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Purcy Flaherty Jan 2018
From Alan Lomax to the commercial art and now the money machine.

At the turn of the century; when sound recording 1st became available to the masses, recording a song was an opportunity for folk to reach out; and tell the world something up front and personal.
It meant that people were able to put themselves on “The record” A way of leaving a permanent audio statement, an epitaph, an audio sound bite immortalising ~ life, mood, emotion captured and bottled for all eternity.
(A medium that conveyed messages from artists and storytellers of all kinds)

A recording was also a great addition to "The family album" something more tangible, a window to a real person, with a real life, a message and a point of view; a legacy, a blast from the past.
Few people expected sound prints to be re-designed, homogenised, formulated, copied, repackaged and that art and the message would be played over and over again by new artists in the form of "cover music" or that the style of the messages would become secularized, seperated into distinctive groups, or constrained by an elite clique or commercial genre.
Labelling and streamlining art & music mostly benefits the commercial art & music industry; and no longer the artists and creators.

I've no problem with good business, or the multi-billion pound industrys that have gained commercial success.

However the process of mass homogenisation, product synthesis, marketing, streamlining and then packaging fashion, sound and synthetic culture to sell a product, leaves very little room for creative people to just be creative.

A medium originally open to many for self expression, a historical record, an archive, a voice, a personal message;
Is now just a vehicle for advertising and perpetuating a genre of nonsense, so much so that there is now more white noise immortalised than messages.

To re-cap ~ I Think that creativity and expressionism; like story telling conveys moods and messages from the present and past!
Artists and musicians should have the opportunity to create and produce more information than they copy; thus creating a richer more colourful tapestry, whilst not devaluing the message of their predecessors!

Purcy Flaherty.
From Alan Lomax to the commercial music machine.
A culture of cover singers, blinkered snobbery and the hermetic music industry !
ryn Jul 2015
I am but willing prey to the wiles of the full grown moon.
She guards the night sky...
While I patrol these grounds...
Grieving over the seconds that have gone too soon.

I am a vessel... all emptied and barren.
what once was full,
now echoes faint
the glories of yesteryears.
Afloat still, adrift upon the currents... aimless and sullen.

I am a ghost... haunting no one but my own.
Immortalised...
Anchored...
to a body of mist and haze...
Occupying this space where worthy wind had once blown...

I am a beggar offering nothing but my open palms.
Hope etched tight
into my knackered knuckles
and calloused digits.
Please... take them in yours...
soothe them...
grant me your touch, your coveted balm.
Big Virge Jun 2018
Ya Know … They Say When You Age …
That You Should Stay … " ACTIVE " … !!!

Now Physically …  
That Makes Sense To Me …  
  
But NOT IF ... " Mentally " …  
Your Mind State's Captive … !!!!!
Reactive And Lacking ...
In Thoughts ... Attracting …  
  
A Balanced Life ...
In … " Body And Mind " …  
  
So I KEEP Mine As In My Brain ...
Active And Inclined To ELEVATE ...  
And Therefore Maintain A STRONG Mind State … !!!!!  
  
A Thing I Exhibit In My Wordplay … !!!
Whenever I Visit An ... A4 Page … !!!!!  
And Let My Lyrics Become An Array …  
of Rhymes Exquisite When They Are Displayed …  
  
My Words Become Active Whenever They're … " Acted " ...
Or Simply Heard Via Spoken Word From Me … " Big Virge " …  
  
See ... Activation of Thought I Now Explore ...  
As A Way To KEEP Active And NOT GET Bored … !!!!!
  
As I Said Before I DO NOT Ignore … !!!
A NEED To Do MORE Than Exercise On Floors … !!!
  
I Do That TOO … !!!!!  
But Don't EVER ABUSE …   
The Tool That When USED …
  
Activates Tissues ...
NOT USED By … " Fools " … ?!?
  
Who DISMISS Thought … !!!
To IMPRESS These ****** … !?!
  
FLEXING Muscle And STRONG Skin Tones …  
So That They Can Couple … Activating Hormones … !!!!!
  
I'd Rather Be ... " Humble " ...
Than Activate TUSSLES That DON'T BREED Chuckles … !!!
When They OPEN Dark Tunnels Where Fellas Use KNUCKLES …
  
Activating TROUBLE Because They Got Rumbled … !!!
When Having … MORE THAN Cuddles … !!!

With Girls Whose Main Trait  …  
Is To ACTIVATE More Than Their PROSTATE … !!!!!  
  
See I Activate Levels DEEP Inside My Mental … !!!
That Takes Lead From The Pencils of ***** Lil' Devils … !!!!!!
  
Therefore I Stay STRONG And AVOID Problems … !!!
That Come From Loose Thongs And Violent Wrongs ... !!!  
  
I'd Rather Write Words And Poetic Verse …
That Act Like Prophylactics And Give Disease COLLAPSES … !!!  
  
Because My Wordplay … " Snatches " ... !!!
Whips And Gives Out Hangings  ... !!!  
  
To Cats Thinking They … MASSIVE … ?!?
When What They Are Is … TRAGIC … !!!!
  
TRAGIC … "Little Captives" …  
Using … FOOLISH Tactics …  
That Put Them On My Blacklist … !!!!!!
  
of Those Worthy of LASHES …
See Me I Prey Like … MANTIS …  
Or Like Man From … ATLANTIS … !!!!!!
  
