made some point when i said
'this is it'
and wished for these to be my
most impactful words

"Get in the bag" he said, a his main chick turned.
So I did
         "Hey bae" said the white chick holding her Starbucks
        "Quit talking and **** my ****"      said Daquan, as if I weren't even there.
I peeked out of the bag to see what my ***** was doing, and that **** boy was hittin it from the back.
I slowly slithered out of the bag and into her ****** and bit off Daquan's ****.
#anigganeverlearns

It was the midsummer of the 50’s and my girls and I went out for a bite. Jimmy’s Burgers was a block away and boy were we hungry! We could eat a cow for all we know. Jimmy’s jukebox can play music day in and day out.

My girls and I parked our blue Thunderbird Convertible, and hopped on in Jimmy’s. That place is always filled with younglings like us. You can smell the fresh potato cut fries fryin’ up in the greasers. The burgers are always my fave! I would beg to just get a bite out of those succulent, juicy ground babies.

Everyone in this joint always seems to be dancing their little feet off, the girls with their casual oxfords and pastel loose skirts; the guys wearing leather, pompadours, and their high-wasted pants. I love to crank that jukebox with only my quarters and dimes I have left in my purse. The girls and I sat on down in one of the red booths. A young waiter came over with bottles of coke with his pen and paper.

“May I take ya’ll lovely ladies’ order?” He was chewing on that mint gum.

Boy was he handsome! That sweet southern twine had me going bonkers. He looked all fancy in his all white uniform; his apron had ice cream stains and fry grease. His sandy brown hair was cascading behind his ears. I loved his paper hat too. His big brown eyes were looking into mine as he was getting our orders. I couldn’t help but stare back. He gave us our cokes and gave me a little wink behind his thick black glasses. I really didn’t care bout’ those pimples, his face made a girl melt like Texas asphalt on a hot beach afternoon!

I made myself look sweeter than a peach. I fluffed my hair and fancied my outfit, hoping for that rascal to come on back. The jukebox was still kicking tunes in the back, that’s when the cute waiter came back.  His tall, slender, perfect body walked on over and sat our tray of burgers down. My face was red hot like the time I first took a bite out of a chili pepper. The waiter got close to my ear and whispered,

“You wouldn’t mind if I take your sweet self on the dance floor for a second would you?”

Wasn’t that boy supposed to be working? I didn’t care. That rascal waiter grabbed my hand and swung my little waist on the dance floor. We twist, kicked, and shimmied. I was having the time of my life! I didn’t know my girls were staring at me, cheering on. Too bad the cutie had to go back to work. I walked over and sat back in the booth.

My girls were giving me the, you’re his sugar girl look. Not my fault he was sweeter than maple syrup!
The girls and I were finished at Jimmy’s Burgers, so we started to head out. Before I even opened the door, that waiter grabbed me by the waist and said,

“Hey sweet thing, leaving too soon? I didn’t catch your name?”

I looked into those eyes again; I felt my heart skip a beat like the jukebox when there’s a bug in it. His southern twine again,

“My name’s Robert James, but you can call me RJ.”

He kissed my hand and gave me that wink again. I gave him a smile and went outside. My face was peachy like a baby’s bottom! I didn’t even tell him my name, dog-gon shame.  From now on, I’m hittin’ Jimmy’s Burgers just so I can see that waiter.

Hittin'* somehow became my hobby
It is fun; try and see

Hit! Hit! Hit!
Funny how it doesn't bleed
Been expecting for blood stains

Sociopathic spiritualist
Confused by this?
Ya gettin' the jist
Years in a green mist
Gorilla ****** at the sight of poachers hi-viz
Blatant thievery
Gettin' me irate & militant
Conductin' information like a cobalt filament
Hippocracies imminent
If you don't know the deal look at Africa's innocents
The future for a fee
Monitory
Cold as the Chukchi seas
If your wonderin' where they be?
Let go of Albert Square & check your geography
Menace to sobriety
Rudarellis playin' tennis with the moods it's supplyin' me
Preachin' no class As
Hittin' the mirror like the mans buyin' me

Reverse back to the verse
I throw ya in you cursed
Watch me put them rhymes in a hearse
Sound the eulogy
Cuz none get next to me
Im swift as bruce lee
Kicks hard like Chung Li born in 83
Add the 4 more ya get *******
Im crazier than Cujo these putos
Dont want it on the mic
You aint murderin nothin'
but ya own sight
I brailled ya envision changed your decision
Whatin' n guessin' a prediction?
Is it me or is it the way the
Way my rhymes please ?
Bow to ya knees
I make the crowds freeze
Even ya fans say bless you! when i sneeze
I bet you still wear dungerees or high heels with tight capris
I thought ya heard  im the rappin' don Shapiro
Shine n spin  around haters like disco
Sip old school Sisqo hit the blunts slow
Let the smoke meditate my mind flow
Learn how to grind ill put  ya on a flat line
Resuscitate your rhymes just to put you back on the flat line
Searchin' for the light im dolemite
My game **** tight know how to write
When ya step to legend im gifted
Young black n hung
I keep ya lifted
Got hoes on the tip of they toes
Just to hear suave flow
Pockets of dough
Thats how it goes
Pistol cocked to ya nose
Ya thoughts are froze i suppose
Dont redeem ya self
My rhymes hittin' so hard
Made the minds deaf
Cuz when ya try to diss me ya diss ya self
The microphone murderer
Aint never left !!!!

Yo everyboy gather around
Hand me the crown
Cuz ya know im King of the ****
My NY freestyles stay lit
TEXAS is where i reign
Home of the ******* up clique
This life i live aint no ****** puzzle
Tryin to figure me out gets gun to ya muzzle
Dont meddle in my ****
Spinnin' out the wombs
From cradle to my tomb
Im hittin' ya curves that go straight
Flows penetrate so hard make girlies mind  *******
Who can relate?
To my skills raws as ever
Goin' in with my raw potato skin
Bust my nut then i leave em blowin in the wind
If ya a hater i gotta mack 10
Extra clips on my hips ****** done then i dip
Listen closely to the story being told
I wont grow old never will i fold
Platinum or Gold knots
check the tic toc
My money on clockwork  
rolex watch
Worth 50 gran an on the other hand
Is the microphone
Turn the amps up mic up
Leave crowds minds blown
From nut being shown my tone
Is laid back these nigguhs
Spittin' is wayyy wack
While you pushin' Honda im in a Maybach
No frills only the real i spit so you can feel
Givin' head aches to radio station
Cant tune me out im like exacerbation
Crush my opponent everytime he bust a rhyme
They give up even before they heard mine
Intimator from dope originator
Now im the terminator eliminator
Showed up yo party they still didnt play ya
Im old school fool soul filled with blues
Leave my competitiors on front line news
It goes a little like this
This is a replica of a Chris this aint a diss
But an address
To you punks who wanna **** around
With the master of this ****
Duck quick or these rounds will put you in the ground
Flat line..........

Kickin' all the way the Live Coolio
deep in ya Culo/
it's that Boy Yosef comin' with major Flavas/
with so Many Styles more than a Hair Doo Voodoo/
got ya eyes on ya know Who?/
so many ****** wanna Smoke me
Cuz im the New Joint/
puttin' sparks to ya Head ****** Red/
if u thinkin' about Frontin'' Me/
ill make u Crossover like EPMD/
Rap Fanatic since i was Swimmin' in the ******* the Mack Attack/
hittin' all your perspectives
im takin' out all the Primitives/
in the Rap Game Shoot ya Stick
try again my- Flows erected as a ****/
in between ***** *****
so take Chance it ya Want/
Watch the gun taunt
in ya Face  a sad Disgrace/
Slappin' a new taste
in ya Mouth i Dropped it
my Style can't be Competed
you Obsoleted
i'm Makin Profits the Funk Baby!!!!


Many Emcees sweet as a KitKats
so cut the Chit Chat/
cuz im bout to Splatter their careers into pieces
Gotthem Envisionin' Doubles
like Noah i Told ya
the Tru Soldier Rollin' Dogia/
marchin' to the Beat with my Vocal
a Tru Loco/
when i'm sippin E & J **** an Airplay pinin' Indo/
playin' suckas close like who's holdin' the most/
weight? Pushin' rhymes like weights
Loots stay Connected like freight Train Crates/i Dominate from all states
that's why they Call Me All-State/
but ya Ain't in Good Hands
-tryna Step to the Big Man
keep u heated galore like Afghanistan gettin' in that *** like Sand/
so take Stand and a Bow cuz im the Prowl/
for that Number One Slot
ya rhymes loose as Jar Jelly
**** what the critics tell me
"Mr Big Stuff" girls call me "Heavy D"
From then shaft that lays between me
the Funk Baby!!!

