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Cedric McClester Sep 2016
By: Cedric McClester

Time goes by fast
But memories that last
Are like snap-shots of the past
That we view in contrast
To the here and now
And so we make a vow
To apply the breaks
And avoid our past mistakes

Time goes by fast
And nothing ever lasts
For those who are miscast
Or the errant iconoclast

In the rear view mirror
Things become much clearer
To the standard bearer
Who see them much nearer
Than they were before
When it was easier to ignore
The intricate designs
Of the various warning signs

Time goes by fast
And nothing ever lasts
For those who are miscast
Or the errant iconoclast

Seconds minutes hours
With all it’s magical powers
We observe like blooming flowers
That time finally devours

And as slowly we retreat
To our thoughts so bitter sweet
Not acquiescing to defeat
That occasionally we meet
So we long for yesteryear
Cuz we’re far away from there
And the veil is very shear
Between there and here

Time goes by fast
And nothing ever lasts
For those who are miscast
Or the errant iconoclast

Time goes by fast
But memories that last
Are like snap-shots of the past
That we view in contrast
To the here and now
And so we make a vow
To apply the breaks
And avoid our past mistakes



Cedric McClester, Copyright © 2016.  All rights reserved.
Love Iconoclast
Blooming buds from her sweet chest
Take me to trans and make me lost
Her smiling cheeks never leave at rest
My love I am but sheer love iconoclast
Beautiful youth full of juices of her life
Has stimulated me to just any extent
From those moments on I am on knife
My love aspires for in winter in tent
Pleasure is in play and petals are young
Then desert of life blooms with flowers
Love ignites beauty when in union sung
Let me pass through bowers after bowers
Col Muhammad Khalid Khan
Copyright 2017 Golden Glow
WS Warner Feb 2012
Underneath the anger, there are tears. Beneath the fury, there is hurt, a river
of affliction - the day that possibility evaporated. I knew, the moment
it was gone. Telos obscured, like a mist, had left me.

Frost in February, morning at the local coffee house, perseverating, sedate
in privatized, cogitations - certainty dissolves into irony, the transient
collective with predictable cadence and singular objective. Borrowed
energies - preferred anesthetic in defiance of the placid, quotidian horror.

Angst wrapped in skin, clothed in remorse, like a muslin coat unable
to keep me warm, the palette of truculence, dislocated savant,
with guarded aversion - faces enucleating in tacit harmony, the muted tragedy
of the forgotten.

Yoked, the metaphorical satchel, freighted with the sentient debris, sifting
the fuckage, memoirs of failure, privation of venture and honor, objectified as
mere portent. [Existence] - the daily riot, becomes the necessary crucible.

Dissonance and detachment resonate the cultural banality, [being] displaced
by icon; [branding], ideas about ideas, life several times removed,
emblem over essence.

Existential renegade, exploiting the counter intuitive, the paradigmatic prodigal,
favor squandered, in the absonant passage, bearing fruit of the undone.

Bones of contention lament, interminably, like a false friend, present in absence,
perceived in the lack, subtraction, slip-stream - the disheveled
palaver of the broken.

Acutely self referential, misery enfleshed, its own reward, a post-war
discontent inhabiting sorrow, compressed and narrow, begetting
apathy in springtime.

Commodity of youth, the currency of beauty -permuted, commerce of the
ethereal and diaphanous. Human caprice, post-modern fog,
the flattened self,
the enemy of us is us, drowning in the decorum of narcissism.
the fattened calf,
immolating on the sword of autonomy.

Recycled grief, a recursive loop of gestating thoughts, marinating fluidly
within the interpretive grid. Confessional cyber community - exposed wounds
and concrete suffering, abstracted from virtual solidarity, refracted through a
reductive sentimentality, maybe they will ‘like’ it.

Iconoclast in exile, inhaling the incense of barrenness , surrounded by synoptic
drivel in understated - present tenses - alight in the now, axial axioms of the privileged,
who genuflect to the god of unfettered freedom.

Peripatetic intervals of isolation, self-imposed, hidden in a sanctuary of derision,
colliding with immutable otherness , the waters of chaos, calm.
The proleptic display, announcing eschatology. An ancient text written on the interior
expressed in myth and narrative the courier. The carnal and cerebral
arise, rightly flourishing.

Sense thresholds stirring, surprise and turbulence, reverberations of altered
domains merging - the temporal and ubiquity, the indissolubly resplendent
inversion - the invisible made visible. Opaque intrigues subsumed into the
balm of reconciliation - the first shall be last…

©2012 W.S. Warner
Cedric McClester Apr 2016
By: Cedric McClester

Time goes by fast
But memories that last
Are like snap-shots of the past
That we view in contrast
To the here and now
And so we make a vow
To apply the breaks
And avoid our past mistakes

Time goes by fast
And nothing ever lasts
For those who are miscast
Or the errant iconoclast

In the rear view mirror
Things become much clearer
To the standard bearer
Who sees them much nearer
Than they were before
When it was easier to ignore
The intricate designs
Of the various warning signs

Time goes by fast
And nothing ever lasts
For those who are miscast
Or the errant iconoclast

Seconds minutes hours
With all it’s magical powers
We observe like blooming flowers
That time finally devours

And as slowly we retreat
To our thoughts so bitter sweet
Not acquiescing to defeat
That occasionally we meet
So we long for yesteryear
Cuz we’re far away from there
And the veil is very shear
Between there and here

Time goes by fast
And nothing ever lasts
For those who are miscast
Or the errant iconoclast

Time goes by fast
But memories that last
Are like snap-shots of the past
That we view in contrast
To the here and now
And so we make a vow
To apply the breaks
And avoid our past mistakes






Cedric McClester, Copyright © 2016.  All rights reserved.
Fixed on repeat with stagnation as aural salvation
they dance to the archaic discord
entombed in relics from 1973
rooted in pensivity behind the repetition of each melody
they've heard this one before
used it to pick themselves up from the floor
an effigy to lost lovers
who used to sit beside them
smoking on the balcony
paying duty to a capitalist society
taxing themselves with each breath.

They never hear the strings breaking in silence
dancing through progressions
which paint plaintive signs of the times
disparity haunts the rhymes
but nostalgia stole the show
apathy drives ignorance
to the songs, they don't know.

Artists gorge on the decline
too many pills to swallow
so instead, they'll do another line.
Inspired by a conversation about Napster.
David W Clare Feb 2015
Live through me vicariously...

My rich neighbors got upset
Sycophantic ******* pretentious jet-set

I am the pariah the iconoclast blasted by rumors, iron-curtain of suburbia hurtin' tuff darts pointed at me

Think young it's only the vicissitudes
That control your mood and attitude

Am I gay? Your wife doesn't think so!

Go ahead live through me vicariously...

D. Clare
I loved northern Virginia...the neighbors hated me...
Vernarth says: "Give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!"

Wonthelimar from the Boedromion brought the arrows that Zefian brought, they brought the sleeping bodies of winter to the lap of the spring Boedromion, crossing the lines from spring to winter in the cycle that went directly to the Mercurial Ambrosia of the Cinnabar. Were they discreet detached arrows that he had thrown into the sky and did not return? but if in the rooms, and in the animalism stages that made the duty of rejoicing at the ****** of the Telesterion.  Wonthelimar being once more re-looted, before starting the works of the temple of the Megaron Áullos Kósmos, he returns to the cavern of Chauvet Wonthelimar. It distanced itself from the contravention of Apollo and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points of the zenith, starting with the first two arrows that are placed in the bowstring, each one belonging to trajectories from north to south and the other two that were again violated with the arc of the stormy East, to launch the arrows from east-west with limits of southern magnetism. He carried in his belongings "The Iberian Rings", which would be the migration to the cardinals and points where the Megaron of Vernarth would be exactly, arguing that the phalanges of Zefian would be ordered in Syntropia and organic chaos in Patmos, Pythagorean proportions would be made, in essences of numbers that idly advanced in the temporal steps of Wonthelimar that mobile became of religious arrows and of the Mercurial Ambrosia of the Cinnabar, to help him with the most insightful points of the Constellation of Capricornus.  Zefian's tendency was one of evident delight after the bowstring being pulled, for phantasmagoric existence; presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for late courts imposed from a cosmos, which was directed by committing itself to its will and from a doubtful Vestal god advocating to associate with hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychology of the dreaded in-between-tale alive that boils back in the arrows that had not yet fallen, and did not know their whereabouts. Like plates or serial hosts that were evoked from where the origin of the Universe was broken, to open towards the Duoverso contravened organic, vigorous and in anti-scorch to the divine celestial origin as a parameter of *****-ovule, rather in eonic instances in the fireplace of Hestia, running in eternities to vast volumes of light-years.

From the medrones that grow in the Nyons massifs, the Seven Ibic Rings were established.

