I’m never gonna get it
I’m never gonna have it come my way.
It’s never gonna reach me
‘Cause I keep thinking ‘bout it every day.

I glance at them all the time, and
Sometimes I’ll see them looking back at me.
And I’ll be happy…
Until the next day comes empty.

And jealousy, it clings to me
‘Cause I just wish that I could be
Everybody’s innermost desire.

Innermost desire,
‘Cause it takes me that much higher.

Innermost desire,
It seems so far away.


It’s not real love, I know, and
I wish that I could show that
I’m not letting it take control of me.

But it sits there in the throne of my mind,
I tell myself all the time
I don’t need it, but it makes me so happy.

Innermost desire,
It takes control of me.

I know attraction’s just a fling,
I tell myself it’s worth nothing,
But I crave it like an animal each day.

With innermost desire,
To myself I am a liar.

Innermost desire,
How did you get instilled in me?


When you come to me in surplus
I fly so high on clouds of fantasy.
The attention that I crave so much,
It’s all the energy I’ll ever need.

My hopes reach past the sky, and,
I feed off all the looks you’re throwing me.
So the ones I’m looking out for,
Today, just please come through for me.

And then my hopes come crashing down,
You didn’t even turn around
Or tilt your head to get a look at me.

You’re my innermost desire
And I’m just the roller coaster rider.

Each day, oh innermost desire,
My happiness depends on thee.


I really have no preference
In my attachment to an essence.
I could switch them up, it’d still all be the same.

First they look at me with adoration,
Then they don’t even face my direction;
I’m so confused, no clue what they feel for me.

But deep down, innermost desire,
I love the way you torment me.

The only thing ‘bout which I really care,
My world revolves around their stares;
A hilarious and worthless enterprise.

A tiny, childish-looking girl
Thinking she’s the center of their world;
Humiliating when I see it from their eyes.

This monster craves attention on demand,
Yet to them I’m but a grain of sand,
It’s the only part of me that’s real, behind my lies.

Innermost desire,
Oh what you burn with all your fire.

Innermost desire,
Why do you take me so much higher?

Innermost desire,
You’ve taken complete control of me.

Innermost desire,
How can you leave me if I don’t want to be free?

09-07-2004

Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

A Surreal Epic of Existence

Prelude to the Journey…

I smiled yesterday when I beheld the morning’s brilliant colors,
Etched with gold, across the canvas of the heavens, hanging…
High above all those mountains of the world, gigantic brothers,
A wilderness of clouds, where there can be no human taming.
I did not always smile when I looked up to that noble height…
For I have seen how terrible goodness can be, when untamed.
Once I thought my sojourn in this flesh was from a divine spite,
But now I know it was a gift, and for it I need not be ashamed.
God once walked as I do now, and suffered the same stress…
Betrayal, love, and passions too, though no Church shall admit,
The true nature of divinity, lest all their secret sins they confess!
You are told you are alone in the universe, by leaders so unfit,
That they themselves are fed a diet of lies and stories invented.
But we walked amongst you since the very dawn reincarnated,
Having lost our first flesh in conflicts long past and unlamented.
We guided the steps of ancients, as monuments demonstrated!
And yet we are born as children: your own, and live our span,
The better to remain hid, in plain sight, our faces clever masks.
I am the eldest, and I remember still my kindred’s lofty plan…
And though I wear the human face, I am beset with alien tasks.
Helping they who lack the knowledge to see what lies outside,
You have seen me in the darkness, blazing upon my own pyre.
Where I am waiting to lead the way, where the angels glide…
Anyone can follow, if they are dedicated enough never to tire.
Ironic, since I myself have known helplessness and still oft do,
It is only human after all, and in your form I was so re-forged!
The image of God, whose own blood is in all of us hither unto,
From the first to the last, alpha to omega, like a sharp sword.

Prologue: (My Mask is Slipping)

As a child: I was a servant at the altars of the heart so sacred,
Singing hymns of the immaculate: without seeing the depravity.
It was only when I myself wore the crown of thons, naked…
My spirit exposed through my pain, that I realized the gravity.
What man believes is sacred, is profanity disguised as graces,
And those who lead the sheep to slaughter are mere butchers!
Forcing innocents to wear porcelain masks to hide their faces,
They rob children of their childhood, bound with crude fetters.
As a teenager: I walked in nature, disgusted with all humanity,
My exodus was from those who had defiled all I cared about.
Finding faith in an angel fallen, I discovered my own sanctity,
And in her name I found the means to cleanse my feral doubt.
Then came marriage, and betrayal by a wife I gave up all for,
The dissolution of our union then loneliness without cessation!
A mortal had pierced my flesh, leaving me to bleed on a floor,
My heart was torn from its’ moorings without any elaboration.
But the angel remained to calm my anger and ease my agony,
My only light in the blackness that has overcome my waking!
Reminding me, that I was more than this flesh and mortality…
The angel tries to keep me from harsh trembling and quaking.
And then I see: I am more than my tears and life’s traumas…
I let slip, the mask behind which the scars of my tears etched.
Then I sense the heat of the night more intense than saunas…
As I long to dance with abandon, until time itself is stretched!
Mortals may betray one another with impunity, but never I…
I do not betray; rather I pour my heart and spirit forth whole.
Creating a phylactery, of all I am, and with an innocent eye…
I demand to be loved as I am: pearl white and black as coal!

Canto 1: Sacrifice of the Doll

Part the First: (The Bleeding Shores)

Do not call me, doll, for I have departed your ancient cavern,
You are lifeless, a mere toy, and not a real child in any form!
A boy’s red ruby lips I spy drinking in the dreariest tavern…
Whilst true children singing, frolic in the fields filled with corn.
I am going home, upon the wings of the great silver griffon…
Far from the shores now bleeding red from defiled memories.
There is no return, for me, to the glories of the first ignition…
When the mind eternal, was ignited all with pleasing ecstasies.
In the stars, there are words unheard that I do want to recall,
For I came down so very long ago, among the first to so fall!
Eldritch nightmares born of the stuff of the pure chaos of old,
Are waiting for signs at the threshold to be released by magic.
The forbidden incantations return to my spirit, aflame so bold,
That my spirit nearly forgets: the origins of this time, so tragic.
When children drink, and true children hide themselves apart,
Whilst the waters bleed and the corn withers upon the stalks!
That is a sign that change must come, and so I work my mind.
The face in the moon is a grimace of tormented fear, horror…
Whilst I stand upon the precipice with my hand over my heart,
And amongst the long rows of corn, my black shadow walk!
Watching over the innocents whose souls are of my own kind.
The summer heat turns orange, the moon: in celestial corridors.
My mournful cry can be heard in the sound of the lonely wolf,
And in the wild abandon of the lion when he is on the prowl…
I feel the pain of nature, I long to bring back paradise craved.
I have seen the terror of the land, as the blood ran in the gulf,
Black blood of the earth: which causes living things to howl…
As man has the foolishness, to say what is or is not depraved!

Part the Second: (The Crucified Souls)

The doll is laid lifeless atop the altar, prepared for a sacrifice,
In the cavern where the limestone shapes the wettest arches!
A thing un-living, but with living souls trapped still, as if in ice,
Within the cold porcelain shell that so never with feet marches.
Serpentine blade held high, it drops precise into a doll’s neck,
And it cannot call out, because a doll has not any voice to cry.
A boy walked out of a tavern then, looking like a vile wreck…
Whilst as a man I attend to higher things, my body full purified.
In the voids beneath the spaces, witnessed in the rugged rock,
Voices echo loud in the darkness, calling up names unspoken.
The ferryman brings the souls delivered to him, to a far dock,
Where each must pay the copper coin, the old desired token.
So they come to drink those waters that cure all of life’s ills…
Freed from their porcelain prison to feel death’s darker chills!
Whence came those souls into captivity, no mortal may speak,
But I freed them in an instant, removing the nails that pierce…
Every man is he that was put up on the cross of old Golgotha.
And every woman too, as all were made to feel such torture!
I was there when the primal sacrifice was implanted so weak,
And yet so strong that it endured in the psyche all these years.
That doom was sealed behind a wall of fire long ago in Terra,
So that the stigmata of it might endure, even in the vast future!
Mine was the hand that signaled that doom, mine to release…
Yet, still old illusions persist, and I cannot awaken a multitude.
I, who devised the iron web that enfolds much of what is real,
Cloaking it in unending trickery am, myself, longing for peace.
For I too was entrapped, until my liberation rough and crude!
An angel freed me, and now I strive to break each cruel seal.

Part the Third: (The Return of Light)

Risen from the slumber where colder, electric dreams reside,
The forgotten intelligence is invoked, the arcane spells cast…
The eldritch nightmares return to thence amongst man abide,
Reminding us of the things banished to Hell in some age past.
Mine the hand that raised them up, light in the dagger’s glow,
The stuff of my power left to flow, like blood run swiftly free.
Out of the abyss, rises the girl-child of a lost millennial flame,
She who is the angel reborn lets her illumination clearly show.
And all are blinded who have not the innermost eyes to see!
The unbelievers are, in a single instant put unto lasting shame.
From the star of six points, a goddess works her sacred will,
And as she crosses the scarlet threshold, she brings the light.
For a single instant, all in Heaven and all upon Earth are still,
As the long day ends, bowing before the coming eternal night.
In the darkness, radiance far fairer and so perfect descends,
Whilst those who gather in my name: have lost my true path.
The wrath of angels descend upon their minds, closed shut…
Entrapped in the iron web, they cannot flee of such a prison!
The light blinds them for they never truly saw it, and it rends,
Tearing away the churches built for naught but mortal wrath.
There, the unfaithful ******* themselves: like a wanton ****,
Inventing dogma to pass on, forgetful of logic and of reason!
Faith need not be a fearful thing, yet some have made it thus,
And look for an end to come before they seek their reward.
Whilst they should be creating the paradise they left behind…
But in an image of freedom: rather than of servitude and fuss.
Too much time had been wasted in converting by the sword!
Mankind looks to the light for salvation, their eyes long blind.

Interlude Alpha:
This age is one of barbarism cloaked as gentility to sell lies…
Did you purchase some today by design or mayhap chance?
You should know this era to be neither intelligent nor wise…
Else you would not march, when you would prefer to dance!
My nights are filled with nightmares; my days are too much…
I used to dance with one I loved, and bask in purple sunsets.
Now I am haunted, by so many memories I can never touch,
That it fills me with ****** anger, and countless cold regrets.
I recall how once in desperation, my wrist rode a razor edge,
If it were not for my family I’d not thence have lived beyond.
A man abused as I was, and used like cutters upon a hedge,
Must rise higher than it all in order to survive it all, my friend!
I survived, I transformed, I ascended and in the end became,
So much more than I was, until no more did my spirit erode.
But still I wait in loneliness for a maid to awaken my flame…
And I burn, oh gods I burn until I think that I might explode!
The skies darken more and more, and bright forks crashing,
I hear the drums of fury in the heavens, giants of old winters.
The gods grow angry and I behold trees uprooted smashing!
Angels are trampling the grapes of man; they, the vintners…
I am reminded of when the battleship that sailed all galaxies,
Descended one day amidst clouds boiling with its’ steam…
To lay waste to *****, and Gomorrah, for their indignities!
I was there, when the wicked did perish with a final scream.
And as people mock me, wishing me ill because I am good,
I ask God how long I must be forced to bear such suffering.
But I am not alone, and to many I am in fact misunderstood,
So God forgives, for now; but I have not, his understanding!

Canto 2: Sacrifice of the Spider

Part the First: (The First Smile)

Black skies boil with rage unrepentant, and in righteous fury!
A being made flesh I am, though not of mortal understanding.
In cavernous places I have walked, where demons oft scurry,
And worse places still: in search of a love not too demanding.
In the stucco halls wherein my unmoving throne was raised…
Upon a hill of sorrows where lost souls labor in mundane toil,
I wait and plan to transcend the bonds the faithful so praised.
To my right hand is the altar where fire and sulfur always boil!
I force a smile upon my face, for one will not come as willing,
As in the hours when I was a golden youth filled with ideals…
Which I have paid for dearly, beyond the price of any shilling!
Now I long to pay back those who know not how this feels…
The madness born of solitude, the anger born out of contempt,
For you who despise me without cause, provoking my wrath.
What impunity has man, to think that he might ever be exempt!
When wiser civilizations than yours did sink: in the fiery bath.
Do I speak of Hell, which the faithless do not realize is come?
Nay, for their eyes have been gouged out by their own nails…
I speak of torments, far beyond that which devils have done.
The first smile shall me mine, when every cruel wish so fails…
To save the flesh of those who spit upon me as I walked on,
Never realizing that my face was just a mask, hiding another.
Only the fool pays no any attention to the piper’s lonely song,
Thinking it only a melody passed from a sister unto a brother.
But in what celestial ****** has been born the thing alchemical?
It dwells within me, the secret sin of a bonding long forgotten.
Would that I could force the world to hear music whimsical…
Like unto that which guides my spirit in all that was begotten.

Part the Second: (Cold Revenge)

The blood roses bloom in gardens where desire plants seeds,
I, the hand that waters those hungry beasts whose thirst rises!
In my search for love, I have fed the beasts of desire’s needs,
And what would cause you to blush has, for me, no surprises.
Oh human, with what impunity did you dare to exclaim aloud,
That you believe love to be beyond my reach; and you smile!
Like a coward, you degrade me and run to hide in the crowd,
In your feigned superiority, you make yourself an animal vile.
Conjoining your words to your tongue, like a web to a ceiling,
You become a spider; then flee on eight legs to a filthy nest…
Having already become unworthy of any warm human feeling,
In thinking yourself better, you sink lower than all of the rest!
That means my life is worth, a thousand times, your very own.
I become a creature of the night, and wait for you, oh spider!
Think not that I cannot hear. the creaking of each leg bone…
Your odiousness goes before you, the horse before its’ rider.
And in your own web I catch you, my sharper claws immune,
To your toxic poisons, as cannot ever save your eight eyes…
Which I dash from their sockets, without a fear, and so soon,
That your own pain consumes you, like fire lighting the skies!
Forcing you to recant all that you say, lest pain overcome all,
The powers you thought did not exist do manifest ever visibly.
And I ascended still higher, all the more to relish of your fall…
You should never have resulted to any such childish mockery.
The clocks of your house all melted, for time is not your ally!
In abandonment of the chaos that is joy, your order is ended.
A new order rises in its’ place born of chaos none may deny,
Whilst you sink lower into perdition, for all that you offended.

