Submit your work, meet writers and drop the ads. Become a member
Seán Mac Falls Jun 2012
Lovers entered a forbidden forest bower,
And as they stalked that range, with eyes glazed,
She offered up her hind. Now, with doe eyes,
Deep as his, deep in arousal's sleep, heels fell, 
As he knocked and pulled her dark honey hair 
And whispered, surrender, into wanting ears, 
Softly he drove his hunting command, homing 
To his huntress.

Her body braced, yet bade, with heat and vibrance.
Ruthlessly, he ****** his arrow deeper and then 
Once more and then again.  She bucked fiercely 
And defiant, goading his prodding lance ever more
Ever longer, and parting the pink lines of her white
Rose, he was, and once again, Prince to the dark
Dominion of her quarters.

In the middle of this carnal match they paused.
And looking into the forest beyond they saw
A yearling fawn, a feral Goddess, grazing still, 
Bathing in a vale, virginal, wholly unmoved 
By their act of venery, lustfully playing, in the innocent 
Leaves.  It was as if they were among her kin, a gentle 
Doe and a noble stag. From that moment on 
The human hunters did not speak.

Falling, again, rolling eyes were deep in arousal's sleep.
Her back was a crescent moon pocked and wet with dew.
He could feel her heart beating in time with his piercing 
Prong, her arching back glistened in the suns spittle
As it broke through the dark and vernal ceiling wood.

In the final shot her quivering buck lowered and broke
And a sound not heard, made a scene, a sweet murmuring
Shuddered and sank onto the floor of the forest leaves 
With her tale, taken and told, her breathless breath, 
Her nostrils cold and her heated and lanced openings 
Dripping, draining; here was a New World’s beginning.

Sated, solemn and softly quaking, his woman sweetly laid,
And now, doomed with her doe eyes, two lovers, fated, made;
She glowed, divine, like the rolling brook that mellowed
Slow, in the vine-dark and golden forest stable,
In Artemis’s wood.
There's a certain peace that settles inside you when you hear the wind whip through the forest, the sound soothes you until your muscles quiver with joy and you begin grinning with delight as the cool air runs soft fingers down your spine and sends shivers back through you. That was the feeling going through Fayowin as he stalked his prey, a nimble buck that mindlessly grazed in the snowy glade. Fayowin was a wolf, tall and regal, his fur ran a silver-white with intricate blue lines spiraling and writhing around his muscled body. His eyes glowed pure white in the night and shimmered in the daylight. The fangs lining his jaw were longer than the other wolves'... then again he was also larger than his alpha as well. Fayowin saw everything clearer and faster than the most skilled hunters in his pack, and he was also the swiftest. He should have felt proud of his uniqueness, but he felt outcast instead. The other hunters shunned him and disliked hunting alongside him, leaving Fayowin to hunt alone.

Today was no different. It was his turn to hunt and he had to hunt alone. If he failed, the pack would force him out into the cold. "If the pack starves, the hunter freezes," was the motto of his alpha, Alexei. Fayowin narrowed his white eyes and drew in the scent of the deer. As he did, he caught the hint of a she-wolf nearby, not of his pack. Distracted for an instant, he snapped back and sprinted for the deer, lunging for it and tearing into its throat and ripping out the windpipe and blood vessels all in one bite. As the smell of blood coated his senses, he began to feel uneasy and whirled around to see a silver wolf snarling at him. It was the she-wolf he had sensed earlier. She stood just a little shorter than him and had strange markings of her own: she bore black marks under her eyes and one on her forehead that resembled a paw. What struck him the most was the band around her upper foreleg. His eyes wandered as he observed her and she growled, bringing his attention back to her glaring green eyes.
"That... was my ****!" she growled. "I don't know how you managed to get it before me, and I don't know how you managed to escape my notice. Who are you?!"
Fayowin sneered and raised an eyebrow, "This, my dear, is MY ****. I've had my eyes on it for a while now. And frankly, this is my territory as well, and unless you want to become part of my territory, I'd suggest you treat me with respect."
She edged closer to him, surprised and infuriated at this male's straightforwardness. But there was something about that and his scent that appealed to her though. "I'm not leaving without this deer."
Fayowin chuckled, "It looks like you will be leaving without it, whoever you are."
"My name... is Feiria!" she licked her lips hungrily, "and that is MY deer!"
Fayowin narrowed his eyes thoughtfully as he studied her. Even through her winter coat, he could see the outline of her ribcage and could smell the desperation on her scent. He saw Feiria's muscles contract as she prepared to lunge at him. He sidestepped and she landed face-first in the snow, a mere inch from the warm deer meat. She looked at him hungrily, almost pleading. Fayowin sighed and nodded his head once, after which Feiria voraciously tore into the carcass.

He slowly meandered towards the center of the clearing and flopped down into the snow. He could hear the she-wolf eating ravenously behind him as he thought of his next move. If he returned to the pack, he'd be ridiculed and forced to live in the snow. If he stayed out here he faced the same problem.

Fayowin flattened his ears back and started to doze off, still listening to Feiria eat his ****. He began dreaming of gaping mountain passes, tall forests, and warm valleys. He felt oddly warm, not freezing cold as he had expected. He didn't care though, warmth was a gift in the winter. He slept peacefully until nightfall overtook the forest and the moonlight shone down and illuminated his fur, the lines becoming like blue fire. His eyes would have glowed if they were open, but they remained oblivious to the change in scenery until a cold wind blew through his fur and he shivered awake. He nearly jumped when he realized why he was so warm: the she-wolf lay curled up, pressed against him, sound asleep. He tilted his head slightly as he watched her sleep, probably the most peaceful she'd been in a long time. Fayowin would've hated to ruin his gift to her, albeit an unwilling one.
Feiria woke up soon after midnight, and gazed fearfully into Fayowin's glowing white eyes, taking in his
Cynical stare and his glowing body. She whispered, "I've heard of your kind..."
he looked curiously at her, "my kind?"
"the star wolves.."
he averted his gaze, "Never heard of them.. I'm just a normal wolf.."
Feiria glared at him, "You're glowing, *******.. Not normal. Unless.... Unless your whole pack is made of star wolves!" her face seemed to light up as she said it.
Fayowin whipped his head around, "No! I'm the only one like this..." he looked solemnly down at his feet as he finished.
She blinked, dumbfounded. Clearing her throat, she said, "I really should get back to my pack. They'll be worried about me if I stay out for much longer." she glanced at the massive deer behind them and sighed quietly.
"Your whole pack is starving...aren't they?" said Fayowin quietly.
Feiria nodded and he stood up and walked through the snow silently towards the deer. "you'll need to lead me to your pack if they're to get this meat."
Feiria blinked again, then nodded, getting up and starting off  
Towards the north. Fayowin gripped the deer's neck and drug the carcass behind him as he walked. After a half hour of walking, Feiria howled long and low, signaling her pack that she was near. Fayowin sighed as he heard their howls respond. He thought, there will be no howls for me tonight...
As they neared her pack's clearing, a group of young wolves sprinted towards them, rushing past Feiria and surrounding Fayowin. "Who is this outsider, Feiria? Why did you bring him here?"
there were five of them and they all went into attack mode, growling and circling him.
Feiria attempted to stop them before they got into a fight, but one of them pounced, and in a flash Fayowin had him pinned to the ground with his fangs around the wolf's neck. Fayowin watched the wolves around him react, stepping back and glancing at each other. Feiria shouted at them to stop but they didn't seem to hear her immediately, backing down only as Fayowin's growl tore through the trees, echoing throughout the forest
. They finally heard her, "he's a star wolf!" by now a crowd had gathered around them, Feiria's packmates watching Fayowin closely. He let go of the young wolf beneath his paws, who quickly scampered away, and Fayowin sat up straight and tall, his markings and eyes glowing for all to see. The wolves ooh'd and ahh'd amongst themselves before the alpha stepped forward and looked him up and down. "You killed this deer, yes?"
"I did."
"Why bring it here? We are strangers to you."
Fayowin glanced at Feiria, who shifted, uncomfortable with the silence. "I brought it here because i could tell that this pack needed the meat more than my own." Fayowin looked directly at Feiria and continued, "besides... She saw it first."
[[][][][][][][][][][][]
(End of day one of writing, really enjoyed it, look forward to writing again)
[][][][][][][][][][][][
Fayowin perched high upon an rock outcropping, overlooking the clearing below and the wolves within. The alpha had allowed him to stay, grateful for the meat. Feiria was pressed against him again, but this time Fayowin didn't mind. He enjoyed the warmth that she provided and felt at ease around her. She nuzzled his cheek affectionately, a move that surprised him enough that he turned to face her, brushing her nose in the process. He gazed fondly into her eyes for a moment before standing. "I have to return to my pack."
Feiria looked shocked, "No, stay here with us. We could use a hunter like you. Plus you're a star wolf, and it doesn't seem like your pack appreciates that."
He let the words sink in before replying, "I have to go. I'll return in the morning." Seeing the desperate and doubtful look on her face, he added, "I promise. I will come back."
Fayowin walked to the edge of the forest, the glow of his body soon disappearing from Feiria's view.
[][][][][][][][][][][][][]
...
[][][][][][][][][][][][][]
F­ayowin sprinted relentlessly back to his territory, smelling the familiar and not so pleasant scents of his packmates. The smell of blood ran thick in the air as he neared the clearing. The moonlight cast eerie shadows around him and he could feel the eyes of the wolves watching him as he reached the gore pile. The mound of bones and rotting flesh dripped blood into the white snow.
"You're late. And emptypawed. You know what that means, filth." the voice was that of his alpha, Marroy, who stood three feet tall at the shoulder, a whole foot and a half shorter than Fayowin. His fur was a mottled black with a grey underbelly.
Fayowin bared his fangs, the longest being three inches long, and he growled, "My name.. is Fayowin."
Marroy cackled in the darkness, "So straightforward. That's unlike you. No matter, you failed to bring us fresh meat. As punishment, you'll be reminded why we protect you in the first place."
Fayowin heard growls emanating from the trees. The pack of around 25 wolves was massive compared to other packs, and there were enough hunters to go around. Fayowin took a step back and let his eyes adjust so he could see them in the trees.
"You don't protect me, Marroy! You fear me!"
Marroy laughed again, "Not from where I'm standing, Mutt. You look pretty frightened." Fayowin took another step back. "Run! Run! Give us some entertainment!"
The wolves started bounding out of the trees and began chasing Fayowin out of the clearing. They seemed to be pouring from every shadow. He ran faster than ever before, the trees blurring past him as he tried to get away. He ran for what seemed like an eternity before seeing the snowy valley at the edge of the forest. He added a burst of speed and instantly regretted it. A rock beneath the snow tripped him and pain shot up his left foreleg. He tumbled end over end in a heap of blue and white, coming to a stop twenty feet away. Fayowin heard the pack coming for him and he tried to crawl away, but to no avail; the pain was too much. He whimpered as he was surrounded, and shut his eyes tight as he felt them bite and claw at him, retreating only after there was a ****** pool around the star wolf. Marroy walked slowly up to him after they had gone and said, "I hope you die out here. If you aren't, we'll make sure that changes." Then the alpha left him there, cold, ******, broken and alone.
[][][][][]][][][][][]]][]][][][][
* (End of Day two/Start of day three of writing and i'm really hooked on this, I believe this may be one of my better stories...)*
[][][][][][]]][][][][][][][][][][
Feiria lay silently on the rock outcropping above the pack and she thought of the star wolf. Something about the breeze brought thoughts to her mind.  
Feiria lifted her nose into the air as the smell of blood became present. She sniffed intently and heard her packmates do the same. She looked in the direction that Fayowin had left in and saw a dark form slowly shambling through the shadowy flora towards her. As it neared her she could see that it was dripping a dark liquid, trailing it through the snow in a scarlet path. "Its Fayowin.." she thought to herself. "Why are his eyes so dark? Why isn't he glowing?"
she rushed to his side and the smell of his blood was almost overwhelming. There were numerous bites and cuts all over him and his left foreleg seemed broken.
Feiria called for the healer, an older female named Sheya, and supported Fayowin as they walked to the glade and waited for the healer. Fayowin collapsed in the center of the clearing, the moonlight hitting him directly, making the blood seem black against his white fur.
Feiria whimpered helplessly, waiting for Fayowin to answer, but his eyes seemed so lifeless that
She felt it was almost a false hope. When Sheya finally arrived, the blood had stopped flowing and his breathing had slowed until he was asleep. When the healer examined him, she looked puzzled.
"what's the matter, Elder?"
Sheya pondered a moment before saying, "His wounds have healed. I'd say its a miracle, seeing as he lost so much blood."
Feiria examined the sleeping wolf herself and found the elders words to be true; there wasn't a scratch left on him. "Leave him here, the sunlight will warm him once daylight comes and his fur is thicker than ours so the cold will not affect him as much." the gathered wolves sat in silence as Feiria washed the blood from his fur with snow and lay down next to him, pressing her body against his. The blue lines on Fayowin dimmed and brightened in tune with his heartbeat, and Feiria listened as her own beat matched it.
[][][][]][][[][][][][][][][][][]
...End of day 3....
[][][][][][][][][][][][][][][][]
Fayowin felt like he was in another world, this one so much quieter, but at the same time he could sense every noise, every movement, every vibration. His fur was no longer the bright white it once was, but rather a deep black with crimson lines flowing round him. He was lying down, surrounded by a wolf pack, Feiria pressed against him for warmth. He saw, or rather sensed her spirit energy, a type of green fire that outlined her entire body as she slept. Fayowin stood up, thinking to wake her and let her know he was alright, but she hadn't moved. And neither had he; his white furred body remained as it was a moment ago, but he was looking at it as if in another body. He took a step back as he realized he was roaming about in his spirit form. He looked around at the pack and none of the gathered wolves seemed to notice him. He exited the circle of onlookers and gazed up at the falling moon, watching it descend into the horizon, chased away by the rays of the sun coming over the mountaintops to the east. As the sun peeked over the ridge, Fayowin caught something out of the corner of his eye, a dark mass that didn't fit right with the rest of the environment. He looked and saw two sets of glowing purple eyes in the shade. He called out to them, hoping they might hear. "Hey! Can you see me?"
The eyes looked at each other and then back at him, staring for a moment before turning and running.
"Hey, wait!!" Fayowin called after them and began to chase them deeper and deeper into the mysterious forest.The beings moved faster than Fayowin had anticipated, disappearing soon after the chase had begun. Fayowin stood there in the middle of the woods, panting and searching for the elusive forms. After a moment he saw them at the very edge of his vision, their eyes glowing brighter, almost as if they were taunting him forward. Snarling, Fayowin bolted towards them and they led him on a winding path marked by a barely discernable scent trail. The smell was that of burnt wood and crushed pine needles and was oddly alluring to Fayowin as he ran. It seeemed as if he were running for ages, the sun and moon rotating numerous times around him as he traveled over mountains and rivers, through forests and valleys. On the thirteenth solar rotation, the figures finally stopped, joined by eleven other figures surrounding a circular rock with vines and overgrowth covering its base.
As he neared the figures, he saw that they all looked like him, long furred and covered in glowing lines. "Star wolves... Like me..."
The wolves all surrounded the dais and watched him with razor sharp eyes, watching his every move. As he gazed back, Fayowin noticed that each of them had some form of a trident mark right below their left eye, the color matching the lines tracing their bodies. He felt the urge to move forward, as if an instinct were telling him to stand in the center of the circle. Fayowin stood, all eyes on him as he waited for whatever was about to come.
[][][][][][][][][][][][]
....I have nothing to say to you HP... I dislike you at the moment....
[][][][][][][][][][][][]
Nightfall was coming swiftly, the moon and the stars swirling into place above them, reaching their peak and then halting completely. All of time and
RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Keith J Collard Jan 2013
"Wow, what a mansion!"--Albert Wesker RE1


Gothic mansion, where every warrior lost it,
head, heart, and soul--as Faust did,
there walks a scientist who's blood is acid,
with glasses that turn to shade--death reactive.

