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"historians" poems
I’m buried in a cocoon of stories From poetry, To biographies, To dystopia, And romance So many stories Of so many people Real, Or just figments of the author’s Imagination Sitting atop wooden bookshelves Waiting for the right person, To pick them up And get lost in their story For everyone has a story to tell, Some are overly exaggerated, And other’s are rarely heard The important thing is That we share our stories Through word of mouth, The internet, Or in a notebook To be found by future historians Tell your story Believe me, you won’t regret it
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May 26, 2019
May 26, 2019 at 4:41 PM UTC
The Bookstore
“I am a warrior, so that my son may be a merchant, so that his son may be a poet.” John Quincy Adams, 6th President of the United States <> a bad weakness, mine, mess with the perfect of others, unsure what to add that will addictive illuminate further, but as homage, a tribute, a salute got to got too, no middle class delayed gratification for me, none, whatsoever, read the words and my own hands choke me as if to pull out, to free the upsurging words in my chest-forming, to uplift me up, from the floor where I am roiling in wonderful wonderment at a prophecy come true my recent family history, about 400 years worth, got it written down someplace, escapees from a Spanish Inquisition, a Roman one before that, meandering Jews who found a respite, a small welcome in a small village in Germany (the irony does not go unnoticed) from villager to merchant, from tiny town to big city folk, we went, warriors if any, kept secret, best unheard, attract no attention, but do what survival doesn’t always politely request here I am child of the proverbial wandering jew, fancy me a poet with, at best, a very small p, one of three children, historians, book writers, scholars and even poet~traders, and so a President’s words, hammer my cells upon an anvil for human skins, the future shape of me foreseen and I think to myself, alone and out loud: This, This! is what makes America great,  welcoming the stranger, even predicting their possible pathway to a peaceful existence, giving their descendant’s generations liberty, liberty to become poets, free, who can stand upright*
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Jun 25, 2019
Jun 25, 2019 at 1:47 PM UTC
“I am a warrior, so that my son may be a merchant, so that his son may be a poet.
“I am a warrior, so that my son may be a merchant, so that his son may be a poet.” John Quincy Adams, 6th President of the United States <> a bad weakness, mine, mess with the perfect of others, unsure what to add that will addictive illuminate further, but as homage, a tribute, a salute got to got too, no middle class delayed gratification for me, none, whatsoever, read the words and my own hands choke me as if to pull out, to free the upsurging words in my chest-forming, to uplift me up, from the floor where I am roiling in wonderful wonderment at a prophecy come true my recent family history, about 400 years worth, got it written down someplace, escapees from a Spanish Inquisition, a Roman one before that, meandering Jews who found a respite, a small welcome in a small village in Germany (the irony does not go unnoticed) from villager to merchant, from tiny town to big city folk, we went, warriors if any, kept secret, best unheard, attract no attention, but do what survival doesn’t always politely request here I am child of the proverbial wandering jew, fancy me a poet with, at best, a very small p, one of three children, historians, book writers, scholars and even poet~traders, and so a President’s words, hammer my cells upon an anvil for human skins, the future shape of me foreseen and I think to myself, alone and out loud: This, This! is what makes America great,  welcoming the stranger, even predicting their possible pathway to a peaceful existence, giving their descendant’s generations liberty, liberty to become poets, free, who can stand upright*
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42
Kung walked by the dynastic temple and into the cedar grove, and then out by the lower river, And with him Khieu Tchi and Tian the low speaking And “we are unknown,” said Kung, “You will take up charioteering? “Then you will become known, “Or perhaps I should take up charioterring, or archery? “Or the practice of public speaking?” And Tseu-lou said, “I would put the defences in order,” And Khieu said, “If I were lord of a province “I would put it in better order than this is.” And Tchi said, “I would prefer a small mountain temple, “With order in the observances, with a suitable performance of the ritual,” And Tian said, with his hand on the strings of his lute The low sounds continuing after his hand left the strings, And the sound went up like smoke, under the leaves, And he looked after the sound: “The old swimming hole, “And the boys flopping off the planks, “Or sitting in the underbrush playing mandolins.” And Kung smiled upon all of them equally. And Thseng-sie desired to know: “Which had answered correctly?” And Kung said, “They have all answered correctly, “That is to say, each in his nature.” And Kung raised his cane against Yuan Jang, Yuan Jang being his elder, For Yuan Jang sat by the roadside pretending to be receiving wisdom. And Kung said “You old fool, come out of it, “Get up and do something useful.” And Kung said “Respect a child’s faculties “From the moment it inhales the clear air, “But a man of fifty who knows nothng Is worthy of no respect.” And “When the prince has gathered about him “All the savants and artists, his riches will be fully employed.” And Kung said, and wrote on the bo leaves: If a man have not order within him He can not spread order about him; And if a man have not order within him His family will not act with due order; And if the prince have not order within him He can not put order in his dominions. And Kung gave the words “order” and “brotherly deference” And said nothing of the “life after death.” And he said “Anyone can run to excesses, “It is easy to shoot past the mark, “It is hard to stand firm in the middle.” And they said: If a man commit ****** Should his father protect him, and hide him? And Kung said: He should hide him. And Kung gave his daughter to Kong-Tchang Although Kong-Tchang was in prison. And he gave his niece to Nan-Young although Nan-Young was out of office. And Kung said “Wan ruled with moderation, “In his day the State was well kept, “And even I can remember “A day when the historians left blanks in their writings, “I mean, for things they didn’t know, “But that time seems to be passing. A day when the historians left blanks in their writings, But that time seems to be passing.” And Kung said, “Without character you will “be unable to play on that instrument “Or to execute the music fit for the Odes. “The blossoms of the apricot “blow from the east to the west, “And I have tried to keep them from falling.”
