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L B May 2017
“...Your words were found and I ate them.
They became a joy to my heart. In my mouth—
a sweet delight, but in my belly—bitter...”
                                                ­ --Jeremiah


...But that night
by dim background of next-room light
I could not see your face
just feel your hush of shadow words
on spine of shudders

Seems we dropped this bomb
that would not stop exploding!

...And I was sure?
that it was right?
because...because....!
Their eyes were slanted!
So they could not see—
the “Good Guys”
VANISH—
WIDE-EYED—!
in its TOO-MUCH-LIGHT

Still your voice insists
in pause and fissioned hiss
that I MUST KNOW
in tender half-life
TRUTH
too pure
too deadly white

I swallow lethal glowing dose
HOW CAN YOU SPEAK
SUCH WORDS SO CLOSE!

EXPOSED!

“...in mouth sweet—in belly bitter…”

Stories? and the Grandma Song
rendered tender—lull of voice
Soul’s cabinet cleared of venial sin
Last of all—the tucking in.....

They say you first get sick....*

Seems we dropped this bomb
that would not stop exploding!
And I am invisibly ill—with truth
approaching critical mass

Will angry rads incise their ways?
Will leaden swords of angels drive them back?

In this night—
my bedtime stories fainted at your
whispers...whispers...WHISPERS—

fusing an oblong fear
that I MUST NOT DROP!
but I cannot hold!

Fetal-folded
frail and freezing
under covers— just barely peeking

“Jesus hanging on the cross…Tell me-- was it I?”
Jesus hanging in the cross
TELL ME! IT’S NOT TRUE!

"Tell me, mother
Were you God talking?

I could not see your face
by the next room’s light..."
My mother told me some bad **** sometimes just before bedtime, and I never forgot it.
Written 1995
Bisho Jul 2012
November 5, 2010 at 2:59 am

{Inspired by Dr. Boshra 3agban, Nizzar Qabani}


You're a woman;
created from the Greek myths,
wrapped in the veil of my fantasies,
Reborn from all the phoenix ashes,
You're the history of my life, miss;
it bounds u not..no years no seas,
you grant the moon those glaring flashes,
So I never sleep at nights to see thy gypsy eyes,

It's enough to write your name,
Just to be the perfect poet,
It's enough to be loved by thee,
It is so enough for me,
& I'll be mentioned in the history;
As the man & the angel that met,
At the horizon's end,
On the edge of the dreams,

You're a woman;
Carved by an angel's hands,
& made from the diamonds of verse,
Veiled in the golden cloak of my dreams,
A deity from some mystic lands,
Glowing through my murky universe,
Born from heaven's springs & streams,
Your tidal dormant waves through me they arise,

You're a woman;
Greater than Aphrodite & Athena,
You're the endless music of the lyre of pan,
You're the gauzy clouds that may make spring a winter eve,
Picturing you ..Tottering...is the ****** of me,
Thy swift stalk...gazing at you; forever I span,
arrayed in thy mantle of every hyacinth's leaf,
That sings the odes of love in me heart they incise,

You're a woman;
Caring not for time or years,
Neither aging nor death can touch thee,
You're the eternal rose of all the nerieds,
Knowing not no pains or fears,
Thy treads' rhythm lurks through me,
Your love's a religion, belief & a creed,
& my prayers from now forth art thy drowsy sighs,


It's enough to write your name,
Just to be the perfect poet,
It's enough to be loved by thee,
It is so enough for me,
& I'll be mentioned in the history;
As the man & the angel that met,
At the horizon's end,
On the edge of the dreams,

You're a woman;
Drest in the Elysium stars,
With pinions of an angel of life,
Fretting on waters of rivers of Eden,
Healing my feeble searing scars,
Heaping my ardent fires that thrive,
With dewy kisses That're unforgotten,
I've never lived before...now I realize,

You're a woman;
Of wavy hair & wavy weather,
Of blushy cheeks, like of the primrose,
Nestling these lips gushing with love,
I pledge my heart & soul for a feather,
Of thy wing that flips & shows,
Sublimity with that dimpled smile of a dove,
That holds all the answers & whys...


It's enough to write your name,
Just to be the perfect poet,
It's enough to be loved by thee,
It is so enough for me,
& I'll be mentioned in the history;
As the man & the angel that met,
At the horizon's end,
On the edge of the dreams....

