1.
Noong unang panahon, may lupaing walang makapapantay
Sa kariktan at kasaganahan nitong tinataglay
Ito ang “Ibalon” na kilala ngayong Bikol, Albay
Subalit ito’y iniiwasan ng mga manlalakbay
(Once upon a time, a land was known
For its beauty & bounty nothing outshone
It was Bicol, Albay which was then, Ibalon
Yet, travelers to there had been withdrawn)

2.
Dahil ito ay pinamumugaran
Ng mga halimaw na hayok sa laman
(Because it was teeming
With monsters to flesh were starving)

3.
Walang nangahas doon makapasok
Maliban sa lalaking si Baltog mula Boltavara na ubod ng lakas at pusok
(No one dared to enter in there
Except for Baltog, a daring & brave man from Boltavara yonder)

4.
Sinalanta niya ang mga halimaw na parang delubyo
Una si Tandayag, ang dambuhalang baboy-ramo
(He wiped out the monsters like a deluge
First was Tandayag, a warthog so huge)

5.
Mula noon, sa lupain na dating kinatatakutan
Mga tao’y dumayo at doon nanirahan
(From then on, in the land once feared
To flock & reside, people dared)

6.
Subalit hindi pa wagas na masaya
Dahil may mga halimaw pang natitira
(But it was not yet the happy ending
There were still monsters remaining)

7.
Si Baltog na matanda na ay labis nabahala
‘Pagkat siya’y mahina na at ‘di na makalaban pa
(Baltog was bothered now that he’s older
For he’s already weak and could fight no longer)

8.
Mabuti nalang at may binatang nagkusa
Siya si Handiong – matapang na, malakas pa
(Good there’s a young man who presented at last
He was Handiong so valiant and robust)

9.
Kanyang pinatumba ang duling na Sarimao
Pating na may pakpak at higantedng kalabaw
(He crushed down the cross-eyed Sarimao
The winged shark and the giant carabao)

10.
Subalit may nilalang na hindi niya nagapi
Ito ay mapanganib at tuso kasi
(But he cannot defeat a certain creature
For it was so dangerous and clever)

11.
Siya si Oryol, ang babaeng ahas
Lumalaban ba siya ng patas?
(She was Oryol, the snake lady
Does she fight impartially?)

12.
Sa kanyang mga yapos, walang nakapipiglas
Maging si Handiong na kaylakas, hindi nakaalpas
(On her grip, no one could break free
Even strong Handiong couldn’t escape from thee)

13.
Swerte ni Handiong, hindi siya binalak patayin
Bagkus ay ginamit nalang sa matagal na mithiin
(How fortunate was Handiong, there’s no plan to **** him
Instead, she just used him for her long-time dream)

14.
Laban sa mga mortal na kaaway, dapat tulungan siya ni Handiong
Na lipulin ang mga buwaya sa Ilog Ibalon
(Against her mortal enemies, Handiong must help her
To annihilate the crocodiles in Ibalon River)

15.
Matapos tuparin ang mapanganib na misyon
Si Oryol ay naging kapanalig sa Ibalon
(After fulfilling the dangerous mission
Oryol became an ally in Ibalon)

16.
Si Handiong ay naging mahusay na pinuno
Bangka, araro, alibata – kayraming naimbento sa kanyang pangungulo
(Handiong became an excellent ruler
Boat, plow, alphabet – many inventions were made during his tenure)

17.
At sa mga sumunod pang henerasyon
Naging mapayapa’t maunlad ang Ibalon
(And on the succeeding generations
Peace & prosperity reigned over Ibalon)

18.
Hanggang sa may sumulpot
Na panibagong kinatakutang salot
(Until there appeared
A new abomination so much feared)

19.
Siya’y nagtataglay ng katakut-takot na kapangyarihan
Hindi rin maipaliwanag ang kanyang kaanyuan
(He possessed a terrifying power
No one could even describe his feature)

20.
Siya ay isang mangkukulam na kilabot
Na tinatawag nilang Rabot
(He was a sorcerer fearsome
Called Rabot by some)

21.
Mapalad ang Ibalon, may natira pang bayani
Siya si Bantung, matalino’t maliksi
(Lucky was Ibalon, a hero was still there
That was Bantung vigorous and aware)

22.
Siya’y lumikha ng isang payak na plano
Pinaslang niya si Rabot habang natutulog ito
(He just devised a simple planning
He murdered Rabot while the monster was sleeping)

23.
Si Rabot ang pinakahuling halimaw sa Ibalon
Nang siya’y mapuksa, naging payapa na doon
(Rabot was the very last monster in Ibalon
Upon his death, peace reigned there from then on.)

