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"horseman" poems
The tavern roof was smokey with a pall of blueish ash. The juke box was a- booming as it played "The Monster Mash". A giant puffed a burning witch whilst smoke rings he exhaled.... While victims of our neighbor, Vlad...on stakes were all impaled. The Faceless Man was grinning... from ear to missing ear. The hanged man turned his twisted neck to sip a mug of beer. The Headless Horseman shouted for an aspirin or three. He popped them down his gullet where his head was meant to be. The zombies waited tables and the werewolf tended bar. Mothra was the carhop and took orders car to car. Godzilla worked the griddle and served burgers ala carte. Dracula complained about the steak caught in his heart. Ghosts and ghouls were dancing with abandon on the stage While cyborgs did "the robot" 'cause they thought it was the rage. The mummy came unraveled as we took him for a "spin" As Frankenstein played tuba to contribute to the din. Igor brought "the monster" and then Freddie brought his claw. Jason brought his butcher knife and his buddy from "The Saw". The guillotine was working and the raven refereed So nevermore would pardons be allowed to intercede. The pendulum was swinging to the beating of my heart. I hoped that I would wake up soon... then did so...with a START! Halloween is coming.  So, I guess I should prepare. Watch out for bars with men from Mars... 'cause BEASTIES party there!
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Oct 23, 2017
Oct 23, 2017 at 6:45 AM UTC
The Tavern of Terror
All I do is win, for I'm an Ace Painting a bulls-eye on everyone in the place In my plane I leave everyone else bailing out of the fight in disgrace If I was a horseman, I'd be War 'Cuz like the card game I win against Kings and Queens and take them out of the deck like the Joker on the sidelines, alone and bored. I don't need a Diamond to win you Heart, and I don't wanna join your Club, this was skill and not luck from the very start I am the Ace of Spades, and I'll use my ***** to dig out your graves I've been painted on the sides of planes cars and trains helicopters, submarines, and the munitions that deal out the pain I'm a trick shot Ace with the pool stick As a quarterback, I've yet to throw a pick As a pitcher, I make the other team sick The starter and the backup plan the Ultimate Ace in the Hole The best card in a poker hand lay me down and the money's in the bag I run solo, streaking across the land You only need to hold me in your hand and your enemies will become **** and I'll give 'em a taste of this whirling dervish's mace Leave them breathless upon the ground as I rob the air from out of this place you'll stand in awe of my greatness take a picture, make a statue Fill up every empty space with my name For I am an Ace!
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Oct 5, 2011
Oct 5, 2011 at 2:39 AM UTC
Ace of Spades
I take my imaginary pen I write down my anger I close my eyes and count to ten just to breathe a little longer It's laughable really when I see you justifying Sure, you're all touchy-feely only goodwill, so hard-trying When you said that to me where was your heart at? Why calling me your better-half-to-be when all you wanted was a shoulder pat? Oh you, with your wonderful poetry, oh, lies so beautifully written down please just stop, you don't know no poverty in your emerald sea everything you wanted me to believe is to drown I never thought you would make me think the worst of you instead And I swear I could only stand and stare and shrink when you didn't care to lose your head Now you haunt me like the headless horseman and you will forever but I do not worry for my sanity, oh boy of thoughts turned cyan I walked with ghosts before and a headless one is so less clever And if you ever come back looking for this head of yours Think twice, try a little bit harder wannabe It might stick out of the sand at your emerald sea shores Your love for me was never poetry
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Jul 8, 2018
Jul 8, 2018 at 11:06 AM UTC
I met the worst kind of poet
a lake of blood is promised homes fill with fiber optic prophecy. "put away your lenses children and sleep under the lamp's shade." our purple rice growing Vishnu mumbles and stirs in his sleep. by the crystal pond, a poison frog sings. decorating the sand and reeds are skeletons of the old wars. nearly dust now. unable to make decisions for the weak or young, the strong or the old. four seasons yet to pass attention given to the wolf's lonesome cry. place your head in sand, witness the scorpion. she is emperor and admonisher. the tiger breathes in and breathes out its final breath. lay your belly upon wheat and remove hunger. an angel's velvet wing cools the fever, the old sickness of Old Salem. onions, apples & lemons are sprouting. there, just underneath the horseman's hood. quickly, look.