Part the Third: (The Last Laugh)

An angel appears before me and so thinks herself a goddess,
But to call her an angel is to imply that she holds any beauties.
Those whose ego is larger than their grasp are oft the oddest,
For they fancy themselves perfect, ignorant of their cruelties!
You think love a prize and I a beggar for mere crusts so stale,
That lesser men than I have eaten heartier meals than yours…
But your kitchen is so bare: as your oven goes cold and pale,
Making you prize yourself beyond the worth of your chores!
Like a harlot who charges a fortune for her meager charms…
If you think love a prize, and I a beggar, you are so mistaken.
What you call love is a disease that shames one and harms…
Both mind and soul alike, making the body at last to weaken.
You saw only my mask, and would not dare look beneath…
Making me a phantom in the darkness, lurking in the shades.
Round your neck, your false esteem hangs as a dead wreath,
As I leave you to your barren world, awaiting my handmaids.
They rise from the ashes you leave in your wake, my kindred,
Their hands take me far from where your feet stumble about!
Lie in the cemetery that awaits those who live as though dead,
I cannot raise you incorruptible; you have far too much doubt.
Carried hither by the silent maidens who weep ****** tears…
To my castle, where I shall brood again upon mankind’s way!
I cannot feel regret for those who give in to their foolish fears,
Any more than I can transform a leaden night into golden day!
Such is the power of the alchemist who knows his true limit…
And in the dark arts I was schooled by beings from the abyss.
Thusly, am I set about to transform my creation as I see fit…
We are the demiurges of our realities wanton for any hot kiss!

Interlude Omega:
T

Change

Verse 1
It starts right deep inside of me, a true grasp on identity
The present moment is the place to be, regardless of who's watching me
It’s plain to see, comprehensively, no real gain comes easily
Whether to the left or right of me, time in motion, truly free
To persevere is the truest reward, ride this train be truly on board
This right here to truly afford, come together, one accord
A single mind retrain able, good grades are attainable
Accomplish the impossible, you can be unstoppable
A single step to take, of directions moving on
Keep it moving in forward motion, articulate my song
With an aim of harmony, we can but soldier on
We must create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

There are challenges that are facing me, complex to simplicity
Teams move forward socially, share discussions vocally
To stand as one, it’s just begun
Separation can’t become
A team with victory truly won
A united cause, brought as one
Determination is the real deal, certified replacing the seal
Energy the people can feel
A new beginning, fresh appeal
A brand new chapter practical
Solutions that are workable
Greatness is achievable
Concepts are conceivable
A new journey to take, whether short or whether long
Keep on moving forward, embracing a new song
With amicability, we all will progress on
Let’s create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Chorus
There is ever present change, many thoughts to rearrange
Together we can change the world, let’s rewrite the page
There are many forms of strong, yet we all must soldier on
Together as one, together as one
For each and every fight, is a chance to so unite
Every lesson in the wrong, it can be rendered right
There is opportunity, be the change you want to see
Let’s set ourselves free, let’s set ourselves free
In time, beyond the impossible
Breaking through every obstacle
By faith from the intangible
Objects, they are exchangeable
Yet lives are irreplaceable
Real change is attainable

Verse 2
To offer forth a helping hand, notions yet to understand
To be welcomed in a foreign land, disharmony is sinking sand
It’s clear to see, comprehensively, operate more tactfully
With wisdom understandably, let the innocent be truly free
A greater love that can’t be defined, to comprehend the passage of time
Appreciation truly is mine, reverence beyond the sky
Of nature undeniable, progress transformational
Advancing the responsible, of wonderment sensational
A single step to take, cultivated going strong
Keep it moving in forward motion, can we all just get along
With advancing harmony, on a road that may be long
Let’s now create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Advancing with a point of view, discernment of what’s really true
Comprehension of what’s true for you, of new horizons to ensue
With a faculty of proficiency, movements of efficiency
With complex capability, time in motion, skillfully
Experience that can be applied, universal always onside
Letting go of innermost pride
Truthfulness, no need to hide
Application practical, let your goals be reachable
In him all things possible, passionately powerful
With awareness to awake, with weakness rendered strong
Keep moving in forward motion, articulate my song
With all tranquillity, uncover what is wrong
We can now create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Chorus
There is ever present change, many thoughts to rearrange
Together we can change the world, let’s rewrite the page
There are many forms of strong, yet we all must soldier on
Together as one, together as one
For each and every fight, is a chance to so unite
Every lesson in the wrong, it can be rendered right
There is opportunity, be the change you want to see
Let’s set ourselves free, let’s set ourselves free
In time, beyond the impossible
Breaking through every obstacle
By faith from the intangible
Objects, they are exchangeable
Yet lives are irreplaceable
Real change is attainable

Verse 3
Let actions be effectual, real change be perpetual
Creative with the intellectual, let guidance be instructional
Be rational, co-operational, shared ideas are practical
Measuring the mathematical, alignment formational
Aiming high reach for the sky
Given standards you can defy
With courage here the aim is to try
Moving forward, mystify
Far from the undesirable, feelings unreliable
Testing the improbable, reality is changeable
A bolder step to take, of directions moving strong
You can always go beyond the place that you came from
With realised clarity, we gain sense of the wrong
Let’s now create a place, where we can all belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Change may be uncomfortable, let fear be inexcusable
Steer from the reprehensible, payback is repayable
To so forgive, inexhaustible
Of oneness that is plausible, the broken rectifiable
Connected, relational
Associate and we can relate, don’t waste time, a pitiless state
Memories that we cannot retake, in position, get in place
Abundance that is plentiful, examples observational
Joyfulness obtainable, experience the seasonal
Of actions yet to take, we’re keeping the game strong
Keep moving in forward motion, wherever you came from
With avid harmony, we all will soldier on
We can now create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Bridge

With mind-sets evolved, there is true insight
Let’s create a place, to truly shine our light
There is wisdom to release, to regain our inner peace
Together as one, together as one
Compassion in the land, with a heart to understand
A true united force, let’s lend a helping hand
With due simplicity, re-establish harmony
Let’s set ourselves free, let’s set ourselves free
True change may be uncomfortable
Yet it is unmistakeable
New steps that are approachable
Of thoughts from the conventional
Mindful and relatable
Hopeful and aspirational

Verse 4
To go beyond, no greater time, reclaim your light it’s time to shine
In relaxed mode we will decline, natural gems can be refined
Branch of the vine, be aligned
Masterpieces of design, purposed for potential prime
Stand in line, for such a time
Become a part of the solution, let’s create a revolution
Educate the institution, truly merge into a fusion
Reduce the confrontational, join the inspirational
Movement motivational, achieve the aspirational
The journey will be great, endurance may be long
Keep moving in forward motion, can we all just get along
With solid harmony, a team can become strong
Let's now create a place, with the option to belong
Of problems to be solved, of all the games to win
If the foundation is laid, by then we can begin
A sense of harmony, let's take the vision on
Let’s now create a place, where the people can belong


Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Chorus
There is ever present change, many thoughts to rearrange
Together we can change the world, let’s rewrite the page
There are many forms of strong, yet we all must soldier on
Together as one, together as one
For each and every fight, is a chance to so unite
Every lesson in the wrong, it can be rendered right
There is opportunity, be the change you want to see
Let’s set ourselves free, let’s set ourselves free
In time, beyond the impossible
Breaking through every obstacle
By faith from the intangible
Objects, they are exchangeable
Yet lives are irreplaceable
Real change is attainable

Written by Geraldine Taylor ©️

Anom o ly

Non-named, never imagined much less realized

The left hand can't know what the right is doing,
it's a brain matter, grey area, may be a way to
imagine your unique. task, yours, not doable from here

We can do things as us that we never imagine alone.

Is there a need to negate, wait, think,
must one do any act?
Now, I see, emulating Socrates is thought easier than
emulating Jesus. Christ, you know that ain't easy, eh?

Death is the friend of being. Things change from time to time
but, you know knowledge grows in two directions,
the dark part is not evil.
evil is as evil does. The roots that ever live in the earth,
those roots are required, requirements.

Left brain uses the right hand. Don't tell the left-hand
that nearly all it's skill in serving
and being used right,
is used up by the other side.
Right or wrong, is not a chiral question,  nor is good or bad. ******* Phillips's head screws with a butter knife is wrong.
It can be done right, but not if you turn it the wrong way.
Drawing on the right side of my brain has always symbolized a crossroads experience, in my mind.
I mean I draw, realistically, with my right hand, left brain.
Maybe, brains are no easier to analyze than time in an immaterial medium of messaging.

I am certain life wins.
Meaning everything you think life means.
Do you think evil is required as an activity for life to actively be?
I doubt that.
Death fixes everything. Fret not. Wait.

First make room, what was the Bronte word? Penetrium, no, cut n paste
[A]t once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously - I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason - Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half-knowledge.

From <https://www.etymonline.com/columns/post/cloud-of-uknowing>

Happiness demands an agreement
Joy is in process, I agree, I am happy, haps happen and I notice

Note: Bronte was one to tweak fine puns with the word Penetralia: 1. The innermost parts of a building, especially the sanctuary of a temple. 2. The most private or secret parts; recesses: the penetralia of the soul. See Chapter one, Wuthering Heights.
----- From
bronteblog.blogspot.com/2006/03/emilys-penetralium_03.html

He'd been hanging around for some time now, indeed... he'd become rather proficient in that direction of late and although it would probably be rude to point, you could hardly accuse him of loitering... and certainly not with intent, which would have been of some considerable comfort to Norman's Mother, given his current situation, particularly since the latest complication in his otherwise dull and uneventful life, had left him predisposed towards looking a little more drawn in the face than was usual for the time of year and a decidedly deeper shade of green.

     Barely discernible, only the deeper scars now remained to  mar the roadside foliage, bearing scant witness to the motorcycle's recent and untimely misadventure... regrettably with Norman still mounted astride.  Having lost all adhesion with the freshly resurfaced country lane the motorcycle had promptly slewed sideways and across the wet grassy verge before plunging down the wooded embankment, there to encounter its own humbling demise and land in the shallow watercourse below, but it was still early Summer and already the verdant undergrowth had begun to recover.

     At the point where his motorcycle, having determined without deviation or interruption to take the most direct route to its final resting place below and follow the downwardly allure of gravity... Norman being somewhat lighter and more aerodynamic than the former had been propelled, amid a flurry of leaves and twigs headlong through the outermost branches of the nearest tree... and promptly snapped his neck... Far below a dog-eared circular proclaimed 'kidz do it better on wheelz'!!!

       In many ways it was the most handsome beech tree you could ever wish to lay eyes upon, majestic in stature and albeit stationary in nature, was full of life, contrary to its uninvited guest who decidedly was not... but who definitely was just as static as the beech tree... and which by any stretch of the imagination had far more right to be there than Norman did.
  
     The sudden and unforeseen turn of events of the previous forty eight hours had cast grievous, Holiday nullifying inevitability directly into the path of any plans Norman may have prematurely made in that direction... and for the moment at least to be left hanging high and dry in the lush, verdant canopy far above his motorcycle, currently languishing in the sparkling clear waters below... and it has to be said, without so much as a pair of galoshes between them, and having little else to do other than hang around nodding his head in the warm Summer breeze he swayed gently up and down in the light country air.

     Pausing mid-twitch on three legs between Norman's deceased neck and his equally demised shoulders, an inquisitive squirrel was now the prime mover in our eponymous hero's sudden and discontinued modus-operandi as it provoked involuntary nods from Normans head, gestures of consent as the prying rodent set itself to investigate in great detail the darkest, innermost depths of Norman's inside breast pocket.

     Norman's unintentional leave of absence had finally extinguished once and for all any further thought of future remittance towards the outstanding balance due on the motorcycle hire purchase agreement, which as luck would have it was just as well, because his equally unintended leave of absence, so it transpired, had also extinguished Norman... and thereby deprived him once and for all of any further thought of his outstanding ability to pay them or indeed, any further thought at all.

     The squirrel meanwhile, having brushed aside the meagre contents of Normans pocket finally emerged victorious into the subdued light of the dappled canopy, brandishing a hard won paper-tissue proudly clenched between its teeth... before moving on to other, far more pressing matters on the branch opposite... then paused to scratch its ear...  Now it may be of some interest to the reader at this point... or not, as the case may be, but the squirrel allegedly knew a friend of a friend, who incidentally runs the little B&B; further down the road and who would be prepared to swear on Norman's other-worldly life that she'd seen far worse looking faces peering back from the bathroom cabinet mirror of a Sunday morning after a ***** night out with the lads... than anything she could ever possibly imagine exercising squatters rights way above in the majestic beech tree.

     Flies seemed to be one of the few living creatures that morning who hadn't raised any objection to Norman's ill-mannered intrusion... indeed, were currently hatching plans of their own in that particular direction and take intimacy to the next level with regard to lunchtime seating arrangements... and who had assured him from day one, that while their long term prognosis for Norman attaining ***** and independent posture was by no means cut-and-dried, he should nevertheless be moving about, not necessarily under his own steam in no time at all... and by the look of his complexion, it would seem that in the interim period he should be thankful for the company.

     As the balmy Summer afternoon steadily drew to its own happy conclusion Norman, without a care in the world and now in the early larval stage of being in the family way, so to speak and shortly to shed a little life of his own... stared vacantly out at what had recently become his own neck of the woods, rapidly becoming a permanent fixture in the pastoral landscape... and while his sudden relocation may have been a real eye opener for some, for Norman he'd discovered the true meaning of be at one with nature, about the birds and the bees and especially the flies in the trees...  

     So there we must leave poor Norman with his recent and enduring affliction, nodding in the dappled shade of the majestic beech tree, playing host to the countryside and the following seasons crop rotation, leaving his Mum to worry as to whether her Son had fresh underwear that morning... or not as the case may be... the County Constabulary making their door to door enquiries as to Norman's current whereabouts... his former employer re-adjusting next months pay cheque... accordingly and the hire purchase company about to dispatch final demands indiscriminately left, right and centre for financial delinquency.  The only other claim you could probably make with any degree of certainty was that Norman's full-face motorcycle helmet had by no means achieved that which was expected of it for his ultimate well-being that day... and was doing little more than keep his hair dry and his spectacles from slipping further than his chin.
                                                           ­  ­                                                                ­ ­                                                                ­ ­             ...   ...   ...**

A work in progress.                                                        ­                                                     1122