Im the hardest to Hit
Since Tupac *******
On Killuminati
Somebody pass me the 12 guage shotti
Now feel these slugs hit yo body
Enemies bleed indeed love for greed
Feeds a ***** soul
Since theres no rest for the wickedness
Evilness is an imperative of mankind
Pack a chromed .45 and a black .9
As thoughts began to unravel from my mind
lookin' for adversaries to put
on flat lines
******* to one time
I pull down my pants
so them ******* can **** my ****
NOW WHOS THE REAL TRICK?
im reachin' through souls
Of young boys n girls
They hate me cuz the way i swirl
Money with my two middle fingers to the world
Have no fear cuz the Lord is here
In flesh he puttin' me through a test
For my heart
Battlin' tactics im growin' frantic
Never see me panic
Now you punk *** critics show me yo heart
Puttin' rounds in yo chest
Now ya dearly depart
No sorrow from me on a mission
Hittin' yo number one charts
With this **** ****
my ****** feel this from East to West Coast
Though I'm  From the South  i still
Love to boast
Makin' a ghetto toast
To the real
Got every heart in the burbs to slums
Packin' steel
No time to back downs soon ill be holdin' the crown
Mild scars from breakin' the slaveryyy
Wither its reason or rhyme to crime and strife
We embracin' that **** life!!!



If this is all a test, I think I'm failing
I want to be the best but I'm no good
I rest under a stone with a long shadow
And nest under the roots and rotting wood

I leave a part of myself behind for you
Perceive this as the way you want it to
Achieve another praising if you can't see
Believe the only things you've seen as true

Bitter bits are bitten as my heart falls through the floor
My life is rewritten as you wander through the door
I'm swollen and smitten, I won't lie, I want much more
It's my heart you've been hittin' and it's you that I adore

Epigrams by Michael R. Burch



Conformists of a feather
flock together.
—Michael R. Burch

(Winner of the National Poetry Month Couplet Competition)



My objective is not to side with the majority, but to avoid the ranks of the insane.—Marcus Aurelius, translation by Michael R. Burch



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.

(Published by Romantics Quarterly, Poetry Super Highway, Poets for Humanity, Daily Kos, Katutura English, Genocide Awareness, Darfur Awareness Shabbat, Viewing Genocide in Sudan, Better Than Starbucks, Art Villa, Setu, Angle, AZquotes, QuoteMaster; also translated into Czech, Indonesian, Romanian and Turkish)



Childless
by Michael R. Burch

How can she bear her grief?
Mightier than Atlas, she shoulders the weight
of one fallen star.



Stormfront
by Michael R. Burch

Our distance is frightening:
a distance like the abyss between heaven and earth
interrupted by bizarre and terrible lightning.



Laughter's Cry
by Michael R. Burch

Because life is a mystery, we laugh
and do not know the half.

Because death is a mystery, we cry
when one is gone, our numbering thrown awry.

(Originally published by Angelwing)



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.

(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Macedonian, Turkish and Romanian)



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.

(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Arabic, Turkish and Macedonian)



*** Hex
by Michael R. Burch

Love's full of cute paradoxes
(and highly acute poxes) .

(Published by ***** of Parnassus and Lighten Up)



Styx
by Michael R. Burch

Black waters—deep and dark and still.
All men have passed this way, or will.

(Published by The Raintown Review and Blue Unicorn; also translated into Romanian and published by Petru Dimofte. This is one of my early poems, written as a teenager. I believe it was my first epigram.)



Fahr an' Ice
by Michael R. Burch

(apologies to Robert Frost and Ogden Nash)

From what I know of death, I'll side with those
who'd like to have a say in how it goes:
just make mine cool, cool rocks (twice drowned in likker) ,
and real fahr off, instead of quicker.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Multiplication, Tabled
or Procreation Inflation
by Michael R. Burch

for the Religious Right

"Be fruitful and multiply"—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, "WHEN! "



The Whole of Wit
by Michael R. Burch

If brevity is the soul of wit
then brevity and levity
are the whole of it.

(Published by Shot Glass Journal)



Nun Fun Undone
by Michael R. Burch

Abbesses'
recesses
are not for excesses!

(Published by Brief Poems)



Saving Graces, for the Religious Right
by Michael R. Burch

Life's saving graces are love, pleasure, laughter...
wisdom, it seems, is for the Hereafter.

(Published by Shot Glass Journal and Poem Today)



Skalded
by Michael R. Burch

Fierce ancient skalds summoned verse from their guts;
today's genteel poets prefer modern ruts.



Not Elves, Exactly
by Michael R. Burch

Something there is that likes a wall,
that likes it spiked and likes it tall,
that likes its pikes' sharp rows of teeth
and doesn't mind its victims' grief
(wherever they come from, far or wide)
as long as they fall on the other side.



Self-ish
by Michael R. Burch

Let's not pretend we "understand" other elves
as long as we remain mysteries to ourselves.



Piecemeal
by Michael R. Burch

And so it begins—the ending.
The narrowing veins, the soft tissues rending.
Your final solution is pending.
(A pale Piggy-Wiggy
will discount your demise as no biggie.)



Liquid Assets
by Michael R. Burch

And so I have loved you, and so I have lost,
accrued disappointment, ledgered its cost,
debited wisdom, credited pain...
My assets remaining are liquid again.



**** Brevis, Emendacio Longa
by Michael R. Burch

The Donald may tweet from sun to sun,
but his spellchecker’s work is never done.



Cassidy Hutchinson is not only credible, but her courage and poise under fire have been incredible. — Michael R. Burch



Brief Fling
by Michael R. Burch

Epigram
means cram,
then scram!



To write an epigram, cram.
If you lack wit, scram!
—Michael R. Burch



Fleet Tweet: Apologies to Shakespeare
by Michael R. Burch

A tweet
by any other name
would be as fleet.

@mikerburch (Michael R. Burch)



Fleet Tweet II: Further Apologies to Shakespeare
by Michael R. Burch

Remember, doggonit,
heroic verse crowns the Shakespearean sonnet!
So if you intend to write a couplet,
please do it on the doublet!

@mikerburch (Michael R. Burch)



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Civility
is the ability
to disagree
agreeably.
—Michael R. Burch



****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner.

As you fall on my sword,
take it up with the LORD!”

the wise owl replied
as the tasty snack died.

(Published by Lighten Up Online and Potcake Chapbooks)



The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.

(Originally published by Grand Little Things)



Midnight Stairclimber
by Michael R. Burch

Procreation
is at first great sweaty recreation,
then—long, long after the *** dies—
the source of endless exercise.

(Published by Angelwing and Brief Poems)



Love has the value
of gold, if it's true;
if not, of rue.
—Michael R. Burch



Teddy Roosevelt spoke softly and carried a big stick;
Donald Trump speaks loudly and carries a big shtick.
—Michael R. Burch



Nonsense Verse for a Nonsensical White House Resident
by Michael R. Burch

Roses are red,
Daffodils are yellow,
But not half as daffy
As that taffy-colored fellow!



There's no need to rant about Al-Qaeda and ISIS.
The cruelty of "civilization" suffices:
our ordinary vices.
—Michael R. Burch



Sumer is icumen in
a modern English translation/interpretation by Michael R. Burch

(this update of an ancient classic is dedicated to everyone who suffers with hay fever and other allergies)

Sumer is icumen in
Lhude sing achu!
Groweth sed
And bloweth hed
And buyeth med?
Cuccu!

Originally published by Lighten Up Online (as Kim Cherub)

NOTE: I kept the medieval spellings of “sumer” (summer), “lhude” (loud), “sed” (seed) and “hed” (head). I then slipped in the modern slang term “med” for medication. The first line means something like “Summer’s a-comin’ in!” In the original poem the cuckoo bird was considered to be a harbinger of spring, but here “cuccu” simply means “crazy!”