Michael Hoffman Dec 2011
Help me
the drugs don't work
my father touches me
I am too fat
powerless
I incise my anorexic hunger
with a martyr's red razor
rewarding myself
with a dopamine high
mixed with pity and disgust
so I can hide in the up and down
never know my real reasons
project my sadness onto others
and take pills
from psychiatrists
who themselves
believe the shallow island of chemicals
is the solution
and who work only
to keep you sick
when the sun is shining
but you cannot see it
because your frontal cortex says
the sun is not shining
when in fact
it is.
Can we not force from widow’d poetry,
Now thou art dead (great Donne) one elegy
To crown thy hearse? Why yet dare we not trust,
Though with unkneaded dough-bak’d prose, thy dust,
Such as th’ unscissor’d churchman from the flower
Of fading rhetoric, short-liv’d as his hour,
Dry as the sand that measures it, should lay
Upon thy ashes, on the funeral day?
Have we no voice, no tune? Didst thou dispense
Through all our language, both the words and sense?
’Tis a sad truth. The pulpit may her plain
And sober Christian precepts still retain,
Doctrines it may, and wholesome uses, frame,
Grave homilies and lectures, but the flame
Of thy brave soul (that shot such heat and light
As burnt our earth and made our darkness bright,
Committed holy rapes upon our will,
Did through the eye the melting heart distil,
And the deep knowledge of dark truths so teach
As sense might judge what fancy could not reach)
Must be desir’d forever. So the fire
That fills with spirit and heat the Delphic quire,
Which, kindled first by thy Promethean breath,
Glow’d here a while, lies quench’d now in thy death.
The Muses’ garden, with pedantic weeds
O’erspread, was purg’d by thee; the lazy seeds
Of servile imitation thrown away,
And fresh invention planted; thou didst pay
The debts of our penurious bankrupt age;
Licentious thefts, that make poetic rage
A mimic fury, when our souls must be
Possess’d, or with Anacreon’s ecstasy,
Or Pindar’s, not their own; the subtle cheat
Of sly exchanges, and the juggling feat
Of two-edg’d words, or whatsoever wrong
By ours was done the Greek or Latin tongue,
Thou hast redeem’d, and open’d us a mine
Of rich and pregnant fancy; drawn a line
Of masculine expression, which had good
Old Orpheus seen, or all the ancient brood
Our superstitious fools admire, and hold
Their lead more precious than thy burnish’d gold,
Thou hadst been their exchequer, and no more
They each in other’s dust had rak’d for ore.
Thou shalt yield no precedence, but of time,
And the blind fate of language, whose tun’d chime
More charms the outward sense; yet thou mayst claim
From so great disadvantage greater fame,
Since to the awe of thy imperious wit
Our stubborn language bends, made only fit
With her tough thick-ribb’d hoops to gird about
Thy giant fancy, which had prov’d too stout
For their soft melting phrases. As in time
They had the start, so did they cull the prime
Buds of invention many a hundred year,
And left the rifled fields, besides the fear
To touch their harvest; yet from those bare lands
Of what is purely thine, thy only hands,
(And that thy smallest work) have gleaned more
  Than all those times and tongues could reap before.

      But thou art gone, and thy strict laws will be
Too hard for libertines in poetry;
They will repeal the goodly exil’d train
Of gods and goddesses, which in thy just reign
Were banish’d nobler poems; now with these,
The silenc’d tales o’ th’ Metamorphoses
Shall stuff their lines, and swell the windy page,
Till verse, refin’d by thee, in this last age
Turn ballad rhyme, or those old idols be
Ador’d again, with new apostasy.

      Oh, pardon me, that break with untun’d verse
The reverend silence that attends thy hearse,
Whose awful solemn murmurs were to thee,
More than these faint lines, a loud elegy,
That did proclaim in a dumb eloquence
The death of all the arts; whose influence,
Grown feeble, in these panting numbers lies,
Gasping short-winded accents, and so dies.
So doth the swiftly turning wheel not stand
In th’ instant we withdraw the moving hand,
But some small time maintain a faint weak course,
By virtue of the first impulsive force;
And so, whilst I cast on thy funeral pile
Thy crown of bays, oh, let it crack awhile,
And spit disdain, till the devouring flashes
**** all the moisture up, then turn to ashes.

      I will not draw the envy to engross
All thy perfections, or weep all our loss;
Those are too numerous for an elegy,
And this too great to be express’d by me.
Though every pen should share a distinct part,
Yet art thou theme enough to tire all art;
Let others carve the rest, it shall suffice
I on thy tomb this epitaph incise:

      Here lies a king, that rul’d as he thought fit
      The universal monarchy of wit;
      Here lie two flamens, and both those, the best,
      Apollo’s first, at last, the true God’s priest.
Nat Lipstadt Dec 2013
This writing was found in Italian among
my father's papers, when he passed away
___________
*Dedicated to F. Murray Abraham, whose
performance as Shylock, rent open my chest.
and with deep apologies to Shakespeare*
and gifted to Liz Balise
__________

The True Tale of Shylock's Pound
(Did Shylock pay his pound of flesh?)

A peculiar circumcision,
into the Jew's chest
shall now be commenced,
by the Medico Legale of Venizia,,
his instruments blessed, ready.

Dual purposed, to extract  
an accursed payment,
in service to the Court and
in furtherance to man's
greater scientific knowledge.