I Pray Upon An AXIS … !!!
Symmetrical And Balanced … !!!!!!
  
UNABLE To Be ... Challenged ...  
By IGNORANCE That's Captive …  
In Minds Now LOST And SAVAGE ... !!!!!!
  
Long After I'm ... NONACTIVE …  
My Words Will Still Be ACTIVE … !!!!!!
  
That's Why I Write And Post Online … !!!
So That When I Have … Physically Died …  
  
These Words I Find Inside My Mind ….  
WILL Stay ALIVE … " IMMORTALISED " … !!!!!!

BEYOND My Life ….  
That's Where My Pride TRULY Resides ….
  
In A Place Where Thoughts …  
CREATE Wordplay Beyond The Wars We See Today … !!!!!!
  
I Hope One Day People Will Say …. ?!?

"That Big Virge Man, played an active hand,
in the betterment of, our race of humans,
and left us seeds, to activate dreams of finding peace,
and living for more than, fights on streets, and vanity !
That Man for sure, wrote poetry,
that's active now he's no longer around !"
  
But While i'm here My Mind Adheres …  
To Activating Verse That CLEARLY HURTS … !!!
  
Chickens And Jerks Whose Form of Work … ?!?
Activates NONSENSE Causing PROBLEMS ... !!!
  
I Have An Active Body And An ACTIVE Mind … !!!
So My Work's FAR FROM Shoddy Because It Feeds The Blind …  
With The Kind of Insights THAT ... DON'T Invite ... !!!!!

IGNORANCE and PRIDE To Be Aligned With A Positive Life …  
The Words I Rhyme Activate Like STARS Shine In The Night ... !!!
Because … From The Dark There MUST COME LIGHT … !!!!!
  
So As I Approach These Last Few Lines …
NO Time To Reproach or Criticise … !!!
  
Because These Words AREN'T … " Faddish " … !!!
And Won't Take ALL Your Bandwidth  … !!!!!
  
I Am A Wordsmith Whose Pen Writes Scripts …
of TRUE LYRICS … " PROACTIVE " … !!!!!
  
These Words Are NOT Just RANTINGS …  
They're DRIVEN And ... EXPANSIVE … !!!!!!!
  
And PROVE That Like My … " Writtens' "
When Big Virge Was Here … " LIVING " …  
  
My Brain, Body & Spirit ...
Were Attached To Being …  
  
….. " ACTIVE " …..
Not a bad idea to stay active, hence the poem ......
emily Oct 2022
I was 17 when it happened
I trusten them
It was going well
Until it wasn't
And a fun day with a friend became a nightmare
They invited me over
To play on their xbox and watch tv
But watching tv became perverse
Their hand drifted towards me
And became an uninvited guest that I never wanted
It all went too fast, too unknwn too wrong
I became a stranger in my own skin
No longer aware of what was happening
Like a passenger on a ride
Watching my own body a few feet away
It was suffocating the corruption of what he did to me
Years later i still remember his body on top of mine
And the smell of sweat is still **** in my nose
And i try to distract myself from the uncontrollable shaking that i can't stop
But all I can think about is his hands on my throat
And the fear that still lingers today.
Till this day i have never spoken of this
But today I have immortalised the day that I wish to forget.
im sorry im so so sorry
ryn Nov 2015
.
*•••••••
•here lies
the  rema-
ins• that once
beat with  superb lustre•
caring not for worldly gains•on-
ly undying  hopes  of pairing  with
another• but fate had tipped  the scales, not in his favour
•when  it  sent an  oncoming  car to share  the  same lane•
driver was behind the wheel but alcohol had  taken over•
causing the car to swerve recklessly
in the rain• the last  few moments
was punctuated with a deaf-
ening sound•his
day began
not know-
ing  death
was  writ-
ten   from
the  start•
so here li-
es *he
, whose
heart had thus
been crowned •
his love is immortalised with this tombstone as his heart•
••••••••••••••••••••••••••••••••••••••••
Concrete Poem 9 of 30

Tap on the hashtag "30daysofconcrete" below to view more offerings in the series. :)
.
ryn Aug 2015
Many a notion I'd lay in indelible ink.
How the morning sun would harvest the contours of your face.
Accentuating...
Elevating...
Revealing...
Your majestic beauty.
Reminiscent of a different time and place.

Many a thought I'd pen in indelible ink.
When your breath meets with mine,
they'd hold their own conversation.
Deeply entranced,
In an everlasting dance
that would last forever.
Exchanging gaits of grandeur,
great longing and pine.

Many an inkling I'd etch in indelible ink.
The way my moon never gets eaten.
It'll balloon to its fullest...
Beaming it's brightest.
Seeping from its edges,
gushes forming rivers...
Bathing my earth in heavenly silver.
Calming the thundering hooves...
In my heart with rhyme and reason.

There are but three words...
Words so sacred I dare not utter in vain.
Proclamation so heavy my chest could hardly
hold in rein.

I've immortalised them here...
But in *invisible ink
...