-03/10-11/2012
(Dumarao)
*for Lit. Day 2012

Sensation, intuition, feeling, and thinking,
Is wrapped inside a ball,
A small pink ball inside our head,
That won't stop till we're dead,

Analytical bedrock inside oozing theories,
Elemental atoms sizzling logic,
The imaginative stranger,
One abstracted and eccentric,

Walking with shadows,
Talking and mocking,
Through these theories inside us,
Tilting our caps ‘til we’re shaking our heads,

Pensive love in storming analysis,
Sapiosexually excited, piqued interest,
Unemotional and thoughtfully attuned,
Absently minded, always condoned,

Unconventional and impartially stringed,
Weirdly wired in auxiliary functions,
Misconstrued and misunderstood,
An ****** intelligence bleeding paranoia,

Knocking unto me,
Into you, inside us all,
It’s something we all yearn to be,
And when you fail and prevail we laugh,

Crickling crickets thinking nothing,
Washing down the storm drain,
With no thoughts fluidly sliding down my throat,
Pop goes no questions into absolute concise words like freshly broken glass,

Again shadows await, but different shadows,
Blinking at me staring at you,
Wondering what’s what, inside this dementia made sense of a lovely afternoon,
Inside your sane, autocorrected, predetermined, twitching, little…mind.

Inspired by Myers Briggs Personality Test
Tyler is INTP... Logician  (Introverted INtuitive Thinking Perception)
The drifter, dreamer the absent minded professor!
SassyJ is INTJ... Architect  (Introverted INtuitive Thinking Judging)
The starry-eyed idealist manoeuvring life as if a giant chess board!

What Myer Briggs personality type are you?... See link below
It would be great to know.Please comment!!
http://www.16personalities.com/intp-personality

POEMS ABOUT EROS AND CUPID

These are translations of ancient Greek poems about Eros. Eros was the Greek counterpart of the Roman god Cupid. While today we tend to think of Cupid as an angelic cherub shooting arrows and making people fall in love, the ancient Greek and Roman poets often portrayed Cupid/Eros as a troublemaker who was driving them mad with uncontrollable desires.


Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wilds winds whipping desolate mountains,
uprooting oaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, fragment 54
loose translation/interpretation by Michael R. Burch

Eros
descends from heaven,
discarding his imperial purple mantle.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 102
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
Take me!


Around the same time Sappho was writing in ******, in nearby Greece, circa 564 B.C., we have another poem about the power of Eros:

Ibykos Fragment 286
translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening―
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



I hate Eros! Why does that gargantuan God dart my heart, rather than wild beasts? What can a God think to gain by inflaming a man? What trophies can he hope to win with my head?
―Alcaeus of Messene, loose translation/interpretation by Michael R. Burch



Have mercy, dear Phoebus, drawer of the bow, for were you not also wounded by love’s streaking arrows?
―Claudianus, loose translation/interpretation by Michael R. Burch

In Greek mythology, Cupid shoots Phoebus Apollo to make him fall in love with Daphne, then shoots Daphne with an arrow that prevents her from falling in love with her suitor.



Matchmaker Love, if you can’t set a couple equally aflame, why not ***** out your torch?
―Rufinus, loose translation/interpretation by Michael R. Burch



I have armed myself with wisdom against Love;
he cannot defeat me in single combat.
I, a mere mortal, have withstood a God!
But if he enlists the aid of Bacchus,
what odds do I have against the two of them?
―Rufinus, loose translation/interpretation by Michael R. Burch



Love, if you aim your arrows at both of us impartially, you’re a God, but if you favor one over the other, you’re the Devil!
―Rufinus, loose translation/interpretation by Michael R. Burch



Either put an end to lust, Eros, or else insist on reciprocity: abolish desire or heighten it.
―Lucilius or Polemo of Pontus, loose translation by Michael R. Burch



Steady your bow, Cypris, and at your leisure select a likelier target ... for I am too full of arrows to take another wound.
―Archias, loose translation/interpretation by Michael R. Burch

Cypris was another name for Aphrodite, the Greek goddess of love. Here the poet may be suggesting, “Like mother, like son.”



