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"huxley" poems
i why don´ t they just make a machine that does our living,lily,darling, save a lot of messing.. we live all these years and then slowly our memory depletes them (though they say all memory lives within..) if we were programmed at the beginning some kind of limiting of emotion ambition etc.. alpha to epsilon brain washing soma.. *** but no reproduction endless fun order.. is belonging art gone the way sure.. simple dogma love or go love..* ii lily says love is meaningless unless we are ready to die.. who is.. would i.. i stood high to the very devil.. fall over weebil..ha.. but to die and see sun rise no more.. little bird sing in the silent dawn sweet voice eternal greeting.. blithe angel o children of the future.. messenger of the gods.. loyal gaurdian to ever and never.. outside and know a silent cosmos.. be born anew to heart be found..? *through-out the poem are references to the brilliant novel brave new world.for which i make no apology but as a mark of respect to great talent of aldous huxley..
0
Jul 29, 2018
Jul 29, 2018 at 7:40 AM UTC
why don ́t they just make a machine
Pop a few Bukowskis to set the day off right And sip a little Hemingway to keep me feeling bright Smoking on that Ginsberg, mind is opening wide Doing lines of Robert Louis Stevenson, and a Hookah full of Baudelaire Ingesting Kerouac, it feels good I swear Coleridge into my lungs, floating on thick air Shooting up some Burroughs, my literary affair I begin to lose sight of reality, taking some Cocteau Tripping with the Kesey, my life is nearly through A final hit of Huxley as transcendence I try to pursue But old Walt Whitman, is where I say adieu.
0
Sep 16, 2013
Sep 16, 2013 at 7:22 PM UTC
The Day I Overdosed
you wrote the book on being an ******* i read it twice. and i find myself alluding to it all the time. you told me the definition of high art was broke. if i wanted to succeed, i needed to trash my collection of huxley and memorize every action sequence in every jerry bruckheimer film. you based the last six years of your life on a ghandi misquote, you ripped from wikipedia. you told me love was just mankind kidding himself. only trust in what you can feel, "like ******* i wrote an article about you, i asked if you believed in god. your reply, "god is a concept by which we measure our pain." i thought that was clever. it took me 3 months to remember that's off lennon's Plastic Ono Band.
0
Jul 19, 2010
Jul 19, 2010 at 10:38 AM UTC
on being an *******
No life or death Pain or pleasure Galaxy Or Universe No more beautiful dawns or dusks No world of wonders Or anything Once we are gone. So it’s Now Boys! Attention! As Huxley said On “Island”. Live for Now. For this very moment. Stop. Let your mind go blank. Listen to your body And all that surrounds you. Breathe in the oxygen That gives us life. Admire the sky And all beneath it. Join with nature: Sapping grass and foliage The song of birds As Mummy Sparrow feeds her fluffy chick Its beak open wide Clamouring for food. Enjoy it all While it lasts. Paul Butters
0
Sep 8, 2017
Sep 8, 2017 at 5:53 AM UTC
While It Lasts
Maybe someday people will speak of a great group of logical poets. It will be a group though. Maybe a help group for the more fragile ones. Not the type of fragile you are...the type that breaks. Carry on army, and tend to your fellow army members' wounds. Maybe someday you will see that you have fake bullets. Fully automatic, with hollow points and full metal jackets You like my poem, then i'll like yours we don't have to call it reading even if yours could heal my sores mine would be all i'm needing i like your whole style of no style nothing to do with form or function you say it's not a one way street when i see you at every junction to be honest, it fills me with fear hitting like becoming my being then i will get roped into even more when less is all i'm seeing because this group is the real world, on a page, in cyberspace. My mind isn't real, because you can't see it, and it can't hit the like button for me. I must be as insane as you think i am. It tickles my pickle to see the same poets that pointed at me years ago writing the same exact poem over and over. Talking about writers block like it's real. I stick to my guns and my guns are automatic. If you have a block, you're not a writer. You are still used for building though. Building what you hate, building what i love. I know some are blocks of **** but they fertilize, at least. Thank you truly. If you hadn't kept putting me to sleep, i wouldn't have had so many awakenings. I do see the good, in blocks. One thing about a big block is that it gets cut into pieces, to make smaller blocks. Then you get mixed in with other blocks that you want no part of. I guess then, you and the other blocks just stand for that one building. You know...the 1 million square foot ranch. It has a basement, but no upstairs.