Ibic 1: "The first was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, and then he would find the light when he left the cave alive if he was accepted."
Ibic 2:” He was guided by Vlad Strigoi in the priesthood center on his shelves with the Chiroptera, and in excess of the mercurial ambrosia for the purpose of energizing the Tsambika Cinnabar.  Having all the protocol of Transylvania and eternity with the waters of Antiphon Benedicts”.
Ibic 3: "From the Eygues, the waters evaporated for healings of the tormented initiatory processes of raising the four Arrows of Zefian, to indicate the zenith of the Megaron."
Ibic 4: “This ring was from the antlers of Wonthelimar, here they wore the oikos or threads of Gold from Orphi, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Aldaine ”.
Ibic 5: "This piece of metal speaks of the fifth plasmic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned to the Mashiach."
Ibic 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Hellenika and Theoskepasti."
Ibic 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will go up in synchrony through the final growth medron, up to the millimeter shoulder of the square meters assembly, which will illustrate the Megaron´s Acrotera  "

Ellipsis - Parapsychological Regression Marielle Quentinnais year of the Lord 1617

Wonthelimar was transmigrating to Chauvet, but the Pontias wind carried him from Nyons to Avignon, encountering filigree by Raymond Bragasse; a Former Dominican priest of Cathar descent. He always drenched himself in the estuaries of the Rhone, which came from the Saint Gotthard massif; being master and lord of dreams and of the breaking curses of the despicable administrators of the house of God, and of the Antipopes in Avignon.
Wonthelimar heard voices from some parapets babbling in the parapsychological regression of Vetnarth, on August 4, 1617, when Klauss Ritkke was found cleaning the main stained glass window; he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and hear his conversation more clearly, until Friar Andrés, muttering, demanded indulgence from Raymond Bragasse, one or the other.

Raymond Bragasse Says: “My lord Wonthelimar; what grace has brought us together here in the middle of the Pontias, between hopes and reforms!”

Wonthelimar responds: "Your flight is a spell of the grace of André Panguiette, who will find us again. How many times with hope I fought to reform you Raymond... Oh Virga ac Diadema  sed Diabolus...!! Oh, ****** the devil smiled...!!

Raymond replies: “It is a major question to live if in something I have failed, take me to the sulfurous emanations of Hell. But my faith lies moldy at the bottom of the sea, a sacred myth of my truth..., and of my beloved Marielle...! There are fifteen thousand demons that possess my body... fifteen thousand demons for attacking the sacred mystery of the Holy Rosary...! Marielle was my light, my Edenic Eve, an admirable land. Now, she is my spell, my stubbornness or my constant sharp bleeding, without knowing where it has to pass...? I still remember that night, that gloomy night, renouncing my final vows of faith and the consecration of my soul. I broke my ties and ecclesiastical chores, all for Marielle, a noble descendant of the Quentinnais. I would never believe such regret in my destiny. I did love her, but her misfortune knew me. When I approached the edge of her house that night, I entered through the kitchen window. All were asleep, except for the albiceleste reflection of the last death throes of the deadly round of Quentinnais Mansion. I was thinking of rescuing her and saving something from those cheeks kissed by me, but her heart disease dried up his heart and her lungs. It is still possible to recall the last roses that I brought into her hands, they danced with her along with the hymn and the old dirge of the sleight of hand made by the monk, along with the cartomancy plays settling the minute of taking her into darkness, with her beautiful bare feet. What a pain, I could not rescue her from her, and death was dispossessing her! Her parents hated the mere fact of having her heart ruled by an impious priest, so I turned to the pagan and dark gods, to heal Marielle, and her heart to transplant it for mine. Since that day, I continue to burn in a polysatanic hell, to take out the little breath of goodness, and seize the transparent liquids that plague her existence and her serene metallic Diadem..."

Friar André Panguiette upon learning that his great friend possessed by the Devil would fall into some endemic evil infection...; Evil endemic to his love, he crossed himself when he saw that he became a horrible being. The jumbled leaves in the garden were transformed into Bible sheets torn from their bindings and fillings, the wrinkled ***** Saints slid down their columns, the sky proclaimed hemorrhages and the wind oozed foul gases, which in the firmament sprouted in clots of clots on the Papal House of Avignon. Fray Andrés, threw the rosary on the neck of the possessed person, and asked the Demons who were they most afraid of...? The demons answered this question, screaming and falling vertically down the central nave... they went down and flew!

Wonthelimar induces: “From that moment, you and Marielle would cross their gazes closely and love each other. In the following minutes of Pentecost, the two of them went alone to sit on the bench on the banks of the blessed wind that caressed their profiles, as if plotting to unite one with the other. Raymond effusively kissed her; he drew her to him, believing he sensed an eventual and sacrilegious separation from her. This is how it happened when François Quentinnais surprised them...:

François Quentinnais: With this example, you have provoked my anger Marielle...! Hundreds of men like me would react like this when they saw my daughter in the arms of whom until recently, she was hugging God!

Marielle: Father, I beg you for mercy, Raymond of precept sent a letter renouncing his vows!

When the soul of Marielle was entrusted, Raymond escaped seconds before shattered, he did not tolerate the nonexistence of Marielle; vegetating rotten grass of the estuary, emerald swallowed by fire. In a purely inorganic state, Raymond walked away from the mansion, walked through the leaden mountains, and on the cruise he walked through the walnut trees in whose scarlet pods the intense cold of the esplanade howled. The almond trees cracked a baritone muezzin, which one day he wanted to go there, but could never reach the east. His beard reddened, his nails were like ram's horns, and his also reddish hair at the ends of it had black tulips. His clothes turned gray just like his eyebrows, and his breath smelled of nurse sewers of the black plague, the dry flow of his voice announced monosyllables, thus he purged his pain from town to town, from house to house, everyone quarreled with him, and then they were exasperated by kicking him out. Until in June 1617, caravans of people started from the southern town of Avignon, escaping the flames of angry soldiers of the crusades. The fleeting townspeople carried on their banners the inscription... INRI. On the other side, they carried the cross and a colorful coat of arms that in the lower corner said Siccidemy. Then, there Raymond opened his bruised eyes, unable to contain the recovered memory of him, between gunshots, screams, sobs, and screams, the hundreds of steps that were heard around him, led him to tear and save his life. In an instant of stillness, he found himself surrounded by people until one of them took him into his arms to hydrate his mouth. We are Albigensian, and you... Who are you?

Raymond replied: “I fled in search of a miracle that could save a beloved being. I used to call myself Raymond, now I don't know what name to go by. I fled, but I had to face the situation, even having acted behind the back of the Church”. An Albigensian says: “The clergy have also believed that our sect has acted behind the back of the Church. However, his powers and his government have registered absolutism within Christendom”. Another Albigensian says; “We seek the establishment of ancient Christianity, we deny the existence of purgatory, the importance of rituals, clerical organizations and the possession of goods by the clergy. And for this reason, we have been expelled from our lands, from our homes, our children have paid for the Sacred Inquisition, in the hands of those who one day... baptized with blessed water”.

It was on June 18, 1617, the Albigensian fugitives were besieged in Montlimar. The Argentine crosses gleamed like dogs eager to bite the enemy. The open-minded Albigensians gathered together with Luzbel, who floated on a calypsigenic cloud. Raymond and the others piled up essences in the fuels to start the pact, after this event François Quentinnais answered negatively, and strongly took her daughter by her hand, pulling her sharply to the float. The horses slip their hooves before the sloping pastures carpeted by tiny Calypso flowers; the mayoral pressed his thin lips, also raising his shoulders, so as not to hear the despotic cries of Monsieur François. As for Reverend Raymond, he could be seen crying silently, accompanied by late halos of the luminosity of the final and sad day. Sorrows and regrets dislodged his bones that underwent violent arthrosis, populating his body in a sedentary lifestyle and irritation. I myself say Wonthelimar, I am the one who carries Marielle's love in me, I am your Raymond. Remember that night that...: "When the monk retired to pray, you stormed the bedroom, and uttered Marielle..., Marielle:," wake up, in vain I fear to leave without your divine voice. Marielle, what do you have...? I don't think your father's impure will blind your eyes to not see me, or he ripped your sweet voice to not name me...? ".

The Albigenses resigned to the spell, their adherents had largely been reduced, only ten or twelve remained. That later they fled from Montelimar escaping to the west, crossing the enchanted Rhone. The Siccidemy troops mutilated the last demonized Albigensians; nothing would help for their lives, everyone would bleed except the group that fled with Raymond. For several days they wandered the Cevennes plateau, provisioned themselves in Montpellier, and arrived in Carcassonne on July 20, 1617. Little could they remain here, since the congregation of Santo Domingo, without distinction, attacked the population decimated by the crusaders? What a regrettable exodus for Raymond with his black flock fleeing from where his feet laid hope! Twenty-two days of bitter flight, and everywhere the crosses, until Raymond decides to separate and go back to Avignon. He takes a  sailboat off the shores of Narbonne in the middle of a stormy gray day, in his bitter journey he dreams of being born again and having Bethlehem as a lineage, on July 23 of the same year, he lands in the waters of Marseille. When he was discharged from the port, he undertook a light journey to Avignon, near Arles, thousands of fellow citizens started from the hosts of King Godfred of Bouillon, the nobles cooperated by revealing the mobs that gathered in the city, the Hussites, and the Waldensians; Iconoclast heretics, fighting fierce battles. The crusaders took the offensive and tried to prevent them from burning their sacred images, which had already been torn to pieces throughout Gaul. Raymond, distant, helped the most serious, he was afraid of being confused by one of them, it was better to hide in the Cathedral of Arles. Upon entering, he felt a dizzy ***** that shone timidly in the hands of his performer... it was a little girl who, when looking at him, named him Dionysus..., demi-god, save us! Raymond fell into a daze, and falling into a dream that told him of barbaric actions, with masked fellow citizens lying neutral in their gestures, and suddenly angels revealed to him that they were looting the pantheons of Avignon, to burn the rosaries of the saints. Bereaved in their graves, some Albigenses exhumed the bodies of relatives related to the Clergy.