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Sep 9, 2018
Sep 9, 2018 at 1:24 PM UTC
Adam
WASHINGTON IRVING WROTE A NOVEL ABOUT ICHABOD CRANE LITTLE SLEEPY HOLLOW WILL NEVER BE THE SAME LITTLE SLEEPY HOLLOW WAS CURSED BY A HORSEMAN MOST DREAD HE WAS RIDING IN SLEEPY HOLLOW IN SEARCH OF HIS HEAD THE HEADLESS HORSEMAN WAS IN THE REVOLUTIONARY WAR SO FOR HIM SEARCHING FOR HIS HEAD WAS NEVER A CHORE ICHABOD CRANE WAS A TEACHER MOST STRICT WEATHER THE GHOST STORIES WERE TRUE WHO COULD EVER PREDICT ICHABOD TEACHES THE CHILDREN OF FARMERS IN THE VILLAGE BUT ITS THE YOUNG GIRLS OF FARMERS HE SECRETLY WANTS TOO PILLAGE KATRINA VAN TASSEL A BEAUTIFUL YOUNG STUDENT ICHABOD FALLS IN LOVE WITH HER BUT WAS IT VERY PRUDENT HE WAS INVITED TO THE TASSELS FOR A PARTY MOST RARE KATRINA AT THE PARTY DISMISSES HIS WITHOUT CARE ICHABOD LEAVES THAT NIGHT ON HIS HORSE HE RIDES ITS AN EERILY DARK PATH HIS HORSE DOSE STRIDE ICHABOD IS SCARED AND SEES A LARGE DARK MAN HE YELLS TO THE STRANGER AS LOUD AS HE CAN SO ICHABOD RIDES SCARED AND FAST BUT ALONG SIDE COMES THE MAN NOT WILLING TOO PASS ICHABOD NOTICES THE RIDER REALLY HAS NO HEAD THIS JUST FILLS ICHABOD WITH THE MOST SINFUL DREAD ICHABOD AND THE STRANGER RACE TO THE TOWN CHURCH FOR THIS IS WHERE THE GHOST STORIES FIRST CAME TO BIRTH ICHABOD RACES TO THE BRIDGE AND NERVOUSLY LOOKS BACK THE STRANGER HAS DISAPPEARED OFF THE GHOSTLY TRACK BUT HE NOTICES THE STRANGER HIS HEAD HE DOSE HURL ICHABOD FALLS OF THE HORSE HIS WORLD IS IN A WHIRL THE NEXT DAY ICHABOD'S HORSE FINALLY RETURNS HOME WHERE IS ICHABOD WHERE DID HE ROAM THEY LOOK FOR ICHABOD AND FIND HOOF PRINTS AND ICHABOD'S HAT SO NOW THE FOLKLORE IS BORN IN SLEEPY HOLLOW THAT'S THAT " WISDOM IS LIKE MANURE IT'S NO GOOD UNLESS IT'S SPREAD AROUND ENCOURAGING OTHERS TO GROW"
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Mar 2, 2017
Mar 2, 2017 at 5:47 PM UTC
ICHABOD CRANE
WASHINGTON IRVING WROTE A NOVEL ABOUT ICHABOD CRANE LITTLE SLEEPY HOLLOW WILL NEVER BE THE SAME LITTLE SLEEPY HOLLOW WAS CURSED BY A HORSEMAN MOST DREAD HE WAS RIDING IN SLEEPY HOLLOW IN SEARCH OF HIS HEAD THE HEADLESS HORSEMAN WAS IN THE REVOLUTIONARY WAR SO FOR HIM SEARCHING FOR HIS HEAD WAS NEVER A CHORE ICHABOD CRANE WAS A TEACHER MOST STRICT WEATHER THE GHOST STORIES WERE TRUE WHO COULD EVER PREDICT ICHABOD TEACHES THE CHILDREN OF FARMERS IN THE VILLAGE BUT ITS THE YOUNG GIRLS OF FARMERS HE SECRETLY WANTS TOO PILLAGE KATRINA VAN TASSEL A BEAUTIFUL YOUNG STUDENT ICHABOD FALLS IN LOVE WITH HER BUT WAS IT VERY PRUDENT HE WAS INVITED TO THE TASSELS FOR A PARTY MOST RARE KATRINA AT THE PARTY DISMISSES HIS WITHOUT CARE ICHABOD LEAVES THAT NIGHT ON HIS HORSE HE RIDES ITS AN EERILY DARK PATH HIS HORSE DOSE STRIDE ICHABOD IS SCARED AND SEES A LARGE DARK MAN HE YELLS TO THE STRANGER AS LOUD AS HE CAN SO ICHABOD RIDES SCARED AND FAST BUT ALONG SIDE COMES THE MAN NOT WILLING TOO PASS ICHABOD NOTICES THE RIDER REALLY HAS NO HEAD THIS JUST FILLS ICHABOD WITH THE MOST SINFUL DREAD ICHABOD AND THE STRANGER RACE TO THE TOWN CHURCH FOR THIS IS WHERE THE GHOST STORIES FIRST CAME TO BIRTH ICHABOD RACES TO THE BRIDGE AND NERVOUSLY LOOKS BACK THE STRANGER HAS DISAPPEARED OFF THE GHOSTLY TRACK BUT HE NOTICES THE STRANGER HIS HEAD HE DOSE HURL ICHABOD FALLS OF THE HORSE HIS WORLD IS IN A WHIRL THE NEXT DAY ICHABOD'S HORSE FINALLY RETURNS HOME WHERE IS ICHABOD WHERE DID HE ROAM THEY LOOK FOR ICHABOD AND FIND HOOF PRINTS AND ICHABOD'S HAT SO NOW THE FOLKLORE IS BORN IN SLEEPY HOLLOW THAT'S THAT " WISDOM IS LIKE MANURE IT'S NO GOOD UNLESS IT'S SPREAD AROUND ENCOURAGING OTHERS TO GROW"
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65
"A patient man bides his time," Theodore tells the man in the mirror Tomorrow, all the levees will break And all the fables will be told Of distant Decembers and forgotten fathers Livelihoods will be threatened And remorse will fall by the wayside He watches as icicles on the awning Melt away into puddles on the ground "Warmer every day," he thinks to himself He hangs up his scarf and overcoat The way a simple man, with complex demons, is wont to do And as his wants devolve into needs And as all his anchors deteriorate to rust Her smile unnerves a once-settled man To think of the quality of glove necessary To hold onto the wagon in this day and age So Theodore pulls the door to, Leaving Chopin's "Horseman" to gallop in peace And in pieces He watches her from across the courtyard "Such sweet bliss in her footsteps," he sighs And it seems to him as if the snow dissipates Just from the warmth in her steady gait Just from the radiation behind her brown eyes He slides open the dresser drawer A haven for scattered trinkets, odds, and ends A place of respite for the weary souvenir There, amidst all the corroded memories Lies a corroded pistol, unspoken and unburnished "And a lonely man drinks his wine," Theodore says, as intrepidly as he is capable For there is a time when fathers stop teaching A time when mothers stop singing And a place where the sins stop searching A last breath is deeply inhaled But never again will find its escape With a thud that echoes to Seymour Street Theodore crumples to the cold wooden floor, A simple man, finally free of complex demons
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Jan 25, 2023
Jan 25, 2023 at 1:19 PM UTC
Levees (Theodore's Tale)
