the forces of the world, for all the blood that has not been emancipated or renamed "

The gray haze of the Orchard mourns on gomorresin, the insects moan the evidence of the triangulated pollen that Campaspe spreads in her nascent genome, and the twelve camels begin to turn on themselves, along with their long and prolonged snoring. The slopes snort in the sound of procreation in the whistles of the fresh air, disputing the borders of the Bern Olive Trees that ebb the elongated bands of their white dresses, stripping. The Mashiach was leaving between the gray fringes of naked nubile. The insects continued to come out of the caves of previous character of Golgotha, and the Lepidoptera voices emitted voices in ancient Aramaic, similar to the event of Bethany in the hands of Lazarus contracted to immortalities in the shreds of his shroud, turning green in the olive trees reared in a epitaph never chanted.
Gethsemane became a mezzanine scale of Persian architecture, but of a channel of affront of a high measured premium, Mashiach on each of the four wings of the Lepidoptera and the Cherubim, frolicking in the jelly of the phrases exuded by the aerial rounds of insects that were compressing the new cycle of language, together with the overflowing candle of pearlescent matches running through the scrawny flannels of the goodbye of the Mashiach united in the foamy saliva of the Olive Tree and in the dominant beam of Kafersesuh.

Vernarth and the Apostle close their eyes already mounted on the camelids, they take a slow walk on the mezzanine that suggested walking through rocks and desert lands. All were already mounted on each of the Giga camels, leaving Gethsemane flooded with insects, birds and blades clouds of pollen on the fumaroles of the quantum.
Gaugamela Palace of the Camelids CHP
Even with insects--
some can sing,
some can't.
Q Apr 2013
I wake as your  friend                                     You wake as my lover
I speak as your lover                                       You speak as my friend
I act as your possession                                   You are my possesion
I rebel as your cover                                        A means to an end
I hurt for your compassion                             You live for my acceptance
I injure for your respect                                  Though it's never been withheld
I confide for your emotion                              You crave my direction
I give and you collect                                      Never will you rebel

This is madness                                               This is Sparta
This is insanity                                                This is the price of exellence
I can't be everything for you                          I am your everything
You can't be everything for me                     I am magnificence
You treat everyone the same                         I am fair and righteous
As a friend, yet as a lover                              And yet you seek more
And it's a cruel, cruel game                          Dare you grow capricious
From your twisted love, no one recovers     You'll become one I abhor

I am done                                                       You are confused
(I am never done)                                          And I will not calm you
I am sick                                                        As I am amused
(But I'm not tired)                                         As I drop little clues  
I will run                                                        You'l­l never leave me
(I won't run)                                                  But I'll abandon you
Because I love you                                        You'll always need me
(A better word is 'desire')                             And I'll never need you

Let me go!                                                    My grip is vice-like
(But you're not holding me)                       I'm not ready to let you go
Bring me back!                                            If I lose you, 'my dear'
(But I never left)                                          I must find yet another 'beau'
Love me only!                                             And I've not the time to put effort
(But you love equally)                               In little minions like you
Push me away!                                          I've not a care to give for
(Or bridge this rift)                                    You insects I never knew

Please, disappear                                       I am your torture
One day you'll understand                      But I am your salvation
That the twisted way you love                 I am your executioner
Could coax death from any human        And I am your redemption
Please, disappear!                                     You'll wish me dead forever
Though I'll weep when you're gone        You'll wish me dead I know
I know sanity will return                          And you'll wish yourself deader
And I'll eventually move on.                    *When away I finally go.
Auroleus Aug 2012
sometimes I find myself staring at the ground for long periods of time…
some people think I'm depressed...
perhaps I am...
but there are quite a lot of insects down there.
most people never take notice as they're constantly consumed
with their own lives...
the upward glancers... the straight-forward perceptionists.
I wonder if insects ever get depressed
because we're
stepping on them...
ConnectHook Nov 2015

Your beaded snakeskin loincloth

strung beneath humid palms

cool rippling breeze that calms

our hammock hung under thatch

what a catch . . .

your Amazons running into my Congo

lost track of my bongo

back about one mile

from the sources of the Nile:

your jungle smile.

Restoring all celestial things

deep within your tropical clearings . . .

flowing slowly, going loco

at the mythic mouth of the Orinico;

shake your nut-brown biospheres

and banish all my worldly fears.

Dusk is nearing — clearing the hill

insects trilling a sinuous thrill;

the yuca half-mashed in the clay ***

the witch doctor hungover in his hut

while our little fire smolders

near the mountains of the moon

—or are they only boulders?

Come soon

Jesus, Lord of the Jungle . . .
NOTES: ♪♪♫♪♪♫♫
Stephen E Yocum Nov 2013
In ’68 Hutch and me,
Sitting at the bar drinking
Our third cold beer.
In a semi Fern Bar
Laguna or Newport Beach
Which now, I’m not sure.
It was around nine or so,
A week day night,
The place more empty than not.

She came in alone, made
Entry like the dramatic host of
A TV show. As if she were the
Center piece on the nations
Thanksgiving Dinner Table.
Over dressed to the nines,
Lots of color, heavy make up
She didn’t really need.

Her perfume scent hovered
Around her like a cloud of insects  
On a hot summer night in a wet meadow.
Kind of made my eyes water up.

She perched daintily like a dancer,
Upon a bar stool,
Three empty stools down,
Nodded the bartender her regular order.
A martini, a double it was,
With but a dab of vermouth.
One green olive on a stick.
The glass was prechilled as if
It had been waiting only for her.
She pounded that first one down,
As if the stem wear was a shot glass.
Another full stem glass appeared,
That one also quickly consumed
Two bright red lipstick stains all that
Remained in or on the stemmed glass rim.

Her main task accomplished,
She audibly exhaled,
As if tired or relieved.
I couldn't tell which.
Turned around on her stool to face
Hutch sitting closest to her.
“You boys Marines.” She declared,
More than inquired.
The close chopped hair cuts
giving us away.

Hutch just nodded, he never did say much.
A ****** just back from The Nam,
A dark scary guy of few words.

She opened her fur trimmed cloth coat,
exposing two very nice stocking clad legs,
And just a quick flash of red underpants.
Rotating towards us so we got a better shot.

She announced her name,
like as if we should know it.
Our blank stares informed her we didn’t.
Her face was to me, somewhat familiar.  
From movies in the 40s or 50s.
We were early 20 guys, she much older,
Trying hard to look younger, not succeeding.

Soon she was sitting right next to Hutch,
Two more Martini stems had come and gone,
Her lipstick finger prints upon them.
And still Hutch had not spoken more than
Three or four words.

She bought us a pitcher of brew,
Hutch grunted a short bit of gratitude.
We didn't have to say much, she was in charge.
It was all about her, she rambled on and on
Speaking volumes saying not much at all.
Beating back her crushing obscurity,
With flowery reminiscence recall,
Of glory days, long gone away.
Important for the moment, if only to her.
It was all; “me and I, I did this, I was that,
I slept with him,
And him and him”.
How about so and so?  I asked,
“No Darling not him, he was gay!
Still is.”

It was not long and she was touching Hutch.
On the hand, the shoulder, she was working him
With languid hungry looks from her big baby blues,
And the message could not have been plainer,
Had she held up a large hand lettered sign.

I don’t believe she was a “Working Girl”,
Just someone very lonely seeking to find
Herself, and some company for the night,
All to prove that she was still alive.

Looking at her, I could only think,
How sad and pathetic she seemed,
How desperate her plight.
To humble herself so,
In that dingy bar, among strangers
She did not know, Acting yet, still
On the only stage she could find,
Staring in her own bad ‘B’ movie drama.
In that dingy smelly bar.

Hutch and her left after a hour or so,
He never told me much about it.
He was unofficially AWOL for three days.
I covered for him, kept his name off the
Missing Morning Formation Reports
and the Daily Duty Lists.
No one cared to check. Our unit made up
Of mostly guys back from the war,
A pretty loosey-goosey outfit.