The Complete Redefinitions

Faith: falling into the same old claptrap.—Michael R. Burch

Religion: the ties that blind.—Michael R. Burch

Salvation: falling for allure —hook, line and stinker.—Michael R. Burch

Trickle down economics: an especially pungent *******.—Michael R. Burch

Canned political applause: clap track for the claptrap.—Michael R. Burch

Baseball: lots of spittin' mixed with occasional hittin'.—Michael R. Burch

Lingerie: visual foreplay.—Michael R. Burch

A straight flush is a winning hand. A straight-faced flush is when you don't give it away.—Michael R. Burch

Lust: a chemical affair.—Michael R. Burch

Believer: A speck of dust / animated by lust / brief as a mayfly / and yet full of trust.—Michael R. Burch

Theologian: someone who wants life to “make sense” / by believing in a “god” infinitely dense.—Michael R. Burch

Skepticism: The murderer of Eve / cannot be believed.—Michael R. Burch

Death: This dream of nothingness we fear / is salvation clear.—Michael R. Burch

Insuresurrection: The dead are always with us, and yet they are naught!—Michael R. Burch

Marriage: a seldom-observed truce / during wars over money / and a red-faced papoose.—Michael R. Burch

Is “natural affection” affliction? / Is “love” nature’s sleight-of-hand trick / to get us to reproduce / whenever she feels the itch?—Michael R. Burch



Translations

Birdsong
by Rumi
loose translation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!

Raise your words, not their volume.
Rain grows flowers, not thunder.
—Rumi, translation by Michael R. Burch

The imbecile constructs cages for everyone he knows,
while the sage (who has to duck his head whenever the moon glows)
keeps dispensing keys all night long
to the beautiful, rowdy, prison gang.
—Hafiz loose translation/interpretation by Michael R. Burch

An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Little sparks ignite great Infernos.—Dante, translation by Michael R. Burch

Love distills the eyes’ desires, love bewitches the heart with its grace.―Euripides, translation by Michael R. Burch

Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.
—Thomas Campion, loose translation/interpretation by Michael R. Burch

No wind is favorable to the man who lacks direction.
—Seneca the Younger, loose translation/interpretation by Michael R. Burch

Hypocrisy may deceive the most perceptive adult, but the dullest child recognizes and is revolted by it, however ingeniously disguised.
—Leo Tolstoy translation by Michael R. Burch

Just as I select a ship when it's time to travel,
or a house when it's time to change residences,
even so I will choose when it's time to depart from life.
—Seneca, speaking about the right to euthanasia in the first century AD, translation by Michael R. Burch

Improve yourself through others' writings, thus attaining more easily what they acquired through great difficulty.
—Socrates, translation by Michael R. Burch

Fools call wisdom foolishness.
―Euripides, translation by Michael R. Burch

One true friend is worth ten thousand kin.
―Euripides, translation by Michael R. Burch

Not to speak one’s mind is slavery.
―Euripides, translation by Michael R. Burch

I would rather die standing than kneel, a slave.
―Euripides, translation by Michael R. Burch

Fresh tears are wasted on old griefs.
―Euripides, translation by Michael R. Burch



Native American Proverb
loose translation/interpretation by Michael R. Burch

Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.



Native American Proverb
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.



Native American Proverb
loose translation/interpretation by Michael R. Burch

Let us walk respectfully here
among earth's creatures, great and small,
remembering, our footsteps light,
that one wise God created all.



The Least of These...

What you
do
to
the refugee
you
do
unto
Me!
—Jesus Christ, translation/paraphrase by Michael R. Burch



The Church Gets the Burch Rod

The most dangerous words ever uttered by human lips are “thus saith the LORD.” — Michael R. Burch

How can the Bible be "infallible" when from Genesis to Revelation slavery is commanded and condoned, but never condemned? —Michael R. Burch

If God
is good
half the Bible
is libel.
—Michael R. Burch

I have my doubts about your God and his "love":
If one screams below, what the hell is "Above"?
—Michael R. Burch

If God has the cattle on a thousand hills,
why does he need my tithes to pay his bills?
—Michael R. Burch

The best tonic for other people's bad ideas is to think for oneself.—Michael R. Burch

Hell hath no fury like a fundamentalist whose God condemned him for having "impure thoughts."—Michael R. Burch

Religion is the difficult process of choosing the least malevolent invisible friends.—Michael R. Burch

Religion is the ****** of the people.—Karl Marx
Religion is the dopiate of the sheeple.—Michael R. Burch

An ideal that cannot be realized is, in the end, just wishful thinking.—Michael R. Burch

God and his "profits" could never agree
on any gospel acceptable to an intelligent flea.
—Michael R. Burch

To fall an inch short of infinity is to fall infinitely short.—Michael R. Burch

Most Christians make God seem like the Devil. Atheists and agnostics at least give him the "benefit of the doubt."—Michael R. Burch

Hell has been hellishly overdone.
Why blame such horrors on God's only Son
when Jehovah and his prophets never mentioned it once?
—Michael R. Burch

(Bible scholars agree: the word "hell" has been removed from the Old Testaments of the more accurate modern Bible translations. And the few New Testament verses that mention "hell" are obvious mistranslations.)



Clodhoppers
by Michael R. Burch

If you trust the Christian "god"
you're—like Adumb—a clod.




If every witty thing that's said were true,
Oscar Wilde, the world would worship You!
—Michael R. Burch



Questionable Credentials
by Michael R. Burch

Poet? Critic? Dilettante?
Do you know what's good, or do you merely flaunt?

(Published by ***** of Parnassus, the first poem in the April 2017 issue)



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy is an illusion to the expert:
the Bedouin has learned how not to want.



Lines in Favor of Female Muses
by Michael R. Burch

I guess ***** of Parnassus are okay...
But those Lasses of Parnassus? My! Olé!

(Published by ***** of Parnassus)



Meal Deal
by Michael R. Burch

Love is a splendid ideal
(at least till it costs us a meal) . 



Long Division
by Michael R. Burch as Kim Cherub

All things become one
Through death's long division
And perfect precision.



i o u
by mrb

i might have said it
but i didn't

u might have noticed
but u wouldn't

we might have been us
but we couldn't

u might respond
but probably shouldn't




Mate Check
by Michael R. Burch

Love is an ache hearts willingly secure
then break the bank to cure.



Incompatibles
by Michael R. Burch

Reason's treason!
cries the Heart.

Love's insane,
replies the Brain.

(Originally published by Light)



Death is the ultimate finality
of reality.
—Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



Grave Oversight
by Michael R. Burch

The dead are always with us,
and yet they are naught!



Feathered Fiends
by Michael R. Burch

Fascists of a feather
flock together.



Why the Kid Gloves Came Off
by Michael R. Burch

for Lemuel Ibbotson

It's hard to be a man of taste
in such a waste:
hence the lambaste.



Housman was right...
by Michael R. Burch

It's true that life's not much to lose,
so why not hang out on a cloud?
It's just the bon voyage is hard
and the objections loud.



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Ironic Vacation
by Michael R. Burch

Salzburg.
Seeing Mozart's baby grand piano.
Standing in the presence of sheer incalculable genius.
Grabbing my childish pen to write a poem & challenge the Immortals.
Next stop, the catacombs!



Imperfect Perfection
by Michael R. Burch

You're too perfect for words—
a problem for a poet.



Expert Advice
by Michael R. Burch

Your ******* are perfect for your lithe, slender body.
Please stop making false comparisons your hobby!



Thirty
by Michael R. Burch

Thirty crept upon me slowly
with feline caution and a slowly-twitching tail;
patiently she waited for the winds to shift;
now, claws unsheathed, she lies seething to assail
her helpless prey.



Biblical Knowledge or "Knowing Coming and Going"
by Michael R. Burch

The wisest man the world has ever seen
had fourscore concubines and threescore queens?
This gives us pause, and so we venture hence—
he "knew" them, wisely, in the wider sense.



Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate) .

We like to hook a little tail.
We hope there's decent *** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)



I sampled honeysuckle
and it made my taste buds buckle.
—Michael R. Burch



The Editor

A poet may work from sun to sun,
but his editor's work is never done.

The Critic

The editor's work is never done.
The critic adjusts his cummerbund.

The Audience

While the critic adjusts his cummerbund,
the audience exits to mingle and slum.

The Anthologist

As the audience exits to mingle and slum,
the anthologist rules, a pale jury of one.



Athenian Epitaphs

How valiant he lies tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch

Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
Michael R. Burch, after Plato

We who left behind the Aegean’s bellowings
Now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, dear Athens, nigh to Euboea,
Farewell, dear sea!
Michael R. Burch, after Plato

Passerby,
Tell the Spartans we lie
Lifeless at Thermopylae:
Dead at their word,
Obedient to their command.
Have they heard?
Do they understand?
Michael R. Burch, after Simonides

Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
Michael R. Burch, after Glaucus

They observed our fearful fetters, braved the overwhelming darkness.

