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"implicit" poems
I closed my mouth: And spoke to you in the language of the rain drops, Whispered to you in the language of the flowers, Chanted 'I love you' in the language of the melodious birds. I closed my mouth: And voiced my feelings to you in the language of the ocean's waves, Delivered my message to you in the language of the gentle breeze, Conveyed my feelings to you in the language of the twinkling stars. I closed my mouth: And spoke to you in the language of eye contact, Expressed myself to you in the language of smiles, Shouted to you in my sacred language of tears. I closed my mouth: And whispered to you in the language of the heart, Recited to you all of nature's implicit language, Spoke to you, softly, in God's silent language. Hussein Dekmak
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Aug 15, 2018
Aug 15, 2018 at 9:58 PM UTC
Speaking to You in the Language of Silence
Black surges, forges piling emotion, Foraging, attaining such predicted erosion. Color the rubies to a diluted amber, Brittle, dripped gems are toxic, I clamber To the lamp as to see my implicit devotion. Vitals ascend, and I can't perceive This motionless forfeit I often receive. Aid is essential, it holds potential, To cure this conflicted, addicted vessel. My heart on my sleeve, I'm undeceived. I implore to explore, as breath, I leave, So close to dying, I'm on the eve Of darker clothing, and flowers to family, Hallucinate my abnormalities. Yet somehow, I am still on my feet-
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May 17, 2018
May 17, 2018 at 9:33 PM UTC
I'm Still On My Feet
Silly, silly, silly me. To think I'm free, and that I'll be somebody? Silly, silly, silly me. You can't be free, and that's just it, All you are is 'somebody.' Some-body. "Some body." But that's not true! Look at Trostky and Lenin, Michael Myers and Lennon, The other Lennon. It's hard to differentiate in name and legacy, Because both Lennon's were revolutionaries, Marching around like the freshman from heaven. But neither believed they were the result of divine intervention in the affairs of man, Because this convention would threaten their worldview and beckon away their sanity... In the same way that the Pope or ****** let their divine vanity commit greater blasphemy and bring them future agony. Now neither Lennon nor Lenin came anywhere close to being men from Galilee, In fact they were more the men of the galaxy, Or at least, John was, with his peach fuzz beard and his belief that love is greater than fear. The other Lenin implemented the New Economic Policy, to starve the proletariat and start his revolution on an already hypocritical trend that would continue quite the same until the very end. And it proves something, does it not? Violence sends a message to no one but the instigator, Changing them to justify, and claim is wasn't misbehavior; But that's a lie, no idea of mine is worth the death of a human mind, And to pretend otherwise makes one delude themselves that they aren't an instigator, but an illustrator, Painting in the blood as if ****** makes an innovator. And for ****** there is no vindicator, Violence is an image breaker, Indulged in by poor imitators who think they're right, and the world is wrong. Unaware this makes them weak, not strong. Now John Lennon was the true revolutionary; Although he succumbed to violence, he veered away from it, even when it was necessary. He fought the war, and yes, the war did win, But at least he didn't cover his scars with artificial skin, Or deny his implicit wrongs as a result of all original sin. John Lennon used the word 'nigger' to the opposite effect. He used the word to trigger something bigger and correct, The wrong that seemed so propagated by the last colonial tide, Of which the other Lenin defected and took colonialism's side. John Lennon was Utopian and told us of a better world; He interjected definition, and caused old thoughts to curl away in fright, And bite the dust despite their might and past dominion of industrialism, It was a schism, and it still plagues us to this day. John Lennon understood we over-complicate way To Often. Silly, silly, silly me. To think I'm free, and that I'll be somebody? Silly, silly, silly me. You can't be free, and that's just it, All you are is 'somebody.' Some-body. "Some body." "Some body" is something, And some body can change the world.
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Sep 12, 2011
Sep 12, 2011 at 1:34 PM UTC
Some body.