0
Oct 12, 2021
Oct 12, 2021 at 11:04 PM UTC
Groupthink is Not a One Way Street - The other side of huxley
Maybe someday people will speak of a great group of logical poets. It will be a group though. Maybe a help group for the more fragile ones. Not the type of fragile you are...the type that breaks. Carry on army, and tend to your fellow army members' wounds. Maybe someday you will see that you have fake bullets. Fully automatic, with hollow points and full metal jackets You like my poem, then i'll like yours we don't have to call it reading even if yours could heal my sores mine would be all i'm needing i like your whole style of no style nothing to do with form or function you say it's not a one way street when i see you at every junction to be honest, it fills me with fear hitting like becoming my being then i will get roped into even more when less is all i'm seeing because this group is the real world, on a page, in cyberspace. My mind isn't real, because you can't see it, and it can't hit the like button for me. I must be as insane as you think i am. It tickles my pickle to see the same poets that pointed at me years ago writing the same exact poem over and over. Talking about writers block like it's real. I stick to my guns and my guns are automatic. If you have a block, you're not a writer. You are still used for building though. Building what you hate, building what i love. I know some are blocks of **** but they fertilize, at least. Thank you truly. If you hadn't kept putting me to sleep, i wouldn't have had so many awakenings. I do see the good, in blocks. One thing about a big block is that it gets cut into pieces, to make smaller blocks. Then you get mixed in with other blocks that you want no part of. I guess then, you and the other blocks just stand for that one building. You know...the 1 million square foot ranch. It has a basement, but no upstairs.
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15
i chanced to see a tin foil car in the library parking lot yesterday the carpet, molding, side panels all removed tin foil had been duct taped on every surface that was not glass even the shift **** and the steering wheel wrapped and wrapped in tin foil a Volkswagen Faraday cage i searched the faces of the people about me would it not be obvious who would drive around in a Faraday cage listening to voices chasing around their mind tin foil car reading Julian Huxley and muttering about telepathy or reading Faraday to get rid of those nagging radio-frequency electromagnetic radiation signals in a hollow conductor but, then why leave the radio in the car
0
Dec 15, 2011
Dec 15, 2011 at 9:44 AM UTC
an encounter in the parking lot at the Hoopa town library
I'm walking laps around my apartment complex. Passing a red-headed girl with a bottle of Corona, a few Johnny Rebs talking adderall, headlights, streetlights, lighters, swirling, combining, but never providing enough bright. I'm still bearing a slight headache from Saturday night, but finally past the nausea. I spent the day conversing with Rachel's family. The domesticated, scene of warmth was a sharp contrast to the hell I put Rachel through in the waning hours of night. I woke at 9 this morning to find her barely covered in a ratty, blanket, no pillow under her ruffled hair, her eyes burnt red, asking if I was okay. I thought she was overreacting. She shoved water in my face. She said, "Drink it, ****** Like she'd tried a few thousand times before, and apparently she had, I just didn't remember any of it. She had saved me around 4. She cleaned off a death mask of filthy ***** by force. I wouldn't comply because I wasn't coherent. Tonight as I touch each crack of the pavement with my sole, the rest of the human family is pounding beer, suckling the barbeque off their pudgy fingers, and howling at a nation divided between Cheese and Steel. I'm stuck in the trough of existential contemplation. Old Mr. Huxley self-medicated with mescaline and said he discovered the "is-ness", and somehow found contentedness in "everything is". That never made much sense to me. Bukowski found god in ******* and drinking beer. Vonnegut said when god created the world, man asked what his purpose was. God was surprised, and he replied, "I don't know. Make one up."
0
Feb 6, 2011
Feb 6, 2011 at 4:53 PM UTC
Super Bowl Sunday
I'm walking laps around my apartment complex. Passing a red-headed girl with a bottle of Corona, a few Johnny Rebs talking adderall, headlights, streetlights, lighters, swirling, combining, but never providing enough bright. I'm still bearing a slight headache from Saturday night, but finally past the nausea. I spent the day conversing with Rachel's family. The domesticated, scene of warmth was a sharp contrast to the hell I put Rachel through in the waning hours of night. I woke at 9 this morning to find her barely covered in a ratty, blanket, no pillow under her ruffled hair, her eyes burnt red, asking if I was okay. I thought she was overreacting. She shoved water in my face. She said, "Drink it, ****** Like she'd tried a few thousand times before, and apparently she had, I just didn't remember any of it. She had saved me around 4. She cleaned off a death mask of filthy ***** by force. I wouldn't comply because I wasn't coherent. Tonight as I touch each crack of the pavement with my sole, the rest of the human family is pounding beer, suckling the barbeque off their pudgy fingers, and howling at a nation divided between Cheese and Steel. I'm stuck in the trough of existential contemplation. Old Mr. Huxley self-medicated with mescaline and said he discovered the "is-ness", and somehow found contentedness in "everything is". That never made much sense to me. Bukowski found god in ******* and drinking beer. Vonnegut said when god created the world, man asked what his purpose was. God was surprised, and he replied, "I don't know. Make one up."
