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i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven
In the dour ages
Of drafty cells and draftier castles,
Of dragons breathing without the frame of fables,
Saint and king unfisted obstruction's knuckles
By no miracle or majestic means,

But by such abuses
As smack of spite and the overscrupulous
Twisting of thumbscrews: one soul tied in sinews,
One white horse drowned, and all the unconquered pinnacles
Of God's city and Babylon's

Must wait, while here Suso's
Hand hones his tack and needles,
Scouraging to sores his own red sluices
For the relish of heaven, relentless, dousing with prickles
Of horsehair and lice his ***** *****;
While there irate Cyrus
Squanders a summer and the brawn of his heroes
To rebuke the horse-swallowing River Gyndes:
He split it into three hundred and sixty trickles
A girl could wade without wetting her shins.

Still, latter-day sages,
Smiling at this behavior, subjugating their enemies
Neatly, nicely, by disbelief or bridges,
Never grip, as the grandsires did, that devil who chuckles
From grain of the marrow and the river-bed grains.
Brody Blue Aug 2017
Under the tree of the university
A shadow was gruesomely cast.
The branches made too much shade
And there grew no grass.
No one would lie under its wood
Down beside its trunk;
It wasn't essential, there was no potential,
Claimed the revered monk
But late at night you'll find him lying in the dirt
Wearing a Paisley Poplin Shirt

The click of the gears define his years,
A cycle on a chain
A cloud of sand thrown by his own hand
Hones forth his pain
He blows seeds of dandelion weeds
****** a ****** field
And he pretends that he intends
To reap this horrible yield
Because unintentionally he subconsciously convert
To one who wears a Paisley Poplin Shirt

Covered in rust, a blade he adjusts,
His mind remains unwrung
The words to speak were too **** bleak
So he cuts off his tongue
He'll be finished when he's diminished
These humanly sights
If there's no vision at the end of his mission
He'll gouge out his eyes
And Helen Keller takes one of her old ragged skirts
And fashions him a Paisley Poplin Shirt

Why must we be obsessed
With the unseen
When we know we cannot
Make something out of nothing
And to those of you who think that you cannot be hurt
Stones go thru a Paisley Poplin Shirt
Song Lyrics
Kody dibble Oct 2015
Possible,
Water,
Rain like mud sticking to your flabby boots,

Drift closer,
The beam of a candle,
Melts my fluorescent membrane,

Kappa,
Gamma Gamma,
Zeta, Theta,
Delta 2 Minor,
We have Control,

The opening is cut,
Like vintage dawns,

fiestivo, rex,
Domus,
Sum,

Forget any retrieval,
Seldom Come,
Seldom Reach you,
Gift to the whisper
Michael Marchese Nov 2016
The selfish life is killing me
Petty
Minds
Instilling me
With boiling kettle enmity  
Staining shell of steel
Evaporating empathy
Deforming each ideal
To freshly-brewed misanthropy
Angry
Hands
Are spilling me
Onto the skin of vanity
My scalding heat is real
This melting world in agony
To puddles we conceal
Still slipping on my sanity
Trippy  
Thoughts
Fulfilling me
By pouring out my clarity
As liquid suns of zeal
Into your cup of apathy
Sip on the warm reveal
Don't burn your tongue on lunacy
*Drink only what you feel
Mark Toney Aug 2020
He's a stable smithy
Thinks his genius words are pithy
As he pounds, pounds, pounds
Into the night

Swings his big word-hammer
Never minding lies and grammar
Cuz he's gotta, gotta, gotta
Fuel the fight

With his bellowslike ire
He stokes the fire
As it burns, burns, burns
To his delight

On his huge word-anvil
Pounds rumor and scandal
As they sizzle, sizzle, sizzle
Burning bright

Hones his words untoward
Like a two-edged sword
As they stab, stab, stab
Like a knife

As his words extrude
They can get really rude
As he pushes, pushes, pushes
Wrong as right

He's a stable smithy
Thinks his genius words are pithy
As he pounds, pounds, pounds
With all his might




© 2019 Mark Toney. All rights reserved.
5/26/2019 - Poetry form: Rhyme - © 2019 Mark Toney. All rights reserved.
alex furlin Jul 2012
Little pockets of sound that skyrocket around
Words: verbs, adjectives, nouns

Words can get me steaming or lucid dreaming
And it leaves me silently screaming to see people consider words a weapon
Like they mean to cause harm
Well let me remind you I have the right to bear arms

Just because what’s on that page is mine
Doesn’t means it aligns with the ideals in my mind
Writing is expression, not confession
So when I write about a character who is confused and depressed
Buys a used gun and a bulletproof vest
And shoots up his classmates in the middle of a test
Because everyone ignored the signs of his anger
Doesn’t mean there’s a trench coat on my hanger

But nevertheless, they labeled me me a threat
Better yet, they focused on me instead of the 15 year old addicted to cigarettes
and took my words out of context
Because they are con-text
Well I’m pro-text and I protest that they suggest that I’m hopeless
and I know this coldness only hones my focus on my magnum opus

But where would we be without controversy?
The indirect side effect to freedom of speech
A beacon for speakin’ your mind without your rights being breached