Now we extol their excellence: bravely, they died for us.
Michael R. Burch, after Mnasalcas

Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
Michael R. Burch, after Leonidas of Tarentum

Be ashamed, O mountains and seas: these were men of valorous breath.
Assume, like pale chattels, an ashen silence at death.
Michael R. Burch, after Parmenio

These men earned a crown of imperishable glory,
Nor did the maelstrom of death obscure their story.
Michael R. Burch, after Simonides

Stranger, flee!
But may Fortune grant you all the prosperity
she denied me.
Michael R. Burch, after Leonidas of Tarentum

Now that I am dead sea-enclosed Cyzicus shrouds my bones.
Faretheewell, O my adoptive land that nurtured me, that held me;
I take rest at your breast.
Michael R. Burch, after Erycius

I am loyal to you master, even in the grave:
Just as you now are death’s slave.
Michael R. Burch, after Dioscorides

Stripped of her stripling, if asked, she’d confess:
“I am now less than nothingness.”
Michael R. Burch, after Diotimus

Dead as you are, though you lie still as stone,
huntress Lycas, my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness,
bellowing as below we heard valleys resound.
And how brightly with joy you would canter and run
the strange lonely peaks of high Cithaeron!
Michael R. Burch, after Simonides

Having never earned a penny,
nor seen a bridal gown slip to the floor,
still I lie here with the love of many,
to be the love of yet one more.
Michael R. Burch, after an unknown Greek poet

I lie by stark Icarian rocks
and only speak when the sea talks.
Please tell my dear father that I gave up the ghost
on the Aegean coast.
Michael R. Burch, after Theatetus

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
Michael R. Burch, after Antipater of Sidon

Constantina, inconstant one!
Once I thought your name beautiful
but I was a fool
and now you are more bitter to me than death!
You flee someone who loves you
with baited breath
to pursue someone who’s untrue.
But if you manage to make him love you,
tomorrow you'll flee him too!
Michael R. Burch, after Macedonius



Sunset
by Michael R. Burch

This poem is dedicated to my grandfather, George Edwin Hurt

Between the prophesies of morning
and twilight’s revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch

The hands that held me tremble.
The arms that lifted
  fall.

Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.

I can almost believe such love
will reach me, underground.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.

And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine

and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.

And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Originally published by The Lyric



Ali’s Song
by Michael R. Burch

They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.

They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.

Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.

They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.

My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.

Originally published by Black Medina

Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Departed
by Michael R. Burch

Already, I miss you,
though your parting kiss is still warm on my lips.

Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.

You left me today ...
and each word left unspoken now whispers regrets.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you,
whorls petrified in frozen dew,
bright promises blithe spring forgot,
will I recall your words―barbed, cruel?



Ibykos Fragment 286, Circa 564 B.C.
loose translation/interpretation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.



Deor's Lament (circa the 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland endured the agony of exile:
an indomitable smith wracked by grief.
He suffered countless sorrows;
indeed, such sorrows were his ***** companions
in that frozen island dungeon
where Nithad fettered him:
so many strong-but-supple sinew-bands
binding the better man.
That passed away; this also may.

Beadohild mourned her brothers' deaths,
bemoaning also her own sad state
once she discovered herself with child.
She knew nothing good could ever come of it.
That passed away; this also may.

We have heard the Geat's moans for Matilda,
his lovely lady, waxed limitless,
that his sorrowful love for her
robbed him of regretless sleep.
That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many acknowledged his mastery and moaned.
That passed away; this also may.

We have heard too of Ermanaric's wolfish ways,
of how he cruelly ruled the Goths' realms.
That was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his crown might be overthrown.
That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are limitless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I can say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just king. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors had promised me.
That passed away; this also may.



Infatuate, or Sweet Centerless Sixteen
by Michael R. Burch

Inconsolable as “love” had left your heart,
you woke this morning eager to pursue
warm lips again, or something “really cool”
on which to press your lips and leave their mark.

As breath upon a windowpane at dawn
soon glows, a spreading halo full of sun,
your thought of love blinks wildly ... on and on ...
then fizzles at the center, and is gone.



The Toast
by Michael R. Burch

For longings warmed by tepid suns
(brief lusts that animated clay),
for passions wilted at the bud
and skies grown desolate and gray,
for stars that fell from tinseled heights
and mountains bleak and scarred and lone,
for seas reflecting distant suns
and weeds that thrive where seeds were sown,
for waltzes ending in a hush
and rhymes that fade as pages close,
for flames’ exhausted, graying ash,
and petals falling from the rose,
I raise my cup before I drink
in reverence to a love long dead,
and silently propose a toast—
to passages, to time that fled.

Originally published by Contemporary Rhyme



Veiled
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .

and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry Super Highway and Modern War Poems.



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.

Originally published by The Lyric



Prose Epigrams

We cannot change the past, but we can learn from it.—Michael R. Burch

When I was being bullied, I had to learn not to judge myself by the opinions of intolerant morons. Then I felt much better.—Michael R. Burch

How can we predict the future, when tomorrow is as uncertain as Trump's next tweet? —Michael R. Burch

Poetry moves the heart as well as the reason.—Michael R. Burch

Poetry is the art of finding the right word at the right time.—Michael R. Burch



The State of the Art (?)
by Michael R. Burch

Has rhyme lost all its reason
and rhythm, renascence?
Are sonnets out of season
and poems but poor pretense?

Are poets lacking fire,
their words too trite and forced?
What happened to desire?
Has passion been coerced?

Shall poetry fade slowly,
like Latin, to past tense?
Are the bards too high and holy,
or their readers merely dense?



Your e-Verse
by Michael R. Burch

—for the posters and posers on www.fillintheblank.com

I cannot understand a word you’ve said
(and this despite an adequate I.Q.);
it must be some exotic new haiku
combined with Latin suddenly undead.

It must be hieroglyphics mixed with Greek.
Have Pound and T. S. Eliot been cloned?
Perhaps you wrote it on the ***, so ******
you spelled it backwards, just to be oblique.

I think you’re very funny—so, “Yuk! Yuk!”
I know you must be kidding; didn’t we
write crap like this and call it “poetry,”
a form of verbal exercise, P.E.,
in kindergarten, when we ran “amuck?”

Oh, sorry, I forgot to “make it new.”
Perhaps I still can learn a thing or two
from someone tres original, like you.



Haiku Translations of the Oriental Masters

Grasses wilt:
the braking locomotive
grinds to a halt
― Yamaguchi Seishi, loose translation by Michael R. Burch

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation by Michael R. Burch

The first soft snow:
leaves of the awed jonquil
bow low
― Matsuo Basho, loose translation by Michael R. Burch

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
― Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
― Matsuo Basho, loose translation by Michael R. Burch

One apple, alone
in the abandoned orchard
reddens for winter
― Patrick Blanche, loose translation by Michael R. Burch

The poem above is by a French poet; it illustrates how the poetry of Oriental masters like Basho has influenced poets around the world.

Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
― Matsuo Basho, loose translation by Michael R. Burch

See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
― Matsuo Basho, loose translation by Michael R. Burch

I remove my beautiful kimono:
its varied braids
surround and entwine my body
― Hisajo Sugita, loose translation by Michael R. Burch

This day of chrysanthemums
I shake and comb my wet hair,
as their petals shed rain
― Hisajo Sugita, loose translation by Michael R. Burch

This darkening autumn:
my neighbor,
how does he continue?
― Matsuo Basho, loose translation by Michael R. Burch

Let us arrange
these lovely flowers in the bowl
since there's no rice
― Matsuo Basho, loose translation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch

The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch

Pausing between clouds
the moon rests
in the eyes of its beholders
― Matsuo Basho, loose translation by Michael R. Burch

The first chill rain:
poor monkey, you too could use
a woven cape of straw
― Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
― Matsuo Basho, loose translation by Michael R. Burch

Like a heavy fragrance
snow-flakes settle:
lilies on the rocks
― Matsuo Basho, loose translation by Michael R. Burch

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
― Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
― Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
― Matsuo Basho, loose translation by Michael R. Burch

Will we meet again?
Here at your flowering grave:
two white butterflies
― Matsuo Basho, loose translation by Michael R. Burch

Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
― Matsuo Basho, loose translation by Michael R. Burch

Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho, loose translation by Michael R. Burch; this has been called Basho's death poem

These brown summer grasses?
The only remains
of "invincible" warriors...
― Matsuo Basho, loose translation by Michael R. Burch

An empty road
lonelier than abandonment:
this autumn evening
― Matsuo Basho, loose translation by Michael R. Burch

Spring has come:
the nameless hill
lies shrouded in mist
― Matsuo Basho, loose translation by Michael R. Burch