Incise a body prone before him,
but it's not a body at rest,
the cut, the trademark coroner's
inquiring and most appropriate Y,
(his pleas to Yehovah go unanswered)
shall be executed just so,
both as legal tender,
his debt to pay,
and to answer queries varied,
shall we,
this living body, dismember
while coincidental, alive.

Tho we injure with pleasure,
t'is recorded fair,
t'is at the behest of a
court-ordered scientific inquiry,
ordered to measure,
answer questions
from the trial's record
that having been posed
to the Duke,  
and for answers,
impatiently,
the Court and Duke,
now awaits:

By the unholy virtue of his
guile and trickery,
a trifling pound
shall be ours,
for the Jew's resource,
and fortune
have been most
legally reversed.

His due, most legitimate,
more than forfeit,
is now ours to keep.

Hath a Jew hands,
organs, dimensions,
senses, affections, passions?

If you ***** the Jew,
doth it bleed?

How much doth a Jew's
pound of flesh weigh?

Doth it weigh more or less
when his unholy soul
yet contaminate
his writhing body?

What color doth his heart,
exposed, reveal
or simpler yet,
does the accursed,
this dog's vessel,
even a heart contain?

What powers the Jew's cunning,
inspires his deceptions,
so he prospers despite  our
many constant degradations?

Come wise councillors of
most notable lineage,
let's us put our heads together,
like the olden Egyptian sorcerers
who tried yet failed.

Have at it skilled Da Vinci, you
and your scienziato brethren,
do assay well the potions
that doth taint the Jew's blood,
so that we may,
his secrets maketh,
our own notions.

Come Medicos,
discover how the Jew
maketh precious stones
from coals, spit and hate,
for the bene proviso of the
citizens of our city-state,
dearest Venice!

Our brothers who from
Spain and Portugal hail,
have much knowledge
in these matters,
so let make haste,
cut deep and true, Doctors
the Jew physic treasures discover,
lest the Spanish Alchemistos
the secrets earn,
their inquisitories reveal
how Jews turn
dross into ducats!

Take measurements fine,
observe most accurate
his corde vocali,
the infernal instrument
projecting these shrieks, cries,
so horrible peculiar,
we need to ascertain
the wherefore of such
wails and moans.

All knoweth,
Jew cries are lies,
yet they haunt and crucify
our most perfect, noble demeanor,
**** them.

Attention pay, dear ones,
examine with great care,
the tongue that populates
his now most deformed features.

Its secrets many,
for it speaks guile
so fluently and elegante,
and in so many lingua,
a skill, our brothers Borgia
hold exceedingly valuable!

Our introspection today
in Heaven's service performed,
this pound,
its value exceedth
its countermeasure in
gold and jewels

When has Justice
and science
simultaneous,
been served so well?

Only one quest remains
unknown and alas,  
as yet unresolvable:

**What maketh a Jew,
this Jew, all Jews,
choose death
over our warm and willing embrace?
*Dedicated to F. Murray Abraham, whose
performance as Shylock, rent open my chest.
and with deep apologies to Shakespeare*
Serrations of chimneys
Stone-black perforate
Velvet-black dark.
A tree coils in core of darkness.
My swinging
Hands
Incise the night.
A man slips into a doorway,
Black hole in blackness, and drowns there.
A second man passing traces
The diagram of his steps
On invisible pavement. Rain
Draws black parallel threads
Through the hollow of air.
brandon nagley Sep 2015
i.

mahal ko
No matter how long it shalt taketh to meet;
I wilt wait an eternal span.

ii.

amica mea
I shalt be in long-suffering;
To kiss thine feet, on mine knee's and hand's.

iii.

Mo grá
Through ourn waiting;
I shalt taketh thine incise, and warm thee with fire taking thy ice.

iv.

mon amour
Mine spirit is thy window;
Mine soul is open to thee alway's as thy door.

v.

agápi̱ mou
I loveth thee, forever mine queen;
Just sayest that thou loveth me to, forever we shalt be.



©Brandon Nagley
©Earl jane Nagley dedication
©Lonesome poet's poetry
All the beginning of the stanzas are words meaning my love.,
I am the coy smiling handsome man
and my feet beat the darkness away when I rush.
And I rush, in the alleys, sightless,
an actor led by lines of wilting dialogue.
And jasmine litters the gutters, fit to be dredged, the
aroma and the petals streaked with reminiscence.
I rush. I am the man toward an apogee,
a scalpel, with tastes as keen as winter lavender,
and eyes that feel the weight of tastes behind them.
As I dredge the depths for rarer tastes
I rush toward the gutter.
And like the gutters I thirst, in the levees and fen-
In the fen the rush of prey caught
Idling fills the space inside my eyes like oil,
and I dredge the lake for traces.
I am the actor, the dredge, my wit rehearsed
and I am acquainted with the lady of the night.
I smile as she caresses my oily deluged eyes-
And her eyes are filled with bile,
accented by jasmine, even
in the dimmest light of
gutters are rushing to an
apogee, fiercer than I'd like them to
appear, but I am the scalpel, to incise the insincere-
I am the prince, an heir to exacting the coerced-
I watch her eyes like windows from the gutter like a vigil
and hold tight to her breath.
I pour her blood in paper cups
until her breath is weightless-
And I rush, an actor, in the scene that we portray-
I am the giver, the oily deluged eyes that close around the flesh
and rend the fruit from the rind.
When pins and pressure plates crawl into my spent shoulders
I clutch madly to crush the offending sinews.