"A patient man bides his time," Theodore tells the man in the mirror Tomorrow, all the levees will break And all the fables will be told Of distant Decembers and forgotten fathers Livelihoods will be threatened And remorse will fall by the wayside He watches as icicles on the awning Melt away into puddles on the ground "Warmer every day," he thinks to himself He hangs up his scarf and overcoat The way a simple man, with complex demons, is wont to do And as his wants devolve into needs And as all his anchors deteriorate to rust Her smile unnerves a once-settled man To think of the quality of glove necessary To hold onto the wagon in this day and age So Theodore pulls the door to, Leaving Chopin's "Horseman" to gallop in peace And in pieces He watches her from across the courtyard "Such sweet bliss in her footsteps," he sighs And it seems to him as if the snow dissipates Just from the warmth in her steady gait Just from the radiation behind her brown eyes He slides open the dresser drawer A haven for scattered trinkets, odds, and ends A place of respite for the weary souvenir There, amidst all the corroded memories Lies a corroded pistol, unspoken and unburnished "And a lonely man drinks his wine," Theodore says, as intrepidly as he is capable For there is a time when fathers stop teaching A time when mothers stop singing And a place where the sins stop searching A last breath is deeply inhaled But never again will find its escape With a thud that echoes to Seymour Street Theodore crumples to the cold wooden floor, A simple man, finally free of complex demons
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40
The moon came into the forge in her bustle of flowering nard. The little boy stares at her, stares. The boy is starting hard. In the shaken air the moon moves her arms, and shows lubricious and pure, her ******* of hard tin. "Moon, moon, moon, run! If the gypsies come, they will use your heart to make white necklaces and rings." "Let me dance, my little one. When the gypsies come, they'll find you on the anvil with your lively eyes closed tight." "Moon, moon, moon, run! I can feelheir horses come." "Let me by, my little one, don't step on me, all starched and white!" Closer comes the horseman, drumming on the plain. The boy is in the forge; his eyes are closed. Through the olive grove comes the gypsies, dream and bronze, their heads held high, their hooded eyes. Oh, how the night owl calls, calling, calling from its tree! The moon is climbing through the sky with the child by the hand. They are crying in the forge, all the gypsies, shouting, crying. The air is viewing all, views all. The air is at the viewing.
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Ballad of the Moon
They are silent and beautiful, gorgeous in in the white halo, cemented in a beautiful terrazzo, baring the names of fallen soldiers, the European soldiers that fell in Wars; second and first and the heinous silent wars, i hope this is why they have a proverb; white sepulchre, only baring the white dead, only chiefs but no dead Indian. Common wealth graveyards are all over in Africa, in India , panama , Latin America and europe, the active fronts in which the allies fought ****** they are beautifully placed in silently posh areas, in langata when in Nairobi, in Mbaraki when in Mombasa, in Matisi when in Kenya, In Namusungui when in Lodwar, They bear horizontal silence with white names engraved on their beautiful face shouting the glory of European empires, which provoked the evil sense in the heart of the king's horseman in Kenya, in the city of Nairobi, to steal the graveyard lands, he made them his urban home with an uppish courtyard, for him the dead white neighbours are better than in-corruption. I walk around the commonwealth graveyards, in the all quarters of erstwhile British empire, looking for the names of African soldiers , who died in thousands fighting for the queen the royal bloodied woman of England;Elizabeth, Looking for the sons of Ethiopia who stood with the second duce Benito son of Mussolini, fighting for Hitler,for Shintos in the European war, i have seen no name of any African, I have not seen Wandabwa wa masibo, who was conscripted into the first world war, Along with his father Biket wa Khayongo, Biket back after seven years in 1918, carrying Wandabwa's Belt, Wandabwa died in the field, Where was he buried, he is nowhere Not anywhere among the soldiers in cemeteries, I have not seen Nasong'o wa Khayongo, who was conscripted in 1940, to fight against ****** he was conscripted on his nuptial evening, even before he had had the first *** with his new wife, he went away crying, he never came back, his name is nowhere in the graves the commonwealth graves that bare names of the fallen, Fallen soldiers, but they all bare white names in the black world. you come to Africa, Kenya, Nigeria, Malagasy,Egypt, whatever the geographies of Africa, and you keep keen, you hear someone is called Mr. Keya, or Madam Keya, or you come to Bungoma county of Kenya, you meet a man that is of the circumcision age group, Known as Bakikwameti Keya, Bakinyikewi Musolini, Keya is subverted sound for Kings african rivals; KAR the African sound for KAR is Keya, in reference to mass conscription of Africans into the KAR, to fight ****** A child born during that time is Keya, A man circumcised during the time is in the age group of Keya, A simple lesson in regard to our people, taken away to fight the colonial power and left to died and rot away in the bush with a simple courtesy for ceremonial burial, that come along with the death of soldiers, who passed away in the battle field.