I can imagine her in Aarhus Kunstmuseum coming across this painting, adjusting her glasses, pursing her lips then breaking out into a big smile. The gallery is almost empty. It is early in the day for visitors, but she is a tourist so allowances are made. Her partner meanwhile is in the Sankt Markus Kirke playing the *****, a 3 manual tracker-action gem built in 1967 by Poul Gerhard Anderson. Sweelink then Bach (the trio sonatas written for his son Johann Christian) are on the menu this morning. In the afternoon she will take herself off to one of the sandy beaches a bus ride away and work on a poem or two. He has arranged to play the grand 83-voice Frobinus ***** in the Cathedral. And so, with a few variations, some illustrious fugues and medley of fine meals in interesting restaurants, their stay in Denmark’s second city will be predictably delightful.
       She is a poet ‘(and a philosopher’, she would say with a grin), a gardener, (old roses and a Jarman-blue shed), a musician, (a recorder player and singer), a mother (four girls and a holy example), but her forte is research. A topic will appear and relentlessly she’d pursue it through visits to favourite libraries in Cambridge and London. In this relentless pursuit she would invariably uncover a web of other topics. These would fill her ‘temporary’ bookcase, her notebooks and her conversation. Then, sometimes, a poem would appear, or not.
          The postcard from Aarhus Kunstmuseum had sat on her table for some weeks until one quiet morning she decided she must ‘research’ this Sosphus Claussen and his colleagues. The poem ‘Imperia’ intrigued her. She knew very little Danish literature. Who did for goodness sake! Hans Christian Anderson she dismissed, but Søren Kierkegaard she had read a little. When a student, her tutor had talked about this author’s use of the pseudonym, a very Socratic device, and one she too had played with as a poet. Claussen’s name was absent from any online lists (Were there really on 60 poets in Danish literature?). Roge appeared, and the painter Willumsen had a whole museum dedicated to his work; this went beyond his El Greco-like canvases into sculpture, graphics, architecture and photography. He looked an interesting character she thought as she browsed his archive. The one thing these three gentlemen held in common was an adherence to the symbolist aesthetic. They were symbolists.
         For her the symbolists were writers, playwrights, artists and composers who in the later years of the 19C wanted to capture absolute truth through indirect methods. They created work in a highly metaphorical and suggestive manner, endowing particular images or objects with symbolic meaning. Her studies in philosophy had brought her to Schopenhauer who considered Art to be ‘a contemplative refuge from the world of strife’. Wasn’t this what the symbolists were all about?
         Her former husband had introduced her to the world of Maurice Maeterlinck through Debussy’s Pelleas and those spare, intense, claustrophobic dramas like Le Malheure Passe. It was interesting how the discovery of the verse of the ancient Chinese had appeared at the time of the symbolist project, and so influenced it. Collections like The Jade Flute that, in speaking of the everyday and the natural world, held with such simplicity rich symbolic messages. Anyway, she didn’t do feelings in her poetry.
           When she phoned the composer who had fathered three of her children he said to her surprise ‘Delius’. He explained: C.F. Keary was the librettist for the two operas Delius composed. Keary wrote a novel called The Journalist (1898) based on Sosphus, a writer who wrote plays ‘heavily laced with symbolism’ and who had also studied art and painted in Paris. Keary knew Claussen, who he described as a poet, novelist, playwright, painter, journalist and eventually a newspaper owner. Claussen was a close friend of Verlaine and very much part of the Bohemian circle in Paris. Claussen and Delius’ circle intersected in the person of Herman Bang, a theatre director who produced Claussen’s Arbedjersken (The Factory Girl). Clauseen wrote an important poem on Bang’s demise, which Delius set to music.
          She was impressed. ‘How is it that you know so much about Delius?’, she asked. He was a modernist, on the experimental edge of contemporary music. ‘Ah’, he replied, ‘I once researched the background to Delius’ Requiem. I read the composer’s Collected Letters (he was a very serious letter writer – sometimes 10 a day), and got stuck into the letters of his Paris years when so many of his friends were Scandinavian émigrés. You once sent me a postcard of a painting by Wilhumsen. It was of Clauseen reading to two of his ‘symbolist’ colleagues. I think you’d picked it up in Denmark. You said, if I recall, that you’d found it ‘irresistible’’.
          And so it was, this painting. Irresistible. She decided that its irresistibility lay in the way the artist had caught the head and body positions of reader and listeners. The arrangement of legs, she thought, says so much about a man. Her husband had always sat with the care embedded in his training as a musician at an instrument. He could slouch like the rest of us, she thought, but when he sat properly, attentive to her words, or listening to their sweet children, he was beautiful. She still loved him, and remembered the many poems she had composed for him, poems he had never seen (she had instructed a daughter to ‘collect’ them for him on her passing). Now, it was he who wrote poetry, for another, for a significant other he had said was his Muse, his soul’s delight, his dearly beloved.
          The wicker chair Sophos Claussen is sitting in, she decided, she would like in her sitting room. It looked the perfect chair for giving a reading. She imagined reading one of her poems from such a chair . . .
 
If daydreams are wrecks of something divine
I’m amazed by the tediousness of mine.
I’m always the power behind throne.
I rescue princes to make my own.
 
‘And so it goes’, she thought, quoting that American author she could never remember. So it goes, this strange life, where it seems possible for the mind to enter an apartment in 19C København and call up the smell of brilliantined hair, cigar tobacco, and the samovar in the kitchen. This poem Imperia I shall probably never read, she thought, though there is some American poet on a Fulbright intent on translating Claussen’s work into English. In a flash of the mind’s miracle she travels to his tiny office in his Mid-West university, surrounded by the detritus of student tutorials. In blue jeans and cowboys boots Devon Whittall gazes out of his third storey window at the falling snow.
 
There is nothing in the world as quiet as snow,
when it gently descends through the air,
muffles your steps
hushes, gently hushes
the voices that speak too loud.
 
There is nothing in the world of a purity like snow's,
swan's down from the white wings of Heaven,
On your hand a flake
is like dew of tears,
White thoughts quietly tread in dance.
 
There is nothing in the world that can gentle like snow,
quietly you listen to the silent ringing.
Oh, so fine a sound,
peals of silver bells,
rings within your innermost heart.
 
And she imagines Helge Rode (his left arm still on his right shoulder) reading his poem Snow in the quiet of the winter afternoon at Ellehammersvej 20 Kastrup Copenhagen. ‘And so it goes,’ she thought, ‘this imagination, flowing on and on. When I am really old like my Grandmother (discharging herself from hospital at 103 because the food was so appalling) will my imagination continue to be as rich and capable as it is today?’
          Closing her notebook and shutting down her laptop, she removed her cat from its cushion on the table, and walked out into her garden, leaving three Danish Symbolists to their readings and deliberations.

Listening ears don't come easy
Most come with mouths harbouring wagging tongues
Pouncing on the chance to retell your story
Exploiting your need to empty acrid lungs

Listening ears, they're indeed very rare
Unidentifiable no matter how well you know
Lurking behind a mask of concern and care
Sweet words employed so your cards you'd show

Listening ears could be just a myth
An idiom to quench the thirst to confide
Listening ears sometimes come with fangs for teeth
Hungering and lusting for your trust and pride

Listening ear, oh why you come with a mouth so foul
Why the cunning trickery and unscrupulous deceit
Kindness as bait, when in fact you prowl
Many none the wiser until they are bit

Listening ear, in you I gave my trust
I bared my innermost and gave my all
Hoped that you'd soothe my ailing crust
Instead you lifted me high only to watch me fall

In my shyness . . .
At times I retreat to my "shell,"
Clinging to the security of being alone.

In my shyness . . .
I may attempt to merge with my surroundings--
To be ignored, unnoticed, a silent voice rarely heard.

In my shyness . . .
I can feel completely alone,
Although surrounded by people.

In my shyness . . .
I'm perceived as having a padlocked soul--
And few try to gain entry into my realm.

In my shyness . . .
Few will dare venture to really know me--
To hear my quiet voice or to really try to understand.

In my shyness . . .
I can have a myriad of words to say,
Yet, my sealed lips will not release them.

In my shyness . . .
The words I do speak will at times be jumbled,
And I'll feel worse for having spoken them.

In my shyness . . .
I will be viewed as "stuck up" and unfriendly,
Labeled by the presumption of a troubled past.

Yet, despite my shyness . . .
I will at times emerge from my "shell,"
And you may catch a glimpse of who I am.

And despite my shyness . . .
I may put on a good "front,"
Disguising my innermost insecurities.

Despite my shyness . . .
A select few will manage to penetrate these "walls,"
With the sharing of time and the evolving of trust.

My shyness . . .
Frequently unrecognized, seldom understood--
A shackle, a haven, a veil.

there is a distance
between us
more than distance

something

not a wall
not impenetrable
a fence

a security fence
easy enough for our words
our thoughts
to pass through  
easy enough to breach
from time to time  
to allow access
to our innermost feelings

but so easy
to reinforce

too easy
when things get tough
when doubts arise

when protection
seems more important
than communication

Poetry moves from within our souls,
It's emotions pouring out
Covering us in rhymes and flow,
Like rain from the clouds

Infinite letters, words and phrases
In various permutations we play
Collaboration between heart and mind
Breathed into these pieces that we lay

Touching lives with our written form
Healing with words, what's poetically true
Freedom of expression, thoughts and ideals
Crying out in ink, until our sadness is through

Similar in thoughts but meander through individual routes
We all sing the same but to different rhythm and tunes
Inscribe our innermost but to varying worthy causes
We all draw inspiration but from the same loyal moon

A different form of art, yet art none the same
It's in the eye of the beholder, so they say
Poetry is life drawn in pen, it's not an erasable game
It truly breathes life, looking forward to each new day

**We proudly fly our diverse flags
United under one banner
We revel in words of poetry
In the hopes they'd last forever

Days, weeks, month’s years…..
All I really have to say is that it has come, time has passed me bye but nothing else matters anymore.
October is now behind us all but it’s coldness still remains and it’s not going to thaw anytime real soon.
I saw it all shattered earlier….
As I was heading back home, I saw the brilliance of a perfectly blown proportion, oh yes I had felt something carefully settle its self to the ground and it scattered.
Someone else had tossed it out but how it had landed was completely up to the moment.
Maybe the moment broke a little bit too soon, but not to worry because it didn’t take me long to admire a perfect disaster.
I had let this one slide bye, usually I’ll try and fix things, make good since out of the things that life has broken, but today I did not. I had allowed it all to crash down around me but for this moment alone I for one am still standing.
I stood once before, fell flat on my *** but now I have brought myself up once more, here I will stand until it is time to go someplace else.
It has always been time to pack up, go and leave, always the same as far back as I can remember, but at least I had her then, I had her at the time but I have her no longer because she has packed her bag and she left me her goodbye in a letter she had written as the light died down a little more.
The light died down on the inside and the same familiar coldness has settled in once again surrounding us all.
Flash forward now….
I already knew that he could tell by the marks on my flesh that my life has been built upon sin and agony.
She yearns to know my past,
She wants to know why I am who I am. She wants to know the things that have taken place in my life that has molded and shaped me into my being.
“Life has brought me to this point.” I told her.
“And, there is no turning back now because I am already here.”
She swore she could kiss away these scars…. But it is another secret that I will keep locked away inside along with so much more.
She may one day kiss these scars until they vanish, but nothing can ever make me new again because time has already left its mark upon my body and it has already aged my soul to the core.
Broken, shattered, battered and lost…. I tend to derange the cycle of my life….
Either that or, I am the biggest **** up of 1997 that my parents ever did make that year.
Along came Luke… and 16 years later along came my suicidal tendencies.
I have came a long way baby, and I have nothing more to think about that mistake at this point other than…“**** it I am here.”
I am here at this moment in time, and yes I repeat this life has left its mark on me once again, but long ago the others have left me far behind so today I stand alone in a world that could not give two *****.
I have been dying since the day I was born but yes I DO EXIST.
I do exist but I am somebody else now.
And as I walk through the valley in the shadows of my life, alone I lean against my own wall of darkness as I watch it all pass me bye.
And exactly what is the twist when you are the twist?
KILLER YOU’RE ADDICTED….. killer the blade turns around and now you are using it on yourself. **** it you can cry but no you don’t need any help….
And, what else can you possibly say for yourself when your mind is a nest and your least bad days have come to be you very best? And, as you lie awake you can’t help but wonder what he is thinking and wonder if he is thinking of you….
She had told me this once before, the girl who stands behind the mirror in front of my face, but still so much remains unspoken because I never knew what to say.
BUT…. Perhaps if I could turn back the clock of time to days, weeks, months, or even years ago…. Then maybe I could fill in all of the blank spots of all of the times that I could not speak up.
Mother, father, sister, brother….. Would that be enough to make you proud of this beautiful disaster that I was destined to become?
The times that you have all dropped in and out of my life…. Some moments I can remember were for the better, others for the worse…. Could you have taken me any more serious, really when I said the day is coming that I am going to leave?
And could these years of silence hush away my cries that would put me to sleep?
Do not weep, do not shed one tear if the day ever comes that mother calls and says that I am not here.
You know, I can still remember the very first time I turned to my blade for guidance…. For comfort… for advice.
Although I didn’t know how to take in any of it at the time because it was all much too strong to absorb, but that same blade has grown to be my friend that I could never find in anyone else in this life.
In a pathetic manner, this blade has nurtured me through my at most trials, when I  had nobody else to turn to, my knife was always, always in reach no phone…. Just one on one contact.
I can remember the very first time that I ever realized how very cold the knifes blade was to the touch, and how it would be my own blood that could warm it quicker than anything else, so in a way it’s like I was there for that blade too.
I used to cry until I fell asleep of a night, I cried out to a god that I now realize was never even there to start out with…..
But now, now I cut myself until I drift off someplace else.
Some claim it as ADDICTIVE, no different than drugs or whatever else the good kids of the world are doing these days, but all I can really say to that is LOVE…. Can you really be addicted to that?
I was afraid that day but over the years it has brought me up much stronger then who I was raised to be, that is, somewhere along the line it has killed who it is that I used to be, and alls I gots so say is that I just happened somewhere along the way.
I AM NOBODY’S SON,
I AM NOBODY’S BROTHER,
I AM NOBODY’S FRIEND….
I AM NOBODY’S NOTHING NOW…. Committed till the end.
I now belong to my knife, because my blood is written on his blade.
Sticks and stones may very well break my bones, but words can never change me.
Trust me, I have heard it all before and it is pointless everyone…. Please, you are only wasting your precious breath when you tell me to quit.
I am committed to slowly killing what is left inside of me, surely one blood drop at a time, and when I decide to quit, that decision is mine….
That is, I will be finished when the blade decides that I am really through, but till then everyone is just stuck with me.

Falling in love can make me vulnerable
Vulnerable to rejection, pangs of jealousy, fear of failure
I want relationship, but are so afraid of revealing my innermost self and getting hurt if I do so
Vulnerability ended me up in shutting down intimacy

...An uncomfortable feeling

I tried to appear perfect, strong and in control
In truth it's the opposite of my everything
What if he sees me weak? Submissive? Easily hurt emotionally? Susceptible to sadness?