Silly, silly, silly me. To think I'm free, and that I'll be somebody? Silly, silly, silly me. You can't be free, and that's just it, All you are is 'somebody.' Some-body. "Some body." But that's not true! Look at Trostky and Lenin, Michael Myers and Lennon, The other Lennon. It's hard to differentiate in name and legacy, Because both Lennon's were revolutionaries, Marching around like the freshman from heaven. But neither believed they were the result of divine intervention in the affairs of man, Because this convention would threaten their worldview and beckon away their sanity... In the same way that the Pope or ****** let their divine vanity commit greater blasphemy and bring them future agony. Now neither Lennon nor Lenin came anywhere close to being men from Galilee, In fact they were more the men of the galaxy, Or at least, John was, with his peach fuzz beard and his belief that love is greater than fear. The other Lenin implemented the New Economic Policy, to starve the proletariat and start his revolution on an already hypocritical trend that would continue quite the same until the very end. And it proves something, does it not? Violence sends a message to no one but the instigator, Changing them to justify, and claim is wasn't misbehavior; But that's a lie, no idea of mine is worth the death of a human mind, And to pretend otherwise makes one delude themselves that they aren't an instigator, but an illustrator, Painting in the blood as if ****** makes an innovator. And for ****** there is no vindicator, Violence is an image breaker, Indulged in by poor imitators who think they're right, and the world is wrong. Unaware this makes them weak, not strong. Now John Lennon was the true revolutionary; Although he succumbed to violence, he veered away from it, even when it was necessary. He fought the war, and yes, the war did win, But at least he didn't cover his scars with artificial skin, Or deny his implicit wrongs as a result of all original sin. John Lennon used the word 'nigger' to the opposite effect. He used the word to trigger something bigger and correct, The wrong that seemed so propagated by the last colonial tide, Of which the other Lenin defected and took colonialism's side. John Lennon was Utopian and told us of a better world; He interjected definition, and caused old thoughts to curl away in fright, And bite the dust despite their might and past dominion of industrialism, It was a schism, and it still plagues us to this day. John Lennon understood we over-complicate way To Often. Silly, silly, silly me. To think I'm free, and that I'll be somebody? Silly, silly, silly me. You can't be free, and that's just it, All you are is 'somebody.' Some-body. "Some body." "Some body" is something, And some body can change the world.
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56
i wake up with the cloying taste of a nightmare in my mouth not for the first time this week and i imagine not for the last i made you a chart concerning all the ways we ****** up and sent it to you last night haven't heard a word since i had the implicit feeling that what i was saying was dangerous. that it could take this little thing we have going on and expose all the little tangled wires sparking and smoking... that i could make you feel bad enough that you wouldn't want to talk to me and i was right.
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Apr 28, 2014
Apr 28, 2014 at 12:32 PM UTC
"why sassy is grumpy: an essay"
Music is my Deity and so benevolent is it! A mystical Tapestry woven upon Silence and across Time, what about that is not Divine? Music doesn't divide, it unites. It attracts expressive minds, creative minds, empathic minds, logical minds. It creates an abstract temporal psychosocial middle-ground; You don't have to be a virtuoso to drum along or dance or vocalize. You don't have to be a virtuoso for practice to reap it's rewards. We speak with Music: Language is a Musical thing; it employs Rhythm and Pitch and works through Time. Music is a Linguistic thing; it communicates things that otherwise cannot be said while also having room for Language itself. Music is no singular aspect; Music is not defined by medium, nor is it defined by orchestration. Music is wholly Abstract, relating only back to itself. Music is defined by context; Music is a matter of perspective. Footsteps are music, in 2/4 time. Heartbeats are music, in 3/4 time; this defines "swing" feel. A Clock is music, in 1/1 time at 60 beats per minute. A year is music, in 365.25/1 time at 1 beat per day. The duration of the Moon's orbital period and Day are a Unison; 1:1. The four Galilean moons of Jupiter orbit with the resonance of Octaves; 2:1 ratios of wavelength. The ratio of the lengths of Mercury's Year to it's Day is nearly a Perfect Fifth; 3:2. Music is implicit. Music is mystical. Music is a Metaphor manifest, for the nature of the Universe; even the very word "Universe" means "The One Song". Music is truly intrinsic; I am a Shaman of Music. It is an Honor.