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Sep 1, 2014
Sep 1, 2014 at 4:13 AM UTC
Commonwealth War Graveyards
They are silent and beautiful, gorgeous in in the white halo, cemented in a beautiful terrazzo, baring the names of fallen soldiers, the European soldiers that fell in Wars; second and first and the heinous silent wars, i hope this is why they have a proverb; white sepulchre, only baring the white dead, only chiefs but no dead Indian. Common wealth graveyards are all over in Africa, in India , panama , Latin America and europe, the active fronts in which the allies fought ****** they are beautifully placed in silently posh areas, in langata when in Nairobi, in Mbaraki when in Mombasa, in Matisi when in Kenya, In Namusungui when in Lodwar, They bear horizontal silence with white names engraved on their beautiful face shouting the glory of European empires, which provoked the evil sense in the heart of the king's horseman in Kenya, in the city of Nairobi, to steal the graveyard lands, he made them his urban home with an uppish courtyard, for him the dead white neighbours are better than in-corruption. I walk around the commonwealth graveyards, in the all quarters of erstwhile British empire, looking for the names of African soldiers , who died in thousands fighting for the queen the royal bloodied woman of England;Elizabeth, Looking for the sons of Ethiopia who stood with the second duce Benito son of Mussolini, fighting for Hitler,for Shintos in the European war, i have seen no name of any African, I have not seen Wandabwa wa masibo, who was conscripted into the first world war, Along with his father Biket wa Khayongo, Biket back after seven years in 1918, carrying Wandabwa's Belt, Wandabwa died in the field, Where was he buried, he is nowhere Not anywhere among the soldiers in cemeteries, I have not seen Nasong'o wa Khayongo, who was conscripted in 1940, to fight against ****** he was conscripted on his nuptial evening, even before he had had the first *** with his new wife, he went away crying, he never came back, his name is nowhere in the graves the commonwealth graves that bare names of the fallen, Fallen soldiers, but they all bare white names in the black world. you come to Africa, Kenya, Nigeria, Malagasy,Egypt, whatever the geographies of Africa, and you keep keen, you hear someone is called Mr. Keya, or Madam Keya, or you come to Bungoma county of Kenya, you meet a man that is of the circumcision age group, Known as Bakikwameti Keya, Bakinyikewi Musolini, Keya is subverted sound for Kings african rivals; KAR the African sound for KAR is Keya, in reference to mass conscription of Africans into the KAR, to fight ****** A child born during that time is Keya, A man circumcised during the time is in the age group of Keya, A simple lesson in regard to our people, taken away to fight the colonial power and left to died and rot away in the bush with a simple courtesy for ceremonial burial, that come along with the death of soldiers, who passed away in the battle field.
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65
In the Fall is an addicted man; a bronzed, beautiful, golden-crimson leaf falling perhaps as an impulse or a slight of hand, as a half-thought will to escape the cold but ultimately, an addiction   In the Fall is a view from a distance and a height with clear vision; and a flirty nod from your most tortuous insecurity to your least confident self -   smoldering nostalgia, that sullen, sable shade, is the headless horse man and you are lost at night   (as burnt leaves crumple and are swept around, as are you swept)   In the Fall is Death's anniversary; the dance that follows purity's last attempt to hold his season fast er than the horseman rides, rise, beguile! a swollen heart - a lion! a bronzed and rusted bleeding lion! a shiver and a sunken sigh, an unseen, unheard wave good-bye
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May 21, 2012
May 21, 2012 at 8:07 PM UTC
in the Fall
we leave by passing through. by outlasting roots. by grooming deep runes like arabian horses.... mountainous [ pontoons ] spine crack liqueur of soft doom and true Orchids... the ******** aftermath of covenants at half mast a limp flag of jolly rogers pettifogging dull noggins. we pass through, phantom roosters ante-Bantam in the Bedlam.... Conscience Chauntecleer as Opaque. our blood has new boots and now our hearts can Mussolini { you strangle The Headless Horseman; as i lust for your Ichabod } no cranes.
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Apr 11, 2013
Apr 11, 2013 at 8:54 AM UTC
ALL THAT JAKE IN YOUR GYLLENHALL
“I’m ***** That flirty rejoinder floats over your disappearing shoulder. Thirty plus years form the chasm between us; mine battered, distressed, faded as an old picture frame; the remainder of yours a potential masterpiece-- highway to many horizons with no vanishing point. I am no more this man before you than I am the Fourth Horseman. Certainly you see through my fraud of calm indifference and practiced control. No beating I’ve taken compares with that my heart is doing right now, remembered in a glimpse of your legs in ***** black stockings, now walking away in loose work jeans, brushing dust from everywhere.
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Sep 17, 2010
Sep 17, 2010 at 9:31 AM UTC
Shift Change At The Theater
He truly loved the purple sun, descending from the hills, The ways through the woods, the singing blackbird And the joys of green. Sombre was his dwelling in the shadows of the tree And his face undefiled. God, a tender flame, spoke to his heart: Oh son of man! Silently his step turned to the city in the evening; A mysterious complaint fell from his lips: “I shall become a horseman.” But bush and beast did follow his ways To the pale people’s house and garden at dusk, And his murderer sought after him. Spring and summer and – oh so beautiful – the fall Of the righteous. His silent steps Passed by the dark rooms of the dreamers. At night he and his star dwelled alone. He saw the snow fall on bare branches And in the murky doorway the assassin’s shadow. Silvern sank the unborne’s head.