" Who dares touch my holster" he says bombastic.
as walls evaginate victims, send out vines,
it is from Jesus' in the crowd--Mathew--his lines.
the sight of thorax, stinger and fang,
******* the slain,
do not phase him, for he is phase-less,
turn off receptors of pain, and all is pain-less.
A fallen teamate, still and a'swarm,
the black shades do not mourn,
as thorax crawls ontop of her
but laughs at the irony of a female,
impregnated with ovipositor.

He helped design those creatures,
and--he is her traitorous leader.

Howling night forest, awakens the staff,
as if they sleep facedown in saltwater tides,
shuffling and whale moaning, as if  harpooned--
going to lonely depths to die.
then there are the hunters, reptilian apes,
can open locked doors with skeleton claw,
move to quick in hallways,
why pump buttstock you saw.
Pepper the **** on the bed with full load,
with zombies fellating down to bone,
scream through your muzzle,
slide room apart in jigsaw puzzle.
then watch your six for the hunter,
it is stalking you, wants to put its foot on your face,
and dig in, then kick its leg--and rip off your skin.
retreat from hunters and faces bloated with cadaverine,
find a safe room to safely scream.
Sit down at the bar, pull scotch from its coffin,
on counter, rest pump and Colt python,
do not think of the things you will die from.
there are three darts in the bullseye,
in William Tell style,
but the board is in fashion of an atom,
with electrons in orbit,
the  numbers are the human genome,
and a surgical marksman has scored it.
He is Wesker, and this mansion is his tester,
blood and bone is both colors of his litmus,
horribles awaiting in dark room pay witness.
his muzzle flashlight's rooms with hot spark,
entry beats claw swing, shades now clear in dark.
they say in total black silence, one will go crazy,
from the sound of their heart.
but "My trigger that squeezes within,
charged from pupil's firing pin,
sweet semi-auto strokes of violin."
as he vaunts over dying beast,
and darkness returns to his shades,
from moon light through window,
reflecting knifes on wall from moon in wane.
he slicks back a loosed strand,
locks the door behind him, and continues with his plan.
" In my father's mansion are many rooms,
" I'll go prepare a room for you." he mocks, as he walks,
with parabellum hollow points and acid round glocks.
This is his mansion, he is Achilles loosing knees,
he is warrior and scholar, a student of Thucidydes.
team-mates--out air holes in jungle boot bleed,
blood seeping through pants--
olive drab uniform now fatigue.
rooms: blood grooves running down your bayonet--
traps-- channeling you to your death.
prop open  oaken door with knife, hope  it will hold,
walk to the far side of parlor,
the sound of medieval bolt.
door spits out knife,
just scream through keyhole.
The iron maiden taper is coming slowly,
do not let it go through non-vitals,
a slow way to die,
take it through frontal lobe behind eye.
alas a team-mate hears your screams,
in the sepulchal hall,
door swing, and out of deaths thrall.

Charley Mike: continue mission,
and paint the walls black,
with dead flesh backsplash,
gun or nerves jam, then die a ripping death,
smell a cannibals breath.
Be it known, the man in black and strap,
laughs off exposed rib cage slats,
with only a scrape to his pistol belt.

Enter the man in reactive shades,
Picture a alligator, calm, age old in the everglades.
One in the brain, and none in the chest,
those extra shots for rooks, without prowess.
" Wesker, you'll pay for this treachery," invoking Karma,
but the man in black measures her tears as he harms her.
So all that enter mansion portal,
and reach the basement, before becoming morsel,
finally catching up with Wesker,
no more trail of labotomized minds,
and jaws and eyes in epileptic shock,
from a calm trigger squeeze of glock.
Face to face with the master of the saxon race,
mastering gunpowder under the scope,
and you hear the hunters off distant,
primal howls and hissing.
Listen to what the man in black says,
the mortal contest is over,
and he has a virus to offer,
" Die here, and your death will be longer than your life,"
says the man, who's shooting hand is the reapers scythe.
" But live with this virus, and you will never die."
but watch the sun burn out in the sky."
You can refuse him, and face the nightmare creatures alone,
adding your skeleton to the calcium of mansion stone.
or take the virus that invaded the first cell,
invading mitochondria,
making 'other men' the meaning of hell.

" Come decide, lest I go prepare a room for you".--
From powder burns,  your tears are black,
eardrums ring from screaming contest of
chrome python against giant asp.
shoulder numb from combat loading shotgun,
thumbing shells straight to chamber--
almost cyclic.
blood in boots: not much fight left.
your friends are dead, and you answer,
" I rather die forever traitor, to rid the world of your cancer."

In my masters mansion, are many rooms,
dying, crying, moaning: eternal tombs.
how resident evil the movie should have felt.......I only cite the 96 video game, which only shared the setting with my poem.
Jayne E Dec 2019
The Hunters Knife.

Let's play a game missy
A game of hide and seek
one where I do the hiding
but also I do seek
I'll give you one chance
to solve the unsolvable
beware if you guess wrong
what I have hidden there
the blade will linger long
my hunters knife
will come to collect
a little blood, just a little
from thee miss,
not enough to be noticed
not enough to be missed
close your eyes
while I bind your wrists
dry your eyes
mute your sighs
or the hunters knife will collect
a little cut a little stab
not too shallow
nor too deep
just enough
to make thee bleed,
make thee bleed missy
bleed for me.
do you like my game,
girl child trapped in time
held here eternal by me

Hush now
don't sob for
your lost innocence
I'm far from finished
with you yet.
I'll sing you a lullaby child
close your eyes
go to sleep
and whilst all soft
in slumber you lie,  
from your heart
the joy I will thieve
Hush now girl and sleep
for while all soft
you lie in slumber asleep,
the joy from your eyes
I will break
when from deepest sleep
you stir and wake
forever mine
is  your soul to keep.
I will take all
you don't have to give
then I will take some more
for by mornings break
sweet child
no longer a sweet miss
broken you'll be my *****

Tell me child
how you love my game
of hunters hide and seek
any answer you can give
will never be right
will never set you free
the only victors of this game,
my hunters knife and me.

© J.C.
This was written quite some time ago, but directly relates to my last poem "silver dollar shimmer"

Torture, abuse, childhood, lost innocence,
over the past weeks
a gentle autumn sun
has painted colored leaves
upon the ground
and thinned
the bright abundance
of the wooded ranges

most of the harvest
is securely stored by now
or sold at morning markets
by weathered men and women
in country garbs

vintners are busy with their lots
fermenting grapes
and entertaining those
who see their visit
as pleasant pastime and escape
from daily urban chores

hunters and lumbermen
are waking up
to shoot and mark

schools by this time
have settled into the new year
teachers are happy still to share
the knowledge of our world
with students still inclined
to listen

businessmen
remembering their vacations
on the Bahamas or in Saint Tropez
step sprightly into offices
womanned by secretaries dreaming secretly
of beautiful Mallorca summers
and of those never-ending nights
on the Algarve

I guess it is a human thing
to find a new beginning
and do best
when nature’s breath goes easy
to collect the strength
for yet another fruitful year

or were it better
that we also took a rest?

           * *
Not any character of the jungle,
At the time power was kept by the single
Lion kind, risked jumping into the lions’ jaws,
Against their rapacity raising paws:
The hares and hyenas they could strangle
And devour; in their minds best were their laws
Providing rights of the mighty
As common and full sovereignty.

The era was worsened by men-hunting,
Whose guns were used the wildlife menacing.
The weak of the forest saw that succumbed
The lions, who were the first shot at, welcomed
The hunters and their faces showed, smiling.
They were deceived when the first seen were harmed
Like the lions by the same haughty
Men set against their sovereignty.

Some lions who survived called the animals
For a meeting, and the men-criminals
Were the main topic of their discussion.
The lions warned, “Will wipe us away those men
If can’t stand together as animals,
Fight them and save lion, hypo, hare and wren…”
Mocked and heckled the assembly
That ne’er had enjoyed sovereignty.

Each one’s motion was that there was no need
Of obeying on the lions, who to feed
Their cubs with their flesh used to take pleasure.
They thought their forest had become seizure
Of the men for lack of unity; freed
It’d be with or ‘thout a lion as major:
They’d trust who would bring unity
And help them enjoy sovereignty.

There came a time and there came protectors
Of the animals to stop the hunters
From destroying on the environment.
They showed in killing there’s no contentment.
So the hunters ceased to be predators,
And the fauna had no more sentiment
Of hating the humanity
That brought them peace and sovereignty.

Some of them were kept in zoo
And the kingship of the lions they did boo.
Cows, rabbits, goats - were domesticated,
And more than ever they were protected.
Such treatment them gave of humans new view:
The protectors or authors of the deed
Looked like who’d brought brutality,
But in their hearts reigned sovereignty.

Later on the lions found that in the strong
Claws dwelt no good power, but can be for long
Which is applied to all comfort giving,
That a king marching in front of trembling
Souls, as if to hell angels would belong,
One day will see his strength brought to nothing,
But where freedom ain’t scarcity
Kings and subjects share sovereignty.

What the beasts failed to know was the keepers
Of the zoo were children of the poachers,
Who’d found unfair deed what their fathers did,
To take good care of them had decided
And did not want to be called game-seekers’
Generation. In the action could read
Great kindness and humanity
The beasts savoring sovereignty.

A former foe may become a good friend,
Who breaks off with the past and turns his hand
Into protector, support provider –
Like Human Rights Activists. No wonder
Where they are from, people’s torn hearts they mend.
A protector has ne’er been intruder
As long as for tranquility
He works and preserves sovereignty.

A sovereign nation is not like a house
With its closed doors, and inside, like a mouse,
A wife is beaten and loses her life
Without neighbours’ intervention as if
Not hearkening the victim, and the louse
Of man not stopping is to save the life.
Is a land where people’s safety
Is denied full of sovereignty?

If at The Hague someone is indicted,
It means not people he has protected,
Nor that he has well governed Liberia,
But ‘cause people’s hearts he has filled with fear
And a lot of trouble he’s invited.
After shedding blood there and here,
The lions who’ve made their claws *****
Should be there washed for sovereignty.

Wherever the lions rage it’s no matter:
Matters the will to keep the world better.
Some Devil’s advocates would call nations
Not in Syria to find indications
Of crimes as if is found a wife-beater
At Holy Land or brothels it opens.
In a place where reigns sanctity
Won’t dwell breakers of sovereignty.


A rot of conception of sovereignty
Reeks when gangrene holds sway o’er a country,
In which Democracy swings at cannons;
Debates are feared that aim ruling with brains;
Wear noose as necklace who would change carry,
And the song “Independence” is hangmen’s.
Where lions and lambs live with loyalty,
There is unshaken sovereignty.
This poem aims to think of what sovereignty is and especially of its true concept.
http://www.amazon.com/author/bonim007
Robin Carretti Apr 2019
Your the one son being rebellious little darlings here comes
the sun drenching delicious but wait those cloudy days
watch out the hunters run ducking our heads like babies
wetting and water squirting beds getting too saucy
  ten O clock playpen the daring duck gourmet sauce
Orange you glad all her rich creme spread across
her penpals
Do you trust those gals too country slick on Newsweek

Getting paid he is the longest laid egg all grilled we are
not thrilled here is the "Chuckie Duckie" doll those *****
barbie collectors they are sitting duck Graphic Artist
Not one quack doll plastic surgeon duck lips she thinks
shes the hot stuff romantic "French" lips up the
"Eiffel Tower" splash splash she is out of cash
Those hot items presidential poll what a lost soul

Too much blue yes attention swan dancers Springtime
Not  the red attention yellow instead ****** please
I need a  journey not the "Attorney" such a ****** case
When you need them they always duck
When they have a new quack case they are ruining
my image
Duck tapesty Carol Kings youve got a friend

I'm feeling yellow homesick on your feather duck pillow
The same yellow tie a different atmosphere Go- Spa
She's flirting do you know where your going how is
life treating you he's giggling way too wild on her
goose chase
  Losing our grip down to her chicken bone hip
Duck season not much time for love being hunted

The Spa  la la ha have Merci' oh la la 'Disco Duck"
The wild ones the only ones quack- quack the
lonely ones
At the waterfront trip to "Chinatown" they let
them hang to dry but why Dad? They are better
like the delicacy shark finn soup we need a Spa
lucky green group Irish eyes are smiling stories
of ducks

I am  not buying do you see duck climb the
          "Eiffel Tower" yellow as a canary
All talk-talk is cheap lets talk French Mom walks
With her pretty duck handle umbrella we waddle
The penquin what a beauty swan feather pen
  But she's the"Prima Donna" look out!

The slingshot Marilyn Monroe wiggles out
                  The "Spa- Ma"
                 Don't  Scramble me darlings
                    Breakfast eggs cagefree
                     *          *          
My little chickadees organic brown on my gown
Spa duckies traveled the whole Atlantic town
The longest pond sleeping like "Rip Van Winkle"
twinkle twinkle
doublecrossed the street you get one dermerit
Sesame street Big bird how many words in duck
vocabulary quack- quack who get's the duck star

Mars from Men women go to the Spa like the bad
omen and they don't leave tap tap chop chop
I want it now!! Its now or never why does she always
get ugly duckling book delivered
Lazy goose she is the spoiled rotten egg how
do we love those  I apples
Carrots are for the eyes Mom always gets bird eyes

My little chickadees the Alaskan cute puppies
Big salute to the cutest duck feet "God Bless America"
  Visa  American Express Daffy Duck in Disney mess
the real picture "Mona Lisa" getting the duck
         Prime  chop minister
"Parliament Spa" prices so sinister
"Eat Duck and Pray" the  southern biscuits
more recruits

My cute rookies those duckier cookies another Spa day
So prim and proper teatime with "Queen deck"
  Alice in rabbit hole-Santa candycane poles cute chick
is homesick you better sent her money quick
The ducky bib the Chinese duck soup won ton
The feather fan she loves her Sushi roll Hollywood
Style California all duck drama
The best treatment duck made carpet

On the "Disney Hollywood" deck "Epcot"
On the futon what diction for a duck "My Fair lady"
Got the whole fortunes bed
The duck on the hill what a fool but the monk
Is the whole spiritual existence
The peacock's longest wait for lobster tails
centerpieces red bird Robin fly Robin Fly

Disco ball fancy tails she ended up up up to the sky
Her duck sunglasses a dozen ***** spin's the disco
The Duck Pop singer wants him back
High price or a short mack duck shooter attack
Food for thought homesick all saucy duck tie waiter
Cinderella rags to ducklings I went to "Woodstock"
Imagine me the teenager chick the duck split

Fill wing concert sky made a hit
The blues love is strange chick-lets are yellow
Like clock work what a duck work out orange          
        Duck handle umbrella               
 Duckies I pledge to you College Preppies
The chick feeder Ain't nothing but a hound dog
      Elvis heart breaker bird-brain feeder

  Moms duck sugar cookies
******* Jack one prize quack quack
 Huckleberry Finn paper boat old billy goat
  In the drowned mans eye holy ducks he delivered
I will blow you down duck horn the day you
were born
Having a third eye one duck Wendy 4 for a 4

Notre Dame church tragic but saved
   The  Easter yellow chicks

To Rome lend me your feathers no secret ears
Sticky Fingers she lost her writing finger in the
pond  OH! look whats beyond so kind
With her duckling apron dress he ducked
The chatty cat "City Dr Seuss"

Wearing duck boots those duck lips played her
like the fancy feast
The teachers pet the ducklings cute darlings
Spa cream she quite the flabber belly dancer
The ballet swan achiever "Spa One Day tripper"
The ugly duckling changed to beauty witch
Holy-land or duck pond Mickey's ears
                   Disneyland

Stand up daffy duck comedian Las Vegas
Godiva Peking duck soup flapping swishing
mess
The Big Ben red whose been sleeping in my
duck wing bed
The car stops he hiccups cute bebops
The guardian angel quack quack any luck
Yummy raspberry pie someone delivered

Christmas Scrooge all tears
New York lights camera I love my
        Serendipity chandeliers
Those duck tear drops last stop
Or you die__your still quacking
       Just in time said I
           Fly Robin Fly

     Saved my baby chick lovely
     Cradled her to love her
          Dr Seuss read
Its about all speculation dreaming need of a nature cool environment ;our eyes up get your cafe favorite cup my baby chicks  words will give flight and I hope you will feel just perfectly right with her duck lips  Quack Quack
Nesma Apr 2017
Suicidal tendencies are condemned infinity worth of light years in insanity, but the bloodlust shown in children's palm imprints on stale walls after every Adha Eid is righteousness: sanity in all its glory.