Because no one would understand...
Of emotions so grand.
No one would have a clue...
That...
_   _ _ _ _   _ _ _
.
.
AMcQ Aug 2015
I love the look of words
written down line by line;
their flirtatious teasing
along feint ruled ivory.
The gentle drop of letters
below unrestricting lines;
the emotion immortalised
in each cross and dot.
Most of all, I admire
the finality:
the beauteous dedication
and commitment
of that pen... to this paper.
This was written August 2014 before I set off on the Camino de Santiago
Salvador Kent Jan 2021
you walk down the street
cold sharp rain hits your feet
a liquid drops from your face
is it a tear or is it the rain?
you're as cold as the rain that drops
from the old grey sky, dark grey, no light.
and staring at the rain you immortalise it.
oh immortal rain you say...
and the sky compliments you
with a drop of ice that hits your cheek...
a cold kiss as a reply. "yes i'm immortal"
it says, your poetry immortalises me...
Leigh Apr 2015
For Idil Ibrahim
In memory of Tim Hetherington - 1970 - 2011

I cannot stay and speak my truth while the front line has no voice.
The carpet doesn't share substance with the blood-clumped
dust of Liberia; Red wine doesn't stain nations and it hasn't
changed the world.

I cannot stay and walk these steps while the fragile youth stand.
Our Sunday morning route doesn't cover landscapes of wounds
and bodies; Central Park has never felt a thousand welted
feet march for death.

I cannot stay and see your face while molten plastic scars her world.
Your delicate eyes have never seen the darkness of a child's grief;
Our democracy cannot fathom the searing, slow drip after a family
massacred.

I cannot stay and feel worthy of your love while injustice goes unseen.
My lens has immortalised what we held dear, but is yet to capture
the human condition; I spoke to you like I spoke to them;
Through decades of mortar fire I spoke to them.
.

Inspired by the life of Tim Hetherington, a frontline war photographer and journalist. His story is well told in 'Which way is the front line from here?' A truly remarkable person.

.
Devon Webb Nov 2014
Light up our backs,
bonfire,
burn,
burn us down
until we float
to the ground
as ashes,
ashen dust,
till death do we
ignite
the lives of those around
us
like city lights
or stars that
don't go out.
Outline.
Framed.
Posture
picture
perfect
Hanging
in this moment,
immortalised,
ageless,
free
like the flames
which lick
the velvet skin of
night,
engulfing our
shadows
as we stand
with our backs to the
stories
they told

- children
of the fire.
bleh Jan 2016
(not a poem i guess but eh)




Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.



'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'



I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.



We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.



The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'



We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.



'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.



It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.



'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  



'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'



We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.



‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’


‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’



We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.



The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.



A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  



I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries
Merry Feb 2018
How sweet it must be
To be loved by a poet
Beauty and laughter immortalised
In honeyed prose
For those
Whom you will not know
Whom you will not meet
Only those whom you will dream of
Only those who will sigh over
Your grace, your love
From the honeyed mouth
Of the poet who had chosen you
As their muse

How sour it must be
To be hated by a poet
Ugliness and rage immortalised
In destroyed prose
For those
Whom you will know
Who you will meet
Only those who will see you
Only those who will cry over
Your disdain, your wrath
From the dry mouth
Of the poet who had chosen you
As their muses

The pantheon of muses
The poet possesses
Will never reveal themselves to the reader
But the reader will already know the glory and infamy
Of the muses the poet possesses
The lovers
Perfection personified
Only known to the unconscious mind
With faces unknown
The enemies
Imps of imperfection
Already known to the waking realm
With more faces than that which can be counted

How bitter it must be
To be a poet
Glorifying and horrifying mistakes
In quickened prose
For those
Whom you love
Whom you hate
Only those who will read of you
Only those who will ignore you
My emotions, my consequences
From the careless mouths
Of the ones who had chosen the poet
As their acquaintance
crowbarius Jul 2012
He stands
A silhouette against a lifeless flat expanse
His flaccid tallow-yellow hands clasped awkwardly across the rails
The skin is white beneath his nails
The fear beginning to ferment
His shallow-knuckled grip indicative of lunatic intent

Intent to finally insuate his end into the books
To compensate for all the awkward silence and dead looks
Insinuate himself amongst indifferent carbon molecules
His skin and sinew separate from all the inconsistencies
Immortalised in asphalt now
A martyr on the asphalt now
Away from death and listing eyes.
Joel Hayward Apr 2016
We rode to Ta’if on a flying carpet
— a Toyota with a missing hubcap

sweeping through  fattened clouds
which clung to the hilltops like grazing bison

arriving on the otherworldly plateau that wore
the death shroud of an old hermit’s mystery

which our Prophet reached in sandals as ******
as the deck of a Nantucket whaling ship

Arabian Himalayas. He climbed like a yak
and the Lord strengthened his steps

Our taxi driver — as lost as the cheque in the mail —
poked at his satnav and called his mates

The Almighty’s beloved followed the angel and
never lost his way. He strained with pain

Our driver’s mirrored eyes intruded while we
held hands on the back seat and yawned

The Lord smiled down upon his aching friend
and eased the pain in cramping calves

A sagging mosque now hunches where the ignorant
had cast away the chance of a lifetime

Oh think if they had taken him in — Medina
would sit as a happy king on a mountain throne

I immortalised my love in a photo in that mosque
praying as a saint where our hero had struggled

I adore my captured shaikha and the memory
of when we followed in the footsteps of our Prophet
© Copyright  J.S.A. Hayward 2016
Mahnoor Kamran Apr 2017
We were washed in the dim glow of moonlight,
Our heartbeats calm and tranquil,
Serenity beat around us,
And soft melodical jazz that thrilled.