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2.5k
Kaspar Hauser's Song
Among the taller wood with ivy hung, The old fox plays and dances round her young. She snuffs and barks if any passes by And swings her tail and turns prepared to fly. The horseman hurries by, she bolts to see, And turns agen, from danger never free. If any stands she runs among the poles And barks and snaps and drive them in the holes. The shepherd sees them and the boy goes by And gets a stick and progs the hole to try. They get all still and lie in safety sure, And out again when everything’s secure, And start and snap at blackbirds bouncing by To fight and catch the great white butterfly.
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2.4k
The *****
When he was a youth of fifteen or twenty, He chased a wild horse, he caught him and rode him, He shot the white-browed mountain tiger, He defied the yellow-bristled Horseman of Ye. Fighting single- handed for a thousand miles, With his naked dagger he could hold a multitude. ...Granted that the troops of China were as swift as heaven's thunder And that Tartar soldiers perished in pitfalls fanged with iron, General Wei Qing's victory was only a thing of chance. And General Li Guang's thwarted effort was his fate, not his fault. Since this man's retirement he is looking old and worn: Experience of the world has hastened his white hairs. Though once his quick dart never missed the right eye of a bird, Now knotted veins and tendons make his left arm like an osier. He is sometimes at the road-side selling melons from his garden, He is sometimes planting willows round his hermitage. His lonely lane is shut away by a dense grove, His vacant window looks upon the far cold mountains But, if he prayed, the waters would come gushing for his men And never would he wanton his cause away with wine. ...War-clouds are spreading, under the Helan Range; Back and forth, day and night, go feathered messages; In the three River Provinces, the governors call young men -- And five imperial edicts have summoned the old general. So he dusts his iron coat and shines it like snow- Waves his dagger from its jade hilt in a dance of starry steel. He is ready with his strong northern bow to smite the Tartar chieftain -- That never a foreign war-dress may affront the Emperor. ...There once was an aged Prefect, forgotten and far away, Who still could manage triumph with a single stroke.
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Song of an Old General
When he was a youth of fifteen or twenty, He chased a wild horse, he caught him and rode him, He shot the white-browed mountain tiger, He defied the yellow-bristled Horseman of Ye. Fighting single- handed for a thousand miles, With his naked dagger he could hold a multitude. ...Granted that the troops of China were as swift as heaven's thunder And that Tartar soldiers perished in pitfalls fanged with iron, General Wei Qing's victory was only a thing of chance. And General Li Guang's thwarted effort was his fate, not his fault. Since this man's retirement he is looking old and worn: Experience of the world has hastened his white hairs. Though once his quick dart never missed the right eye of a bird, Now knotted veins and tendons make his left arm like an osier. He is sometimes at the road-side selling melons from his garden, He is sometimes planting willows round his hermitage. His lonely lane is shut away by a dense grove, His vacant window looks upon the far cold mountains But, if he prayed, the waters would come gushing for his men And never would he wanton his cause away with wine. ...War-clouds are spreading, under the Helan Range; Back and forth, day and night, go feathered messages; In the three River Provinces, the governors call young men -- And five imperial edicts have summoned the old general. So he dusts his iron coat and shines it like snow- Waves his dagger from its jade hilt in a dance of starry steel. He is ready with his strong northern bow to smite the Tartar chieftain -- That never a foreign war-dress may affront the Emperor. ...There once was an aged Prefect, forgotten and far away, Who still could manage triumph with a single stroke.
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The road was a ghostly ribbon: a strange violet hue. The sycamore trees ******** thrashing as a frenzied wind blew. A dark cloaked horseman appeared on the horizon’s edge. He whipped his horse forward; this horse almost flew. The pounding hooves echoed down the cobbled road. The madman charged forward with his deadly load. They never caught the horseman who murdered her father that night. He shot his pistol once then the old man died. No're was he ever seen again after the red cobbles dried. They never found his stallion with nostrils flaming fire' who flew like a dragon until the prey expired. The girl wept and moaned at her window. Always watching for him. Watching the winding road ;she could redeem his sin. A kiss my darling sweetheart, kiss and let me fly. His shadow was imprinted on clean cobbles. His scarf around her neck but nothing made things right. The devil surely wanted him and death breathed down his trek. They searched swearing they'd catch the wretch yet found no trace of him. The girl she smiled sadly. For now he rode the wind.
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Jul 3, 2010
Jul 3, 2010 at 8:28 PM UTC
The Horseman-Rural England 1850
Because I am mad about women I am mad about the hills,' Said that wild old wicked man Who travels where God wills. "Not to die on the straw at home. Those hands to close these eyes, That is all I ask, my dear, From the old man in the skies. Daybreak and a candle-end. "Kind are all your words, my dear, Do not the rest withhold. Who can know the year, my dear, when an old man's blood grows cold? ' I have what no young man can have Because he loves too much. Words I have that can pierce the heart, But what can he do but touch?' Daybreak and a candle-end. Then Said she to that wild old man, His stout stick under his hand, "Love to give or to withhold Is not at my command. I gave it all to an older man: That old man in the skies. Hands that are busy with His beads Can never close those eyes.' Daybreak and a candle-end. "Go your ways, O go your ways, I choose another mark, Girls down on the seashore Who understand the dark; ***** talk for the fishermen; A dance for the fisher-lads; When dark hangs upon the water They turn down their beds. Daybreak and a candle-end. "A young man in the dark am I, But a wild old man in the light, That can make a cat laugh, or Can touch by mother wit Things hid in their marrow-bones From time long passed away, Hid from all those warty lads That by their bodies lay. Dayhreak and a candle-end. "All men live in suffering, I know as few can know, Whether they take the upper road Or stay content on the low, Rower bent in his row-boat Or weaver bent at his loom, Horseman ***** upon horseback Or child hid in the womb. Daybreak and a candlc-cnd. "That some stream of lightning From the old man in the skies Can burn out that suffering No right-taught man denies. But a coarse old man am I, I choose the second-best, I forget it all awhile Upon a woman's breast.' Daybreak and a candlc-end.
