"implications" poems
Municipal Gum was written by Oodjeroo Noonecaal. Municipal Gum is about the changes in society and the tendency of people to want to control everything. Oodjeroo uses various techniques to convey this idea.
At the beginning of the poem Oodjeroo is addressing the tree. This immediately creates empathy for both the tree and her people. By the last line she has emphasised this with the pronoun “us” to show that they suffer a similar fate.
This poem expresses how life in Australia has changes especially for Aboriginal people. In the first half of the poem Oodjeroo is talking about how life was for her and others. It explores the changes in society and the displacement of the Aboriginal people from their land.
“Whose head hung…Its hopelessness”, the author uses this as further re-iteration of the immorality of the situation and by the use of analogy comparing the tree to her people to further emphasise the shame and lack control of that the Europeans have inflicted upon her and the environment.
Oodjeroo uses extended metaphor technique in the very first line of the poem ‘Hard bitumen around your feet’. This means that the gumtree has been placed in the city scape where it is suppressed and not allowed to spread out and be unique in its own way. This is clear and immanently direct link to the pain and suffering endured by the Aborigines post European settlement.
Oodjeroo uses vivid language to present these ideas. For example the use of the word castrated is very effective. The connotation of the word is very demeaning. With castration often comes a sense of a loss of pride and power. The word castration is symbolic of how Oodjeroo feels the European have treated Aboriginal people and the environment. Castration also refers to the fact that what is done is done. Nothing can undo what they did and the damaged they have caused.
Other symbolism includes the title “Municipal Gum”, municipal meaning community, implies that the gumtree belongs to the community. One of the vast differences between European and Aboriginal law is that Aboriginal people did not believe in the ownership of land or of animals and plants. Municipal Gum is a reference to the Europeans assumptions that everything is theirs to own and control.
The rhetorical question, “O fellow citizen, What have they done to us?” is the conclusion of the implications that have been made throughout the poem. Oodjeroo, is advocating for her people and all things wronged by the controlling behaviour of the Europeans. Rhetorical questions are used to provoke thought and to stimulate a pre-determined response. “What have they done to us?” They have “castrated, broken… strapped and buckled” and ultimately changed things to a point that they cannot be fixed.
In conclusion, Municipal Gum is a poem about the constrictions and change that the European invaders forced upon the Aboriginal community and the environment she believes that the Europeans have deemed themselves ever powerful and practice their power in a manner that is immoral.
Sep 11, 2013
Sep 11, 2013 at 7:47 AM UTC
If there was one word
One word, isolated by itself
That I cannot stand above all others
It would have to be "Okay"
I despise "Okay"
"Okay"
Is how your millionth day at work went
"Okay"
Is off-brand raisin bran
"Okay"
Is how you say life is going
When you don't want to admit you spend
Every second of it
Wanting to die
"Okay"
Is packed to the brim with
Hidden implications
Like a treasure chest
Filled with bottles
With little subliminal hatreds
Written on tiny slips of paper
Passively aggressively pushed inside
To discover later
As I pull out a treasure map
And try to decipher
Where I went wrong
"Okay"
Is a one word dismissal
That feels like an essay a thousand pages long
"Okay"
Is a poison dripping with disinterest
When I dared to share with you
Something I thought might make you smile
"Okay"
Is like trying to talk to a wall
While watching the paint on it dry
"Okay"
Takes two seconds to write
Yet I waited days
For that dreaded word
To grace my notifications
"Okay"
Should be used sparingly
As if each time you send it
You **** the receiver just a little bit
"Okay"
Should not be said so often that
I know what you're about to say
Like I saw it in a crystal ball
"Okay"
Is not looking up from your phone
When I tell you about my day
"Okay"
Is not the proper response
To "I love you"
They say that the opposite of love isn't hatred
It's indifference
And I can't think of a response
More indifferent to pouring out
My heart into your hands
Than "Okay"
At least the last thing you said to me
Before we parted ways
Showed that you cared
At least a little bit
"I hate you"
Stung less
Than the thousands of times
Over our countless conversations
You responded
"Okay"
Okay?