Raymond was sweating his hands and forehead, he struggled to get to the Quentinnais mausoleum, straining his precognition, he crossed the interdepartmental courtyard, he continued to haunt the packed pyramidal cypress trees and suddenly a lion-faced him dealing with a snake; with the symbolic image of the Quentinnais. He saw the slab desecrated, on whose horizon his Beloved Marielle slept. His skin prickled... it was the Iconoclasts avenging their own, with strong breaths he squeezed his hand, wanting to wake up... so it happened, he got up pushing the crowds that were holding him back, but his strength was growing. He rode a roan steed, in three bridles that he gave him he flew towards Avignon; his mount seemed to be a hot air balloon that flew with great dynamism. Raymond in his own painful station would moan his hand, his eyes; his legs creaked like the legs of the Pegasus that carried him fast.

Ellipsis Second Sequence Mausoleum Quentinnais

Finally, he arrives in the second parapsychological sequence, noting that Avignon was in ashes, takes the reins and immediately goes to the Quentinnais mausoleum, upon arrival, he appreciates several Albigenses committing crimes, dismounts, and runs screaming towards the defilers; he faced them with stakes, some demonized had to cut their throats, arriving in time to defend the remains of Marielle. For long hours he was with her alone, thinking about what to do, Raymond knew that he could not revive her, so he had no more redress than to invoke Luzbel, who this time revealed her true and evil personality as ruler of the evil spirits.

Raymond: Dear Luzbel, millions of Canaanites looked up at the altitude representing you; today I will do the same from here and beyond the solid roof of the mausoleum! Bring Marielle to life, come and twist her cheeks, since without her! I have had to live all this to protect myself from suffering. Since Pentecost, he hadn't been physically close to her. Now I need her... well, I lynched her...! Beelzebub making him believe that she was Luzbel, ordered him to extract her heart!

Beelzebub: “In Montlimar, I saw volcano crests arrive in such failure of my envoys. But it will not be repeated, and for it to be so, I entrust you to take out the heart of your beloved and tear the eyes from her that saw your gaze. Then open your chest with this dagger, I will draw your blood and heart, to moisten the heart of your Marielle. And finally, I ask you to bring a lip to me to enchant her lips in lilies. "

Raymond: “opinion accepted... that's the way I'll do it!
Being dominated by the spell, Raymond abided by every step dictated by the supposed that Luzbel lived difficult moments since he was a good day, but so many thousands of years of living in darkness, and in the midst of punishment that violently changed his mind. Justo Raymond carried the body in his arms so that the ritual would culminate. Luzbel snatched his beloved from him and with laughter he vanished.

Beelzebub says Mortal fool! Don't you see that I am Beelzebub; chief of the evil spirits and the guide of the Albigenses, Hussites, and Waldensians? Never invoke me in the Mausoleums, here betrayal triumphs. Now a Quentinnais will be my image on earth, giving her the doubt of doing well for many centuries.

Beelzebub took his beloved away, leaving the rosary wrapped in soft tulle next to the scapular in his hands. Raymond cringed in pain, and in an act of madness scratched his face. Poor Raymond, he told himself...!  That in himself he found no reason to live. He left the mausoleum at dawn looking around every corner in case he saw Marielle lost in his sight since recently. He was exhausted; he remained after the confession that was delayed too much because the events that took place in the Pantheon, in a way pretended to be the events that Raymond inexhaustibly narrated. And in a way, he feared for his life at that time unknown, by the mouth of some hidden place they documented his bitter inability to do well, and that he would fall under Raymond's curse. At this moment, Raymond lay lying on the banks of the Pantheon, from that day on, he did not know about the days, he only existed at night and he did not socialize with anyone, his madness sowed hatred for everything sacred and infernal, he dealt with the Holy Rosary found a magical find, until one day a new one reached her ears; she was referring to some crusaders who had intervened in Jerusalem when it was invaded by Saladin. A certain Frederick Barbarossa was drowned in Sicily by..., "Wonthelimar", who with the Diadem of a woman Seized the island of Iconium. This was the other new one that enlivened his spirit. This greatly surprised the worn Raymond, suspecting that the kidnapper of his beloved might be in cahoots. And as the news continued to hear her, it was said that her sacred beliefs allowed her to continue undercover, in order to continue for a long time, even in the other attacked city that would be Nice. He signed to the limit, for centuries that will serve us in future generations…, suffocating the iconoclasts.

The poppies moved from north to south through the Provencal regions. The oceanic eastern Gods Makara's in tumultuous pyramidal ships descended legions and escorts, to aid Raymond's farewell at Nice. At twelve o'clock at night, the prophetic edict of the Lord would be fulfilled, here the last words of that chimerical episode were received, and he feared that until then a first descendant of Raymond; he became a statue in ignitions of the reborn underworld. The Diadem will be transport and refuge, as for Wonthelimar he said doubtfully…; I think he is nothing more than the deviant Beelzebub, who with optical retractable eyes, in Montlimar disguised the initial in double V..., Wonthelimar, but I was wrong! Wonthelimar already transmigrated to Raymond, staying on the banks of a stream, with nausea he regurgitated his underlying spirit state from the lyrical crust. His mouth unsheathed the most diverse and heterogeneous chronolites; Parasitized dust in pieces of temporary stone, flowing in disciples, quarantine fragments, in marriages by sinuous water. Raymond slapped his thighs in anticipation of throwing up there. His blatant, incisive alienation took over his will, with inherent crickets singing to her in isolation from him, shining his conscience, and residing in the grace of the Holy Grail. The conquest of the earthly system amputated the Andromeda Amygdale; Constellation-illusion and spouse of Perseus, who is mysterious vehicles of the solvent Grail, kept him tied to Raymond. Deafening roars erupted from the earth pits, and the mass of the mountain hung above the trees, pseudo purple and violet rays bombarding sarcophagi all over Nice.

Wonthelimar: “Since this day I have been boiling in a polysatanic hell! The Ibex picked me up from the surroundings of the Pantheon and the Quentinnai mansion, where I have never been a human again, only an Ibex in the Chauvet cavern. Thanks to the herds of goats that adopted me that I have been able to bear their pain by taking refuge in the darkness of all times, which never transpires in the past, present, and future? Now I have come in this re-location, to reorder Vernarth's parapsychology, which you are too, and who has never been able to overcome the pains of love, even beyond pale death! "

From that moment, the shadow of Heracles is seen among them, encouraging them to be part of the gods, and of the feasts of the beautiful Ankles of Heba. Thus the words redecorated them both amid the thick fog, in Avignon. Afterward, Wonthelimar left and left Raymond to continue in Marielle's darkness to the end of the world. The blister day and the scorching night, thought one of the other in constant profit, for the good of finding them in the Kalijoron..., the well of the divine light of Eleusis, for those who rest in naive peace in the face of cunning, and the decorum of the gentle dialogues in the comedies of the exceptions, after crossing the Nile, with tributers collecting the faults of the gods, or else with horrific screams that would make them prey to an imaginary Gorgon.

Wonthelimar was now going after the “Íbics Ring”, which were left in the Chauvet cavern, by some Iberian tribes of the early Neolithic age, who were on their way out desecrated the cavern with ****** in the orbit of the Ortho Heliacal. From here, in the last goal, they reach the darkness where the vampire bats were terrified to see them with their eyes in mercurial ambrosia, which enveloped them with the gums in each one as they approached in the sound of night hunger arrests, next to the betrothal death brought by the darkness of the Strigoi, in lost wanderings of their wills following the search for the panescalm sheds, which carried human chiropterans for the regions of Transylvania, subjected to distinctions and exactions of Climate Changes. From here the bronze spear Dorus of Vernarth would go to the right hand of Wonthelimar, to shield him, and to put celery-foot feet on the ineffable Kanti steed, with certain renown of Eacid of Achilles stirring up hops and low bottoms of the mineral aquifer at the base of the den. In a quick figurative gesture of Achilles, Wonthelimar passes his right hand over his nose, noticing that lights trickled from the Auriga and the Automedon that came by order of Drestnia to provide aid to him, and to rescue the Iberian Ring Eagles, to transport them to the cove of the Mound of the Profitis Ilias.