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42
GOODBYE TO THE CIRCUS ( 'Oh! Nellie the elephant packed her trunks and said goodbye to the circus... off she went with a clumpity clump ...clump....clump... clump! The head of the herd was calling... far far away.' ) Auntie Nellie died of: drink, loneliness: & whatever... (not necessarily in that order) . And the farm that was our young days summer holidays cast her youth like so much pig slop to the squelching grunt of cow dung days moo cow lowing years until the dust collected and settled in the corners no one could reach.... Time left her like a Holy Picture high above the mantle piece. See the children take the coloured cards in their hands go play 'Fish in the Pool! ' Scream: 'Snap! ' Laugh at who is left to be: 'Old Maid! ' 'Not me! ' 'Not me! ' Time never took her hand like a lover's...touch... ... Time... ...only... ...waited... . . . for her. In her loneliness she read and re-read and lived on: Aldous Huxley's - ISLAND. She said...this said: 'Everything! ' Years, later...when she reads like a fictional character in someone's story when time no more ...mattered. I travelled to her ISLAND and touched her LONELINESS. felt her LONGING. Auntie Nellie died of: drink, loneliness: and whatever (not necessarily in that order) . ...said goodbye to the circus......calling far far away...
0
May 24, 2019
May 24, 2019 at 4:46 PM UTC
GOODBYE TO THE CIRCUS
Let me tell you what I want…. I want to read Somerset Maugham and Aldous Huxley and Leonard Cohen and Mary Oliver I want to hike bits of the Appalachian Trail and take long walks in the hills around Snowdonia I want to ride about in the DC Metro and the London Underground I want to explore small towns and big cities I want to eat lunch in quaint little bistros and have dinner at the table in my yard I want to browse through antique stores and fancy boutiques I want to play with dogs and rub their bellies I want to take long drives without a destination in mind I want to waste an entire Sunday at home talking about everything and doing nothing I want to build a fire and watch a movie I want to sit on the couch and sip tea Most of all, I want to do these things with you Don't let your addiction take this away With all the bits of my heart….
0
Sep 25, 2013
Sep 25, 2013 at 9:12 PM UTC
Please, Cate
They tell us, in school, to read all these books by great minds; H.G. Wells, Arthur C. Clarke, George Orwell, Ray Bradbury, Aldous Huxley; but, at the same time, they tell us, even if subconsciously, to ignore the grim implications coming evermore true with each passing moment of these Prophetic authors.
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Feb 10, 2014
Feb 10, 2014 at 6:00 PM UTC
Prophetic Authors
Following the bloodstains home, we tread the land with bristled soles, to cleanse the souls of the wide-eyed youth, spectacular fireworks to alter the truth, tar the land, and pepper the streets, concrete the corner where strangers meet, the placebo joy of the modern life, left vacant in the money-man's wake, a cardboard lot left to decay, oh, this is my Britain of today. The newsrooms are clinical, policies in place to reduce moral outrage, to reduce it to a hysterical mess, a cartoon-disaster of life's distress, so the public in fear, exist but not live, to fight the recession; you must give, give, give, give, your life to your freedom to live without choice, you can sign a slip, to mimic a voice and to ensure the vow of regular pay, oh, this is my Britain of today. A history of salvation, we lend heroes to established truth, we parade on corners in our concrete joy, rejoice in the miracle of the new royal boy, who shall live in fat, and live in health, sacred tender to the country's wealth, of empire and power of totalities, of stone-walled cities, and Northern breeze, the Jack tattooed on imperial flags, oh, this is my Britain of today. A stream of entertainment, how it pounds the floor in seamless sound, how it drizzles the walls in a trophy glitz, a hypnotic and false, synthetic blitz, of caffeine veins, and digital sea, of attention-span in atrophy. Wait not on thoughts, instead mind-chatter, you say “don't talk on dark topic, and keep depth away!” oh, this is my Britain of today. Following the apathy home, I tread the land in heavy-worn soles, to cleanse my soul of restricted air, to dream of travel, to fortunes fair, but in this bliss of a greener grass; it is for Britain I hold communal mass. For each Blair, I know, is a Rupert Brooke, each levelled city, there's Wilfred's book, or some Dickensian dream of caricatured past, where only tyranny is built to last, for each liberty taken, is Huxley's piece, is Lessing's thoughts and Shelley's release, and the meander of Avon through grey rain, adds desperate poetry for the lives still slain, so we can live in peace, and in sugared tea, with red wine lips on the periphery; in those day's hard living, in those days' worth spent, with only a book and blood descent, the community dances in the advent of May, oh, this is my Britain of yesterday.