The Oldest Haiku

These are my translations of some of the oldest Japanese waka, which evolved into poetic forms such as tanka, renga and haiku over time. My translations are excerpts from the Kojiki (the "Record of Ancient Matters"), a book composed around 711-712 A.D. by the historian and poet Ō no Yasumaro. The Kojiki relates Japan’s mythological beginnings and the history of its imperial line. Like Virgil's Aeneid, the Kojiki seeks to legitimize rulers by recounting their roots. These are lines from one of the oldest Japanese poems, found in the oldest Japanese book:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another excerpt, with a humorous twist, from the Kojiki:

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another, this one a poem of love and longing:

Onyx, this gem-black night.
Downcast, I await your return
like the rising sun, unrivaled in splendor.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

More Haiku by Various Poets

Right at my feet!
When did you arrive here,
snail?
― Kobayashi Issa, loose translation by Michael R. Burch

Our world of dew
is a world of dew indeed;
and yet, and yet...
― Kobayashi Issa, loose translation by Michael R. Burch

Oh, brilliant moon
can it be true that even you
must rush off, like us, tardy?
― Kobayashi Issa, loose translation by Michael R. Burch

A kite floats
at the same place in the sky
where yesterday it floated...
― Yosa Buson, loose translation by Michael R. Burch

The pigeon's behavior
is beyond reproach,
but the mountain cuckoo's?
― Yosa Buson, loose translation by Michael R. Burch

Plowing,
not a single bird sings
in the mountain's shadow
― Yosa Buson, loose translation by Michael R. Burch

The pear tree flowers whitely―
a young woman reads his letter
by moonlight
― Yosa Buson, loose translation by Michael R. Burch

On adjacent branches
the plum tree blossoms bloom
petal by petal―love!
― Yosa Buson, loose translation by Michael R. Burch

Picking autumn plums
my wrinkled hands
once again grow fragrant
― Yosa Buson, loose translation by Michael R. Burch

Dawn!
The brilliant sun illuminates
sardine heads.
― Yosa Buson, loose translation by Michael R. Burch

The abandoned willow
shines
between rains
― Yosa Buson, loose translation by Michael R. Burch

White plum blossoms―
though the hour grows late,
a glimpse of dawn
― Yosa Buson, loose translation by Michael R. Burch; this is believed to be Buson's death poem and he is said to have died before dawn

I thought I felt a dewdrop
plop
on me as I lay in bed!
― Masaoka Shiki, loose translation by Michael R. Burch

We cannot see the moon
and yet the waves still rise
― Shiki Masaoka, loose translation by Michael R. Burch

The first morning of autumn:
the mirror I investigate
reflects my father’s face
― Shiki Masaoka, loose translation by Michael R. Burch

Wild geese pass
leaving the emptiness of heaven
revealed
― Takaha Shugyo, loose translation by Michael R. Burch

Silently observing
the bottomless mountain lake:
water lilies
― Inahata Teiko, loose translation by Michael R. Burch

Cranes
flapping ceaselessly
test the sky's upper limits
― Inahata Teiko, loose translation by Michael R. Burch

Falling snowflakes'
glitter
tinsels the sea
― Inahata Teiko, loose translation by Michael R. Burch

Blizzards here on earth,
blizzards of stars
in the sky
― Inahata Teiko, loose translation by Michael R. Burch

Completely encircled
in emerald:
the glittering swamp!
― Inahata Teiko, loose translation by Michael R. Burch

The new calendar!:
as if tomorrow
is assured...
― Inahata Teiko, loose translation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation by Michael R. Burch

Because morning glories
hold my well-bucket hostage
I go begging for water
― Fukuda Chiyo-ni, loose translation by Michael R. Burch

Spring
stirs the clouds
in the sky's teabowl
― Kikusha-ni, loose translation by Michael R. Burch

Tonight I saw
how the peony crumples
in the fire's embers
― Katoh Shuhson, loose translation by Michael R. Burch

It fills me with anger,
this moon; it fills me
and makes me whole
― Takeshita Shizunojo, loose translation by Michael R. Burch

War
stood at the end of the hall
in the long shadows
― Watanabe Hakusen, loose translation by Michael R. Burch

Because he is slow to wrath,
I tackle him, then wring his neck
in the long grass
― Shimazu Ryoh, loose translation by Michael R. Burch

Pale mountain sky:
cherry petals play
as they tumble earthward
― Kusama Tokihiko, loose translation by Michael R. Burch

The frozen moon,
the frozen lake:
two oval mirrors reflecting each other.
― Hashimoto Takako, loose translation by Michael R. Burch

The bitter winter wind
ends here
with the frozen sea
― Ikenishi Gonsui, loose translation by Michael R. Burch

Oh, bitter winter wind,
why bellow so
when there's no leaves to fell?
― Natsume Sôseki, loose translation by Michael R. Burch

Winter waves
roil
their own shadows
― Tominaga Fûsei, loose translation by Michael R. Burch

No sky,
no land:
just snow eternally falling...
― Kajiwara Hashin, loose translation by Michael R. Burch

Along with spring leaves
my child's teeth
take root, blossom
― Nakamura Kusatao, loose translation by Michael R. Burch

Stillness:
a single chestnut leaf glides
on brilliant water
― Ryuin, loose translation by Michael R. Burch

As thunder recedes
a lone tree stands illuminated in sunlight:
applauded by cicadas
― Masaoka Shiki, loose translation by Michael R. Burch

The snake slipped away
but his eyes, having held mine,
still stare in the grass
― Kyoshi Takahama, loose translation by Michael R. Burch

Girls gather sprouts of rice:
reflections of the water flicker
on the backs of their hats
― Kyoshi Takahama, loose translation by Michael R. Burch

Murmurs follow the hay cart
this blossoming summer day
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The wet nurse
paused to consider a bucket of sea urchins
then walked away
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

May I be with my mother
wearing her summer kimono
by the morning window
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The hands of a woman exist
to remove the insides of the spring cuttlefish
― Sekitei Hara, loose translation by Michael R. Burch

The moon
hovering above the snow-capped mountains
rained down hailstones
― Sekitei Hara, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
― Kakio Tomizawa, loose translation by Michael R. Burch

Spring snow
cascades over fences
in white waves
― Suju Takano, loose translation by Michael R. Burch

Tanka and Waka translations:

If fields of autumn flowers
can shed their blossoms, shameless,
why can’t I also frolic here —
as fearless, and as blameless?
—Ono no Komachi, loose translation by Michael R. Burch

Submit to you —
is that what you advise?
The way the ripples do
whenever ill winds arise?
—Ono no Komachi, loose translation by Michael R. Burch

Watching wan moonlight
illuminate trees,
my heart also brims,
overflowing with autumn.
—Ono no Komachi, loose translation by Michael R. Burch

I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
—Ono no Komachi, loose translation by Michael R. Burch

That which men call "love" —
is it not merely the chain
preventing our escape
from this world of pain?
—Ono no Komachi, loose translation by Michael R. Burch

Once-colorful flowers faded,
while in my drab cell
life’s impulse also abated
as the long rains fell.
—Ono no Komachi, loose translation by Michael R. Burch

I set off at the shore
of the seaside of Tago,
where I saw the high, illuminated peak
of Fuji―white, aglow―
through flakes of drifting downy snow.
― Akahito Yamabe, loose translation by Michael R. Burch



ON LOOKING AT SCHILLER’S SKULL
by Johann Wolfgang von Goethe
loose translation/interpretation by Michael R. Burch

Here in this charnel-house full of bleaching bones,
like yesteryear’s
fading souvenirs,
I see the skulls arranged in strange ordered rows.

Who knows whose owners might have beheaded peers,
packed tightly here
despite once repellent hate?
Here weaponless, they stand, in this gentled state.

These arms and hands, they once were so delicate!
How articulately
they moved! Ah me!
What athletes once paced about on these padded feet?

Still there’s no hope of rest for you, lost souls!
Deprived of graves,
forced here like slaves
to occupy this overworld, unlamented ghouls!

Now who’s to know who loved one orb here detained?
Except for me;
reader, hear my plea:
I know the grandeur of the mind it contained!

Yes, and I know the impulse true love would stir
here, where I stand
in this alien land
surrounded by these husks, like a treasurer!

Even in this cold,
in this dust and mould
I am startled by an a strange, ancient reverie, …
as if this shrine to death could quicken me!

One shape out of the past keeps calling me
with its mystery!
Still retaining its former angelic grace!
And at that ecstatic sight, I am back at sea ...