In the eternity of the noise, Vlad Strigoi is in solidarity with him and gives him lightly from the bottom of the final flow of the bilges of his panescalm, condensing air of Gaseous Gold, in Pan-Hellenic regions, and in the Valdaine regions sixty-seven kilometers from that mountain area very close to Avignon. The infected zones of physical virtue were divided into micro-regions that were compressed before Wonthelimar merged into micro space within the cavern, to abandon the burning furnaces that came alongside his interpersonal goodness, in the metaphysical transfer of darkness, and of the wicked gentlemen drawing him towards the Parasha or Parashot of the Torah, so as not to be attracted as a human to ******-emotional implications or manipulations, who will snoop in growing voices in the voids of the cavern, and in the failing anxieties of the pompous and ancient effigy tarred from Hades. Wonthelimar limps superlatively with some nervous leave, but eager to apprehend the Ibic Rings. After the Benedictus antiphons were seen coming out of his chest, they were iridescent in magenta and mordoré for those who are ibex, always hiding under the goat epidermis, sponsoring happiness practices, one and the other after their vicissitudes in a cyclical mystery classroom. On the plains, you can only see haze and the experimental change when leaving everything in the hands of those who die without rainwater and bagel, in the most absolute solitude, amidst rocks that will never and never be reconverted, less into mid-plains giving terrifying compliments on flower baskets that stink of wandering Wonthelimar clones… not being!

Wonthelimar with Kanti, they emigrate from the cavern of Chauvet in their reminiscences, standing out from the voids and invocations of Raymond in unfinished by filling space in the hearts of both. Heading southeast towards Patmos with the Ibic Rings on his bracelets, wrapped in Vernarth's Himathion for his investiture!
Wonthelimar  Ibic Rings
From what deep well of despair
Did you draw the crisp clean draught
Of incontrovertible truth?
How many shrank from the reflection
Cast plainly from your gaze?
The marionette caught up in the maelstrom
Uncomfortable to watch
Reservoir of human suffering
You wouldn't close your eyes
Perhaps you saw too much
EgoFeeder Nov 2013
We try to grasp all that we can feel
Every grain of substance we can imagine
All the hesitant hands we couldn't deal
From our arduous compassion engines
How long can we believe until we kneel
To the unkempt veracity of religion

Or fade into a vengeful iconoclast
Cynically mocking the faithful breed
Of merry-go-bashers that attempt to cast
Their egotist ideals of what we all need
Fairy tale prophets that lived in the past
Getting off on their own selfish greed

The words of mankind have nothing to tell
Implicating a heaven is rhetoric at best
And, If i'm to live i'd rather go to hell
A tactic of fear sounds like a fitting nest
For someone who has already gaily fell
To a nihilist end that I should have guessed

I have opened my mind to one single thing
A universal truth that we all should know
That one simple rule is to believe in nothing
Is there any trace of deception in what I sow?
There is no wrong answer when you doubt everything
And, your deathbed will teach that there's nothing to know
Mike T Minehan Mar 2014
What I should have said
when Mike Whittle died, was
what a mighty man he was,
though small in stature,
yeah, how he set the students’
minds on fire.
Instead I said
he always jabbed himself with insulin
while we were having lunch
and I said that this was a literary tradition
like Polonius being stabbed in the arras
and Mark Antony falling on his sword after Actium
before Octavian could get there ahead of him.
And then I said that Antony's lover Cleopatra died
when she arranged to be bitten on her ***** by an asp.
And I thought I was a smart *** by saying
don’t get confused and think she was bitten on her asp.
Well, Mike and I did laugh about literary allusions,
along with all that insulin and his pancreas,
during all of those immortal lunches.
But what I should have said was that students
worshiped him, and they said that
‘he gave me my love of learning’.
Mike, you mighty little giant.
And how I loved that you could laugh when the admin staff
tried to cut you down because they hate popularity so much.
Those blasts of laughter in your classes
frightened them and they thought you were
an iconoclast. Oh Mike.  I love you, just like all your students.
That's what I should have said about
the gifts you gave us all in
Learn, Love and Laughter 101.
This is your immortal epitaph.

Mike T Minehan
Mike Whittle and I taught together at a university in Sydney. He died too soon. He's one of those guys who made a real impact on the lives of those who met him and learned from him. He was passionate about what he did. People like Mike should be remembered and celebrated... I miss him very much, and I wish I'd told him these things while he was alive.
Lexical littorals illiterate foal
Talus and cirque shore and shoal
Iconoclast anarchy vortex knoll

****** matrix vertex peak
Semantic regalia flux and seek
Torrid allusions own and keep

Dichotomy paradox surge and swell
Primordial integumence purge and fell
Contiguity confluence dirge and knell
Reliquiae requiem show and tell

Accession assertion deliberative need
Transcendent ascension expiate seed
Subordinate ancillary exigency deed
Subliminal subjunctive sensorium seethe

Uxorious usury detinue blithe
Contiguous currency decimate tithe
Tractive proximity critical lithe
Delusory phantasm futurity kithe

Alacritous tactile acuity interstice
Accidence ambience resonance quipy pith
Scenario synopsis resilience gist
Endergonic protensive progressiveness rift
Prestissimo preterite retroactive gift

Poignant puissance piquant myth
Fable fantasticate legend list
Preternatural gesticulate proclivity pith
Propensity assimilate diabolical mist
  
******* fornicate zooidal mist
Parenthetical erudite erumpence fist
Quiescent gossamer lecherous wrist
Militant mercenary actuator aorist
repost:
existentially metaphysical retrospectively retroactive
I get off the Belt Parkway at Rockaway Boulevard and
Jet aloft from Idyllwild.
(I know, now called J.F. ******* K!)
Aboard a TWA 747 to what was then British East Africa,
Then overland by train to Baroness Blixen’s Nairobi farm . . .
You know the one at the foot of the Ngong Hills.
I lease space in Karen’s African dreams,
Caressing her long white giraffe nape,
That exquisite Streep jugular.
I am a ghost in Meryl’s evil petting zoo:
I haunt the hand that feeds me.

Safely back in Denmark, I receive treatment
For my third bout with syphilis at Copenhagen General.
Cured at last, I return to Kenya and Karen.
In my solitude or sleep, I go with her,
One hundred miles north of the Equator,
Arriving at Julia Child’s marijuana herb garden–
Originally Kikuyu Land, of course—
But mine now by imperial design &
California voter referendum.
(Voiceover) "I had a farm in Africa
At the foot of the Ngong Hills."
My farm lies high above the sea at 6,000 feet.
By daybreak I feel oh, oh so high up,
Near to the sun on early mornings.
Evenings so limpid and restful;
Nights oh, so cold.
Mille Grazie a lei, Signore *******!
Andiamo, Sydney, amico mio.
Let it flow like the water that lives in Mombasa.
Let it flow like Kurt Luedtke’s liquid crystal script.
We zoom in. We go close in. Going close up,
On the face of Isak Dinesen’s household
Servant and general factotum. (Full camera ******)
Karen Blixen’s devoted Muslim manservant,
Farah: “God is happy, msabu. He plays with us…”
He plays with me.  And who shall I be today?
How about Tony Manero for starters?
Good choice. Nicely done!
Geezer Manero:  old and bitter now,
Still working at the hardware store,
Twice-divorced, a chain-smoker,
Severely diabetic, a drunk on dialysis 3 times a week.
Bite me, Pop:  I never thought I was John Travolta.
But, hey, I had my shot:  “I coulda been a contenda.”
Once more, by association only,
I am a great artist again, quickly made
Near great by a simple second look.
Why, oh God? I am kvetching again.
I celebrate myself and sing the
L-on-forehead loser’s lament:
Why implant the desire and then
Withhold from me the talent?
“I wrote 30 ******* operas,”
I hear Salieri’s demented cackle.
“I will speak for you, Wolfie Babaloo;
I speak for all mediocrities.
I am their champion, their patron saint.”

Must I wind up in the same
Viennese loony bin with Antonio?
Note to self:  GTF out of Austria post-haste!
I’ve been called on the Emperor’s carpet again,
My head, my decapitated Prufrock noodle,
Grown slightly bald, brought in upon a platter.
Are peaches in season?
Do I dare eat one?
I am Amadeus, ******, infantile,
An irresistible iconoclast and clown.
Wolfie:   “I am called on the imperial carpet again.
The Emperor may have no clothes but he’s got a
Shitload of ******* carpets."
Hello Girls: ‘Disco Tampons!
Staying inside, staying inside!
Wolfie: "Why have I chosen a ****** farce for my libretto?
Surely there are more elevated themes . . . NO!
I am fed to the teeth with elevated themes,
People so lofty they **** marble!"
Confutatis maledictis,
Flammis acribus addictis.