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Jun 30, 2013
Jun 30, 2013 at 2:03 PM UTC
Music is my Deity
Music is my Deity and so benevolent is it! A mystical Tapestry woven upon Silence and across Time, what about that is not Divine? Music doesn't divide, it unites. It attracts expressive minds, creative minds, empathic minds, logical minds. It creates an abstract temporal psychosocial middle-ground; You don't have to be a virtuoso to drum along or dance or vocalize. You don't have to be a virtuoso for practice to reap it's rewards. We speak with Music: Language is a Musical thing; it employs Rhythm and Pitch and works through Time. Music is a Linguistic thing; it communicates things that otherwise cannot be said while also having room for Language itself. Music is no singular aspect; Music is not defined by medium, nor is it defined by orchestration. Music is wholly Abstract, relating only back to itself. Music is defined by context; Music is a matter of perspective. Footsteps are music, in 2/4 time. Heartbeats are music, in 3/4 time; this defines "swing" feel. A Clock is music, in 1/1 time at 60 beats per minute. A year is music, in 365.25/1 time at 1 beat per day. The duration of the Moon's orbital period and Day are a Unison; 1:1. The four Galilean moons of Jupiter orbit with the resonance of Octaves; 2:1 ratios of wavelength. The ratio of the lengths of Mercury's Year to it's Day is nearly a Perfect Fifth; 3:2. Music is implicit. Music is mystical. Music is a Metaphor manifest, for the nature of the Universe; even the very word "Universe" means "The One Song". Music is truly intrinsic; I am a Shaman of Music. It is an Honor.
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41
***Most people live for love But some of us live because of it*** Such unforgivable forgetfulness Lost within potential photos Preoccupied and overly abrasive Harmless yet persuasively implicit These eyes are speechless But explicitly dying to speak A picture so perfect for lust A thousand words Just isn't enough Deeply indebted With every glance   Too perplexed by color     How none of it belongs     Another illustrated nightmare    Where sleep is prolonged Where the sick plans To escape with the thought Trapped inside the mind So adolescent Oh picture the heartache Rejoicing over a carcass Still standing And rapturing moments We all long to feel This winter shiver So sicken from cold feet An undying hunger For butterfly soup ***Proof What worthy time to be alive Clearly sold on the vision Never too hasty to cover This lover isn't blind   But envisioned May we all fall victim To the photos We aren't viable to find*
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Jan 31, 2016
Jan 31, 2016 at 10:35 PM UTC
Been Taking Pictures with Willow
Hearing fogged drops of rain Precipitate violence in the Amazon, Against the placid Leaves; Left disheveled the unfiltered forest.   Dampness divorced from its thin vapor blur Plummeting memoirs retold, the cradled Past returns its own, splintered light Edging the threshold of infinitude, Axiomatic slippage each fell cold. Fallen moisture recovered, Once nourished the ancients; Correspondingly, we align. Lineal descendants, Tides of March, Sibilant waters flow through us. Hoary myths, now hallowed imminent. Ponderous, our torn skies cleft, clouds suffused in grey─ The emergent pour, casts a montage of Freighted silence, implicit tapestries Sewn seamless; our kindred froth ashore. Pedigreed continuum bound in common plight, Unseen flood of halcyon Dust and flesh coalesce beneath the torrent; Genetic lines merge ─ intersection of Time and eternity. From the same water we drink. Lineal descendants, Tides of March, Sibilant waters flow through us. ©2012 W.S. Warner
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Sep 30, 2012
Sep 30, 2012 at 1:54 AM UTC
Tides of March