Flashbacks in action:
1-It's sunny, it's 3 pm, July 1st 1750, a man murders another. The first is a landowner, the latter is a slave who tried to stop his master from ****** his wife, the woman is also one of his master's slaves and that reads: he owns her womb. It's starry, it's 10 pm, July 1st 1750, two slaves discuss the the incident that occurred earlier in agonized whispers, one of them says "he declared his head ripen and ready for plucking when he tried to say no", the other replies "he must have been insane".
2-It's  raining, it's 8 pm, January 1st 1950, a man kisses another. The first is the second's lover, they meet in secrecy twice a week in an abandoned meadow, their footsteps echo the two aforementioned slaves' whispers. It's raining, it's 8:05 pm, January 1st 1950, a third man announces his presence by stepping out of a nearby bush, a step so loud it could be confused for thunder in such a weather, "I only followed you here because you're my friend, and It's because I'm your friend that I will tell you this" he tells his fellow scholar "I won't tell on you if you try to seek help, we now have treatment for homosexuality, you don't have to spend the rest of your life mentally ill".

Only those who show no sign of imprisonment in their desire to be a continuous flow of living generations further are mentally ill. Those who rob others' time,  space, and energy are only trying to live. We feast on mountains, sunlight, water, plants, and other animals. We claim consciousness as our bride. We claim reign as our fate. We claim superiority. Cannons as either angry battle cries or smiles fired in the face of any other, cannibalism shows as we shake hands. We're constantly on the hunt, as both preys and hunters. But that's the way life goes isn't it? Tigers hunt ghazals, ghazals hunt grass, and earth hunts us all the moment we fall or die. We even have a name for this hierarchy of sacred hunting: the life cycle. Such an inappropriate name for a process fueled on constant deaths.

But this juxtaposition is the ultimate definition of all there is. We have also been throughout time told by doctors, by the ever changing science, that in order to be the most active during the day, we need to sleep well during the night; to get eight hours of oceans-deep sleep every time sixteen hours pass on. We say pass on to mean die but the same two syllables have two more meanings; all hail semiotics. To pass on means to die, to give, and to evolve. this I was taught by my mother, and although I don't trust her judgment when it comes to people she remains an exquisite cook, and an exquisite writer. She distinguishes the different spices and synonymous on first sniffs and I will always be grateful for her trial to pass on her nose, high and proud, to me.

Van Gogh passed on his seven sunflowers and twirl-spiral Suns to the humanity whose tongue doesn't always speak in haikus. Van Gogh's second sunflowers burned in Hiroshima. Van Gogh had been rumored to eat yellow paint: as yellow as his sunflowers and twirl spiral Suns, because he couldn't eat the yellow land, the yellow skin, the yellow Japanese utopia. Van Gogh believed that there is a Japanese utopia, Van Gogh believed in the existence of a utopia, Van Gogh believed in the no place, Van Gogh passed his no place on to this humanity.

I inherited paintings in public museums, and paintings on tree leafs. I inherited orchestras in far away operas through the Interwebs, and I inherited movies and dances and all the beauty that this humanity managed to produce. I inherited life, and its deaths, and I can see how in the very root of its injustice there is also grace growing, that clean sheets are not the warmest. I inherited mental illness, and I inherited stale stability. I inherited love, love, and more love. I inherited preys and hunters and I inherited the ability to see the beauty of the accuracy, the run, and the play on capabilities. I  inherited prey and hunters and I inherited the ability to see how preys are hunters and how hunters are preys.
I am grateful for my mental outbursts so called illness
DieingEmbers Sep 2012
They chase them down
through field and town
intending then to eat em'
with plastic forks
and champagne corks
they wallop and they beat em'

They chase by day
and most the night
though I can't understand em'
through thistle grass
and snowy pass
with knives they roughly brand em'

With Caber tossed
and y-fronts lost
these skirted men assault em'
big burly men
with beards yer ken
you really cannot fault em'

With claymore sharp
and Scottish harp
they catch and set to roast em'
with whiskey ryes
And blood shot eyes
these hunters fair do toast em'
Yer ken do you understand

Haggis a Sheeps stomach stuffed with offal a Scottish food
John Mahoney Mar 2012
i.
we spent the autumn day wandering
above the great river the woodland
of the bluffs as dusk fell, shots echoed down the
river canyon, we had completely forgotten
the deer firearms season had opened
down the old logging trail,
a glorious stag eyes wide with confusion
lurched from the wood

ii.
despite our noise, he stumbled ahead
down the  road, and toward the hunters,
we could not turn him into the safety of the park

iii.
as the black night descended we
were surprised by a glow racing towards us
a man on  a bicycle, brightly lit, not with just a
headlamp, but a whole string of lights,
wrapped around the tubes of his
bike frame, like a Christmas tree,
he nodded at us and rode past

iv.
as we sat around the fire back at camp,
silent, pondering the odd events
we had witnessed that day,
and the stag we had maybe sent off
to be killed by some hunter,
i wondered at the strangeness
of it all, this day, and all the days
like it, and all the days to come,
would they have been strange
without my being there to see them,
or, was the strangeness my seeing
              them,
and my being, at all
              stag, still, i am so sorry
Benji James Apr 2018
VERSE ONE
She's bleeding from her lip
From every time he hit
Can't believe that she
Just turned up on my doorstep
Looking like this
And all that I can think
Is how much I want to **** him
Better help her in
Come on let's get you cleaned up
Tell me what happened
Tell me everything he did
Firstly let me clean the bloodstains
from beneath your lips
Wipe the smudged mascara
from beneath your eyes
Seeing you hurt like this
Hurts me deep inside
Gotta be strong for you
Make sure you're comforted
Reassure you everything is gonna be alright
Meanwhile, body temperatures raising
As anger boils deep within
All these thoughts come flooding in

PRE CHORUS
I'm not sure I can keep
All of this rage caged
Killer instincts kicking in
And all I want is revenge on him
For treating you like this
Gotta stay calm,
Keep this girls mind at ease
Help her rest and heal
And as I wipe the blood from your lips
ever so gently
As I wipe the tears from your eyes
You look deep into mine
with every ounce of strength,
she had left she said
please don't go after him
even after all he did

CHORUS
And as she takes my hand she says
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him

VERSE TWO
All these words, I soak them in
All these thoughts
are running up and down my mind
How could she not let me step in
This hurting could stop right here
I'm giving her everything,
She just wants me to sit back
Watch from the sidelines
While she takes on this fight
Why won't she let me stand at her side?
And all of this confusion envelops in me
I'm losing focus, Push this to the back of my head
Need to take care of her here and now
Because she needs you here most
I carry her into the bed tuck her in
As I crash back on the couch
All of the things she said to me replay

PRE CHORUS
I'm not sure I can keep
All of this rage caged
Killer instincts kicking in
And all I want is revenge on him
For treating you like this
Gotta stay calm,
Keep this girls mind at ease
Help her rest and heal
And as I wipe the blood from your lips
ever so gently
As I wipe the tears from your eyes
You look deep into mine
with every ounce of strength,
she had left she said
please don't go after him
even after all he did

CHORUS
And as she takes my hand she says
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him

VERSE THREE
As I wake the next morn
I go to the bedroom to check on her
I see an empty bed well made
on the bedside desk, a neat note laid
Saying thank you for everything you did
Repairing and mending me back to health
I couldn't have a better friend
Sorry I left before you awoke
Just had to get home
Just want you to know
I'm thankful and grateful for all that you are
You'll always be the brightest shining star
Guiding and watching me from afar
And as cheesy as it sounds
It brings a smile to my face
And for a slight moment concern leaves my conscience
But I hold out hope everything is gonna be okay
That's when images of last night run before my eyes

PRE CHORUS
I'm not sure I can keep
All of this rage caged
Killer instincts kicking in
And all I want is revenge on him
For treating you like this
Gotta stay calm,
Keep this girls mind at ease
Help her rest and heal
And as I wipe the blood from your lips
ever so gently
As I wipe the tears from your eyes
You look deep into mine
with every ounce of strength,
she had left she said
please don't go after him
even after all he did

CHORUS
And as she takes my hand she says
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him

VERSE FOUR
Another night, another microwave meal
It's been a while since she last came over
Must be working out,
the counselling must be helping them now
And for once in my life I'm relieved
Knowing she's happy calms my mind
I watch the clock tick time passes by
through montaged scenes
This feels like a happy ending to this story
And photographs of you and I
Are packed in a box
I only open it up from time to time
Childhood memories captured in polaroid frames
I like reminiscing about all those good times
Everything was different then
Together just you and I
Hanging every day and every night
until you moved on with your life
that is just a perfect memory captured in my mind

PRE CHORUS
All of this rage is caged
Calm and content I've stayed
The revenge I wanted on him
Has been forgotten
Even after all he did
I'm calm, breathing and relaxed
My minds at ease
We're both rested and healed
The bloodstained cloths
that cleansed your lips are cleaned
ever so gently you're easing my emotions
As I wipe the tears from my eyes
I think of the way you always look into mine
with every ounce of strength,
You've made me a better man
She was right in what she said
even after all he did

CHORUS
Still feel the tender touch of your hand
And I remember every word she said
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him
And all I can think is how lucky he is
To have a girl like you

VERSE FIVE
As I sit on my couch watching tv
It's been months since she last seen me
When I hear a soft knock at the door
I open it up to see you sitting on the pavement
outside of my front door
she is leaning against the brick wall
Head in her hands, crying
Tears constantly streaming down her cheeks
Bruised arms, black eyes
She looked at me and said
I'm bleeding from my lip
From when he hit
That sentence just tore me to bits
Gotta be strong, Take care of her first
Then I'll hunt him down and make him hurt
Shes covered in scratches, puffy eyes
He really lost control this time
And I'm about to lose mine
I pick her up and bring her in
Pull out the first aid kit,
A warm washer to clean her up
Every dab soft and tender to the touch
I won't hurt you like him ever
I'm the one who will make this all better

PRE CHORUS
I'm not sure I can keep
All of this rage caged
Killer instincts kicking in
And all I want is revenge on him
For treating you like this
Gotta stay calm,
Keep this girls mind at ease
Help her rest and heal
And as I wipe the blood from your lips
ever so gently
As I wipe the tears from your eyes
You look deep into mine
with every ounce of strength,
she had left she said
please don't go after him
even after all he did

CHORUS
And as she takes my hand she says
You're different
All I need is for you to be there
I just need someone who really cares
Someone to wipe away these tears
You're the one guy who tames my fears
I don't need any more protection
then you already give
And I don't want you to end up like him
Even though the love I have for him
Runs deep, I see his faults
But I know his needs
And he is such a big part of my heart
His my addiction, my drug
Don't expect you to understand
I see the mess this is, I can't stop my love for him

VERSE SIX
That time those words don't cut it
Now the hunters become the hunted
I tuck her into bed to sleep
stay with her until she falls into dreams
I watch her smile and breathe as she lays peacefully asleep
I go around to her house just when he walks out
I strike him hard and fast, I made him bleed so much blood
All the pain he put her through I made sure he felt that too
I couldn't keep that rage caged
had to let it out and get revenge
One day she will understand
I did what was best for her
I won't ever let her hurt
He got a few shots in
But nothing compared to what I did to him
Stitches in my hand and brow
I left him hospitalised
I'll never forget the look she gave
when she found out

PRE CHORUS
I tried to explain
I couldn't keep this rage caged
Killer instincts kicked in
And I got my revenge on him
For treating you like this
Didn't stay calm
Didn't keep her mind at ease
Help her rest and heal
I wiped the blood from her lips
I wiped the tears from your eyes
What he did to you killed me inside
with every ounce of strength,
And everything I am
I went after him
after all, he did

CHORUS
This time she didn't take my hand
And I knew I wasn't going to be a fan
of what she had to say
I regret putting my trust and faith in you
You aren't different
All I needed was for you to be there
I just needed someone who really cared
Someone to wipe away these tears
You were the one guy who tamed my fears
I didn't need any more protection
that you hadn't already given
I didn't want you to be like him
Violence never solved anything
I was ready to leave him for you
You went against everything I said
My love and admiration for you ran deep,
I see your faults
I know your needs
But now you have betrayed me
You were such a big part of my heart
You could have been my addiction, my drug
I was hoping you would listen and understand
Not go after him like you did
I can see the mess this is, my hearts been shattered
Beyond repair, I never want to see you again
Those lines run on repeat through my head.