When I’ve grazed the side of my tongue with an accidental death-threat
I revisit the spot and repeatedly incise, until I’m ******* crimson and tears.

When the she-squito shoots me up via serrated needle turning me feastlike
My fingernails compulsively scavenge out the adenosine deaminase.

I sniff the arid bottles of perfumes I love that are no longer manufactured.
I re-trace my lost friendships through the riverside paths we made.
I chop onions and slurp hot sauce until I’m dry.

Maybe that’s why I’m stuck on you.
Poppy Fields Apr 2017
My pinkies don’t bend right.
They get locked in place
attempting to navigate space
so they turn introspective,
going inward.

My aunt is a palm reader.
She looked at my lines,
at the small age of nine,
and wisely determined
my destiny.

My right hand is clumsy.
To be a good surgeon
I needed to burgeon
despite my weak faith
and faults.
vircapio gale Dec 2012
ginko soft they pile, strewn on cobble
memories themselves concretely devised
cloister inward, revise, revise, revise:
debauched meanderings fully marble
escapes to curl the lip, adorable
here and there, whether smile sneer incise
linguistic pirouettes or paler lies
congest that wisdom indefinable --
the moment past moves on to feigning truth
with pretty rhyme, for ornamenting time
with myths to filter in an Avalon,
juggle perspectival paradoxic ruth
with fine meter fine, vernacular chimes,
and resolve the conflict like a dawn
Klaus Mar 2013
Encapsulated;

Pin drop atom bomb sparks

an incise, rasping raw hiss.
the instantaneous buzz ignites a crescendoing, numbed fuzz belonging to no known octave
Emerald Proctor Jan 2014
I've always ever wanted a muse
with pickled eyes the color of
the dank, polluted snow that haunts the crevices of my city,
Brooklyn.
I've only ever yearned to touch
something bent, but not broken --
like the ligament of your bone.
With what breath do I hold from you,
but fog, smog , sour pears, and a hint of lague
You are the grim beauty to walk the Victorian era
Dashing, lashing --
Oscar Wilde couldn't even spout a witty retort.
Pink lips that incise like the curve of a scalpel
sent Hannibal on his way to salvation
and a voice like the cursive handwriting I could never perfect
Morose, macabre -- these are the terms to coincide with obsession.
In any way,
you have always ever been my muse.
Deal with it.
Devon Baker Aug 2011
Slaughter with fangs that love to incise, 
lust to ring and roar
plastic zips that smother too tighten,
feast on hindered breath takings. 
Pull to gorge against their blessed soulless upbringings. 
It's not terrifying,
not bloodless lucid heart beating, 
steal the latest last of,
butcher and reel till the crazy flees in fear. 

paint splatter smiles,
hang harlot blood stained baby childs.
It's long love lost lusting,
just a carousel killing ride,
a manslaughter ****** scene,
mask me a demon,
kiss me a rotting rose.
For fledgling sake hand me the last shotgun blow.    

Breathe me a reason not to die.
Derrek Estrella Jan 2019
Pigeon-striped with a polyester hat
How can he look so nice and feel so sad?
“It’s a momentary lapse in sadness
Brewed in prudence and gladness”

Fret not for the velvet shoe that stalks you
Cry a well for all the leather hides
That you wear upstairs for kindred brides
Another lover bred to love untrue

“Is there something else I’d like to say?
Efficiency is drenched in dismay
Jewelled epaulettes on deafened shoulders
Something more incise, I shall solder"

Heaven delivered our coal
Sat atop a gilded pole
Heaven delivered our coal
By lawful life, we are loveless moles

Ruby-haired and lilac-nailed
How can she arouse yet taste so stale?
“Hold my vindication in a brooch
Open my heart in reproach"

Fret not for the saddle in your ‘mare
It will take you to a mining town
There, you will earn yourself a gown
And fall on the soldered stairs

“Is there something else I’d like to say?
I am to be blackened for my pay
Else I resign to a red ribbon
And use almighty love as a weapon"

Sweet life, what’s to surmise?
Moths in the corners of our eyes
Writing as a fly in a frame
Spot the hideous, spotted dame