Aug 2, 2018
Aug 2, 2018 at 12:09 PM UTC
I'm a little disturbed by the implications
of dreamcatchers in cars.
Are we that prone to fall asleep
behind the wheel?
Are we that scared of our nightmares?
If life is a dream
does a person who dies near a dreamcatcher
get caught,
a fly in a web,
in the dreamcatcher and wait to be devoured
by the nightmares inside.
May 21, 2014
May 21, 2014 at 12:35 AM UTC
The power of Averages,
it means a lot
if you can
understand Means, a lot.
Assuming a Normal Distribution,
A Standard Deviation, or σ
defines where about 68% of the data falls;
roughly 34% above and below the Mean.
Two Standard Deviations
defines where a further 28% of data lies;
14% above and below 1σ and -1σ.
Positive 1-Sigma is one Standard Deviation above the Mean
Negative 1-Sigma is one below;
The range from -2σ to 2σ includes 96% of data.
The implications are astounding.
Within 3 Standard Deviations, one finds 99.7% of the data;
Within 4σ, 99.9%, 5σ, 99.999%,
the remainder are generally outliers and other improbable results.
To illustrate:
Suppose we had a group of 100 people,
and we wish to determine average height:
If our Mean height ends up being, say, 180 cm,
with a Standard Deviation of 20cm,
We can suppose that of 100 people, on average,
with a certain Margin of Error that is inversely proportionate to our Sample Size, or n
(for sake of argument, the Probable Error, or γ, is 13.49cm)
4 are taller than 220cm
14 are between 200cm and 220cm
68 are between 160cm and 200cm
14 are from 140cm to 160cm
4 are shorter than 140cm
--
Statistics is the parent of Probability;
Statistics is the Art and Science of Forecast,
Statistics paves the way for modern Science
Statistics is a powerful weapon in the fight against Ignorance
Statistics, however, are generally and intentionally misrepresented and thus misunderstood.
For increasingly accurate figures,
one must have a larger Sample Size
and a Sample group that is a representative subgroup
of the Whole
*This is intentionally abused
by most of the News
you read or see each day on Paper and Screens alike.*
If a "Statistical analysis" does not include at least
Margin of Error or Probable Error,
Mean (Average), Standard Deviation, and Sample Size
do not take it as accurate.
Depending on the source,
it could even be deliberately malicious.
Arm yourself with Knowledge.
May 7, 2013
May 7, 2013 at 6:14 PM UTC
Before I looked forward, I looked at the sky
I looked at birds whose numbers will die
I looked at the plane threatened with tragedy
I observed the moon conquered by humanity
Before I looked forward, I looked to my right
I looked at the gas stations that filled me with fright
I saw the grass littered with trash
I looked at the stores begging for cash
And before I looked forward, I looked to the ground
I looked at the bubblegum blackened and browned
I saw the asphalt crumbling fast
I looked at the coal which once was vast
So before I looked forward, I looked right behind
I looked at the coal burnt sky drifting high
I saw the foundations of our nations
I looked at the people ignoring the implications
Then I looked up, and I looked straight forward
I looked for an end to all our horrors
I saw that soon it would all be done
And I looked forward, and I saw the sun.
Oct 30, 2017
Oct 30, 2017 at 7:23 AM UTC
My smooth vermin, you inspire me to write.
How I hate the way you infest,
Invading my mind day and through the night,
Always dreaming about the wicked rest.
Let me compare you to a contender?
You are more ugly and more disgusting.
Hot frost nips the robins of December,
And wintertime has the shocking busting.
How do I hate you? Let me count the ways.
I hate your intriguing infestations.
Thinking of your many legs fills my days.
My hate for you is the implications.
Now I must away with a loathsome heart,
Remember my fast words whilst we're apart.