It’s all in the name
When you write, you’re right
But when you advocate censorship, then you’re ****
My two cents are worth a million bucks
So who cares if they contain a million *****?
F-words might be wayward but in a way they aren’t F-words, they’re A-words

Because all words are equal on surface
Well, until one strikes a nerve with a conservative
Who, without even meeting me, determined me to be
The next **** Germany

I didn’t write a story about a school shooter
I wrote it about how one impressionable kid became a slave to the page
And lost himself in the rage as an unfortunate consequence

And it doesn’t make a whole lot of sense
That the school would let themselves fall victim to a nonexistent threat
Brought on by a few paragraphs on a pair of half ripped papers stapled and
Paper-clipped to the rest of my script

You can place the blame but you became that same shameful shell
Hell, you can expel me, but you can’t compel me
To stop yelling again with this paper and pen
Or a stage and a mic
Going without words is like an endless hunger strike

Being voiceless ain’t a choice for this
When I protest, I prefer to be heard
A whole lot can happen with a few simple words
Mark Toney Oct 2019
He's a stable smithy
Thinks his genius words are pithy
As he pounds, pounds, pounds
Into the night

Swings his big word-hammer
Never minding lies and grammar
Cuz he's gotta, gotta, gotta
Fuel the fight

With his bellowslike ire
He stokes the fire
As it burns, burns, burns
To his delight

On his huge word-anvil
Pounds rumor and scandal
As they sizzle, sizzle, sizzle
Burning bright

Hones his words untoward
Like a two-edged sword
As they stab, stab, stab
Like a knife

As his words extrude
They can get really rude
As he pushes, pushes, pushes
Wrong as right

He's a stable smithy
Thinks his genius words are pithy
As he pounds, pounds, pounds
With all his might
5/26/2019 - Poetry form: Rhyme - In the context of this poem, "Wordsmith" refers to any who attempt to mislead by using lies or disinformation. - Copyright © Mark Toney | Year Posted 2019
Mateuš Conrad Oct 2016
I like the word Cnut. It'a obviously related to ****, which is nice. Freud would maintain an existential connection, no? Kristeva a maternal one. Derrida a...blah de blah

Matthew Conrad* Cnut is an actual name of a Danish king that ruled England... it's not related to **** in the least. it's authenticity speaks for itself, 990 a.d., variations include Canute.

Matthew Conrad crapper - its - ugh and the whole shitload of
missing diacritical marks in English, excessive when said:
hyphenation when quasi-German-compounding,
and the one-armed bandit of ditto when a possessive article is expressed, notably missing, a notable circus frenzy or:
that thing to mind on the tourist trail: short-hand it's:
it is, and its, such a short word will always do
stealth undermining when quickened to be expressed:
unlike a stripper's corset might, or a cat's invisible leash
given it's behavioural quasi, or in falsetto dittoing i.e.
passing down the torch, id est: more ambiguity than anything
so the dichotomy of hmm... quasi- or pseudo-?
almost or sort of?
even more atomic, linguists are mathematicians
of letters? sure, hence the complexity variance
of 10 ( 0 - 9 ) v. 26 ( a - z ),
mathematics is difficult, due to e.g. ∋,
which translates as t.q. (talis quod) -
is encoded....
where was i?
x and .
both denote a convergence - only that
the western multiple variation has
divergent off-shoots, while the eastern method
hones on a x, y, z, or (0, 0, 0) -
and hence the multiple, hence the full-stop
that's never a full-stop, given so many books are
written including bypassing the semi-colon
and hyphen and colon and all the other remainders... dare i say, reminders?
but still, mathematics overpowers
linguistics (the equivalent science) with the many
more punctuation marks...
≈ v. ~
mathematical punctuation in
language is sometimes akin to stiffened Latin
prefixes, like quasi and pseudo,
in mathematics quasi (≈) and pseudo (~);
the hyphen (-) is translated as +...
quasi = approx.
and pseudo = similarity.
there is so much refinement
going on when mathematical punctuation
mingles with literary Oliver Twist -
i mean, literature is a pauper when it
comes to punctuation -
ctrl c & v this ****...
only upon replying you can
i honestly spin the cobweb, thanks...
the Minotaur wakes up sorta thing...
i've decided you did this on purpose,
i guess i'm glad...
after all... it only takes
a very minor incision to dissect a whole body:
pulling the brain from the nostrils
within the framework of mummification
sort of thing...
but my luck is as good as yours:
if you don't prosper from this little hushed up explosion,
then at least i'll peacock strut into another blank being filled,
or the sort of thing you say on a Monday:
how was your Sunday roast, with the family... or...
whoever you ate with the previous day, in the afternoon?
Freud, yes, Derrida, yes... Kristeva?
feed me something essential,
never heard of what's already a pronoun enigmatic word
given the current transgender upheaval of he she you me
it we blah blah.
oh right! a woman! d'uh... i'm still stuck on Plath
and, ah ****, what's her name... Imogen Siberians-Need-
                  Sun-Cream-Akhmatova -
dunno... i was just reading this article about
    this *****-donor app that spirals female fantasies
out of control akin to the Tinder-swipe and i got
thinking about the futility of men in professions outside
of construction and whatever the **** there is to do
that's macho -
                          and rather than gender affirming,
more or less life-affirming -
                                        to the specified method-statement
of *** -
                             not that i'm undermined,
          or threatened -
just ****** bewildered by the whole um-hum hmm?
                     ****... (after a long pause);
i should really check this groovy someone-something out,
should i?
                   what medium was she using?
        i was digesting bob dylan winning the Swedish prize
for the best lingonberry jam (vocabulary) or
the marley: we're jamming in the wind -
                         don't know where such crass gin jokes
came from, but i'm sure they came from somewhere,
where?                           oh sure,
              a million poets said with jealousy:
   but i don't recite my poems while playing the ******* flute!
****** puritans: learn the ******* harmonica before
charging into the scene wanting to recite Jethro Tull's my god!
life nomadic Jan 2013
.
white fox, snowy owl
doze, crave cousins summer fare
ice hones beauty, will
.
.
.
Copyright © 2013 Anna Honda. All Rights Reserved.
Mateuš Conrad Nov 2018
a slap on a face by a girlfriend,
just because she feels
like you've been cheating
on her while visiting your grandparents...
i must have looked pretty fit
for her to assume such a delusion...
and then countering...
punching yourself enough
times and giving yourself a plum
(a black eye)...
what do you think feels worse...
the 20 odd punches by yourself,
or the slap in the face?
  that's not a trick question...
the slap in the face...
stings like a bee...
            hones onto Parkinson's
like Muhammad Ali:
what is Parkinson's?
   a bit like an animated stroke,
in slow slow motion,
over a long period of time.
- Rammstein makes a fetish
of various disorders
in the video for mein teil...
oh... lookie lookie lucky:
i've experienced the classical
bulimia of the ancient Roman
bourgeoisie...
    i went to the bulimia gym...
trained the oesophagus
so well (it's not a tract,
it's a muscle) that i was able
to eat as much chocolate
as i was able to spew out...
on note: i love when Germans
sing...
           that elitist part of me
disappears...
because: who the ****
had the authority to say
that opera was exclusively
an Italian or a French affair?!
- technical matters...
what is a precursor
hyphen?
a new paragraph in poetry;
a semi-colon? an elongated
pause...
         backing up on
the topic of the hyphen...
point-break
(great movie by the way...
hate the remake...
Val Kilmer... Patrick Swayze...
or as i like to call them...
Valerie **** Me
   and pat Paddy's back
while he swings Zed).
Terry Collett Jan 2015
He kisses
her hip;
lips on skin
and feels bone.