©2018 Written By Benji James
liz Jun 2015
The amount of eraser shavings I have tucked away in my night stand could fill up twelve pencil boxes.
Words have been erasing from my paper like hunters beating down trails for homeless, bony foxes.
And I'm afraid of all the words that I'm going to forget as I'm running blind, straight ahead.
My unclipped claws are scratching the dirt in a race that won't settle anything- that won't lay the hunters to bed.
The night couldn't get anymore viscous as it calls in the boisterous wind to erase everything that I have to say like a merciless king.
The hunters don't know there is no pack leader, that I'm alone, and the tracks I leave behind are the words that sting.
I've lost sight of my pages in this cold, lightless wood; rendered breathless and afraid.
I'm trying to speak, but all that's coming out of my mouth are eraser shavings and the hunters have already took their first bullet to invade.
So, the drawer beside my cold bed is composed of red, crumbled pieces of rubber full of words I'll never know.
As I lay beneath the menacing branches, waiting for the hunters to pass,  I watch with crackling, shaking bones everything
that was once a friend to me, dissolve like white snow.
K Balachandran Oct 2013
Buzzard, eagle, falcon, hawk,
Tiger, cheetah, lion, leopard,
panther, cougar, wild cat
intense all these predators are,
in carnal love and the war for dominance.
Each has characteristic hunting ways,
in day time prowling,  plain beasts, they remain,
at sunset , each springs up,  party time starts.
Birds of prey in silence watch from above
and find the right target, at a time that suits.
No endearments, in love or in games,
only body speaks of desires or warnings
Swift expression of demand, quick strike,
overpower and make the other surrender.
Throaty growls hurting silence of the forest
double as their sparse love language.
Hunters can never be lovers, their actions speak,
they demand, commandeer, force to surrender.
Coop Lee Jun 2014
to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.
Robin Carretti Aug 2018
E Enter In Out EIO
E-IE-I-O  the O- the outcome
Playing some Banjo giggly
Words are getting wiggly
Like everlasting Jello
The Old/ New Heaven?Hell

Meet the best
transformation
Absolutely
It's in our duty
Takes effort modern-times
Instagram pictures of Mcdonald
Don't bend yourself
out of shape over hot buns
Hunters bite of the hamburger
Amazing shapes of the Planet
to enter

Don't live like the pretender
Your the pilot absolutely laughing
to the end of the wing
Catching fresh air telling some dirt
Not everything is a
*Pink champagne
Riot
EIEIO Airplane he raised this pilot
Blue sky absolutely
looking too hard
People are starting to look strange
B-S Be Sweet I know what
you thought words get rearranged
What bull one boy to
have a coke with a smoke with
Is this the way it should be
Bye Bye Birdie Ann Margarita
Is this what life is about

He salutes to  my absolutely
knock out dress

Inside of his head, he's
looking mighty fine
Drinking Absolute *****
When its truly mine
Silk ties or Paisley Ties
Crazy love absolutely
Time traveler talker
Who is your caretaker
The burden to carry on
Girls want to have fun
Homemaker proud baker
Be on time yes absolutely
After I know what
happen before
One day I will find out
what this is all about
All ones or against none
Mr. Sexter in the City
The forever not to marry one

She's the absolute solitaire player
He's the homebody head ringer
Cut face band-aid
The band's and singers
Newsstands Jazz step swingers

American Bandstand
The time is hand full  such corruption
No freedom what happen for the
*Love of God Kingdom


Absolute insane asylum of maids
Absolutely I agree its hard
enough for one
E for entering I- I Phone OH!
Out of your mind
Get out I absolutely don't
need you in
the best time of my life
Chose your words wisely
Absolutely solemnly swear
Something is not
Kosher my Dear
We love to carry on
Not to carry someone over the
threshold do what you're told
Get up sleepy head you will
be late for school

Old Mcdonald EIEIO
E Exception I want that
E-Everything I Immaculate
O- Out of money
What *******
He's banging his drumsticks
You're the Oz good witch
Making more room with
your broomstick
She is absolutely the
spitting image of
her "Mom Mega babe'
clicker

So many Odd Moms
On speed racing for time
Coffee moms Business Moms
She is absolutely the prettiest
Mom I came across
Absolutely rarely do you see
Hollywood Housewife acting
like Moms
Her skirt got the heat like
A-Absolute what a cute "City Cat"
meeting the cat________??
"From Hell ringing the Liberty Bell"
A haystack don't turn your back
You absolutely got into his heat

Rekindled by the barn cat
How dogs and cats may
be disobedient
But we love them for
who they are
Even if they look
like their masters  
We are born like that
The artist absolutely
Graphically lined
Of the absolutely cool
deviant defined
She had lines of a lifetime
in her pleats
He didn't make his bed
wrinkled sheets
French bulldog has
more manners
Then his master
Hey Buster

Board signs on your body
But we all have to
make a living
So it's fading like an
Antique Queen malevolent
jewels
Too bright hurting
my eyes shining
Do you trust her or him
Expectations are getting slim
Losing time your gold trim
The double-breasted dress you
hear a
Robin bird symphony
You're the absolute epiphany
Going and tumbling back to
be single eating a triple
decker sandwich

Hey Mate?
Absolute Divine Date*

She is absolutely beyond herself
Never known a love to
be absolutely right

Were human or our beliefs fire out
Evidentially taking a flight
Make it the best fight you ever had
Writing an article we hours
of the morning smile and
tell the world
What you need to say
is as real as your heart will ever feel
We learn from the best the
spiritual journey
here's to a healthy meal
The Newsweek more moments
to remember absolutely our best times
The
Bird's eyeabsolutely so precisely
the eye for E-I-E-I let's catch up to O
Any mystery making history
Jane Eyre  
Life leads us on the "Empty
"Sad Doorway"
Make it a "Jumpy Glad on a Clear Day"
It's absolutely lovely to see forever
  Moreover, the rainbow don't worry

Make it heavenly birds
Absolutely our time is precious
have it your way

Absolute genius the
best cattle
Hot Moon lady from Venus
Absolutely this is not the drink of ***** but we can absolutely make this into anything you like its the absolute of all the things we need to laugh with or the tough tie to bear it don't fear anything make this time on our planet everything
Marieta Maglas Aug 2013
(The royal hunters were coming home.)

The deserted forest remained on the top of the mountain

Left by the hunters. They were resting near a natural fountain.

Vipers frightening could see boars, and deer being dead,

But also the king laughing, drinking water, and washing his head.


Keeping the balance of their galloping horses, the hunters could see

The stony marble statues of the castle, guarding it with their esprit.

Basking in their glory, the hunters sang the winner's song with grace.

Fluttering their flags, they rejoiced to review their home place.

(Jezebel left the cave, and entered the house for the dinner.)


Entering the house, Jezebel called John while climbing the stairs.

The early return of their parents could catch them almost unawares.

They tried to refresh very well in order to go down for the dinner.

Making her way downstairs, she wanted to know if she was still a sinner.


Mary was also her aunt, and a nun. She taught Jezebel many prayers.

She entered the room, kissed her, and took a seat on one of the chairs.

She greeted her royal parents, and her twelve years old brother, John.

Soon after the familiar dinner had finished, her brother began to yawn.
……………………………………………………………………………………………………………………………………….
(Mary,­ Jezebel, and John, the twelve years old son of the royal pair, were waiting for Richard, and Anne to return in order to have their family dinner. )

John is a dreamer', said Mary. 'Sometimes, the dream is an illusion.'

'This life can be an illusion', replied Anne, the queen. 'It's easy to see'.

Richard said, 'Anne, the life can be a chain because of a dream of confusion'.

Mary smiled concluding, 'From Hell, sin, *******, slavery, God has set us free.'


' Sometimes, I recognize I'm a dream catcher', said the king. 'Well, I can't

Make really be mine any of those ideal dreams, though for Heaven I got a grant.'

'The deep forest knows to hide the beauty, when the wild monsters can smile.

Forest can make things be very hard to be found, when very narrow is its aisle.'


'I am here to witness the present, and to be sure that you forgot the past',

Mary continued. 'I want to save Jezebel in her strong struggle to the last.

I'm happy to understand her fate, and to find out that a miracle has seen heaven.'

'What do you really mean, my dear aunt? Look at the clock, it's already eleven.'


'Yes, it's too late for you, dear Jezebel. It's time for you to go to sleep!'

'I'm going to bed exactly like those sad things that in the night are very creep.

Not any longer I play hide or jump on my bed, though once I really liked this.

I really feel, and then I stand back up, because I have grown up. That time I miss.'


Anne said, 'I use to walk in the garden, and to smell the orchid flowers.

Sometimes, I stop for a few minutes to admire those beautiful two towers,

But even so, I can't avert my thoughts from the disaster of my destiny's path.

Before starting to ease my new suffering, I have firstly to ease my old wrath.'


The queen remembered that she avoided to invite her sister to Jezebel's

Christening, but Surah came up with a few curse words to the ring of bells.

She said, "When she will be sixteen, she will injure herself with a spindle, and die!"

'Please God, don't let this happen', said Mary while holding her hands up high.


'I remember that I prayed hardly for Surah to become a good person,

But I received nothing from God. Surah's life has continued to worsen.'

''When she will hurt herself, she will fall into a deep sleep instead of dying''.

Using these words, Surah changed her curse. Meanwhile, my queen was crying.'
Pagan Paul Nov 2017
.
Boiling clouds approach the dawn,
a profusion of sinister foreboding,
banking up to obscure the day,
a menacing storm just reloading.

A figure runs across the moor,
panic and purpose in hostile flight,
pursued relentless across the heather,
desperately chasing the receding night.

A treeline beckons promising safety,
a disguise from the hunters view,
open ground slips passed slowly,
the forests sanctuary calls anew.



I wake startled, heart hammering in my chest,
fight or flight images seek my mind to infest.
The pounding in my head, hooves on a forest floor,
provoke shivers, as rivulets upon a dampened moor.
My breathing slows and sweat dries upon my skin,
a sense of belonging starts to grow from within.
Dazed I slip sideways out of my comfort bed,
and stare into the mirror at the antlers on my head.
I return to the bed and casually slide back in,
wondering where my fantasy dreams had been,
but all I discovered was another fitful sleep
as the images form of a treasure I keep.

Memory bubbles up and I am in a glade,
sun shining bright and sat in the shade.
Billhook and bow saw propped by a tree,
the life in the forest feeling good to me.
Peace and tranquility, I counted my luck,
when out of the trees sprang a young buck.
So fragile but already magnificent and proud,
stomping his hooves, snorting out loud.
Brave and insolent he looked at my eyes,
staring me down, holding caution so wise.
A look passed between us, a mute reflection,
an instant mind meld of atavistic connection.
I was He and He was me,
my spirit guide for eternity.
And the sun shone upon us in that glade,
the forest spirits celebrating that bond made.



With failing energy, tired from the chase,
a thought of doom and my senses race.
Taking rest in the heart of a clearing,
a quick twang and the pain is searing.
Surrounded in a trap the hunters prepared,
there is no way of escape, I am ensnared.
The loosed arrows point is sharply felt,
as a crimson flood stains my pelt.
Mind is swooning and my legs bend.
This is not how the Old Tales end ...


The scythe of Death merrily reaps,
lightening strikes, thunder rolls.
The frigid grave waits so silent,
empty, for he whom the bell tolls.

Boiling clouds obscure Dawns pale skies,
as the hunters horn in triumph it cries.
This is the End, when the dream dies.
My heart is still and I gently close my eyes.



© Pagan Paul (11/11/17)
.
Not all stories have a happy ending.
.
Dougie Simps Jul 2013
I don't hangout with normal people, they do not see me as their equal,
I'm a strange, deranged mind who to them represents evil...
A pigeon who needs to be fed or fed on by an eagle
I guess your rough perceptions, and strong question never really did ever make for a sequel.
So lets end your story, poetic hunters feigning for glory...
Who cut our words short, adjectives, ****** and gory
And my complex thinking, they simply ignore me!
But they'll cause an action as soon as their pockets scream "poor me!"
I wonder if we're heading for a direction that we were in before me?

Turn a skeptic into a believer..
Turn a failure into a achiever..
Turn a group of hopeless followers into brave and bold leaders
Approach a woman with caution
She just may be a deceiver
Who prays on naive men, rips their hearts out and then mentally eats em!
Take life 12 rounds, don't let the knockout beat ya
Be your own star, don't settle for someone else's feature

I tend to over-think
What most of society thinks
I also sometimes wonder
If they'd help me if I ever sink?
I can't be to concerned
Disaster strikes in a blink
Learn to survive, too stay alive
If you wanna avoid jumping off the plank.

Ready to finish this song off
With a mind that is usually wrote off
Cause I think of society as a place where, media rules and we're all a cost
Breathing in fresh exhaust
While feeling the burn of the world's frost
Leaving the good people, hurt, in a daze and just all lost
My hands are bleeding freedom as I pray and hope for freedom
Locked up as a poetic peasant
Stuck in a mindless kingdom...

Where the bad outweighs the good
Hunting on poetic thinking
Cause poetic minds are targeted and never understood!


-Dougie Simps
Simple thing I wrote today. share, comment and enjoy!
Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp
Timothy Oct 2012
Here bygynneth the Book of the tales of Caunterbury*
Whan that Aprille with his shoures soote,
The droghte of March hath perced to the roote,
And bathed every veyne in swich licóur
Of which vertú engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale foweles maken melodye,
That slepen al the nyght with open ye,
So priketh hem Natúre in hir corages,
Thanne longen folk to goon on pilgrimages,
And palmeres for to seken straunge strondes,
To ferne halwes, kowthe in sondry londes;
And specially, from every shires ende
Of Engelond, to Caunterbury they wende,
The hooly blisful martir for to seke,
That hem hath holpen whan that they were seeke.

Bifil that in that seson on a day,
In Southwerk at the Tabard as I lay,
Redy to wenden on my pilgrymage
To Caunterbury with ful devout corage,
At nyght were come into that hostelrye
Wel nyne and twenty in a compaignye
Of sondry folk, by áventure y-falle
In felaweshipe, and pilgrimes were they alle,
That toward Caunterbury wolden ryde.
The chambres and the stables weren wyde,
And wel we weren esed atte beste.
And shortly, whan the sonne was to reste,
So hadde I spoken with hem everychon,
That I was of hir felaweshipe anon,
And made forward erly for to ryse,
To take oure wey, ther as I yow devyse.

But nathelees, whil I have tyme and space,
Er that I ferther in this tale pace,
Me thynketh it acordaunt to resoun
To telle yow al the condicioun
Of ech of hem, so as it semed me,
And whiche they weren and of what degree,
And eek in what array that they were inne;
And at a Knyght than wol I first bigynne.

A Knyght ther was, and that a worthy man,
That fro the tyme that he first bigan
To riden out, he loved chivalrie,
Trouthe and honóur, fredom and curteisie.
Ful worthy was he in his lordes werre,
And thereto hadde he riden, no man ferre,
As wel in cristendom as in hethenesse,
And evere honóured for his worthynesse.
At Alisaundre he was whan it was wonne;
Ful ofte tyme he hadde the bord bigonne
Aboven alle nacions in Pruce.
In Lettow hadde he reysed and in Ruce,—
No cristen man so ofte of his degree.
In Gernade at the seege eek hadde he be
Of Algezir, and riden in Belmarye.
At Lyeys was he, and at Satalye,
Whan they were wonne; and in the Grete See
At many a noble armee hadde he be.

At mortal batailles hadde he been fiftene,
And foughten for oure feith at Tramyssene
In lyste thries, and ay slayn his foo.
This ilke worthy knyght hadde been also
Somtyme with the lord of Palatye
Agayn another hethen in Turkye;
And evermoore he hadde a sovereyn prys.
And though that he were worthy, he was wys,
And of his port as meeke as is a mayde.
He nevere yet no vileynye ne sayde,
In al his lyf, unto no maner wight.
He was a verray, parfit, gentil knyght.

But for to tellen yow of his array,
His hors weren goode, but he was nat gay;
Of fustian he wered a gypon
Al bismótered with his habergeon;
For he was late y-come from his viage,
And wente for to doon his pilgrymage.

With hym ther was his sone, a yong Squiér,
A lovyere and a ***** bacheler,
With lokkes crulle as they were leyd in presse.
Of twenty yeer of age he was, I gesse.
Of his statúre he was of evene lengthe,
And wonderly delyvere and of greet strengthe.
And he hadde been somtyme in chyvachie
In Flaundres, in Artoys, and Pycardie,
And born hym weel, as of so litel space,
In hope to stonden in his lady grace.
Embrouded was he, as it were a meede
Al ful of fresshe floures whyte and reede.
Syngynge he was, or floytynge, al the day;
He was as fressh as is the month of May.
Short was his gowne, with sleves longe and wyde;
Wel koude he sitte on hors and faire ryde;
He koude songes make and wel endite,
Juste and eek daunce, and weel purtreye and write.
So hoote he lovede that by nyghtertale
He sleep namoore than dooth a nyghtyngale.
Curteis he was, lowely and servysáble,
And carf biforn his fader at the table.