Swept by that current to where immortals race.
O secret vessel, you
gave Life its truth.
It falls on me now to recall your expressive face.

I turn away, abashed here by what I see:
this mould was worth
more than all the earth.
Let me breathe fresh air and let my wild thoughts run free!

What is there better in this dark Life than he
who gives us a sense of man’s divinity,
of his place in the universe?
A man who’s both flesh and spirit—living verse!



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Farewell to Faith I
by Michael R. Burch

What we want is relief
from life’s grief and despair:
what we want’s not “belief”
but just not to be there.



Farewell to Faith II
by Michael R. Burch

Confronted by the awesome thought of death,
to never suffer, and be free of grief,
we wonder: "What’s the use of drawing breath?
Why seek relief
from the bible’s Thief,
who ripped off Eve then offered her a leaf?"



Anyte Epigrams

Stranger, rest your weary legs beneath the elms;
hear how coolly the breeze murmurs through their branches;
then take a bracing draught from the mountain-fed fountain;
for this is welcome shade from the burning sun.
—Anyte, loose translation/interpretation by Michael R. Burch

Here I stand, Hermes, in the crossroads
by the windswept elms near the breezy beach,
providing rest to sunburned travelers,
and cold and brisk is my fountain’s abundance.
—Anyte, loose translation/interpretation by Michael R. Burch

Sit here, quietly shaded by the luxuriant foliage,
and drink cool water from the sprightly spring,
so that your weary breast, panting with summer’s labors,
may take rest from the blazing sun.
—Anyte, loose translation/interpretation by Michael R. Burch

This is the grove of Cypris,
for it is fair for her to look out over the land to the bright deep,
that she may make the sailors’ voyages happy,
as the sea trembles, observing her brilliant image.
—Anyte, loose translation/interpretation by Michael R. Burch



Nossis Epigrams

There is nothing sweeter than love.
All other delights are secondary.
Thus, I spit out even honey.
This is what Gnossis says:
Whom Aphrodite does not love,
Is bereft of her roses.
—Nossis, loose translation/interpretation by Michael R. Burch

Most revered Hera, the oft-descending from heaven,
behold your Lacinian shrine fragrant with incense
and receive the linen robe your noble child Nossis,
daughter of Theophilis and Cleocha, has woven for you.
—Nossis, loose translation/interpretation by Michael R. Burch

Stranger, if you sail to Mitylene, my homeland of beautiful dances,
to indulge in the most exquisite graces of Sappho,
remember I also was loved by the Muses, who bore me and reared me there.
My name, never forget it!, is Nossis. Now go!
—Nossis, loose translation/interpretation by Michael R. Burch

Pass me with ringing laughter, then award me
a friendly word: I am Rinthon, scion of Syracuse,
a small nightingale of the Muses; from their tragedies
I was able to pluck an ivy, unique, for my own use.
—Nossis, loose translation/interpretation by Michael R. Burch



Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch

… the moon rising …
      … leaves falling …
           … waves lapping a windswept shore …

… and our childish games, Baucis, do you remember? ...

... Leaping from white horses,
running on reckless feet through the great courtyard.  
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …

… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …

… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...

... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...

… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...

... Until you mother called for us to help with the salted meat ...

... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...

... Desire becomes oblivion ...

... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …

... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eying this strange distaff ...

O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!



On a Betrothed Girl
by Erinna
loose translation/interpretation by Michael R. Burch

I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"

Her vivid monument tells passers-by
of the bitter misfortune of Baucis —
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.

*****! O Hymenaeus!



Sophocles Epigrams

Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, Oedipus at Colonus, loose translation/interpretation by Michael R. Burch

Never to be born may be the biggest boon of all.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Oblivion: What a blessing, to lie untouched by pain!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

The happiest life is one empty of thought.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Consider no man happy till he lies dead, free of pain at last.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

What is worse than death? When death is desired but denied.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

When a man endures nothing but endless miseries, what is the use of hanging on day after day,
edging closer and closer toward death? Anyone who warms his heart with the false glow of flickering hope is a wretch! The noble man should live with honor and die with honor. That's all that can be said.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Children anchor their mothers to life.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

How terrible, to see the truth when the truth brings only pain to the seer!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wisdom outweighs all the world's wealth.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Fortune never favors the faint-hearted.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch

Wait for evening to appreciate the day's splendor.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch



Homer Epigrams

For the gods have decreed that unfortunate mortals must suffer, while they themselves are sorrowless.
—Homer, Iliad 24.525-526, loose translation/interpretation by Michael R. Burch

“It is best not to be born or, having been born, to pass on as swiftly as possible.”
—attributed to Homer (circa 800 BC), loose translation/interpretation by Michael R. Burch



Ancient Roman Epigrams

Wall, I'm astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
—Ancient Roman graffiti, loose translation/interpretation by Michael R Burch

There is nothing so pointless, so perfidious as human life! ... The ultimate bliss is not to be born; otherwise we should speedily slip back into the original Nothingness.
—Seneca, On Consolation to Marcia, loose translation/interpretation by Michael R. Burch

Keywords/Tags: elegy, eulogy, child, childhood, death, death of a friend, lament, lamentation, epitaph, grave, funeral, epigram, epigrams, short, brief, concise, aphorism, adage, proverb, quote, mrbepi, mrbepig, mrbepigram, mrbhaiku

Published as the collection "Epigrams"

You'd call me insane
If you saw the ****
That went down in my brain
The powers mine to claim
Ima overdose on some fame
And hit the top with Hussain
Osama Bin Laden type of fame
Look inside this ******* membrane
And see the **** I'm on is midgrade
Dirt cheap Reggie on the end table
Hittin the **** watching cable
Jerry Springer, this ***** tellin a fable
Say that ***** ****** her man in the stables
But it was that **** bending over my table
Made her scream while she grabbed at her ankles
******* *******, giving ****
Plot twist like the demons used to be angels
And I'm hittin ten at these angles
My pen makes sense of the tangles
Gave me a funny look so I strangled
Him and his little Angel
I don't care about the babies
I act like an animal with rabies
So when I die I'm going straight to haities

And I don't know what this ***** doin to my head
The room is starting to spin
And I don't know what this ***** doin to my head
But I'm clawing at my skin
And I don't know what this ***** doin to my head
The roof is caving in
And I don't know what this ***** doin to my head
*But now I'm feeling the zen

uh strippin' ya titles n fame
Ya got no game shame I had to show up in flame
burn every last one of y'all til a single grain
snorts of ******* to rush into my brain
gives me crazy pump
like kriss kross I'll make ya jump
got ya body arched like camel humps smokin' punks like a smoke blunts pull stunts more than steevo straight evil
ya can peep me on underground radios
**** mainstream and pipe dreams
make this ***** jalel sings
more than crows gathered around for the wicked sound
body molded to th ground for tryna step to Htown fools drown
with no water slaughter
Like shots from a thousand mortars
got bids on the Satan's daughter's
ya need to get smarter y'all fallen like denzel welcome to yosef cell no bail no fairytales as I silence ya yell
from my lyrical gat that goes through ya medulla oblungata
got more ranks than shabba mister lover lover undercover like brother as I smother
ya baby mama and ya mother like no other duck her with no rubbers
cut into ya head piece like cookie cutters
see ya in sta sta sta studder
yosef be hoppin' like hoes like mudd rudders
straight from the gutters
I got rhymes for days that's was displayed before even my rhymes was said
plus **** what ya said
I'll  leave ya dome open like a Sun roof
catch. spoof off my tactics
my lyrics be more controversial than the gulf tonka make ya wonder magnificent blunders sound the thunders
once yosef grabs the Mic enticing brawls under heat lights
sweatin' cuz I'm a threat ending ya fate and might uh

Just like i told ya ya can't stop the reign
as i bring the pain more than major playa hatas
move over theres a new sheriff in town puff by the pound
its goin' down in htown time to ****** crowns
off unknown clowns whos rounds
ain't hittin' nothin' but air as i heir
the rhymes from my hip hop ancestry
like i said who spit it better than me
****** is what i write
check the obituary even burn ya cemetery
while enemies stay worried i stay buried
with rhymes that pull like tech 9s through ya mind
as ya touch the flat line
give em pump up so he get the adrenaline up
only to get knocked the ****** up
by the mister evil sinister preach lyrics as a minister
this ain't the last inning
we goin' all out til we fall out got guns that clear the skies out
nuclear blast spin around emceez like taz hit ya with jazz razzamatazz
that's the sounds of gats bustin' that ***
left ya body soakin' breath chokin' hopin'
to make it but can't shake it as i mold it then break it
like my last drip a *** i shake it
til its nothing left cook up these lyrics like a chef
even make ears open of the deaf
cuz my lyrics be so powerful irresistible hard for ya know to go
and bob ya head to my **** i hit like rockets outta space
loose ya paper chase for tryna step into yosefs face
with that disgrace that ******* you call hip hop?
i got heat tha'tll make ya lip lock hip go hippy to the hop
naw talkin' sugar hill deliver more dead than clothes to Goodwill
we ***** as the Goodfellas knockin' tailfeathers money come like atm tellers
no pin toxic rhymes poisonous as donna,bella