Once in a while now I see an old movie,
most are Black and white, Film Noir stuff,
And there she is, a much younger her,
Looking pretty **** good,
Not real big roles they were,
Claimed she was in the chorus
Of "Singing In The Rain" in '52.
To this, I can not attest,
watched that film several times,
But I never saw her there.

Had parts Playing damsels in distress,
A mobster’s gun moll a time or two,
Or unhappy Play Girls on a bar stool.
I guess it was type casting that done her in.
Or maybe she got a little too long in the tooth..
A sad ending to a short B movie career.
Life ain’t easy, even for a so called “movie star”.
Fame is not all it’s cracked up to be.
A smattering of fame, apparently worth,
Nothing at all.
True stuff from an old guys past.
She had called the Company Office
once or twice, looking for Hutch.
He told us to tell her that he had
been Shipped Out, when he actually

She no doubt found someone else to
tell her story to.

I saw that woman the other day on TV,
an old film on Turner Classic Movies
doing her thing. I sort of wonder what
ever  happened to her, but refuse to
Google it to find out.
Some information you don't need
or what to know.
It did inspire this little Poem Noir write.

Got a letter from Hutch in '70, we were
both out of the Corps. He was headed to
the Arabian Desert as a hired gun, to guard
some pipe line operation. Have no idea what
became of him after that. Hutch was a real hard
case, 14 confirmed kills through a ****** sight.
I hope he made it out of the desert all right,
maybe sitting on a beach someplace recalling
his back in the day three nights with a once
upon a time B movie star. Actually I doubt he
recalls her at all.
Coop Lee Jun 2014
to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.


the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
out here. loves out here.

the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.
Dead Rose One Jun 2015
Lush is the quietude
of the late Saturday afternoon,
rich are the silencing sounds,
as variegated as the shades of greens
of a man-seeded, nature-patchworked lawn

rays reveal some bright,
some yellowed spots,
all a potent color palette

resting worry wearied eyes,
untroubled by the gentle fading light's illumination,
that soon will disappear and seal officially,
another week gone by

the lawn,
acting as an ceiling acoustic tile,
absorbing and reflecting
the varied din of disharmonious
natural sounds orchestrated,
an ever present reminder
     that true quiet
is not the absence of noise

I hear
the chill in the air,
insects debating vociferously
their Saturday evening plans,
the waves broom-swishing beach debris,
pretending to be young parents
putting away the children's toys for the eve

the birds speak in Babel multitudes of tongues,
chirps, whistles, clicks and clacks,
then going strangely silent as if all were
praying collectively the afternoon sabbath service,
with an intensity of the silent devotion

this moment, i cannot
well enough communicate,
this trump of light absolutes,
and animal maybes,
that are visually and aurally
presented  in a living surround sound screen,
Dolby, of course,
all a plot of
ease and gentility,
in toto,
sweet serenity

here to cease,
no more tinkering,
leave well enough,
plenty well enough
for Sally and Rebecca, who love the lushness best....

JUNE 2015
Mateuš Conrad Apr 2019
.you can never really write any poetry by not covering the "heartbreak" the loss of your own "printed" words: how much different is the internet, from "real" life? just asking... since: internet banking & internet shopping... to lose a poem / pre-scriptum is not exactly the same as losing a person to mind: father's day... i cooked the dinner, i took out the trash, i wrote an invoice... i guess that's much better than leaving a card of greetings... and, come to think of it? why are we the sort of people subjugated to nostalgia, with but also "without" a history? aren't we subjugated to nostalgia and a history as a "fiction"? the beginning of the 21st century, the end of the 20th century... the 19th century germans associated themselves with a nostalgia for ancient greece, we're the only people who have an inbuilt nostalgia "safety-mechanism"... the only people in time who are nostalgic about the life surrounding their own existence slot, which doesn't have a trans-temporal dynamic... i remember times when we would be teenagers... spitting on people from car-parks on imaginary tonsures, buying *****-magazines from indian cornershops, or belgian freebies of non-insinuations, white lightning cider while sleeping over at youth centers playing snooker throughout the night... even at school: attending a catholic school with the irish east enders... uniforms, sure... a chequered shirt: blue, red, white... tag? made in canada... and if only capitalism worked as it once did, made in canada? lifetime of a shirt? 20 years... now? made in china... not exactly real cotton, is it? 2 years... before ironing the shirt *****... once upon in gants hill, st. valentine's park, and the pub, recently closed, decent karaoke... in the park? golf, basketball, rowing boats in the large ponds... when the jews were there... gants hill roundabout... the hanukkah torches... jews scuttling wearing trainers come rosh hashanah: jews can't wear leather on rosh hashanah (judgement day)... shy like rats... when the jews were there (gants hill, ilford)... the park looked great... tennis courts... now, when neo-Bangladesh moved in? ****** place. what else do i remember from my original pre-scriptum that i lost? oh, that once time in gants hill... walking into a kosher bakery with ****** knuckles, having tested them on a canvas of a brick wall, buying some dough-fused-sweets? with the girl selling the sweets bewildered by fear? i like the look of fear in people when tested by uncertainty, and bleeding knuckles? later? climbing over the park fence, taking a **** while squatting in the darkened palace of the park, walking into a brothel, having my wallet stolen, not reacting in what would have been justified... high school... we wore uniforms... so no high school h'american culture trap / culture... school uniforms are the best idea, there's no chance to "shine" in telling apart the rich kids from the poor kids... there's only the standard... walking to a supermarket, past a thai surprise... sports bra, short hair... walking back... she's still there pretending to talk on her mobile to someone... you take her home with a few beers... play her some jazz... take her into the garden, the moon is a beauty... you **** her... hand in her underwear and you're still gambling... before the emergence of the nag hammadi library and the whole androgynous vogue, the thai were already readied with the lady-boys... when i reached in and found nothing but oyster... would i have stopped finding a wink-wink slouching worm? slap a trans in the face? no, not really... a thai surprise is, a thai surprise... i would have considered doing my first ****... "lucky" for me she was a she... a girl... ****** her in the garden under the moonlight... gave her my hoodie, which she drowned in... finally... the level of interaction where the female is not a mantis, i.e. a female larger than the male... she drowned into my hoodie as i walked her home... i like the familiarity with the mammalian, not resorting to insect superiority of females... these days... i find that males are strictly mammalian... while females? they are borrowing insect-esque ontologies... well, darwinism allowed the time-frame... males are mammals... females are insects, behaviour-wise... two time frame i do not appreciate the english for... darwinism is prime.... cultural-marxism my ***... what about cultural-darwinism?! no?! that doesn't exist?! cultural-darwinism is as real as cultural-marxism, and, in the former sense? it really does belong to the conservative right-wing politico spectrum! might i add? isn't psychology merely pop philosophy? i find psychology riddled with rubric cohesion, it's all oh so "self"-evident! i abhor psychologists... these gypsy philosophers... medicine-men with no pharmacological shadow of power... to prescribe drugs... arguments, persuasions, but no dialectics... psychology will forever be, for me, a philosophy primer, short-cut... pop philosophy... psychologists can treat people who have never read a philosophy book... r. d. laing... i remember this one instace... me and a fwend of mine travelled into central london, went into a bookshop shy of trafalgar sq., i spotted an edition of: the scarlet and the black by stendhal... i told him: i will trade you linkin park's debut album, if you buy me this... the transaction was made... the one book i read after seeing a film adaptation starring rachel (rakhel) weisz and ewan mcgregor... ra-kh-el: not ray-chel... we used to be humans once... at high school getting bullied back... putting pins on chairs once we got up, sitting on them... playing bulldog in primary school, slap-ball, tag, playing cards at lunchtime... 16 fatty boy... one summer in poland, comes back aged 17... the irish girls take an interest while eating a pomegranate... what was the success of your diet? don't go to the gym... excess skin, an aesthetic surgeon is not what you need... there are only two ways to lose weight... either via swimming or by cycling... cycling is the best... lose weight by also toning your body... gym is a bad idea... by going to the gym you are straining exclusive parts of your body, either the torso, your hands, etc., jogging? unless on soft ground, bad idea on concrete, arthritis... cycling or swimming... lose weight... tone at the same time, the skin is allowed the required time to adapt to shrink, and forget what propped it up in plump form with all that excess flab... ugh... i hated being attractive to the opposite ***, i never used it to my advantage! imagine... an irish lad comes up to me, on behalf of some girl while i'm donning a french braid: you look just like johnny depp in blow, impersonating george jung... 14 year old girls walk up to you asking what shampoo you're using... herbal essences... i never used my looks... *******... now i'm a heavy drinker... so much for looks... first girlfriend? a fwend had to call me telling me she called him that she felt butterflies when i dropped her at the train platform after a day's worth of dating: tate modern, edward hopper exhibitions, cinema: troy, starring rose byrne (briseis) - honestly, a man can go crazy over curly hair... and then a restaurant date... that **** just flew over my head... i wouldn't have noticed... honestly though... i missed the whole h'american cultural excavation genesis in high school... catholic... uniforms... jesuit army-esque formation... now, i'm ageing... i'm starting to find the company of cats to be: clingy... my shadow included... i once thought that dogs were needy... i'm starting to think that cats are worse, esp. the maine **** breed... "lonely" or "loneliness" doesn't really resonate with me, esp. when thinking something "feels" like a variation of claustrophobia: hence i write... without a dialectic in place, ever since plato wrote his dialogues... what is philosophy, primarily? isn't it an off-shoot of "claustrophobia"? we write because we are seeking escape from congested thinking, a variation of "claustrophobia"... now imagine a schizoid character... having to focus on an imaginary dialectic, actually... having dialectics enforced on him, with no clarifying exodus to posit a gensis with! now, a clingy dog i could understand, given the overpowering status of the leash... but a clingy cat, when there's no leash involved?! shoom! right over my head... gone, somewhere into the distance!