So, I mix paint in the hardware store by day.
I dance all night, near-great again by locomotion.
Join me in at least one of my verifiable nine lives.
Go with me across the Narrows,
Back to Lenape with the wild red men of Canarsee,
To Vlacke Bos, Boswijk & Nieuw Utrecht,
To Dutch treat Breuckelen, Red Hook & Bensonhurst,
To Bay Ridge and the Sheepshead.
Come with me to Coney Island’s Steeplechase & Luna Park, &
Dreamland (aka Brownsville) East New York, County of Kings.
If I’m lying, I’m dying.
And while we’re on the subject now,
Bwana Finch Hatton (pronounced FINCH HATTON),
Why not turn your focus to the rival for Karen’s heart,
To the guy who nursed her through the syphilis,
That old taciturn ******, Guru Farah?
Righto and Cheerio, Mr. Finch Hatton,
Denys George of that surname—
Why not visualize Imam Farah?
Farah: a Twisted Sister Mary Ignatius,
Explaining it all to your likes-the-dark-meat
Friend and ivory-trading business partner,
Berkeley (pronounced BARK-LEE) Cole.
Can you dig it, Travolta?
I knew that you could!

Oh yeah, Tony Manero, the Bee Gees & me,
A marriage made in Brooklyn.
The Gibbs providing the sound track while
I took care of the local action.
I got more *** than a toilet seat, a Don Juan rep &
THE CLAP on more than one occasion.
Probably from a toilet seat.
Even my big brother–the failed priest,
Celibate too long and desperate now–
Even my defrocked, blue-balled brother,
Frankie, cashing in his chips at the Archdiocese,
Taking soave lessons from yours truly,
Taking notes, copying my slick moves with chicks.
It was the usual story with the usual suspects &
The usual character tests. All of which I flunk.
I choose Fitzgerald's “vast, ****** meretricious beauty,”
My jumpstart to the middle class.
I spurn the neighborhood puttana,
Mary Catherine Delvecchio: the community ****
With the proverbial heart of gold &
A backpack full of self-esteem deficits.
I opt out.  I’m hungry and leaping.
I morph again, grab *** the golden girl.
Now I’m Gatsby in a white suit,
Stalking Daisy Buchanan in East Egg,
Daisy: her voice full of money;
My green light flashing on the disco dance floor.
I, a fool for love; she, my faithless uptown girl,
Golden and delicious like the apple,
Capricious like a blue Persian cat.
My “orgiastic future” eluded me then.
It eludes me still. Time to go home again to the place
****-ant Prufrocks ponder their pathetic dying embers.
Time to assume the position:
Gazing out from some trapezoidal patch of green
At the foot of Roebling’s bridge,
Contemplating an alternative reality for myself,
A new life across the East River,
In the city that never sleeps.
I crave. I lust. I am a guinzo Eva Duarte.
I too must be a part of B.A., Buenos Aires:
THE BIG APPLE.
But I am ashamed of my luggage,
Not to mention my baggage.
It’s like that last thing Holden Caulfield said to me,
Just before he crossed over the Brooklyn Bridge,
Crossed over to Manhattan without me,
Leaving me alone again, searching for our kid sister,
Phoebe, the only one on earth we can relate to:
“It’s really hard to be roommates with people
If your suitcases are much better than theirs.”
Ow! That stung; that was a stinger.
I am smithereened by a self-guided drone,
A smart bomb full of snide antigravity,
Transformational and caustic.
My meager allotment of self-esteem
Metastasizes into something base,
Something heavy and vile.
I drop to earth like lead mozzarella.

I am unworthy, unworthy in the maximum mendicant,
Roman Catholic mea culpa sense of the word.
I am now Umberto Eco’s penitenziagite.
I am Salvatore, a demented hunchback
(Played flawlessly as a demented hunchback by Ron Perlman),
Spewing linguistic gibberish in a variety of vernaculars:
“Lord, I am not worthy to live anywhere west of the Gowanus Canal.”
By East River waters I weep bitter tears,
The promise of a promised land denied.
I am a garlic-eating Chuck Yeager,
Auguring in, burnt beyond recognition,
An ethnic trope, a defiant Private Maggio
From here and for eternity,
Forever a swarthy ethnic stereotype
Trying to escape thru a small but significant
Hole in the ozone layer above South Ozone Park,
New York, zip code 11420.
That’s right, Ozone Park.
If you don’t believe me, look it up.
GO ******* GOOGLE IT!

And I just don’t know when to quit.
So why quit there?
Work with me, fratello mio, mon lecteur.
Like you, I took the LSAT so long ago.
Why am I not a distinguished American jurist
Asking the one question that seems to be on
Everyone’s eugenic lips today:
“Aren’t three generations of imbeciles enough?”
I am Charly from Flowers for Algernon,
A slow learner with a push broom, swept up in
Some dust from Leonard Cohen’s cuff.
Lenny: a grey-beard loon himself now, singing
“Hallelujah” for fish & chips in London’s O2 Arena.
“Suzanne takes you down, Babaloo!”
At last, I am Jesus Quintana—
John Turturro stealing the movie as usual--
This time in a hair net and a jumpsuit,
"Made of a comfortable 65% polyester/35%
Cotton poplin, you can even add your own
Ribbon leg trim and monogramming
For just the right look to be one of
The Big Lebowski’s favorite characters.
Mouse-over the thumbnail below to see our actual style
(Color must be purple). Style #: 98P, Price: $55.95. On sale: $50.36.www.myjumpsuit.com."
Fortunately, I am a savvy marketeer:
I understand the artistic potential, the venal
Possibilities of product placement. Go with me
To that undiscovered country.
The humanities uncorrupted till now by
Crass gimcrack television ads. That’s right:
******* commercials smack dab in the
Middle of a ******* poem. Why not?
Great literature has always been about
Selling something, even if only an idea.
Hey, **** me, Herman Melville!
We both know the publication costs of
Moby **** were underwritten by the tattoo artists &
Harpoon manufacturers of New Bedford,
Matched by a small research grant from some
Proto-Greenpeace, Poseidon adventure in some
Great white whale-watching swinging soiree.
Murray the ******* K, pendejo!
At last, I am The Jesus, a pervert & pederast,
According to Walter Sobjak—another post-traumatic
Post Toasty, like me, still out there in the jungle,
Still in love with the smell of ****** in the morning.
My bowling buddy, Walter, comfortably far to the right of
The Dude, and Attila the *** for that matter,
But who gives a **** if Lenin was The Walrus?
(“Shut the **** up, Buscemi!”)
“Once you hang a right at Hubert Humphrey,”
Said the streets of 1968 Chicago,
"It’s all ******* fascism anyway.”
That creep could roll, though, and as we know so well:
“Nobody ***** with The Jesus.”
Can you dig it, Travolta?
I knew that you could!

INCOMING!
I just heard from an old girlfriend who is miles away,
Teaching school in Navajo Land.
The Big Rez:  a long day’s interstate katzenjammer,
A Route 66 nightmare by car, but by email,
Just down the block and round the corner.
I had previously closed an email to her with a frivolous
“Say hello to my stinky friend.”
It was a total non-sequitur, an iconic-moronic,
Ace Ventura-mutant line from Scarface,
Which may have meant–in my herbal lunch delirium—
That she should say hi to some mutual acquaintance
We mutually loathe, Or, perhaps an acknowledgement that she–
My surrogate Cameron Diaz–has a new **** buddy,
Of whom I am insanely jealous.
Or maybe it was a simple Seinfeld “about nothing.”
Who knows what goes on in that twisted *****’s head?
She spends the next two hours in a flood of funk,
A deluge of insecurity.
A veritable Katrina ****** of self-consciousness,
Interpreting my inane nonsense in terms of vaginal health.

Hey, you want to ruin a woman’s day?
Tell her, her **** smells.
Nevermore May 2014
They called me an iconoclast
Blessed
With a templar-like fervor,
Fueled by my devotion
To the intangible potentate, Logic --
Omnipresent, omnipotent.

But how could I be?
Not with Katarina and Bianca
Still resting in grottoes.
Not when I still stop by now and then,
Meandering in from my countless excursions,
Traipsing about in my mind,
To leave a few trinkets
And light some candles
And maybe a murmured prayer.

Those snapshots of memory
Revisiting me on rare occasions now,
But not a moment of recollection goes by
Without remembering
Katarina
Writhing beneath my grip,
Her slender fingers entwined with mine,
Or Bianca
Enclosing me in her warmth,
Her gnarled hands reeking of cigarettes.
Their I love yous, I like yous,
Whispers and kisses,
All branded on my skin.

No, sir.

Label me not
As one,
Not when I still keep their memories
On a pedestal,
Not when I still heave sighs
Of longing and fondness
To herald in nostalgia
And its hangers on,
Regret and despair,
However blasphemous.

An iconoclast I am not.
Anything but.
Revile me
For exalting heretics.

I deserve the rack and the stake
For becoming
Just as much a heretic
As the ones I was tasked to condemn.
“Cold…dark, January no doubt. Crystallized gasps hold in the air, indiscriminately juggling between transparency, and opacity. Inhale and cringe as the stifling breeze moves deep, penetrating bone. Shell shocked in a state of disarray, wheezing, and coughing, as the cruel chill proves too much. Hold fast, buckling against bus stops, feeding off the warmth from sewers as they cough up hot, rancid steam. Bathing in the fumes, collecting sweat. Step out from sanctuary to discover that bitter wind that eastern wind, which carries with it a victimizing frost, designed to paralyze movements, to stagnate the course towards salvation. Stumble…fall to the blank canvas bellow, imprint on it the vague outline of the carcass, then move on, holding high, beyond that cold, dark, January.”