But if knowing that he sees and loves me for who I am and to see him in all of his vulnerabilities too and still love each other the way we do now....
Then falling in love means having the strength to face vulnerability
Then vulnerability means courage and bravery
Then vulnerability means willingness to face uncertainty, taking the risk to be fully committed with the man I truly love

Vulnerability is inevitable no matter what we do
So does falling in love also is inevitable no matter how we avoid it
Embracing vulnerability may just be one of life’s most fulfilling experience
All the more if it means connecting with the one we love

Then, with all of my vulnerabilities, I am willing to embrace my fears for as long as Im taking the risk of loving the man of my dream
Because my love for him is stronger than my vulnerabilities

Thus, then, did the Achaeans arm by their ships round you, O son
of Peleus, who were hungering for battle; while the Trojans over
against them armed upon the rise of the plain.
  Meanwhile Jove from the top of many-delled Olympus, bade Themis
gather the gods in council, whereon she went about and called them
to the house of Jove. There was not a river absent except Oceanus, nor
a single one of the nymphs that haunt fair groves, or springs of
rivers and meadows of green grass. When they reached the house of
cloud-compelling Jove, they took their seats in the arcades of
polished marble which Vulcan with his consummate skill had made for
father Jove.
  In such wise, therefore, did they gather in the house of Jove.
Neptune also, lord of the earthquake, obeyed the call of the
goddess, and came up out of the sea to join them. There, sitting in
the midst of them, he asked what Jove’s purpose might be. “Why,”
said he, “wielder of the lightning, have you called the gods in
council? Are you considering some matter that concerns the Trojans and
Achaeans—for the blaze of battle is on the point of being kindled
between them?”
  And Jove answered, “You know my purpose, shaker of earth, and
wherefore I have called you hither. I take thought for them even in
their destruction. For my own part I shall stay here seated on Mt.
Olympus and look on in peace, but do you others go about among Trojans
and Achaeans, and help either side as you may be severally disposed.
If Achilles fights the Trojans without hindrance they will make no
stand against him; they have ever trembled at the sight of him, and
now that he is roused to such fury about his comrade, he will override
fate itself and storm their city.”
  Thus spoke Jove and gave the word for war, whereon the gods took
their several sides and went into battle. Juno, Pallas Minerva,
earth-encircling Neptune, Mercury bringer of good luck and excellent
in all cunning—all these joined the host that came from the ships;
with them also came Vulcan in all his glory, limping, but yet with his
thin legs plying lustily under him. Mars of gleaming helmet joined the
Trojans, and with him Apollo of locks unshorn, and the archer
goddess Diana, Leto, Xanthus, and laughter-loving Venus.
  So long as the gods held themselves aloof from mortal warriors the
Achaeans were triumphant, for Achilles who had long refused to fight
was now with them. There was not a Trojan but his limbs failed him for
fear as he beheld the fleet son of Peleus all glorious in his
armour, and looking like Mars himself. When, however, the Olympians
came to take their part among men, forthwith uprose strong Strife,
rouser of hosts, and Minerva raised her loud voice, now standing by
the deep trench that ran outside the wall, and now shouting with all
her might upon the shore of the sounding sea. Mars also bellowed out
upon the other side, dark as some black thunder-cloud, and called on
the Trojans at the top of his voice, now from the acropolis, and now
speeding up the side of the river Simois till he came to the hill
Callicolone.
  Thus did the gods spur on both hosts to fight, and rouse fierce
contention also among themselves. The sire of gods and men thundered
from heaven above, while from beneath Neptune shook the vast earth,
and bade the high hills tremble. The spurs and crests of
many-fountained Ida quaked, as also the city of the Trojans and the
ships of the Achaeans. Hades, king of the realms below, was struck
with fear; he sprang panic-stricken from his throne and cried aloud in
terror lest Neptune, lord of the earthquake, should crack the ground
over his head, and lay bare his mouldy mansions to the sight of
mortals and immortals—mansions so ghastly grim that even the gods
shudder to think of them. Such was the uproar as the gods came
together in battle. Apollo with his arrows took his stand to face King
Neptune, while Minerva took hers against the god of war; the
archer-goddess Diana with her golden arrows, sister of far-darting
Apollo, stood to face Juno; Mercury the ***** bringer of good luck
faced Leto, while the mighty eddying river whom men can Scamander, but
gods Xanthus, matched himself against Vulcan.
  The gods, then, were thus ranged against one another. But the
heart of Achilles was set on meeting Hector son of Priam, for it was
with his blood that he longed above all things else to glut the
stubborn lord of battle. Meanwhile Apollo set Aeneas on to attack
the son of Peleus, and put courage into his heart, speaking with the
voice of Lycaon son of Priam. In his likeness therefore, he said to
Aeneas, “Aeneas, counsellor of the Trojans, where are now the brave
words with which you vaunted over your wine before the Trojan princes,
saying that you would fight Achilles son of Peleus in single combat?”
  And Aeneas answered, “Why do you thus bid me fight the proud son
of Peleus, when I am in no mind to do so? Were I to face him now, it
would not be for the first time. His spear has already put me to Right
from Ida, when he attacked our cattle and sacked Lyrnessus and
Pedasus; Jove indeed saved me in that he vouchsafed me strength to
fly, else had the fallen by the hands of Achilles and Minerva, who
went before him to protect him and urged him to fall upon the
Lelegae and Trojans. No man may fight Achilles, for one of the gods is
always with him as his guardian angel, and even were it not so, his
weapon flies ever straight, and fails not to pierce the flesh of him
who is against him; if heaven would let me fight him on even terms
he should not soon overcome me, though he boasts that he is made of
bronze.”
  Then said King Apollo, son to Jove, “Nay, hero, pray to the
ever-living gods, for men say that you were born of Jove’s daughter
Venus, whereas Achilles is son to a goddess of inferior rank. Venus is
child to Jove, while Thetis is but daughter to the old man of the sea.
Bring, therefore, your spear to bear upon him, and let him not scare
you with his taunts and menaces.”
  As he spoke he put courage into the heart of the shepherd of his
people, and he strode in full armour among the ranks of the foremost
fighters. Nor did the son of Anchises escape the notice of white-armed
Juno, as he went forth into the throng to meet Achilles. She called
the gods about her, and said, “Look to it, you two, Neptune and
Minerva, and consider how this shall be; Phoebus Apollo has been
sending Aeneas clad in full armour to fight Achilles. Shall we turn
him back at once, or shall one of us stand by Achilles and endow him
with strength so that his heart fail not, and he may learn that the
chiefs of the immortals are on his side, while the others who have all
along been defending the Trojans are but vain helpers? Let us all come
down from Olympus and join in the fight, that this day he may take
no hurt at the hands of the Trojans. Hereafter let him suffer whatever
fate may have spun out for him when he was begotten and his mother
bore him. If Achilles be not thus assured by the voice of a god, he
may come to fear presently when one of us meets him in battle, for the
gods are terrible if they are seen face to face.”
  Neptune lord of the earthquake answered her saying, “Juno,
restrain your fury; it is not well; I am not in favour of forcing
the other gods to fight us, for the advantage is too greatly on our
own side; let us take our places on some hill out of the beaten track,
and let mortals fight it out among themselves. If Mars or Phoebus
Apollo begin fighting, or keep Achilles in check so that he cannot
fight, we too, will at once raise the cry of battle, and in that
case they will soon leave the field and go back vanquished to
Olympus among the other gods.”
  With these words the dark-haired god led the way to the high
earth-barrow of Hercules, built round solid masonry, and made by the
Trojans and Pallas Minerva for him fly to when the sea-monster was
chasing him from the shore on to the plain. Here Neptune and those
that were with him took their seats, wrapped in a thick cloud of
darkness; but the other gods seated themselves on the brow of
Callicolone round you, O Phoebus, and Mars the waster of cities.
  Thus did the gods sit apart and form their plans, but neither side
was willing to begin battle with the other, and Jove from his seat
on high was in command over them all. Meanwhile the whole plain was
alive with men and horses, and blazing with the gleam of armour. The
earth rang again under the ***** of their feet as they rushed
towards each other, and two champions, by far the foremost of them
all, met between the hosts to fight—to wit, Aeneas son of Anchises,
and noble Achilles.
  Aeneas was first to stride forward in attack, his doughty helmet
tossing defiance as he came on. He held his strong shield before his
breast, and brandished his bronze spear. The son of Peleus from the
other side sprang forth to meet him, fike some fierce lion that the
whole country-side has met to hunt and ****—at first he bodes no ill,
but when some daring youth has struck him with a spear, he crouches
openmouthed, his jaws foam, he roars with fury, he lashes his tail
from side to side about his ribs and *****, and glares as he springs
straight before him, to find out whether he is to slay, or be slain
among the foremost of his foes—even with such fury did Achilles
burn to spring upon Aeneas.
  When they were now close up with one another Achilles was first to
speak. “Aeneas,” said he, “why do you stand thus out before the host
to fight me? Is it that you hope to reign over the Trojans in the seat
of Priam? Nay, though you **** me Priam will not hand his kingdom over
to you. He is a man of sound judgement, and he has sons of his own. Or
have the Trojans been allotting you a demesne of passing richness,
fair with orchard lawns and corn lands, if you should slay me? This
you shall hardly do. I have discomfited you once already. Have you
forgotten how when you were alone I chased you from your herds
helter-skelter down the slopes of Ida? You did not turn round to
look behind you; you took refuge in Lyrnessus, but I attacked the
city, and with the help of Minerva and father Jove I sacked it and
carried its women into captivity, though Jove and the other gods
rescued you. You think they will protect you now, but they will not do
so; therefore I say go back into the host, and do not face me, or
you will rue it. Even a fool may be wise after the event.”
  Then Aeneas answered, “Son of Peleus, think not that your words
can scare me as though I were a child. I too, if I will, can brag
and talk unseemly. We know one another’s race and parentage as matters
of common fame, though neither have you ever seen my parents nor I
yours. Men say that you are son to noble Peleus, and that your
mother is Thetis, fair-haired daughter of the sea. I have noble
Anchises for my father, and Venus for my mother; the parents of one or
other of us shall this day mourn a son, for it will be more than silly
talk that shall part us when the fight is over. Learn, then, my
lineage if you will—and it is known to many.
  “In the beginning Dardanus was the son of Jove, and founded
Dardania, for Ilius was not yet stablished on the plain for men to
dwell in, and her people still abode on the spurs of many-fountained
Ida. Dardanus had a son, king Erichthonius, who was wealthiest of
all men living; he had three thousand mares that fed by the
water-meadows, they and their foals with them. Boreas was enamoured of
them as they were feeding, and covered them in the semblance of a
dark-maned stallion. Twelve filly foals did they conceive and bear
him, and these, as they sped over the rich plain, would go bounding on
over the ripe ears of corn and not break them; or again when they
would disport themselves on the broad back of Ocean they could
gallop on the crest of a breaker. Erichthonius begat Tros, king of the
Trojans, and Tros had three noble sons, Ilus, Assaracus, and
Ganymede who was comeliest of mortal men; wherefore the gods carried
him off to be Jove’s cupbearer, for his beauty’s sake, that he might
dwell among the immortals. Ilus begat Laomedon, and Laomedon begat
Tithonus, Priam, Lampus, Clytius, and Hiketaon of the stock of Mars.
But Assaracus was father to Capys, and Capys to Anchises, who was my
father, while Hector is son to Priam.
  “Such do I declare my blood and lineage, but as for valour, Jove
gives it or takes it as he will, for he is lord of all. And now let
there be no more of this prating in mid-battle as though we were
children. We could fling taunts without end at one another; a
hundred-oared galley would not hold them. The tongue can run all
whithers and talk all wise; it can go here and there, and as a man
says, so shall he be gainsaid. What is the use of our bandying hard
like women who when they fall foul of one another go out and wrangle
in the streets, one half true and the other lies, as rage inspires
them? No words of yours shall turn me now that I am fain to fight-
therefore let us make trial of one another with our spears.”
  As he spoke he drove his spear at the great and terrible shield of
Achilles, which rang out as the point struck it. The son of Peleus
held the shield before him with his strong hand, and he was afraid,
for he deemed that Aeneas’s spear would go through it quite easily,
not reflecting that the god’s glorious gifts were little likely to
yield before the blows of mortal men; and indeed Aeneas’s spear did
not pierce the shield, for the layer of gold, gift of the god,
stayed the point. It went through two layers, but the god had made the
shield in five, two of bronze, the two innermost ones of tin, and
one of gold; it was in this that the spear was stayed.
  Achilles in his turn threw, and struck the round shield of Aeneas at
the very edge, where the bronze was thinnest; the spear of Pelian
ash went clean through, and the shield rang under the blow; Aeneas was
afraid, and crouched backwards, holding the shield away from him;
the spear, however, flew over his back, and stuck quivering in the
ground, after having gone through both circles of the sheltering
shield. Aeneas though he had avoided the spear, stood still, blinded
with fear and grief because the weapon had gone so near him; then
Achilles sprang furiously upon him, with a cry as of death and with
his keen blade drawn, and Aeneas seized a great stone, so huge that
two men, as men now are, would be unable to lift it, but Aeneas
wielded it quite easily.
  Aeneas would then have struck Achilles as he was springing towards
him, either on the helmet, or on the shield that covered him, and
Achilles would have closed with him and despatched him with his sword,
had not Neptune lord of the earthquake been quick to mark, and said
forthwith to the immortals, “Alas, I am sorry for great Aeneas, who
will now go down to the house of Hades, vanquished by the son of
Peleus. Fool that he was to give ear to the counsel of Apollo.
Apollo will never save him from destruction. Why should this man
suffer when he is guiltless, to no purpose, and in another’s
quarrel? Has he not at all times offered acceptable sacrifice to the
gods that dwell in heaven? Let us then ****** him from death’s jaws,
lest the son of Saturn be angry should Achilles slay him. It is fated,
moreover, that he should escape, and that the race of Dardanus, whom
Jove loved above all the sons born to him of mortal women, shall not
perish utterly without seed or sign. For now indeed has Jove hated the
blood of Priam, while Aeneas shall reign over the Trojans, he and
his children’s children that shall be born hereafter.”
  Then answered Juno, “Earth-shaker, look to this matter yourself, and
consider concerning Aeneas, whether you will save him, or suffer
him, brave though he be, to fall by the hand of Achilles son of
Peleus. For of a truth we two, I and Pallas Minerva, have sworn full
many a time before all the immortals, that never would we shield
Trojans from destruction, not even when all Troy is burning in the
flames that the Achaeans shall kindle.”
  When earth-encircling Neptune heard this he went into the battle
amid the clash of spears, and came to the place where Ac

Sun cascading through the window,
The Mountains my blanket
Everything in its right place, and I in mine
For surely life is a wonderful thing
and I am no mistake.

Can a person be defined by a word? Can we, in reality chain a person to one word, or even a great sum of words? Can all that is encompassed within each individual human being, be summed up with a word, a description, a label? For the very meaning of word is a unit of language, consisting of one or more spoken sounds or their written representation, that functions as a principal carrier of meaning. Are words the most effective "carrier of meaning"? Or is it possible that there might just be something more, something deeper? This makes me think of the quote from The Mozart Effect, where Don Cambell says, “On the psychiatrist’s couch, the board of the local PTA, or at a job interview, we strive to assert our identity as strong, independent persons, our persona or public mask—all from the Greek roots per son, or ‘the sound passes through.’” Our very core nature is that we desire to hear a vocal confirmation of who we are and labeling ourselves and others with words, gives us a false security. The way we are labeled and seen and judged passes through us, it effects us to our core. When someone “fails” they are then in turn labeled a “failure”? My question is, by labeling a person who has made mistakes, or is even continuing to make mistakes a f a i l u r e , are we really encompassing all that is within them when we say the word “failure” and chain it around their neck? Is every action that they have done a “failure”? Do they not also have things that are successful about them, and isn’t simply their state of being a success?

I am convinced that we are all on the same level, one person no greater than another person. No person a mistake, no person a failure. For let us all challenge ourselves to not define people but rather feel them, seek to understand them. Let us really see them, for who they are, not for who we think they are or what we may see. Like the quote from T.S Elliot’s book Family Reunion, where it says
“I tell you, it is not me you are looking at, Not me you are grinning at, not me your confidential looks incriminate, but that other person, if person, You thought I was: let your necrophilia feed upon that carcass.”

Or the quote from the Invisible Man,
“I am an invisible man. No, I am not a ***** like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasm. I am a man of substance, of flesh and bone, fiber and liquids- and I might even be said to posses a mind. I am invisible; understand, simply because people refuse to see me. Like the bodiless head surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination-indeed, everything and anything except me.”