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Canto 13
Kung walked by the dynastic temple and into the cedar grove, and then out by the lower river, And with him Khieu Tchi and Tian the low speaking And “we are unknown,” said Kung, “You will take up charioteering? “Then you will become known, “Or perhaps I should take up charioterring, or archery? “Or the practice of public speaking?” And Tseu-lou said, “I would put the defences in order,” And Khieu said, “If I were lord of a province “I would put it in better order than this is.” And Tchi said, “I would prefer a small mountain temple, “With order in the observances, with a suitable performance of the ritual,” And Tian said, with his hand on the strings of his lute The low sounds continuing after his hand left the strings, And the sound went up like smoke, under the leaves, And he looked after the sound: “The old swimming hole, “And the boys flopping off the planks, “Or sitting in the underbrush playing mandolins.” And Kung smiled upon all of them equally. And Thseng-sie desired to know: “Which had answered correctly?” And Kung said, “They have all answered correctly, “That is to say, each in his nature.” And Kung raised his cane against Yuan Jang, Yuan Jang being his elder, For Yuan Jang sat by the roadside pretending to be receiving wisdom. And Kung said “You old fool, come out of it, “Get up and do something useful.” And Kung said “Respect a child’s faculties “From the moment it inhales the clear air, “But a man of fifty who knows nothng Is worthy of no respect.” And “When the prince has gathered about him “All the savants and artists, his riches will be fully employed.” And Kung said, and wrote on the bo leaves: If a man have not order within him He can not spread order about him; And if a man have not order within him His family will not act with due order; And if the prince have not order within him He can not put order in his dominions. And Kung gave the words “order” and “brotherly deference” And said nothing of the “life after death.” And he said “Anyone can run to excesses, “It is easy to shoot past the mark, “It is hard to stand firm in the middle.” And they said: If a man commit ****** Should his father protect him, and hide him? And Kung said: He should hide him. And Kung gave his daughter to Kong-Tchang Although Kong-Tchang was in prison. And he gave his niece to Nan-Young although Nan-Young was out of office. And Kung said “Wan ruled with moderation, “In his day the State was well kept, “And even I can remember “A day when the historians left blanks in their writings, “I mean, for things they didn’t know, “But that time seems to be passing. A day when the historians left blanks in their writings, But that time seems to be passing.” And Kung said, “Without character you will “be unable to play on that instrument “Or to execute the music fit for the Odes. “The blossoms of the apricot “blow from the east to the west, “And I have tried to keep them from falling.”
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80
This will be no sad song, I don’t want to overflow the rivers of tears with a flood of my own. We have all seen enough to fill oceans, In dark corners I have seen the fates sitting around and smile. Some rivers overflow, and other scrap together every last penny just to fight another day. You die, I die, the president will die. Our voices will not crawl along the edge of a river rasping at the others to accept the waters. We will trumpet the tail of the glory of life from the after-party. Chatting casually with a soldier wearing the wrong colors. Is there one among us who does not bear the blood of countless souls? The best champagne will not open to the highest bidder. Nor will it be enjoyed by one, but by the prostiuite by the cop by the technician, yourself and I. All of us enjoying each other’s stories, none shall be left from the table, the best champagne all shall toast with it. An epic of a fight with a lion and the wind, of living through time and the difficulties of never cutting the delicate surface no struggle greater than either. The old skeletons will find new life and I will dance freely with them arm in arm, for a second or eternity. We will stand proud together singing and dancing before the after party. Then we shall toast to it all. We shall toast the ever so careful historians, did they really think they could fit, even the after party on any number of pages?
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May 21, 2015
May 21, 2015 at 10:37 PM UTC
Walt Whitman imitation poem
Gold and silver battle ***** torn from swords saddles and crosses lying beneath a farmer's field tributes to kings and bellicose gods. Fierce birds of prey snakes fish and bears framed in filigree geometry guarded warriors' savage souls. No mercy in Mercia. Archeologists anthropologists historians librarians curators and consertvators collect confer and classify while I just try to connect.