She moves
in intimacy,
hones in
on his lips
in the moist moment.

She curves
about him
like a serpent,
her legs
about his waist,
bringing him in
to harbour
like a pilot
brings in
a large ship
to home port.

Hip to lips,
lips to skin;
sense now
the hot dips.
A MOMENT OF INTIMACY.
Doug Potter Dec 2016
Winging on thermals
across river valleys

counting days until
death hones-in;

lead pellets
swallowed,

prey
eaten.
Vernon Waring Jul 2015
Her lilting voice,
sweet and soothing,
once moved audiences
to laughter and tears.
Now, at bedtime,
she hones her celebrated art
for her daughter's enjoyment,
regaling her with stories
of wizards and talking birds,
of princesses and castles
and magical visits to a
glittering fantasyland.

She tucks her child in
and listens to her prayer,
then sleep tiptoes
into the quiet room
as the little girl
turns over gently,
all her lovely dreams
just waiting to unfold
like a glorious sunrise.
Joseph C Ogbonna Oct 2023
Just take a good look at me;
My frame is attractive!
It does the unsated
appetite of the chauvinist
fuel.
My curves and your fantasies
are mutually inclusive!
Without them, dreams
are truncated.
But I am an *******
symbol.
The self opinionated chauvinist
designs me in his sub-conscious
to serve and be utterly subservient.
I am incarcerated as a chef,
and timeless baby sitter.
A baby machine for a
patriarchal dynasty.
My education is a threat to chauvinist ego.
My ignorance hones his misogynist confidence,
whilst my erudite head
retards his self esteem and worth.
The illiterate ******* symbol is his
ideal and virtuous woman.
The smarter and more professional
is the age-old Jezebel.
My chastity and virginity
are twin virtues of a
mutilated genitalia.
My restrained *** urges are
designed for his unrestrained
proclivities and gratification.
I must be restrained,
for him to be unrestrained,
because, share him I must
with two or three others of
my kind.
But take another good look at me,
and see a versatile womb-man!
Translate each prejudice of yours'
and see my remarkable antonyms.
Oppression of women
The Calm Jul 2016
Your love confronts me
I can't resist you
Your touch is sinful
But your voice is my redemption song

I know your voice all too well
It is the shackles on my hands and feet,
It is the bars in this cell
But never did it cross my mind that I was trapped
That this prison was hell
My darling angel
It seems from heaven you fell

Your sweet sinful harmonious tones
Only heaven knows the power it hones
Only hell sings along in your song
As I sit in this cell trying to right this wrong

To no avail to no avail
I've been sentenced to this madness
And there was posted no bail
No freedom from love
No freedom to love
1st Movement:

When I hear the knocks at my door I’m filled with hope. Hope that it’s my good old friend coming to see me again and fill me with his familiar presence. By equal measures, though, I feel fear. Fear that it’s my good old friend back again to fill me with that all too familiar darkness. They’re gentle knocks, sinister but as grating and aggressive as a great dog’s bark. The sound turns the air to a particular darkness which fills my lungs and heart. Fear interspersed with curiosity compels me to answer the door with haste and resignation to his behest, if only to refine this binary mixture of emotions to one or the other. Both are equally awful as each other, for this old friend is not the kind of friend one would willingly welcome. He’s the sort of friend who, when he wants to come in, he will, and I’ve learned over the years that it’s easier to let him. Let him in to wreak his worst on me and let him go again until his return. He always returns.