Watch your place, hold your pace

Heaven delivered our coal
Sat atop a gilded pole
Heaven delivered our coal
By lawful life, we are loveless moles
z Dec 2016
from the cold road: houses visible (without wires)
entrenched in white snow: sherd forest archaeology.
car parked, bananas and bars packed, we hike.
a magnesium flame painting, freezing. a collage. a frenzy.
now, various floaters organized in armies playing war
or grazing, flamingo legs embalmed and crooked
and cooked, charred and glazed in a kiln, kin amid
the cold air, the ground is a movie screen.
the sun, sidelong, bruises our pilgrimage
and lays shadows in place to dissect and incise.
light like a plague, a pear flesh, a frozen swarm of locusts.
the forest opens, we reach aforementioned rural shantytown.
those houses when we parked and hiked to them
were not houses, they were barns, the windows, doors
all were painted in detail on pieces of plywood,
some big movie set gone missing (headline: found!
deceptive, chipping curtains hung out in the cold
).
Martin Narrod Jan 2018
Picture me suckling on her elbows, lips enveloping that round lump, teeth scraping up past the skins’ v-fold, you might even want to dress that elbow in dotted pale cerise cotton *******, picture me lapping at her neck, tongue thwapping, spit running down to the corners of the mouth, bright nose pressed firm into the temple, my salacious grin in the wee pit of her eyes,

Yes I am there.
Picture me pawing, growling, climbing up her thin skinny young legs, my junk clambering its way into her grove garden cemetery of Hearse boxes and heart suitcases, where by death nothing grows anymore. Picture heavy, weighty, fleshy flesh tearing to shreds those photos you’ve been keeping of changing diapers in the back of your mind, those pictures on the top of your Steinway, picture me in your picture frames. Picture me I am the perfect imbecilic interstices to incise your pristine sweethearts’ heart, picture me, for I am the beast trammeling your restful sleep. Picture me while I take what I please, picture me as I take and I cleave, fueled by rancor and grief, I am your concerted antithesis of pleas and no’s and pleadings. I am but her best friend till the end. Picture me, woof woof. Picture me.
Fegger Jul 2010
You have such small,
Gentle hands.
The softest of touch,
As you trace invisible lines
Across my temples
And relaxed brow.

You stare into me.
I’d left windows open
Secretly hoping
That you’d brave
My weak defenses
And seek me out.

Inside, you comfort me
More than the fire
I had waiting for you.
You incise my soul
Drawing no blood,
Caressing open nerve.

Your skill of navigation
Within me:
I sense that you have been
Here—before.
Perhaps in a Time
When Dreams lived, flourished.

So petite in size—
Yet my own passion
Enwraps you and
I feel and breathe
Your every selfless,
Deliberate move.

My eyes, weary
And guilty of your entrance.
They complied when
Words failed to shield
From an intruder
Of Need and Desire.

I shall keep you
Safe, here.
Should you peer out my chest
You will see
The palm of my hand,
Guarding you in.

So fitting you are.
I am intoxicated and
Delirious with the liquids
We are now sharing.
I feel our flesh grafting,
As it always belonged.

I close my eyes,
While you settle in
Your forever home.
I will sleep now, dream
That you someday may be,
More than a photograph.
Fegger,2009
Your heart. My hand.
Your lips. My plan.
Your eyes. My demise.
Your hair. My heart's incise.

Your heart, your lips, your eyes, your hair
This torture you've instilled in me is not fair
They are shackles to my greater cause
But without you, my life withdraws
Ross J Porter Mar 2016
I saw the bright steel. It leapt from your lips.
Madness come tempted, black, angry, eclipse.
Once we long courses, abounding hardships,
Challenged together; no thought to call quits.
Then came war, sparing
No knife, not caring.
Weapons used knowing
Hate they were growing.
Now The Blade launched.
Locked target, unstaunched.
Why would my death cause
You cheer, your applause?
Fierce hatred burning, your
soul: scorched dune land.
Splaying, filleting at prayer's demand,
The Blade, a weapon convention won't use,
Hot steel released to new heights of abuse.
Mean dark cold ore pulled from lowest of rungs,
Loosed screaming weapon, with all of your lungs.
I sob and I puke, my chest you incise,
Ribbed wall tore open, my heart you excise.
Betrayed and agape,
a lie, said as true,
Avulsion of flesh
you cannot undue.
You dare speak of truth,
while feasting on gore,
Gorging on heart's flesh
still lusting for more?
Gnawing and biting,
perfumed in blood, hot,
Savoring my fear,
your reeking soul's rot.
Biting and chewing,
the taste, the sweet gift
Love ended proving.
This pain, you call shrift?
Colors of freedom,
Speak my vein's plight,
Face red, soon turns white,
'Till blue spells goodnight.
Eternal the rest,
That's destiny best.
I sleep not so blessed,
Your teeth in my chest.
You claim it's okay,
it was not from hate,
Tears shed for me
just carnage's
playmate.
Ruby sobs
marking
the cheeks
they striate
Fearful
in knowing,
in death I
await.
I know the indentation is odd... Zoom out on the page to about 50% and maybe you'll understand why...
an accumulation of
the not-so-distant insofar as
a whelm of cafard..