what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
   that **** go down well
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
              and then...
whatever that happened,
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
or... some other random ****
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
   **** me... that's just bad

    plenty of staged
eager nights...
boring political affairs...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
                           that's all it is...
whether war robots,
    or dawn of titans...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
you can't actually get better
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions hype...
and didn't?
and instead took to patience?
it's free...
   where once,
a game would cost you 20 quid,
and a month's worth
of narrative,
back then, when games
resembled books,
when the gaming industry
was heavily influenced
by literature...
and now?
   the game's free...
it's "unfair", it's biased...
when you don't engage
in imported gambling
of succumbing to what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
   that **** go down well
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
              and then...
whatever that happened,
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
or... some other random ****
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
   **** me... that's just bad

    plenty of staged
eager nights...
boring political affairs...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
                           that's all it is...
whether war robots,
    or dawn of titans...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
you can't actually get better
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions...
       and didn't have the chance...
microtransactions are like
the old school cheat hacks...
but not quiet, but somehow quasi-,
       a modern microtransactions,
would be a cheat magazine
a game like final fantasy VII...
you have homework,
but you still want to complete the game...
modern games...
modern games...
there's an "end gole"?
  what modern game is worth
   again: tron, ready player one,
back to the future...
star wars just became dead
to me...
   sick people will plague hard-working
people, with a quasi-gambling
needing to make microtransactions...
and they will,
my father was plagued by
an impostor, claiming to be a
tax office official:
and what if, that person had
an authentic position at the tax office?!

when gaming was for gamers,
the games were bought...
there was a narrative...
but now... now games don't have a narrative...
why would they?!
   who the hell plays games for
the narrative these days?
i know that on the crapper,
i need a game that allows me
to experience live-stream
interaction with non-bots...

       and these old gamers,
who still invest their money
in literature-esque-games?
so i was the sad one,
investing in vinyl?
   aren't the classic ******* gamers
just as bad,
investing in prepackaged
narrative gaming
             a game with a narrative...
yeah... me buying vinyl
is: b'ah b'ah bad...
       what sort of game is alive and well...
when there isn't a crowd pushback
for the currency of microtransaction?

the narrative is time,
   the longer you endure the inadequacy...
the more you realise:
you're basically playing
the same game,
but in your scenario:
it's free...
   in some other ******'s scenario:
it cost him 70 hundred quid...

   i love this microtransaction dynamic...
concerning the people who
do not engage with it...
it's the perfect antithesis
   of what ruined the music industry
with genesis: napster...

you really are, playing the ultimate
         the one sort of commodity
that games,
without a clear narrative construct,
"forgot" to mention in terms
of them being exploited...
to their full capacity
of the one "commodity"
they "forgot", or rather,
couldn't "sell"...

              a tenchu PS1 game could
have lasted me a month...
now? a free game,
like war robots...
with absolutely no NPC?
hell... i'll be 90 and still be playing it;

what else? applause!
Savio Apr 2013
She works at the Flower Shop
selling Roses to the young boys
selling Lilies to widow'd women
white ones
red ones
purple ones
orange ones
She works at the Flower Shop
Clipping the stems of the Lilac
Sweeping the Flower Shops hard wood floor
Insects with wings get inside of the Flower Shop
Insects with wings hide in the openings of the flowers
She listens too the small radio
Attached to the wall
That is painted white
This color
This hue
This brand of Light
Does not compliment her complexion
The Flower Shop's painted white walls are too compliment the complexion of the flowers
Their colors
Their height
Their thickness
Their meaningfulness
The Radio attached to the wall plays Beethoven
The Flower Shop is full of
and White Painted Walls
and a Girl
Who waters the flowers
Who goes outside to smoke her 100's
Who sees the Flowers die
Rust brown and gray
bending towards the ground
The Flower Shop Girl
Shooting up ******
While Laying on the
Flower Shop's hardwood floor
freshly swept
next to the Amaranthine flower
filled with insects

Sonata No.14
Movement No.3
L B Aug 2018
Near to breaking
by her burden
of fruit, swollen with seed
In that thrashing by wind
Bearing down on the sun
in her labor—
of  Need
to bear
the pain
to bring
her yield
to his hands—
her harvest
of warm juicy softness

the upright
reach of untouchable spring
When stems, stern and smooth
wore a lace-beaded bodice of bloom
of coral chiffon
First leaves
a scarf
with a fringe of lime green
wrapping her gifted and lean
to the buzzing

She was lighter than dew
to the amateur insects
smeared with her

Her only accessory--
a robin
They had left
as evidence
they had ravaged
its song

Now broken and leaking
more damage endured  
Ripe fruit in rough hands
He leans against limbs
by his weight sternly pressed  
so suffused in the fragrance
of peach intoxicants
which he will have--

He is lost to his lust
He is forcing his need
into another year's beauty

asserting his claim over and over again
of that lost and ancient bounty
Many edits 8-16-18.
Silent Sanctuary Jul 2016
As insecure toddlers, we were often told by our parents that inner beauty is more important than outer beauty. This is how they were able to instill in us the confidence we may have today, whenever we represent ourselves in front of other people. However, this is something I find to be quite inaccurate.  If you ask a random person about what they find beautiful and attractive, most of them would probably begin to describe a person’s physical attributes than the internal attributes.

Beauty is defined to be the perfect balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. Since the attraction is subjective, the term “beauty is in the eye of the beholder” takes place. Many individuals would like to believe that looks are never important, and that judgments should be based on a person’s internal well-being instead of its outer counterparts.