Blankness, complete and utter blankness, no smile, no course stare, just blankness, complete and utter blankness.

“Does anyone have any questions or comments? No? All right, you may take a seat Mr. Ryier.”

Is it mockery? Am I the victim of some vast highbrow jest? Is this a period of intentional silence, one designed to brew up this self-doubt roaming about my mind on a destructive and wholly unnecessary cycle?”

“Next up…we have, Mrs. Kennison, reading another poem, I believe. Is that correct?”

“Yes Mrs. Fiordine, It’s called Grasshoppers.”

“Wonderful title, but would you please head to the front of the class to start. Mr. Ryier, did your…piece, have a title?”

“Yes ma’am, ‘Incendiary Delusions On The Effect Of A Cold Temperament’.”

“A bit wordy. We’ll go with cold, dark January. Pay attention now though, Mrs. Kennison is about to begin.”

This woman, this mentor, whose name I can, but won’t recall, I loathe her, and the ability she fosters not just in herself, but others. That thing that has her speak falsehoods with a smile, and to act pleased when riddled with agonizing pain. A monstrous creation she is, and just as Dr. Frankenstein, she yearns for the day when she can cast down her aspersions onto a vacant shell before here, breeding her cruelty into the hollow mind, knowing one day it will come forth, a wholly more monstrous creation, destined to march along a dotted path, until coming across their own pupil, or kin.

“Grasshoppers…they hop…hop right along, in and out of my life, just like David. David, that man I loved, that fleeting hopeless soul, that 28 to my 16, that hold me down, take my pristine, that tie me up, finger licked clean. Where, why, how could you be born with wings, why could I not tether you, or lock you in a cage? David, oh David, my fleeting grasshopper.”

Them, they show excitement, applause, ragging applause. Me, I’m stuck debating the poetic merits of statutory ****, and the indignant need for teenage girls and boys to listlessly portray their life and love as some haphazard, poorly assembled recreation of a renaissance era romance. True love is dead; it died when you let a 28-year-old finger your *******.

“What a stupendous piece Mrs. Kennison! Evokes such images in the mind. Provoking me towards an entangled and banned place of thought. Truly stupendous.”

I want to hit a woman for the first time in my life. Should I? No doubt I shouldn’t. Still, temptation has a way of overwhelming logic. Clenched fist…white knuckles, second thought, dropped hand.

“Best of the day, no doubt Mrs. Kennison. Clear you knew what you were doing. Are there any questions, comments? Yes, Mr. Unner?”

“I believe the piece had a lot of merit. It was clear that this poem, in particular, had a sense of clarity…I guess I’m trying to say I liked it. I liked it because it seemed you knew at least where it was going, and what it was going to be.”

Try harder perhaps, she’s be bound to fall right into your lap, light up with a playful squeeze, bow down, and suckle from her knees. Delusions of enlightenment at the realization of a hardened ****, stuttered compliments of a flirtatious nature, elevating a worthless stock. Holding a vigil to a fictional ****** locked in-between the realms of fantasy and ****, negligent minded to the forthcoming, inevitable scorn.

“I don’t agree, to me, the piece seemed as though Beatrice was trying to perpetuate the delusion men have of being able to break a naïve, young girl’s heart.”

“Superb point Mr. Arden, though it isn’t up to the artist to define the message, that responsibility lays with the reader.”

The girl, Kennison, this newly appointed poetic iconoclast, she breaks her proud stare with the teacher, and glances over at Mr. Arden, Ralph, with a doting look. Mr. Unner, Charlie, not happy with this, not one bit. His heart was broken; he had fallen in and out of love in less than 30 seconds.

“Another comment from Mr. Unner, what is it you have to say?”

“I retract my earlier statement, it was foolish. I hadn’t gone deeper than surface level. The poem is nothing, it’s a forgery mimicking the talents of someone gifted, someone capable of writing something of worth. What we have here is a case of blonde hair, crooked teeth.”

“Charlie!”

“Mrs. Kennison, please, you must stay calm during a critique, Mr. Unner has his right to an opinion. Mr. Arden, something to add?”

“Yes Mrs. Fiordine, I believe what we actually have here, is a brilliant piece, something so wise, so grand, that it goes beyond second, third, forth glance, it transgresses the boundaries of scholastic worth. It is an insurmountable achievement.”

“I’m sorry Mr. Unner, I know you’d like to make another comment, but we simply have too many pieces left to go. Time just won’t allow for it. Please, take your seat Mrs. Kennison.”

Marching casually, soaking up complimentary looks like *** and candy, the anointed artist holds high, perched on her plateaued vanity. Contemplate laying down a foot in the isle. Disrupt the whole parade. Good will holds me back; move on as the teacher gets things on track.

“Mrs. Enid, please, go forth and delight us with your work.”

The girl walks up, hunched, biting her lip raw. Tremors, pulse through her like shivers, sporadically giving her movement odd twinges. She stands, before her peers, terrified by their eyes, holding on the cusp of cruelty. She feels ugly. She looks ugly.

“I’m here, though vision may not allow for it. Take me in, wholehearted, in a look, in glance, just don’t glare. Don’t beat me down with your beady eyes, holding me accountable for your own lack of vision, believing my person, my appearance, to be some misfortune cast onto you. It’s my damnation. It’s my curse. I struggle with it; you just need to avert your eyes. Is that what I’ve become though, someone to look away from. If so, hold me accountable, **** me for my looks, scorn and belittle me, just glance my way, and don’t treat me like I’m not in the room.”

“Amanda, that was really great. A great poem. Now…questions comments. Yes, Mr. Arden?”

“Boo…go weep yourself to sleep, dreaming about what it’d be like to not look like a monster.”

“Charlie!”

“I’m sorry Mr. Fiordine, but her face, and the ugliness carried on it, that was all in her poem. I think that makes it fair game.”

“Any other comments…”

“Boo…”

“Please, stop, whoever did it. This is not the place for such cruelty.”

There it was, the teacher’s out. The avoidance of on property bullying, through the acknowledgment of not an end to the torment, but rather a delay, it was brilliant…in a cowardly sort of way.

“Amanda, you may take a seat…would anyone else like to share?”

Clumsy, her feet seem to stick together as she makes her way towards the desk in the back corner of the room, away from people, away from the windows, away from the light. The hierarchy notice, they’re weary of her positioning, fearful of the dreadful, inevitable fall from grace, a fall which would bring them to that place, the spot at the back of the room, where no one goes, and no one looks.
It sits there, at the back. No one knows whose there, whose listening. They just know the occupants aren’t wanted.
A young man stands before the class; he speaks from a page in a monotone voice, barely accentuating his alternating rhyming scheme.  There’s a stop, people screaming. A trail of blood pooled up in a low in the floor, it’s origins lie with Amanda, in that space at the back of the room, that place no one looked, no one wanted to go, that cold, dark, January.
Filmore Townsend Jan 2013
i am a survivor, i am a scavenger, i am a man with
no shame. i am an artist, i am a writer, i am an
iconoclast. i am a lover, i am a creator, i am a
destroyer. i am quality, i am worthless, i am absence.
i am man, i am conqueror, i am world-ender. i am an
addict, i am old, i am wizened. i am free, i am
young, i am unnurtured. i am secret, i am becoming,
i am a wreck. i am a shadow, i am oblivious, i am
obvious. i am obscene, i am abhorrent, i am hidden. i
am a seeker, i abstain – i am a liar. i am a deceiver, i am
an actor, i am unknowable. i am entirety, i am
citizen, i am insolence. i am thought, i am concept, i
am revoked. i am wanderer, i am thoughtless, i am
lost. i am undying, i am inured, i am fleeting. i am
alive, i am mythologized, i am end. i am a thief, i am
a monster, i am alive. i am a philosopher, i am a
thinker, i am superfluous. i am good, i am evil, i am
unaligned. i am pragmastic, i am irrational, i am
common sanity. i am emotional, i am withheld, i am
interred. i am new, i am ruined, i am interregna. i am
proper, i am erased, i am discrection. i am sought, i
am not, i am simple. i am somnolent, i am erratic, i
am errancy. i am abstinence, i am uncontrolled, i am
the world. i am fraught, i am emptiness, i am
humanity. i am dandelion, i am magnolia, i am an
albatross. i am talent, i am intelligence, i am
fettered.    i am here and now, i am then and when,
                     i am done.
i am malice, i am harm, i am self-destruction.
i am a fighter, i am encephalic, i am lost.
i am alone, i am alive, i am free.
Lawrence Hall Jul 2021
Lawrence Hall
Mhall46184@aol.com  
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

            If Everyone is an Iconoclast, Then There are no Iconoclasts

They pose as ever-bold iconoclasts
Though they never met an iconophile
And do they even know what an icon is?