it is something that my hands
have seen with their drones,
something that bloviates
with intermittent speech,
a reaching-for-and-out hauling
of tempests as these

shadows renegade the dark
and join necessities of clarity
to combobulate their hue
into white without any trace of remembering, whatsoever.

yet in this scraping perimeter,
everything is within reach
yet unmoving - teeth do not gnash
anymore to grit their cadences,
mouths are swollen with something. a name perhaps? or a random memory of something we chortled about?
or were they bitten off by the fangs and their unrelenting incise,
suturing the lesions and removing the scabs of these wounds?

something that is purulent in laughter is just as crimson as in pain - these photographs watermarked by an effloresce of blood from which has lived once
in this world full in movement and in flesh now gone.
To the humble home of laughter, circa 2012-2013.
PK Wakefield May 2012
at that your, unstartled completely, without
hesitation because hips
                                          (an electric fire; inside me)


                       SPRings

to my lips
that fleetly depart
my face to be
where they are longing
to incise
the placid unhaired
of your

                             between thighs
                             velvet forever
                             notch
It's poison by any other name,so
let's call it the politics
of the insane.

We have a boom
then
another boom and when there's not
enough room
we bomb someone.
So we call it a war and say,
there are militants and terrorists kicking down the door
and today we must stop them,
we must hold them at bay,
so
we bomb families who pray to their own prophets
in lands where
there are profits to be made.
When it all turns to dust we call it a bust
and wait for the boom to return.

A capital Idea from capitalists who sit in the rear,
on their rears and direct operations,
like surgeons with scalpels they incise the healthy,
issue more wealth to the wealthy,
build more machines to distribute toxins
dioxins and cancers sold by
necromancers to the rancid and putrid and,
(what about Euclid?)
an algorithm of this geometry means **** all to me
all I can see is death.
Greenie Jan 2017
Its a sea pebble sky that looms tonight and it reminds me of how very gatsby my innards feel
2. Hah, its darkened to a deadly velvet in these few seconds- what passion!
3. It was in the dairy aisle yesterday that i added the need to incise my skin to the shopping list
4. I especially enjoy times at which the snow has yet to cloak the sheath of a frozen lake- one is able to see perfectly the rocks and withered leaves strewn beneath
5. She always apologizes the next morning.
z Mar 2016
Precarious crucible
A lip on the edge
A tumour, a node
Surface tension,
On thought’s filament
Spike of zest
Rippling and full of wonder
Do I dare poke a hole
And admire what’s under?
Do I dare incise?
A line, a compromise
A rift, a drypoint line,
The burr is the red sea
Above an intense reef
Of life and death and
Everything in between.
A scarlet paradise
the visceral eden of the
pediatrician’s wall chart
that haunts every child’s dream
calls out to me as a mortal adult
the terror of the dark
itches just as much
as the urge to pull
away the flap and
see what light has not
yet graced
Do I treat my own real estate
like someone else’s property
And follow noble orders?
Or do I cultivate it and
Dig for buried treasure?
Hunt the beach, search for
fossils? Dowse for water?
Cleanse the land?
Slash and burn?
Carve out terraces?
I take my knife
I plow and explore.
Poetic T Aug 2020
Ill never write with the constructs
of ink no matter its shading,
                as it has no edges, no fear or freedom.

Instead I use a scalpel to cut clean words
even though not evidentially visible
             all cuts have meaning.


But ever metaphorical stain takes
         time to show its meaning..


You may not see what I mean
         i write in a different manner to


                                    you.
            

But let time show the interpretation
                     that was there but never understood


till you looked beneath the incise significance
               even if not seen now,

                         just realise its there...
multi sumus Apr 2022
This one should ruffle a few feathers...
(think of it as a rant of righteous indignation)


   you'll have to pardon my pragmatism but the Bible teaches about two kinds of people, sinners and sinners who are saved.

   God never "said" I Love you and if you believe that Jesus was the son of God, died, rose again and through Him we have eternal life then the rest is up for conjecture.

i believe we are all poor examples of the gospel

                          prove me wrong

               "pride cometh before the fall"

   Yeah there's those who walk a tighter rope but the rest of us just hope the net doesn't break when we lose balance and collapse from the weight of our own worlds.

  Ever pondered the thought that Lucifer never asked to be here either?

   Speaking of, how bout those Fallen huh
    
   ✵ Irin We-Qadishin
                                                     ­         {YHWH}

   ✵ Anunnaki
                                                        ­        {Anu}

   ✵ Devas
                                                           ­  {Brahma}

   ✵ Greek/Roman "mythology"
                                                     ­         {Chaos}

   ✵Tuatha Danann
                                                          ­     {Danu}

   ✵ Fankuang Tzu
                                                             ­   {Tien}

  Lemme know once you see the connection.

And since we're on the subject of our humble beginnings...

It was a literal 6 days, how do i know?