Dec 3, 2017
Dec 3, 2017 at 1:12 AM UTC
Puissant piquant and predatory
And observant from afar
He looks down on your slumber
Like a door that's left ajar
Plying with his manly vice
A reckless male visage
A rogue of masculine device
Seeks entrance to your mind
He saunters with a swagger
A macho savvy moxie
To personify virility's incarnate
His dream zone's metier
He sifts your ****** entourage
In search of sprawls recumbence
To tantalize climactic fervor
With lambent photic scenes
Grasping at your revelries
He spies the wanton lust
With swanky strut appealing
Your primal urge to sate
He leaves undone resistance
With innate resilience seized
The lavish wayward implications
Of unrequited livid deeds
Like passion's lurid lecheries
An insatiable torrid sooth
You wrestle with his adamance
Your carnal ecstasies revealed
You pounce on his exsertion
You splay your agile form
wriggling like a supple nymph
You accept his blatant storm
You writhe in your abandon
In a euphoric supplication
His machismo ****** enveloping
Your wildest latent needs
With no regrets or reticence
you awaken from this dream
To find yourself alone again
Like it had never been
May 19, 2018
May 19, 2018 at 9:51 PM UTC
Perhaps, We have a worldview, that has turned a bit myopic.
Perhaps, We need a checkup from a doctor for Our optics,
Perhaps, We need for them to write Us out a new prescription, then
Perhaps, We'd see the truth in life that's written in inscription,
Perhaps, the Earth is weeping somberly, but We don't care to listen,
Perhaps, it warns us of Our doom when global profits are our mission
Perhaps, the World is run by men, whose only drive is for themselves
Perhaps, the few will **** the many, just for monetary wealth,
Perhaps, We're all too blind to understand the implications,
Perhaps, a future fraught with poverty and war is what We're facing
Perhaps, a different train of thought, is faintly running by adjacent,
Perhaps, it's one that wrests its life from the stagnation of complacence
Perhaps, We're living forms of life that have been cast inside a mold
Perhaps, estrangement from each other causes Our Hearts to grow cold
Perhaps, all concentrated power's an illusion, We behold,
Perhaps, We all could take it back, if We'd stop doing what We're told
Perhaps, Our Being is unique, and isn't something predefined,
Perhaps, Our priorities in life should they themselves be redefined,
Perhaps, Our voices are of import, and should not be undermined,
Perhaps, We all should organize, and build a world of new design
Perhaps, it is the Media that keeps Us all divided,
Perhaps, We should act neighborly and strive to be united,
Perhaps, in living as a People, We would find Ourselves delighted, and
Perhaps, We'd change the status quo, if We would only try to fight it.
May 13, 2015
May 13, 2015 at 5:01 AM UTC
What are fingertips but pulses and pauses?
A spinal sigh---a cradle to all existence?
The punchline of all sensory implications,
the culmination of our tangles and departures?
All flesh is ephemeral, soft to shards in hours;
Touch is but a ****** tendril in memoriam for desire.
Nov 13, 2015
Nov 13, 2015 at 3:08 PM UTC
Dealing so much with figurative language,
I cannot help but notice how many people
restrict themselves to either Mythos or Logos.
Myth or Logic. Symbol or Reason. Yin or Yang.
Firefox, by default, doesn't even recognize that Mythos is a word:
Mythos- The aspect of the mind concerning itself
with the figurative, the abstract;
implications, symbolism and interpretation.
Passive. 'Relative'. Yin.
Logos - The aspect of the mind concerning itself
with reason, proof, tangibility and fact.
Active. 'Absolute'. Yang.
It is of utmost importance to take both with a grain of salt.
It is of equal importance to ponder both for what they are worth.
Mythos seeks not to always be correct;
but to make one think what is right and true within one's self.
Logos seeks to be accurate.
To describe, define, calculate, forecast, and replicate the physical.
Most are biased towards one and away from the other;
it is impossible to have a balanced existence if you embrace one and deny the other:
If one fails to respect duality, duality will tear one in twain.