It was a beautiful night,
One that transcended the bounds of reality,
We felt as two stars transported,
Into a sweet magical galaxy.

I felt your soft satin skin touch upon my hand,
And a innocent desire took hold of me.
I put your hand upon my shoulders and grabbed your waist.

We twisted and spun to the sound of jazz,
Our bodies synced in rhythm and grace,
As if two stars that burned for long,
Had collided in a charming embrace.

Your moonlit body glided across the floor like a graceful swan,
Practised and perfected in its movement and poise,
As I looked upon my fate with head upheld and flashed a grateful smile to it twice.

And we whirled and twirled,
Every second abuzz with magic and delight,
Our bodies weary and sweat drenched,
Yet, our soul's thirst unquenched.

As we slowed down,
I had an ardent desire to never halt,
And In that moment fate immortalised us,
And we became the two dancing stars who never stopped.
SassyJ Mar 2016
In bareness life sheds
Melting our essences
To fear our termination
In caskets it all ends

In excess life mends
A regeneration read
Generations transpired
For eons we existed

In neutral life tends
Unscripted to rest
Reassessed to subsist
Repressed to matter

Thou shan't fear death
Embraceth thine destiny
Immortalised in shrines
Till the universe climaxes
Name of an Orchestral Music Piece (Joshua Ingram)
Thanks for the privilege.
Carl Halling Jul 2015
Early days as a flaneur;
I recall the couple
On the Metro
When I was still innocent
Of its labyrinthine complexities;
Slim pretty white girl,
Clad head to toe
In new blue denim,
Wistfully smiling
While her muscular black beau
Stared straight through me
With fathomless, fulgorous orbs;
And one of them spoke
(Almost in a whisper):
"Qu'est-ce que t'en pense?"
Then it dawned on me...
The slender young Parisienne
With the distant desirous eyes
Was no less male than I.

Being screamed at in Pigalle,
And then howled at again
By some kind of wild-eyed
Drifter who told me to go
To the Bois de Boulogne to seek
What he clearly saw as my destiny;
Getting ****** in Les Halles
With Sara
Who'd just seen Dillon as
Rusty James,
And was walking around in a daze;
Sara again with Jade
At the Caveau de la Huchette.
                                                                    
Cash squandered
On a cheap gold-plated toothbrush,
Portrait sketched at the Place du Tertre,
Paperback books
By Symbolist poets,
Second hand volumes
By Trakl and Deleve,
And a leather jacket from
The flea market
At the Porte de Clignancourt.
                                                                    
Metro taken to Montparnasse,
Where I slowly sipped
A demi blonde
In one of those brasseries
(Perhaps)
Immortalised by Brassai;
Bewhiskered old man
In a naval officer's cap,
His table bestrewn
With empty wine bottles
And cigarette butts,
Repeatedly screeched the name
"Phillippe!" until a bartender
With patent leather hair,
Filled his wineglass to the brim,
With a mock-obsequious:
"Voila, mon Captaine!"
                                                                    
I cut into the Rue du Bac,
Traversed the Pont Royal,
Briefly beheld
Saint-Germain-l'Auxerrois,
With its gothic tower,
Constructed only latterly,
In order that
The 6th Century church
Might complement
The style of the remainder
Of the 1er Arrondissement,
Before steering for the
Place du Chatelet,
And onwards...Les Halles!
"Tales of a Paris Flaneur" is a relatively new work in its present form, having been based partly on a story written in about 1987 (and subsequently destroyed), and partly on material written specifically for what became the autobiographical novel, "Rescue of a Rock and Roll Child".
Vamika Sinha Apr 2015
I want
to be written about.
Immortalised
in the scrawling of
a pining boy’s
pen.

Encased, no,
enshrined
in verses of
a stars-for-eyes
poet.

Enwreathed
in flowers of
words that
a hopeless romantic waters
everyday.

Is it
much
too much
to ask?
David Noonan Aug 2017
our love i feel is an ancient love
from a smaller world of greater ideal
a love so touched by the stars above
never to fall so as to become so real

our love i feel is an ancient love
an unspoken word of a long lost tongue
flies on the wing of an immortalised dove
to transcribe in dreams and nightly song

yet this night is upon, this night is cold
and sleep she refuses my welcome plea
this ancient love a story no longer told
white winged doves carry my angel free
now what is left, what is there of me
bereft of meaning, vanquished by decree
yet i will treasure each harbored memory
consigned to sail our love through history
Maria Alfaro Feb 2014
if you were to halt me in a street and ask
what defines a mystery? i'd have no trouble
in dropping equivalents, metonyms:
a puzzle, conundrum, crux, enigma,
a commodity beyond human understanding.

but truthfully, impartially, justly
when i muse over the question alone
the webs of instinctual response can be brushed aside
replaced with an inherent yearning.

i seek to know why perfection spawned
so intangible in an age where, like the
illegible scrawl of a faceless war leader,
each detail is immortalised
in a pixel, a photon, a sound wave.

