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"homely" poems
Come spring, she leaped across the grassy dune, Beaming with sheer joy as she hummed a halcyon tune. Her beauteous almond eyes- the biggest, the brightest. A bonnie spotted doe in her warm, homely forest Come summer, by her gushing little lake she played. When upon a solitary, pensive buck her eyes she laid. Eyes met across the smiling lake; too soon gazes parted. While his eyes curiously lingered, hers wandered on ahead. Come monsoon, he adored her eyes, her gilded coat, her bushy tail. The passionate warmth in her eyes with affection made him frail. Yet, she went on with her blissful life- devoid of any care. Oblivious of the buck who always stopped to stare. Come winter, by his side chattering happily she grazed. Soon, his feelings faded; by almond eyes no longer crazed. Like currents in the water, apart they drifted and drifted. New lake. Nonchalant silence. No words were said. Come fall, she found that he still leaped through her mind. The emotion she once scoffed in her heart now enshrined. Eyes met across the smiling lake; too soon gazes parted. While her dull eyes wistfully lingered, his wandered on ahead.
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Jun 7, 2014
Jun 7, 2014 at 10:56 AM UTC
Almond Eyes.
embedded in the most tenebrous corner of my mind, harlequin memories of serendipity, dripping like bittersweet wine, tantalize me, begriming what was once an unsoiled canvas. engulfed in my despondency, I repose homely until my mind's taste-buds savor the saccharine flavors of its own derisive thoughts. aroused to say the least, my mind's libido is now being satisfied. I lie here, welcoming all that my thoughts and epiphanies have to offer. I am unable to disclose what's bestowed to me but that's irrelevant. My mind is here... and open and anticipating the pleasing rush of these thoughts that venture through my head. The pleasure is overwhelming, forcing my chakras open as my ajna awakens from its long slumber. I crave this foreplay and I plead with the universe to make it never-ending but it seems my cries fall upon deaf ears and I'm left open-minded and unfinished.
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Mar 13, 2015
Mar 13, 2015 at 1:06 AM UTC
Mental Foreplay
The bloom of the cut rose leaks into the water glass. She fixes breakfast. I sit thereabouts waiting. I trouble my coffee with a spoon. Her slippers scuff softly on the floor. Her dreaming slowly leaves her eyes. I rub my homely morning face. The finger of a tree taps the glass. It will not be admitted with the pale, newborn light. The world already goes its way. It minds if we are slow to follow. The street grumbles at my well-used robe. Matins bells predict a running out. We keep our peace longer than we should.
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Nov 9, 2012
Nov 9, 2012 at 8:50 AM UTC
Kitchen Talk
1563 By homely gift and hindered Words The human heart is told Of Nothing— “Nothing” is the force That renovates the World—
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By homely gift and hindered Words
783 The Birds begun at Four o’clock— Their period for Dawn— A Music numerous as space— But neighboring as Noon— I could not count their Force— Their Voices did expend As Brook by Brook bestows itself To multiply the Pond. Their Witnesses were not— Except occasional man— In homely industry arrayed— To overtake the Morn— Nor was it for applause— That I could ascertain— But independent Ecstasy Of Deity and Men— By Six, the Flood had done— No Tumult there had been Of Dressing, or Departure— And yet the Band was gone— The Sun engrossed the East— The Day controlled the World— The Miracle that introduced Forgotten, as fulfilled.