The path to salvation is comprised of both of these styles of thought:
To seek only one is to condemn oneself to
Autosegragationistic Social Darwinianism.
Mar 23, 2013
Mar 23, 2013 at 4:04 AM UTC
childhoods are forgotten
mere bonds simply left to rot
bewildered and betrothed to the very idea
of a more golden sun
and glistening moon
but not all the planets in the solar system are close
and are in fact very far away
words are to mean nothing
nothing
left with the wind
blown away
good bye! adieu!
I shall miss my friend!
and where is the blossom
whom I met so long ago
on Mars
on Jupiter
the promiscuity of proximity
reminiscing
within the shallow walls of the cave
that drips drips drips
to the past
and history becomes bloated
with subjectivity and
a sepia undertone
so how can we see what went wrong?
how can we learn the implications of each movement
made by our lips
fingers
each deep breath
that coincides with the galaxy
underneath a waning moon
Apr 14, 2018
Apr 14, 2018 at 8:22 PM UTC
not the milk, you see, is too sweet,
thick, which will rhyme if i write,
for me.
thick like the wool that filled
breaches in the wall, saved the lives.
save some with shelter, needing shelter,
while others lean to watch the birds fly,
talk of the bell tower, and all the implications.
the man parked his car, tidily went to poundland,
bought cards.
sbm.
*notes verb
verb: condense; 3rd person present: condenses; past tense: condensed; past participle: condensed; gerund or present participle: condensing
1.
make (something) denser or more concentrated.
Dec 16, 2013
Dec 16, 2013 at 2:44 AM UTC
Today I woke and had already let some things go.
It was a day of nothing, and It filled me with it.
I walked through the park and stopped on a bench
to roll myself a quiet cigarette. I looked at the life
in the pond and pondered the implications. I thought:
" There has to be a poem in here somewhere"
Aug 14, 2014
Aug 14, 2014 at 8:23 AM UTC
Once I lost you
Once I tossed you
You never said a word
I never could have heard
Miracle you bore
A refugee in the wreckage
Sharpening your wings
Withstanding dangerous oppression
Young being, incomplete being
Trying not to succumb
To your own capitalist appropriation
Eminent commodification
Implicating your body and mind
Who remained unscathed?
Who wreaked the havoc?
Just...so many wings could gain wind
In this cage, lacking space
System simply cannot withstand
Cost of everyone's liberation
Convenient systematic predilection
Where some are never meant to fly
Miracle you bore
A refugee in the wreckage
Sharpening your wings
Withstanding dangerous oppression
How can any wings soar
When the trail of their shadows
Hide systematic traps for our failure
To ensure only a few course the skies
Liberation is not meant to be
Just yours or mine
No commodity for private consumption
Its usage, embrace, and appropriation
Has universal implications
A radical transformation that seeks to complete a human being
Emblematic of an ideological reconceptualization
A revolutionary new understanding of being human
A re-authentication of our own liberation
Purely predicated on that of others
Jun 4, 2013
Jun 4, 2013 at 10:22 PM UTC
"Turn back the pages of history,
and see the men who have shaped the destiny of the world. Security was never theirs,
but they lived rather than existed,"
said Hunter S. Thompson
at age 17,
before he became The Duke,
and shaved off a leg in Doonsbury cartoons,
before he rapped the sharp corner of his shot glass,
so too many times,
on the inch thick enamel,
of the Woody Creek Tavern bar top,
and waited until closing time
to begin blowing lines,
out of the divets he'd made.
The people clapping,
the moon attacking,
the red bone blood of America pumping past his eyes.
After he died, everyone there had a Hunter story:
Hunter shot his hot girl assistant in the *** by mistake,
but he felt like **** about it.
Hunter had a dozen red cheeked lasses he skied with,
but he never messed with them.
Hunter showed up in a Cadillac convertible packed with
strippers dressed burlesque.