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2.2k
The Wild Old Wicked Man
Because I am mad about women I am mad about the hills,' Said that wild old wicked man Who travels where God wills. "Not to die on the straw at home. Those hands to close these eyes, That is all I ask, my dear, From the old man in the skies. Daybreak and a candle-end. "Kind are all your words, my dear, Do not the rest withhold. Who can know the year, my dear, when an old man's blood grows cold? ' I have what no young man can have Because he loves too much. Words I have that can pierce the heart, But what can he do but touch?' Daybreak and a candle-end. Then Said she to that wild old man, His stout stick under his hand, "Love to give or to withhold Is not at my command. I gave it all to an older man: That old man in the skies. Hands that are busy with His beads Can never close those eyes.' Daybreak and a candle-end. "Go your ways, O go your ways, I choose another mark, Girls down on the seashore Who understand the dark; ***** talk for the fishermen; A dance for the fisher-lads; When dark hangs upon the water They turn down their beds. Daybreak and a candle-end. "A young man in the dark am I, But a wild old man in the light, That can make a cat laugh, or Can touch by mother wit Things hid in their marrow-bones From time long passed away, Hid from all those warty lads That by their bodies lay. Dayhreak and a candle-end. "All men live in suffering, I know as few can know, Whether they take the upper road Or stay content on the low, Rower bent in his row-boat Or weaver bent at his loom, Horseman ***** upon horseback Or child hid in the womb. Daybreak and a candlc-cnd. "That some stream of lightning From the old man in the skies Can burn out that suffering No right-taught man denies. But a coarse old man am I, I choose the second-best, I forget it all awhile Upon a woman's breast.' Daybreak and a candlc-end.
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The storm– she will come, Oh- by the roar of the drum, The boom of the beat– Now cometh defeat, Four seals are now shattered, The ground will be battered, Come forth thy lost line, Thou shall face His divine… The sky opened to set them free– The creature like thunder: “Come and See!” Foremost in the lead– Upon the White steed– Arrow of the Bow, All obstruction fall low, Striking the weaker down– The fire glistens about his crown, Above all the rest, Behold all victory; CONQUEST… The bizarre of the steeds– The color that bleeds– A Fiery red that burns in the eyes, As each soldier dies– The civil war spark, As if for a lark! In the fight of the four, The second is WAR… Come and See! Come and See! Now the count is to three, The black horse doth ride, The third horseman as guide, The hand bears balance not gore– The sole vocal of four; “…And see thou hurt not the oil and the wine” The third–oh the third–John! The third is FAMINE… Oh the horror– the horror– the fire filled eyes! All that follows in path now simply just dies, The pale green beast is a savage- a monster- no heart, The ending- the rebirth- the salvation doth start, The fourth rider tears– ravaging all the land, The unholy Reaper with scythe in it’s hand! The harvester hath expelled mankind’s final breath– With Hell at the rear– the fourth and final is DEATH… The war now to heaven and Hell now to Earth, The charcoals are black and red hot in the hearth, Cast forth by the Lion of Judah- the Lamb of the Lord! With all of existence- the Divine became bored, The Harbingers of the Last Judgment- the servants divine, The living creatures cometh to steal all hope from thine, Cometh One then come Two from the mythical Seal, Cometh Three then come Four from the seven rumored to be real… CONQUEST– the archer- the first rider of pure WHITE, Crown capped with unholy deception of light… WAR– the swordsman- the second rider of fiery RED, Blood and betrayal as thou mark thy brother dead… FAMINE– the balance- the third rider of pitch BLACK, Food and resources all man will soon lack… DEATH– the reaper- the fourth rider of pale GREEN, Hell guiding scythe ridding Earth of all souls unclean… The horsemen they triumph in biblical tale– Consider an alternate story and detail, Think not of no hope in the book Revelation, Rather- imagine the truth of a war of no rotation, The power unbalanced to alter dimension, A different battle scene with a similar intention… – Written By: Jacob Coffey – ********************************* Just my take on a Four Horsemen of the Apocalypse. Hope you enjoyed it! – Jacob Coffey
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Nov 17, 2013
Nov 17, 2013 at 7:30 PM UTC
The Four Harbingers.