These are both excellent examples of how our own judgments, preoccupation with our problems or ourselves, anything and everything, can distract us from really getting to know someone, to understanding them in the cell of their heart. For if we were silent and simply allowed the music of life surround us, we would listen and hear, the people when they spoke. For “to listen is to vibrate together with another human being.” And how eloquently Lao Tzu said that, I can’t think of a better way to describe what I am trying to say. What a provocative way to think about the simple act of listening. Think of feeling what people are saying as two harps being played in perfect unison, vibrating together. To really hear someone we must reach a place where we can be receptive to whom they really are, throwing aside our preconceived ideas.

How could we take the sacred and beautiful act of listening and distort it into something that is so uninvolved, so impersonal? How can we, how can I, constantly throw away the precious gem that is to listen, only to pick up the garbage of judgment and lack of concern? I’m convinced that constantly doing this has left quite a toll on the human race. When was the last time you felt that someone got you, really got you, or saw past your flaws or the masks you wear and simply heard you, felt your pain, knew where you were coming from, simply was just there with you? Chances are it’s probably not often. I believe that no matter the outward appearance or what people do that it’s the state of their heart that matters. We are all fallible because we are h u m a n, so when people in their own state of humanity, hurt us, let us choose not to take offence, but rather choose to see past our own pain and see their own pain that caused them to hurt us.

I believe there is beauty in our shortcomings, and humanity. Not that we continue to remain the way we’ve always been but rather accept that we are flawed and that can’t do this on our own, and then we will begin to grow. In our state of being humbled and broken, we grow, we change, we transform. Slowly and surely as the flower that springs from the cold ground and bursts forth from it’s shell and becomes something completely different, we as humans will break through our own “shells”. First we must admit that we have flaws for this process to begin. Being flawed is beautiful because it’s something everyone shares. We’ve all been hurt, but once we come to the place where we understand the pain behind the flaws and see how we can’t possibly judge anyone because we all have flaws, we all have failed.

We are all equals. We are all connected. We are all sons and daughters of humanity. We are connected to the earliest of times and the latest of times.

What happens to someone on the other side of the earth does in fact, effect us. I believe because we are numb to the reality of that connection, never listening, never feeling, that we miss the beauty of this great fellowship of human beings. When we isolate ourselves, not only are we denying ourselves that desire to b e l o n g that dwells in our innermost being, but we also can begin to elevate ourselves over another person. Which leaves me to wonder why we spend our lives awarding ourselves for being better then the person next to us, not doing what they did, when shouldn’t we be listening to them, hearing them, seeing them for who they are in their own brokenness, and helping them through?

We spend our lives harboring anger towards and event, person, or even ourselves and judging and comparing ourselves on a made up idealistic scale to define our worth. We are already worth so much simply because we are humans, and we are alive. Is not even a single rose still admired by the gardener? We are special, and if someone were to bring all the wealth of the world to offer for one person, or to measure the worth of that person, it would not even begin to compare to our worth, no matter our mistakes or who we are.

Just as we hurt and long to be accepted and approved of, so does the person that has hurt you or the person you see yourself as better then. Do we not feel our connection to humanity when we feel the sense of deep loss in our spirit, our innermost being, when our actions cause pain to another person? So since we are all one, all connected, why not shower people with love and grace and feel them, feel with them, instead of labeling them and trying to judge ourselves against them.

We have exhausted ourselves by denying ourselves the basic needs to be known, loved, heard, connected, and accepted, for far too long. It’s time for change, in both my life and the lives of those around me. We’re beaten and bruised from holding on to our anger, relentlessly trying to gain approval, judging our own mistakes and comparing them to others to see if our mistakes were ‘slightly less bad then those of the other person’. If we would set aside those chains that imprison us, and allow ourselves to feel the pain of others, allow them to see our own pain, then, although we will never reach perfection, we will grow, the deep yearnings and aches of our body crying out to be known and our pain from the wrongs done to us will stop.

If we’re willing to bare the burden of feeling with someone, or simply allowing ourselves to just be, exist, beside someone who’s hurting and be open to simply let the sound, the vibrations of their words penetrate our souls, then, and only then will our lives and the lives of others be drastically changed for the better. It would be infectious; spreading to every person we came into contact with, causing a worldwide revolution.

So what I’m saying is even after all this, I believe in changed lives, I believe that our impact on others is far greater then we will ever know.I believe that one single person, no matter how flawed, who stops for one moment and simply listens to another human being, and sees them as they are, then proceeds to reach inside their chest to reveal their beating, heart, alive and full of dreams, will change that person forever, whether we see it right away or never see it. It's the same in our lives, we may never see the fruits of our labor, but we must focus on the goal and not the distance needed to reach our goal. We impact people. When we judge people or don’t see them for who they are, they become dead to us, they can no longer change into who they were meant to be, or we simply do not hear them, the passions and dreams are not awakened, and in doing this, we are robbing ourselves the joy of knowing someone, investing in them, and seeing them change and they feel the effects too.

We all need to be awakened from being the living dead, to a state of constant awareness of our body and all our senses and the surroundings around us, the people around us. People as a whole are hurting so deeply, and I believe that one person can in fact change that. All it takes is one [broken] person to spark the flame and soon, others, much like kindling for a fire, will catch ablaze. I believe, that we must allow ourselves to climb into another person’s skin and feel, and see the world as they do.

We must realize that we are no better then one another, for we are all broken and need one another. I believe that no one is hopeless, no one a lost cause, for if we take the time to listen to them and care for them, something in them will change no matter what we may see on the outside. In this investing and caring, listening and feeling, seeing and believing, we will awaken in both the people around us and in ourselves the dreams which we thought for so long to be dead, and the world will see change like it has never been seen before in history.

I’m not saying that I have any of this down pat, I’m not by any means a model for not judging someone and seeing them and hearing them. If anything, I am the complete opposite of this consumed in my own problems and too busy to stop and feel. This is my apology of some sort to those i have hurt, and giving recognition to those who have helped me along the way. So thanks for believing in me. I believe that it’ll take some time, but that I can and will gradually change into someone who is aware of people around them, someone who is awakened. Even when my actions, are completely opposite of everything I’ve just talked about, there is still a part of me that is quietly reminding me to humble myself and see myself for who I am, no more, no less, and then see others for who they are. Somehow, I’m going to get to where I want to go, and I’m going to become who I want to become, I just have a lot of judgmental ideals, preconceived ideas, bitterness, pain, and self-absorption to leave behind to step into who I want to become. So I’m going to commit to this journey even if it means sometimes the only thing I can do is just be, in my failures and my success, and even when the pain seems unbearable, it is my deepest desire to stay on this path. I want to change and help the people around me, but before I can do that I have a lot of work to do.

Prelude  PART I


"Today when the threat is looming, as close apocalyptic years approach, it will be by cohabiting itself and the ruining valley of debris, which will make this world corrupted the next issue of the numeral scale of the new count, a rising hyperspace , concerning the parts of the kingdom of God ... "

Then on the Lord's day, John saw the glory of the risen Christ, and she understood from the point of view of God, he saw that the fate of the Church and threatened in the first persecutions took the appearance of a dark beginning.
And the time John wrote the Evangelist, including books were Jews called Revelation, that is, "Revelations". With fantastic images of monsters, angels and cataclysms, evidence of the Jewish people are stressed and are invited to await the judgment of God who intervenes from heaven with all his power.  So my beloved world is harsh and does not represent an apocalypse, but it is the true reality is when I will bear its overwhelming slaughter.

" Today when I walked with my winged feet near my friend Victor, I confided down the road crushed by afflictive legs; how difficult the taste of laughter when the decadent surrounds you, the human, the vile, the loose ...
Even though the celestial charisma invoke his memory and help nourish the weakness of Robert in hyperspace, with clean clothes, I can see his beloved mother consumed as automaton can take care of him. She is also her father, because it carries rooted in its members and manners, infinitely sharp look; in their arms they will gather wherever his soul is under his patronage that lives there ..."
I am  who  say that Roberto is a dog, who bears all the faces of dogs humble and serene. Perhaps tired of hearing young people, it is flush adults who do not accept, and who do not share as young faces were watching them, getting them to receive them what they should disclose them.
This is how we are numbed and distraction is fleeting, and he looking aside in his astrayed, he would be saying ...:
"Among the cradle and the grave I have a feeble scaffolding, and then complains, though his other I demolishes; unsconcient defends his executioner ... that the threat of death is its widespread depravity, which dominates it and want to go on like mortifiying.

      I want to talk about life ..., he said in his short years of life, which is more of it; possibly coming to complex, what our Somatic territory responds in normal or involuntarily. Comparative anatomy, and its innermost portion, the link body and mind, as a pure white as Samadhis and nature.
Homeostatic factors regulating our vitality, making its experimental modification, increasing to evolution, or maturation as a criterion of personal psychology go with the passage of time into in the depths of our mind.
Thus in a known threshold of Vedic architecture, its sensitivity is excited by regulating the effectiveness of the response to be made ... and everything related to the world of Ludwig Garroch; brother Robert in his strange Emigrate.
Yesterday when my arms away from hers, my fingers pounding away and recording what the heart more than a song, was a symphony sonata with a single end, long and sustained movement; It was the adage inner melancholy with an eye romanticism, which dominates the
passions of the visible world, which inhabits Antonieta, causing me, unbalanced living.


                                       CHAPTER I


In the beginning years of his childhood, little Ludwig sitting at home, in the gallery. Ask her aunt who was ironing ... Madelain, how I would always be a child of five ...?, And being as such, a privileged to receive toys for many years. Attentive aunt, maybe go to hear with little complacency as his hands only want unroll clothes.
After two years at the age of seven, when her aunt arranging his coat to go to Mass, she teaches a carol that had been taught in childhood. When many wondered whether there is a Santa Claus ...?, And among his friends they looked to unravel the mystery. One year later, when he enjoyed his unicycle, who just dominated him, called him a cousin telling her it was her birthday. He did not hesitate to go to find out what was behind the call, so he found the means by which we celebrate, we live and cooperate towards happiness and delight to have us at each other.
Not long after a friend told him .. "You do not have ten years are too big And Ludwig thought he was well endowed and well stopped, so not your friend was wrong in the above. It is my label and my stance has put the world on me.
Every passing day came the stamp of manly character, a woman or girl who made change her hairstyle, and he did dress more attractive every day.
Later, in his teens, his gaze was well received and their voices radiated security screening. Where He must continue the line of men. Even when I was living as smoothly, looks out strong destination with which calls us to live with skin clean or *****, because it is inside the feeling and the pain does not come out, it is enclosed by the overflowing affection. Here is the portion of good or evil haunting things casual and destroys the healthy, it fertile.

                                        
              ­                           CHAPTER II


Then was a year with a sports compensate pleasant summer sated outdoors, almost fugitive ... will not wonder that life smiled on him serfdom, and very willing opened his prudence.
Every time I decided to go to his favorite places, he went with his burly comrades in the best mood to conquer optimistically. Thus, no wonder he wanted when he was alone and put your reasoning judiciously, because nothing is distant, nothing is impossible.

After unite desires and forces, to clean your bike, piece by piece, in full sun know much security would not allow the mother of vices ruin their fun, that scarce alive to possess the desire to move and go on compliance instinct. Casts on itself, the vigor of the inner, its desolate world full of free enthusiasms who obey no doubt the vital complex activity.
Ludwig and entering the maelstrom of men love hate Godson, you can glimpse the friction with the air, with people ... I wore. That their voices heard their soul contracts, and thus puts light feet towards an acceleration which does not afflict his troubled stomach, nor regret his decision and put fearful, but, bring himself retained encouragement of his mind to remember the maternal cooing, comfort and timely relief to protect forever the suffering, the suffering of torment without end, not he shut the inspiration of the good man that no harm will result, and not for nothing the valence of living and not quarrel prancing. No existing could shed some light on what role, and that little thought is not complicated, and thus shown kneeling and unable to distressing oppressors and agents tangled conduct to chaos, those characters of ambition and discrimination.
Ludwig, who lives in the Ecologist City, where large forest ... budded, is home jungle floral site, whose relations are flowers, trees ..., next to Strange birds migrate flower in her intra nature reproduced, and pods evacuated by butterflies.
His close friend, is the watery and salty sea, which is beloved because he falls in love, puts on alert and curses him by his surroundings and invoking him. Anyway, it dwells wherever it is, and is accepted as a basic element of the universe.

                                    
                                         CHAPTER III

The act of tender love would be fulfilled later ..., what his voice fell silent and had his eyes and heart fortify, which will be linked from far inside.
At night, with Roderick going to a festive night, they climbed the rungs center alone, with heat in his shirt skin later. And in a deliberate action, someone asks you a sign that taking care tired and distinguishing see that John was his friend, school mate. He did not hesitate, he approached, greeted him and his sister and a cousin when she noticed well, he saw that he wore perfect for your night.
Debra wore elegant, dark clothes and sang with her dark brown wavy hair; his white brunette and harmonious ****** complexion line, gave her constant reflection. Fate was present, as it would not go around the world to be looked at by someone, he would watch his choice. Little was said, he only realized he was not passing and North America came eleven years ago.


They roasted the hours and the party ended, Ludwig remained with her new friend and his old friend John. They went downstairs, thinking about committing his new friendship, as I had noticed a slight interest in it. This happened and the meeting lasted for several hours.
The next day, he went to see her lawns roads where she lived, always with its mystique and kneeling the beast that wanted to impose upon him, that gives it excessive materialism unloved peace.
She arrives at her house, which was to John, though not very comfortable, but sure to please and attentive to host it.
And that night said much that was the tender feeling and liking her, but as his policy was rigid and concerning celibacy, only mattered to him, the unknown world of madness in his brawling to survive.
Time passed and deepened love, Ludwig went to say goodbye to his beloved, especially that he had faith, but that day would betray him. And so I wanted to put his heart and iron sleep peacefully, but Debra no secret  to tell ...:

"Ludwig, do not abandon our own, we must have faith, and I understand what it is. Ludwig rested and then brought her hands to her, hugged her and kissed all over her face, covering her eyebrows, nose, forehead, mouth; his lips positions in the middle of it, wanted to feel her warmth and tell her he loved her and would miss a lot of pain. But there was no show weakness, he must be strong and not to complicate the farewell from North America. Mourn scared him, because he had forged the feeling, because his aching grief was deep and it was at an undetermined point, with great desire to hold her and kiss over his face.
So ever, it was unbearable, she would like to die in his memory and had to remember in the collective thinking of his family circle. Which it fits the feel shivers ideas with sensations, such as the best in its inherent upstart point.

It was hard, as if more than man Ludwig out the feminine side of himself. But irremediable was the end, eager poisonous reaper approached. Ludwig hugged her, kissed her and stroked her right breast ... saying: "Do not forget me ..." and so left. Then he wrote her, that madness had transformed her away, but the distance was prevented against carcinoma being all postponed.
To know he could not boil your blood heavy thinking, they were contracted muscles. When he relaxed, he saw back through the hatch of his head, the soul that was in an ****** tragic holocaust, where Eros tenaciously and rebellion dictated its laws. Ludwig slept, and consciousness became natural color, as if it were safer, eternally fresh and manufactured this dream a poem ...:  

" That one corresponding to the celebration,
I wish to reunite with enthusiasm and strength ...
touching eyes closed
the sad sky, the dry ground, dried flowers
and people backward habits.