Little Love, lay my heart waste;
empty your quiver into me;
leave not an arrow unshot!
Slay me with your cruel shafts,
but when you’d shoot someone else,
you’ll find yourself out of ammo!
―Archias, loose translation/interpretation by Michael R. Burch



You say I should flee from Love, but it’s hopeless!
How can a man on foot escape from a winged creature with unerring accuracy?
―Archias, loose translation/interpretation by Michael R. Burch

Many centuries later, poets would still be complaining about the overpoweringness of ****** desire, and/or the unfairness of unrequited love, by which they often meant not getting laid!



Spring
by Charles d’Orleans
loose translation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
drawn from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.


Fast-forwarding again, we find the great Scottish poet William Dunbar, who was born around 1460:

Sweet Rose of Virtue
by William Dunbar
translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear,
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently,
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again,
so comforting her bowering leaves have been.

Keywords/Tags: Eros, Cupid, Phoebus Apollo, Cypris, Aphrodite, love, blind love, cute love, love god, love goddess, bow, arrow, arrows, desire, passion, lust, heart

I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996

Ab Imo Pectore

Ab imo pectore,
Blandae mendacia linguae,
Cadit quaestio,
Desunt cetera.
Est modus in rebus.
Faber est quisque fortunae suae,
Gigni de nihilo nihilum, in nihilum nil posse reverti.
Hic finis fandi,
Interdum stultus bene loquitur?
Jacta interdum est alea,
Labuntur et imputantur.
Magni nominis umbra,
Nec scire fas est omnia,
Omne crede diem tibi diluxisse supremun,
Pallida mors aequo pulsat pauperum tabernas regumque turres;
Quid rides, mutato nominee de te fibula narrator,
Res ipsa loquitur.
Solvitur ambulando…
Tempora mutantur, nos et matamur in illis.
Urbi et orbi,
Vestigia nulla retrorsum.


From The Bottom Of The Heart

From the bottom of the heart,  the falsehoods of a smooth tongue,
The question drops, the rest is wanting.
There is a balance in all things, every man is the creator of his own fate.
From nothing, nothing can come, into nothing, nothing can return.
Let there be an end to talking, for who can tell when a fool speaks the truth?
The die is sometimes already cast,
A moment comes and goes, and is laid to our account.
From the smallest shadow to the mightiest name,
No one can claim to know all things,
I believe that every day that dawns may be my last,
Pale death knocks impartially at both poor and rich men’s houses;
Don’t laugh, change the name and the story is yours,
It’s so obvious, it speaks for itself.
As the concept of motion is proven by walking…
So in time all things change, as we must, in time, all change.
And to all the world,
There’s no turning back.

Ab Imo Pectore / From The Bottom Of The Heart

Ab imo pectore,
From the bottom of the heart,
Blandae mendacia linguae,  
The falsehoods of a smooth tongue,
Cadit quaestio,
The question drops,
Desunt cetera.
The rest is found wanting.
Est modus in rebus,
There is a balance in all things,
Faber est quisque fortunae suae.
Every man is the creator of his own fate.
Gigni de nihilo nihilum, in nihilum nil posse reverti.
From nothing, nothing can come, into nothing, nothing can return.  
Hic finis fandi,
Let there be an end to talking,
Interdum stultus bene loquitur?
For who can tell when a fool speaks the truth?
Jacta interdum est alea.
The die is sometimes already cast,
Labuntur et imputantur.
A moment comes and goes, and is laid to our account.
Magni nominis umbra,
From the smallest shadow to the mightiest name,
Nec scire fas est omnia,
No one can claim to know all things,
Omne crede diem tibi diluxisse supremun,
I believe that every day that dawns may be my last,
Pallida  mors aequo pulsat pauperum tabernas regumque turres;
Pale death knocks impartially at both poor man and rich men’s houses;
Quid rides, mutato nominee de te fibula narrator,
Don’t laugh, change the name and the story is yours,
Res ipsa loquitur.
It’s so obvious, that it speaks for itself.
Solvitur ambulando…
As the concept of motion is proven by walking…
Tempora mutantur, nos et matamur in illis.
So in time all things change, as we must, in time, all change.
Urbi et orbi,
And to all the world,
Vestigia nulla retrorsum.
There’s no turning back.