This ‘good old friend’ I speak of is the crafty external force which deceives me with my heart’s treachery to believe his bogus internality. He deceives me and he deceives my heart, my mind, my soul; my whole being, the whole world. The sooner I let him in and the more open and receptive I am to his abuse, the sooner he will leave. Leave me for a moment’s respite from his damning indictment which screams of anger at his own futility.

The figurative door barks only in my brain, but the definite door knocks gently, devoid of any disturbance. As I open the door the darkness dissipates making way to a bright clarity. My fallible heart was presuming the worst, yet not knowing it. Standing before me is my friend, my brother securely holding in his hands the words written that everything will be alright. Not now, and we know not when, but everything was, and will be again.

I put on a mask of happiness to fool my brother to altruistically manipulate his altruism toward me, but to my own detriment. My own success backfires. My brother, fooled in my eyes, serves the manipulation straight back to me. Facile happiness abounds us both driving enthusiasm with which to examine the words he holds, and to diligently extrapolate the truth from the book he bears quenching our thirst driven by our mutual love for truth.  As his eyes close to another world, another dimension, mine too close seeing only the questions asked in my imagination. What does he under his eye lids see? Where are his words going, and to whom other than me? These are the questions he is here to answer, unbeknownst to me. The questions I’ve been silently asking ever since I learned to question. The same questions every single person in existence, excluding none, asks all the time. Some ask with hope of an answer. Others, enveloped with contentiousness, ask to prove a nonexistent point and perpetually fail to succeed, mocking only themselves. But do they know they mock? The self ridicule is cloaked in self righteousness woven by this world with its daily, bite size propaganda fed through speakers and screens right into the deepest recesses of the mind. The dangling carrot promising satisfaction. Playing on our inherent knowledge that there is something better, something more resemblant of that originally intended perfection for which we all strive in our divinely uneducated way. There is something better than the devastation we witness encompassing our souls and poisoning our hearts, making us sick. A sickness self inflicted from the view of the original intender. A donkey won’t chase the dangling carrot without the hunger. The screens drip feed us hunger and, offering the unattainable antidote, it keeps us chasing.

My brother has come to help me use my mental tools to instil the abiding antidote from these words. Words with which to gradually alter my outlook on their beauty. My previous reverence for poetry changing like the tides, flowing and ebbing over and again, gently moulding the lands into more beauteous forms making known nature’s true name.

יהוה; quintessence of the words,
Of beauty to our ears.
Not love of mind nor fanciful sight,
Nor tenacity of breath of those who might,
Speak provocation of effusive tears.

Diversification of those whose diction,
Expansion was sought imploringly,
Displayed meek thirst,
For knowledge first;
They’ll be blessedly beset linguistically.

Longing rills of liquefied utterance,
Reverberating waves aplenty,
Bellowing whispers loud,
Heard from within a shroud,
Giving rise to a barrel never empty.

Roaring murmurs of ripples in thousands
Cascading to oceans below,
A fast falling downward demise,
Sounding white truth and that of black lies,
Of onomatopoeic H2O.

Not stringent is the string of letters,
Lax are the words to be strung.
Not sequentially,
But dulcetly,
Outward beauty will be rung.

With a patterned strike using one’s cerebella Mallet
On the gong of one’s cerebral stock,
Eloquence imbues,
The mind your ears use,
Curtailing the perpetual tick tock – tick tock.

Facile masks circle that face,
Consuming as they revolve.
Filched is elation,
Taken is creation.
Yet knowing the inevitable resolve.


We know now, consciously or not, with whom we originate. What stops us from connecting the dots. A dot-to-dot; something so easy to do, but where those dots continue to move, we fail to place the blame succeeding to rue. Frustration turns to anger, anger leads to hate, hate leads to he; The dot mover, the obstructer, the distractor, the decoy from truth, from love, justice, from every good thing. We know whose power the world lies within, yet choose ignorance over the truth which we already know in our hearts.

These realisations are made like Wordsworth’s frost at midnight. They perform their secret ministry through the air, over my body and penetrating my mind and heart, upheld by any wind from my or my brothers mouth. Each and every utterance supports any later rumination on the truth, the lie, and anything in between these extreme poles of all that’s known and that which is unknown, seen and unseen, loved and hated.

These reciprocal uplifting and upbuilding exchanges, each a divine gift, a string of gems to have and hold for time indefinite, aid an understanding of the one responsible for such. So little time we have left, yet such extravagant lengths of this most precious dimension is wasted arguing for and against, but never asking who or why? Surely only a fool argues a case about that which is unknown. The facts form irrefutability, yet the propensity to form too fast with a one sided judgement still wins while we dote on our own supposed intelligence.