As meaning if it takes itself ...,
is the meaning
although they are scattered
in flows oppressions ...
the animosity of delight just widow and desultory,
losses and more losses at the time of aging ...
and profits to appease others.

For more like,
there seems to be a big drop ...
the same credibility ...?
and setting as a feeling
remain imagination stationary.

As hard it corresponds to the body,
It is destroyed inside ...
and hardened thoughts
tears falling to the esophagus,
without recognizing either way.

Who the pace of living is customizable,
and no opportunity is lost ...
but growing and creative
rears its profile,
as an unforgiven mirage. "


    Have been and unrestless forms of peremptory perceive, and when it starts to wander in my solitude, transporting my sorrow with grief, wherever I go I will take silent and vivifying separation completes the probable brain, which lives and endures in avidity stamped man with his need to want the Lord's command that made me forge this creation .--- he told himself, as a witness epilogue of his poem, albeit as the cry to its essence it was about. Originally from the Ecologist City, where reigned the wise and calm, where he healed their diseases, which has dodged the putrefaction of their wounds, where you inhale the aroms most want and cordoned off its without a grave lack of soft and flowering odour.
To believe missing, do not be afraid and trust that will grab everything, that not a drop of air was not lost on her fingers, which will not fail to display their imaginative stuff Alma Mater.
With all their eating, you want to cure your bad like venereum, and would go into the hands of a counselor or a warlock who extirpated the curse. Heal her feet and hands to despair, to heal the memory of his thought that I seasoned and voluptuous breaks the veins of his caleter, which seems not of it like a dwarf be provided with a dagger will break their venal, and this to commit such surgery, he laughs loudly with garnets eyes, full of the worst evil.

And this way Ludwig Garroch, vague without fear of rags, without fear of hunger or the messiness, only idles so that someday I can walk on the water surface, leaving their hydrocentric footprints where plankton reverence their sense of pain, his infarcted heart , her long fingernails of violence.


TO  BE CONTINUED….

Sometimes I feel **** alien, even in the
Most familiar of surroundings.
Instead of spinning, pointing,
Naming everything Home,

I shut myself, and turn inward.
Day after day the first one at a
New school in a foreign country,
As far from a cool kid as the

Overweight teacher's pet with a
Stutter. I don't even know how to
Speak my own name in their
Incomprehensible language.

Nothing here is for me, and
At least E.T. had a home to phone; all
I have is the space i possess as I walk
Through it, eyes firm on borrowed

Footing. No single road leads to my
Rome, and somewhere inside the
Timelessness of my innermost, the
Old, old man watches the young'uns

Talking, dressing, adressing,
Preferring, doing it all the way
Young'uns do, with pale, tired eyes
And simply just

Can't, -tries, but- just doesn't
Understand.

THE STORY OF SARA


AYAD GHARBAWI


CHAPTER 3: BEING AN ACTIVIST

  
Gradually, we become ever more radical in our burning quest to uproot every conceivable element of the corrupting culture of the oppressors.
  We soon started to call these oppressors 'Pigs', because that is exactly what they were: overweight, bloated, filthy animals who live simply eat and consume all day, and who love to live in their own excrement.
  The Pigs had to be removed, because you cannot negotiate with a pig.
  It was so obvious to me!
  Some people did, indeed, argue that diplomacy and negotiations were the way to achieve our blessed equality-based society, but that was pure idiocy to me; because, for Heaven's sake, a pig will remain a pig and cannot become an 'enlightened' pig! These criminals, who are creating poverty, and who are killing people, because they do not allow them decent health services, must be completely eradicated, or else, ordinary people will continue to suffer.
  One day I heard Tony give a speech in front of a huge audience: "There's no point in cutting the tail of the snake. No, you must go straight for the head, and that's how you **** it!" And there ensued roars and cheers, from the mainly young crowd. "And, if someone is trying to **** you, what do you do? Negotiate? Talk to them? No, you **** them first, that's what you do! That's who the Pigs are, my friends. They are out there killing you, and so many of you tonight are simply not even remotely aware that you are dying slowly – so, you must, first of all wake up, and realize that someone, somewhere, is draining out the blood of your life, and next you must identify the cancer that is killing you. So, who's the cancer?" Tony screamed, and the by now delirious crowds immediately responded with a thunderous and hate-filled, "Pigs! Pigs! Pigs!"
  "The Pigs talk and teach us about 'morality' and 'respect' and 'decency', and other subjects like that. That's laughable now, isn't it?! I mean, the blood stained mass murderer is teaching us etiquette here?!"
  "No! No!" roared back the audience. "**** the pigs! **** the pigs!" they suddenly and somehow instantaneously started to chant. So, I must correct what many people think about Tony, and that is, he 'invented' and popularized that phrase, '**** the pigs". No, he didn't; it was the audience that night who spontaneously came up with that really exciting and vibrant phrase!
  From then on, violence became more common along with the never ending chants – if not screams – of '**** the pigs!' Every day, and all over the country, the movement had flourished, and there were the most refreshing and gloriously destructive riots in almost every major city.

  It was at this time that I first heard a speech from Omar.
We waited for the man to appear, but he seemed nowhere to be found.
  My God, I heard from so many people that he was the most radical in the deepest sense of the word!
  Apparently, he made Tony sound like a child!
  He also had a well disciplined party – unlike Tony.
  Here was a place that I can find the ‘cause of my life’!
  I could work for Omar and that would be the point of my life!
  The thought thrilled me – because I was already a convert to their ideas, but with Omar, there was a real party that was actively fighting the government, whereas Tony and other leaders like him were independent activists, but with no party behind them.
    Then, Omar suddenly appeared.
  He was of medium height, average looks - but it wasn’t long before you noticed his inexpressibly burning, fanatical eyes!
  I was about a few metres from him, and I could feel the sheer intensity of passion and rage within those eyeballs!
  This man must have absolutely the words of truth, for no Man could look like that and be a liar!
And then he gently spoke:
  "**** the pigs, I hear you say. Well, that's not good enough for me. People like that make me yawn. And, I'm bored of yawning every day. We need more. We need to move on faster. I need speed. It's not just '**** the pigs', it's '**** the cops!', because the cops defend the Pigs and attack us every day; '**** the teachers!' because every teacher does nothing except to teach us with pointless information'. And, '**** every human being' who sides or serves the establishment!”.
  Omar’s eyes were literally able to stab right through your heart and soul simply by staring at you!
  I can well imagine that my reader will not believe me and will say it was because I was a convert to Omar’s ideas that I found his eyes to be so abnormally powerful – but, what do you say to all those people who did not like him, and who met him, and yet, they, too, all said that his eyes were profoundly piercing?!
  So, you see, reader, do believe me – it’s not because I was emotionally enthralled by Omar, that I am describing him to you the way I do!
  He had beautifully framed fingers – I don’t know why I noticed that!
  He had a rather longish nose – maybe, that was one defect in his face, but you hardly noticed that, given the other attractions in this man.
  And then he possessed the deepest, most guttural, and yet so sweetly melodic voice, that I had ever heard, and when he spoke, he simply entranced me – not to mention the thousands of others.
  Omar continued, beginning to raise his ragged voice:
“And, so I order you, tonight, and tomorrow, and every day, to fanatically and ruthlessly exterminate every visible sign, agent, artist, writer, philosopher, painter, sculptor, journalist, teacher, professor, lawyer, doctor, surgeon, banker, engineer, everyone who works in the mass media like the television, every film maker, every scientist, and every single employer and employee of the Pigs."
  The audience now simply shrieked the verb, '****! ****! ****!’ while Omar went silent, amidst this wild orchestra of hate being played out.


  I noticed, that unlike Tony, Omar wouldn't gesticulate or move his hands at all.
  Actually, he just stood there, rock solid, like a statue while only eyes and mouth spoke!
  The man, I swear, looked like a 'human rock'!
  He was the absolute epitome of boundless hatred; of unrestrained defiance against the rulers ruling us!
  Yes, I do admit, and I hesitate to say so, but, yes, he almost did like completely maniacal – were it not for his self control and the beauty of his words!
  The audience relaxed.
  Omar waited until there was silence, and he continued:
  "Do you see the difference between what I am saying and what brothers like Tony say? People like Tony demand from us to uproot the pigs. But what Pigs does he, in fact, mean? Who does he mean, when he says 'Pigs'? He means the rich. That's it.”


  Now, Omar abruptly went silent.
  Tension.
  He was staring at us.
  I could feel that the audience felt nervous precisely because Omar was staring at them.
  Finally, he continued:
  “Can you imagine the limits of his intellect?! To Tony and his misguided followers, the solution facing the problem before us is simple enough: you simply wipe out the rich, and suddenly we have the beautiful society!"
  Omar was sneering, being utterly sarcastic in his voice and tone.
  "So is that it, Brother Tony? Is that all we need to do?”
  There, he stopped again, with a sarcastic, wicked smile on his face.
  The man’s body simply had no motion in it!
  I was waiting to see, if Omar would, at some point, move his body or his arms, but so far nothing!
  He continued:
“My goodness, I never knew that the gigantic problem facing us was to be solved in such a simple manner! But, no, you're being fools. Or, maybe you're fooling your selves. Either way, I don't know, and more importantly, I don't care, because, as I told you all out there listening to me,” suddenly, he began to scream with his rasping voice:
  “I'm a serious man, with a serious mission, and above all, I'm a man in a hurry!"
  Again, Omar went suddenly silent.
  I could sense, that he was deliberately teasing the audience, because they were obviously desperate for him to continue speaking, while he, would every so often stop speaking, thus adding to the tension in the atmosphere!
  The audience laughed, loving the biting sarcasm; obviously there were lots of rivalry and jealousies between the two camps, and so Omar's followers just loved to hear the buckets of insults being poured upon the followers of Tony.
  The mocking tone continued:
  "These fools are retarding our own path to victory! These followers of Brother Tony, are doing the dumbest acts that I have ever seen. I mean, what do you mean and what are you trying to achieve, when you have his followers going to restaurants and disrupting the place? I mean, is this what the definition of 'stupidity' is, or what?!"
  The crowd cheered: "Yes! Yes! Idiots!"
  "Listen here Brother Tony; I would like to say, 'it's all right, you're still young and you'll soon grow up'. But I can't say that. You know why?"
  The audience waited as Omar paused.
  He was staring at his audience.
  Suddenly, he erupted with his deafening scream:
  "I can't wait. Didn't I already tell you that? Didn't I tell you I'm a man IN A HURRY AND I'VE GOT TO DO MY WORK! DON'T YOU PEOPLE OUT THERE GET IT?"
  He roared, and the masses applauded furiously.
  "I don't have time, for children like Tony, and for his own little children, to stand in my way, and wait for them to grow up! I don't have the time, because I have an enemy out there, that needs to be completely, ruthless and fanatically exterminated, root and branch, do you now follow me?"
  "Yes! Yes! We follow!" screamed the masses.
  Silence.
  And then, Omar continued:
  "So, we know who Tony defines as the Pigs. What about myself? We must talk the talk of the brave. If you're scared, then get out of here. Why do I say this? Because this struggle requires the most ruthless behaviour on our part, and to be ruthless, you need to be brave, and to be rave means you have no fear."
  It sounded almost as if he were singing.
  Or maybe it was my imagination.


"So, who are the Pigs, you ask me? Simple. The Pig is a man, woman and child who has any Pig Attributes. What do I mean by 'Pig Attributes'? Very simple. Any human, who has in his brain, any idea, concept, believe and acceptance of any value from the rulers who rule us all. And, what are these 'values' that come from our dear rulers? They are ideas and values such as: there are the simple ones, like the belief in the right to profit, belief in the right of property, inheritance and so on. Then, there are the other beliefs, such as, belief in compassion for the rich, or cooperating with the rich or socialising with the rich. You follow?"
  The audience was silent.
  "That means, any human in our sick society, poor or not, who in any way, not only physically interacts with the rulers is a Pig himself, but also any human, poor or not, who has in his heart and mind, any empathy for the rich is a Pig himself, and so therefore, it follows – and I hope you people out there are listening to me – it means, therefore, that a poor human being who has any Pig Attributes, is a Pig himself, just like the rulers themselves. Do you understand?"
  Silence.
  And then he walked out.


  It was so sudden, because I expect a really screaming end from Omar, but to the surprise of everyone, he ended and simply walked out!
  But, I, understood what he meant.
  Basically, he was enlarging the definition of what it meant to be the 'enemy'.
  This struggle was now going to be infinitely more difficult. With Tony, the war was simple enough.
  We were 'right' while anyone belonging to the ruling class was 'evil' and that was it.
  Obviously, no member in the ruling class can deny that he's in the ruling class! They can even change their accents and their clothes, pretending to be poor, but there are computers and archives, such as birth certificates, school records, and it doesn't take long, to find out a person's origins.
  But now what Omar was proposing, that a Pig is any human being who interacts with the ruling class is evil.
  Also, anyone who has any thoughts that have any Pig Attributes (for example, being pro-ruling class), are also evil, and therefore, had to be eliminated.
  In other words, the poor can be Pigs as well.
  I loved that, because, I was never comfortable with most other left leaders, including Tony, who only focused their ire against the rich.
  To them all the poor were ‘blessed’ and ‘sinless’, and I knew, from my own background, that they simply romanticised the poor, probably because they themselves were all rich people who had never lived one day of their lives in poverty.
  With Omar, being impure, or sinful could be anyone in society – and, your background or class didn’t matter.
  That was far more logical to me!

But with joining Omar’s party, came other problems for me.
How were we supposed to ‘find’ a Pig, or an impure person?
  How can we be sure if a person has the Pig Attributes in his mind?
  It seemed ludicrous to me!
  I had doubts because as attractive an orator that Omar was, once you went home and thought about what he actually said, a lot did not make sense.
  I had so many ideas that contradicted what Omar had to say.
  For example, can’t we achieve our goals by peaceful means – rather than choosing the path of violence?
  And if we must use violence, then why don’t we attack military targets and not civilians?
  Wasn’t it wrong to target civilians and civilian places – like factories, farms, and shops?