In our modern society, external beauty is more favorable since everything becomes more convenient, than when you only have internal beauty. People will always see your external beauty the moment they see you and not that beautiful mind and soul of yours, and that’s what makes them attracted to you. Just like with expensive cars, the moment a car is put into the market, the consumer who will buy them would first look at their exterior first before they would look for its driving ability; no matter how good its performance may be, these people would always look at its exterior. Also, external beauty can help you be successful, it can land you jobs, earn more money, and help you be treated with more respect by strangers than those with internal beauty.

The preference for external beauty than internal beauty is what is wrong in our current society. We live up to the evolved norms of society that we have started to grow backwards. Outer beauty fades, and no matter how beautiful you are on the outside, once people get to know you, you’d be nothing but a simple less attractive human being than you once were. I would leave a wonderful quote here written by a great author: “A tree may look as beautiful as ever; but when you notice the insects infesting it, and the tips of the branches that are brown from disease, even the trunk seems to lose some of its magnificence.”
Big Virge Oct 2014
One ... Must show ...
.... " Composure " ....
when facing ... " Exposure " ...
to ... Ignorant Heads ... !!!!! ...
"Showing" ... Disrespect ... !!!!!!

Like those ...
QUICK to run ...
Their ... "jealous" ... gums ...
who ... ACT ... as though ...
They Fear ... NO FOE ... !!!!!!!

There's ... ALWAYS ONE ... !!!!!
who will ... succumb ...
to ... Provoking You ...
through ... " Shady Moves !!! " ...

The ... Type of Fool ...
who can't deal with ....

... " Truth " ... !?!

and runs ... A Show ...
that is .... " A Joke " ....
because their ... flow ...

..... Through .....
Speech ... or ... Prose
is ... Nothing More ...
than ... WEAK and Flawed ... !!!!!

The type ... who lick ...

******* ... ******* ... !!!!!!!!!!!!!!!

A **** Type ....
" Neo-Fascist " ....
who keeps ... His ...

.... " ******* " ....
CLOSE TO HIM .... !!!!!

Just like .... George ...
and .... Mr. Blair ....

These ... "Evil Types" ...
are ... " Everywhere " ... !!!!!

Offering ... Bribes ...
to ... Dummies Inclined ...
to ... " Towing Their Line ?!? " ...
of ... " Corrupted Designs ! " ...

They're ...

Greasy .... Slimy ....
Sneaky ... and ...  Grimy ... !!!!!

The type ... whose death ...
Won't Be ... " Untimely " ... !!!!!

" What's Wrong ... with them ?!? "

Well clearly, they ....
Have got ... PROBLEMS ... !!!!!

Some ...
Try To ... IMPRESS ...
through their  ....
Use of ..... Text .....
when they should ... accept ...

that their prose ... is ...

.... " Worthless " .... !!!!!

"Classic" .... FOOLS ....
who make ... Wrong Moves ... !!!!!

Just to ... make you ...
Lose your ... cool ... !!!!!

When ... dealing with them ...
" Composure's " ... The Tool ...
that makes them start to ...

..... " Hurl Abuse " ..... !!!!!

and ... continue ...
to break the ... RULES ... !!!

" The Rules " ... of ...
....... The Game .......

that ... CLEARLY ... State ... !!!

RESPECT ... is ... EARNED ... !!!!!
NOT ... Taken ... OKAY ... !!!!!!!!!!!

These FOOLS ... can't take ...

" Truthful Wordplay " ....

So they .....
Choose to display

" Aggressive Traits " ... !!!

when clearly ... They ...
should ... Know Their Place ... !!!!!

Watching those ....
who ... COMMAND ... The Stage ...
with ... Ease ... Composure ...
and .... Such Grace ...

That ...
WHATEVER ... They Say ... !!!?!!!
Leaves ... Them ...

..... Upstaged ..... !!!!!!

" Jealous Ingrates " ....

who think ... because ...
You've ... Walked ... AWAY ...
that ... You're ... AFRAID ...

which is .... Ofcourse ....
Their ... First Mistake ... !!!!!

There's .....
ALWAYS ONE ... !!!!
who is ... So Dumb ... !!!
that their own actions ...
Leave them .... STUNG .... !!!!!!!
and in .... The End ....
cause them ... Problems ... !!!!!!!!

If they were .... " Clever " ....
They'd use ... Their Heads ... !!!
and use ... Their Pens ...
to prove that they're ... " BETTER " ...
than ... " Butting Heads " ... !!!!!! ...

But .....
They choose to ... REJECT ...
Butting ... " Intellects " ...
cos' ... They KNOW ...
that's a ... " Test " ...
that's ... BEYOND ... Their Best ... !!!!!

That figures .......

" Oh Yes " ... !!!!!

because they're ... " INEPT " ...

So they ... Choose to ...
Make ... THREATS ... !!!!!
as well as ... " Disrespect " ... ?!!!?
... " Respected Poets ! " ...
who they know ... write poems ...

Waaaayyyy ABOVE ... !!!!!!

Their attempts .... !!!

They think that they ....
are ... WINNERS ... !!!!!!!!!

When ... CLEARLY ... they ...
are ... SINNERS ... !!!!!!
who are ... Absolute ...
....... BEGINNERS ....... !!!!!

Who ...
NEED to ... Learn ...

to ... SIMMER ... down ... !!!

It's Not ... Their fault ...
that they ... are ... " CLOWNS " ... !!!

But .....
Threats of .... ASSAULT ....
May ... bring them ... DOWN ... !!!!!!

So ....
REMEMBER ... These Words ... !!!!!

They're ... WELL OBSERVED ... !!!!!

Their ... IGNORANCE ...
has ... NO DEFENCE ...
and just ... CONFIRMS ...

Their Lack .....
of ... " Depth " ... !!!

Their ... ARROGANCE ...
Drowns ... " Common Sense " ...

which ... In the ... END ...
They may .... REGRET .... !!!!!

Their movements ...
....... " SMELL " ...... !!!!!!!!!!

of ..... " Jealousy " .....
because they ... write ...


That ... SHUNS Truth ...
and ... " REALITY " ... ?!!!?

It seems ... " The Truth " ...
Hurts Fools ... like ... THEM ...

..... " Therefore " .....
... " Their School " ...

is one for people ...
with ... " PROBLEMS " ... !!!!!

So .....
Now ... This Piece ...
has reached ......

It's ... " Closure " ...

The Moral ... is ...

when dealing with ...

" Human Insects " ...

Don't get ... TENSE ... !!!

If they choose ta ...
... " Taunt Ya " ...

Ignore them ... YES ...

and show .....

.... " Composure " ....
I'd suggest, A PRICELESS ... commodity ...
Right about NOW !
XIII Aug 2014
Every fear is fear from getting hurt.

We fear to love, afraid of rejection and getting hurt.
We fear height because we're afraid of falling and getting hurt.
We fear darkness because of what's probably in there that might hurt us.
We fear certain insects or animals because they might bite and hurt us.

We fear fears because we fear from getting hurt.
Now I don't know what "fear" is because of all those "fear" words in my poem.
A P Taylor Jul 2015
..                                                       For as flying.        
                                                 ­              Spying
                                            ­             Places repose.  
                                                       ­Dream, suppose.      

   Dreams loll without respite       Shady oak.      Bright swirl spring breeze
      Of green crisp apple bite.    Shelter bespoke.   Insects morn, vast seas
        As gold burns warmer.    Sleep, still abuzz.    Clouds as beat wings
            Sun shadows corner        Seconds love.      Million insects sing

          Dreaming more light      Eyes shut, island.    Time goes, seconds fit
            Colours mix despite.     Twig woodland.     Seen today, exquisite
                Great light bested.      Instant, rested.      The rays pestered
                      Shadows nested      Dreams vivid.    Up, now rested
                                                          ­   Colours
                                                      ­          Mull
s Jul 2016
a bug flew into my windshield yesterday
and i wanted to scream
because it resembled you

but i see you everywhere
in the flowers in the trees in the breeze
in my dreams

all the tiny insects look like you
AA Phi Dec 2012
Frantic insects wait to die,
By this limitless Hand,
putting youth in a box,
With all the twisting shapes,
And  mysteries.