r10.1

There was a feeling that found me
in the midst of focus fading
a shimmering within the sun rays
caressing then worn-out skin

something of acceptance
similar to fulfillment
resembling a happiness &
transcending physicality

companionship in the lack of it
whole souls acknowledging
sorrows, the ebb and flow
of the highs and lows

there was for a moment a stillness
a lack of all movement that
cradled the imagery of  
static serenity before me

and as they inevitably faded
there was some comfort in knowing
a part of me forever resides
in the clasp of such experience

A loneliness sought me out again
drunken stupor with tongue of silk
coerced me willfully along
one very treacherous road

tender hand willingly reached
for one poor in spirit
the shackles of melancholy breached-
shattered- from the force of soft caress

in spite of the distance that loomed
there was closeness that bloomed
under the silver moonlight
audible in approving sighs

coalescence of energy, vibrant
colors spreading outward from
a heart and mind once so sure
that they'll only ever see grey

time within a memory
crystallized
and a spark to the kindling
within cold eyes

new warmth circulating
soon to create
a fire to cleanse
frostbitten exterior

but the forces of
nature will *****
out ambitious
flame impartially

and the feeling of fire
fades away with
the smoke, the memory
already one with the weather

&
Now what finds me is the storm

in the rain slouches
the silhouette
of a comfort so
soon now forgotten

the wind howls a name familiar
it carries with it the scent of a nightmare
sensation dances with the
the sting of near frozen air

I find a feeling not so foreign now
dragging me farther
out into
the wilderness

processing humbling
surroundings
i'm now left in
solitary wonder

where have I wandered?
how will I weather impending storm?

if I am long lost in unforgiving cold
will it then
be too late
when warmth finds me once more?

I consume the scenery of Halloween,
impartially piercing the brooding gowns of girls who,
conforming to the timeless raindanced moons
and sweating under better moods,
fling their little masks into the void and
precious their skin melts into mine.
The groping feelers of insect heads impose
on a stark and fulfilled figure who
needs no bigger danger than the
needless release of a stranger's spring.
Flung like a frog onto the thorns of her
blooming petals and in ecstasy
deranged upon how sick and being free
she flies towards but up always reaching
unto nether maidens and whose heads have been raided
for the beds
which and onto the next ****** body they've sated
Time
and all the satellites of minute hands revolving
surround the years before you killed your calling
saying (please involve the fearful loathing
of the quarry which stalked by you befell me
to slay it and by bulging moonbeams
lick and lap of her that which remains)
and
by squealing pillow-muffled she
presses harder and into herself my shame

loneliness has come once more

the bite in the air
mimics
the similar nipping at my heart

with the drop in temperature
comes a lowering of defenses
i am overcome by vulnerability
i feel so many things i've ignored
for half a year or more

why must things be this way?
i'm invigorated by the cold,
i am human in my shivering
in this loneliness there is
love i've yet learned to embrace

just like i feel the air around
you've completely enveloped me
though just as the cold
knows not who she caresses,
you hold no particular favor for me
your embrace will permeate
absolutely and impartially,
it is far too vast for i

i've yet to feel the tingle
of sweet summer on my skin

i've reveled only in winter
now i long for you to let me in

i shiver in my longing
dreaming only of your warmth

there's a certain kind of romance
in the turmoil you've brought forth

Partially this
Partially that
Impartially speaking
I can feel the best weakening
Very little gaining ground
Looking to make myself proud
I occasionally speak too loud
And it always turn south to concentration
All my thoughts are easy into *******
So don't look down on me just yet
I'm trying to turn this decline into a wavering incline
I hope i have enough time
To meet the match, to be successful.

The Critics...
Ahhh The CRITICS... !!!

So What is it... ???
That Makes Them THINK...
They Can CRITICISE Things...
You Choose To Bring... ?!?

Like LOGICAL Thoughts...
That EXHIBIT MORE...
Than Being A... "Sheep"...
Who Follows The Weak... !!!