A Yeman hadde he and servántz namo
At that tyme, for hym liste ride soo;
And he was clad in cote and hood of grene.
A sheef of pecock arwes bright and kene,
Under his belt he bar ful thriftily—
Wel koude he dresse his takel yemanly;
His arwes drouped noght with fetheres lowe—
And in his hand he baar a myghty bowe.
A not-heed hadde he, with a broun viságe.
Of woodecraft wel koude he al the uságe.
Upon his arm he baar a gay bracér,
And by his syde a swerd and a bokeler,
And on that oother syde a gay daggere,
Harneised wel and sharp as point of spere;
A Cristophere on his brest of silver sheene.
An horn he bar, the bawdryk was of grene.
A forster was he, soothly as I gesse.

Ther was also a Nonne, a Prioresse,
That of hir smylyng was ful symple and coy;
Hire gretteste ooth was but by seinte Loy,
And she was cleped madame Eglentyne.
Ful weel she soong the service dyvyne,
Entuned in hir nose ful semely;
And Frenssh she spak ful faire and fetisly,
After the scole of Stratford atte Bowe,
For Frenssh of Parys was to hire unknowe.
At mete wel y-taught was she with-alle:
She leet no morsel from hir lippes falle,
Ne wette hir fyngres in hir sauce depe.
Wel koude she carie a morsel and wel kepe
Thát no drope ne fille upon hire brist;
In curteisie was set ful muchel hir list.
Hire over-lippe wyped she so clene
That in hir coppe ther was no ferthyng sene
Of grece, whan she dronken hadde hir draughte.
Ful semely after hir mete she raughte.
And sikerly she was of greet desport,
And ful plesáunt and amyable of port,
And peyned hire to countrefete cheere
Of court, and been estatlich of manere,
And to ben holden digne of reverence.
But for to speken of hire conscience,
She was so charitable and so pitous
She wolde wepe if that she saugh a mous
Kaught in a trappe, if it were deed or bledde.
Of smale houndes hadde she, that she fedde
With rosted flessh, or milk and wastel breed;
But soore wepte she if oon of hem were deed,
Or if men smoot it with a yerde smerte;
And al was conscience and tendre herte.

Ful semyly hir wympul pynched was;
Hire nose tretys, her eyen greye as glas,
Hir mouth ful smal and ther-to softe and reed;
But sikerly she hadde a fair forheed;
It was almoost a spanne brood, I trowe;
For, hardily, she was nat undergrowe.
Ful fetys was hir cloke, as I was war;
Of smal coral aboute hire arm she bar
A peire of bedes, gauded al with grene,
And ther-on heng a brooch of gold ful sheene,
On which ther was first write a crowned A,
And after, Amor vincit omnia.

Another Nonne with hire hadde she,
That was hire chapeleyne, and Preestes thre.

A Monk ther was, a fair for the maistrie,
An outridere, that lovede venerie;
A manly man, to been an abbot able.
Ful many a deyntee hors hadde he in stable;
And whan he rood, men myghte his brydel heere
Gýnglen in a whistlynge wynd als cleere,
And eek as loude, as dooth the chapel belle,
Ther as this lord was kepere of the celle.
The reule of seint Maure or of seint Beneit,
By-cause that it was old and som-del streit,—
This ilke Monk leet olde thynges pace,
And heeld after the newe world the space.
He yaf nat of that text a pulled hen
That seith that hunters ben nat hooly men,
Ne that a monk, whan he is recchelees,
Is likned til a fissh that is waterlees,—
This is to seyn, a monk out of his cloystre.
But thilke text heeld he nat worth an oystre;
And I seyde his opinioun was good.
What sholde he studie and make hymselven wood,
Upon a book in cloystre alwey to poure,
Or swynken with his handes and labóure,
As Austyn bit? How shal the world be served?
Lat Austyn have his swynk to him reserved.
Therfore he was a prikasour aright:
Grehoundes he hadde, as swift as fowel in flight;
Of prikyng and of huntyng for the hare
Was al his lust, for no cost wolde he spare.
I seigh his sleves y-púrfiled at the hond
With grys, and that the fyneste of a lond;
And for to festne his hood under his chyn
He hadde of gold y-wroght a curious pyn;
A love-knotte in the gretter ende ther was.
His heed was balled, that shoon as any glas,
And eek his face, as he hadde been enoynt.
He was a lord ful fat and in good poynt;
His eyen stepe, and rollynge in his heed,
That stemed as a forneys of a leed;
His bootes souple, his hors in greet estaat.
Now certeinly he was a fair prelaat.
He was nat pale, as a forpyned goost:
A fat swan loved he best of any roost.
His palfrey was as broun as is a berye.

A Frere ther was, a wantowne and a merye,
A lymytour, a ful solémpne man.
In alle the ordres foure is noon that kan
So muchel of daliaunce and fair langage.
He hadde maad ful many a mariage
Of yonge wommen at his owene cost.
Unto his ordre he was a noble post.
Ful wel biloved and famulier was he
With frankeleyns over al in his contree,
And eek with worthy wommen of the toun;
For he hadde power of confessioun,
As seyde hym-self, moore than a curát,
For of his ordre he was licenciat.
Ful swetely herde he confessioun,
And plesaunt was his absolucioun.
He was an esy man to yeve penaunce
There as he wiste to have a good pitaunce;
For unto a povre ordre for to yive
Is signe that a man is wel y-shryve;
For, if he yaf, he dorste make avaunt
He wiste that a man was répentaunt;
For many a man so hard is of his herte
He may nat wepe al-thogh hym soore smerte.
Therfore in stede of wepynge and preyéres
Men moote yeve silver to the povre freres.
His typet was ay farsed full of knyves
And pynnes, for to yeven faire wyves.
And certeinly he hadde a murye note:
Wel koude he synge and pleyen on a rote;
Of yeddynges he baar outrely the pris.
His nekke whit was as the flour-de-lys;
Ther-to he strong was as a champioun.
He knew the tavernes wel in every toun,
And everich hostiler and tappestere
Bet than a lazar or a beggestere;
For unto swich a worthy man as he
Acorded nat, as by his facultee,
To have with sike lazars aqueyntaunce;
It is nat honest, it may nat avaunce
Fór to deelen with no swich poraille,
But al with riche and selleres of vitaille.
And over-al, ther as profit sholde arise,
Curteis he was and lowely of servyse.
Ther nas no man nowher so vertuous.
He was the beste beggere in his hous;
[And yaf a certeyn ferme for the graunt,
Noon of his brethren cam ther in his haunt;]
For thogh a wydwe hadde noght a sho,
So plesaunt was his In principio,
Yet wolde he have a ferthyng er he wente:
His purchas was wel bettre than his rente.
And rage he koude, as it were right a whelpe.
In love-dayes ther koude he muchel helpe,
For there he was nat lyk a cloysterer
With a thredbare cope, as is a povre scolér,
But he was lyk a maister, or a pope;
Of double worstede was his semycope,
That rounded as a belle, out of the presse.
Somwhat he lipsed for his wantownesse,
To make his Englissh sweete upon his tonge;
And in his harpyng, whan that he hadde songe,
His eyen twynkled in his heed aryght
As doon the sterres in the frosty nyght.
This worthy lymytour was cleped Hubérd.

A Marchant was ther with a forked berd,
In motteleye, and hye on horse he sat;
Upon his heed a Flaundryssh bevere hat;
His bootes clasped faire and fetisly.
His resons he spak ful solémpnely,
Sownynge alway thencrees of his wynnyng.
He wolde the see were kept for any thing
Bitwixe Middelburgh and Orewelle.
Wel koude he in eschaunge sheeldes selle.
This worthy man ful wel his wit bisette;
Ther wiste no wight that he was in dette,
So estatly was he of his gouvernaunce,
With his bargaynes and with his chevyssaunce.
For sothe he was a worthy man with-alle,
But, sooth to seyn, I noot how men hym calle.

A Clerk ther was of Oxenford also,
That unto logyk hadde longe y-go.
As leene was his hors as is a rake,
And he nas nat right fat, I undertake,
But looked holwe, and ther-to sobrely.
Ful thredbare was his overeste courtepy;
For he hadde geten hym yet no benefice,
Ne was so worldly for to have office;
For hym was lévere háve at his beddes heed
Twénty bookes, clad in blak or reed,
Of Aristotle and his philosophie,
Than robes riche, or fíthele, or gay sautrie.
But al be that he was a philosophre,
Yet hadde he but litel gold in cofre;
But al that he myghte of his freendes hente
On bookes and on lernynge he it spente,
And bisily gan for the soules preye
Of hem that yaf hym wher-with to scoleye.
Of studie took he moost cure and moost heede.
Noght o word spak he moore than was neede;
And that was seyd in forme and reverence,
And short and quyk and ful of hy senténce.
Sownynge in moral vertu was his speche;
And gladly wolde he lerne and gladly teche.

A Sergeant of the Lawe, war and wys,
That often hadde been at the Parvys,
Ther was also, ful riche of excellence.
Discreet he was, and of greet reverence—
He semed swich, his wordes weren so wise.
Justice he was ful often in assise,
By patente, and by pleyn commissioun.
For his science and for his heigh renoun,
Of fees and robes hadde he many oon.
So greet a purchasour was nowher noon:
Al was fee symple to hym in effect;
His purchasyng myghte nat been infect.
Nowher so bisy a man as he ther nas,
And yet he semed bisier than he was.
In termes hadde he caas and doomes alle
That from the tyme of kyng William were falle.
Ther-to he koude endite and make a thyng,
Ther koude no wight pynche at his writyng;
And every statut koude he pleyn by rote.
He rood but hoomly in a medlee cote,
Girt with a ceint of silk, with barres smale;
Of his array telle I no lenger tale.

A Frankeleyn was in his compaignye.
Whit was his berd as is the dayesye;
Of his complexioun he was sangwyn.
Wel loved he by the morwe a sop in wyn;
To lyven in delit was evere his wone,
For he was Epicurus owene sone,
That heeld opinioun that pleyn delit
Was verraily felicitee parfit.
An housholdere, and that a greet, was he;
Seint Julian he was in his contree.
His breed, his ale, was alweys after oon;
A bettre envyned man was nowher noon.
Withoute bake mete was nevere his hous,
Of fissh and flessh, and that so plentevous,
It snewed in his hous of mete and drynke,
Of alle deyntees that men koude thynke,
After the sondry sesons of the yeer;
So chaunged he his mete and his soper.
Ful many a fat partrich hadde he in muwe,
And many a breem and many a luce in stuwe.
Wo was his cook but if his sauce were
Poynaunt and sharp, and redy al his geere.
His table dormant in his halle alway
Stood redy covered al the longe day.
At sessiouns ther was he lord and sire;
Ful ofte tyme he was knyght of the shire.
An anlaas, and a gipser al of silk,
Heeng at his girdel, whit as morne milk.
A shirreve hadde he been, and a countour;
Was nowher such a worthy vavasour.

An Haberdasshere, and a Carpenter,
A Webbe, a Dyere, and a Tapycer,—
And they were clothed alle in o lyveree
Of a solémpne and a greet fraternitee.
Ful fressh and newe hir geere apiked was;
Hir knyves were chaped noght with bras,
But al with silver; wroght ful clene and weel
Hire girdles and hir pouches everydeel.
Wel semed ech of hem a fair burgeys
To sitten in a yeldehalle, on a deys.
Éverich, for the wisdom that he kan,
Was shaply for to been an alderman;
For catel hadde they ynogh and rente,
And eek hir wyves wolde it wel assente,
And elles certeyn were they to blame.
It is ful fair to been y-cleped Madame,
And goon to vigilies al bifore,
And have a mantel roialliche y-bore.

A Cook they hadde with hem for the nones,
To boille the chiknes with the marybones,
And poudre-marchant ****, and galyngale.
Wel koude he knowe a draughte of Londoun ale.
He koude rooste, and sethe, and broille, and frye,
Máken mortreux, and wel bake a pye.
But greet harm was it, as it thoughte me,
That on his shyne a mormal hadde he;
For blankmanger, that made he with the beste.

A Shipman was ther, wonynge fer by weste;
For aught I woot he was of Dertemouthe.
He rood upon a rouncy, as he kouthe,
In a gowne of faldyng to the knee.
A daggere hangynge on a laas hadde he
Aboute his nekke, under his arm adoun.
The hoote somer hadde maad his hewe al broun;
And certeinly he was a good felawe.
Ful many a draughte of wyn hadde he y-drawe
Fro Burdeux-ward, whil that the chapman sleep.
Of nyce conscience took he no keep.
If that he faught and hadde the hyer hond,
By water he sente hem hoom to every lond.
But of his craft to rekene wel his tydes,
His stremes, and his daungers hym bisides,
His herberwe and his moone, his lode-menage,
Ther nas noon swich from Hulle to Cartage.
Hardy he was and wys to undertake;
With many a tempest hadde his berd been shake.
He knew alle the havenes, as they were,
From Gootlond to the Cape of Fynystere,
And every cr
D-Quinn Apr 2012
A fire burns deep within
the belly of an ancient beast.
The hunter's moon will bring again
a colder wind and rougher seas.
There was a time so long ago
when spear would pierce the night.
Man would chase beast far below
as the hunter's moon shed her light.

But soon time burried the beast deep beneath
and the moon would glow no more.
Man has sown and so man must reap
a fate which is crueler than ever before.
Angry, with a golden sheen
the beast will rise again.
The hunter's moon will quietly bring
a lighted path to the hunters' bed.
Asleep, behind closed eyes they stay
as the fiery beast burns their sights away.

What unforgiving hunters they've been,
yet, the beast has allowed their lives.
The hunters thought that the beast's retreat
was to keep the fables away at night.
Now hunters and wives all weep and grieve
and mourn the loss of their eyes.
The first man's gluttony and greed
has caused the last man to be blind.