The storm– she will come, Oh- by the roar of the drum, The boom of the beat– Now cometh defeat, Four seals are now shattered, The ground will be battered, Come forth thy lost line, Thou shall face His divine… The sky opened to set them free– The creature like thunder: “Come and See!” Foremost in the lead– Upon the White steed– Arrow of the Bow, All obstruction fall low, Striking the weaker down– The fire glistens about his crown, Above all the rest, Behold all victory; CONQUEST… The bizarre of the steeds– The color that bleeds– A Fiery red that burns in the eyes, As each soldier dies– The civil war spark, As if for a lark! In the fight of the four, The second is WAR… Come and See! Come and See! Now the count is to three, The black horse doth ride, The third horseman as guide, The hand bears balance not gore– The sole vocal of four; “…And see thou hurt not the oil and the wine” The third–oh the third–John! The third is FAMINE… Oh the horror– the horror– the fire filled eyes! All that follows in path now simply just dies, The pale green beast is a savage- a monster- no heart, The ending- the rebirth- the salvation doth start, The fourth rider tears– ravaging all the land, The unholy Reaper with scythe in it’s hand! The harvester hath expelled mankind’s final breath– With Hell at the rear– the fourth and final is DEATH… The war now to heaven and Hell now to Earth, The charcoals are black and red hot in the hearth, Cast forth by the Lion of Judah- the Lamb of the Lord! With all of existence- the Divine became bored, The Harbingers of the Last Judgment- the servants divine, The living creatures cometh to steal all hope from thine, Cometh One then come Two from the mythical Seal, Cometh Three then come Four from the seven rumored to be real… CONQUEST– the archer- the first rider of pure WHITE, Crown capped with unholy deception of light… WAR– the swordsman- the second rider of fiery RED, Blood and betrayal as thou mark thy brother dead… FAMINE– the balance- the third rider of pitch BLACK, Food and resources all man will soon lack… DEATH– the reaper- the fourth rider of pale GREEN, Hell guiding scythe ridding Earth of all souls unclean… The horsemen they triumph in biblical tale– Consider an alternate story and detail, Think not of no hope in the book Revelation, Rather- imagine the truth of a war of no rotation, The power unbalanced to alter dimension, A different battle scene with a similar intention… – Written By: Jacob Coffey – ********************************* Just my take on a Four Horsemen of the Apocalypse. Hope you enjoyed it! – Jacob Coffey
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I I never saw a mountain move by the pure grace of love, But by desire, I saw a continent dragged to the tip of the sun. I saw the sea raising its current, trying to ****** some star, like the blood in your stream, while someone else made love to you. And I lost the will to live, and the desire to die chained to your altar. And the hummingbird he put on your lips, it splattered you of freedom, but in its hum you found a prision for two pigeons with no course, for the canary I left in your hand. and it was not from love, it was of pure desire that you opened your mouth and closed your fist. And I lost the desire to die, and the will to live Chained to your altar, As if there was no other God! That I could worship As if there was no other God! To which I could kneel As if there was no other God! II All these men on the pedestal, and if each one is given a cross, How many gods will we praise? How many won't be dead Christs ? How many won't be stained sheets? How many, on Easter Sunday will not even face God? Goodbye. I opened my mouth and I created you a universe, I showed you the tiger and the dove, I planted on your chest an ivy and a rose, I watered you of morning and sun, and still, you preferred to go down to hell, with the loneliness, the bone and the shadow a snake and a red moon For his tired eyes, for his bitter smile, for his brown hair, and hands that had never touched you, and a horseman that won't ride you, a street on which you never cried before, and any other meridian time. For some other Adam that galloped away from a paradise he did not find in your summer, a string of few beads that is embedded in the ground where I bloomed, where a tree of blood and prayer grows, that in each fruit bears my flesh and the seed of another God.
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Apr 15, 2013
Apr 15, 2013 at 11:55 AM UTC
Another God
I I never saw a mountain move by the pure grace of love, But by desire, I saw a continent dragged to the tip of the sun. I saw the sea raising its current, trying to ****** some star, like the blood in your stream, while someone else made love to you. And I lost the will to live, and the desire to die chained to your altar. And the hummingbird he put on your lips, it splattered you of freedom, but in its hum you found a prision for two pigeons with no course, for the canary I left in your hand. and it was not from love, it was of pure desire that you opened your mouth and closed your fist. And I lost the desire to die, and the will to live Chained to your altar, As if there was no other God! That I could worship As if there was no other God! To which I could kneel As if there was no other God! II All these men on the pedestal, and if each one is given a cross, How many gods will we praise? How many won't be dead Christs ? How many won't be stained sheets? How many, on Easter Sunday will not even face God? Goodbye. I opened my mouth and I created you a universe, I showed you the tiger and the dove, I planted on your chest an ivy and a rose, I watered you of morning and sun, and still, you preferred to go down to hell, with the loneliness, the bone and the shadow a snake and a red moon For his tired eyes, for his bitter smile, for his brown hair, and hands that had never touched you, and a horseman that won't ride you, a street on which you never cried before, and any other meridian time. For some other Adam that galloped away from a paradise he did not find in your summer, a string of few beads that is embedded in the ground where I bloomed, where a tree of blood and prayer grows, that in each fruit bears my flesh and the seed of another God.
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If you ask him he will talk for hours-- how at fourteen he hammered signs, fingers raw with cold, and later painted bowers in ladies' boudoirs; how he played checkers for two weeks in jail, and lived on dark bread; how he fled the border to a country which disappeared wars ago; unfriended crossed a continent while this century began. He seldom speaks of painting now. Young men have time and theories; old men work. He has painted countless portraits. Sallow nameless faces, made glistening in oil, smirk above anonymous mantelpieces. The turpentine has a familiar smell, but his hand trembles with odd, new palsies. Perched on the maulstick, it nears the easel. He has come to like his resignation. In his sketch books, ink-dark cossacks hear the snorts of horses in the crunch of snow. His pen alone recalls that years ago, one horseman set his teeth and aimed his spear which, poised, seemed pointed straight to pierce the sun.