0
Jan 25, 2014
Jan 25, 2014 at 12:44 PM UTC
My Britain
Following the bloodstains home, we tread the land with bristled soles, to cleanse the souls of the wide-eyed youth, spectacular fireworks to alter the truth, tar the land, and pepper the streets, concrete the corner where strangers meet, the placebo joy of the modern life, left vacant in the money-man's wake, a cardboard lot left to decay, oh, this is my Britain of today. The newsrooms are clinical, policies in place to reduce moral outrage, to reduce it to a hysterical mess, a cartoon-disaster of life's distress, so the public in fear, exist but not live, to fight the recession; you must give, give, give, give, your life to your freedom to live without choice, you can sign a slip, to mimic a voice and to ensure the vow of regular pay, oh, this is my Britain of today. A history of salvation, we lend heroes to established truth, we parade on corners in our concrete joy, rejoice in the miracle of the new royal boy, who shall live in fat, and live in health, sacred tender to the country's wealth, of empire and power of totalities, of stone-walled cities, and Northern breeze, the Jack tattooed on imperial flags, oh, this is my Britain of today. A stream of entertainment, how it pounds the floor in seamless sound, how it drizzles the walls in a trophy glitz, a hypnotic and false, synthetic blitz, of caffeine veins, and digital sea, of attention-span in atrophy. Wait not on thoughts, instead mind-chatter, you say “don't talk on dark topic, and keep depth away!” oh, this is my Britain of today. Following the apathy home, I tread the land in heavy-worn soles, to cleanse my soul of restricted air, to dream of travel, to fortunes fair, but in this bliss of a greener grass; it is for Britain I hold communal mass. For each Blair, I know, is a Rupert Brooke, each levelled city, there's Wilfred's book, or some Dickensian dream of caricatured past, where only tyranny is built to last, for each liberty taken, is Huxley's piece, is Lessing's thoughts and Shelley's release, and the meander of Avon through grey rain, adds desperate poetry for the lives still slain, so we can live in peace, and in sugared tea, with red wine lips on the periphery; in those day's hard living, in those days' worth spent, with only a book and blood descent, the community dances in the advent of May, oh, this is my Britain of yesterday.
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65
aldous huxley told me twice, 'that men do not learn very much from the lessons of history is the most important of all the lessons of history,' both times i put my pen to the page and re-read what he had said until i thought i understood today i watched big fish and thought of spectre longer than i probably should have, where is it that i arrived before the road was paved to bring me there? when will i return? i know i don't need to figure out timing because that's what fate's for, but with a wild wandering mind it's difficult to detract senseless what-if's from buzzing about in my brain tonight i delete excess and make plans to live a life that doesn't declare ignorance of what preludes each step taken, tonight i find sollace in full moons and figure if there's anything i've learned thus far, it's just as aldous said, live life as if you've learned something
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Jun 24, 2013
Jun 24, 2013 at 12:49 AM UTC
lessons
"The realization                                 not the knowledge, for this wasn't verbal or abstract,          but the DIRECT, TOTAL AWARENESS, from the inside, so to say, of LOVE as the primary & fundamental cosmic           FACT. I was this fact; or perhaps it would be more accurate to say that this fact occupied the place where I HAD BEEN." Aldous Huxley, English writer, died 1963. A quote respectfully, deeply so, arranged on the page by Martin B.
0
Mar 25, 2017
Mar 25, 2017 at 11:37 PM UTC
L.S.D.
"I ate civilization. It poisoned me; I was defiled. And then I ate my own wickedness." - Aldous Huxley i let my head hit the brachiaria. cyan sky rolled past, and it seemed to me as if my past itself was dragged out of my body, excorcised and pulled up and traveled with the sky's current the sky is moving, impossible and slow. the clouds jog with a rush. sometimes i think i have never felt at all with my year ****** up, on their way to Mongolia or Philadelphia, I tried to desperately recall sullied at the thought i couldnt. I thought about how i always embarrassed you in public how i'd turned into an embarrassment at this point in time my pure innocence that flowed in the past gently uncomfortably shifting and wondering how certain things felt i don't know manhood devoured me like an apple. in the garden i walked tried to spot all the perennials and i did and i thanked mankind for taking up the habit of finding wild plants bringing them into our lives i see a sign, the museum is holding an exhibit on british pastorals and hellscapes i tell her we should go. she agrees walks across the street to buy a wire. my blood ran down my body onto the linen Egyptian cotton like the princesses who married at 14, at 13 i laughed when they asked me to go the square and at 15 i felt it my responsibility. the fetid collapse of my sincerity and my serenity flowed through my being patrolled round my purity like a culpable sentry i closed my eyes and i felt the sheets heavy with plasma i blinked and everything turned to burgundy the subway grates licked at my ankles the poplar and elms in firestone laughed at me, who had so eagerly held on to a fray consumed by mankind gutted with certain toxicant.