They're RARELY Objective...
When It Comes to Collectives...
Who They Choose To BREAK BREAD With... !!!

Because Their Objectives...
Are RARELY... OBJECTIVE... !?!?!

In Fact They're SELECTIVE...
When It Comes To Perspectives...
That EMBRACE The SUBJECTIVE... !?!

I Guess Sometimes...
Within My Rhymes...
And Thought Designs...

That SUCH Insights...
Reflect My Life... ???

But TRUTH Be Told...

I DON'T THINK SO... !!!

See WITHIN My Scripts...
Critiques Take LIKS'... !!!!!

So AREN'T Welcome...
In... CRITICAL Gums...

I'm NO Sherlock...
But U N D O... K N O T S... !!!

Because My Mind Is NOT Consigned...
To Living Life As If I'm... "Blind"...
... When I've GOT SIGHT... ?!!!?

I Have A STRONG MIND...
So Have NO TIME...
To LISTEN To Lines...
That DON'T Sound Right... !!!

"Can't take critique Virge ?
For a man of words,
who speaks on the world,
that seems a little perverse ?"

"Okay, are you done ?
cos' I ain't the one,
to hit with attacks,
that dismiss facts !"

Facts Like THIS...

When You See How I Live...
Do You See Me Enlist...
And Then... PERSIST...
With Things That CLEARLY...
............. Do NOT FIT... ?!?

Like Lyrics in Scripts...
That Make NO SENSE... ?!?

Or... ARGUMENTS...
That Then RESIST... ?

LOGICAL Collections...
of... SUITABLE Directions...

UNLIKE CRITICS...
Who Like To CRITICISE... !!!

Just To STRESS The Minds...
of Those Whose Vibe...
AIN'T Down With LIES... !!!

... I DEAL In TRUTH... !!!

While They Tend To CHOOSE...
...... AIRING Views......

That When PERUSED...
Are FILLED With ABUSE...
They SHOULDN'T Infuse... !!!

Rather Than DEALWith The Artistry...
That They're Supposed To CRITIQUE...

...... " IMPARTIALLY "...... !!!!!!!

CRITICISMS Have Made...
Quite A Few... Give In... !!!

BEFORE Their Beginnings...
Because of... ABUSE...
Some Critics Have Written... !!!

It's The Same Ol' Same...
WHATEVER The Game...

The Game of CONNECTING...
WITHOUT Then INFECTING...
Connections With INFECTIONS...
That Then IMPEDE Progression.

Leaders Now Are MOSTLY FOUL... !!!!!
And Are Being... CRITICISED... !!!!!
Because of What They... "hide"... ?!?

Their GUISE of Being WISE...
And Directing Peoples Lives...
As If... Their Slice of Life...
Does NOT Have Things To Hide... ?!?

TOO MANY People... "Hide"...
BEHIND... OTHER Peoples' Lives... ?!?

THESE People ARE The Types...
Who DON'T Like To Be CRITICISED... !!!!!

I'm GLAD That My Life...
DOESN'T TOE Such Lines... !!!

My Line NOW Is...
That... " Y'all Are Right ! "...

So Right Now I'll Just Write My Scripts...
And CONSTRUCT Rhymes...
That Simply Are... ARTISTIC...

When It Comes To LIFE...
And What Is Said By... CRITICS...

Ahhhhh.....

... " The Critics "... !!!

POEMS ABOUT EROS AND CUPID

These are translations of ancient Greek poems about Eros. Eros was the Greek counterpart of the Roman god Cupid. While today we tend to think of Cupid as an angelic cherub shooting arrows and making people fall in love, the ancient Greek and Roman poets often portrayed Cupid/Eros as a troublemaker who was driving them mad with uncontrollable desires.


Sappho, fragment 42
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wilds winds whipping desolate mountains,
uprooting oaks.



Sappho, fragment 130
loose translation/interpretation by Michael R. Burch

Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.



Sappho, fragment 54
loose translation/interpretation by Michael R. Burch

Eros
descends from heaven,
discarding his imperial purple mantle.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 22
loose translation/interpretation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 102
loose translation/interpretation by Michael R. Burch

Mother, how can I weave,
so overwhelmed by love?