Icons are flat; iconoclasts are flatter
A poem is itself.
Justin Aptaker Jun 2019
i made supplication
to my heart
to my very heart

thudding and flopping
chambered
apart

i prayed to the flesh
how the spirit gives way
i set up my altar
i found beasts to slay

i asked only that
the beat would go on
my glistening, grinding
red ***** song

but the flesh made no answer
as if by design
the Universe tune
is ever so fine

i smashed up my idols
i burned up my books
i cast to an early grave
the high and proud looks

and the Universe met me there
and It said, “I’m Alive”
and It beat like a steady heart
that was keeping good Time

and It entered pact with me
a civil cease-fire
after It had destroyed me
and a new breath inspired

i’m cutting my ties again
i’m burning those old bridges
around the world and home again
i’m making decisions
Written by Justin Aptaker ca. 2011 - 2014
When the west moon tilts and goes on the wane
Becomes a dying streak on your windowpane
Your frenzied sleepless mind breaks in roaring lust
To hammer the unyielding night into powdery dust!

All else but you in slumber dwell
Your rebellious thoughts burn hunger’s fuel
To pry out from darkness fading treasures of night
Dig them intact and bring them to light!

You could buy peace and live within norms
Bathe in moon’s kiss stay away from storms
But a ****** madness in you wreaks havoc
You nurture it, allow it to run amok!

Past the ebullience of night your furies vaporize
Can’t hold back the transience, stay in poet’s disguise
The dawn would devour it for transform you it must
To conventional sanity from the garb of an iconoclast!
ConnectHook Sep 2015
Rebellion – for too long the status quo,
is, in our day, a predictable show.
Antichrist irony, absurdity
shockingly daring incongruity
no longer shock the bourgeois, you know…

Alone in the temple of glass with a rock,
you’re out of traditional symbols to mock.
Surrealists did it much better than you –
and it meant a lot more in ’32.

You chew your cud on the cattle-wagon
overused shock-tactics (moo ! ) now draggin’
(or herding) aboard the iconoclast train
(b)lowing through boxcars your bovine refrain:
“to, um –  make people think…”  Oh Lord, how uncouth.
Nihilist narcissus – tell me, what’s Truth?
Must creative always be subversive?
I discern, in your frenzied discursive,
a dull and predictable lack of life.
While you brandish that plastic butter knife
I  seem to note, in your constant ******,
dearth of artistic ability.  Must
bohemian acolytes (some yawning)
ever be deer in the headlights, fawning
before the ironic gesture? It’s sad;
the bitter is sweet but the art is bad…

They circle hors d’oeuvres on opening night
like moths around white wine in candlelight,
cerebrating in a modernist void:
contemporary aesthetes, overjoyed
to know once more that life has no meaning;
the planet is doomed; that kings are queening;
that chic just arrived, escorting philosophy
(Forgive us, Duchamp, for all this monstrosity).

I long for Hudson River School sunsets
Old Dutch Masters, religious art, portraits,
Red, green, or black propaganda-art?  NO !
The view does not merit the price of the show.
I’m dada-ed to death, beyond the surreal.
Conceptual gimmicks have failed to conceal
your want of ability, values, and faith
In the book you despise it is written: “thus saith
the fool in his heart: that there is no God…”

You: Postmodern Art – **to the firing squad!
http://tinyurl.com/ogn6354

  ► ¡ BANG !
Kat Aug 2018
How could your heart ever long

for anything but a love beyond the archetype?

love me, and you will forget the opposition

between want and need.

razor cutting flesh

while you go on searching for words to make it less mythical,

a ritualistic dance between aversion and marvel,

with love left to bleed out like a helpless deer.

there is music, songs of

sin and sacrifice

the great city burned to ashes,

by flames of pleasure that wreck deliberately.

We sit in the ruins

of what once used to be a ground of worship,

merely human,

with nowhere to come home.
nothing to write home about
Steele Jun 2016
I see my reflection
in the bright stars
of the wide night sky.
I'm walking up a five-step
staircase, hoping that
when I leap off it I can take flight.
I want to be an eagle.
I want to be free.
I want to spread my wings
and fly high,
living above everything.

I want to be a skinny
punk rocker, head-banging
my life away.
I want to trip on
drugs for a couple
of years for absolutely
no reason.
I just want to dance
and write clever
poetry and be seen
as an iconoclast.
An intellectual rebel
who nobody agrees
with, but who everybody
respects and looks up to.

I want to be homeless
and spend my days
walking from place to place,
just wanting a piece of bread
to eat each day.
Just that is enough.
And I'll have no-one to
answer to.
No-one whom I need
to respect or care about.
I can just go wherever
I want and do whatever I want.
Of course I'll be scorned
and rejected by society
because of my
foul appearance
and lack of initiative,
but who the **** cares?
I'm already in that boat,
the only difference is
that I have the money
to keep clean and tidy
and I have a job,
so I'm classified as a
'productive member of society.'
So people don't actually
like me any more than
they like a hobo,
but there is a sense of
mutual respect.
But it isn't real respect
because real respect is
based on feeling respectful
towards someone.
This 'mutual respect' was
taught to us as a means
of getting along
with other people.
So it's premeditated.
Meaningless.
"I respect you because
I've been taught to do so.
But, if I could, I would tell
you what a **** I think
you really are and send a
big old *******
right your way."

I want to be one of these
extremely rich, young
celebrities with a
reality show on TV.
I want to know what
it's like to be as shallow
and ignorant as these people
and just not give
a **** about anything
except my
20-thousand dollar
birthday parties
and my own boat
and how much
I'm going to drink
when I go out
and which hard drug
I'm going to
experiment with next.

I guess what all these things -
the eagle, the iconoclast,
the homeless man and
the rich celebrity - have
in common is that
they all have a high
degree of freedom.
That's what we're all
really searching for,
isn't it? Freedom.
True, unchained, limitless freedom.
© 2016 Sebastian Glyn
Brett Jul 2021
Hope here is dead. Man in a box, Cobain in my head.
Court me some love and spin on my throne,
Of brittle remorse.

Sick in the womb, the silver spoon pollutes.
Tiny tadpole in the pool, grows to patrol the Black Lagoon.
Devouring the newt it once knew.

Fearful men, conceal their worries, in tall tales of courage.
Ironclad, Iconoclast. Kings and heroes alike,
Plant their flags in fields of ash.
Jeremy Lowry Nov 2016
I'm just like an angel that never had wings, an angel that got forced fed while tied to a cross of hate. I see the mystery soul, taking control. I simply hear, no sounds so familiar. Self chosen alone, isolation-iconoclast forming inside a broke heart. Breathing no more. Truth, one separates life and death. I'm missing, chose to leave. Just one dot on society of misery. A ripple upon the water of life, I sit there PTSD ****** me through the *** hold of my *****. It burns like some sexually transmitted disease. Over and over they whip me with words and judgements. Lashing at my flesh and emotions. I cry no more. I abuse myself to their satisfaction.
My sweetheart my crazy naughty stranger
I am really impressed by your style and candor
My heart is in search of your beauty to capture
With your enchanting beauty let my love conquer

Your sweet smile has taken me on and away
You are a streak of light ,a little beam and ray
Really you are my destiny my dawn of the day
I do not have words how I praise and what to say

But let me assure you that the moment I saw I lost
You are so graceful so sweet like wonderful host
With you smile what ever comes in way you blast
For you I am deviant ,heretic and the iconoclast

With out you I will not be able to live to survive
You are green ocean of beauty let my love dive
My every step is for your sake to get and to strive
Let me be yours and you be mine o not deprive

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
Luka Love Feb 2011
We need to talk, she said at last

Her perched up high and holding fast

Like some towering iconoclast

And I bowed to her whim



She looked me up and down and then

She threw a fist under her chin

Cocked her head and to begin

She said “Well, I’ve been thinking”



I sat and let her thoughts collect

My silence somewhat circumspect

No words for fear they would inflect

And belie my position



A million possibilities

Of personal fragilities

A lack of sensibilities

An abject lack of tact



An endless scroll of mournful songs

The devil’s list of total wrongs

Small evils gather by the throngs

Just what is it I’ve done?



Or maybe that’s the problem here

It’s not mere acts that cause my fear

For the ills I own are not so clear

It’s the fault of willed omission



Have I not noticed something change

Or left things fester like a mange

Priorities to rearrange

Oh so much left undone



And in a moment she begins

To load upon me my grave sins

Just think of all the dreadful things

Resign me to my fate



And then her lips begin to move

Her voice a breathy open louvre

Her words of silk are just as smooth

“I think we need a cat”



*~ L. Alexander Carlé
JP Goss Aug 2014
The hollow I am, habit, cowl of the sky, hand
Of the holy, mouth of the most high witnessed all
The bloodshed of the children He should love. A bullet
To the infidel set to flight, bore the dove. I
Don’t know what it was that inside me died, at the
Sermon in the woods, they were preaching in the dirt
It was faith in silence made the good man convert.