  
  There he stood; eyes blazing as ever.
  What makes eyes 'blaze' I wondered.
  They don't actually emit any light, do they?
  So how can one man have such penetrating, piercing eyes that go right to your innermost heart?
  Omar seemed to be made of steel.
  Or, maybe it was all in my imagination, as Sanji would always be telling me.
  It was his personality and also his body language: that stern, stiff way of standing, that seemed to be the epitome of defiance against the evil in the world!
  His whole body seemed to be chiselled from the purest marble; there he stood, this heroic rock, against the tyranny of the storms and the oceans that were crashing on him; and still, there he stood, not only in supreme piety, but also, there he stood, waging a struggle against these very dark forces of evil.
  He will rid our society and our nation from evil, and one day, we shall live in a truly happy country.
  This nation and its sad people, this nation that has so many miserable, poor and unhappy people, will soon be able to live free, happy lives, without the burdens and the shackles imposed on them by the ruling elites.
  He spoke:
"They need to be utterly, and without a shred of human mercy, be exterminated, or else, it is us, who will be exterminated! It is either them or us! We need to cleanse our entire body from these cancerous cockroaches. Don't you people understand? Call it '******', call it 'exterminate', call it 'butchering them' – I do not care; what I do care and what I need in order to breathe uncontaminated, fresh air,  is to surgically and methodically and blindly eliminate the very existence of every Pigs on our land! That is why we have no choice but to fight. The criminals leave us with no choice. If they surrender their corrupting ways agai

So, what's the deal with ******?
Why is it that there's this whole weird thing
associated with being unclothed,
as if we don't wake up and each of us
strip down for a completely naked shower,
and under our clothes, we're completely naked.
Why is it we spend so much time pretending our bodies don't exist
and fragilely hiding behind these pointless social
constructions about what and whom you should and shouldn't be,
why do we lie about who we are and cover it up
because it's not safe for children?
CHILDREN ARE THE SAME SPECIES AS US.
THEY ARE THE SAME SHAPE.
They get naked too.
and if they're not quite the same shape yet, why do we hide what they're going to become?
It's completely pointless to build walls and act as if they were set there by someone other than ourselves, we've given each other amnesia, it's always 'they', it's always 'society', that did it.
Why do we create all these rules and desperately
struggle to follow them as if we weren't the ones
who wrote the rule book and we aren't the ones
who can erase it?
Why does he cover his emotions because he's scared to be called gay or too feminine?
Why does she wear long sleeves or look down when you talk to her?
It's not because of some conniving voice in all of our heads,
an imaginary force,
It's every time you made a sarcastic joke about people who defied the norm
and every time you yourself were afraid to break it,
you built the walls and now you're suffocating within them.
I see you, there, hiding, just like me, and it's painful to repress it, isn't it? It hurts because there's something more we're longing to do, somewhere else we're longing to be.
What is it that is so broken within ourselves that
we can't be raw and we can't be free and we can't kiss random strangers when we want to?
****** isn't dangerous if you don't hurt
and you don't make someone else feel vulnerable
or like they're trash for displaying
the image of God.
Why are we hiding the image of God?
Why do we cover our hearts like they're shameful to show?
We are born into this world naked and our parents
try to instill this ridiculous idea in our heads
that we can't share our innermost thoughts, we mustn't display,
"society won't like that"
YOU. ARE. SOCIETY.
I am a member of this universe, just like you,
and I was born naked and I take showers naked
and when we get up on stage, we're naked
and late at night, we're naked,
and when we cry, we're naked.
WHY ARE THERE ANY SECRETS LEFT WHEN WE ARE ALL HUMAN?
I have pain and joy, just like you, so show me.
My goal is to unclothe the knights in shining armor
because I don't care about the armor, I care
about his heart.
I will strip down these walls dividing you and me,
because I want to know everything about all people.
I want to unravel the secrets deep within God's mind.
I want to open the doors that are locked,
and I want to see you naked.

Claim freedom from innermost fears
Shackles, which binds the heart to tears
Mind’s boundaries keep you in confines
Courage is beyond, and your act defines

I imagine myself
A few gentle decades older.
Finally grasping the cusp
Of success.
Living in my own apartment
In New York City, nonetheless.
Wearing an Armani coat
(Whatever those look like.)
Walking idly yet prestigiously
Through winter in the city.
Taking care not to laugh too loud,
Talk to myself, smile too much.
A small, attractive female
Has to be serious to get ahead.
Customers will buy from a happy girl
Only if she is early 20's, at most.
That is Marketing 101.
I am a small fish in a large sea;
The principles of Darwinism
Still apply to me.
I've learned long ago to succeed,
I must stifle the welcoming smile.
So along the familiar concrete
I stride,
Carefully manicured hands
In pockets.
The Filipinos know better
Than to rush on the hands
Of a businesswoman caressing
A successful career.
She tips well and lives well.
I walk along with cool calm
And feminine grace.
I have regained the safety
To be feminine once again.
The criminals know better
Than to infiltrate
The Business district
And cause trouble
To working professionals
In Armani coats.
I imagine myself a few decades older.
Kissing snowflakes unenthusiastically.
Yes, I marvel in poetry, in Nature,
But I have matured
Much like the snowflakes themselves.
At the end of a cycle,
No matter how beautiful.
My actions flow gracefully and delicately.
I melt into New York City
Like a cell in a body.
Pumping fuel into the *****
To sustain the mass.
A tumor.
I smile subtly as I slosh along.
I recall, once upon a time,
On my lower-class youth.
***** jokes, crude dancing,
And cluttered apartments.
I approach the high-rise building
I call home and greet the doorman
With the obligatory disregard
For his innermost being.
Poetry truly is in the strangest of places.
Even in an enigma like me.
I enter the marble floors,
Wiping my feet,
My rent as sky-high as
The building itself.
Elevator. Comforting motion sickness.
This is success.
The pit of my stomach sinks.
I tell myself it's the motion sickness.
I return to my apartment,
With its symmetrical details.
My thoughts return to you.
You've never stepped foot in my home,
But you've always been here with me.
I get dinner started.
I set out the extra glass, like always.
Rituals like these serve
As my Sunday mass.
I drink your glass with my evening medication.
Dare I say like always?

Hey Delilah, whatchu doin tonight
I'm comin right over, we gotta get over our lives..our lives

Hey Delilah, take my hand it is strong
Its gonna get over, we gotta get over your howl..
the sound..of fear

Heed the call now
It's waves resonate in you
shredding the soul
many steps we walk through..to the tune

Circular Paths, streets are callin wild
Resides in our heart
Our vibrational soul
in the while, for awhile, all our days

It would be a sin against my God to live in ignorance of your touch
Feel the Divinity of your womanly warmth, of your warmth
To Explore your innermost fathoms
and the Reflection of Desire in your eye
Found in the sensual meditation of your gaze,
in the night

Our Bodies belong together
The story of their union was told
Long before our birth on this earth, in the old, it was told

Like David on the roof top
For you a man would die in war
So meet me by the hillside
We'll grow old, in the shadow of the wood

Away from tired world notion
of what is right or good
Lay with me next to gurgling streams
Adorned with Gold
Whose gaiety of movement
it will match our own
Finding ******* freedom in the forest
The air both sweet and pure

WE CAN BE TOGETHER
THERE LOST IN TIME
HEED MY CALL IT IS WILD AND WARM IN YOUR EYE,
IN YOUR EYE THROUGH THE NIGHT

HEYAHA!

What I am I don't Know!
I run along Rivers and stand naked in snow
Climb Waterfalls, Smile in Trees, and Howl at the Moon
Surf on the Dunes
Swim in the Sea
Lie on the shore in the breeze
If you should ask me I don't know ask me again
I'll never know my friend

You want something from me
a guarantee
Not mine to give
Falling right over, we gotta get over the fear
of the fear

Feel these arms, they can take you down
fold you right up in the valley of womanly streams
Lost in the waters, Life is a dream

There is nooo goin back....From whence we came
Time is like a river wild, untamed, untamed
Endlessly moving forward
into stratums unknown
Make the most of this moment or ever, forever, feel the pains of cowardice alone

The past is like a window
Burns HOT like the sun
Everyone makes choices and hopes they're not wrong

Life is like a river with so many streams
We all go into the ocean drowning with dreams
With dreams left unsaid

It's been awhile, we're gonna find it again
A human connection, Life is dominated by sin
The material
The desire for more, are we here to acquire a Mate?
A family, a woman, a house?
A couple share their drink


Listen to the river of sand
The torrent of Maia
The reign of illusion, found in your hand
Desire
Are we man enough to face it?
To seize our fates?

We live, as cowards, surviving in shadow
What is our personality, Id or the Ego
Liar...Livin in Time

Standing in the Present Moment
Ignoring my Father again
all things come to an end my friend, your lonely soul therein

Deadened tissue of the heart
nothingness invading
wink of the light
rapturous smile, earthly delight, breeds tomorrow's sorrow

Livin' on the last straw
cresting a turquoise wave
Risking the razor's edge of our fall
Dying with a Song on stage
Sensual desire,
wrapped in the spirit,
touched by the Dark, touched by the Light
Hundred million reasons to fight

Rain Wash this age away
Leave me naked in the wind as I came, as I came
Spread cushioned by the bedding of green moss
Birthed in a forest, sonic cataclysmic sound
Consequence, all our dreamin and dreamin and dreamin around

The cog revolves around the wheel
Fire dancer breathing still
In the harmonium of the heart
Into the night we fly to survive

I love you
dow
       w
           n
to your jagged,
         dark edges
culling smoke
               and twisting tides
                  your steaming heart
              that pulses, in my hands
          as you give it-
and the pungent tears
when they fall
         from your eyes
I lick up your pain
to soothe it smooth
its rawness catching
       velvet ripples of skin
I pull a blanket
of mahogany wine
over your soul
          lacerations
that seep out
              from the layers within

and in that tender of
nightfall's darkest foliage
I long to calm
your monsters' clawing
as they gnaw at you from
                  the inside out

I crave to fill
the hollowed-out longing
my own hungers writhing
      in obscene
                      devout

For I am all that is sacred and wild
the spark has been lit
from my innermost rooms
I dance to the drums of
the woman as child
her mystical ways chanting
rhythms in runes

Demons might dance
as you gaze in reflection
in the mirror of time,
of unfiltered space
      but I adore all your sides,
          your imperfections
discern the divine
in the planes of your face
You are my galaxy
              of dark matter
bringing out my
           own looking glass
                         of vantablack
in a feral crown of obsidian
                             and onyx
as you reach me deep,
there's no going back

For when you love me like that,
plant your tameless,
                            hot seed
it blossoms within me
a tightly-wrapped tourniquet
               for when I bleed
and if my guts
should spill upon
               the  floor
you will remind me,
in glowing of pores
           of who I am
and how I am whole
a lovelight lit in the
storm of my soul
I will push down deeper
until I feel those roots
that connect me to
my center
  to my
succulent fruit
So slice me open.
     Pull me apart.
Let the juice run down
to heal
     your
jagged-edged
               heart

At this point I know it's over
They've told us where the plane is heading
I've always thought I'd know what to think if something like this happened
But I'm lost here
I'm not thinking about my beautiful wife
Or my daughter
My parents who will outlive me
Or my friends who are off living their lives

I keep thinking about the mailman
No really I do
How he'll have to go around tomorrow
Passing this tale of tragedy
Gracing my family with statistics
Thousands dead thousands hurt
I feel bad for that mailman
For he will never truly understand the pain he will bring

This mailman does not know my name
He does not know my wife, my daughter,
The man next to me,
My first grade teacher, my first girlfriend
He does not know my dog
He does not know my true dreams or my hopes
My ambitions, my musings, my innermost thoughts
No this mailman only knows he is passing out the paper

Delivering news to millions who do not want it

Do you care if I don't know what to say?
Just lie in y arms and forget that which troubles your mind,
I see the unspoken feelings you keep inside,
I want to chase away all your fears,
And allow you to be the person that I see inside you,
All my hopes, fears, and innermost feelings I have placed in you.
Please, just stay in my arms forever.
Have I fallen in too deep?
So many things are uncertain,
Never leave me,
Never let me go,
Show me my faults,
What is this feeling that causes me to shake?

Balance.  What a charged and pregnant word.

Balance.  Common in our daily vernacular
but void of it's innate and innermost meaning

Balance - what do you see?
The Golden scales of antiquity?

What a dichotomous lie
For Balance is multi-planar, multi-dimensional
Multitudes of exponential, fractal-like branches
Hanging from the largest trunk of the largest tree with the largest network of life-providing roots spreading in all directions at once like a wild-fire with unlimited fuel

Balance.  It's perfectly symmetrical reflection
Only distorted by the waters of our perception
Thrives and simultaneously strives for connection
Connection to the mirrors of eternity
The pristine, naked, flesh-covered bodies of pure vulnerability, set free to explore this spherical dream

Balance is a friend, but left unseen, reaching for our touch without so much of a glance towards it's arduous efforts to bond with the deep dwelling dreams of Souls,
Balance can be distorted, as the tree is, in the ripples of our confused and distracted minds.

Crack!  A branch breaks.
Balance falters, catches itself and picks up its severed limb - a sacrifice, for the greater good.  The only good.

Crack!  Another branch breaks.
Balance steps to redistribute it's misaligned weight
A sacrifice, for the greater good.  The only good.

A fitting mantra.

Crack!  Crack!  Crack!  Branches breaking back to back
Plummeting to the cold hard ground.
This sudden decay is too much to handle
The limbs of this great tree, the greatest amongst all cannot regrow at the speed at which the others wither

Ironically, balance is now imbalanced

Shaking, desperately grasping the ground with its roots  to stay upright, at the very least, to remain present, persistent, possible, but, most importantly, present
Present for those vulnerable naked bodies to one day glance past their distorted waters and into the depths of what truly is...

A force, so strong, so humble, so forgiving reaching out through it's remaining, fatigue-strewn branches in a dire need to make contact with the branches of our mortality

When branches unite, as they shall, as they always do from time to time,
Imbalance is washed away as waves wash the shore
And Balance emerges from the distorted waters, now retreating, pulled by the tide of self-awareness

Perfectly, our fingers fill the gaps of our grief-stricken but eternally determined ally and meet with it's tender stumps, the necessary wounds of time
A fusion of worlds meld the two together in a forge as hot as the sun but as nourishing as a mother's touch

Balance, in all it's glory, sewn to us through the channels of our consciousness is now, truly, and undeniably,

Balanced.