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The Birds begun at Four o’clock
A Rock there is whose homely front The passing traveller slights; Yet there the glow-worms hang their lamps, Like stars, at various heights; And one coy Primrose to that Rock The vernal breeze invites. What hideous warfare hath been waged, What kingdoms overthrown, Since first I spied that Primrose-tuft And marked it for my own; A lasting link in Nature’s chain From highest heaven let down! The flowers, still faithful to the stems, Their fellowship renew; The stems are faithful to the root, That worketh out of view; And to the rock the root adheres In every fibre true. Close clings to earth the living rock, Though threatening still to fall: The earth is constant to her sphere; And God upholds them all: So blooms this lonely Plant, nor dreads Her annual funeral. * * * * * * Here closed the meditative strain; But air breathed soft that day, The hoary mountain-heights were cheered, The sunny vale looked gay; And to the Primrose of the Rock I gave this after-lay. I sang-Let myriads of bright flowers, Like Thee, in field and grove Revive unenvied;—mightier far, Than tremblings that reprove Our vernal tendencies to hope, Is God’s redeeming love; That love which changed-for wan disease, For sorrow that had bent O’er hopeless dust, for withered age— Their moral element, And turned the thistles of a curse To types beneficent. Sin-blighted though we are, we too, The reasoning Sons of Men, From one oblivious winter called Shall rise, and breathe again; And in eternal summer lose Our threescore years and ten. To humbleness of heart descends This prescience from on high, The faith that elevates the just, Before and when they die; And makes each soul a separate heaven A court for Deity.
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The Primrose Of The Rock
A Rock there is whose homely front The passing traveller slights; Yet there the glow-worms hang their lamps, Like stars, at various heights; And one coy Primrose to that Rock The vernal breeze invites. What hideous warfare hath been waged, What kingdoms overthrown, Since first I spied that Primrose-tuft And marked it for my own; A lasting link in Nature’s chain From highest heaven let down! The flowers, still faithful to the stems, Their fellowship renew; The stems are faithful to the root, That worketh out of view; And to the rock the root adheres In every fibre true. Close clings to earth the living rock, Though threatening still to fall: The earth is constant to her sphere; And God upholds them all: So blooms this lonely Plant, nor dreads Her annual funeral. * * * * * * Here closed the meditative strain; But air breathed soft that day, The hoary mountain-heights were cheered, The sunny vale looked gay; And to the Primrose of the Rock I gave this after-lay. I sang-Let myriads of bright flowers, Like Thee, in field and grove Revive unenvied;—mightier far, Than tremblings that reprove Our vernal tendencies to hope, Is God’s redeeming love; That love which changed-for wan disease, For sorrow that had bent O’er hopeless dust, for withered age— Their moral element, And turned the thistles of a curse To types beneficent. Sin-blighted though we are, we too, The reasoning Sons of Men, From one oblivious winter called Shall rise, and breathe again; And in eternal summer lose Our threescore years and ten. To humbleness of heart descends This prescience from on high, The faith that elevates the just, Before and when they die; And makes each soul a separate heaven A court for Deity.
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55
WEAVE no more silks, ye Lyons looms, To deck our girls for gay delights! The crimson flower of battle blooms, And solemn marches fill the night. Weave but the flag whose bars to-day Drooped heavy o’er our early dead, And homely garments, coarse and gray, For orphans that must earn their bread! Keep back your tunes, ye viols sweet, That poured delight from other lands! Rouse there the dancer’s restless feet: The trumpet leads our warrior bands. And ye that wage the war of words With mystic fame and subtle power, Go, chatter to the idle birds, Or teach the lesson of the hour! Ye Sibyl Arts, in one stern knot Be all your offices combined! Stand close, while Courage draws the lot, The destiny of human kind. And if that destiny could fail, The sun should darken in the sky, The eternal bloom of Nature pale, And God, and Truth, and Freedom die!