The Devil went down to Georgia,
He knew right where he wanted to go,
He’d built a golf course down in Hades, and
He needed a Head Pro.
So he snuck in to Augusta,
Up to the practice tee,
A guy was hittin’ range ***** there
Just as far as you could see.
The Devil said, “Hey Mister,
You want to have a game?
I bet that I can beat you, and
I don’t even know your name.”
The guy said, “My name’s Johnny,
But they call me ‘Long John’
Never met a bet or bottle
That I would back down on.
Guess you could say that some of them
Might have been mistakes,
But, Hell, this life’s for livin’,
So Devil, what’s the stakes?”
The Devil smiled, and said, “Hey, John,
Looks like you’re pretty good,
But that driver you are pounding
Is an old one made of wood,
So if you win, you get this golden driver you can sell,
But if you lose I take your sorry *** straight down to Hell.”

Johnny swing your driver hard,
The Devil’s here in town,
You have a bet you might regret,
But there’s no backin’ down,
If you win, you get a golden driver you can sell,
But if you lose you’re gonna be a golf pro down in Hell!

So they threw a tee up in the air,
It pointed straight at John,
He said, “I guess that means I’m up”,
And the Devil said, “Game on!”
Long John teed his ball up, then asked,
“So, Devil, what’s the game?  
We playing match or medal?
To me it’s all the same.”
By now a crowd had gathered ‘round, and
They all held their breath,
So everyone was quiet when,
The Devil hissed, “Sudden Death;
First one of us to win a hole,
Wins the bet as well,
Better save the ice from your last drink,
Cuz, it’s mighty hot in Hell!”
Long John said, “That’s fine with me,
We got the stakes, we got the bet”,
Then he pulled his driver from the bag, and
Lit a cigarette,
He hit a rocket down the fairway
With a mighty long John swing,
Blew some smoke the Devil’s way,
And said, “Just one more thing,
I’ve won a bunch of money, and I’ve lost a bunch as well,
If I should lose to you today we’ll have a rematch down in Hell.”

Johnny swing your driver hard,
The Devil’s here in town,
You have a bet you might regret,
But there’s no backin’ down,
If you win, you get a golden driver you can sell,
But if you lose you’re gonna be a golf pro down in Hell!

The Devil looked amused and asked,
“Is that all you got?”
Took a six iron from his golf bag
And matched John’s giant shot.
“You have a disadvantage, John,
‘Cuz you play by the rules,
Bettin’ with the Devil
Is a game for mortal fools
I have a few tricks in my bag,
I’ll use’em if need be.
And Long John, on that first par four,
I think we both made three.”
On the next hole, John said, “You go first,
I’m gonna have a smoke”,
Took a bottle from his golf bag,
Mixed a Jack and Coke,
The Devil took his magic six, hit his ball
Right towards a tree; It bounced left,
Skipped across a stream, and
Landed on the green.
Long John watched with interest,
But he didn’t seem concerned,
Said, “If you play with matches,
You’re liable to get burned.”
He hit his old wood driver, 300 yards and watched it role,
Down the fairway, right onto the green, and straight into the hole!

Johnny swing your driver hard,
The Devil’s here in town,
You have a bet you might regret,
But there’s no backin’ down,
If you win, you get a golden driver you can sell,
But if you lose you’re gonna be a golf pro down in Hell!

The Devil handed John the driver,
‘Cuz he knew that he’d been beat,
And John said, “Man I’m hungry,
Let’s grab a bite to eat.
There’s a steak place down the road,
Not too far from here,
You look like you could use a drink,
So I’ll buy you a beer!
You hit that six iron pretty well,
I’ll give you a hand,
But I told you once you *******,
This is Long John Land!”

Johnny swing your driver hard,
The Devil’s here in town,
You have a bet you might regret,
But there’s no backin’ down,
If you win, you get a golden driver you can sell,
But if you lose you’re gonna be a golf pro down in Hell!

I’m sick of the lies
I’m sick of the guise
Be an ******* to my face you *******
Cut me out like a man
Don’t ****** walk away like I did you wrong
I’ve given you nothing but love from the beginning
and you snap it back in my face
*****, I can your disgrace
and this race of ungrateful haste should rethink their approach in the presence of a kind heart and unwavering loyalty
boy,
you pushed me to the edge
and so I pledge
to never trust a soul
cuz this tossing and turning in yearning cuts deep
and I don’t get enough sleep
so count your sheep and be gone without a peep you ******* creep
I’m too real to pretend
In a world of fake embellishments to conceal god’s embroidery
I really thought you’d mean more to me
but you blend n bend just like the rest and to me
you’re just a guest so save me
the best
As I attest to never rest my pen for a pimpled partridge laced to dance to the tune we all know is rehearsed
I’m different
I see your past
I see your essence
I know your actions before you make them and lemme tell you
I could sell you here and now but you wouldn’t be worth it.
Don’t name me n game me like your dame to-be cuz I hear your hesitation and bruises
look like ******* on wanna be bad boys
**** all that noise
I’ve done that ****
I’ve lived that life
And I can play ***** less flirty and more wordy than a whole gurney of gays with no praise for your plug’s percocet purse you’re tryna nurse cuz no curse will salvage a sick man’s mind
Next time, don’t even bother
hittin me up for a quick ****
cuz you blew that chance a long time ago and I’d have to be on twice the amount of **** I was on then to ******* now
Ha! Like you’d even know how!
I’ve seen your hickeys of conquests Do you think I’m blind?
And that shows you’ve still gotta brag
boy, I’ve ****** your whole family with out a scratch so catch a disease cuz you’ll never please between my knees
You were beneath me from the beginning
But I gave you the doubt
And still
you’d rather smash for the clout cuz your way out of this drought are delusions of grandeur
not credible candor

Traveling, just rambling along on this lonely old road

All my life, on this journey of mine; I've been carryin' a heavy load

Still contemplating on my last trip, my mind's already full

People can say, this life got my ***** to the wall



Can't stop livin' this life, already miss my *****

My baby waiting at home, can't sleep on the wheel, or I'll end up in the ditch

Hittin' seventy five, hopped on speed

Singin' along with the radio, wishin' I had some more creed



To look forward to a better life,but nothing can beat this

Me and my rig, can you dig this

Highway is a playground, this truck is my toy

Back home, there who waits for me is my little boy



Trucker hats, cop sunglasses, even a mullet can make it a full redneck gear

Can't recall the last time I took some time off, must have been like 10 years

Screaming past rural towns, honking at hot chicks in fast cars

Every night, I'm a stranger at a run down bar



Just lookin' at the pictures in my wallet

To give up all this, hell no, I rather eat a bullet

My baby, my dog, and my little boy's waitin' for me

Freedom is my highway, this rig is my guiding light for me
HELL YEA!!

girl you in danger
bad as a power ranger
understand i got a fever
phil collins
in the air tonight
your body goes back forward sideways
bout to send your *** back to college
for your major she says
oo you so sauve
i go you go both ways
more foreplay
have her hittin dolphin notes
no boat or a yacht
but im renting out this one place
and if your down id like to take your mans place
she says just shutup dont ruin the moment

There ain't no train to heaven,
             ...no miracles, no deal,
There ain't no train to heaven,
             ...that dream it ain't real.

Man there ain't no train to heaven,
             ...there ain't no train to heaven,
             ...there ain't no train to heaven,
             ...there ain't no train to heaven,
but when I get there I'll be still.

Working all these days,
and working all these nights.
All I do is work,
Man that-life-ain't-right!
When I was little,
they said I'd be rich.
Here I am today,
digging one more ******* ditch!
Breaking back and tough,
I'm lost in a bottle...
I'm finally getting outta here, hittin' gas; gone full-throttle!

Cause there ain't no train to heaven,
             ...there ain't no train to heaven,
             ...there ain't no train to heaven,
but when I get there I'll be still.

Woo- there ain't no train to heaven,
             ...no miracles, no deal,
There ain't no train to heaven,
             ...that dream it ain't real.