Acknowledging the light seeping through the cracks in the still darkness, he rages with a concentrated anger at his self generated, perpetual, vindictive blindness. He is that getter in the way of things, the shadow caster, the adversary, שָׂטָן.

He is the darkness licking round the door frame, to my mind with all his might and yet crafty restraint. Not one of us can escape this darkness, not on our own. We can, though, shed light on it. Light will always win where both are present. Darkness may be the fundamental state, but where light is allowed, darkness is always destroyed.

But then it comes over me like a tidal wave. A darkness rushes at me like a sledgehammer for making this realisation. Past the point of no return do I give in. I give up. It’s too much. Only so much ducking and weaving can one man’s energy let him do till there is none left, and now it’s gone. I’ve run dry to doom, run into the ground. I’m broken.

Time rolls on filled with a single solid nothing. The weeks pass. The days, the hours go by sniggering and sneering. The clock’s face look down his nose and finds me. To us, time seems the highest of all dimensions, but as obscure as it is, by what does it run? A question we have not enough time to fully answer scientifically. Science by it’s very nature is the perpetuation of posing question after question until the answer lies beyond comprehension. Posing question after question to answer with evidence is categorically finite. Uncertainty is an underlying rule pervading science itself, though faith follows beyond the apparent end. One will never know just how much of a threat obtaining this faith can be to he, the adversary.

Life’s doorman presenting my open garment inviting me into the warm wrappings of my winter coat to deceptively soften the mourning of the summer we lost. That paradise on which we passed. Beaconing me into the warm wrapping only to send me astray, away, adrift from the truth to eternal ruth and regret of one day.

At this my brother departs for his own trials in his own house, thus leaving me to petition and plead for a helping hand out of the ill-lighted and lurid cavernous fog I find myself in. There’s a relentless pain pervading my whole soul, but the pane in the wall frames nature’s beauty which taunts me so. A picture plane presenting a small glimmer of the bliss meant to be. A hope of spiritual prosperity, assurance for which we have been given, though the reminders are not easy. The doorman’s world drives his crafty vehicle of dangling carrots with such ferocity to blind us. The speed blinds the minds of those who stopping, would realise there’s string and a stick. It’s a trick. A trick which has seen us plough through a vast array of food, a banquet, chasing the ever out of reach embellished single grain, though always the closest.

Try as he might to perpetuate this fight, us, his captives, continue to fight longer and harder with a never ending and unlimited supply of the best weapon known to man. Love. From where does it flow? To where does it go? First we have to know, and once harboured, we must direct its flow.

Five years have passed. Five summers with the length of five long winters, and again I hear these waters rolling from their mountain springs with soft in-land murmur.
(William Wordsworth - Lines Written at Tintern Abbey)

The mountain spring is where. A monumental spring of an historic scale from mount zion producing a never ending murmur of love to cascade over the ocean of a people lowering themselves to the strongest and most sturdy section of the mountain.

As the result of a string of mutations, always mutating and never improving, is always the same, such a long string will never become rope. An infinite number of monkeys given an infinite number of typewriters and infinity itself will rewrite the entire works of Shakespear. Those who read a Shakespear and surmise the existence of a lot of literate monkeys, are vacuous victims of international mind-numbing, but wilfully so.

Saturated with such a concentrated concoction of diverse threads erratically woven into a veil, a cloak of lies behind which their lack of faith is hiding, a falsity for their fallacy; the world frantically searches for truths using tools honed only by the world, on which the adversary hones his trident. Needles in haystacks the truths may be, but once found they’re overt, obviously. They are the flames that burn the darkness, a holocaust of murk, the Wally amongst the distracting cacophonous din of hustle-bustle of faceless herds trudging in binary directions to their fraudulent feed of false food disguised as noble inflections.

The casting of light in our eyes, as pennies of an historic value drop, irradiates the notion that our eyeballs have been boring into truths and truth has been peering back for all time past. Have we not seen because the want to see was lacking, or did we not see because our ability was cracking? Were the lights on with nobody home, or were they residing in darkness? The utterance of my brother came inspired, “If we focus on misfortune, we will reap what we sow. Focus on the truth and let everyone know”.

Asking is merely making known one’s requirement for information. Prior to this we must attest the intent of receiving such. Though, the truth has been granted devoid of request, negate it has not our silent behest. Do we need to know the truths we now see in plain sight, to live our lives in harmony?

In a world without compassion, where the hungry are starved, the thirsty desiccated, the poor deprived, and the weak expended; does the supposed prime driver really give two hoots about the starving, desiccated, deprived and expendable; me, you, us? Ostensibly not.

Surely a world of war where we’re sick and we suffer will have been founded by not one whit related to love, but a halfwit wilfully innate and cognate to hate. Paying heed to words written with the elusive love we seek, I see the distinction from consent and cause. Trudging through Satan’s cesspit with consent from whom we cannot blame for causing the sewage in which we wade.