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Our Orders
Once there was an old woman who had tremendous bad farts, And this is where our story begins this is where it all starts. Her farts were just awful they'd stink up and **** They'd make babies cry louder and make all the roses wilt When she walked into town her farts wouldn't stop A green stink cloud would follow wherever she'd walk "Whats that AWFUL smell?!" people would exclaim Then they'd all point to the old lady who always suffered the blame Due to these consequences the old lady was lonely How much she longed for love, and just a place that felt homely. They say there's someone special for each and every soul Even for stinky old ladies and that's why this story is told When fate intervenes no one can really say Whats meant for you or me or what makes old lady's day. For one day old Miss Stinky was walking through a store She met a perfect gentleman who held open her door He didn't run away like all the other people He came up to Old Miss Stinky and oh how she got so feeble! He fell in love with all of old Miss Stinky To her **** bombs and green clouds he said "Oh wow, That's real ***** You can never know when your special someone comes by For If stinky old ladies find happy endings why shouldn't I? Now she's not alone just happily farting each day They had a huge hazmat-mask wedding and he swept happy old Miss Stinky away
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Nov 4, 2014
Nov 4, 2014 at 9:34 AM UTC
The Old Woman Who Farted
Old fellow old fellow where for art thou old fellow I'm in t'shed wi whippet and tin bath his filthy from his walk on t'crags you should ha seen him what a laugh chasing through t'mud a plastic bag Oh Fred you said it were too wet to go a walking on t' pit top your boots are caked in mud I'll bet oh I bet thy breath sticks high of pop Quiet woman can you not see I'm as sober as a judge so get yer back to makin t'tea as I wash off me boots of sludge She is the moan this northern lass that makes me old heart flutter but just one more word of disrespect and I'll head in there and nut her He is the pain makes me old heart ache and the one that brings me t'laughter but I'll **** him soon as look at him if he don't respect that I'm a grafter Teas on t'table drippings hot there's fresh bread in the oven by heck lass that there's real class I love yer, yers a good un So no Romeo nor Juliet just honest homely folk whom now the worth of mother earth and the value of a joke Let's leave em be in kitchen warm wi the humblest of fayre for Yorkshire folk are t'salt of earth and I know coz I live there.
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Nov 19, 2012
Nov 19, 2012 at 6:20 AM UTC
If Shakespeare lived in Yorkshire
bubble gum died Sunday of strokes at his home , The pink bubble gum ... had a tiny comic strip Little children wanted to read the comic. in an adulterous liaison and is born homely and with green skin. under the hawkish gaze in retro pastel uncool-they’re-cool-again cans, a big splash with a peppy emoji-like smiles on the side and some polka dots oh oh oh oh oh oh thus liked consumers should felt free ... to be relentlessly Has almost no bite.” “Full-bodied. This tastes like a Twizzler... “Sharper bubble feel.” acrolein, acrylamide, acrylonitrile, crotonaldehyde and propylene, flavorturned into a huge mess like 'unicorn poop' and bubble gum." oh oh oh oh oh oh thus liked “All those teenagers was twerk, take selfies and curse up a storm. …” oh oh oh oh oh oh thus liked ...turned into a huge mess
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Mar 18, 2018
Mar 18, 2018 at 3:23 PM UTC
bubble
Something about you makes me smile Something about you makes me dance awhile Something about you brightens my day Something about you makes me feel special in every way Something about you gives me comfort in the dark Something about you makes me hit my mark Something about you inspires a part of me Something about you just makes me free Something about you when I'm lost gives hope Something about you feels like a safety rope Something about you is making me write this song Something about you I knew all along Something about you when I'm steamed is cool Something about you keeps me working like fuel Something about you just makes me believe Something about you helps me to receive Something about you strikes me exponential Something about you says great potential Something about you seems like a miracle Something about you is almost lyrical Something about you is one and only Something about you feels almost homely Something about you fills me with great awe Something about you is strong like a claw Something about you is special and sweet Something about you is undoubtedly neat Together we are strong alone w are weak
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Aug 8, 2014
Aug 8, 2014 at 11:36 PM UTC
Something About You
529 I’m sorry for the Dead—Today— It’s such congenial times Old Neighbors have at fences— It’s time o’ year for Hay. And Broad—Sunburned Acquaintance Discourse between the Toil— And laugh, a homely species That makes the Fences smile— It seems so straight to lie away From all of the noise of Fields— The Busy Carts—the fragrant ***** The Mower’s Metre—Steals— A Trouble lest they’re homesick— Those Farmers—and their Wives— Set separate from the Farming— And all the Neighbors’ lives— A Wonder if the Sepulchre Don’t feel a lonesome way— When Men—and Boys—and Carts—and June, Go down the Fields to “Hay”—
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I’m sorry for the Dead—Today
I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn't fight. He hadn't fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green **** hung down. While his gills were breathing in the terrible oxygen --the frightening gills, fresh and crisp with blood, that can cut so badly-- I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. --It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip --if you could call it a lip grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels--until everything was rainbow, rainbow, rainbow! And I let the fish go.