But it was hard to tell just exactly what he was up to with
the strippers, the peacocks,
or anything else.
Alot of the stories had ****** implications,
but what they mostly implied
was he was cool about it.
He didn't write any of those stories.
Despite all evidence to the contrary he liked his privacy,
and what peace he found in rare quiet.
And he made **** sure they'd shoot his ashes
out of a ******* canon when he died.
The canon is still there.
So are the peacocks.
Apr 26, 2013
Apr 26, 2013 at 1:45 AM UTC
By: Cedric McClester
In a world
That’s so politically correct
What are we to call ‘em
Thugs - or criminal suspects
Perhaps it’s something else
That we should project
Maybe our language
Needs to be checked
Must urban youth
Be marginalized
As a result of their misdeeds
Or can we recognize
That they have certain needs
They haven’t realized
We read the news feeds
And then we demonize
Is it a riot
Or an insurrection
Maybe it requires
Some more introspection
Before we decide
It’s their predilection
Because the evidence
Leads us in that direction
I don’t know
Who it was that stated
What poverty often does
Is underrated
And victims of poverty
Are often hated
Though the larger implications
Are complicated
© Copyright 2015, Cedric McClester. All rights reserved.
Apr 30, 2015
Apr 30, 2015 at 9:41 AM UTC
To love the man
And love the woman
I find it so frustrating we are not all like this
Why do we deny our feelings
Why do you hide as straight
I often don't know the orientation of the person I am speaking with
And why does it matter
What implications does it have anyway
Am I ****** for loving
For caring and caressing
For confiding and subsiding
I feel no restraint
I feel no need to hide
I am open and proud of who I am
Bisexual
May 20, 2015
May 20, 2015 at 8:57 AM UTC
Mam, from the September following Child’s 5th birthday I no longer consider you fit to raise him.
For six hours a day, five-days-a-week-term-time-only Teacher can help.
Unfortunately Teacher takes time off. She needs a break from your little monster-
so during the holiday she gives Child back. Try not to undo the good work that’s been done.
(…Won’t you?…)
If you want to bother Teacher with (daft) questions go ahead.
She’ll rearrange her face into a listening position- And respond with jargon designed to make you feel thick.
Concerns?
Child often exaggerates.
O, I see. 2 adults, 30 children and a bundle of paperwork?
She’s qualified. You’re not.
(…are you? Thought not. And you don’t live in Big House or sound T’s and H’s… So where were we?…)
Nightmares? Bruises? Cuts, scrapes, a black-eye? Low self esteem?
(…so you’re a psychologist now?…)
Child cries? Is unhappy in class?
His fault.
Or yours! Don’t worry. Teacher keeps her eyes open for signs of trouble at home.
Child skips school? Down to you.
(…There will be various consequences, of course. And implications……c-o-n…s-e-qu-e…nce-s…,….i-m-p…l-i-c…a-t…i-on-s… It’s been made clear already: You’re not fit to raise him…)
Pressured? Bored? Judged and ignored? Humiliated? Belittled? Frustrated?
It will lead to what, exactly?
O, when he leaves School! For just a moment there
I was worried.
No, no. Not a problem. Not a problem at all.
Maybe he’ll run with a bad crowd, break a few laws, end up in the gutter?
Yes. Maybe.
But it’s out of my hands.
Aug 15, 2011
Aug 15, 2011 at 4:34 PM UTC
I am the reincarnation of my mother's murdered spirit trying to rise
Do i go
And where
Moon has led me
To my kin
It is up to which part of me
Who thrives in best intentions
Never unfaithful implications
Let stubbornness subside
Teach in mind of love
New patterns painting plans
So hurtful hands shall never bear
An equal
Or a heart left to let go
Feb 28, 2013
Feb 28, 2013 at 11:17 PM UTC
Fog Happens
Yup. Not profound, even Jung, Kant and Freud,
wouldn’t deny their eyes, would no doubt disagree
with symbolic, philosophical implications, and the
head banging ramifications for the immediacy of
the spiritual impact while driving in this grey ****
Fog differs every time, and on an island, that’s for
**** sure. Today’s incarnation, the fog comes over
the water, but respects the man-made, timbered,
bulkhead, so the yard, with its circus of ravens, crows,
and other invisible birds, insects, rabbits, is visible,
but absent the inhabitants who are smarter-than-humans,
they remain aboded thinking, only stupid humans believe
they can navigate and forage, in a fog penetrating in air
that is 97% humidity and 100% peas soup thick skinned.