I know there is to do, but what to do, how to do, where to do and when. Knowing why is too little to do by. Answers are only information and information is worthless until actions are born. A gift unappreciated lies stagnant and not used. A gift gratefully received produces infectious joy.
2nd Movement to be posted upon completion.
Foie gras
Exploitation of geese
Posh food

Cows with udder
Too big for their bodies
Industrialized

Greyhounds
Get legs broken
If too slow

Bleeding bull
Disorientated in the sand
Slowly dying

Taser rowdy whites
On uncontrollable blacks
A gun is handy

Water
Rocks splinter rollers
The breakers hones the rocks
Into shark fins
We've been evolving with music,
ever since our mothers heart beats,
special and different,

terminally unique,
flabbergasted freaks,

trapped,
poverty stricken and weak,

little *****,
unharnessed potential sleeps,

forced into a corner of naughty
left handed niche,

never gonna be right,
no matter how hard we tried to please,
surrounded by subterfuge ,to fool we,
And force us to be,
other than that which is 3,
oppressed with an Iron fist ,

that was planned ,pummeling,

our creative needs,
like bricks in a washing machines,
Never get cleaned,



Discombobulated,
Artiste,

wearing our souls on our sleeves,

it's not like we never told you,

What WE wanted to be,
Traitors sounding dis-eased,
somethings never gonna change,
best believe,
they just wait and become more vague,
and strange and displeased.
The only escape and coping mechanism sufficient

4 1 2 survive,
and preserve the real we,

Alchemists? , Magicians? thieves?

thrive
and get a life

ub3

and feel alive,
Our duty to share and express

our majesty

and universal given creative talents!
aka

" Balancing heavy burdens on bended knees"

the most precious ancient currency
Deep in the concrete jungle,

amongst all kinds of ******.
Only dead fish go with the flow!

And never stumble

Just their for the ride

with ease,
swimming upstream,

brings light

providing us with,the fortitude and spiritual stamina,
to stay alive &survive;

for the streets,

that is required,

in order

4 We 2 b 3

and able to
keep on keeping on,

no matter what's gone on,

Got 2 B strong
by any means necessary,

suffering
through these astonishing catastrophes,
written in stone,

war and peace,
4 what doesn't ****,

hones and

must make strengths increase,
as out of the darkness comes the light,
like a beast to a priest,


That we are still here to share,

no matter what!

express ,believe and receive,
creating, creative, creations...

exposing the woods from the trees

WE big people ,

have to bend,

and ponder,

and weep.
Modern Haiku
Foie gras
Exploitation of geese
Posh food

Cows with udder
Too big for their bodies
Industrialized

Greyhounds
Get legs broken
If too slow

Bleeding bull
Disorientated in the sand
Slowly dying

Taser rowdy whites
On incontrollable blacks
A gun is handy

Water
Rocks splinter rollers
The breakers hones the rocks
Into shark fins
Donall Dempsey Jun 2017
HITHERING AND TITHERING WATERS OF..

Aaw sure she's my own
little Finnegans Wake.

For my little skeowsha
language is lava

the mind is molten
flowing.

She catches tones and hones
in on the last word.

"pleaseyawannanicecupof...TEA?"

She knows how to
stick question marks on

things like
"...sweets?"

The thunder scares her
on Thursday

& becomes
Thundersday.

The flies bother her on Friday...
becomes Flieday.

Not realising  she is
quoting Mr, Joyce

following in his WAKE.

Or she makes up her own

"ONESDAY...TWOSDAY
WEDDINGDAY...FATTERDAY
SOMEDAY!"

She my little trinketotes
my dear ***** Dumpling.

I read her to sleep.
Not a peep

when Anna Livia Plurabelle...
tells her tale.

Beside the tickling waters of.
Beside the chuckling waters of.
Beside the laughing waters of.

She loves
the music of it all.

"Again!"
she agains it!

" Can't hear with the waters of.
The chittering waters of.

Night now.
Tell me, tell me, tell  me elm.

Night night!
Tellmetale of stem or stone.

Beside the rivering waters of..
Hithering tithering waters of.

Night."
Sequoia Sawyer Mar 2016
Ten and Nothing*
     or *the blades of karma


Lean not against my walls, push through.
I'm the patron patience you've been seeking,
and saint of the secrets keeping you. Scooped
from the ditch out of which you grew
and were cast back into, I found you,
drooped and slinking. I picked you up

and fastened your stinking habits to my brass.
Not for thinking everything I retrieve
from the pits and slicks and sinking eaves
need be carried or repaired,
maybe only spared or made aware
that being sick is far from being buried.

I should know a shifty snitch will only
trench and trudge to see glue used
in lieu of a proper stitch. The bench
was proof, too. My sister's chagrin
as you refused an outstretched clutch,
shillings cinched up, a clenched fist
calculatedly compassionless.