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The Fish
I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn't fight. He hadn't fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green **** hung down. While his gills were breathing in the terrible oxygen --the frightening gills, fresh and crisp with blood, that can cut so badly-- I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. --It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip --if you could call it a lip grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels--until everything was rainbow, rainbow, rainbow! And I let the fish go.
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orange is sweet orange is sour orange is the pretty tulip flower orange is loving orange is kind orange is someone with a steady mind orange is humble, orange is lonely orange is wild orange is homely.
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Feb 21, 2025
Feb 21, 2025 at 9:25 AM UTC
poems about colors day 2: orange
anaemic and pale i'm walking these streets. they resemble the corridors where you get lost for weeks. they're not pretty or homely they make you feel sick anaemic, confused your faith grows weak. I close my eyes when crossing the road i become deaf when birds sing their songs. i don't want to be happy- here it doesnt make sense. i'd rather lock myself up within self pity and tales.
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Jul 9, 2014
Jul 9, 2014 at 6:37 PM UTC
City
Steam escapes the surface Of infant mince pies. It spirals upwards, dancing Into the winter haze Where headlights, opaquely visible, Fight the fog. The mist flurries atop the frozen pond, Over brittle leaves, half caught. The deer nuzzles in frosty thickets, Searching the winter veil For stray nut. ‘neath the tap my hands endure The bitter cold of winter’s water; But happily I return to my window, And cast a gaze once more on winter Britain. The fire leaves a smoky essence, A homely smell. December come.
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Nov 15, 2012
Nov 15, 2012 at 2:29 PM UTC
Winter Britain
They throw in Drummer Hodge, to rest Uncoffined—just as found: His landmark is a kopje-crest That breaks the veldt around: And foreign constellations west Each night above his mound. Young Hodge the drummer never knew— Fresh from his Wessex home— The meaning of the broad Karoo, The Bush, the dusty loam, And why uprose to nightly view Strange stars amid the gloam. Yet portion of that unknown plain Will Hodge for ever be; His homely Northern breast and brain Grow to some Southern tree, And strange-eyed constellations reign His stars eternally.
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Drummer Hodge
This house is made of ice. A gelid, brass interior awaits me with wicked vice. Stepping through the frozen doors, I fall into my own homely grave. A familiar capsule with silky floors. Paintings hang upon each wall, Lifeless and disturbed. Although, the images do utter one final whisper before tightening the noose— “Beware of the abominable master of abuse.” I wish to float, As with each step the rivers of blood in my feet howl. Icicles pierce through my soles; Daggers with a bright smile... I am only ever welcomed into this house of ice With a vast iniquitous price.
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Sep 9, 2020
Sep 9, 2020 at 11:56 AM UTC
(un)welcome
The bush that has most briers and bitter fruit, Wait till the frost has turned its green leaves red, Its sweetened berries will thy palate suit, And thou may'st find e'en there a homely bread. Upon the hills of Salem scattered wide, Their yellow blossoms gain the eye in Spring; And straggling e'en upon the turnpike's side, Their ripened branches to your hand they bring, I 've plucked them oft in boyhood's early hour, That then I gave such name, and thought it true; But now I know that other fruit as sour Grows on what now thou callest Me and You; Yet, wilt thou wait the autumn that I see, Will sweeter taste than these red berries be.