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Mar 21, 2016
Mar 21, 2016 at 12:55 PM UTC
babysbreath
"I ate civilization. It poisoned me; I was defiled. And then I ate my own wickedness." - Aldous Huxley i let my head hit the brachiaria. cyan sky rolled past, and it seemed to me as if my past itself was dragged out of my body, excorcised and pulled up and traveled with the sky's current the sky is moving, impossible and slow. the clouds jog with a rush. sometimes i think i have never felt at all with my year ****** up, on their way to Mongolia or Philadelphia, I tried to desperately recall sullied at the thought i couldnt. I thought about how i always embarrassed you in public how i'd turned into an embarrassment at this point in time my pure innocence that flowed in the past gently uncomfortably shifting and wondering how certain things felt i don't know manhood devoured me like an apple. in the garden i walked tried to spot all the perennials and i did and i thanked mankind for taking up the habit of finding wild plants bringing them into our lives i see a sign, the museum is holding an exhibit on british pastorals and hellscapes i tell her we should go. she agrees walks across the street to buy a wire. my blood ran down my body onto the linen Egyptian cotton like the princesses who married at 14, at 13 i laughed when they asked me to go the square and at 15 i felt it my responsibility. the fetid collapse of my sincerity and my serenity flowed through my being patrolled round my purity like a culpable sentry i closed my eyes and i felt the sheets heavy with plasma i blinked and everything turned to burgundy the subway grates licked at my ankles the poplar and elms in firestone laughed at me, who had so eagerly held on to a fray consumed by mankind gutted with certain toxicant.
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71
My life is occasionally a continuum of anxiety of and or relating to the possibility of my going insane. My greatest fear is schizophrenia, thanks mostly to Aldous Huxley's Doors of Perception. At my worst, I am standing in a Wal-Mart under the surrealistically bright lights of dead consumption waiting for my head to become an unfamiliar place filled with unfamiliar voices. It has never happened. The closest I ever came was on the night of February 4th, 2013 (which, in this case, just so happens to be last night), when in a state of silly pointless inconsequential anxieties I thought I heard the faint hum of an unfamiliar voice chanting, 'Hey, hey, hey, hey, hey, hey, hey.' It went away, but the moment I started hearing it I freaked out a little inside as I was lying in bed having just finished reading. I attributed it to the possibility of over-reading, over-conceptualization, not enough time in the real world. I blamed reading and writing and watching for the feeling that I'm never quite in the real world, because my head reads and writes and watches and asks itself; “are you real? Can you truly say with any certainty that you exist? How much sense does depth perception make, and now go to sleep and dream in your head because one day dreaming will be considered a symptom of mental disease. Enjoy it before it terrifies your strange fettered wits.” Sometimes I listen to music in my head and wonder if that's insane. Sometimes I listen to music in my head and contemplate innocence. Sometimes I listen to music in my head and sing along. Sometimes I listen to music in my head and realize all music comes from inside so I calm and I calm and I calm.
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Feb 5, 2013
Feb 5, 2013 at 8:56 PM UTC
I love me, I love me not.
My life is occasionally a continuum of anxiety of and or relating to the possibility of my going insane. My greatest fear is schizophrenia, thanks mostly to Aldous Huxley's Doors of Perception. At my worst, I am standing in a Wal-Mart under the surrealistically bright lights of dead consumption waiting for my head to become an unfamiliar place filled with unfamiliar voices. It has never happened. The closest I ever came was on the night of February 4th, 2013 (which, in this case, just so happens to be last night), when in a state of silly pointless inconsequential anxieties I thought I heard the faint hum of an unfamiliar voice chanting, 'Hey, hey, hey, hey, hey, hey, hey.' It went away, but the moment I started hearing it I freaked out a little inside as I was lying in bed having just finished reading. I attributed it to the possibility of over-reading, over-conceptualization, not enough time in the real world. I blamed reading and writing and watching for the feeling that I'm never quite in the real world, because my head reads and writes and watches and asks itself; “are you real? Can you truly say with any certainty that you exist? How much sense does depth perception make, and now go to sleep and dream in your head because one day dreaming will be considered a symptom of mental disease. Enjoy it before it terrifies your strange fettered wits.” Sometimes I listen to music in my head and wonder if that's insane. Sometimes I listen to music in my head and contemplate innocence. Sometimes I listen to music in my head and sing along. Sometimes I listen to music in my head and realize all music comes from inside so I calm and I calm and I calm.