We haven’t spoken like we did, Words feel like discarded currency; Useless now, and inconsequential in hindsight. Query into the why, I respond with what, Like a dam of unspokeness has burst, And words flow past; Powerful, but inevitably more destructive than I hoped, Pushing away the life preserver I am offered, I can do it alone, because that’s what it will come down to, Dismissive of pessimism, you make claims of happy endings, so I refute: “Babe, we’re fighting a cold war, No one can win when there’s everything to lose. Lines are drawn, allegiance implicit. Unspoken resentment. Vocal frustration. A couple’s quarrel that never was, Like Frankenstein’s monster, The rearranged parts of our whole, Pieces of fiction, Light folly with cruel consequences, Denial sets in, My road to hell will always be paved with your best intentions.” I will not hear, I will not see. Willful disability, Crippled with envy. I am a monster with emeralds in her eyes, Seeing the universe through glass tinted green instead of rose, I am the monster who is thin and jagged, Unable to produce my own warmth, Cutting everyone near. I am the monster who plays house, The monster who wants it to be home, The vicious beast with a place to rest its head, It’s easy to be alone, but somehow less satisfying. "My road to hell will always be paved with your best intentions.” Our destruction is mutually assured, No move is left unanalysed, Hyperawareness. Things we side aside before are the objects of argument; Proxy wars. I am a giraffe racing a gazelle, Long strides mean nothing; Beauty is the crowd favourite, Tripping over my own limbs, Tendons severed by chasing wildcats, Falling, devoured, as beauty reaches the finish line. Détente.
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Dec 19, 2013
Dec 19, 2013 at 7:42 PM UTC
Cold War
We haven’t spoken like we did, Words feel like discarded currency; Useless now, and inconsequential in hindsight. Query into the why, I respond with what, Like a dam of unspokeness has burst, And words flow past; Powerful, but inevitably more destructive than I hoped, Pushing away the life preserver I am offered, I can do it alone, because that’s what it will come down to, Dismissive of pessimism, you make claims of happy endings, so I refute: “Babe, we’re fighting a cold war, No one can win when there’s everything to lose. Lines are drawn, allegiance implicit. Unspoken resentment. Vocal frustration. A couple’s quarrel that never was, Like Frankenstein’s monster, The rearranged parts of our whole, Pieces of fiction, Light folly with cruel consequences, Denial sets in, My road to hell will always be paved with your best intentions.” I will not hear, I will not see. Willful disability, Crippled with envy. I am a monster with emeralds in her eyes, Seeing the universe through glass tinted green instead of rose, I am the monster who is thin and jagged, Unable to produce my own warmth, Cutting everyone near. I am the monster who plays house, The monster who wants it to be home, The vicious beast with a place to rest its head, It’s easy to be alone, but somehow less satisfying. "My road to hell will always be paved with your best intentions.” Our destruction is mutually assured, No move is left unanalysed, Hyperawareness. Things we side aside before are the objects of argument; Proxy wars. I am a giraffe racing a gazelle, Long strides mean nothing; Beauty is the crowd favourite, Tripping over my own limbs, Tendons severed by chasing wildcats, Falling, devoured, as beauty reaches the finish line. Détente.
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48
I feel for the children indoctrinated into religion. I feel for the kids that can't, won't question faith. I feel fortunate I wasn't brainwashed like that. I feel my thoughts are my own, I feel the theists have had that stolen from them. but I am intact. only when I realise I can't love a catholic girl with my everything and my chest seizes up when I hear them say grace, I see I'm not better off than they are. in the same way that they have been tricked to believe in a celestial monarchy, and see satan in me so have I been tricked to see satan in them. I hate the church. I thought I could still love the people. but you can't hate anything and still love the people. I and we all have been rendered incapable of fully accepting the implicit, fundamental unity that does not name. our parents didn't do it, their grandparents didn't do it. it started forever ago and it's never going away. we could of all loved each other but we ****** up the axiom. it's the greatest sin of all, and it's nobody's fault.