Bore the holy cross, they would bear the holy sword
Those defamers of His name, smoking sacred an
Offer to Adonai, the poor lamb they had lamed.
Christ wept, held his face littered by the holy man
‘Till he disappeared from vision became just an
Ordinary man, to walk in the valley of death.
I took from my shoulders the weight of debts past on.

Centeries’ share of ghosts of the ****** lived and died
Like this iconoclast and I blazed on that path,
Now penitent for everyman for all the love
That he may bring is surely shame to everything,
And to all by it abide. I shall revere no
Holy man nor the love he cast aside nor He
Who allowed the righteous to bear His name in vain.
s u r r e a l Jul 2016
but fools only relish!
the psyche in which we perish!
hatred buried so!
and burned within merry lore!

for are they not,
the sane within the in?
and the in amongst the sane?
and the in of the sane--
which in here will truly reign!

like this, there, and, that?
and which, where, and what?
and spit, spat, and sput,
through here, hear, and hat?

brothers and sisters of spitting scholars!
we sing in two, to, and too!
with be, bee, and bat!
to this, there, and that!

easy to know--surely so, surely so!
the sane within the in--in the inn iconoclast's igloo!
"for what if the in shared the inn amongst the sane?"
"and the sane melted and blurred tongues within the in?"

what troubles your mind? what minds your troubles?
did you not know we live in the inn within this, there, and that?
and the which, where, and what all share one lobe!
for this is for the truly sane within the in,
and in inn of sane!

it shakes us!
like nails bitten in two, to, and too!
and mends us!
like dresses, treading thru, threw, and through!

might, in greatness, we rest, in base
eating bass--knocking bass!
for it is one-- nice and tight!
as the sane dances with--within the in!
in the inn of linen and tin,
for there is nothing greater, than the knowing labor!

and the world spins,
in and of the inn,
of the sane within the my,
and the in of the sane,
in which noose you and I tie,
and lie,
and die,
to again yearn for the sane within the I.
For we are truly the inn of the sane.
Ottar Apr 2016
This will land like focaccia,
Like the careless 'forgot ya'!

And a man will stand while staring in, through the coffee shop window, going off glossolalia.

The ebullient cashier trainee
remembers every name and mixes up almost all the orders
for coffee,

Cars are lined up for the drive-
through, their voices sound like
didjeridoos, in the ears covered
by single cyborg clip-ons

headset taking orders.

The ****** iconoclast, Street person, bows to the ground, hat off his head, as he prays to the cigarette holes he made in the EXIT sign outside,

his hat remains empty, as each car that whips up the wind that tumbles the receipts tossed egregiously at him, like leaves in the Fall,

While the cruciverbalist sits in the corner in the only soft seat, finger pecking her keyboard while stares at the line and sips her chai tea,

lagniappe of chocolate stashed,

away in her voluptuous bag,  the beleaguered barista has cups lined up over the transcendental horizon,

and she can't wait for her break
so she can eat with Olio Nuovo
olive oil, and Selection Artisan
ged balsamic vinegar, she brought
to dip, her focaccia bread in,
which she forgot almost,
on the counter at home.
From a few days back, posting to HP IG an WordPress, takes more time away from poetry...
spysgrandson Nov 2013
I am the age at which you died
no comely pictures immortalize me,
though I am not washed white with time
like you

a lone silver streak stripes my chin

many would say
you were too sensitive for this world
thus rushing your years
and guiding the barrel to your mouth

I would pit my pain
against your Nobel torments any day
if such things be a contest,
what is not, though
a rabid race to the grave?

but who would really win?
for your mother’s madness did not leave you
skittering around like a cat on a hot tin roof
and your father’s anvil hands
did not leave scarlet letters
on your skinny legs

excuse me then, if I don’t
grant you a capital letter in your name
excuse me if I don’t applaud your time in the ring
or say bravo to the iconoclast
for your sparse use of words
(though, “for sale, baby shoes, never worn” was…perfect)
excuse me if I don’t think your readable feasts
should be on everyman’s menu

you were but a man
who drank and ate and fought and ******
until you could no more and decided there was nothing left
I respect your triggered choice and do not call it craven
but janitors aren’t made legends
they just clean your brains
from the floor
Magic is in the air which shows you are in the area
My love this is nothing but your presence and aura
Your charms and graces are culminating on  aroma
This is enchanting beauty which gives to love inertia

I can feel you in my room just like a rose to bloom
Your soothing image dances this is what I presume
I am in trance, lost with you in past  let me resume
I can feel petals of rose and caress without costume

My passion has arisen my my emotions are to blast
Our ship is in the violent ocean and you are the mast
My sweetheart my love I will get you just at any cost
I am not only staunch love but I am also iconoclast

Embrace me and then forget never leave me to rivals
Let me taste the apples of Eden let be innocent angels
Light is blooming in us we are like burning candles
Our extreme love just sizzles and makes both rebels

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
Effie Jun 2013
You are alive
Yet not at all, it seems
As though you are of living dead
A skull with a beating heart

Dreams of death, despair, decay
Surround you in your passings
I feel them as you go on your way
And look on with helpless wonder

How did you create yourself
The way you are
Born from golden promise.
Now known as the ruiner of tradition,
An iconoclast of her own
In the negative connotation.

You are elusive
Futile
Miserable.
Each breath you take should be
A nicotine filled dream
For why breath free if you're already dead.

I encourage you no more to live,
I ask you to relent
You're strangled by the joy of life
And happiness is your cancer.

Goodbye, once friend I knew so well
I know you no more and
For that I say
Goodbye to the living dead.
The moment I saw you I am lost
Your attitude makes me iconoclast
You rejected my love being too fast
You with rival wants me to blast

I know my innocent love is at stake
Your so called attitude makes it fake
But I am not ready to let blame take
I can ignore all this for my love sake

Let me tell you pain made me brave
Now I am ready to take way and pave
Under odds I will be able to protect, save
My heart, my spirit and be able to crave

With my invigorated spirits I can I will
This agony of love taught me that skill
Your rejection became as a strong pill
Now I can encounter up any high hill

Col Muhammad Khalid Khan
Copyright 2015 Golden Glow
When lunacy takes me to path so steep
In trance let me take just a step to leap
It has become in love difficult to keep
Myself to me but at a glance to weep

I am no more me but a particle of sand
My frequency is lost I have but no band
This is my style you can call it my brand
Can beauty go with love hand in hand

Beauty is fire and love is to play and blast
This is what is considered as just outcast
In my pursuit I am so serene but just fast
Do not call me heretic I am but iconoclast

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
Vernon Waring Jul 2015
We are assembled here
this May evening of 2006
to celebrate our own
Leading Lady of
American Letters.

The tall, slender author,
her classic looks
so reminiscent of
ladies in an elegant
Victorian era salon,
reads one of her
earlier short stories
at the Free Library
of Philadelphia.

She speaks with such
feeling and precision,
we close our eyes
and envision her
youthful heroine's
anxiety and naivete
in that familiar setting
of an upstate
New York town.

Later, in another room
of the library,
I will meet her
too briefly at a
book signing.
She stands to greet me,
smiling so pleasantly
and asks, "What do you do?"
in the friendliest way.
I reply "I'm a
proofreader," somewhat
embarrassed at my
flimsy Dickensian
credential.

This was my own
personal brush
with greatness
and I find myself
tongue-tied with
hero worship.
She is gracious
and fragile, exquisitely
feminine and warm and
I would learn I was
not the only groupie
in the library throng
that evening -
a multitude of fans
lined up to meet
the literary icon.

Joyce Carol Oates,
as her critics
rightly rhapsodize,
is a force of nature,
a uniquely powerful
writer whose brilliance
rests not just in the
singularly American
landscapes she paints,
not just in the
idiosyncratic
characters who people
her storytelling,
but in the creation
of rich personal
moments of intimacy,
of revelation and insight;
she makes us witnesses,
eavesdroppers, to her
characters' deepest
thoughts, longings,
her voice reaches out
to us from the pages,
a voice as poignant
as a mother's in the
gloom of night,
reading to her children
just before prayers
are murmured and
sleep tiptoes in.

The path of
literary greatness
leads us to her heroes...
James Joyce, Emily Bronte,
Thoreau, Faulkner,
Flaubert, Hemingway;
like each one of these
celebrated wordsmiths,
she is an iconoclast,
an original...
unique,
incomparable,
our own
quintessential
national treasure.
ShamusDeyo Apr 2015
The Wrath of craven Masses Arise
All hunting for the Sacrifice
What thought or Image Should be cast
Like Books Upon the fires of the Iconoclast
As poet arise blazing Edgar Allen Poe in Eyes
Just as a raven crosses a Grave...
Searching for within whats saved
To savor the flavor of putrid Flesh
The Poet is obsessed for words to caress
Arousing his compulsive Chicaneries
And bearing a touch of Poe's Insanity


All the Work here is licensed under the Name
®SilverSilkenTongue and the © Property of J.Flack
to most this poem will be a mystery, But I have Penned for the ones who comprehend....

— The End —