Have you enough tax-deductible tallies
on the slate that hones the blades
of karma's discriminating grate?
Uncurl your ornate petition
and show us all the stones you've sown
for admission through the pearl gate,

The finest few ford fortune's river,
spite shaft, shiver, and devotedly make
a living of giving just to be a giver.
I'm always seeking critique.
Willing though I am
I am not the 'full shilling' of a man.
You can stuff me full of worms and watch which way the earthworks turn or burn me on the stake,take your shot,make your play,willing though I am
I haven't got all day.
It's time you see that captures me and ties up the dandelion clock and there's no **** a doodle ****** me to wake and set this old man free,All
I see are mad old hens with fountain pens scribbling in the sand and the farmers wife who never had a life to call her own, sits and hones the carving knife,willing though I am she won't be carving slices off this old piece of ham.
What's normal now may tomorrow be somehow sanitised by experts who'd then advertise me as the fresh young thing and bring me to some underling who'd work in order just to pay the madnesses to go away,but
I remain,
the stain you can't remove and I turn again into the groove,another disc reminds you that I am
not quite 'the shilling'
not quite the man.
Gold autumn leaves with withered rose
crumble like promises we made.
To dust returns the love I chose
as rust consumes the sharpened blade.

Wet grindstone hones the rusted edge.
Love swings the sword I can't evade.
You watch me teeter on the ledge
but find no words that can dissuade.

My broken thoughts can not sustain
the quest for all that I do lack.
Yet though vague flashbacks still remain
I know this too will fade to black.

I never thought that anything
that felt so right could ever die.
What was once love would later bring
an end to thinking I should try.

Glass promises we sometimes make
reflect not love but self defense.
They tell a lie and only take
then shatter at our own expense.

Love never heard me say I do.
It passed my heart along the way.
No sacrifice will make it true.
I move my rook to end the play.
Poem is an excerpt from my blog at http://smoljanovic.net
The stepping stones
crossing boundaries
exchanging homes,
hanging on by a thread.

If I'm to be dead
I will live on
in the rising waters
when the stones have gone.

Lick my lips
she slips right in,
is this where
the beauty of
life begins?

Kiss me later
kiss me soon,
kiss me under the
sparkling moon
reflected on the
stepping stones where
the light
hones
my appreciation.
Kay P Jul 2016
I.
It feels like an itch beneath her skin, like static electricity, like all her hairs on end, and she loves it. She knows that if she would only spread her fingers and say the words, she knows that if she were to close her eyes and open them again, the world would be in colors that no one else could see. She knows that if she would only let it free, it would spark and be euphoric-
her hand clenches into a fist. she ignores it.

II.
Her spellbooks are stacked haphazardly in boxes and her shelves are full of YA fiction. She does not go into the attic anymore. She lets them collect dust. She does not pour over old latin phrases or study greek for any other reason than to read Homer. She concentrates on Biblical Greek. A silver cross hangs around her neck. Her notebooks of tediously written translations are scattered to the winds. They are replaced with collegiate notes and short stories.She is a scholar. Her curiosity is never sated.
She does not go into the attic.

III.
Sometimes she wakes up five feet from her bed, her nose brushing the ceiling. Sometimes she’ll feel the wind and clouds pick up her emotions. Sometimes she hears the whispers of the dead. But they are whispers. Her prayers are louder. She closes her eyes and grasps at control, waiting until the forecast is correct again. She clutches her golden cross and tearfully waits until her back hits mattress.
It will pass it will pass it will pass.

IV.
She studies more now than she ever had. The girl who’d been able to get by on lectures alone is no longer satisfied with a B/C average. She hones her writing skill until it is sharp as a blade. She beats her pen to paper as though it can lead her to salvation as well as The Good Book. Sometimes she falls asleep at her desk and her papers float around her.
She buys more paperweights.

V.
The future is shadows and whispers. No longer do other people’s auras paint her vision with colors no one else can see. No longer do other people’s deaths and loved ones press themselves behind her eyes. No longer does she peer into souls that only stare back. They blur together like retired nightmares. She does not hear their voices. She does not see their faces.
Her vision is only 20/20.
July 4th, 2016
Donall Dempsey Oct 2017
HITHERING AND TITHERING WATERS OF..

Ahhh sure she's my own
little Finnegans Wake.

For my little skeowsha
language is lava

the mind is molten
forever flowing.

She catches tones and hones
in on the last word.

"pleaseyawannanicecupof...TEA?"

She knows how to
stick question marks on

the end of things
like: "...sweets?"

The thunder scares her
on Thursday

& becomes
Thundersday.

The flies bother her on Friday...
becomes Flieday.

Not realiasing  she is
quoting Mr, Joyce

following in his WAKE.

Or she makes up her own

"ONESDAY...TWOSDAY
WEDDINGSDAY...FATTERDAY
SOMEDAY!"

She my little trinketoes
my dear ***** Dumpling.

I read her to sleep.
Not a peep

when Anna Livia Plurabelle...
tells her tale.

Beside the tickling waters of.
Beside the chuckling waters of.
Beside the laughing waters of.

She loves
the music of it all.

"Again!"
she agains it!

" Can't hear with the waters of.
The chittering waters of.

Night now.
Tell me, tell me, tell  me elm.

Night night!
Tellmetale of stem or stone.

Beside the rivering waters of.
Hithering tithering waters of.