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Oct 17, 2012
Oct 17, 2012 at 9:22 AM UTC
we ****** up the axiom
I would much rather think of my style of writing as "Philosomancy" than as "Poetry", I would much rather think of my Music as "Phonomancy" than as  "Music". I think of myself as a Philosomancer rather than a Writer; perhaps a Writist. Language is simply a mutual Medium for concepts; a means. I think of myself as a Phonomancer rather than a Musician; perhaps a Musist. Music is the name we call ordered sound; a means. There is deeper Mythic significance to these things than the mere words "Write" and "Music" lead on; The Suffix of "-mancy" indicates a style of Divination; a sort-of improvised Oracle. Take, for instance, Geomancy: Divination of Earth Pyromancy: Divination of/by Fire Astromancy: Divination by the Stars Aquamancy: Divination of/by Water By this pattern, it logically follows that: Philosomancy: Divination of/through Ideas Phonomancy: Divination of/by Sounds - Mythic Overtones are ubiquitous and implicit, yet perception of them is more rare due to cultural dissonance 'twixt Mythic and Logic. Plus, Philosomancy and Phonomancy sound so much more badass than mere Writing and Music, if I am to openly opine! (It really helps to have a sense of Humour, as well!)
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Jul 15, 2013
Jul 15, 2013 at 2:54 PM UTC
Philosomancy/Phonomancy
In the silence and misunderstandings that separate us I need to believe there is a place where we can meet a place of mottled light where the only shadows are painted by ancient firs who conspiratorially lean open, welcoming hands down to greet us. It is a place where all thoughts of judgment and jealousy are simply too petty for consideration love being implicit in the moisture of the air words are unnecessary for our eyes reveal everything we ever want to say. Fear and resentment are unknown here we refuse to recognize them if they slither into this haven while we are sleeping restful, innocent, unworried history does not exist, the moment held is enough. If this vision were dispelled, my soul could not sustain reality’s weight. I would be battered, fragile as a spiraled whelk on deceptively smooth rocks splintered by hate and unwillingness to be as the sea, fluid and graceful, all encompassing. Will you come with me here? Or is the hour too late? We can meet in this hollow sacred space and begin again, let loose misconceptions clouding the life we share. The path is faint trust your weary heart it will lead us to each other.
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Nov 11, 2015
Nov 11, 2015 at 9:08 AM UTC
Sacred Space
*as life will have it some are explicit poems while others are implicit ones When you sigh and shake your head and when you pace the tired floor and steadily approach  that door to the hatch that ushers you into a tango you're quite obviously a vivid poem with a rhythm and a diction all your own there is always someone dying to know you when you brood like an intellectual and when everything is reality virtual you're an implicit poem, morose and taciturn when you paint pictures in weeping colours and from ubiquitous critics seek no  favours you're a dirge in e-minor - a veritable lament that will only go walking when the day may*
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Nov 8, 2015
Nov 8, 2015 at 7:56 PM UTC
Everyone is a Poem
for every fragile memory i visit time is wasted and i am foolish enough to let it happen repeatedly because i am convinced that we had a moment in between sarcasm and cockiness you let me see through your disguise though you did not and then you left me craving for more ache for attention i was not entitled to (k.w)
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Aug 23, 2013
Aug 23, 2013 at 7:37 PM UTC
implicit
Water over stone speaks to me Voices in my head or reality? Bubbling, babbling, a fluid oration. From liquid, an opus of reverberation. Closer I get, speech becomes blurred. A child, a crowd, an implicit word? Retreat a step, lucid communique Desire to immerse, ingest the parley. Sit between banks in tears from on high Hear her voice in the brook as I try To understand, and follow the sentence at hand A cacophony of silence sifted through sand. Meaningless, mindless, numbing address Just what’s so important she’s trying to stress? Words from the distant, ghostlike, perchance Wispy and passionate midsummer’s dance. My ears reject resonance, but the mind draws it in To decipher the past and perceive an old sin. Apologetic, pleading, no mold to this play Just babbling on, with no true thing to say. Hands growing numb from water’s icy hold Must leave this brook, for so I’ve been told That mystery lives in the motion of hearing Of water’s sweet journey beyond my heart’s clearing.