"Adam was 120 years old when he begat Seth"

And don't even get me started on the flood.

If you cannot believe the first book then the next 65 are just bedtime stories.

     Here's one, how long have we been here?

                5783 years (give or take)

                             Want proof?

Read the Bible again, only focusing on chronologies,
Matthew 1:17 is a good start, you can pick your version, even king james had to rely on the Masoretic text.

(you'll have to read some of the Apocrypha to fill in the 400 year gap between testaments

How 'bout a stroll around the lake?
ya know, the place where Hell goes
(as if it wasn't bad enough)
  Now thump on that and bite your tongue if an interpreter isn't present.

See there's only 3 kinds of sin:
(why were we born into it?...epigenetics)

- The unforgivable.

-  The breaking of the 2 commandments.    
(Which Christ was so kind enough to reduce from 10)

- and the ones man has laid at humanities unwashed feet.

*here's just one example

"You shall not make gashes in your flesh for the dead, or incise any marks on yourselves.”

(It was ritual bloodletting)
Yeah but thats old testament right?

   By the way did you know the word tattoo wasn't introduced into the Bible until 1914 AD.

Which leads me to this.

   "He saith unto them, Moses because of the hardness of your hearts suffered you to put away your wives: but from the beginning it was not so."

Read it again, did you notice?
That's a dangerous precedent.

   And stop with the "trials of Job" first world Christian privilege problems already.

Now if preachers preach and teachers teach then why are they still standing in the pulpit?

   And for all those propagating prosperity.
                      you have your reward.

   Now you can see a few of the reasons why i choose not to proselytise, why would i drag someone into a burning building?

  For all the newbies to the fold, if you have any questions, ask God, because nobody here seems to agree.

  And im gonna save myself the trouble of having to reply to any of those who's shadows have betrayed them.

you are angered.

but not with me.

go seek your peace.

And cast your stones elsewhere.
Ken Pepiton Oct 2021
The being called Bob Dylan, asked me,
- caught my attention
- a blur on the radio

I asked, what if we entered empty,
came into the life
we lived through, we the old who
slipped that little rudder,
that pushes the bigger rudder, sailors
know the nomenclature
it creates chaos in the wake,
sail on, what were we hoping to find?

Sam Phillips from Sun Records
some link to us all, eachly, singin' t'me.
- there were songs saying sing me
I am the thing being asked as the you,
and the me,
and the we, I think you know what I mean,
--- did you really wannabe a rockstar?
--- was it not some older thing
you wished
to be.

A wizard was it? Yes. A wise old man,
anonymous, well quipped, sharp tongue
kind
healing swift cut, through the clench,
bite this,
incise decision to cut to the quick,
quickening
real deal, offered for free, it was given to me
and I never used it,
it's just an idea,
try thinking
a song does do this, but this is your song
vain you, who admit thinking it all
about you, when the link is
word to mind, no translation, no silly riddle
to bless yo' pea-pickin' heart.

Real life, once, one day, I picked peas,
so I do know, there is a pea-pickin' heart
and when it happens to be blessed,
it gets to be silly the old way, blessed
with a fine morning and birds that look lucky
to the kind of minds that discern such,
lucky birds, lucky me, got peas t' pick
and each pea I pick
is a wee bit o'money like matter
in my pocket,
as a thought, with this, blessed pea-pickin' heart

expanding as I live and breath,
peace I make
stays where I store, until, as we all hoped
hope over flows,
come be
still, this lives, this river, that was dammed,
this river wishes power were drawn
from the proud forces vulcan boasts of being
stuffed,
American stuffed, not raw Aussie outback stuffed,
live and learn, poetry takes time
to build the volition, gnoshit, time takes

attention to -- sense- shake fingers in air above head
ritual wu wu
right, that works, that goes into the legendary stock ***.

--Besom of destruction, some of the mess remains.
-- Besom of destruction, come sweep this mess away

So the bass is always the wizard, the knower in the clan.
We all share a part of knowledge, we need
each the other being savvy we are in one ***,

being watched, bubbles never forming, tempers rising
what is the heat to my skin,
ah
yes, the forces that fire sparks to jump the gaps,
augmented vision lets
us see, we are frighteningly complex beings
with bubbling souls.

In a state always called a universe from the inside.
Inside a mortal bubble,
at the very core, very being the philosophically precise,
not on the dotted line,
cut there,
that one point, empty find, for a future reason,
when you chose
to leave be, the prospect of unknowing knowns.

--- the legends all retell themselves,
--- caused by virtue of onliness,
--- amused as I was, entertaining
Interesting times need an attention economy
or we all become scatter brains,
drawn to screaming whispers whistling praise
worshipping wondering if I can ever prove
there is no hell.
Unless Jesus is a liar, himself
not the story greatly told at the heart
of the new order in the information economy
calling fractal realism
back into the every day opera of life,
down the drain,
drawn to
a river, literate-ly, reading itself to me,
the part of me noted in the book of life,
that bubble,
we be in, what was it you wanted?
Fame, or free from blame,
free from guile used to trigger shame,
those who wrestle with the message,
guile is there as game, she knew
mom, she knew, "I was beguiled."