The time? Of course.
It’s 7:36 AM on the East Coast, and beyond the lawn lies a brackish bay that will lead you to the Atlantic and north to the Titanic, direction Newfoundland. Not enough info to geo tag me, but those who know me, knowledgeable in my early mornings scribblings, know my whereabouts, my telephone number. Do you?
Fog Happens to everyone and at random intervals, Nope. Not thinking of the brain clouds of ordinary Lethologica and Lethonomia. (Sunday lazy so just look it up and say out loud, gotta remember them words and laugh out loud cause you ain’t gotta a prayer.)
Fog Happens
in the heart, spreading north to the consciousness, and the lethargy of movement impeded by the lighthouse bells tolling “danger is about,” our light stolen, but you need to know, you’re perilously close to danger. Any action taken when heart-fogged can have awful consequences so stick close to bed, yank out your tablet, write a poem, listen to sad love songs on that Pandora Station, or send GIPHYs and emojis to your six year old granddaughter who is 108 miles to the west of where you both hide beneath coverlets, and laugh out loud with her like the bells chiming outside, and that helps move that heart~fog hanging low, out to sea.
YUP.
Fog Happens
Fog Passes
Jun 25, 2023
Jun 25, 2023 at 8:00 AM UTC
Diagnosed with mentally afflicting conditions/
Why I'm often covered in depression/
Fighting with addiction/
Suffacating conversations with judgemental complications/
Everyday Im waking up to a handful of medications/
It's embarrassing/
I promise from this moment now until my cremation to always make the best decision/
Despite whatever the caution might be to reach the desired life position/
Someone should have mentioned all the implications psychotic intentions have on relations/
Like the one between myself and all other human beings currently visiting/
Why I'm regularly checking out in day dreams of beautiful poetry that speaks/
Only problem being I'm unable to sometimes distinguish reality in the things I'm seeing/
So Im sorry for everyone that's sat through this psychotic rollercoaster, please don't let it be the me you remember/
Just think, that's my life to own except I often have to experience it alone/
I promise I didn't know the severity until just recently/
What I dont get is why nobody stopped to explain it/
My thoughts I knew were never right, which is why I put them on paper every night/
Finding comfort in the empty white when I write/
Putting my thoughts together every time I make rhymes for these poetry lines/
Made up by this one of a kind mind I sometimes can't find/
Remembering memories of a misery that inspires artistry/
Crafting my poetry from this hearts history/
Pieces of beautifully painted rhymes hidden within nameless poem lines/
The portrait of a forgotten poet coloured forever in this moment/
Doing this is the only thing holding together this cracked barrier/
Around this mind that's mentally unstable covered with an RX label/
Questioning moments if I might be psychotic/
Turning against myself with a straight jacket/
Lock set with the sunset, this I've come to accept/
Oct 3, 2018
Oct 3, 2018 at 7:40 PM UTC
_New York
after a trip to Mexico, & not finally explored_.
In 1991, shortly before he died,
Motherwell
remembered a "conspiracy of silence"
regarding Paalen´s innovative role in the genesis of Abstract Expressionism.