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1
Remember Wyoming? Those two days find their way to me, and it always seems so vibrant. How it hurt to breathe with the constant cigarette smoke in our mouths, and how hard it was to light one in the windy cough of the night. I remember us and the others drinking some tea, and seeing myself in its ingredients. I remember looking in the splintered mirror for half an hour, exploring the wonderful fluke of my face. I remember feeling every ***** of you in the prickly light of night. The desert howled at us and we howled back, not caring if our sounds would slap the others in the face. When we stumbled back in afterwards, the space was silent. Someone took something and they heard their own voice, but they didn’t like that echoing clatter. Their hands were over their ears; they writhed on the floor like their skin was a size too small. It was then I realized that our cabin had no windows or doors, but just gaping indigo gashes, and I felt so defenseless against the angry emptiness of those American wastes. Eventually his body slacked, indicating that he was stuck in himself once again. We stayed inside for the rest of the night, keeping our eyes away from the spaces in the walls. We huddled together, me and you, on the concrete floor, and tried to keep the fire going. I remember someone through in that Aldous Huxley novel, and I thought it was a waste. I, for one, always liked the ending, with the feet rotating like Columbia Mall’s carousel. But I’m sure you’d beg to differ.  The next morning we and the others shook ourselves awake, and shambled our way into the Dodge. I sat in the flatbed, and as we hollered down the highway, I watched a single cloud slip across the sky at the same rate we were driving, and lied on my side for those 8 hours; the cloud looked like a tired blur. But when we arrived outside Omaha, and everyone and you jumped out to **** I realized that the cloud I thought was still must’ve flew about seven hundred miles. It could’ve fooled me. And then you kissed me on the cheek and took a Camel out of my pocket, skipping into the soda shop like a child, two days younger.
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Apr 9, 2010
Apr 9, 2010 at 1:50 PM UTC
those American wastes
Remember Wyoming? Those two days find their way to me, and it always seems so vibrant. How it hurt to breathe with the constant cigarette smoke in our mouths, and how hard it was to light one in the windy cough of the night. I remember us and the others drinking some tea, and seeing myself in its ingredients. I remember looking in the splintered mirror for half an hour, exploring the wonderful fluke of my face. I remember feeling every ***** of you in the prickly light of night. The desert howled at us and we howled back, not caring if our sounds would slap the others in the face. When we stumbled back in afterwards, the space was silent. Someone took something and they heard their own voice, but they didn’t like that echoing clatter. Their hands were over their ears; they writhed on the floor like their skin was a size too small. It was then I realized that our cabin had no windows or doors, but just gaping indigo gashes, and I felt so defenseless against the angry emptiness of those American wastes. Eventually his body slacked, indicating that he was stuck in himself once again. We stayed inside for the rest of the night, keeping our eyes away from the spaces in the walls. We huddled together, me and you, on the concrete floor, and tried to keep the fire going. I remember someone through in that Aldous Huxley novel, and I thought it was a waste. I, for one, always liked the ending, with the feet rotating like Columbia Mall’s carousel. But I’m sure you’d beg to differ.  The next morning we and the others shook ourselves awake, and shambled our way into the Dodge. I sat in the flatbed, and as we hollered down the highway, I watched a single cloud slip across the sky at the same rate we were driving, and lied on my side for those 8 hours; the cloud looked like a tired blur. But when we arrived outside Omaha, and everyone and you jumped out to **** I realized that the cloud I thought was still must’ve flew about seven hundred miles. It could’ve fooled me. And then you kissed me on the cheek and took a Camel out of my pocket, skipping into the soda shop like a child, two days younger.
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31
the wind is reading Aldous Huxley's ISLAND dropped among the hollyhocks the wind speed reads skips entire sections a fat fly walks over the title an obese raindrop falls upon the author's name then another & another &. . . ISLAND turns to mulch raindrops batter the book it comes apart at his touch islands of words remain "...two thirds of all sorrow is homemade and so far as the universe is concerned..." the rest is lost but he can fulfil the words ". . . unnecessary. . ." now here at your grave my fingertips trace the curves of your name as a lover might trace the taut muscles of a back a ladybird pauses on the H of Huxley as if learning its letters their metal inlay glinting in the sun "...it isn't a matter of forgetting..." your words scattered across the years "...what one has to remember is..." "...how to remember and yet be free of the past..." I still grieve my lost book eaten by the weather but glowing in my mind I laugh and tell your grave "Give us this day our Daily Faith but... ...deliver us Dear God from Belief."
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Apr 23, 2015
Apr 23, 2015 at 6:09 PM UTC
LIGHTLY CHILD LIGHTLY
Sunday at 1pm In perfect synchrony with the rest of the United States I will Sit down to receive my Re-education through television: The prophecy of Huxley’s New World, L’Engle’s Camazotz, Realized.