The second by second,
Unfolding of tiny events,
Collected in the labyrinth,
Between your ears,
Speaks warmth and meaning.

Holding hands under creaking trees,
Puts my spirit at ease,
To overlap and forget,
As these insects wait to die.
em Jun 2015
You're my storm cloud disguised as sunshine
but your masquerade never stops the rain.
Laughs like lightning flashing across your face
sharp and dangerous, followed by the thunder of
my ignorance, cluing you in on how far your lies
stretch into my desperation to be wanted.

Oh I never thought
I was that funny
Your electric strings
Pull the punch lines out of my mouth.
The lightning's best friend.

You must really like me
You must have told your friends about me too.
Because that cackles coming out of their
throats when I tell a joke sound just like
the storm, the zigzags of fire that tear through the clouds.
telling me how funny I am, how much they love having me around.
How you need me.
Time for my response… its my job right?


Why is it now that the way you curl your lips
when I make my jokes
and less
like a smile?
Your friends know that shape
and they know how to make their lips look the same way.
Is it some contagious thing that they all have, and disease
passed around the room every time that lightning escapes.
But they all think I am funny
It must just be a friend thing…
I should learn how to do it too.


Streaming pixels
Blurry faces of “friends”
it must have been a mistake
The love me
next time,
I’ll make sure to clear it up with them
why wouldn't they want me to attend?


Glances like knives
Darting through the air like flies
and infestation of insects that
carry messages that
I don’t understand.
But they do.
Like a major league team
catch after catch
never missing those eyes that
seem a little bit darker
and a little bit colder.
Passing the ball around the bases
returning the favor.
Why can’t I grip ball that seems to bind
them all together
leaving trails of
text messages
and parties
that I was not invited to
this ball that seems to always
keep me on the outfield.
And how come everytime that ball goes
its feels like
a punch to the stomach
never ceasing to knock me
leave me

This must be what friendship feels like…

Is it?
because I look around
these hallways
where I always walk to fast
trying to keep up
yet I am always
I see that
these other girls
walk in straight lines
arms joined so that no one
far behind
yet I’m always walking in
dizzy circles
wondering when they will
turn around to see if I am
still following,
still standing,
still funny.

Thunder, the lightning's best friend…
but that is never who I was to you.
another spoken word that I preformed today and will preform on wendsday in front of a larger audience, my entire grade oh goodness.
this poem although open to interpretation does have some format that means something. So the lighting represents laughter and the thunder kinda represents be being clueless to the people laughing AT me not with me. That's at least how I mean it to be understood, but If you see it another way that that's cool too :)
Nigel Morgan Oct 2012
When Zuo Fen woke day was well advanced into the Horse hour. In her darkened room a frame of the brightest light pulsed around the shuttered window. A breeze of scents from her herb garden brought sage, motherwort and lovage to cleanse the confined air, what remained of his visit, those rare aromatic oils from a body freed from its robes. Turning her head into the pillow that odour of him embraced her once more as in the deepest and most prolonged kiss , when with no space to breathe passion displaces reason in the mind.
The goat cart had brought him silently to her court in the Tiger hour, as was his custom in these summer days when, tired of his women’s attention, he seeks her company. In the vestibule her maid leaves a bowl of fresh water scented with lemon juice, a towel, her late uncle’s comb, a salve for his hands. Without removing his shoes, an Emperor’s privilege, he enters her study pausing momentarily while Xi-Lu removes himself from the exalted presence, his long tail *****, his walk provocative, dismissive. Zuo Fen is at her desk, brush in hand she finishes a copy of  ‘A Rhapsody for my Lord’. She has submitted herself to enter yet again that persona of the young concubine taken from her family to serve that community from which there seems no escape.
I was born in a humble, isolated, thatched house,
And was never well-versed in writing.
I never saw the marvellous pictures of books,
Nor had I heard of the classics of ancient sages.
I am dim-witted, humble and ignorant,
But was mistakenly placed in the Purple Palace . . .

He loves to hear her read such words, to imagine this fragile girl, and see her life at court described in the poet’s elegant characters. Zuo Fen’s scrolls lie on his second desk. Touching them, as he does frequently, is to touch her, is to feel mystery of her long body with its disregard of the courtly customs of his many, many women; the soft hair on her legs, the deep forest guarding her hidden ***, her peasant feet, her long fingers with their scent of ink and herbs.
He kneels beside her, gradually opening his ringed hand wide on her gowned thigh, then closing, then opening. A habit: an affectation. His head is bent in an obeisance he has no need to make, only, as he desires her he does this, so she knows this is so. She is prepared, as always, to act the part, or be this self she has opened to him, in all innocence at first, then in quiet delight that this is so and no more.
‘A rhapsody for me perhaps?’
‘What does Liu Xie say? The rhapsody is a fork in the road . . .
‘ . . . a different line’, he interrupts and quotes,’ it describes people and objects. It pictures appearance with a brilliance akin to sculpture or painting.’
‘What is clogged and confined it invariably opens. It depicts the commonplace with unbounded charm.’
‘But the goal of the form is beauty well-ordered . . . . as you are, dearest poet.’
‘You spoilt the richness of Lui Xie’s ending . . .’
‘I would rather speak of your beauty than Xie’s talk of gardening.’
‘Weeding is not gardening my Lord.’
And with that he summons her to read her rhapsody whilst his hands part her gown . . .
Over the years since he took her maidenhead, brusquely, with the impatience of his station, and she, on their second encounter deflowered him in turn with her poem about the pleasure due to woman, they had become as one branch on the same tree. She sought to be, and was, his equal in the prowess of scholastic memory. She had honed such facility with the word: years of training from her father in the palace archives and later in the mind games invented by and played with her brother. Then, as she entered womanhood and feared oblivion in an arranged marriage, she invented the persona of the pale girl, a fiction, who, with great gentleness and poetry, guided the male reader into the secrets of a woman’s ****** pleasure and fulfilment. In disguise, and with her brother’s help, she had sought those outside concubinage - for whom the congress of the male and female is rarely negotiable. She listened and transcribed, then gradually drew the Emperor into a web of new experience to which he readily succumbed, and the like of which he could have hardly imagined. He wished to promote her to the first lady of his Purple Chamber. She declined, insisting he provide her with a court distant from his palace rooms, yet close to the Zu-lin gardens, a place of quiet, meditation and the study of astronomy.
But today, this hot summer’s day, she had reckoned to be her birthday. She expected due recognition for one whose days moved closer to that age when a birthday is traditionally and lavishly celebrated. Her maid Mei-Lim would have already prepared the egg dishes associated with this special day. Her brother Zuo-Si may have penned a celebratory ode, and later would visit her with his lute to caress his subtle words of invention.
Your green eyes reflect a world apart
Where into silence words are formed dew-like,
Glistening as the sun rises on this precious day.
As a stony spring washes over precious jade,
delicate fishes swim in its depths
dancing to your reflection on the cool surface.
No need of strings, or bamboo instruments
When mountains and waters give forth their pure notes . . .