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Jun 26, 2015
Jun 26, 2015 at 6:19 AM UTC
The Staffordshire Hoard
On April 10th, 1846 on the ship Devonshire from Liverpool, one Catherine McCarty, age 17 arrived in New York during times most cruel. She made this long journey to escape the famine occurring in her native Ireland. We don't know if she arrived alone or with family or whether she was married or accompanied with a boyfriend. The passenger arrival manifest has her listed a servant as the occupation she did. Based only on her age and her name, many historians have speculated and proclaimed that she's the mother of BILLY the Kid. Billy's mother died on September 16th in the year of 1874. She was 45 years old according to her obituary. Combine the above information and we know one thing for sure. Immigrant Catherine shared the same age and name as did the true mother of Billy. It seems that due to health reasons, Catherine McCarty's life had gone onto searching for dryer climate out west as a single mother of two. One of her sons would live a full life and then fade into obscurity. Her other son would die very young and become one of the greatest legends to ever be. No one knows anything about the boys' father or whether they shared the same one. Did he/they die or abandon the family? Your guess is as good as anyone's. Catherine was a strong, independent, gregarious lass whom everyone seemed to like and enjoy very dearly. She earned a living selling baked goods to customers she had amassed and by also doing much of the neighborhood's ***** laundry. She also dabbled in real estate, purchasing what little property she could afford, and to earn extra income she'd often open the door to her home and welcome all those willing to pay room and board. It was clearly shown that she could take on the responsibility alone, as far as providing and caring for her boys. When she wasn't earning employment, she'd occasionally indulge in the enjoyment that every good, loving mother enjoys. After schooling her children, she'd take them to local dances where she was known to be one of the grandest dancers on the dance floor, but of all the dance partners she'd dance with there was always one she could never resist and he'd want to dance with her more and more. "Of all my dance partners," she told him one night, "you are my favorite one." To see her lovingly gaze into his eyes, it certainly would come as no surprise to learn that William Henry was Catherine McCarty's favored son. To Be Continued
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Jul 7, 2010
Jul 7, 2010 at 4:47 PM UTC
04. Catherine McCarty
On April 10th, 1846 on the ship Devonshire from Liverpool, one Catherine McCarty, age 17 arrived in New York during times most cruel. She made this long journey to escape the famine occurring in her native Ireland. We don't know if she arrived alone or with family or whether she was married or accompanied with a boyfriend. The passenger arrival manifest has her listed a servant as the occupation she did. Based only on her age and her name, many historians have speculated and proclaimed that she's the mother of BILLY the Kid. Billy's mother died on September 16th in the year of 1874. She was 45 years old according to her obituary. Combine the above information and we know one thing for sure. Immigrant Catherine shared the same age and name as did the true mother of Billy. It seems that due to health reasons, Catherine McCarty's life had gone onto searching for dryer climate out west as a single mother of two. One of her sons would live a full life and then fade into obscurity. Her other son would die very young and become one of the greatest legends to ever be. No one knows anything about the boys' father or whether they shared the same one. Did he/they die or abandon the family? Your guess is as good as anyone's. Catherine was a strong, independent, gregarious lass whom everyone seemed to like and enjoy very dearly. She earned a living selling baked goods to customers she had amassed and by also doing much of the neighborhood's ***** laundry. She also dabbled in real estate, purchasing what little property she could afford, and to earn extra income she'd often open the door to her home and welcome all those willing to pay room and board. It was clearly shown that she could take on the responsibility alone, as far as providing and caring for her boys. When she wasn't earning employment, she'd occasionally indulge in the enjoyment that every good, loving mother enjoys. After schooling her children, she'd take them to local dances where she was known to be one of the grandest dancers on the dance floor, but of all the dance partners she'd dance with there was always one she could never resist and he'd want to dance with her more and more. "Of all my dance partners," she told him one night, "you are my favorite one." To see her lovingly gaze into his eyes, it certainly would come as no surprise to learn that William Henry was Catherine McCarty's favored son. To Be Continued
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38
There are three major stages of the English Language According to historians and linguists alike There is Old English when Beowulf defeated Grendel And Middle English when Shakespeare birthed his sonnets Finally, Modern English when Harry Potter spun his magic However, I believe historians and linguists Will say we are now in the midst of a fourth I like to believe we are part of the history of language But what will it be called? Tecno English or Neotext English? IDK, but u will c um right. Just :) and $ me lates #stagesofenglish
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Jan 27, 2015
Jan 27, 2015 at 8:41 PM UTC
Revolution of Language
Negotiating with ****** You can't. Even if, He disguises himself as Bashar-al-Assad, Taliban, Al Shabaab, Hassan Rouhani, Or that ole mass murderer, Now not such a bad guy, We could left him alone, Cause he didn't have WMD, Saddam Hussein, He just mass murdered, The old fashioned way. They thirst for the blood of mine. And when satiated, they will come for you. There will be no Mass said Over our mass graves. Do not pretend to lead, When all you seek is avoid. The historians will seek you out And label you coward, Chamberlin. Shall we meet at the soccer stadium Called Ghazi, for some ice cream And a public execution or two? Let's make it a woman, for the extra satisfaction? A perfect place, conducive for relaxed negotiations! Woe us/me, when our moral compass points only Downward, Into the bloodied earth, Where we will soon enough be buried too.