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The Barberry Bush
I am shylock, In the attic barely used, Barren exuberant floorboards creak in exhalation, Of your footsteps. There you find me, In the dust; A wooden trunk with brass fixings, Didn't I tell you I held a million treasures? You breathe in the sunlight,   From the round attic window, Preening itself in your vision basked in gold. I am shylock, You moved a gilded hand, Guided by a unknown force of union with the lock, The air is silent around you, The room is intrepid in its wanton stranger, Who dares to enter this chamber of dust. I am shylock, You take my fingertips from the cup of a hand I had placed gently on your cheek, The night before I had told you, Of this room, You gently take my fingers and place it on the lock. I am shylock, There is a gentle click, That soon awashes the abated room, That sways into a tsunami of grandeur, Of history, emotion, silence and tears, And it consumes the dust, The acrid air and essence of my fears settle on your eyes and the homely mouth. I am shylock, You know how I came about, Now, You know how this room became accustomed to the dust, And the floorboards, the dust, And the window, the dark, You are breathing me, The trunk is open and waiting, And at the bottom, A ragdoll awaits your palm, Your strength, your gentleness and patience, This is my shy, This is my lock, And you entered the room and consumed me. Burst through the door, cut down the labyrinth, and found me. Picking me up, You, Became me, attended me, held me, with grace sensitive to my touch,   with the intention of a protector to my defence, And the brazen warrior to my battle. Now I am entered and countered. Protected and put together, Unbound and in your arms; Now I am open and free. My ragdoll, your love, and me. Together, unlocked, together I and you become, we.
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Sep 11, 2013
Sep 11, 2013 at 6:51 PM UTC
The ragdoll in the attic
I am shylock, In the attic barely used, Barren exuberant floorboards creak in exhalation, Of your footsteps. There you find me, In the dust; A wooden trunk with brass fixings, Didn't I tell you I held a million treasures? You breathe in the sunlight,   From the round attic window, Preening itself in your vision basked in gold. I am shylock, You moved a gilded hand, Guided by a unknown force of union with the lock, The air is silent around you, The room is intrepid in its wanton stranger, Who dares to enter this chamber of dust. I am shylock, You take my fingertips from the cup of a hand I had placed gently on your cheek, The night before I had told you, Of this room, You gently take my fingers and place it on the lock. I am shylock, There is a gentle click, That soon awashes the abated room, That sways into a tsunami of grandeur, Of history, emotion, silence and tears, And it consumes the dust, The acrid air and essence of my fears settle on your eyes and the homely mouth. I am shylock, You know how I came about, Now, You know how this room became accustomed to the dust, And the floorboards, the dust, And the window, the dark, You are breathing me, The trunk is open and waiting, And at the bottom, A ragdoll awaits your palm, Your strength, your gentleness and patience, This is my shy, This is my lock, And you entered the room and consumed me. Burst through the door, cut down the labyrinth, and found me. Picking me up, You, Became me, attended me, held me, with grace sensitive to my touch,   with the intention of a protector to my defence, And the brazen warrior to my battle. Now I am entered and countered. Protected and put together, Unbound and in your arms; Now I am open and free. My ragdoll, your love, and me. Together, unlocked, together I and you become, we.
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58
241 I like a look of Agony, Because I know it’s true— Men do not sham Convulsion, Nor simulate, a Throe— The Eyes glaze once—and that is Death— Impossible to feign The Beads upon the Forehead By homely Anguish strung.