Ya dig?
Robin Carretti Aug 2018
The riveting heart feels
the weight of trouble
The rebel is like a watchdog
sentinel
Whats in our Bible?
Things change to make the
difference

"Like a new invention but there is interference"

The Castle you hear
a rattle
wasn't a baby rattle
Minds settling or quietly dazing
No defeating over the rainbow
It's like running then you stop
You look at his watered fingers
Of the great lakes, he's admiring
your lady's fingers

Lips divine as one like us
The gold rush collection
Just a secret hush affection
A treaty concession
Picking out the candy
          Skittle
The pivoting flying shy like a sky
riddle
Him or Her piloting its time
Two sets of eyes world of exploring
Not to keen
on exploiting

Her dress movie flowing prayers to
be answered so vain
Heads Spin city flaunting
Defeats us haunting
Who loves us
Who will help us
       SOS
Like a delicacy one of a kind
She's the rebel let her guess
Such a rarity smile with
dignity dressed up doll
she is dainty
To many disguises to face the
mirror of vanity
Rebel Rebel David Bowie
He is a genius of music
Shines a world gigantic

Rebel world of cults and sanity
What was heavily Tis
To be blessed
Rebels of hearts of Madonna
Greyhound bus

Our scorched finger heats
Riding the *
Porshe Red firehouse
A beat something rare but overly sweet
Robin risque I  need more clues
Braveheart Riding hood in the woods
to be saved in her rebel shoe's

Queen heads up with the Dean
 Her embossed gold letters
Of a spell, forever mean
The heats on rebels defeat over
Modern time the "Dell"

Rebel wish from a deserving well

Computer and devil decipher
Compelled to love her
The Dark Shadows mansion
Angelique scarlet fever
Dark inside her label dress
What did he deliver?
"'Who lives by the standard rule messy is ****"
Rebel rebel look at your bloodshot pupils
taking things for granted

Freakish odd things posted
Are bizarre even her brassiere
Mean as a *Manchette

We are not as one
normal read the Gazette
More rivals and feather
pen of forgery
What a hard act to follow like surgery
Every molecule being
dissected to poke
A love primal no
common ground
This isn't a joke

Everyone tantalizing tribal
Creatures not in direct sunlight
Defeats us like rebels at night
Being inconsistent rebels
lead the way but far away
distant

We are not realizing what defeats us
Endorphin releasing our energy
Lifting our orphan spirits
Moon worshipper climbers
We are the simple people
Nothing too explicit
Or razor sharp to cut us

The Messiah
Solomon Torah of Isreal
Old Testament Jerusalem
Everything is way too ****** red
Like Salem
What defeats us
Voodoo or Christmas Hoo Hoo

Santas gift got stolen and snatched
Having a fight with a door latch
Magic somehow not in our favor to match
Tragic music rock or swing jazz of a glitch
But everything defeats us
Psychic third eye
She is so tragically hurt
So Manic not the
brave rebel flirt

Like the limited edition
So many of us are uninvited
Not the VIP pass
Ressurection new rebel convention
Unique kind of communication

The last time I saw you on vacation
Relic hunters the lightning
Hells Angel rider conjuring
What mouths to feed of thunder
Nazis all  our undivided
attention pictures
They snap having a field day
of paparazzi
Priestesses devil wears the
Prada dresses were out
of designers
I wonder why to travel heretics
Such treachery and butchery
Being grilled like steaks but
not a Dynasty
Too graffitied feeling fried
How loves are taken like the fools

The business arrangements
Foreign exchange groups
Rebelling their way
through college
Time is the essence of
being mutual
beneficial much
higher potential
More spiritual rituals
We need more Gods of top
rank **Generals

General Mills cereal at least
not the serial killer
What defeats us our spirit leads us to dark energy place it's up to
us the human race. We are rebels in a portal or are we not real all mortal
WA West Sep 2018
Expert testimony has decreed yellow,

Who are we to speak against those with seven tongues and antlers,

You sleep as the muffin man creeps

Camera in hands and remnants of sickness past upon his clothes

Your eyes Otto Dix, your face like an anguished customer at Greggs.

He, the muffin man, staggers in the night and surveys these barren lands.

At what point will you release your patterned anguish?

Expert testimony has decreed yellow,

Watermelon and disorder for the masses in their lived fury

hunters of the lowest rung,

misery and handbags at the cumulative paces from Newcastle to Carlisle

Flawed Romans and tasty Saxons,

Expert testimony has decreed yellow,

Revolt! bring down the manor!

The muffin man in his element, deckchair reclined
Compelled by calamity's magnet
They loiter and stare as if the house
Burnt-out were theirs, or as if they thought
Some scandal might any minute ooze
From a smoke-choked closet into light;
No deaths, no prodigious injuries
Glut these hunters after an old meat,
Blood-spoor of the austere tragedies.

Mother Medea in a green smock
Moves humbly as any housewife through
Her ruined apartments, taking stock
Of charred shoes, the sodden upholstery:
Cheated of the pyre and the rack,
The crowd ***** her last tear and turns away.
Cory Ellis Jun 2013
Hey guys. This isn't truly a poem but a paper I wrote for English class. I wanted to share this view with people and this is the only vehicle I knew to use. So here it is. I hope you enjoy it.
-------------------------------------------------------------­--------------------------------------------------


The amplifiers were turned up to ten. The young and fresh crowd looked at us with anticipation.

What were they waiting for? As the music began I noticed the subtle movements and growing tension in

the crowd. Men shook their heads and we shook ours in a violent duet between the crowd and

performer. Women and men flailed their limbs as they awaited the ******. We knew when it was

coming; they did not. When we decided to let it all go I witnessed something crazy! There was a brief

pause in the music and when it began again we kicked it into overdrive. We shook our heads with a

more frantic pace. We jumped about like madmen. The crowd erupted; it became its own entity. You

could feel the heat and power of this new creature. We were locked in a violent psychic-sphere of

crazed young teens and when the ****** was over there seemed to be a sense of relief and happiness

in the crowd. Had my after school hobby become a healing agent, even if only temporary, in society?

This papers purpose is an attempt at piecing together the phenomena of catharsis by merging

philosophy, psychology, history and spirituality.



First, to understand the psychology of catharsis we must think back to the roots of this behavior. Since

human life has existed we’ve formed crowds for various reasons. The first reason held the sole purpose

of protection. Tribes of people, men as hunters and women as gatherers, teamed up for the benefit of

human survival. Erich Fromm says that “the meaning of life is not to be found in its fullest unfolding but

in social service and social duties; that the development, freedom, and happiness of the individual is

subordinate or even irrelevant in comparison to the welfare of the state.”(Fromm, 1947, page 51) This

states that a crowd is actually very necessary to the function of human life. The second reason crowds

gathered was in form of revel, shamanistic healing and worship of deities (Ehrenreich, 30). Men and

woman would often enter trances, speak in tongues and become involved in a collective ecstasy while in

worship of their God. In later years, politics, entertainment and rebellion or protest was a main factor in

the gathering of people (Ehrenreich, 102). People gathered at Festivals that were in the midst of being

suppressed and would dance in mockery of their Kings or leaders.



What exactly is catharsis? Catharsis is a purging of emotional tension brought out in a crowd through

the viewing of a tragedy or tragic play. In the article “The Power of Catharsis” Kearny says the following

More specifically he (Aristotle) defined

the function of catharsis as 'purgation of pity and fear'. This comes

about, he explains, whenever the dramatic imitation of certain actions

arouses pity and fear in order to provide an outlet for pity and fear.

The recounting of experience through the formal medium of plot,

fiction or spectacle permits us to repeat the past forward so to speak.

And this very act of creative repetition allows for a certain kind of

pleasure or release. In the play of narrative re-creation we are invited

to revisit our lives — through the actions and personas of others — so

as to live them otherwise. We discover a way to give a future to

the past. (Kearny 1)

I figure that, even though he states that it is a purgation of pity and fear, it could also be involved with

many other suppressed emotions. Take my introduction for example. These kids were not releasing

pity and fear, they were releasing their angst! They were releasing their desire for competition.

They were making up for the violent feelings of agression they felt in their body that had been

suppressed by society for so long! They were revolting! Could catharsis also be used to purge other

emotions as well such as ****** suppression or communicative issues?





How would one come about actually attempting this catharsis that I speak of? We need to first look at

some ways in which people have controlled crowds in the past and realize that crowds form by

themselves but often look for leadership due to what Nietzche called that “herd mentality.”

In the article “Seducing the Crowd” by Urs Staheli it mentions that repetition is a key factor in beginning

to control the crowd. (Staheli, 69) This means that through repetition you can get the crowd to side with

your beliefs. The crowd could begin to think about what your suggesting and potentially be swayed by

the other people that are now following your ideas. It could also be repetition of body movements as

well. What better vehicle is there to sway a crowd than music? It’s repetitive in instrumental and lyrical

form!



Another way to “******” a crowd is to act like a madman! Specifically how I stumbled upon this in

the first phenomena place.

The leader himself is possessed and hypnotized by the ideas

and visions he holds, obsessed to such an extent that he cannot rationally exercise

control over the crowd. Instead, he devotes himself to fascinating the

crowd by more ecstatic means.8 He often resembles a madman but fascinates

by the mere power of his determination. What distinguishes the leader from

the rest of the crowd is his will alone, not any particular intellectual capacity

or a superior morality. (Staheli, 68)

The theory is that through mythological story telling or acting tragically and in a spectacle, we can

actually release negative emotions and potentially even heal neuroses or psychic ailments. Later in the

article he goes on to say that a shaman was actually documented to have cured a woman with a blocked

birth canal and in labor by telling her a story about a warrior trying to exit a cave that had monsters on

the outside trying to get in.

The function of a shaman is to heal his tribe. He uses drugs or plants to change his state of mind and

then by going over to the other side of reality he invokes spirits that help to heal.

In the séance, the shaman led. A sensuous panic, deliberately evoked through drugs, chants,

dancing, hurls the shaman into trance. Changed voice; convulsive movement. He acts like a

madman. These professional hysterics, chosen precisely for their psychotic leaning, were once

esteemed. They mediated between man and spirit world. Their mental travels formed the crux

of the religious life of the tribe. (Morrison 1967 pg. 71)

This shows an ecstatic crowd dancing and chanting while one man acts out a tragic spectacle. Through

this spectacle the shaman acts like a madman. This causes wild emotions within the crowd and allows it

to release their built up and suppressed emotions. Also, the dance and chants bring them to a feeling of

unity and oneness!



One may not believe in the spiritual shaman because of their own beliefs about God and religion. Some

may not believe in the other world that parallels our own.  It is a skeptical concept without a doubt and

there are probably many people who disagree with the legitimacy of the shaman. Is there a way that we

could think of the phenomena in a psychological sense rather than strictly spiritual? The answer lies in

Carl Jung’s theory of the unconscious mind and dream therapy as well as in Nietzche’s philosophy on art

and aesthetics.  



Carl Jung believed that there is a conscious mind and an unconscious mind. The conscious mind is the

everyday mind that occurs in waking life. It is rational and helps us survive. The unconscious mind can

be found in dreams or whenever you experience a déjà vu (Jung 1964 21).  He also believed that through

the study of dreams you could heal certain aspects of your psyche that have been altered by neuroses.

Symbols and archetypes make up dreams and the unconscious, and often you will find that archetypes

appear in the form  of people. Jung believes that through living in society that men and women have lost

touch with their feminine or masculine characteristics depending on their gender. Dreams can help us

get back into union with these lost roles through connecting us with our anima(female) or animus

(male) through symbols in our dreams or unconscious minds. Jung wrote that when society was

formed people took on roles and caused a dissociation in their psyche and caused a duality rather

than a unity when they suppressed one side of their mind.  He mentioned that at all times the

unconscious mind is connecting us on a psychic level.



How does this tie into shamans and catharsis? It seems like something completely different all together

right? My theory is that the shaman or crowd leader brings forth a forgotten union of the masculine and

feminine forces in the universe. Nietzche believed that there are two polar forces that are natural in this

world and in art. These forces are given the names of deities in his book “The Birth of Tragedy.”

The first is the Apollonian force that is masculine. This force in art governs form and dreams. The

Apollonian artist directly takes ideas from his dreams and brings them to life whether it is in form

sculpture or poetry. Apollo appears through an oracle often in tragedy or in visions of the waking life.

The second force is the Dionysian which is feminine. This force governs intoxication, revel and ecstasy.

Dionysian artists are improvisers and dancers and are usually tragic figures. Nietzche believed there are

three different types of artists: Apollonian, Dionysian and the fusion of both (Nietzche 1872 14). This

latter artist is what I believe the shaman is.



Through connecting these polarizing forces he fixes the psychic neuroses in his own mind. He becomes

a unified artist, or a magician of duality. The shaman, as stated above, takes drugs to intoxicate himself.

Often the drug of choice is wine or alcohol though it could be hallucinogenic drugs as well. This tied with

repetitive revel is the Dionysian side of the spectrum and also helps draw the crowd’s attention through

spectacle and repetition. Everybody is ecstatic and experiencing the collective vibrations of the crowd.

Through his intoxication he is able to go into the unconscious mind and produce dream symbols in

reality! The crowd follows the leader into this unconscious mind and brings back forgotten wisdom of

mythology and archetypes. This is the Apollonian side of the spectrum because it deals with the

unconscious mind and dream images. It also could be this “other world” that traditional shamans speak

of. Now the psychic duality is merged and a tie is formed between the masculine and feminine forces of

nature! People feel at one with themselves and the crowd and the societal suppression is vanished

briefly. All the neuroses caused by the suppression fades away in the ecstatic revel. This is the appeal of

the rock concert. Notice how many leading figures of rock bands have androgynous features and

shamanistic nature. This is because they have fixed the psychic neuroses in their own mind and become

at peace with the masculine and feminine duality of their psyche.



Stumbling upon this phenomena in my rebellious youth was very eye opening. Ever since I have been  

very excited about this theory and I’ve been trying to piece it together. It seems to be coming along

further and further in my study of this. What exactly this ancient wisdom is; I don’t entirely know. I

do know that I have witnessed this in reality and the subject is interesting and fascinating. My theory

still has a lot of work before it is completed but I think that within this article I’ve given a decent

amount of history about the topic as well as my own thoughts. Whether this phenomena is true or

not, we can leave that up to the psychologists and philosophers to decide, though I think many may

agree. Either way, catharsis surely does exist and it is a fun way of entertainment as well as a

therapeutic option for many stressed out individuals out there
Stephen E Yocum Jul 2018
Spring is the awaited child,
seeds to plant, plans to explore,
conjuring promise and renewal,
That awakens our soul.

Summer inspires with long
sunny days basking in the
embrace of green crops growing,
relief from heat under leafy trees,
leisurely nights of clean skies,
bright stars on high to infinity.

Fall comes as a warning beacon,
days of long shadows,
cool nights with chill breeze,
bedecked trees
in reds and yellow.
The report of hunters guns
from the depths of the forest.

Winter's a prelude to gloom,
short days, low sun when it
appears, wind-chills that burn.
Snow to shovel, ice to befuddle.
Conjuring envy and impatience
for the return of Spring.

So the seasons flow
one into another,
while every year lived
the cycles grow shorter,
with no guarantees of
how many more may follow.
I loved her.

Before I even gazed upon her

I loved her

Before I was even dazed by her words of splendour

I loved her

Not for her ability to
charm others
as even though she just as often harmed others

Not for her straightforward intelligence
for she shared a forward thinking
dissidence

And not for her beauty & majesty did I love her

Because not far from often, did she bring cruelty and calamity too others that I did love

And when I loved her, it wasn’t because of her bountiful spirit

For when one drove responsibility towards her
she was both accountable and idyllic
her innate strength insurmountable & prolific

And my love did not come from her humble yet dominating origins

Hunters and gatherers roaming in forests

Nor her families evolution, amongst changing nations
into cultural irrigation, harvesting & cultivation

Yet my love was neither superficial

wrought by a feverish desire for atypical minerals

As it is evident she grew up to live lavishly, as if she were a daughter of kings and pharaohs, emperors and regents

Far from superficial
it went beyond my own existence
‘tis was it deep

And watching her grow up
yet older and slowly darker
it flooded me with a sense of grief

For that was the only side she showed me, and allowed others to see

But beyond the seas and ravines, ridges & fjords, she beamed

And that is how it felt for a time
her happiness distant and far gone

Looking back it’s blatant she was far from dormant

But I believe during that time she was merely misled

It took time to connect her heart with her head

And for a time it seemed she was finally ready to proceed

And that was all but my dream
for her

But in my heart, I knew she would waver and ultimately capitulate towards the darker times

I think, even though she was mature and grown

not enough time separated her from her home

a family always wanting to dominate and roam

The precedence was set
The credulous to fret

And even though it’s in her nature to align with basic instincts

I awaited,
like those in scriptures
for a sign
that leads her to brighter precincts.