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Sep 24, 2013
Sep 24, 2013 at 3:15 PM UTC
Negotiating with ****** or the Taliban
so we undressed and I didn't finish and you felt self-conscious and refused to read to me like you did the night before so I didn't sleep but you did and your brow was a shelf and I wiped it off like I did the night before so the morning would feel clean yet I missed a spot and you said no one loved like me and that wasn't a good thing like a songbird that was more showboat so I'm sorry lukewarm newspapers and two wine glasses and too empty and you bit my lower lip until blood was drawn like a misery, like a static radio song so I bit your lower lip until blood was drawn but that wasn't an anchor but that wasn't a tether but that wasn't criminal like the soap operas and the 51st shade of grey so we undressed and turned on the history channel and it didn't go anywhere and you said history was for the historians like ********** was for lovers so we dressed and you were a child in my clothes and I talked down to you and you took one last drink of my cologne like a closing hymn collapsing on a dime
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Jan 21, 2013
Jan 21, 2013 at 1:22 AM UTC
and I was a mistress and I was a twin-sized bed like the abandoned one in your parents' home
Composing Hallelujah Fractious lines crack, holiday decorate the spirit inferior, while each note upon the priest's guitar penetrates the aspirin roughened interior, face slaps me, daggers and accuses, you're not composing hallelujah. So I mislead, big deal, composing the anti-hallelujah, yeah, I was ******** with you, as you sit across from me electronically pretending, me to you, you to me. Lie to each other with smiling faces, you too have reaped, been emotionally ***** by what our minds see and sow, scowls and howls, we've both grown our own demons. My secrets, maybe are all there, maybe, writ loud and clear, in the songs I choose to share, and in the unrevealed ones, buried alive, held in reserve, but not, for your average, rainy day, could be today, you have no say. Are we not all veterans of a kind, don't we all have ribbons on our chest, stripes and stars on our khaki blouse, a record of our own great campaigns, including the war to end all wars, the never ending one, the one the psycho-historians renamed, "The 24/7 Year Conflagration"? It used to be just my secret, no more don't need a cartoonist to tell me that's the enemy is us, and there are moles, traitors, hidden deep in our intelligence organization, planting seeds, urges, pushing to out the identity of our communist friend, Depression I don't mean the ordinary, garden variety, a mere moody blues recession, when funk is sourced from gray clouds, served up proper, cold and wet, then travels on when sun warmth clarifies temporarily, the aspirin kicking in. So I misled, composing the anti-hallelujah, yeah, I was ******** with you, sit across from me and lie to me, lie to each other with smiling faces we reap what we own, scowls and howls. A chorus of harmonious poseurs inside your own City Center, vocalize the lyrics of the anti-hallelujah, a composition of questions directed at whomever in tonight's audience deserves it, asking, nerving, to sing too loud, at decibel speed: Are these verses, curses about D, our mutual acquaintance, or just research notes for further followup, part two of a pas de deux, and, did you go this time, too far, or still not far enough? -
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Sep 18, 2013
Sep 18, 2013 at 7:29 PM UTC
Composing Hallelujah
Composing Hallelujah Fractious lines crack, holiday decorate the spirit inferior, while each note upon the priest's guitar penetrates the aspirin roughened interior, face slaps me, daggers and accuses, you're not composing hallelujah. So I mislead, big deal, composing the anti-hallelujah, yeah, I was ******** with you, as you sit across from me electronically pretending, me to you, you to me. Lie to each other with smiling faces, you too have reaped, been emotionally ***** by what our minds see and sow, scowls and howls, we've both grown our own demons. My secrets, maybe are all there, maybe, writ loud and clear, in the songs I choose to share, and in the unrevealed ones, buried alive, held in reserve, but not, for your average, rainy day, could be today, you have no say. Are we not all veterans of a kind, don't we all have ribbons on our chest, stripes and stars on our khaki blouse, a record of our own great campaigns, including the war to end all wars, the never ending one, the one the psycho-historians renamed, "The 24/7 Year Conflagration"? It used to be just my secret, no more don't need a cartoonist to tell me that's the enemy is us, and there are moles, traitors, hidden deep in our intelligence organization, planting seeds, urges, pushing to out the identity of our communist friend, Depression I don't mean the ordinary, garden variety, a mere moody blues recession, when funk is sourced from gray clouds, served up proper, cold and wet, then travels on when sun warmth clarifies temporarily, the aspirin kicking in. So I misled, composing the anti-hallelujah, yeah, I was ******** with you, sit across from me and lie to me, lie to each other with smiling faces we reap what we own, scowls and howls. A chorus of harmonious poseurs inside your own City Center, vocalize the lyrics of the anti-hallelujah, a composition of questions directed at whomever in tonight's audience deserves it, asking, nerving, to sing too loud, at decibel speed: Are these verses, curses about D, our mutual acquaintance, or just research notes for further followup, part two of a pas de deux, and, did you go this time, too far, or still not far enough? -
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67
On the long continuous bench in Audobon park, New Orleans, I sat watching the Siren statue. Her hand high with proud strength of her metallic near-immortality. Her cherub children sitting on bronze turtles, holding separate items of ritual in their hands, perhaps a conch, perhaps a lute. As the Siren stood on her globe, a murky green orb of a thing, there were lovers and birds, children and historians with photographic memories in their voguishly composed hands, crouching, cropping, and framing images as infinite as the bronze statues. I wondered. If our memories were as sound as granite, and our hearts as pure as the water that froths at a Siren’s feet, would we enjoy and enjoin our attempts, our passions, to act as our own scaffolding to our existence? Would we appreciate the small things, pleasures of love, photographs and amazement that only those bound to and cursed by time could possibly appreciate? Have you actually seen the faces of these bronze castings, once earthly golden in hue, but now terrorized with their own emblems of decay in sheen of turquoise tarnish? Those smiles of the Siren on her globe, her frolicking cherub chums with eternal infantile fists and oceanic paraphernalia, are not the smiles we should ever want to understand. There was a breeze. Somewhere in the leaves of an old photo album, across the globe beneath the Siren’s feet, sits an island I call home. Amongst them, the photos of the young boy who always questioned and liked answers all the same now was by and beside himself. His smile eternally saved for the memories of souls yet to come, and no less by the loving eyes of a mother, with voguishly composed hands.