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The Artist as an Old Man
an impurity inherent or invasive, identity, purpose, all unresolved, substantive, long-lived, minute sized, flexible, formed, yet more, clearly shapelessly, so well visible we'll disguise it to survive it without passport, an émigré illegally legal border invasive, but somehow more knowledgable of the unmapped byways within, more than me - how can that be? never motionless, indeed, always hurried, even when energy gathering, despite it's detailed timetable, detailing plentiful stops and interminable unexplained screeching wailings, it has no smooth gliding, nor rumbling grumbling halting, to a final destination imprinted this impurity, a beheaded brainy horseman searching for what, I'm not permissioned, unquenchable questioning, all I am allowed is sensory surceasingly, unseasonably seeking the undresser, the verisign of veritas eyes mirrored reversal internal, you can't understand why finishing this poem is so hard because you don't want to confess this impious impurity, no étranger, it is but copious insecurity, of the all of you, the ecstasy of the rushing, the upsetting, universal unique to us, you, unholy, ecclesiastical, catholic, that impurity is just the heart pumping the mottled blood of life coursing through your words and out your fingertips, onto those stained drumsticks used to play the keyboard alphabet about an out-of-tempo impure ecstasy
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Mar 29, 2015
Mar 29, 2015 at 11:33 AM UTC
The Impurity and the Ecstasy
When behind closed doors, in slumbers’ shackle bound Weary eyes dream in bliss, the world makes no sound He’s out on round to reach each door in hunt of his man His face unseen but he sees them all, the hooded horseman! One night he stopped at a door on hearing a painful moan The agony in it was so intense, melted his heart of stone He went in to find a man, in pain’s utter anguish Mumbling ‘o god have pity on me take me away please’! The hooded man greatly moved asked him what’s the cause The streaming sobs of his painful cry was in what remorse All the while as he said these words, never took of his hood For he couldn’t, knowing it well, it would do the man no good! The man replied ‘in my ripe old age I’m left alone With ailments, without a care, as all my own are gone, So I asked god to take me off, I can’t bear it anymore Staying alive with crumbling bones and festering bedsores! The hooded man said ‘wait a while, let me see to it, If it’s there, your name, features in tonight’s list, He scanned it hard then shook his head ‘nothing I can do, There’re names galore for outbound trip, not one of them is you’! Saying thus he mounted his horse, here he was needed no more The hooded horseman on his ceaseless errand, galloped to another door!
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Sep 15, 2013
Sep 15, 2013 at 4:58 AM UTC
The Hooded Horseman
There's one cat who meows in the alleyway but mimics a fowl dog who ate larval staged meat. There's two headless horseman racking leaves to find their heads that teenagers rolled down the country hills. there's three furry bears in a cave testing hardness and softness while four bats hang backwards to avoid the light. The five cowgirls had six cowboy hats each exactly. They're going to run out if they keep throwing them at groups of seven boys. Eight dentist chairs were rolled onto stage so the nine musketeers, multiplied by three, could get ten root canals. The doctor said he could have given eleven more of them but he heard twelve whimpers of pain and gave up. There were thirteen bounced checks and fourteen wrinkled foreheads who were lost in eternity for fifteen years. Sixteen world banks filed bankruptcy to drive dollars down. Seventeen hands were squeezed from an angel holding glowing red lips. eighteen hearts and brains switched spots anatomically leaving nineteen grown men sprawled on the ground like they drank twenty or so too many.
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Nov 3, 2012
Nov 3, 2012 at 10:28 PM UTC
The Count to Twenty
I am but a leech, desecrating in lilly glossed waters; Clotting beautiful beads, like bracelets, across wet flesh. Desire is a horseman in this world, coming to close the curtains on the day. Why stop? For lashes from the scepter that was to guide us? Fractured and rotten; yet we still cling for a taste of a crumb of the life once held within it's dead trunk. Death. But an old friend and a forgotten enemy greedily tickling this slicken frame. Fingers float tempting whispers to my every nerve and I long for my senses to set ablaze in those writhing clutches Screaming from inside for release that teases and tingles like the ****** that never comes. Shaken and slightly shrunken Light blazes at the doors, searing and scorching the very flesh that holds a withered frame No longer seeking escape, I slither back to the darkness I seem to have forgotten was home once before
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Jul 9, 2022
Jul 9, 2022 at 7:07 AM UTC
Untitled
The clouds whirl around horns of the gate. The blush of the morning is tangerine and gold. The blossoming chorus from the bay for now is just silence, fog and a silver lining. The cinema bulbs are flickering out. There is Coca-Cola in my soul. There is anguish in my bones. Luxury paid for the tightness of my skin and an artifice of love. It blew away like dry grass. I think God is a librarian, crumbs in his beard, fingerprinted specs. Cataloguing the hours I spent on my knees his matinée idol, his evening sandcastle, stones applauding his work in the Cali tide. What can he do to me? Witchdoctors can forecast rain from my guts. A poor wading bird can fish me up and photograph my corpse iconic like Evelyn Hale, but that 'man' can do nothing… I see the Island rising from the mist like it’s throwing off its coat. I’m like the birdman, in my way. I’ll be remembered flying.   Perhaps I can even make it magnificent? The boys on the boat will talk over their beers of that triple tuck swan dive, the acrobat, a harlequin that tumbled like a shadow on the rising sun Kamikaze, I Samauri! The war drum beats, on, on but I’m done. l am in the eye of the storm. I am the harbinger, the horseman - And the universe is a ball in my hands. I made you up, I’ll rub you out. The sky is holding the Sun and the Moon. 5am. Circling gulls. Harikiri. Machinery rings upwards through the girders. Equinox.  Tomorrow is untouchable.
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Nov 13, 2015
Nov 13, 2015 at 10:21 AM UTC
A Jumper on the Golden Gate Bridge