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I like a look of Agony
building purist æsthetic proselytizing solar-powered heliolatry commemorating historic concert sensing dark forces fokken lekker antwoord pumping sensory overload featuring high-tech dee-jay admiring gelato micro-truck laxing laying lazing "doing something nasty" continuing quality content entering another cathedral journeying without borders "exactly one year since visiting vatican" appreciating full-time gigasphere awaiting pyongyang performance depicting unlikely crowdsurfer foreseeing exponential improvements furthering esoteric agenda sensing profound incompatibility data-mining people's infidelities anticipating futuristic caffeine perfecting invisible propaganda researching mind-control techniques polishing psycho-social weaponry sensing social embargo flourishing frantic fanfare admiring longitudinal monument parodying marketing slogans cycling through österreich eyeing dystopian disneyland streaming crosswords extended-play herding glass kittens deleting idiosyncratic fragment loremipsum-ing laconic loudmouth receiving ultramodern telegram eigo-ga wakarimasu ka? guzzling duck-fat fries encouraging panic selling (juxtaposing past incarnations) getting black-and-white privilege renewing boutique account relishing cinema poutine re-entering hibernation mode opening old windows continuing zoo motif absquatulating excessive excesses nullifying originality claims proliferating protean persona disappearing sidewalk alphabet shrugging opprobrious moments enjoying vertical alignment re-entering cyberpunk paradise approaching island sun soaring beyond monoliths trivializing extraneous argy-bargy decreasing character limits dumping generic accounts uglifying commit message escaping into idiosyncracy moonshining great lake exuding idiosyncratic propaganda living nineties' dreams making occidental cuisine envisioning idiocratic president expropriating your time ascending homely helix singing fat lady
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Sep 12, 2015
Sep 12, 2015 at 12:12 PM UTC
201508-h2
building purist æsthetic proselytizing solar-powered heliolatry commemorating historic concert sensing dark forces fokken lekker antwoord pumping sensory overload featuring high-tech dee-jay admiring gelato micro-truck laxing laying lazing "doing something nasty" continuing quality content entering another cathedral journeying without borders "exactly one year since visiting vatican" appreciating full-time gigasphere awaiting pyongyang performance depicting unlikely crowdsurfer foreseeing exponential improvements furthering esoteric agenda sensing profound incompatibility data-mining people's infidelities anticipating futuristic caffeine perfecting invisible propaganda researching mind-control techniques polishing psycho-social weaponry sensing social embargo flourishing frantic fanfare admiring longitudinal monument parodying marketing slogans cycling through österreich eyeing dystopian disneyland streaming crosswords extended-play herding glass kittens deleting idiosyncratic fragment loremipsum-ing laconic loudmouth receiving ultramodern telegram eigo-ga wakarimasu ka? guzzling duck-fat fries encouraging panic selling (juxtaposing past incarnations) getting black-and-white privilege renewing boutique account relishing cinema poutine re-entering hibernation mode opening old windows continuing zoo motif absquatulating excessive excesses nullifying originality claims proliferating protean persona disappearing sidewalk alphabet shrugging opprobrious moments enjoying vertical alignment re-entering cyberpunk paradise approaching island sun soaring beyond monoliths trivializing extraneous argy-bargy decreasing character limits dumping generic accounts uglifying commit message escaping into idiosyncracy moonshining great lake exuding idiosyncratic propaganda living nineties' dreams making occidental cuisine envisioning idiocratic president expropriating your time ascending homely helix singing fat lady
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69
O Chansons foregoing You were a seven days’ wonder. When you came out in the magazines You created considerable stir in Chicago, And now you are stale and worn out, You’re a very depleted fashion, A hoop-skirt, a calash, An homely, transient antiquity. Only emotion remains. Your emotions? Are those of a maitre-de-cafe.