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Apr 6, 2013
Apr 6, 2013 at 2:46 PM UTC
Something in the Sparkle of Reflection
On the long continuous bench in Audobon park, New Orleans, I sat watching the Siren statue. Her hand high with proud strength of her metallic near-immortality. Her cherub children sitting on bronze turtles, holding separate items of ritual in their hands, perhaps a conch, perhaps a lute. As the Siren stood on her globe, a murky green orb of a thing, there were lovers and birds, children and historians with photographic memories in their voguishly composed hands, crouching, cropping, and framing images as infinite as the bronze statues. I wondered. If our memories were as sound as granite, and our hearts as pure as the water that froths at a Siren’s feet, would we enjoy and enjoin our attempts, our passions, to act as our own scaffolding to our existence? Would we appreciate the small things, pleasures of love, photographs and amazement that only those bound to and cursed by time could possibly appreciate? Have you actually seen the faces of these bronze castings, once earthly golden in hue, but now terrorized with their own emblems of decay in sheen of turquoise tarnish? Those smiles of the Siren on her globe, her frolicking cherub chums with eternal infantile fists and oceanic paraphernalia, are not the smiles we should ever want to understand. There was a breeze. Somewhere in the leaves of an old photo album, across the globe beneath the Siren’s feet, sits an island I call home. Amongst them, the photos of the young boy who always questioned and liked answers all the same now was by and beside himself. His smile eternally saved for the memories of souls yet to come, and no less by the loving eyes of a mother, with voguishly composed hands.
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5
"Genuine poetry can communicate before it is understood" T.S. Eliot (1888 - 1965) ~~~ perhaps. can I communicate what I cannot fully comprehend? my voice poetic keener, age-softened, grows less popular for it no longer reaches for christmas ornament words and creamy cake-in-the-rain imagery leave that to the better ones. cherish simplest: coming home to fresh sheets, plumped pillows, music, tousled hair on pillowed histories, river walks, the lightest hand touch that rouses the fireplace of contentment to glow briefly, from logs that are more embered ash moments than substance capable of more flaming the rumpled strivings of the young poets, creativity of the masters of voice and dancings bodies, shopping lists of life~items that reshape, restore my old~ness, the revelations of the historians, inducements to believe in yet, more. these exteriors are comprehendable. don't forget the orange juice, the first chilled swig from the plastic, confirms I am breath-yet-capable, one more poem-mission ready, the mission objectives still not published. Sun east welcomes me, woman puttering kitchen coffee noises it is neither spring yet or winter gone, in-between like me, in-between naissance and history remnant question thy fiat, Mr. Eliot, cannot frame myself, my who-I-am six decades of myself. can it then ere be said, his poetry communicated or ere contained ever a single genuine word? can I communicate what I cannot fully comprehend?
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Mar 15, 2014
Mar 15, 2014 at 8:38 AM UTC
Genuine poetry can communicate before it is understood
Oh how glorious war is! How efficient And adequate! The way it entertains the gods When we shoot fireworks and missiles into the sky It accustoms young women to waiting Awards men for slaughtering men Inspires tyrants to deliver long speeches Adds pages to history books Gives politicians something to bet on Brought tears to Einstein’s eyes Leaves men scarred for life Gives poets new themes Like Bukowski and Cummings It produces less mouths to feed Teaches historians that history is always repeating itself Gives governments something to brag about Pulverises countries until nothing is left Accomplishes equality between killer and killed Keeps the industry of artificial limbs in business Gives grave diggers a pat on the back See how glorious war can be?
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Dec 31, 2016
Dec 31, 2016 at 4:16 AM UTC
The positives of war.