Of this hope

it was something I dreamt about
until I was left awoke

It was a scathing cycle, hopes festered
with a heart broke

And in the depth of my despair
I was still convinced,
that behind her “politics” & warring nature with others,

that the woman I loved & dreamt, was still there

And you know what?

She convinced me

Not deceitfully nor schemingly
but seemingly
through action

She was on a phase of exploration
visiting foreign nations
and establishing relations

Truth was
All of it was a ruse
corrupting & enslaving
it was just another way of experssing her roots

Since then, I’ve never been lead astray, I knew it was just one big game

Even though I never believed that’s who she wholly
was and is

I can’t help but fell this is the way it is

Her being at an unbeknownst
war with herself

One that expresses all she can be
charming, beautiful, full of majesty

That she is the most complex & admiring existence in this universe

And another of opposite birth

One that can be harming, full of cruelty and calamity

And of this side I fear brings the other to her knees

And it ladens me with tears

But of this side of her
I fail to recognise,
as the woman I loved,
and it’s the only failure
I won’t rectify

The woman I loved,
the beautiful glimpses of allure,
that sparks through the impure and demeaning

Is the only meaning I can find within myself to breathe

But I’m lost
Lost in her mystery
Lost in the past

Because, I don’t see her anymore
giving rise to my love in the past tense

For I don’t know where she lives or with whom she spend her time
with

But of the worst fear I hold within my heart
is that the woman I loved never existed to begin with

That the idea of her was just a figment
of my idealistic mind

That all these years,
I conjured a fallacy of this supposed
“Benevolent”
side of her
so I could forgive what she had
imposed

And that I believed & fought so fervently  
in her
because in hope
it would bring life to her

Whatever the reality
I will never put cease
to my belief
that I will see her

Why?

Because the person
of whom I am talking about
is

Humanity

And she is the most beautiful thing I’ve known, regardless of her flaws
My take on personifying history X
Catman Cohen May 2014
There’s a gun upon my bed
Not the kind made of metal
A vivid tattoo color
Above my lover’s
Secret devil

And that gun is like a demon
Aimed toward her pleasure zone
Urging hunters to take a shot
And take the trophy
Home

I see blood upon the doorstep
I smell ****** in her fold
I  fear ghosts will haunt her body
In the bullets I have sown

I hear hungry infants crying
The ones she gave away
And the ******* she is hiding
Are my regrets from yesterday

I feel the gun blazing
As she ***** my breath away
I’m a hostage to her body
In the mayhem
She  purveys

In the middle of the night
I’ll make my escape
Run, run, run
Run away

I’ve got to run

In the middle of the night
When her back is turned
Run, run, run
Run away

I’ve got to run

There’s a gun upon my bed
It belongs to my baby
Burned deep inside her
On a night she went
Crazy

And every time I think
I’ll flee
Her dangerous painted gun
She draws it against me
And I feel myself succumb

I see blood upon the doorstep
I smell ****** in her fold
I  fear  ghosts will haunt her body
In the bullets I have sown

I hear hungry infants crying
The ones she gave away
And the ******* she is hiding
Are my regrets from yesterday

Save me from her gun
She’ll never let me go
Save me from drowning
In her young and wanton soul

I’ve got to run
But there’s a gun

My baby won’t let me go.
Linda Terrell Jun 2013
"The Ville."

There was a town they called the ville
It set at the top of the hill
It never was with a light or clue
It was a hunters dream come true
It's coyotes whined with a shrill
Deer run to the bottom, of the Ville's hill.
It was just a hunter dream.

© Written by Linda Terrell
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Do not deign to achieve.
Do not strive to suffer.
Aspiration is naive.
Forget the stars, leave the gutter.

Hope's a hopeless hobby.
Nihilistic mother
taught steely melancholy.
Forget the stars, leave the gutter.

Wisdom dashes all wishes.
In egodeath, discover
how free a nebbish is.
Forget the stars, leave the gutter.
  
We are not indebted
to Indian givers stellar:
stardust smarts our fetish.
Forget the stars, leave the gutter.

The stars eat their young.
Orion universe, hunters,
whose lotus lights stun slums.
Forget the stars, leave the gutter.

Do not deign to achieve.
Do not strive to suffer.
Aspiration is naive.
Forget the stars, leave the gutter.
THE RAT AND THE PREGNANT WOMAN


A story poem

BY

Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)



Dedicated to;
My mother Neddy Nabisino Mayende Kuloba Makhakara
And her mother Maritini Nabengele Nasenya Mulemia Namugugu Ilungu wa Wenwa.
The story telling power of these two ladies is the primary source of my passion and love for humorous and peace bettling stories. I owe them all the recognitions.







OPENING SONG
How do I start telling this story that I got from my
Grandmothers when sited around the fire yard in the evening?
I don’t know how to start surely,
For to day I am very shy; all of your eyes
Are on me, looking at me like ocean of looking organs
But let me embolden my self with the belt
Of a story teller that my grand father gave me
And commanded me to preach peace
Through story telling in every place I go
So my spiritual service to humanity is telling stories
Is to soothe and heal wounds of humanity
By softly telling peaceful stories
Let me then cough to clear my voice and start;

Long time ago, but not very long time
Some where between the centuries of twelve hundred
And seventeen hundred after the death of the other Jewish
Story teller who died without a wife, who died on the cross
But others say he died on the stake, his name was Jesus,
There existed only two kingdoms in land which is known today
As Bukusu land found in the present east Africa or Indian Ocean coastal Africa,
The first occupants of this vast land is the sons and daughters of Babukusu
Or the ones who like selling ironsmith products
And hence the name the people of Bukusu; the people who sell,
The two kingdoms were the Kingdom of muntu and the kingdom of manani
The citizens in the kingdom of muntu were short men and short women
Handsome and beautiful, slender and not assertive in their physical disposition
But the citizens of the kingdom of manani were all cyclopic,
In their everything; the manner of walking, talking farting, micturating
Farming, breathing, snoring, smiling, singing, whispering
Their whisper was a noisy as the tropical thunderclap
They were tall men and tall women, very tall
Their young person was as short as the tallest
Person in the kingdom of muntu,
When one of the citizen of manani snores
All the citizens of Muntu along together with,
Their king Walumoli wa Muntu had no option
But remain awake throughout the night,
Because the cacophony of a snore from
The sleeping courts of Manani was not bearable,

On many occasions Walumoli wa Muntu
The conscientious king of the muntu kingdom
Had arranged to talk to Silinki wa Namunguba
The ostensible king of the Manani Kingdom
About the cacophonous sleep robbing
Snores of daughters and sons in neighbour kingdom of Manani
Only to cow and chicken away in a feat of prudence
Lest Silinki wa Namunguba will suspect him for being
A night runner or a thief of *** perhaps
Who roams his compound during the wee of the night
In hunt of any of Namunguba’s wife maybe
Perchance having gone out for a mid-night *******,
This is how legendary snores of the sons and daughters
Of Silinki wa Namunguba the king of Manani
Has remained unchecked for ever till today,

One time an ugly passer by happened to be seen
Traversing the kingdom of muntu
In the early afternoon some two
Hours after Walumoli the king
Had just cleared the last plate
Of the mid day meal from
His last wife Khatembete Kho Bwibo Khakhalikaha Nobwoya
He always eats her food last in the afternoon
Because it comes on the table steaming youthfulness
He loves his Khatembete wife, the wife of his old age
The wife he married by use and show of the royal regalia
The powers and dignity of the king of muntu
He married her when he his a king, the scepter in his hand,

Going back to the ugly passer by
It was never known where he came from
Not from the east where the Indian Ocean is
Not from the west where the vastness of the land
Of black people of Baganda and Bacongo
Baigbo and Bayoruba or Bafulana of Nigeria
Or the sons of Madiokor Ngoni Diop in the Senegal,
Not from the south from shaka the Zulu and Mandella the wise one
Not from north in the land of Dinka and Nuer, Ethiopian Jewish and the Egyptians,
The passerby was ugly and from no where, in a dress and
A very ***** dress that fumed out a malodorously stenching reek
He was a man in attires of a woman; this was a taboo in the land of muntu
He was left handed and a heavy weight stammerer, with an appalling
Protuberation of   a hunched back, an enormous hunchback
Enmassing entired of his masculine shoulders,
When the wind blew his loose dress followed it
Leaving the man’s thighs and then bossom naked,
Leading bystanders to a strange discovery; he was not circumcised
He was old like any other father, he had beards
But not yet circumcised, his ***** ends in corkscrew of a sheath,
This was a taboo in the land of muntu, in the kingdom of muntu
Which Walumoli wa Muntu the son of Mukitang’a Mutukuika ruled
For the spirits, gods and ancestors as well as foremen of the kingdom
Behooved that all male offsprings of the kingdom of muntu
Whether born in marriage or out of the wedlock
Born the blood or born as a ******* must and must be
Circumcised in the early teen hood
They must be circumcised before they grow the hairs
On the face, on the chest, in the scapula and on the areas
Surrounding the testicles, the **** and the endings of the backbone,
The man again had six fingers on the legs and on the hands
He walks slowly like a porcupine, his dress was in tartars
He was violent to every one he met
Insulting old people and old women with words
Of bad manners not used in the kingdom of muntu,
He terrified and beat young children, including the royal children
And grand children of Walumoli the king of muntu
He again had to beat and chase nine young virgins
Who had come from the palace of Walumoli the king of Muntu
Away from the forest when they picking fire wood
As well as playing a game of hide and seek with other palace lads,
The ugly passer by then chased to get hold of the
Nalukosi the first born daughter of
Khatembete Kho Bwibo Khakhalikaha Nobwoya
The beloved last wife of the king of Muntu
All other virgins ran home, but Nalukosi remained behind
In the inextricable grip of the ugly passer by
She screamed with hysteria of a hypochondriac
She screamed and kicked with her wholesome mighty
The stubborn passer by never left her alone
She gnawed the ugly passer by with
Her girlish claws of her fingernails
But is like the passer by was mentally disordered
He was a ******* of some time
He derived some pleasure and instead
Enjoyed the girlish scratches of his captive,
Before the eight running virgins reached the palace
Together with their companions, the playmate lads
The shrilling scream of the captive Nalukosi
Was sharply heard at the palace, first by King Walumoli
Who called his wife Khatembete Kho Bwibo Khakhalikha Nobwoya
To come out of the hut, the kitchen and help to listen,
Immediately Mukisu wa Mujonji the palace keeper surfaced
His face displayed genuine askance of an adept military man
Whose martial arts have rusted for a week without usage
He confirmed to the king that the cry from the forest
Is of the one from this royal home of your majesty the king
And none other than the ****** princes Nalukosi Mukoyonjo
The pride of her father, the eye of the palace,
Without hesitation the king permitted the wallabying Mukisu ,
Permission to run in a military dint and find out whatever that
Was eating Nalukosi Mukoyonjo the familial heart of the king,
Mukisu wa Mujonji who was clearly known in the kingdom of muntu,
For his swift running like a desert kite, he already twice chased
And gotten single handedly two male gazelles,
Without aid of a dog nor aid of fellow hunters
And delivered them to the king as a present to the palace
Which he achieved because of the speed of his legs,
On this royal permission he unsheathed his matchette
And went away like any arrow from the bow
His shirt trailing behind him like mare’s tail
Or like the flag on the post on a windy day,
Not a lot of time passed.
Mukisu wa Mujonji is at the spot of struggle,
Between Nalukosi and the Ugly passerby
There was no question or talking,
The first thing was Mukisu to sink the Matchette
With all of his mighty into the tummy of the ugly stranger
The bowels of the ugly stranger opened puffwiiii!
He breathed and gasped twice then succumbed to death.
His grip still strong on the leg of Nalukosi Mukoyonjo
The ugly passer by reached the rigor Mortis
When Nalukosi was still strongly gripped in his
Beastly hand, Mukisu wa Mujonji with all the skills
Used a Sharp matchette again; chopped of the hand
Of the ugly dead passer by off, from its torso
At the point of the muscular elbow,
Now Nalukosi was extricated, but not fully
From the grip of the dead ugly stranger,
The chopped off hand is still knotted at her leg
Around her leg, the dead hand also grips.
Nalukosi jumped here and there to throw away
The leg and the dead hand, but it was not easy to throw
The hand still stubbornly gripped around her angle,
*** time passed, each and every one of the kingdom came
Including the king Walumoli wa Muntu himself
And his nine wives, Khatembete Khobwibo Khakhalikha Nobwoya
Came last, as she was energyless due to rudely shocking tidings
Which the escaping virgins and lads had given her
That the ugly passer by had turned into the ogre
And had swallowed her daughter Nalukosi
That he had swallowed her piecemeal without chewing,
People of muntu came and found the ugly passerby dead
The left had chopped off its torso
But still hanging loosely on the leg of Nalukosi
Nalukosi jumping, kicking, screaming
Screaming away the dead hand from the grip of leg
But nothing had forthcame her way,
Walumoli wa Muntu could not afford to see
The hand on the leg of her beloved daughter
What could he tell his wife, is your all know
Dear reader and audience to this song;
Even the mighty and the wise ones
Generously bend when under the pressure of love,
Out of this dint, even before Mukisu wa Mujonji
Could display his next military card
Walumoli wa Muntu grapped the dead hand
That stuck of the leg of her daughter
And pulled it with another force that
No man born of woman has
Never used since the creation of the earth
By the gods and spirits of Muntu,
The hand come off, he throw it
On the cadaver of the ugly stranger,
He clicked and clicked and hissed
With anger like a wild turkey
In the African thorny forest,
He ordered the dead one to be buried
Their without haste, nor ceremony
Mukisu wa Mujonji buried the body
Quickly in a brief moment with precision
As if he was taking notes
From the lines of the poem
OF Pablo Neruda on how
To bury a dog behind the house
This time burying an ugly stranger
Behind the forts of the kingdom,
After all these women, children and men
Of muntu plus their king Walumoli
Went back to their houses hilariously
Broken into a song and a wild *** dance;
Makoe eehe! Makoe !
Nifwe Talangi Makoe !
Talangi!
Khwaula embogo sitella
Nifwe Talangi!
They sang up to midnight before
They all retired to their beds
Respective beds with panting thoraces
From heavy singing and dancing.