Man there ain't no train to heaven,
             ...there ain't no train to heaven,
             ...there ain't no train to heaven,
             ...there ain't no train to heaven,
but when I get there I'll be still.

Money is a trap,
without it you get stuck.
All I do is work,
looking for that decent buck.
Pocketing a little here,
no, not really, just enough.
Working harder every day,
man this life is rough.
Broken down, feeling bad,
and I'm lost in a bottle...
I'm finally getting outta here, hittin' gas; gone full-throttle!

There ain't no train to heaven,
             ...no miracles, no deal,
There ain't no train to heaven,
             ...that dream it ain't real.

Man there ain't no train to heaven,
             ...there ain't no train to heaven,
             ...there ain't no train to heaven,
             ...there ain't no train to heaven,
but when I get there I'll be still.

Well hello, all, I’m your maestro ceremonious
they call me Lokonious, purveyor of the odious
so sit back, relax, and celebrate the… atonalness?

A: Andante con fuoco
We’re goin’ a cappella so let me say first
your style’s ba-roke, now let’s get on with the verse
you’re all up in the scale with a falsetto pitch
hittin’ soprano like a castrato *****!
my mind is sharp, while you’re stuck outta key
my rhythm’s all natural, you can’t find a beat
you need some help ’cause you’re out on your own
find that ****** on a subway, the metro-nome

B: Allegro con brio
throw down the fermata and hold up a minute
your ****’s a cacophony, no way to spin it
and son, i ain’t broke, my style’s all classical
you just can’t register that my words are magical
I spit rhymes in fantasy, can’t you see that you’re beat?
And they thought an allegro was unfit for elegy

A: Moderato col legno
well as for your girl, it may sound corny
the ***** loves my brass ’cause she’s: oh so *****
dispel your illusion, i got one more
your girl’s like a crime show… easy to score

B: Allegretto grazioso
your intellect is minor and your insults are bassless
your composition’s hardly a harmony: graceless
your cymbalism’s trite, and your motif’s unknown
an unfocused opus full of dissonant drones

A: Affrettando agitato
get out my face with your unnatural rap
you spit cold air and your lyrics are flat
you’ve got no harm while my canon’s a gat
so work on your refrain, ‘fore I bust da cap-OOOHHHHH

B: Coda
pull your weak crap, ’cause you’re outta your mode
such imperfect rhymes that we’re calling a cod-a
no time for the fanfare, you’re trying my patience
an end to your requiem, bring out the cadence

So that’s their story, best not get involved
their fight’s an augmented fourth: difficult to resolve

pancakes started my rugged day,
I quit hittin' the hay,
roughly around 10am.

I refused High Focus,
and wondered why
the medication the
prescribed was so
blah.

I know why,
but we keep these
things to ourselves.

Once I took my headphones
out, I began to hear
the blasphemy
around me.

The man at the library,
talking business,
taking business.
Telecon, christmas shopping,
Mr. Walker dead too
young.

And as I sit in these
seats once again,
the same I sat in when
the SAT's were the only
importance to me,
I wonder where I was.

So I took off on
Mama's crossroads
road bicycle.
It felt good,
gosh it felt great.

One stop on the narrow's
at a waterfall to fly back to
a blackout and memory lane.

Over the Delaware,
away from NJ,
take me to PA.

One stop at the homestead
for a buck-fifty coffee
fix and a few chapters
from On the Road.
Thanks, Jack.
I needed those laughs.

So I carry on,
on the toe-path
along the canal.
Some circles
and squares to remind
me of hopscotch,
or maybe a sign.

A light up of an American
Spirit, and I can never
seem to escape everyone
when I'm on the run.

Passer-by's,
a woman and her Labradors,
a handsome man with shades,
a blonde, gelled, comb-over,
and a cell phone to the ear in one
hand.
oh, and ME, the smoker
on the cycle.

I know I said those packs
were my last, but really,
I've hit rock bottom,
a broke rock bottom,
and this pack is
surely my last.

So I made it over the
Delaware, searching for
a treasure hunt.
The Frenchtown Market,
was beat, so I peddled
on Rt.12 and made it
to Chris's Citgo-
if you care to know.

Made it to the center
of great-gasoline
smells, and found my
treasure hunt.
In fact, the generous man
gave me two.

Pedal to the metal,
click-clack the sound of
metal banging from
something, hitting
something, on a bike
I can't call my own.

I continue on Rt.12
and pass by the dead
deer, a water break,
here and there.
Hot sweat, cold sweat,
de-layer, zipper up.

The fake flowers,
a compliment,
a pretty hint,
that some one maybe
loves me.
And I keep my eyes
fixated on what is
in front of me-
a car passes,
I LOVE YOU
writes the handwriting
on a white vehicle.

So, pedal to the metal,
I carry on towards
the library,
to a place I feel
safest.

No intentions of even
renting a thing-
except maybe ******.
However, finish what I start,
can't seem to do that so
easily these days.
Ohh, but I'd like to.

That's a start.
A quick stop,
for a quick slice,
and the time to skim the
Treasure Hunt.

Oh  a beautiful day,
I made it from start
to finish.
I'm sorry I can't
seem to do as you say,
and the options,
and choices,
they really do slay.

So writing less
and less than before.
As is losing a cressindo
is the score
of the symphonies
rhapsody.  Musickally
non talented, has magic
left the air.  
Assuming we are
all homeless and
treated by the
dust, reason.
Just completely out
on the dolly I trucked
the word Laureate in on.
Parting furnature with
lasting thoughts of
desire, for a thesourus
or a dictionary for
holistism.  The unholy
dead have starved them
selves after dieting on my
quarrel similarly, I may
need to be an action star
to recieve the spirit of
entrepidness again.  
Laziness has met the design
of my libido, and I can not
ever imagine being single.
No face to book, unless of
course to reprove prophetering.
And No, seems to be the
one and only world,
I had to be in.  Hittin it like an
old cloud with silver linings.  
Like slang.  Not really having it.
and *******, sexism, troubled
teens, the things of this world
that bother the US Marshals.
Actually begging the President
let me have his job and Joe's car.
What person uses the word
chortle to get through a
chidleish man.  Anyways,
heres to thinking of writing
poetry and leaving the under
world to be a monster,...
Anyways!  
I so much prefer to not over
write a zeal such as a poets.
Super trusted, trusty,
like an understanding
about cowboys with guns
in hip holsters, working
cattle and brushing
there teeth twice daily.
Yea, there teeth,
some here on the bottom
and not many on the top.
But ya no, not many
people think about tooth
brushes.  Teeth brushes
thats like a scratch on
the chalk board with out
finger nails.  I'll be the
poety lauretey kind of person
that loves to die young
and get old.  Ill be the
most misunderstood
thing on the face of the
earth and have to eat
a ham sandwich or
something.  Ill be the kind
of person who just
doesnt get some relationships.
Like, peanut butter and pickle
cereal.  Or socks made with
holes in them.  ***, sir,...
what are you writing?
Ill say poems, they say you
are not a poet, and Ill say
try some pocket lint to
clone a poodle or something.
Most of the time,
Ill crack a huge smile
and simply pleasure some
one and they will say 'What."
With out a question mark.
Then for some reason
punctuation is a majorly
late subject to emoticons
and dragon lords in
movie scrips.  An now, meeting
the reason that I felt no muse was
that I have been laughing out
loud at intellegence as is the
genuis of carisma.  Who cares
if Im not smart?  Graduating
is such a bore.  Gum is not ever
a turn on, and some way watching
people chew it is rude.  Comparing
two doves to each other is Darwinism.
Living alone with my mother and
step father is not going to last long.
But serves as the most important
thing to do now.   Any of the promises
of reading dedicated poetry is
almost to much favor.  Is there a
way to stay the allostatic load
of a perfectly running deisel
engine.  Where do poems find
gas?  or fuel as sir does say.
And now, what to do with a
wonderful heart.  I am pleased to
say that I am almost the King, but
must impress the most boring
people on earth without the
giant panda bear of a
poet that has made me
love this song.

I do this and that
for rent and cash.

If school is what you're gettin at,
I may get back, pick up a class.
A Math or English isn't bad...
Couldn't hurt, I don't know.

I'm sittin back with Rick and Max,
relaxin after hittin turf.
Kick and pass, not hittin herb,
well that too.  Kickin back.
A fresh brew, I'm sippin black
in afternoons to focus.

Pen and pad, a middle view.
A poem, a written rap.
I'm sittin at the moment
on Youtube and itchin ***.