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Epilogue
There are metallic, life-like statues of human figures scattered through my city, often on park benches. You must look twice the first time you spot them, and sometimes, each time, as they are so nat-ural, that they fool the retina image of man. The traffic light, red to green, yet my limbs, froze fruit solid, release catch stuck, unflippable, somehow plastic freezes, mobility skills rusted by December's hampering cheeky cheeks, a seasonal reddish copper discoloration of the extremities, a harmony of no sensation A comet stuck in pedestrian neutral, collided/jostled by starry eyed Fifth Avenue street walkers and tourists. my presence sensed, touched, yet avoided, unnoticed, like streetlight, lamppost, mailbox, I am, a body, at rest, unseen but on display in the art gallery of Manhattan's Lost and Found In the section of the paper where the unimportant local news is sliced n' diced into single paragraphs, of human interest, tidbits, amuse bouche, items of major minor interest, The New York Times reported the discovery of an unauthorized lifelike bronze n' copper sculpture. eyes of polished nickel, heart of stained steel, rendition of a man so lifelike y'all do a triple take, smile, take a cell photo, phone a friend his embodiment can be found on the rounded corner of Columbus Circle, @59th St., where you enter Central Park. upon a bench, man clutching Sunday newspapers, a pair of scissors, coupons cut, scattered at his feet. a homely but comely, ****** expression, one of bewilderment. A tiny plaque on a brass plate, at his feet, hints of his progenitor and human origins. Artist: Unknown, Materials: Organic Metals Title: A Living Finish
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Nov 18, 2013
Nov 18, 2013 at 5:38 PM UTC
A Living Finish (Sunday's newspapers come on Saturday - Part II)
There are metallic, life-like statues of human figures scattered through my city, often on park benches. You must look twice the first time you spot them, and sometimes, each time, as they are so nat-ural, that they fool the retina image of man. The traffic light, red to green, yet my limbs, froze fruit solid, release catch stuck, unflippable, somehow plastic freezes, mobility skills rusted by December's hampering cheeky cheeks, a seasonal reddish copper discoloration of the extremities, a harmony of no sensation A comet stuck in pedestrian neutral, collided/jostled by starry eyed Fifth Avenue street walkers and tourists. my presence sensed, touched, yet avoided, unnoticed, like streetlight, lamppost, mailbox, I am, a body, at rest, unseen but on display in the art gallery of Manhattan's Lost and Found In the section of the paper where the unimportant local news is sliced n' diced into single paragraphs, of human interest, tidbits, amuse bouche, items of major minor interest, The New York Times reported the discovery of an unauthorized lifelike bronze n' copper sculpture. eyes of polished nickel, heart of stained steel, rendition of a man so lifelike y'all do a triple take, smile, take a cell photo, phone a friend his embodiment can be found on the rounded corner of Columbus Circle, @59th St., where you enter Central Park. upon a bench, man clutching Sunday newspapers, a pair of scissors, coupons cut, scattered at his feet. a homely but comely, ****** expression, one of bewilderment. A tiny plaque on a brass plate, at his feet, hints of his progenitor and human origins. Artist: Unknown, Materials: Organic Metals Title: A Living Finish
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To the people who don’t or won’t support me, I don’t live in your solitary reality. I see the world in an equal and just perspective, It’s affective, connected, receptive, near-perfected. So I’m not going to heed your advice, I knew as soon as I saw her, what I think is right, I’m going to do what I was put here to do, I refuse to listen to you and your out-dated views. You say you will go to the city in the sky, Way up high in the clouds, after you die, And you say people like me will go to H-E-L-L, Then I’m glad I’m not near you and your homophobic smell. Plus, sending me back to my warm, homely home, Your cult will crumble like the Colosseum of Rome. You see, Satan is known for destruction and death, So if you decide to oppose me, you just took your last breath. I would kiss her right now, make you feel icky and horrible, I would hold her hand; remind her she is adorable. I would mess up her short, dark hedgehog hair, I would gently hold her face in two hands and stare. We would poke our tongues out at you, and then grin evilly, Then skip away, holding hands, eyes twinkling gleefully. Me and her, we don’t give a flying hoot what you think, You’re small, insignificant to us, gone in a blink. Me and her, we don’t want or care for your opinion, You’re just doing what you’ve been told, like a good lil’ minion. You go do your thing, and we’ll go do ours, We will look up and follow the brightly glowing stars.
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Aug 22, 2016
Aug 22, 2016 at 5:52 PM UTC
Homophobic