When an illusion becomes a reality The whole idea of existence is shrouded In the mysterious clues we are given Unearthed from the remains ancient Many hypotheses which float around Mystic lands which once existed So many exposed to the light of day Many more still cradled within the layers Many interpretations, ancient chronicles Dates back to time immemorial Many sources and many more tales The soul of the scripts lost long ago None will come to know the real sentiments Mired in the deepest secrets of yesteryear Historians’ favorite child, philosophers guide We can only come up with our understanding Spend a lifetime deciphering between the lines Many centuries of hidden anecdotes We can only reconstruct what we decipher We may not be close to the real meaning The custodians have whisked away the heart And soul of the entire episodes Leaving us between the vagueness Papyrus holds the words, without the meanings Not sure of the real feelings and emotions Maybe a rendezvous with the chroniclers If we can travel back in time And enter the ethereal world of these histories Can reveal the truth and exact sentiments Till that time, we have to live with our inferences Maybe we are way off the mark In a different trajectory, away from the core An illusion we may have created form our cognizance
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Mar 13, 2015
Mar 13, 2015 at 7:20 AM UTC
Illusion and Reality
surprise surprise I read between the lines, gobbling up the bread crumbs youse guys leave in; yours and hers in the edible empty spaces and hints and clues from other lines from other places grew up in a family of storytellers, historians and book writers: we did not play Scrabble in my house; was too contentious, and besides, someone excelled in literary obscura and Ancient Poets, which made it most unfaira instead we read the dictionary for fun and broke into the unlocked local library at night, were called The Borrowers in our little town, I think affectionately The FBI employed my momma, the Original Literary Profiler, cause she could see the signature of the same writer, no matter how many names or disguises he tried, in everything they had written   the skill was transferred genetically, which is visible in all my escapades poetically: I live here under many names so superciliously, but I never have yet, fooled myself^
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Nov 29, 2017
Nov 29, 2017 at 1:26 PM UTC
profiler of the human soul (married poets and other kin)
SING of the O'Rahilly, Do not deny his right; Sing a "the' before his name; Allow that he, despite All those learned historians, Established it for good; He wrote out that word himself, He christened himself with blood. How goes the weather? Sing of the O'Rahilly That had such little sense He told Pearse and Connolly He'd gone to great expense Keeping all the Kerry men Out of that crazy fight; That he might be there himself Had travelled half the night. How goes the weather? "Am I such a craven that I should not get the word But for what some travelling man Had heard I had not heard?' Then on pearse and Connolly He fixed a bitter look: "Because I helped to wind the clock I come to hear it strike.' How goes the weather? What remains to sing about But of the death he met Stretched under a doorway Somewhere off Henry Street; They that found him found upon The door above his head "Here died the O'Rahilly. R.I.P.' writ in blood. How goes the weather.?
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The O'Rahilly
Half-buried in the sand, lay some rocks in the sun , Whom nature had mocked in the shape of sea dogs; Their wrinkled coats say they’d been too long in the sea. Next to them, as sunrays kissed a dormant crab, Traces of some bare feet started to crumble Under the silent, liquid weight of a tide within. Now let the amphibious Historians rejoice In interpretation thereof a dark green hog Comes forth from the mountain to the shore - to sun Himself and send the frightened rocks back to the ocean. (c) LazharBouazzi (December 7, 2017)
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Dec 7, 2017
Dec 7, 2017 at 8:38 AM UTC
The Rocks
close your eyes, and perhaps in doing so, you will dream a dream never dreamt before. in this dreamt world there are insects that glow, and language that won't make sense anymore. with very strange phrases like "civil war," and even stranger like "life after death." there will be giant metal birds that soar, people underwater not holding breath. they will call it the land of the free, with stories of black men given syphilis. and these stories are labeled fact, not myth, but still something historians will miss. of course, this all seems unlikely to me. now open your eyes, tell me what you see.
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Oct 7, 2013
Oct 7, 2013 at 10:21 AM UTC
experiments of thought
She’s beauty, she’s grace. With blood in her veins and heat circulating through her frame, You could compare her to a furnace. Carrying energy throughout her body and distributing it evenly where it’s needed. It’s the pressure, the turbulence, the years of experience that molds and forges her heart into the form it takes. Her heart is made of ceramic, shaped into a wide-mouthed or funnel-enclosed hollow and glazed with painted flowers, or abstract patterns, or tales of wars and legends featuring holy beings and storybook beasts. Her heart is the fortune of archaeologists and antiquarians alike, the field of study of historians, the apple of poets’ eyes. They seek to wipe every speck of dust that obscures every stroke, every detail, every scar and fracture they seek to decode. Because as beautiful as ceramic can be, it is brittle and delicate and easily fractures as hearts do. Because if there’s one thing ceramic and hearts have in common, they can only withstand a certain amount of stress for so long. Because every scar tells a story. No visible fracture can be just a fantasy. A scratch from heartbreak, a mark from rejection, a line from quarrel. A scar from unrequited love, a scar from a failed test mark, a scar from falling over while biking. A breakage from inner demons. We are the same. We suffer the same. Yet the painted flowers, the abstract patterns, the murals telling tales of wars and legends featuring holy beings and storybook beasts, they all elude us, because we’re inclined to focus on the debris before us. We’d rather walk around the debris, walk over the debris, avoid touching the debris when we’re well within our ability to repair and mend the debris. Gold for recovery, silver for hope, platinum to mend her broken pieces. Gold to crown her a winner, to declare her triumph. Silver to ease her troubled mind, to give her hope anew. Platinum to strengthen her, to enlighten her, to remind her that she can rise up again. Golden joinery, or kintsugi, as the Japanese call it — it’s the art of repairing broken pottery with gold, or silver, or platinum, holding its fragments together by a tight bond. It’s meant to treat breakage and repair as part of the history of the object, rather than something to disguise. She’s beauty, she’s grace. Her heart is made of ceramic — and gold and silver and platinum intertwined, a story of heartbreak, rejection, and quarrel conquered by recovery, hope, and strength, and proof that she is more than her heartbreak, her rejection, her storms and trials and tribulations. She is, quite literally, the cloud with a silver lining. Her heart is art. But it need not be displayed in a museum case, or in an antique shop window, or a gallery chamber. Because she, in all of her beauty and grace, she is the museum case, the antique shop window, the gallery chamber.