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Aug 10, 2011
Aug 10, 2011 at 6:58 PM UTC
Babble On
There are men (fair knights) who always get what they want. If suddenly, Mr. Knight doesn’t get - say, a girl (the fair maiden) - he’s confused - what IS this, he wonders but he doesn’t KNOW. We will assume that getting this thing (girl in our example) is important to him. Though his perceptual systems are still searching for answers he gets a sinking feeling because his limbic system reacts faster. It tells him something’s wrong - and it might be a predator (the dragon) so he starts sweating, he wasn’t prepared for a dragon - for chaos! Why didn’t I get what I wanted, he will ask himself. Maybe I’m not attractive? (That would be a horror of the 1st order) Maybe this girl is trying to hurt me.. attack me? (the predator) - that may be a thought, but it’s unlikely and an unhealthy one. Rejecting that he must ask himself questions: Did he come on too strong? Was he acting like a **** Did he make too many assumptions? Am I well dressed? Did I shower today? (he smells his breath, checks himself in a mirror) He goes back over the encounter in his mind. Was he really trying his best? If he decides, at this point, to go on, he must face his unrealized world in order to slay the dragon of chaos blocking him. The issue may be something outside of his normal, conceptual structure. In that case, the problem is literally, the snake in the garden (his walled conceptual garden - his view of the world and his place in it). Now this IS something - a snake in the garden - again he can give up - quit with this girl, quit trying period, quit dating, bathing, eating - that’s how the dragon can **** Failure is a message from the implicit world. The good news is - it’s a message from the real world and it may be a gift - the best thing that ever happened to him. A slap that says: wake up, learn something, clue-in. It can be a treasure, the gold that dragons hoard.
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Dec 2, 2021
Dec 2, 2021 at 9:14 AM UTC
the dragon
There are men (fair knights) who always get what they want. If suddenly, Mr. Knight doesn’t get - say, a girl (the fair maiden) - he’s confused - what IS this, he wonders but he doesn’t KNOW. We will assume that getting this thing (girl in our example) is important to him. Though his perceptual systems are still searching for answers he gets a sinking feeling because his limbic system reacts faster. It tells him something’s wrong - and it might be a predator (the dragon) so he starts sweating, he wasn’t prepared for a dragon - for chaos! Why didn’t I get what I wanted, he will ask himself. Maybe I’m not attractive? (That would be a horror of the 1st order) Maybe this girl is trying to hurt me.. attack me? (the predator) - that may be a thought, but it’s unlikely and an unhealthy one. Rejecting that he must ask himself questions: Did he come on too strong? Was he acting like a **** Did he make too many assumptions? Am I well dressed? Did I shower today? (he smells his breath, checks himself in a mirror) He goes back over the encounter in his mind. Was he really trying his best? If he decides, at this point, to go on, he must face his unrealized world in order to slay the dragon of chaos blocking him. The issue may be something outside of his normal, conceptual structure. In that case, the problem is literally, the snake in the garden (his walled conceptual garden - his view of the world and his place in it). Now this IS something - a snake in the garden - again he can give up - quit with this girl, quit trying period, quit dating, bathing, eating - that’s how the dragon can **** Failure is a message from the implicit world. The good news is - it’s a message from the real world and it may be a gift - the best thing that ever happened to him. A slap that says: wake up, learn something, clue-in. It can be a treasure, the gold that dragons hoard.
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12
1 *Recently prolific Writing reactions*… Yeah, not prolific producing babies or sowing wild oats Just this unimaginative, pedestrian activity: *Writing reactions Still prolific at my age….* 2 explicit? No, no, no - me no explicit… don’t have the ***** to be that but everything is implicit like if I write about some aspect of life it’s all there: the routine, *** violence, and so on isn’t everything implicit? 3 *POETS New and popular* OK... how about the *POETS New and Unpopular*? 4 OK, I like this guy or gal, right? and so I click on LIKE and the next time I look at it it says: LIKED Hey, I still LIKE her! Look, I still LIKE him! And why can’t I click on LIKE on my own page? What’s the matter, can’t I like myself? Is that a strange notion – Don’t you guys and gals like yourselves?