you and i, we're not acquainted in the flesh
but the mystery continues, of how a translation
of your features on a screen can captivate me,
can steal into my heart and run away with my breath.

i would swear of your existence on the stars,
take a cosmic oath.
but how am i to know, with you there and me here?
prove yourself to me, please
to be more than an empyrean deception
Mateuš Conrad Jun 2016
co ma piernik do wiatraka a kóra do pióra?

immortalised mortality: Achilles -
some also quote Zeno on the matter
suggesting that anyone can be involved
in the question of turtle shells:
mortal-ised immortality - meaning
it's democratic, any mortal can think
about it, since there's only one Achilles.

what has a gingerbread to a windmill?
Don Quixote. again:
what has a chicken to a quill?
Nietzsche's handwriting - kura pazurem
a człek igłą.*

but there's a majority of us that think about immortality
seriously, only because he haven't fulfilled an
adequate mortality - we haven't, there are so many
of us that haven't fulfilled mortality to depart with death
with agony, we're just happy it's over,
i end up drinking beer like it's apple juice
on the after taste - we're called the depressive ones,
but still they make money off us -
the fault is the stars, we're not in it -
and why did he drink? the shame, the travesty -
i too wanted to fulfil my mortality to the ****,
convene on naked-concreteness, on bare concrete
and cover it with tar, so that someone might
watch television...

i don't know the result of the referendum,
i woke up early, took two acidic ***** into the bowl
and thought about my mouth spitting venom,
too little, too late,
walked for three beers to balance the metabolism
and walked back, waiting for cat-food to arrive -
nearly sunstroke saying under my breath:
'if you really want to make Wales into Sudan,
go the **** right ahead, book a Disneyland trip
to Florida, for all i care, i'm a Kentucky fried chicken here,
oh no, go ahead, i'm really eager to read your journalistic
attempt to be serious like they were about Watergate,
no, please, no Pelican briefs, just socks... oh come on,
we can't be seriously, we're trailblazing the **** out of
whatever we thought about the penguin continent;
Green Peace? here?! you have to be kidding me,
i have Arabian playboys playing chasers and racers
on real-life Playstations at Knightsbridge, they think
Harrods is the only shop beginning with H in London;
what about Hamleys? i'm sure the playboys and blonde
****** would be better suited to race around Regents
Street... matchbox Ferrari ***** -
i'm not going to be some Sudanese suntan just so
you can jet stream to elsewhere -
i'm guessing they all had ***** when the Reign of Terror
happened, 'cos what i'm seeing right now is a bunch
of eunuchs biting their toenails -
me? no one gave me a firearm to shoot someone
like Napoleon said, i just posed for a portrait;
i'm not into torture, i have a memory of goldfish
reminded of a globular tank, given Newton's explanation
of the curvature of the eye, upside down and all,
i'm goldfish Bob, dubbed 'the all-seeing eye'.
i have to admit, the artists were crude when they
painted Elizabeth I, or anyone prior -
they didn't exactly represent them as human,
humanoid, yes - quasi ****,
i'm Darwin in Tate Britain looking at canvases
and regarding mascara as the new adaptability tactic
for what the Galapagos "Rhodes" colossus turtles took to
over-sizing  and imitating boulders - the art those days
was a Bayeux Tapestry - Shylock after Shylock after
an oversized ***** graffiti inserted somewhere instead
of an arrow piercing a neck - the artists weren't sloppy,
they were simply unkind - i'm shocked that so many
kings took to up-keeping their vanity of rule due
to the sloppy hand of artists painting them as if ******.
Salil Panvalkar Sep 2015
My playlist on Youtube writes itself into a poem
It elicits Love, Lust, Loss anger along with a few other emotions
Ratatat takes me on a tour of Rome
PHOX shows me how to dance in Slow Motion
John Denver joins me on the tour of Country Roads

Highlight Tribe encourages me to Free Tibet
Bioshock Infinite do I dream of with Schyman Elizabeth
Kavinsky with his beats, urging me to Outrun
Lose Sight now and again with Andrew Bayer and Ane Burn

Abandoned Pools take me down the memory lane in Clone High
Foo Fighters whisper in my ear that I too can Learn To Fly
COCAINEJESUS, Akira, beats and samples; I have PINEAPPLEKISSES
Cloud Nothing reminds me that I should Stay Useless

Discover A Little Opus as I take a ride on Little Comets
Sky Rabbit opine and observe the present In Our Times
Joey Badass shares with me his funky ideals of World *******
Coheed and Cambria describe brotherhood in Key Entity Extraction

Geroge Ezra sings an ode to fathers in Listen to the Man
Perfect shows me the other side of the coin with Simple Plan
The Peppers tell a story of starting over covered in Snow
Shakey Graves says takes a chance and Roll the Bones