Her lord had left on her desk his own Confucian-led offering, in brushstrokes of his time-stretched hand, but his own hand nevertheless, and then in salutation the flower-like character leh (joy)
‘Wheresoever you go, go with all your heart’.
Meanwhile Xi-Lu stirred on the coverlet reminding Zuo Fen that the day was advancing and he had received no attention or conversation. It was whispered abroad that this lady spoke with her cat whom each afternoon would accompany his mistress on a walk through the adjacent gardens. It was true, Zuo Fen had taught Xi-Lu to converse in the dialect of her late mother’s province, but that is another story.
Lying on her back, eyes firmly shut, Zuo Fen surveyed the past year, a year of her brother’s pilgrimage to the Tai Mountains, his subsequent disappearance at the onset of winter, her Lord’s anger then indulgence as he allowed her to seek Zuo Si’s whereabouts. She thought of her sojourn in Ryzoki, the village of stone, where she discovered the blind servant girl who had revealed not only her brother’s whereabouts but her undying love for this strange, ungainly, uncomfortably ugly man who, with the experience gained from his sister’s persistent research had finally learned to love and be loved in equal measure for his gentle and tender actions. And together, their triumph: in ‘summoning the recluse’, and not one alone but a community of five living harmoniously in caves of the limestone heights. Now returned they had worked in ever secret ways to serve their Emperor in his conflict against the war-lord Tang.
She now resolved to take a brief holiday from this espionage, her stroking of the Emperor’s mind and body, and those caring sisterly duties she so readily performed. She would remove herself and her maid to a forest cabin: to lie in the dry mottled grass of summer and listen to the rustle of leaves, the chatter of birds, the sounds of insects and the creak-crack of the forest in the summer heat. She would plan a new chapter in her work as a poet and writer: she would be the pale girl no longer but a woman of strength and confidence made beautiful by good fortune, wise management and a generosity of spirit. She needed to prepare herself for her Lord’s demise, when their joyful hours living the lives of Prince and Lady of Xiang, he with his stallion gathering galingales, she with her dreams of an underwater house, would no longer be. She would study the ways of the old. She would seek to learn how peace and serenity might overcome those afflictions of age and circumstance, and when it is said that love’s chemistry distils pure joy through the intense refinement of memory.
This short story with poetry introduces the world of Zuo Fen, one of the first female poets of Chinese antiquity.
Pierre Ray Mar 2012
Horrid and morbid, bitter, glittered and littered memories! Automotives, adaptive captives, movies, motives, Natives, locomotives, obsessive and possessive. Some awesome, brilliant, different, ignorant, persistent and resilient. ****** and exotic! Some memories are eccentric, fantastic, futuristic, magic, logistic, optimistic,

plastic, realistic, tragic or sadistic. Some random sizes with hidden prizes! Blameful, gainful, lameful and painful. Dreary destinies, diaries, inquires, weary rivalries, stories and theories in memory.
In theory, memories made from cheers and fears, jeers and tears!
Of amends, amens, omens, gems, hymns and stems. Memories

abbreviated and dedicated, deviated and medicated! Memories cased,
edited and erased. Evangelically, eventually everyone inherits! They’re like tiny merits! They spike the psych. They strike and are unlike. Memories of bites, defects, dislikes, effects, fights, flights, insects, logics, neglects, objects, plight, projects, protests, recollects, reflects

rejects, respects and suspects. Memories of fate and hate! Some are not great. Memories of schemes, screams or themes of dreams that seem. Memories of small, memories of tall! Memories in despise, memories
of lies. Memories of wise; beyond the skies, as I close my eyes…
Kagami Oct 2013
Something my teacher said.
A thousand insects in one tree.

He's talking about us.
Not directly, but that life isn't it?

We are all ****** up little things in the world.
Some of us have a billion legs. Disgusting creatures.
Some have crazy fangs to rip out throats.
Some have eight eyes and see the world as a big moving picture.

But we are all insects with piercing eyes and spindly limbs and
Screwy bodies.
It's this of us with wings that can see above it.
Show their colors.

And those are the bugs that are not scary to live with.
Mateuš Conrad May 2016
Ronald McDoland & cousin Kentucky
had Iraq: ji had ji had ji had e ha e ha e ha oh!
i told you about the heresy of war,
the Soviets are back, success rate
up 1000% from Afghanistan to be the next
Uzbekistan - well, less Mongol tsunami down that
alley; it's still heresy to do puppet upon the head
of former state with oligarch tyrants selling
us bone marrow as meat: Iraqis just said:
let's keep it kosher and local and less global
and less treadmill!

the orb's lost & found song from the dream album is
so hard to follow at first; i only came back for the psychopath
avenue theme tune: ah... ******* ready to depose
Saddam Hussein... but now ******* in their pants to send
soldiers into the land of crucifixions and be-headings?!
how strange the correlation between actual warring
fake pacifism, simulated warfare and excess
theories with atoms but incompetence with
the elements.

i watched democracy fail... the foxes stole nothing,
they stole nothing because they were sloppy!
i thought this while hanging the washing on the line today...
*******... puck-puck-yellow-yanks... larynx by larynx on the tiles...
let's paint it red! spare me Slob Bogdan Maso Kiev Itch...
ah, when it was all under wraps... oh but the western
media are so ******* vociferous for those shady
gamblers known as shareholders, no casino,
just a house in suburbia... wankers... football hooligan me
into acting when it comes to practice!

sho you'sh shoor you'sh want'sh to shoo your shon
to shwastika access on return? me tshinks sho...
Bex is a girl's name Rebecca, we hear more of Bex's
past than anyone's.*

Colonel Kentucky can shove that chicken drumstick
up his **** and sing me a lullaby about his
famous discovery of deep baked **** batter!
crumbs ahoy, aye aye captain, my
stratosphere of anally commanding the first-mate
into coherent motivational propaganda of:
women outside of war will treat the dogs of
howling and barking as companions -
the stresses invigorate... no second chances are given
to buy a ******* toaster or a chimpanzee,
both do tricks, it just depends which one does the trick
quicker - it takes more than just a homelessness
from the realm of the cube to see how many
is an insect although not in an atheistic strict sense
of expressing nihilism: man the disharmonious
swarm can hardly keep queen or king:
unless we all were ****** by the king and unless
we all ****** the queen: insects are strict Martians,
they have no time for concubines or horse races
of football matches, or other coliseum distractions:
unique insecticide of insects against individualism
that's thought in being human so fondly kept
with the pyramid as with a book of some obscure
philosopher championing wear & tear & tatters
looking more for a tailor than a god:
appearances must be kept, after all, so few of us are
prisoners in the bedding chamber of perfect
genetics of post-******, and the dumb neo-****
scapegoats along with Israel are kept being fed
cinnamon sticks laced with sailors' *****
that's nutmeg.
**** you not... ere come the clueless klaxon hakuna
matata bob dylan bums... like two police officers
in reverse of the stereotype: one plays the harmonica
(i.e. can read), another strums the guitar (i.e. can write) -
but we're missing the elephant's
molesters:                          we're missing four of the six,
that's enough for the tetragrammaton verb,
we have the trunk and the leg, that'll do us just fine:
we can just say it's a fire hydrant...

with my new regime i understood the blanket
of un-forgiveness of english teachers,
i exported the idea of haiku to the east and
received the notion of esnō - i said double that
up, thrice it, make the thrice square,
add a hundred ballerina twirls and create
a hurricane from the ensō; what did i
get on my return? hardly a butterfly effect,
i got stenotype, the beheading of
Anne Boleyn - quick like a marriage with a black
widow spider or a mantis: an orphanage on my back...
so many more sperms reach the pyramid end
than in mammals, but look at what the Darwinism
rainbow gave us to feel depressed about...
comparative existentialism to insects, arguments
against parasites... might as well argue about
eating and **** evaporating rather than the pleasure
of faeces squeezing through the **** muscles...
(if you had *******, i'd tell you about the pleasure
of *******, and not needing to bother women
to stretch a muscle that's hardly an oyster of skin,
keep the flowers in Eden of comparisons,
mine ain't beauty, yours' ain't either:
it ain't a flower, it's a seashell protein, thing, the end):
oh yeah, the boys and me were watching salmon
in the school, we were using index and middle fingers
to slingshot shoot the salmon buds to dumb down and
forget feminism and remember the village life...
ha ha... worked like steroids to those fake muscle-heads
when looking at gymnasts and scaffolders:
what a hydrochloric-hydraulic combination to non-grammatical
coordination from (0, 0) to (20 kilometres west,
50 kilometres east) in comparison to an epic literature
output of Russian angst origin in epilepsy shadowed
over by the joy of gambling... i have drinking,
now imagine Halloween on Hawaii.
Graff1980 Dec 2014
Sometimes my eyes
Are the skies
Of the desert
Dry as the lies
That they told us