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Feb 14, 2012
Feb 14, 2012 at 5:01 PM UTC
Some hp fun moments
nestled within this ocean of tranquility with its zen-like decor they sit for hours in total silence a smiling Buddha sole witness to the arrow-like exchange of amorous glances each glance an implicit confirmation of intimate liaisons from lives past and present the odd tap of wooden chopsticks picking up sushi the only music time dare not enter this oasis of love.... as eyes keep rapidly exchanging words while lips stay silent © 2019
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May 12, 2019
May 12, 2019 at 2:20 PM UTC
while lips stay silent
It's been one week, since I told you, nothing of importance. But one week, since you told me, anything, at all. How soon I forget, what it's like, not to be, at a person's disposal. How quickly I remember, that remembering is, a bother. Easy folk enjoy easy listening. A magnet that draws sound. Vibrations of different magnitudes. But visually, all the same: On a large enough body; what proceeds: A ripple on water's edge. Beauties and questions evoked. Memories that hold vehemence. Open ears that trickle red. An eye for an eye. A tooth for a tooth. A *** for a *** Sour taste, before I spit. After all that said, so it goes: She is left feeling discontent, because her friend left her behind. A friendship no longer pragmatic, left her detached and unkind. After one move against her, inadvertently made her the bad guy. Assimilated ignorance was transferred, leaving her with raging eyes. Now a maniac, but once shy. It started the day she was betrayed, and her friend left without goodbye. Friendship turned into a frivolous demise. She never thought of compromise. She will always be left on her own will. Only living each day with empty glare. While she sits cynically by her window sill. Reliving old days, and perfecting her stare. It's been one week, since I told myself, nothing of importance. But one week, since I've asked questions, and have realized that, in your twenties, you are partial to saying 'No.' Implicit No, god-forbid a subtle yes. You know yourself. You want to know yourself. You hope that you know yourself. And, In the scheme of it all, the ***** shopping mall, the empty alleyways, **** and trash, looking down at laced shoes, transcends society's social boundaries. Those little moments at the end of the day, that make you smile, are the reason you should not become frustrated. It would be the same, as letting a long car ride ruin a vacation. Thinking short-termed has never led to outstanding goals, only temporary satisfaction. Life is short, but it is long enough to learn how to pick battles. There are far more important things to worry about, than ill intent with loved ones, or even strangers. If someone steps on your shoes, let it go. Use that frustration to better yourself, and when you can, buy better shoes, and walk a mile in them.
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Aug 25, 2012
Aug 25, 2012 at 3:03 AM UTC
Left Knowing It Was Right
It's been one week, since I told you, nothing of importance. But one week, since you told me, anything, at all. How soon I forget, what it's like, not to be, at a person's disposal. How quickly I remember, that remembering is, a bother. Easy folk enjoy easy listening. A magnet that draws sound. Vibrations of different magnitudes. But visually, all the same: On a large enough body; what proceeds: A ripple on water's edge. Beauties and questions evoked. Memories that hold vehemence. Open ears that trickle red. An eye for an eye. A tooth for a tooth. A *** for a *** Sour taste, before I spit. After all that said, so it goes: She is left feeling discontent, because her friend left her behind. A friendship no longer pragmatic, left her detached and unkind. After one move against her, inadvertently made her the bad guy. Assimilated ignorance was transferred, leaving her with raging eyes. Now a maniac, but once shy. It started the day she was betrayed, and her friend left without goodbye. Friendship turned into a frivolous demise. She never thought of compromise. She will always be left on her own will. Only living each day with empty glare. While she sits cynically by her window sill. Reliving old days, and perfecting her stare. It's been one week, since I told myself, nothing of importance. But one week, since I've asked questions, and have realized that, in your twenties, you are partial to saying 'No.' Implicit No, god-forbid a subtle yes. You know yourself. You want to know yourself. You hope that you know yourself. And, In the scheme of it all, the ***** shopping mall, the empty alleyways, **** and trash, looking down at laced shoes, transcends society's social boundaries. Those little moments at the end of the day, that make you smile, are the reason you should not become frustrated. It would be the same, as letting a long car ride ruin a vacation. Thinking short-termed has never led to outstanding goals, only temporary satisfaction. Life is short, but it is long enough to learn how to pick battles. There are far more important things to worry about, than ill intent with loved ones, or even strangers. If someone steps on your shoes, let it go. Use that frustration to better yourself, and when you can, buy better shoes, and walk a mile in them.