John Wayne Gacy Jr. the serial killer is immortalised by Sufjan Stevens
Imagine Dragons, the subconscious and fears come alive in Demons
Owl City tells a fantastic fable about insomnia in Fireflies
Ellie Goulding finds sweet slumber even in dark times in *Lights
One of those days when you want to do nothing but to feel.
And nothing makes me feel like music.
cassiopeia miel Nov 2015
You're searching for even the slightest validation for your inexcusable actions, transient in both values and the physical realm, collecting conquests and usurpees like how one might collect trophies from animals they hunt, faces frozen in a false expression with unseeing glassy eyes as they are forever immortalised in your sick collection to be made a mockery of long after the passage of time takes it's toll on both the images and the subjects.
A calculated maliciousness disguised as an indecisive personality, you are a bottom-feeder grafting onto the bellies of whomever are blissfully unaware or trusting enough to swim by you; but your own is yellow as a summer's day is long; not from just cowardliness, no, but from **** (sans the vinegar), and I wish I could compose this prose into something a little less hateful and a little more tasteful, but I won't spare you another second of my time, I'll erase you from my mind.
Joe Bradley Apr 2015
Turn on

I
This is the BBC news at 1 o'clock.
A rambling diatribe,
lost boys, a lost war.
The falling cost of stamps.
'What do you think of the deficit,
Graham from Newquay?'


II
Some bald man
holds a cadaverous gaze.
'She don't want me no more Pauline.'
The ware and tear
of Albert Square
immortalised
in one ***** stare.

III
Ella looked into the eyes of
the African children with bloated
stomachs, scooping up brown water
she wouldn't even dip her toe in.
For a moment, they were face to face.

VI
Margret! Margret!

Look what they're...

Check the cupboard,
have we still got...

uh...

tinned peaches and caster sugar.


V
Our hands, in every listless waft,
wander through an electric soup,
thick as frog-spawn.
Spermatozoa of information.
A gentle fuzz of creation,
our atmosphere is
pregnant with
separate universes that
embed themselves
inside our own.
We broadcast
our noisy planet
to the skies.

VI
'I've seen what's going on,
you don't have to tell me!
I know what they're doing.'

The walls are closing in,
as each breath from her
dusting lungs is getting tighter.
'Besides, my eyes won't let me, or
my knees these days, It's all i'm
good for'
  
She wheezes.
'I can see all I need from here.'

VII
Click
I swear 400
*******
channels
And there's nothing on

VIII
As I approach the blue glare
of the living room, I know
she's in there. Not even
watching,
she's on her
iPad. We don't talk.
We went to the
Maldives
once,
after the wedding.
she couldn't keep her eyes off me.

IX
Dead square.
Silent pixels.
Nothings watching.

X
We crept down in the morning - my sister
and me, before anyone else was up and squabbled
what loud cartoon violence would take our attention.
Nightie, pyjama cotton siblings, sewn in to the 7 to 9 o'clock schedule,
we were as vital to each other as sleeping bags and cereal.
Our building blocks stood in a castle,
we were unaware that one day,
they would be strewn across the floor
as we grew up.

XI
We're not going out tonight.
I just want to slip my hands down your
pants and touch you while
we watch game of thrones...
Deal?

XII
Smoke rises behind the mosque
in an arabesque twirl.
The blinding sunlight behind the minaret
crashes on the lens, like a flash bang.

The call to prayer is empty bodies, iconographic art,
cars hollowed, alien tongues, history, a melting *** culture,
cockroach romances, squalid graves, body hewn tunnels, little cuts on
trigger fingers, trained monkeys, orphans, marble carvings,
the stench of petrol, jobless drug habits, brickwork, wiring,
forbidden love, lust, teenagers, plastic explosive, god, work,
prayer, tears, life and death
    

and briefly the box is the world in our homes.
We must see who's behind it.
Merry Feb 2018
Face as pale as snow, hair like ebony, and lips red;
Red as the blood pricked from the dainty finger which bled
From the waters of a treacherous womb, the fairest one of all was born
To compassionate father, the King, and wicked *****, the Queen; forlorn
By the news from mystic mirrors vile with dark knowledge, the fairest one of all
She would be the one to rule them all beneath a gentle rule; herald of the Queen’s fall.

Though the insidious murmurs of her Mirror, upset the Queen, she did not remain
“Forlorn” for long. No, she used the time to gather magics, beneath the sane
Façade and the façade of tears when it became known the King had died
Her daughter, grown to ten and four years, to be moved off of her head
Then the Queen, the Queen alone, would have beauty and power.
To her throne room, did the Queen invite a Huntsman upon the hour
In which was meant to mourn the good man’s loss
The soul of the King immortalised in bronze wherein sickly moss
Did grow, a dour shawl that did crawl around his eyes
Much like his mistress who for fourteen years did feed him arsenic and lies.

“Take her heart so I may feast upon it; proof of her death,” did instruct the Queen
Unto her henchman, the Huntsman, she did instruct and he left. The sheen
Of determination emanated from him, illuminating his understanding that would turn.
Into the forest, he did chase the Princess until he cornered her; looming over her,
Her beauty sing sweet sorrow upon whimpering lips and a charismatic curse
Was laid upon the huntsman’s eyes
And from that, he could take no lives
So, he felled a boar and fed the heart to the Queen.
But the flesh upon her tongue, it did not taste it ought to mean.

The Princess fled further into the forest and happened upon a melancholic hut
That housed seven dwarves, wary folk at first but
Upon hearing the Princess’ begging, they let her stay and for them,
She cleaned their abode and once cleaned, the Huntsman’s deception came clean also
And so, the Queen grew vengeful and spurned a deep spell to **** her daughter, so
She travelled into the forest and disguised herself with the clothes of hags
A poor, poor hag in need of money – money for an apple red as blood
The Princess, fooled and compassionate, took from a hand with rancid skin that sags.