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Feb 26, 2018
Feb 26, 2018 at 1:00 PM UTC
She
She’s beauty, she’s grace. With blood in her veins and heat circulating through her frame, You could compare her to a furnace. Carrying energy throughout her body and distributing it evenly where it’s needed. It’s the pressure, the turbulence, the years of experience that molds and forges her heart into the form it takes. Her heart is made of ceramic, shaped into a wide-mouthed or funnel-enclosed hollow and glazed with painted flowers, or abstract patterns, or tales of wars and legends featuring holy beings and storybook beasts. Her heart is the fortune of archaeologists and antiquarians alike, the field of study of historians, the apple of poets’ eyes. They seek to wipe every speck of dust that obscures every stroke, every detail, every scar and fracture they seek to decode. Because as beautiful as ceramic can be, it is brittle and delicate and easily fractures as hearts do. Because if there’s one thing ceramic and hearts have in common, they can only withstand a certain amount of stress for so long. Because every scar tells a story. No visible fracture can be just a fantasy. A scratch from heartbreak, a mark from rejection, a line from quarrel. A scar from unrequited love, a scar from a failed test mark, a scar from falling over while biking. A breakage from inner demons. We are the same. We suffer the same. Yet the painted flowers, the abstract patterns, the murals telling tales of wars and legends featuring holy beings and storybook beasts, they all elude us, because we’re inclined to focus on the debris before us. We’d rather walk around the debris, walk over the debris, avoid touching the debris when we’re well within our ability to repair and mend the debris. Gold for recovery, silver for hope, platinum to mend her broken pieces. Gold to crown her a winner, to declare her triumph. Silver to ease her troubled mind, to give her hope anew. Platinum to strengthen her, to enlighten her, to remind her that she can rise up again. Golden joinery, or kintsugi, as the Japanese call it — it’s the art of repairing broken pottery with gold, or silver, or platinum, holding its fragments together by a tight bond. It’s meant to treat breakage and repair as part of the history of the object, rather than something to disguise. She’s beauty, she’s grace. Her heart is made of ceramic — and gold and silver and platinum intertwined, a story of heartbreak, rejection, and quarrel conquered by recovery, hope, and strength, and proof that she is more than her heartbreak, her rejection, her storms and trials and tribulations. She is, quite literally, the cloud with a silver lining. Her heart is art. But it need not be displayed in a museum case, or in an antique shop window, or a gallery chamber. Because she, in all of her beauty and grace, she is the museum case, the antique shop window, the gallery chamber.
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Adapted from pg. 571 of Alcoholics Anonymous, 4th Edition The Black Swan Sanctuary will become a unique and highly successful approach to that age-old public health and social problem, following the crowd... In emphasizing Black Swanism as an integral component of the human genome, the social stigma associated with this condition will be blotted out... "Historians may one day recognize (BSS) to have been a great venture in social pioneering which forged a new instrument for social action; a new therapy based on the kinship  of common suffering; on having a vast potential for the myriad of ills of (hu)mankind."
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Sep 27, 2014
Sep 27, 2014 at 3:03 AM UTC
Black Swan Sanctuaries
He came to read. Two or three books are open; historians and poets. But he only read for ten minutes, and gave them up. He is dozing on the sofa. He is fully devoted to books -- but he is twenty-three years old, and he's very handsome; and this afternoon love passed through his ideal flesh, his lips. Through his flesh which is full of beauty the heat of love passed; without any silly shame for the form of the enjoyment.....
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1.3k
He Came To Read
Diastolic memory fills mind with blood Heart purges other unforgettable serum Gushing in and out; valediction, invasion Scent left on bed sheets binomial theorem Calculus, physics computing mnemonics us Trust not sum of it, exponents baying flux Participles and components abject humbling Stumbling bio discourse create sedentary crux Stupefying brain surgeons, those of heart too Call in mathematicians, astronomers as well No making sense of it, linguistic doctorates few To tell of this push-pull sensory denoting hell Not much time to live after lungs dispensed Entrenched questions remain to be adoring Extravagantly historians exploring Unanswerable examining of this imploring Must breathe the linens till all dissipation Your essence in the ether of our resting Place turned into mad languid laboratory Conjuring back moments I am requesting
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Sep 11, 2016
Sep 11, 2016 at 9:30 AM UTC
Memory Does Not Fail
There will certainly be A great many of them Far readier than I’ll ever be O blessed unborn one Yet endowed with inexistence To whom mercy shall slip from And re-emerge in its awakening Beings past or below my shrinking age A great many among them Whom I once did or shan’t collide Beyond the captured scope of mutual days To relate to you what high events Unrolled before our common eyes Folks granted with the privilege Promoted to the status of witnesses Historians, athletes and prophets By themselves and their narratives I let them unroll their good accounts Forfeit their tales of what must be bound To mould your unsuspecting Circumspect mind and Save you from sensing Delicately sensing Voices that once knew more Than in haste speak Than with haste carry Daringly could the silence hear Untangle the mumbling tango Of the vociferous crystal parade My darling unborn one The tortuous path out of the forgings Of reason almighty, the ventricular beast Played and echoed in loops and on repeat No, you shan’t feast on their hymns Yours is meant for the engineering of belief In something further, of glory, Far more, furthermore, Something extraordinary Than the days of days And the knowns of knowns And to lodge firmly out of the stillness That’s woven in the heart of your chanting storm And in the precipice of the forecast May you never come to designate But the space between the notes So that when it comes not to ever pass We shall rejoice in the untold absence That binds us as if pierced by an arrow While we ask about the bow