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83
Collaboration's implicit excitations explicate expectations Unity's myriad augurs geomancy's indications Demagoguery's ostensibly intuitive impetus coordinations Extravagantly exorbitant panaceas appreciate exaggerations Prolifically profuse profundity's autonomous gestations Empirically emulate epistemology's exogamous creations Intrigue's imperative promulgation's quantum fecundations   Fealty's ephemeral enunciation's explicit complications Hypercritically exponential prophylaxis protocol's interpretations Sacrosanct unary's preternatural predilection's extrications Eventuation's evocative illuminism avant garde's ostentations Corrupt costume counselor's indicative explications Assimilation's synthetic synthesis' ascensional implications Ominous phenomenon portrayal detinue's integrations Umbrage ultraism's penumbral platitude's objectifications Futurity's spontaneous flamboyance's apotropaic expiations
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Nov 30, 2018
Nov 30, 2018 at 7:53 PM UTC
Synergy
For 2 years, we've met, until now, I stop. Arranging impassion's unpleasentationships in this 10th year, doubtlessness's equipped to unveil all of his un-friendship. I'll leave here.                            I leave behind.                        I'll leave today-              & wont return. When you go so far and facetiously thank-   what you know to seek forgiveness for Your once full words, empty and blank while guises of gratitude implore. All the cop outs and shifting blame To grow up and then blow away again Us tortured youths, from diamond minds Extrapolate all that we may find Worthy, of exchanging for our flesh's  time- Insidiousness perpetuates the implicit crime. All that's perceived within a pill Freckled iris, minds eye's staring still Each kiss, Every smile, im abhorrently ill. no doctor but witch might placate my will.
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May 17, 2025
May 17, 2025 at 8:03 AM UTC
A Final Teaching
Mama I've done wrong Did it again Swallowed the red sun and burnt my tongue Now I talk in caustic prose As I watch precious friends erode into stories that were once told Missing the elastic howls that died in the sweet summer time, our mellow procrastination that became an erratic fascination, hopeless meandering in the forest grove where we found Cherub rock and communicated in implicit thoughts Merely stowed memories in a paper boat Drifting towards a somber moat formed from the friction of  splintered convictions The chords of thunder roar Black clouds of war wash ashore It's time to fall on my own sword
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Nov 12, 2010
Nov 12, 2010 at 10:28 PM UTC
A shell of my former self
"It is a postulate implicit in all metaphysical poetry that nothing is ineffable, that the most rarefied feeling can be exact and exactly expressed. If you cease to be able to express feelings, you cease to be able to have them, and sensibility is replaced by sentiment, in the end by the vague expression of the vague, and poetry degenerates into a diversity of noises."
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Mar 31, 2010
Mar 31, 2010 at 3:29 AM UTC
Why T.S Elliot is always right.
Night hangs slowly As ephemeral glances Drop by lovers, Strangers past Past lovers, Drop glances, night Hangs, ephemeral Ephemeral, night Lovers, strangers, we are But strangers, lovers, then.
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Apr 8, 2016
Apr 8, 2016 at 2:54 AM UTC
Implicit
. , , ! Poetry Club discussion questions available upon request.
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May 17, 2013
May 17, 2013 at 6:17 PM UTC
Warning: Implicit Content