A single, crisp bite was all it took for the Princess with lips of blood and face of snow
To perish, from her hand the poisoned apple withered and in a glass box the dwarves laid
Her to rest, her final rest, and from her porcelain hand the apple tumbled,
And with that echoic fall, the Queen rose once more: beauty, fame, power: she has it all.

And for the existence of such a miraculous corpse to prove true, rumour became myth
And myth inspired Prince to go out and search for the truth clouded in mist
Within a deep, damp forest run foul with monstrous foliage, the Prince found her
He found her with the one of ivory face and scarlet lips; hair in inky curls
From her glass casket, he removed the lid and his decency; assailed by
The perfume of ever youthful flowers, he leaned down next to her and with a gentle lie
He told himself she was asleep. That’s all she was: a peaceful, deathly sleep;
And upon those perk, scarlet lips, he gave her a kiss that was deep.

Tongue within her cold, rotting mouth.
He kissed her and he kissed her thorough, hoping his warm breath would breathe life
Into this long-dead corpse; perfect as though blood remained in motion in her vein
But from her glass coffin, the Princess did not stir so the Prince’s ghastly act was in vain
With the back of his hand, he smeared her memory and the myth remained myth.

The poor Princess was laid to her rest, her final rest, in a glass coffin; a perfect corpse
A corpse that did not wither;
A corpse with blood red lips, hair of ebony, and skin snow white.
Inspired by the work of Edgar Allen Poe
Harriet Mar 2013
Well Perhaps Mary will come to me.
Perhaps her skin will melt so close to mine that I will feel her sorrow,
And I will feel the ongoing agony that grips her heart and torments her mind.
Perhaps I will feel the coldness of the shadows that she casts under the burning light that he attempts to enlighten her with,
Perhaps she will whisper the screams of her life and fill me with her surrender.
And I will see through her aged eyes and feel her hollow damp cheeks.
Perhaps I will lay down with her and see her dreams unfold in burning skies and hear her longing voice call out to him,
Perhaps the air will become too thin and through choking sobs she will wait for the moment that never comes.
And I will feel her immortalised blue tears run down run down my face and feel her worn hair on my shoulders.

Then she will be gone.

And just leave the lingering smell of broken beauty as my heart dawns and the silence whispers across my skin.
Maggie Emmett Jan 2015
No grecian urn nor sculpted monument
can live beyond the realms of space and time
But in these lines of skilled form and content
you will live on, the centre of my rhyme.
Ozymandias, mighty king of kings,
colossal statue turned to desert sand
Yet, Shelley’s verse awoke these lifeless things
immortalised this man from antique land.
Both clock and scythe circle with the seasons
We cannot escape Fortune’s deadly wheel
None are free from Nature’s laws and reasons
Yet. in this verse you are divine and real
Your beauty and worth forgotten never
You will live in this poem forever.
Shakespearean Sonnet form
Alia C Mar 2015
What is our most prized possession
If not the chamber of memories
That we so fearfully keep
Within the confines of our minds.

Every inch of our power
Lives in a constant struggle
To guard this chest of fading treasures
From the writhing hands of time

Yet we have become so caught up
In this twisted dance
With the ticking clock,
that we have forgotten
these memories are naught
but disintegrating ghosts,
whom desperately cling to us,
as a shipwreck survivor
clings to driftwood,
hanging from our thoughts
on trembling strings
-soon to snap.

Despite all our efforts
They will never be immortalised
-and so we are condemned
to drown
in a sea of nostalgia.
(under the invasion of returning memories)
Aveline Mitchell Dec 2015
I massaged my temples
And cursed my heart.
I loved you,
And yet the pages remained blank,
The pen still held ink.
Quick romances in coffeeshops
Always found themselves
Immortalised
But you,
My one, my only,
Could drift away forever
With no memory to tie you down.
Only a broken poet
Is unable to write about the one they love.

You are a dangerous lexicon.
Excitement and passion wrapped up in confusion;
You baffle me to the depths of my being.
You can't find your way into my poetry
Because how can I fit a poem within itself?
You may lay your head against my breast,
Press your perfect lips against my neck,
Stain my shirts with your tears,
**** my sorrows with your smiles,
But you are too pure for any of my words.

I am a poet, but my love for you is beyond the reach of poetry.
Akaash Patel Apr 2015
You could have seen her complexion,
in the reflection of my eyes from a mile away.
Just like the sunrise, I sensed her light, as if she smiled with rays.
What a way to start the day, blinking years but it was timeless,
It was priceless, I was infirm, she produced a cure like a scientist.
Any part of her body can touch my skin and make me shiver.
To resist her, its like taking off your jacket in a Siberian winter.
Immortalised in pictures and scriptures we had written,
We ruled our land but with powerful questions are great answers that are hidden.
Luce Apr 2014
these are the moments I will immortalise

I will stuff them and give them glass eyes
I will pickle them in jars
I will frame and polish them frequently
and I will make them into a gold chain to be passed down through the generations.