There is connection and disconexion between
The living and the dead, the living fear the dead
And dead loves the living,
The dead want the company of the living
For the living to accompany in the land of the dead,
When the ugly stranger was killed
And buried uncircumcised with the hunch
Not plucked out of his back
The gods and the livings dead
In the realm of the ancestors
Of the kingdom of Muntu were not happy,
They never wanted uncircumcised old man
With a hunch back to join them
And worse enough with the six fingers,
The gods and ancestors really god annoyed
That Walumoli wa Muntu has done them bad
He is only caring for the living, the pre-mortals
Especially his last wife and the daughter
But he has neglected the ancestors,
Why trash to ancestors a stark humanity,
They communed among themselves
And resolved to sent Namaroro
The god of dreams, dreams as messages
From the ancestors and dreams from the gods
Namaroro visited Namunyu Lubunda the palace
Prophet in the Kingdom of Muntu to pass
The message vesseling unhappiness of the ancestors
And gods in a blend of gloomy read to execute
A vendetta;
This is when in the wee of the night that Namunyu Lubunda
Dreamed and had a vision of a old man from
The east is warning of the coming long spell of starvation
That will befall the kingdom of Muntu for ten years
                                      That Namaroro told Namunyu Lubunda
As for ten seasons of foodlessness
Behold a begging kingdom
Behold a starving throne,
The scepter of Muntu is a disgrace
To the holder
Then Namunyu Lubunda set forth by dawn
To the Palace to meet Walumoli wa Muntu
In his, palace before any other royal chores come up,
Both good and bad luck combined
Only to have Namunyu Lubunda to get the king at the palace
He got him fresh and relaxed chewing the cup of fortune
In his full ego, all his wives had submitted to the morning dishes
To his dining hall in the palace, he moved his hands from
One plate of food to the other.
Namunyu Lubunda entered with a submissive salutation
To the royal, He bowed and declared the glory of the king
In typical standards of the ethnic composition of the house of Muntu
Walumoli wa Muntu Mukitang’a Mutukuika
Majave Kutusi Mbirira Omwene esimbo ya
Kumukasa,
Walumoli responded with a feat of dignity to Namunyu Lubunda
The palace prophet, as he roared to him; come in
Come in son of Lubunda son of our people,
He did mention the name of Namunyu Lubunda father
As he fears his words may escape with the power
Of his kingdom the scepter of Muntu
To other insignificant families in the kingdom,
Let me announce what brings me here; intoned Namunyu
Go ahead and announce my holiness
s the prophet of this kingdom; responded Walumoli,
Misfortune is awaiting the kingdom
It will eat this kingdom away
Like a ravenous hyena on the ewe’s tail
The ancestors and the spirits of this land
This kingdom of yours the son of Muntu
Are immensely offended with your recent behaviour
In which you commandeered all villages
In your kingdom; from east and west
The **** the innocent passer by
With your owner hands that handle the scepter
You killed and lay to rest the foreigner
A pure omurende to the kingdom of muntu
You buried him uncircumcised without contrite
In the cemeteries of our foremen who asleep and circumcised
Why did you lower the dignity of our forefathers
Who never share a roof with uncircumcised person
To share the ancestral realm; our emagombe
With hunchback foreigner not circumcised?
This kingdom is condemned to all spell of curse of death
Ceaseless hunger famines and starvation
Women dwindle in their reproductive capacity
Rarely will you come across a pregnant woman
Food will be difficulty to put on the table
Even the sweat of your brow will go to naught,
You will not be buried with insignia
Like a pauper you killed will you be buried
The house of your wife Khatembete Kho Bwibo
Khakhalikha no bwoya is a house of no consequences
For even your daughter Nalukosi stands cursed
She will not mature to be wedded into a marriage
She will hover the earth under heavy agonies of hunger,
My assignment is done and over
With or without your permission let me go.









THE FIRST SONG
Our song continues dear brethren
Come join me in arms we sing
Joyous singing of these songs of peace
Telling the world peaceful stories
As we enjoy sitting together around my grandmothers fire yard
Warming our selves to her lovely fire inherent in her good stories,
These songs will sing the glory and success of the king of Manani
It is an irregular Ode to Silinki wa Namunguba the son of Mwangani,
The son of Tunduli, the son of Wajala Njovu, the son of Welikhe, the son
Of manyorori, the son of Chumbe, the son of Kajo, the Son of Mabati, the son of welotia,
The son of sikele sia mulia, the son of Toywa,the son of siruju, the son of Mango, the son of Mulwoni sinyanya Bakhasi, the son of Mbakara , the son of Makhakara wa Nambuya, the son of Mukoye mulala kukhalikha w0nga, the son of Zumba the son of God.
Silinki
Flavia Nov 2013
Once upon a day or night -- Wait, it was day, there was a light
a light, which shone upon a moonlit drive so dark and drear.
At keeping track, I'm sadly slacking. Forgive my memory, it is lacking
memoirs of this day of days I could not -- would not -- hear.
But now alas, alan, alack, something gruesome did attack, my dear.
Something's ugly head did rear.

Indistinctly, I remember, was it June? July? November?
Moments burn together as I recollect the fear.
And though he knows it gets to me, he will never set it free,
the truth of all the memories I used to hold so dear.
The truth you chose to hide from me for days, turned months, turned year.
But no, I will not shed one tear.

He held my hard heart high in flutter. Stomachs full of bread and butter.
Our love could not be jaded, for he traded tea from beer.
And though we were the oddest pair, I thought by now he would not care
how people chose to say their puns of nuns and hateful jeer.
Of wolves and sheep, of awkward sleep, of hunters hunting deer.
I thought we had our life in gear.

Sadly, though, I was mistaken. Blast, that awful wretch has taken
my whole soul and everything I previously thought mere.
He broke it off, and with a cough confessed, a darkest truth repressed
of everything, how twas a lie, and that the end was near.
And with four words, a looking glass of sorts he handed me to peer.
These the blue-eyed snake hath spoke: "Honey, I'm a queer."
Dated a guy who turned out to be gay? Here's the poem for you. In the style of "The Raven".
Rob Rutledge Jan 2016
She gazed out long and far,
Past half closed curtains  
And dozing, docile cars.
Witness to a world double glazed
Dampened by a passing rain.
Sound drowned still by fragile,
Stained glass pane.

Skies lay grey, like every other day,
Shrubs shrug and trees sadly sway.
She feels for the trees,
(And to an extent the shrub)
They're not so different from you or I.
We all plant roots, grow, love?

Thoughts disturbed by a startled dove,
Flew the coup, done, had enough,
Rose as Icarus toward the sun.
Basked in light of new found freedom.

Never heard the hunters gun.
Dave Hardin Sep 2016
Lightning Strikes 323 Norwegian Reindeer

Hunters made the discovery, stealth and *****
dabbed anoraks all for nothing not to mention
a critical downwind approach and camo blend

that rendered Frode and Jørgen or Ove and Anders
invisible against rock and lichen and cloudberry
but offered little protection against thoughts sublime.

Ove, perhaps, cursing God for poor sportsmanship,
the divine equivalent of dynamiting fish, while Anders
gave silent thanks to fortune, a freezer full of steaks.
WHEN that Aprilis, with his showers swoot,                       *sweet
The drought of March hath pierced to the root,
And bathed every vein in such licour,
Of which virtue engender'd is the flower;
When Zephyrus eke with his swoote breath
Inspired hath in every holt
and heath                    grove, forest
The tender croppes
and the younge sun                    twigs, boughs
Hath in the Ram  his halfe course y-run,
And smalle fowles make melody,
That sleepen all the night with open eye,
(So pricketh them nature in their corages
);       hearts, inclinations
Then longe folk to go on pilgrimages,
And palmers  for to seeke strange strands,
To *ferne hallows couth
  in sundry lands;     distant saints known
And specially, from every shire's end
Of Engleland, to Canterbury they wend,
The holy blissful Martyr for to seek,
That them hath holpen, when that they were sick.                helped

Befell that, in that season on a day,
In Southwark at the Tabard  as I lay,
Ready to wenden on my pilgrimage
To Canterbury with devout corage,
At night was come into that hostelry
Well nine and twenty in a company
Of sundry folk, by aventure y-fall            who had by chance fallen
In fellowship, and pilgrims were they all,           into company.
That toward Canterbury woulde ride.
The chamber, and the stables were wide,
And well we weren eased at the best.            we were well provided
And shortly, when the sunne was to rest,                  with the best

So had I spoken with them every one,
That I was of their fellowship anon,
And made forword* early for to rise,                            promise
To take our way there as I you devise
.                describe, relate

But natheless, while I have time and space,
Ere that I farther in this tale pace,
Me thinketh it accordant to reason,
To tell you alle the condition
Of each of them, so as it seemed me,
And which they weren, and of what degree;
And eke in what array that they were in:
And at a Knight then will I first begin.

A KNIGHT there was, and that a worthy man,
That from the time that he first began
To riden out, he loved chivalry,
Truth and honour, freedom and courtesy.
Full worthy was he in his Lorde's war,
And thereto had he ridden, no man farre
,                       farther
As well in Christendom as in Heatheness,
And ever honour'd for his worthiness
At Alisandre  he was when it was won.
Full often time he had the board begun
Above alle nations in Prusse.
In Lettowe had he reysed,
and in Russe,                      journeyed
No Christian man so oft of his degree.
In Grenade at the siege eke had he be
Of Algesir, and ridden in Belmarie.
At Leyes was he, and at Satalie,
When they were won; and in the Greate Sea
At many a noble army had he be.
At mortal battles had he been fifteen,
And foughten for our faith at Tramissene.
In listes thries, and aye slain his foe.
This ilke
worthy knight had been also                         same
Some time with the lord of Palatie,
Against another heathen in Turkie:
And evermore *he had a sovereign price
.            He was held in very
And though that he was worthy he was wise,                 high esteem.

And of his port as meek as is a maid.
He never yet no villainy ne said
In all his life, unto no manner wight.
He was a very perfect gentle knight.
But for to telle you of his array,
His horse was good, but yet he was not gay.
Of fustian he weared a gipon,                            short doublet
Alle besmotter'd with his habergeon,     soiled by his coat of mail.
For he was late y-come from his voyage,
And wente for to do his pilgrimage.

With him there was his son, a younge SQUIRE,
A lover, and a ***** bacheler,
With lockes crulle* as they were laid in press.                  curled
Of twenty year of age he was I guess.
Of his stature he was of even length,
And *wonderly deliver
, and great of strength.      wonderfully nimble
And he had been some time in chevachie,                  cavalry raids
In Flanders, in Artois, and Picardie,
And borne him well, as of so little space,      in such a short time
In hope to standen in his lady's grace.
Embroider'd was he, as it were a mead
All full of freshe flowers, white and red.
Singing he was, or fluting all the day;
He was as fresh as is the month of May.
Short was his gown, with sleeves long and wide.
Well could he sit on horse, and faire ride.
He coulde songes make, and well indite,
Joust, and eke dance, and well pourtray and write.
So hot he loved, that by nightertale                        night-time
He slept no more than doth the nightingale.
Courteous he was, lowly, and serviceable,
And carv'd before his father at the table.

A YEOMAN had he, and servants no mo'
At that time, for him list ride so         it pleased him so to ride
And he was clad in coat and hood of green.
A sheaf of peacock arrows bright and keen
Under his belt he bare full thriftily.
Well could he dress his tackle yeomanly:
His arrows drooped not with feathers low;
And in his hand he bare a mighty bow.
A nut-head  had he, with a brown visiage:
Of wood-craft coud* he well all the usage:                         knew
Upon his arm he bare a gay bracer
,                        small shield
And by his side a sword and a buckler,
And on that other side a gay daggere,
Harnessed well, and sharp as point of spear:
A Christopher on his breast of silver sheen.
An horn he bare, the baldric was of green:
A forester was he soothly
as I guess.                        certainly

There was also a Nun, a PRIORESS,
That of her smiling was full simple and coy;
Her greatest oathe was but by Saint Loy;
And she was cleped
  Madame Eglentine.                           called
Full well she sang the service divine,
Entuned in her nose full seemly;
And French she spake full fair and fetisly
                    properly
After the school of Stratford atte Bow,
For French of Paris was to her unknow.
At meate was she well y-taught withal;
She let no morsel from her lippes fall,
Nor wet her fingers in her sauce deep.
Well could she carry a morsel, and well keep,
That no droppe ne fell upon her breast.
In courtesy was set full much her lest
.                       pleasure
Her over-lippe wiped she so clean,
That in her cup there was no farthing
seen                       speck
Of grease, when she drunken had her draught;
Full seemely after her meat she raught
:           reached out her hand
And *sickerly she was of great disport
,     surely she was of a lively
And full pleasant, and amiable of port,                     disposition

And pained her to counterfeite cheer              took pains to assume
Of court,* and be estately of mannere,            a courtly disposition
And to be holden digne
of reverence.                            worthy
But for to speaken of her conscience,
She was so charitable and so pitous,
                      full of pity
She woulde weep if that she saw a mouse
Caught in a trap, if it were dead or bled.
Of smalle houndes had she, that she fed
With roasted flesh, and milk, and *wastel bread.
   finest white bread
But sore she wept if one of them were dead,
Or if men smote it with a yarde* smart:                           staff
And all was conscience and tender heart.
Full seemly her wimple y-pinched was;
Her nose tretis;
her eyen gray as glass;               well-formed
Her mouth full small, and thereto soft and red;
But sickerly she had a fair forehead.
It was almost a spanne broad I trow;
For *hardily she was not undergrow
.       certainly she was not small
Full fetis* was her cloak, as I was ware.                          neat
Of small coral about her arm she bare
A pair of beades, gauded all with green;
And thereon hung a brooch of gold full sheen,
On which was first y-written a crown'd A,
And after, *Amor vincit omnia.
                      love conquers all
Another Nun also with her had she,
[That was her chapelleine, and PRIESTES three.]

A MONK there was, a fair for the mast'ry,       above all others
An out-rider, that loved venery;                               *hunting
A manly man, to be an abbot able.
Full many a dainty horse had he in stable:
And when he rode, men might his bridle hear
Jingeling  in a whistling wind as clear,
And eke as loud, as doth the chapel bell,
There as this lord was keeper of the cell.
The rule of Saint Maur and of Saint Benet,
Because that it was old and somedeal strait
This ilke
monk let olde thinges pace,                             same
And held after the newe world the trace.
He *gave not of the text a pulled hen,
                he cared nothing
That saith, that hunters be not holy men:                  for the text

Ne that a monk, when he is cloisterless;
Is like to a fish that is waterless;
This is to say, a monk out of his cloister.
This ilke text held he not worth an oyster;
And I say his opinion was good.
Why should he study, and make himselfe wood                   *mad
Upon a book in cloister always pore,
Or swinken
with his handes, and labour,                           toil
As Austin bid? how shall the world be served?
Let Austin have his swink to him reserved.
Therefore he was a prickasour
aright:                       hard rider
Greyhounds he had as swift as fowl of flight;
Of pricking
and of hunting for the hare                         riding
Was all his lust,
for no cost would he spare.                 pleasure
I saw his sleeves *purfil'd at the hand       *worked at the end with a
With gris,
and that the finest of the land.          fur called "gris"
And for to fasten his hood under his chin,
He had of gold y-wrought a curious pin;
A love-knot in the greater end there was.
His head was bald, and shone as any glass,
And eke his face, as it had been anoint;
He was a lord full fat and in good point;
His eyen steep,
and rolling in his head,                      deep-set
That steamed as a furnace of a lead.
His bootes supple, his horse in great estate,
Now certainly he was a fair prelate;
He was not pale as a forpined
ghost;                            wasted
A fat swan lov'd he best of any roast.
His palfrey was as brown as is a berry.

A FRIAR there was, a wanton and a merry,
A limitour , a full solemne man.
In all the orders four is none that can
                          knows
So much of dalliance and fair language.
He had y-made full many a marriage
Of younge women, at his owen cost.
Unto his order he was a noble post;
Full well belov'd, and familiar was he
With franklins *over all
in his country,                   everywhere
And eke with worthy women of the town:
For he had power of confession,
As said himselfe, more than a curate,
For of his order he was licentiate.
Full sweetely heard he confession,
And pleasant was his absolution.
He was an easy man to give penance,
There as he wist to have a good pittance:      *where he know

— The End —