- Brian Patrick Williams
11/13/2013

Then Ulysses tore off his rags, and sprang on to the broad
pavement with his bow and his quiver full of arrows. He shed the
arrows on to the ground at his feet and said, “The mighty contest is
at an end. I will now see whether Apollo will vouchsafe it to me to
hit another mark which no man has yet hit.”
  On this he aimed a deadly arrow at Antinous, who was about to take
up a two-handled gold cup to drink his wine and already had it in
his hands. He had no thought of death—who amongst all the revellers
would think that one man, however brave, would stand alone among so
many and **** him? The arrow struck Antinous in the throat, and the
point went clean through his neck, so that he fell over and the cup
dropped from his hand, while a thick stream of blood gushed from his
nostrils. He kicked the table from him and upset the things on it,
so that the bread and roasted meats were all soiled as they fell
over on to the ground. The suitors were in an uproar when they saw
that a man had been hit; they sprang in dismay one and all of them
from their seats and looked everywhere towards the walls, but there
was neither shield nor spear, and they rebuked Ulysses very angrily.
“Stranger,” said they, “you shall pay for shooting people in this way:
om yi you shall see no other contest; you are a doomed man; he whom
you have slain was the foremost youth in Ithaca, and the vultures
shall devour you for having killed him.”
  Thus they spoke, for they thought that he had killed Antinous by
mistake, and did not perceive that death was hanging over the head
of every one of them. But Ulysses glared at them and said:
  “Dogs, did you think that I should not come back from Troy? You have
wasted my substance, have forced my women servants to lie with you,
and have wooed my wife while I was still living. You have feared
neither Cod nor man, and now you shall die.”
  They turned pale with fear as he spoke, and every man looked round
about to see whither he might fly for safety, but Eurymachus alone
spoke.
  “If you are Ulysses,” said he, “then what you have said is just.
We have done much wrong on your lands and in your house. But
Antinous who was the head and front of the offending lies low already.
It was all his doing. It was not that he wanted to marry Penelope;
he did not so much care about that; what he wanted was something quite
different, and Jove has not vouchsafed it to him; he wanted to ****
your son and to be chief man in Ithaca. Now, therefore, that he has
met the death which was his due, spare the lives of your people. We
will make everything good among ourselves, and pay you in full for all
that we have eaten and drunk. Each one of us shall pay you a fine
worth twenty oxen, and we will keep on giving you gold and bronze till
your heart is softened. Until we have done this no one can complain of
your being enraged against us.”
  Ulysses again glared at him and said, “Though you should give me all
that you have in the world both now and all that you ever shall
have, I will not stay my hand till I have paid all of you in full. You
must fight, or fly for your lives; and fly, not a man of you shall.”
  Their hearts sank as they heard him, but Eurymachus again spoke
saying:
  “My friends, this man will give us no quarter. He will stand where
he is and shoot us down till he has killed every man among us. Let
us then show fight; draw your swords, and hold up the tables to shield
you from his arrows. Let us have at him with a rush, to drive him from
the pavement and doorway: we can then get through into the town, and
raise such an alarm as shall soon stay his shooting.”
  As he spoke he drew his keen blade of bronze, sharpened on both
sides, and with a loud cry sprang towards Ulysses, but Ulysses
instantly shot an arrow into his breast that caught him by the
****** and fixed itself in his liver. He dropped his sword and fell
doubled up over his table. The cup and all the meats went over on to
the ground as he smote the earth with his forehead in the agonies of
death, and he kicked the stool with his feet until his eyes were
closed in darkness.
  Then Amphinomus drew his sword and made straight at Ulysses to try
and get him away from the door; but Telemachus was too quick for
him, and struck him from behind; the spear caught him between the
shoulders and went right through his chest, so that he fell heavily to
the ground and struck the earth with his forehead. Then Telemachus
sprang away from him, leaving his spear still in the body, for he
feared that if he stayed to draw it out, some one of the Achaeans
might come up and hack at him with his sword, or knock him down, so he
set off at a run, and immediately was at his father’s side. Then he
said:
  “Father, let me bring you a shield, two spears, and a brass helmet
for your temples. I will arm myself as well, and will bring other
armour for the swineherd and the stockman, for we had better be
armed.”
  “Run and fetch them,” answered Ulysses, “while my arrows hold out,
or when I am alone they may get me away from the door.”
  Telemachus did as his father said, and went off to the store room
where the armour was kept. He chose four shields, eight spears, and
four brass helmets with horse-hair plumes. He brought them with all
speed to his father, and armed himself first, while the stockman and
the swineherd also put on their armour, and took their places near
Ulysses. Meanwhile Ulysses, as long as his arrows lasted, had been
shooting the suitors one by one, and they fell thick on one another:
when his arrows gave out, he set the bow to stand against the end wall
of the house by the door post, and hung a shield four hides thick
about his shoulders; on his comely head he set his helmet, well
wrought with a crest of horse-hair that nodded menacingly above it,
and he grasped two redoubtable bronze-shod spears.
  Now there was a trap door on the wall, while at one end of the
pavement there was an exit leading to a narrow passage, and this
exit was closed by a well-made door. Ulysses told Philoetius to
stand by this door and guard it, for only one person could attack it
at a time. But Agelaus shouted out, “Cannot some one go up to the trap
door and tell the people what is going on? Help would come at once,
and we should soon make an end of this man and his shooting.”
  “This may not be, Agelaus,” answered Melanthius, “the mouth of the
narrow passage is dangerously near the entrance to the outer court.
One brave man could prevent any number from getting in. But I know
what I will do, I will bring you arms from the store room, for I am
sure it is there that Ulysses and his son have put them.”
  On this the goatherd Melanthius went by back passages to the store
room of Ulysses, house. There he chose twelve shields, with as many
helmets and spears, and brought them back as fast as he could to
give them to the suitors. Ulysses’ heart began to fail him when he saw
the suitors putting on their armour and brandishing their spears. He
saw the greatness of the danger, and said to Telemachus, “Some one
of the women inside is helping the suitors against us, or it may be
Melanthius.”
  Telemachus answered, “The fault, father, is mine, and mine only; I
left the store room door open, and they have kept a sharper look out
than I have. Go, Eumaeus, put the door to, and see whether it is one
of the women who is doing this, or whether, as I suspect, it is
Melanthius the son of Dolius.”
  Thus did they converse. Meanwhile Melanthius was again going to
the store room to fetch more armour, but the swineherd saw him and
said to Ulysses who was beside him, “Ulysses, noble son of Laertes, it
is that scoundrel Melanthius, just as we suspected, who is going to
the store room. Say, shall I **** him, if I can get the better of him,
or shall I bring him here that you may take your own revenge for all
the many wrongs that he has done in your house?”
  Ulysses answered, “Telemachus and I will hold these suitors in
check, no matter what they do; go back both of you and bind
Melanthius’ hands and feet behind him. Throw him into the store room
and make the door fast behind you; then fasten a noose about his body,
and string him close up to the rafters from a high bearing-post,
that he may linger on in an agony.”
  Thus did he speak, and they did even as he had said; they went to
the store room, which they entered before Melanthius saw them, for
he was busy searching for arms in the innermost part of the room, so
the two took their stand on either side of the door and waited. By and
by Melanthius came out with a helmet in one hand, and an old
dry-rotted shield in the other, which had been borne by Laertes when
he was young, but which had been long since thrown aside, and the
straps had become unsewn; on this the two seized him, dragged him back
by the hair, and threw him struggling to the ground. They bent his
hands and feet well behind his back, and bound them tight with a
painful bond as Ulysses had told them; then they fastened a noose
about his body and strung him up from a high pillar till he was
close up to the rafters, and over him did you then vaunt, O
swineherd Eumaeus, saying, “Melanthius, you will pass the night on a
soft bed as you deserve. You will know very well when morning comes
from the streams of Oceanus, and it is time for you to be driving in
your goats for the suitors to feast on.”
  There, then, they left him in very cruel *******, and having put
on their armour they closed the door behind them and went back to take
their places by the side of Ulysses; whereon the four men stood in the
cloister, fierce and full of fury; nevertheless, those who were in the
body of the court were still both brave and many. Then Jove’s daughter
Minerva came up to them, having assumed the voice and form of
Mentor. Ulysses was glad when he saw her and said, “Mentor, lend me
your help, and forget not your old comrade, nor the many good turns he
has done you. Besides, you are my age-mate.”
  But all the time he felt sure it was Minerva, and the suitors from
the other side raised an uproar when they saw her. Agelaus was the
first to reproach her. “Mentor,” he cried, “do not let Ulysses beguile
you into siding with him and fighting the suitors. This is what we
will do: when we have killed these people, father and son, we will
**** you too. You shall pay for it with your head, and when we have
killed you, we will take all you have, in doors or out, and bring it
into hotch-*** with Ulysses’ property; we will not let your sons
live in your house, nor your daughters, nor shall your widow
continue to live in the city of Ithaca.”
  This made Minerva still more furious, so she scolded Ulysses very
angrily. “Ulysses,” said she, “your strength and prowess are no longer
what they were when you fought for nine long years among the Trojans
about the noble lady Helen. You killed many a man in those days, and
it was through your stratagem that Priam’s city was taken. How comes
it that you are so lamentably less valiant now that you are on your
own ground, face to face with the suitors in your own house? Come
on, my good fellow, stand by my side and see how Mentor, son of
Alcinous shall fight your foes and requite your kindnesses conferred
upon him.”
  But she would not give him full victory as yet, for she wished still
further to prove his own prowess and that of his brave son, so she
flew up to one of the rafters in the roof of the cloister and sat upon
it in the form of a swallow.
  Meanwhile Agelaus son of Damastor, Eurynomus, Amphimedon,
Demoptolemus, Pisander, and Polybus son of Polyctor bore the brunt
of the fight upon the suitors’ side; of all those who were still
fighting for their lives they were by far the most valiant, for the
others had already fallen under the arrows of Ulysses. Agelaus shouted
to them and said, “My friends, he will soon have to leave off, for
Mentor has gone away after having done nothing for him but brag.
They are standing at the doors unsupported. Do not aim at him all at
once, but six of you throw your spears first, and see if you cannot
cover yourselves with glory by killing him. When he has fallen we need
not be uneasy about the others.”
  They threw their spears as he bade them, but Minerva made them all
of no effect. One hit the door post; another went against the door;
the pointed shaft of another struck the wall; and as soon as they
had avoided all the spears of the suitors Ulysses said to his own men,
“My friends, I should say we too had better let drive into the
middle of them, or they will crown all the harm they have done us by
us outright.”
  They therefore aimed straight in front of them and threw their
spears. Ulysses killed Demoptolemus, Telemachus Euryades, Eumaeus
Elatus, while the stockman killed Pisander. These all bit the dust,
and as the others drew back into a corner Ulysses and his men rushed
forward and regained their spears by drawing them from the bodies of
the dead.
  The suitors now aimed a second time, but again Minerva made their
weapons for the most part without effect. One hit a bearing-post of
the cloister; another went against the door; while the pointed shaft
of another struck the wall. Still, Amphimedon just took a piece of the
top skin from off Telemachus’s wrist, and Ctesippus managed to graze
Eumaeus’s shoulder above his shield; but the spear went on and fell to
the ground. Then Ulysses and his men let drive into the crowd of
suitors. Ulysses hit Eurydamas, Telemachus Amphimedon, and Eumaeus
Polybus. After this the stockman hit Ctesippus in the breast, and
taunted him saying, “Foul-mouthed son of Polytherses, do not be so
foolish as to talk wickedly another time, but let heaven direct your
speech, for the gods are far stronger than men. I make you a present
of this advice to repay you for the foot which you gave Ulysses when
he was begging about in his own house.”
  Thus spoke the stockman, and Ulysses struck the son of Damastor with
a spear in close fight, while Telemachus hit Leocritus son of Evenor
in the belly, and the dart went clean through him, so that he fell
forward full on his face upon the ground. Then Minerva from her seat
on the rafter held up her deadly aegis, and the hearts of the
suitors quailed. They fled to the other end of the court like a herd
of cattle maddened by the gadfly in early summer when the days are
at their longest. As eagle-beaked, crook-taloned vultures from the
mountains swoop down on the smaller birds that cower in flocks upon
the ground, and **** them, for they cannot either fight or fly, and
lookers on enjoy the sport—even so did Ulysses and his men fall
upon the suitors and smite them on every side. They made a horrible
groaning as their brains were being battered in, and the ground
seethed with their blood.
  Leiodes then caught the knees of Ulysses and said, “Ulysses I
beseech you have mercy upon me and spare me. I never wronged any of
the women in your house either in word or deed, and I tried to stop
the others. I saw them, but they would not listen, and now they are
paying for their folly. I was their sacrificing priest; if you ****
me, I shall die without having done anything to deserve it, and
shall have got no thanks for all the good that I did.”
  Ulysses looked sternly at him and answered, “If you were their
sacrificing priest, you must have prayed many a time that it might
be long before I got home again, and that you might marry my wife
and have children by her. Therefore you shall die.”
  With these words he picked up the sword that Agelaus had dropped
when he was being killed, and which was lying upon the ground. Then he
struck Leiodes on the back of his neck, so that his head fell
rolling in the dust while he was yet speaking.
  The minstrel Phemius son of Terpes—he who had been forced by the
suitors to sing to them—now tried to save his life. He was standing
near towards the trap door, and held his lyre in his hand. He did
not know whether to fly out of the cloister and sit down by the
altar of Jove that was in the outer court, and on which both Laertes

Wrote this eons ago, tonight, once more,
spend some human capital, editing...
Something to think about
as we tuck ourselves in.

the young'uns keep on asking me for tips,
secrets, to this art, magical poetry gig,
as if I had any left unrevealed.  

recalled this old'n,
from a vintage poetry year,
as a suggestion,
a stating-starting place,
for young poets:

do not self-chain,
let the words take you where
they lead, write them up
for the rhyme is waiting,
in the heart chest deep down,
not on the screen.

I read you Goodnight Moon,
Falling asleep beside you.


<•>

People stop rhyming...

When first you overcome your fears,
And dare to put on paper your tears,
Give it up, set yourself free from the shackles,
Of thinking a rhyme is a necessity for a
Rooting tooting writing of a
**** good poem

If you feel lost,
Want to share the cost,
Feel not bossed,
By a newbie's need
to believe that if it rhymes
Everyone will like your poem
Just fine

And if you get past this stage,
And advance to the next page,
Do not think that writing down a sentence of
Your mind's first up, innermost thoughts,
Is something that will make you
Less lost, heralded, worthy of a parade,
And be blessed with an A  
In your Teacher's pet grade book

My heart broke.
I feel bad.
I feel sad
Cause my man/woman left me
And I hope
Someone kicks his or her ***

That Ain't No Poem Neither...

And if you can't help but complain repeatedly
How life ***** and you're feeling blue
extremely indiscreetly,
Don't make me try on your scribblings
intimately indiscriminately,
Read a million, even wrote a few myself

You think you can write?

Then employ a word outside your comfort zone,
Go it alone,
Write just four sentences that will make
The hopeful reader stand up and you,
Twice as much, and shout

Hallelujah *******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it.
Let it come easy, then let it rest,.
Then spend days editing every comma,
And when you love it so much,
You are chest busting bursting,
Why have you not pressed Send already?

Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)

G' nite!

I bring ye wine from above,
From the vats of the storied sun;
For every one of yer love,
And life for every one.
Ye shall dance on hill and level;
Ye shall sing in hollow and height
In the festal mystical revel,
The rapurous Bacchanal rite!
The rocks and trees are yours,
And the waters under the hill,
By the might of that which endures,
The holy heaven of will!
I kindle a flame like a torrent
To rush from star to star;
Your hair as a comet’s horrent,
Ye shall see things as they are!
I lift the mask of matter;
I open the heart of man;
For I am of force to shatter
The cast that hideth -Pan!
Your loves shall lap up slaughter,
And dabbled with roses of blood
Each desperate darling daughter
Shall swim in the fervid flood.
I bring ye laughter and tears,
The kisses that foam and bleed,
The joys of a million years,
The flowers that bear no seed.
My life is bitter and sterile,
Its flame is a wandering star.
Ye shall pass in pleasure and peril
Across the mystic bar
That is set for wrath and weeping
Against the children of earth;
But ye in singing and sleeping
Shall pass in measure and mirth!
I lift my wand and wave you
Through hill to hill of delight :
My rosy rivers lave you
In innermost lustral light..
I lead you, lord of the maze,
In the darkness free of the sun;
In spite of the spite that is day’s
We are wed, we are wild, we are one.

What if we had a skin like that of chameleons?*
But instead of mirroring our surroundings
It would reflect our innermost state.

P.S : I wonder what'd look like for those whose feel empty inside.