Sandy brown
On the ground
Parched particles
Pointy patches
Of cactuses

Insects and mole rats
Little lizards that run fast
And you may ask
Where is the metaphor
Well, everything is a
Metaphor for everything else
I know it should be cacti for the plural but cactuses works better.
Anthony Perry Jul 2018
There is something violent about how I see the skin on your body
Its so rich and smooth, almost decadent and unlike you

This observation turns into a premeditation when you touch my cheek
Its almost like i can feel the heat melting off your bones

As I laid you down and slipped a knife underneath your sternum
You whispered something hidden in painful tones like a sharp breath piercing the guttural moans

But I dont need to hear words to know the searing desire steaming from your guts as I replaced them with hot stones

The blood on your finger tips remind me of fresh water on leaves after a storm and your severed head looks like its been through famine, disease, and a damaged city plagued and war torn

Yet there is still beauty in the decayed decadence that is your mutilated corpse

The moonlight drowns in the canal of blood begging for remorse while the insects march and sing a song of things that can only get worse
This is a poem about the need for closeness between two people
Kale Aug 2014
My plush buddy,
Which acted as a knight,
Is ready to hug me,
When I want to fight.

My dolls and men
Which laze around all day
Come through for me
When I want to play

My insects and bands,
Which decorate the house,
Helps to scare my mom,
Like a mouse.

I love my toys,
They bring joys,
And laughter,
And playful banter.
Do not think I am creepy. This is a random poem. Hope it is a little bit good
Carl D'Souza Jul 2019
I just watched a news report:
Global numbers of insects are halving every 25 years
Bees Butterflies Moths and other species disappearing
which is a problem because
it kills Birds Reptiles Fish which live off the insects,
and insects pollinate 75% of crops which humans grow,
and 87% of all plant species on the planet need pollinating;
if insects die then flowering plants will die,
most plants will die.
Why are insects dying?
Farmers are blamed for using pesticides
but there may be other causes too.

I was left wondering:
Is there something we can do
to save insects and plants?
Chuck Jan 2013
A haunting stare with a serious note
Originates in a lad just thirteen
Ready to command or to set to task
Obedient, mature, and quick to rule
More comfortable with adults than peers
An old soul has he, loves cars from the past
Collects Civil War relics and antiques
Spends most his time reading and researching
Reads historical fiction, lost in time
Analyzes plants, insects, and ol' coins
He could be described like Chaucer's Cleric
"And gladly would he learn, and gladly teach."
He desires, especially, silver
Yet, gold and ex-presidents faces too
Protects younger members of his small clan
Only his hand will be attacking foe
It might be his fine grades, his quirk or two
That humbles his parents. Proudly they stand
And admire their first born miracle
A babe no more, his age will meet his soul.
I chose a serious form, blank verse, to match my son's attitude. I hope you like it.
Chapter XXVIII
Mashiach of Judah Part VI
Miracle VII - Gethsemane / Meshuva Foundations

The relaunches of the feet begin. The twelve Gigas camels stand up, with their even fingers; they would begin to detach with their ungulate nails the fat deposits of the six remaining camels. They ripped the epidermis with their nails to pour out the oil and grease lamps that they would need to distribute the Full Moon on each palm of each component. The moon was festive, he walked everywhere and he imagined himself in the court of King David, lethargic in his cubicles at the first light of the second dream of the morning. Undivided walked in procession through the source of the change in the socio-religious paradigm that held them together, they were Raeder and Petrobus, Alikanto with a golden mount on his small back, the Lepidoptera, bumblebees, bees and wasps, they walked silently and on tiptoe over the first level of wet wind at dawn, many of them alighted on the backs of the immune camels, to advance with them to the starting point of restored Gethsemane.
In their phylogeny they collaterally impute the taxonomy that belongs to the camelid genus, which is a taxonomic category that is located between the Judah family and the Middle East in the buried ecclesiastical species; thus a genus of a group of organisms is favored that in turn can be divided into several species. They, being strictly herbivorous, the musculature differs from other ungulates, since the legs are attached to the body only in the upper part of the thigh, instead of being connected from the knee upwards by skin and muscle, therefore they will be made very easy to connect with the flying insects so you don't have to kneel. While the six that sectioned the deposits of the other six, they will remain stationed and operated, until their superficial wounds heal, before leaving for the port of Jaffa. On this long journey until dawn they must remain standing on their foot pads, to resist the final farewell rite of the twelve caverns, when they leave the placental sites that they had developed with the Primogeniture to empower the vestigial area of the rescued Aramaic word. This will be to grant and scale the prosperity of having the signs of vitality intertwined, with each reminiscence of the calls and responses of the messages for the "Propitius This Humanity" that is projected in the secular future. This will be generated by external stimulus each time the intention to communicate with the ceremonial of existence - life - deaths - fullness is presented, thus the voice of the greatest incisive devotional forces will resemble, grabbing or grasping the smallest voices that may even overlooked or misunderstood when the Golden Gate of Jerusalem opens.

From the top very high you can see the Gigas species walking with six chandeliers, these species wade with their artiodactyl locomotion, towards a fluctuation on the flames of the chandeliers towards the rock of the Mashiach. While the other camels were recovering from their wounds, they looked with their serene and very alert eyes for the proselytizing nunciature that channeled the reactions of the Hexagonal Progeny, thus being absolved from the commitment of the prayers for the new set with the atmospheric ordering ceremony. in Gethsemane with the voices of the Messiah, with the frame, volume and reverberation to flood with light and sounds in all geographic areas that have not had a subscription. While the Gigas trod the grounds with their ungulate nails, Vernarth and Alikanto, Saint John the Apostle, King David, Eurydice, Raeder and Petrobus (The Hexagonal Primogeniture), took solemn vows before such an episode. It was just a short time before dawn and even the moon disputed with other stars to shine more for such a great event…., As is surprising, at the moment that everything would seem of stillness and the gestation of winged embryos, appearing from the top of the Olivos Berna , near the Cherubim. They came with the Mashiach, which brought them charitable news ..., he could be seen in a deep field, in two points of clarity of his white robe, full of golden and blue lace ... with Lepidoptera around the ..., and by the contour flowing the celestial radiosities - crimson.

Meshuva White Mantle

Descending through the foliage of the lighted and previously illuminated olive trees on the northeast ***** of the orchard, the Cherubim and Archangel Michael and Gabriel came with the decided parallelism of sixfold the interpretation manifested by the lepidoptera, in order to consolidate the institution on the north side of Gethsemane. as a sanctified area of Aramaic prayer and devotion, of an absolute naturalization of classification of the Cherubim and Lepidoptera as winged tetra and cultivators of the phylogenetic transmission of the pollen-garden on the opening of the gynoecium of the Olive Tree Bern, in the Valley of Olives, and the taxonomic choice in hierarchical order of the species and the geo-referencing of the aerosismic corridor and the narrow passage between Bethhelem and Getsemaní.