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Nov 24, 2013
Nov 24, 2013 at 11:20 AM UTC
Everyone's rubber ball hits the ground at the same time
WRITE YOUR OWN RESUME' - THEN I'LL SIGN IT, MY MENTOR SAID TO ME, ALBEIT FLIPPANTLY, SO I DID: PHD IN PHILOSOPHY, A FIRST IN ENGLISH LIKE ALDUOS HUXLEY AND PROFESSOR OF ORIENTAL STUDIES AT LONDON UNIVERSITY; A NUMBER OF NOVELS, POETRY AND WHITE PAPERS COMPLETED A BUSY LIFE, NO TIME TO TAKE A WIFE, RATHER ARMED WITH A KNIFE TO PUT INTO PEOPLE'S BACKS, A REPUTATION MADE AFTER NUMEROUS ATTACKS, KNOWLEDGE WAS PASSED ON, STUDENTS CAME AND WENT, ANYWAY WHY SHOULD A PROFESSOR NEED TO BE HEAVEN-SENT? THE LIFE WAS MINE, NOT GOOD ENOUGH - MY MENTOR REFUSED TO SIGN.
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Mar 4, 2016
Mar 4, 2016 at 5:05 PM UTC
THE MEMORY OF ME
Ask, and ye shall receive _another question_ Seek, and ye shall find _multiple layers of the truth_ Knock, and it shall be opened unto you _the doors of perception_
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Nov 27, 2018
Nov 27, 2018 at 8:46 AM UTC
Huxley 7:7
Bob Dylan’s hats mean more to me than a requited lust for fame. On our screens over the summer months, with it’s logo slapped obnoxiously onto the water cooler - covering more pressing concerns. As people rant and rave, the so called stars of the show are prominent for a matter of days. In their fifteen minutes of fame they become better recognised than a man called Dave. Some are hated for things they have said or done. trending on twitter and being memed from day one. But as the winter solace rolls into place Everyone forgets the familiar face that pranced and clapped on morning TV What was his name again who was he? What once was a Dave is more like a Huxley or Mort. He was far too easy to replace, when fame hit abort.
0
Mar 11, 2019
Mar 11, 2019 at 8:04 PM UTC
Fifteen Minutes of Fame
the rain is collecting onomatopoeia (rare to find a word with plurality in it misspelled in the geometric hyper-linear onomatopoeias) - ever think of the womaniser bred from feminism? i know you haven't, and i know you won't before playing the Shelley game of test-tubes - your ideals i'll never die for - i'd be in the trenches during the first world war, but your world, i don't want to be part of. she read Huxley, he played football - he was an outdoor kind of guy, she was a moth rather than a butterfly, a new breed of womanisers has spawned - turns out my kind are the idiots - well... hello darling, welcome to the real world. the rain is pouring out there, god playing piano, looking for both onomatopoeia and metaphor... it's drain drain drip... it's hospitalised drain drain drip and the words that encourage the wholly vacant - the rain - imagine the evolutionary tactic approached with assimilation, the invisible immigrants i call them - they're there, they always want the dumb innocent Alexei Karamazov to marry, but when it comes to the events via Ivan as hidden wedlock, they want the knights of Charlemagne to bitch-slap them silly for the crown of menopause - i.e. what if i wasn't a woman and never wished to be one?! freeze the ***** invoke onto me a belittled version of ****** - you know you are neo accomplices, and now defence from feminism will spare you such association; just remember why the Nazis loved science, feminists love it too! more in the extreme - all that's missing is the eradication of Eastern Europeans - a fear of Russia - most feminists are in love with the potentials of science like Nazis - i kept my phallus in a pickle jar to prove her point that she wanted to reign over the role of the Paraclete as the comforter of futures to come - god she loves the fascists - the womanisers in feminism and the idiots that marry her - leave her! let her utilise the full potential of a Frankenstein!
0
Jul 12, 2016
Jul 12, 2016 at 9:43 PM UTC
the rain
the rain is collecting onomatopoeia (rare to find a word with plurality in it misspelled in the geometric hyper-linear onomatopoeias) - ever think of the womaniser bred from feminism? i know you haven't, and i know you won't before playing the Shelley game of test-tubes - your ideals i'll never die for - i'd be in the trenches during the first world war, but your world, i don't want to be part of. she read Huxley, he played football - he was an outdoor kind of guy, she was a moth rather than a butterfly, a new breed of womanisers has spawned - turns out my kind are the idiots - well... hello darling, welcome to the real world. the rain is pouring out there, god playing piano, looking for both onomatopoeia and metaphor... it's drain drain drip... it's hospitalised drain drain drip and the words that encourage the wholly vacant - the rain - imagine the evolutionary tactic approached with assimilation, the invisible immigrants i call them - they're there, they always want the dumb innocent Alexei Karamazov to marry, but when it comes to the events via Ivan as hidden wedlock, they want the knights of Charlemagne to bitch-slap them silly for the crown of menopause - i.e. what if i wasn't a woman and never wished to be one?! freeze the ***** invoke onto me a belittled version of ****** - you know you are neo accomplices, and now defence from feminism will spare you such association; just remember why the Nazis loved science, feminists love it too! more in the extreme - all that's missing is the eradication of Eastern Europeans - a fear of Russia - most feminists are in love with the potentials of science like Nazis - i kept my phallus in a pickle jar to prove her point that she wanted to reign over the role of the Paraclete as the comforter of futures to come - god she loves the fascists - the womanisers in feminism and the idiots that marry her - leave her! let her utilise the full potential of a Frankenstein!