Upon return from Mexico, Motherwell
spent time developing his creative principle
based on automatism:
"what I realized was that Americans
potentially could paint like angels, but that there
was no effective creative principle around,
so that everybody
who liked modern art was copying it;
Gorky was copying Picasso;
******* was copying Picasso;
De Kooni
ng was copying Picasso;
I mean, I say this unqualifiedly,
I was painting French intimate pictures or whatever:
All we needed was a creative principle,
I mean something that would mobilize this capacity
to paint in a creative way, & that's what Europe
had that we
hadn't had;
we had always followed in their wake
& I thought of all the possibilities
| [ ], [ ]
of free association—because I also had
a psychoanalytic background
& I understood the implications of—let's just say it
might be the best chance
to really make something entirely
new which everybody agreed was the thing to do;"
Thus, in the early 1940s, Robert Motherwell
played a significant role in laying the foundations
for the new movement of
Abstract Expressionism (or the New York School):
"Matta wanted to start a revolution, m [a movement w/in
Surrealism].
He asked me to find some other
American artists that would help start a new movement;
it was then that Baziotes
& I went to see ******* & de Kooning
& Hofmann & Kamrowski & Busa & several other people;
& if we could come with something;
Peggy Guggenheim, who liked us said that she
would put on a show of this new business;
... so I went around explaining _the theory of automatism_
to everybody because _the only way_
that you could have a _move - - - ment_
was that it had some _common_
_principle_. It sort of all began that way."
In 1942 Motherwell began to exhibit
his work in New York and in 1944
he had his first one-man show at
Peggy Guggenheim’s _“Art of This Century”_ gallery;
that same year, the MoMA
was the first museum
purchase one of his works; From the mid-1940s,
Motherwell [ ], [ ]. ( )
became the leading spokesman
for _avant-garde art in America_;
his circle coming to include
William Baziotes,
David Hare, Barnett Newman, & Mark Rothko,
with whom he eventually started the Subjects of the Artist School (1948–49). In 1949 Motherwell divorced
Maria Emilia Ferreira y Moyeros and in 1950 he married Bettie
Little,
with whom he had two daughters
Jul 28, 2018
Jul 28, 2018 at 11:18 PM UTC
-
the present-perfect is a *****
because its implications
are that of continuity
-
Jun 18, 2013
Jun 18, 2013 at 3:34 AM UTC
A choice along one direction leads
to consequential choices based on quasi-essential needs.
And countless more directions;
some more pointless than they seem.
Each with unique-essential implications;
all random in their themes.
And when faced with new directions,
we all enjoy equating means.
There are sub-directions and sudden choices;
some with supplicatory pleas.
Yes, implication's long duration is an invisible machine.
A meta-physical motivation to a person and their genes.
Personally, my own choices corresponded
to these unlimited extremes.
To these tiny little time-transporters
that fit us into teams.
And I thought I'd reached a choice;
was on its corresponding way.
I followed down its passageways and subdomains
for consequential days.
And from the way that we all network,
I have come to the belief
that our decisions implicate
the parts that aggregate beneath.
Yes, every person has these combinations
aggregate throughout their lives.
And by the afore-mentioned complications,
They (eventually) divide to warring sides.
On one side is destruction;
On the other, love resides.
If you make the wrong decision
then these forces, they collide.
To catastrophic implications
and such damage done inside.
But if you're able to pause for just a moment
and hold them side-by-side.
You will find the sort of peace
that only finds those who have died.
And suddenly life becomes so simple;
no more chances need be applied.
Just one choice and two directions
Lie in front of your own eyes.
You feel quite amazing in
proportion to this fantastic new sensation.
As one choice takes you to destruction;
the other leads you to salvation.
It's the truest self-realization
and it's there for you to take it.
There's a chance of your damnation...
but, see, only you can make it.
Aug 9, 2014
Aug 9, 2014 at 5:39 PM UTC
Not something I wanted
Or planned for
Happened today
A boy
Was decent
No physical tension
Or ****** implications
The air was light
The conversation between
Just friends
Flowed like a breeze
I cancelled my next **** appointment
That desire came to an end
Because I realized
I just want another male friend
May 12, 2019
May 12, 2019 at 1:16 AM UTC