Tricked, made to know all around,
the whole is good, and what was missing
was my knowing, my own knowing
the art of knowing more than names,
know ing I am naked, and
he told me he knew, I know, taste and see
To be seen, or
maybe to be known
as the hand that held the pen,
that
volunteered to make will seem too free
to talk
to sing
to wait to see if others heard the union songs.

Listening to Dylan, knowing the wind he said
he heard blowing
when I was a little boy,
is the wind that wraps the bubble
of air we share
Chronicles, his book is called,
Sean Penn reads it, and I can see them both
at stages,
boy to man to old man with a wish
to do whatever good
might

might
make the tempest tamed
seem willed slow
to geotime
mind-wise, in the way
of minds being
made up
to push toward emptiness,
to fill yours
with my emptying efforting, sweat
of my frontal cortex,
inner sweat.
They call that fretting, inner sweating.

So we teach our children, think
fret not, no sweat
apple a day keep the bleeding doctor away

aware of my power to hear that same
response, from the wind,
when I listen, assuming
you, dear reader, draw some sense,
of the vain vanity,

We must include you.
Do you wish this not so? What do you know?

Many wishes go wasted,
for lack of a mind made up to finish the story.

When you are old, older than any first time
you care to remember,
you feel older than any first time, remembery
moments
seen on a circuitous path down a meandering course,

of course, this is that
course of human events in which we
appear to be involved with clearing the air,

sweeping troubles away, shatter pots,
rotten thoughts, fiddle-sticks,
that was the word, fiddle-sticks, it meant
****, that didn't work,

-- The we I am in at that tip of taxonomy,
the pen, the fold

told that we know, by right opposed to wrong,
which
everybody in this we knows, I am at best a bit,
informing
you.
In the realm things manifest from-in-with-within
confidently, ensampled faith, mine, in me,
see
this is what I wished, I wished to know what
could provoke the stories told to children
who are new know nothings, born
into the safety of we, the people,
who follow a thought held
in words, written in stone and stars, and acts
of living things occurring around us in times,
lifetimes, many times
more and less than mine, yet in the oily slickness
golden oil
I recall,
not knowing this was my request…
- there a call, Rachel, from Dealer Services
AI, checking my access, robocalls are keeping me
alive, re
minding me, I have a say in what we think
at this point, stretched to form a line
in the naturally ready silicon surface ions form
a channel, a brook, or a rill
a poetic little river we can leave a nymphobia
to guard… grimacing do not **** with me

THIS is the peace made in sacred fonts of old,
it feels as if flowing from my left ear
when I first began to leak my
inner daemons, quickie routines to tweak,
the original tiny twist to correct an imbalance
gone
too far. A tic would be imagined as a flick
in time, not as a tweak.

Any way, at this stage Art is tic auspectically
aware you are there, as
wished, hmm, now, I am at a loss for words,

like an electron hole emptiness
ready to take hold
of the next new that fits
Ornery little variable declared some time ago in basic Morse Code FTA
Nick E Mar 2018
Frozen, frozen i stood in space
Embarking on a  journey unprepared
With a heart quickly changing pace
How could this be?

How was I rendered impaired?
Questions, a million questions ran through my head
Trapped in plethora of thoughts with nowhere to flee
They say before you die your life flashes before your eyes
But I was well alive and no blood was being shed
Instead it ran through my veins like an unchained greyhound
Racing an endless track trying to catch a prize
How could this be?

Is this a dream? Am I in bed?
To which reality am I bound?
Silence, silence was all that prevailed
Like an operation room with a surgeon about to incise
Immobile exteriorly, erupting interiorly
With a flood of emotions my body was assailed
Warm and cold, fast and slow, ennemies and allies
How could this be?

Could a drug have hindered my movements?
Is this all a hallucination?
What substance could cause such a rush?
What dream could cause such palpation?
So there i was, filled with thoughts to amaze
Confused, uncertain, my body leading me astray
Ready to quit, with a stomach light as hay
There could only be one explanation
Frozen, frozen I was, by her gaze...
Let me know your thoughts
Jason Theodoroff Sep 2020
It’s getting colder as the months go by
Figuring where I’m going is quite a surprise
The days are shorter and long nights only incise
That the end of the year is coming so we need to arise
And move forward with purpose so we don’t chastise
Any sorrows of our past can’t prevent the apprise
Greatness is coming so we can’t afford to downsize
Our beliefs about our achievement are already authorized
Changing weather and times are here to lionize
That we are survivors as my poem helps symbolize
However, she peels and squalls all that she feared' to reveal the hope that lies within those wounds. For her love is the only incise to those wounds, a scratch no longer forgiving.

— The End —