Night."
ZWS Jul 2015
Why do I lose sleep when I think of you
Makes me wonder what dreaming is
Because you're a happy thought behind my shaky complexion
Caffeine eyes that look like coffee stains
And the pain beneath them resides
I think you could change the tides
I couldn't tell you when I live my entire life in hindsight

Am I falling for you or is my body addicted to your pheromones
Is it the thought of clashing bones, with bones
Or is it the harp inside my mind that your voice harmonizes and hones
Am I falling for you or am I feeling alone

I'm a love **** and I'm stuck on your drugs
I've caught your bug, and the only vaccine is the thing inside you that pumps blood
I guess we'll see tomorrow, but the waiting is killing me
I'm ready to start thinking about the future
RJ Days Jan 2014
The ground's still cold at the end of May,
And all I want is another day.
Winter will come far too soon,
As middays lapse into afternoons.

Crickets tweet despite the dark,
And I don't run though all dogs bark.
You never know what's past the trees,
As Betelgeuse glimmers too faint to see.

Hacking out verses numbingly hones
That strange sad effort to make here home.
Garrett County, Maryland, May 23, 2009, 12:13 a.m.
The audacity is staggering,
Enraged ego makes me laugh.
Why do you think it is yours,
When common fantasy I craft?

I write for me, myself, and I,
And often, for another.
But I too write for audience,
To give them chills and shudders.

I pull emotion from my heart,
And feeling from my past.
Sometimes I will write in truth,
But stories are told in final draft.

I love to mess with the mind,
Confuse and frustrate readers.
I don't want you to know the meaning,
And I don't want you to know me either.

Leave the ego and assumption behind,
I rhyme for for art and applause.
It hones my skills for further use,
Sharpening poetic claws.

Even this is not what you think,
If you know me you'll understand.
This is a cryptic verse,
From the beginning planned.

So read on with a grain of salt,
Be wary as you go.
Many of my works are true,
But which you'll never know.
LionTreeMan Oct 2017
She dances, the fire;
So adamantly.
So tenderly she sways.
She dances for her life.

Certain notes free her,
and then she hones in on her core,
her being.
Residing in that strength she waits;
patiently,
knowingly.

Surprising her audience with her bursts of movement,
she twirls with ease and shines so bright.
Her elegant flicker and crackling grace oppose her inner-struggle.
Yet she chooses not to be snuffed,
rather to dance on,
for life will not wait.

Onward, she thinks,
with no regret.
She dances for her life,
because, if not her, no one else will.
F A Pacelli Aug 2019
we learn through
iteration and repetition
repetition hones your craft
iteration grows your craft
Luna Jay Jul 2015
Amalgamate your love to mine.
There's no more faith.
There's no more time.
Gorge our brethren,
Our sisters true.
There's no more hope
For saving you.
Demented? Maybe.
But love tastes so sweet.
Love is simply remorsed.
My love is antiquated.
My felonious crime
To steal your heart
Seems to be outdated.
The caricature of a heart so nice.
It tastes much better when ordered off ice.
I try not to beleaguer you.
Its not my intensions at all.
But sometimes,
Humans have this problem of over picking a scab until it falls off.
And darling,
If I pick at you,
The pain only hones.
Its worse to the pain that now
My pain is drone.
Used to the pain of a flesh eating heart.
'O Romeo, Tis only a start.
Of vast suffering
Of a flesh eating wound.
Save me, 'O blood stained Romeo,
Or meet your destined doom.
Dally if you must,
But please keep in mind.
The ****** of yours is the only I can find.
Your love being relief for my pain.
Darling.
Please let me hear you speak my name.
Matthew Mefford Apr 2014
I sit in my room, the usual for a Sunday night,
My pen in my hand, my mind wonders, 'What can I write?'
I glance at the clock, and struggle to focus my eyes,
'I think that says 4, but it may be blurred to 5,'
Insomnia is a regular thing for me, I struggle to sleep,
Some nights I do fine, but others, not a wink,
All I can do is sit at my desk and think and think,
Perhaps tonight is good to pop the cork and have myself a drink,

My pen begins to caress the page, my mind hones in,
Words flow easily, as the wine does, holding to the rim,
Something strange haunts my room, it seems a little girl is happy,
But, wait, who could it be? My sister is surely napping,
I set down my literary sword, and sneak into the hall,
I follow the joyous giggles, then I hear her smallish call,
I trace it to my parents' room, the lights all seem so small,
I crack the door, and there she sits, cradled in a ball.
Leay Oct 2016
How about the crazy thoughts.
The ones that sleep behind your eyes.
Have you ever seen the truth.
The ways, in waves of what is not.

The sinking of the curtains.
The floating hope.

Can a mind unwound, find itself a spool.
Calm itself.
Calm and cool.

Is the heat a growing pain.
Is the heat forever gain.

It, the pain forges, molds, shapes,
Hones the sense.

Creates new dimensions.
Options,
Opines,
And
Governs.
Is there option , or fate fatale.
Your love confronts me
Lust comforts me
I can't resist you
Your touch is sinful
But your voice is my redemption song

I know your voice all too well
It is the shackles on my hands and feet,
It is the bars in this cell
In my mind I was trapped
In this prison called hell
I have been sentenced to
By my darling angel
From Heaven you fell
But I cannot tell

Your sweet sinful harmonious tones
Only heaven knows the power it hones
Only hell sings along in your song
As I sit in this cell trying to right this wrong

To no avail to no avail
I've been sentenced to this madness
And there was posted no bail
No freedom from love
No freedom to love
Even though beautiful as a daisy
This love drives me crazy

— The End —