On the tops of the olive trees were the Cherubim and the Lepidoptera, they fluttered through the flowery branches intertwined with the Messiah's tunic that had been descending with an accent of Torah grace, then a light of pre-dawn fireflies re-blooms on his face ..., they brought a million beams of another thousand beam groups to be born among the first lights of the day. The Lepidoptera ascended by oval interval and in a spiral path through the petiole until the fifth generation of  Rapa or Eskimo of forty flowers, with four white petals in phylogenetic synchrony with the Cherubim and Lepidoptera with four elemental portions, to deliver the fundamental membrane that will generate the physiognomy of the Messiah between the transposed and rosy ruddy lights of the Messiah's face, with the cross-shaped texture of themselves, on his shoulders of Capernaum dew. The Esquimo, or the flowers would grow in clusters of between ten to forty flowers in perfect series, depending on the variety, each flower would also have four white petals, a bit pulpy, facing in a symmetrical cross, the flower will bring in the center a yellow-orange hue of an arboreal sphinx that would fill with clusters that will gradually transform the appearance of the oily tree, giving white brushstrokes to the olive grove before stinging looks of gallantry. Each flower will dine on its captive pollen for about a week, so that the flowering phase of the olive trees will become before a short duration, but of a messianic period with the cyclical lives of its Syriac Aramaic poetics. The female and hermaphroditic caste will bring you the biblical universal pollen, with quivering stamens and overloaded pistils traveling more than nine and a half kilometers from Bethlemem of the “Kafersuseh” to the orchard. Before the majestic pollination, the archangels Michael and Gabriel will invade two percent of the gynoecium of the flowers, giving way to the Meshuva White Mantle, full of white apotheosis petals. Vernarth rushes to the ground and wallows between the petals, filling his entire body and face with thousands of them, many of them being transfigured into the oily fruit of the Universe palate between the ring finger and the index finger with accent of Purification of the Mikveh, floating like a neutron orbit of Life and Micro Universe only to be ecstatic with the presence of the Messiah in his white robe of petals. Coming down with tassels of Petals of Berne on his robe alba, the Mashiach rushes to Vernarth, takes it and says to him secretly:

Mashiach: “Only you…, in each one of these white cells you are…, and in which you are not, in my memory is reborn as the fruit of the Bern Olive Tree. On the top of this species I heard your prayer, I know who you are and gratitude for resisting this lymphoma so nobly, I took it out of your soul when it was confused with the fresh breeze of the grass that the fungi of pain feed. Immerse yourself in this Mikveh of columns of white petals of Bern, here the voices and words of Aramaic, will run in a row to the right, to **** white in my thoughts of the Gospel, with your miraculous grace when returning to me John the Apostle being exiled by Domitian. Come to me walking on this unleavened bread with Bern olive elixir and let us drink Hanukka wine and its vital dawn that boils with every sip of the glandular thymus and of your aching chest. I am tired I come from far away, but I have taken this road from Emmaus to get you up. Get up and come to My Vernarth ”.
Vernarth erects his purified column with the petals emulating the Mikveh "Purification", he predisposes himself to the Holy path of the Meshuva "Return to God". Thus from today Vernarth is born and revives to continue his journey back to Patmos.

Mashiach says: “The reason for the naive wayward will **** them, and the complacency of fools will destroy them. Your own wickedness will correct you, and your apostasies will rebuke you; know, then, and see that it is bad and bitter so that you abandon the Lord your God, and the fear of me is not in you”

Vernarth says: “We will be loyal and under these lush trees Bern, I will proclaim to the north deciding; May we lead to merciful fidelity and we will all declare it together! We know that you, my Lord, will heal us of our infidelity that is why we have come here, because you are our Lord God. "

Saint John the Apostle replies: “The lion, wolf, leopard, will **** us, destroy and tear us apart, because transgressions and apostasies in great numbers have invaded…, my beloved Mashiach, we have already got rid of the deception and we want the Meshuva back to your ether of the desert accomplice, with the aromas of the flying insects that the Aramaic lexicons bring us from Kafersesuh, to re-graft them into the eternity of your word that crosses the entire universe. The world has sinned against you, the apostasies are innumerable, and we are here to lovingly honor your name. So my people were determined to turn me away, although they call them to the Most High, none at all exalt Him. I will heal their apostasy; I will love them freely, because my anger has turned away from them”

The Garden was eclipsed by the cardinal points, it was delineated by a Cherub from South to North, for the main border that passed through the zenith where the Mashiach would order the promontory of the rock dependent on the placental rocks, which coexist with the twelve inhabitants that They had been erected with their eyes closed and open by the light of Faith. The border that Vernarth and the Apostle saw it nominally, was connected with the new division of the world of the stagnant word, and in the new route it revived in a perfect cross of west to east, towards the paleo trill of the Palestinian Eagles loaded with incense and sawdust from cut olive trees, for the furniture that they used as input in the lavish displays of the Romans. The magnetic needle will fissure the back of each of the members, engraving the northern magnetic needle and inscribing the Greek micro prose "O Kýrios tha epistrépsei se mas, tis rízes tou Kósmou, ópou krémetai ta skoupídia tou" (The Lord will return the roots of the World, where their concrete waste hangs). Then this voice takes from the vague state, aligning the northern excellence of the Messiah, together with the iron of the blood plasma of Vernarth and the Apostle, to be magnetized northward in the cardinal sublime magnetized.
Shemesh-Sun King order of cardinal parallelism is thus established; North: northern or boreal ruled by Vernarth and Apostle San Juan, South: Meridion or Austral by Etréstles and Eurydice, East: East, rising or rising ruled by Raeder and King David West: West or West. In this way, the insects and animals declaimed the sunrise from the Sun to the Levant before each cup of Chalice synchronous with the intercession of the cross, at the tangential of the horizontal that extends to the west, when both phases of the solar cycle are aligned with the departure of the Bread and the departure of the Messiah from his cloister time. The Alikanto and Petrobus animals will rule with the Northeast and Northwest, while the flying insects will rule the Southeast and Southwest.

Etymological Ellipsis of Ancient Norse Civilizations:

The east-west perimeter is considered as the abscissa axis in a geographic coordinate system, the ordinate axis would be described by the north-south line, which corresponds to the axis of earth rotation. This composition generates four ninety-degree angles that are in turn divided by the bisectors, generating northwest, southwest, northeast, and southeast. Thus the Rose of the Winds is demarcated by the Esquimo Olive´s flower in perfect harmony with the circumference of the horizon. This will attract the lines that intersect verbal and non-verbal, by the abscissa that delineates the guideline of the rock of the Messiah, overflowing with total generosity to shine the caves at dawn, to sprinkle the rays that they lack due to supposed static latitude. In order to parody the line of lethality of the Nordic Gods, being tangential to this new alignment of the earth's axis and laterality coordination, and that only through the Apples of Asynjur can they hope to revive until the final destination of the Gods? This Norse parallelism goes back to us in the Vernarth Chapter II - War Animal in Tel Gomel, where Asgard is mentioned, which in Norse mythology is the one that is conceived on earth, and is a rainbow bridge, Bifrost, that connect with paradise. This etymology will cross the genesis of the plot line of the entire Hellenic epic in the first chapters until it is reiterated here in this Messianic epic, with the demarcation of the limits in Gethsemane, which marks the guideline that intersects the exact point of the Rock of Prayer Aramaic, for the diction of words and cosmogonic interrelationships of cultures and the sparkling use of atavistic language before the year 332 BC and even later, to be projected with the time line of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in the coordinates of time-history, to make this neo Gethsemane map the timelessness of the archaeo civilizations, which have cheered and prostrated all the cycles of life and death under the same cardinal laterality precept, acclaiming a God who flowed and created the North, even if he lives or dies, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane"
Chapter XXVIII
Mashiach of Judah Part VI
Miracle VII - Gethsemane / Foundations
Brandon Sep 2011
I remember being all alone
Lost and trapped in my silent home
Broken and bruised*

Down the rabbit hole I began to wander
Always wondering where the other side would lead me
But in my quest I became blind
Blinded by those that seek the guidance
Of Buddha, Christ, Gandhi
And every other groovy hippy messiah
Inducing hallucinations of the good in mankind

I should have been reading Nietzsche all along
But the fine print between the lines was so perverse
That he was too scared
And too scarred
He could not see the potential
Of a stark raving mad world unleashed on itself

Like insects feeding on clockwork
We all get digested as time ticks away
i'm not entirely sure if i'm done with this one or not but i felt like posting it anyway...enjoy...or don't.

— The End —