Sappho, fragment 10
loose translation/interpretation by Michael R. Burch

I lust!
I crave!
Take me!


Around the same time Sappho was writing in ******, in nearby Greece, circa 564 B.C., we have another poem about the power of Eros:

Ibykos Fragment 286
translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening―
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



I hate Eros! Why does that gargantuan God dart my heart, rather than wild beasts? What can a God think to gain by inflaming a man? What trophies can he hope to win with my head?
―Alcaeus of Messene, loose translation/interpretation by Michael R. Burch



Have mercy, dear Phoebus, drawer of the bow, for were you not also wounded by love’s streaking arrows?
―Claudianus, loose translation/interpretation by Michael R. Burch

In Greek mythology, Cupid shoots Phoebus Apollo to make him fall in love with Daphne, then shoots Daphne with an arrow that prevents her from falling in love with her suitor.



Matchmaker Love, if you can’t set a couple equally aflame, why not ***** out your torch?
―Rufinus, loose translation/interpretation by Michael R. Burch



I have armed myself with wisdom against Love;
he cannot defeat me in single combat.
I, a mere mortal, have withstood a God!
But if he enlists the aid of Bacchus,
what odds do I have against the two of them?
―Rufinus, loose translation/interpretation by Michael R. Burch



Love, if you aim your arrows at both of us impartially, you’re a God, but if you favor one over the other, you’re the Devil!
―Rufinus, loose translation/interpretation by Michael R. Burch



Either put an end to lust, Eros, or else insist on reciprocity: abolish desire or heighten it.
―Lucilius or Polemo of Pontus, loose translation by Michael R. Burch



Steady your bow, Cypris, and at your leisure select a likelier target ... for I am too full of arrows to take another wound.
―Archias, loose translation/interpretation by Michael R. Burch

Cypris was another name for Aphrodite, the Greek goddess of love. Here the poet may be suggesting, “Like mother, like son.”



Little Love, lay my heart waste;
empty your quiver into me;
leave not an arrow unshot!
Slay me with your cruel shafts,
but when you’d shoot someone else,
you’ll find yourself out of ammo!
―Archias, loose translation/interpretation by Michael R. Burch



You say I should flee from Love, but it’s hopeless!
How can a man on foot escape from a winged creature with unerring accuracy?
―Archias, loose translation/interpretation by Michael R. Burch

Many centuries later, poets would still be complaining about the overpoweringness of ****** desire, and/or the unfairness of unrequited love, by which they often meant not getting laid!



Spring
by Charles d’Orleans
loose translation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
drawn from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.


Fast-forwarding again, we find the great Scottish poet William Dunbar, who was born around 1460:

Sweet Rose of Virtue
by William Dunbar
translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear,
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently,
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again,
so comforting her bowering leaves have been.

Keywords/Tags: Eros, Cupid, Phoebus Apollo, Cypris, Aphrodite, love, blind love, cute love, love god, love goddess, bow, arrow, arrows, desire, passion, lust, heart

Very difficult to go into
the tomb. Full of flowers. Impartially
waiting for the resurrection of truth.

Are you really gone?
I don't see. I don't hear. Something
happened. I would cover the door to bury the pain?

Will you say something?
What was the mystery? Only modicum
will matter? Am I ready for holocaust?

if I stop to think about it,
look at the words I've written
and sit outside of them, I see
that girl, in a moment of clarity,
and I pity her.

this part of me that picks
up the pen and puts down
her thoughts of insecurity
isn't talking to the rest of me
and I wish she would, she
could use the company.

so alone. on my own,
I wouldn't last long but
I'm not, so why prepare
for the impossibility of
solitude when before me
is a multitude of nodding
heads, accepting me in all
my dread and saying yes
to my existence without pretense.

I listen. I hear what sounds
like whispered kisses and
chuckles at my jokes,
bespoke love packaged
just for me, because
they see me in my full glory
while I only glimpse the
shadow of that creature
when I step outside myself
and observe impartially
the nerve and audacity
I have had to continue living,

and I realize
I'm a marvel.

perpetual deaf words so full of life
empowered corruption which impartially entice
debauchery lifeless guise abetting all's inexperience cost
comprise nor mon most precious consumption of bliss world