Continue reading...
45
a deep chthonic rumble bids me re read Aldous Huxley, Ape and Essence. See it, beyond the doors of perception Brave New World Apocalypse, now retold by the last of those old carp, using modern magi-tech to tap Old intel, informing conforming minds of masters, each holding certain truth servant but they mention no slaves, as we imagine all men were by right rich in time to read and speak of things read or said in writing found in hidden places, lonely, all by my self places, said to be, places in the mind, while places in the heart have others of our kind. We make up a mind, we say in thought I see the old wise men were not all wombless eunuchs, though many of the idle words they left as landmarks, lost all meaning over time being folded up and put away, for future perusal with intent to improve whose angst is only felt while beating their own drum? whose joy is wishing and hoping and dreaming the best is yet to come? Not mine, in my future, your now. Now, take a thought, a non stature increasing one, ignor the basest of us, the beings once mated with actual gods Ignacio's right use of wrongs, to foil the enemy... that thought that evolved into, lying for the good of the corps social structure, the mould… formed from thinking that thought the shape. the frame, the footing under the cornerstone the builders rejected, get that straight, the stone rejected for valid masonic reasons, genuine geometric unorthonicity, not right, not straight from one point to another, not smooth as glass, level as any still pond, still lake of your one time experience seeing the meaning of still water that remains the measure of stillness, by which all further stillness is judged. You know what I mean, by the measure you use. Selah. Shalom. Nothing missing, nothing broken meanings tie us to our measure. Truths held in trust rust through boots of iron and form the dust on Mars visible from Venus, as we all bear witness everything under the sun is much older than any New World Order, on fractally every scale.
0
Jul 3, 2020
Jul 3, 2020 at 4:26 PM UTC
Is this not the Brave New World Apocalypse
a deep chthonic rumble bids me re read Aldous Huxley, Ape and Essence. See it, beyond the doors of perception Brave New World Apocalypse, now retold by the last of those old carp, using modern magi-tech to tap Old intel, informing conforming minds of masters, each holding certain truth servant but they mention no slaves, as we imagine all men were by right rich in time to read and speak of things read or said in writing found in hidden places, lonely, all by my self places, said to be, places in the mind, while places in the heart have others of our kind. We make up a mind, we say in thought I see the old wise men were not all wombless eunuchs, though many of the idle words they left as landmarks, lost all meaning over time being folded up and put away, for future perusal with intent to improve whose angst is only felt while beating their own drum? whose joy is wishing and hoping and dreaming the best is yet to come? Not mine, in my future, your now. Now, take a thought, a non stature increasing one, ignor the basest of us, the beings once mated with actual gods Ignacio's right use of wrongs, to foil the enemy... that thought that evolved into, lying for the good of the corps social structure, the mould… formed from thinking that thought the shape. the frame, the footing under the cornerstone the builders rejected, get that straight, the stone rejected for valid masonic reasons, genuine geometric unorthonicity, not right, not straight from one point to another, not smooth as glass, level as any still pond, still lake of your one time experience seeing the meaning of still water that remains the measure of stillness, by which all further stillness is judged. You know what I mean, by the measure you use. Selah. Shalom. Nothing missing, nothing broken meanings tie us to our measure. Truths held in trust rust through boots of iron and form the dust on Mars visible from Venus, as we all bear witness everything under the sun is much older than any New World Order, on fractally every scale.
Continue reading...
58
I was robbed tonight, but what did they really take? Hiking gear and a skateboard. They left my Huxley, My Bukowski, Hemingway, Gibran and hell even my homebrewing books. They must not have been a very learned fella, passing up on the gold in front of there eyes. The change they took, The lighters, but oddly, left my medical supplies They didn't look twice at my Dr. Dog, My Modest Mouse, My Sunset Rubdown They left all my culture, and they took possessions. For some reasons unknown, I feel like they're the one who's being stolen from
0
Feb 26, 2016
Feb 26, 2016 at 12:43 PM UTC
Dim Eyed Thief