I will share, imprint and bore these memories into my children

they will be both humoured and obsessed with the descriptions
of when their mother embarked on many adventures

when they are young, they will imagine me as a fearless pirate.
as they grow, they will idolise the carefree teenager I am, no - I was.

they will know the times I ventured with friends,
who will hopefully be familiar to my children.
the friends who many years from now will be referred to as 'uncle' and 'aunty'.

they will know about all the road trips
and my habitual late night naps in the back seat
they will know the beat of the drums to the songs we listened to and sung at the top of our lungs
and I will play them to live those moments again -
who says time travel doesn't exist

I hope they will be able to smell the memory, mix of excitement and sweat hanging in the air of the car,
the breath of our youth steamed on the window

my children will know that I fell in love far too young
and, as their mother, these are the world's cruelties I will attempt to educate and shield them from.

because one day, my freckled princess will grow into the queen of her own castle
she'll lift the chin of her own baby and say,

'my mumma said to me, you've got to kiss a few frogs before finding your prince. Don't ever give up hope, because magic exists but it isn't always pretty and he's looking for you like you're looking for him.'

Keep you head down, baby. Keep running, 'cause I promise you're almost there.

but I will not undermine my children
and tell them they are too young to love,
for if they were too young to fall in love, how could they fall unconditionally in love with me?

(as I already am with them, aged eighteen)

I will tell them the stories of how I met their father,
I am unsure as to whether or not I know these stories yet.

We will tell them about the first time our hands interlinked and we instantly felt at home with each-other.
  
           when you know, you know.

We will tell them about the sweetness and innocence that hung on our lips for that very first kiss,
and we will continue to kiss
as if it's that same first kiss
every time
every day

they can not deny true love if they witness it every day of their lives

it will be a living reminder
of the love our children were made from and bought into
and a living reminder
that I loved you,
that I love you
before I knew you...
because you're mine

kisses will be our family heirloom
memories are the best thing I can pass down to you

so my story is still being written
but it is not a forced template for my children's lives

I will hand them pencils, if they wish to draw over their pages
I will hand them fountain pens, if they wish to eloquently craft their words
I will hand them every colour crayon ever made, and let their creativity run  over the pages
as free as their young, bare knees will be on the playground

I wish one day, they will read these words,
and know the memories of my teenage years that have been
and memories of my twenties, thirties, forties and fifties that have yet to be made

I wish they will read these words and they will know that I loved them before they even existed

I will have immortalised these feelings through my words.

So immortalise me, my loves, through your memories.
"The day will come
When my body no longer exists
But in the lines of this poem
I will never let you be alone"
Emily Ould Feb 2014
Do I startle you?
I can engulf you,
I can make your tongue swell,
Swivel dance do twists unthinkable slither upside down,
Into the grooves at the roof of your mouth,
You’ll take me to your grave,
Til Death do us part, my sweetheart,
I will be etched into your cold slab of stone,
Immortalised there,
Forever
Vamsi Adarsh Nov 2015
Good cannot exist without Bad,
No Light without Darkness,

Says the learned, Bull ** I say,
Human Justification all that is,

Good is absence of Bad,
Not the counteracting force,
Not the Balancing Parameter

True Good is a hard find,
You know why ?

Good cannot be Glorified without Bad,
Good cannot be Immortalised without Bad,

A Good that needs Glory,
is Never Good.
meanwhile Sep 2019
i've been awake since 6am
i'm running on two and a half hours of sleep
i've been on the road since 7am
and i'm writing this at 1pm
i'm thinking about greggs sausage rolls
thinking about where i'm going in life
thinking about when this road will end
thinking about slowthai's yugioh cards
thinking about how much i love frank ocean
thinking about how i interpolate milo lyrics to fit my life
though i probably couldn't tell you what his words mean
thinking about how i drift from one person to the next
desperately searching for a new friend to cling to
thinking about why i didn't shave my face
for two weeks i was scared that with a blade in reach
i'd be tempted to slice my throat
if i drowned, would my body float?
thinking about how i should cut my hair
thinking about how i can act cuter
thinking about that coil girlfriend
but maybe i'll go for a boy instead
i burned my mouth on a greggs sausage roll again
so it looks like it's all going to plan
sometimes i view greggs as a temple
and the sausage roll is my zen master
i find solace in cheap british bakeries
just like how i find peace in a black man's philosophies
today i'll get my groceries from the nostrum grocers
and write poems at the apex of my sleepiness
this road is only going one way
and i can't go back to pick up the pieces
so i collect what i can to stitch together a new tapestry
made out of the few remaining pieces of the old me
maybe one day driver will say i have perfect hair
thinking about how excited i am to read tallen's messages on discord
it's nice hearing about his l5r discourse
thinking about how i promised to deliver instrumentals for quetzal
but i never did get started on them
thinking about my friend gabe's new album
and how i wish i had richard dawson's falsetto
and how i wish someone would hug me
but if i admitted that, that'd feel pretty needy of me
i don't know when this road will end
maybe i'm stuck on here forever
immortalised in the asphalt like a dead bird
approach me like you would your dad hanging in trafalgar square
i used to smile in every selfie
now it's a chore to smirk at all
but it ain't all bad
i might make curry on saturday
or maybe i'll make chicken soup
and it'll be better than hers
because i'll make sure to remove the bones

— The End —