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Jun 24, 2023
Jun 24, 2023 at 6:26 PM UTC
Furthermore (2023)
There will certainly be A great many of them Far readier than I’ll ever be O blessed unborn one Yet endowed with inexistence To whom mercy shall slip from And re-emerge in its awakening Beings past or below my shrinking age A great many among them Whom I once did or shan’t collide Beyond the captured scope of mutual days To relate to you what high events Unrolled before our common eyes Folks granted with the privilege Promoted to the status of witnesses Historians, athletes and prophets By themselves and their narratives I let them unroll their good accounts Forfeit their tales of what must be bound To mould your unsuspecting Circumspect mind and Save you from sensing Delicately sensing Voices that once knew more Than in haste speak Than with haste carry Daringly could the silence hear Untangle the mumbling tango Of the vociferous crystal parade My darling unborn one The tortuous path out of the forgings Of reason almighty, the ventricular beast Played and echoed in loops and on repeat No, you shan’t feast on their hymns Yours is meant for the engineering of belief In something further, of glory, Far more, furthermore, Something extraordinary Than the days of days And the knowns of knowns And to lodge firmly out of the stillness That’s woven in the heart of your chanting storm And in the precipice of the forecast May you never come to designate But the space between the notes So that when it comes not to ever pass We shall rejoice in the untold absence That binds us as if pierced by an arrow While we ask about the bow
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Lazy Monday. Raining Morning. Inky pens. Empty papers. This 4-cornered room became a Vast new world When I met You. Your "What's your name?" was more than a question, it was An invitation to A breath of fresh air, A gulp of warm sunshine, A waltz on green grass. From small talk on the Wet weather, The films at the theater, And our ******* professor, Our lips spilled over. Awkward smiles became Shy giggles then Uncontrollable laughter. We pulled each other to conversations on Artists Picasso, Van Gogh Historians Constantino, Ocampo. I told you about Distant galaxies and the theory of gravity While you said things on Progressive policies and your farming family. You said pick-up lines, I gave knock-knock jokes. We tried to mash-up Let It Be and Let It Go. Your mind was a treasure chest full of stories Forever you And your words are engraved in my memory. All this ended though When the clocks striked 3. The session was over; There's no reason to be here anymore And so I guess it's best for us to just Leave. "It was nice meeting you." But it's horrible that We will never meet again. What was us will just get lost in the plane infinity For this moment that we shared Is just a mere Point of tangency.
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Dec 16, 2014
Dec 16, 2014 at 2:00 PM UTC
Point of Tangency
(Dear Friends, reacting to the latest TV Report about China’s claim of the Himalayan Range this verse got composed. Hope you like it.) CHINA’S VAULTING HIMALAYAN AMBITION ! By Raj Nandy From Shakespeare’s ‘Macbeth’: “vaulting ambition, which o'erleaps itself and falls on the other.” ………………………………………………………………………. China, having infected the entire world by unleashing the deadly Corona virus, Have now started to measure the height of the mighty Himalayas! Having begun a dispute with Nepal, her peaceful southern neighbor, By trying to claim that entire Himalayan range as part of China! Ignorant about Macbeth’s ‘vaulting ambition’, - which led to his downfall and destruction! In the Tibetan portion of this mountain range, An unmanned radar device was earlier set up by China for air surveillance. Now under the pretext of monitoring air traffic over Tibet, Two more radars devices are being set up on the Himalayas once again, Which will also act as snooping devices upon her peaceful southern neighbors! China already has her jaundiced eye upon India’s Arunachal Pradesh, Not forgetting her earlier illegal occupation of India’s Aksai-Chin region. She also has full co-operation from her ‘boot-licking friend’ present across India’s western borders. Unfortunately, only Historians remember the rise and fall of ambitious Empires. China too shall one day realize her Himalayan Blunder! -Raj Nandy, New Delhi; 16 May 2020
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May 16, 2020
May 16, 2020 at 7:54 AM UTC
CHINA'S VAULTING HIMALAYAN AMBITION!
(Dear Friends, reacting to the latest TV Report about China’s claim of the Himalayan Range this verse got composed. Hope you like it.) CHINA’S VAULTING HIMALAYAN AMBITION ! By Raj Nandy From Shakespeare’s ‘Macbeth’: “vaulting ambition, which o'erleaps itself and falls on the other.” ………………………………………………………………………. China, having infected the entire world by unleashing the deadly Corona virus, Have now started to measure the height of the mighty Himalayas! Having begun a dispute with Nepal, her peaceful southern neighbor, By trying to claim that entire Himalayan range as part of China! Ignorant about Macbeth’s ‘vaulting ambition’, - which led to his downfall and destruction! In the Tibetan portion of this mountain range, An unmanned radar device was earlier set up by China for air surveillance. Now under the pretext of monitoring air traffic over Tibet, Two more radars devices are being set up on the Himalayas once again, Which will also act as snooping devices upon her peaceful southern neighbors! China already has her jaundiced eye upon India’s Arunachal Pradesh, Not forgetting her earlier illegal occupation of India’s Aksai-Chin region. She also has full co-operation from her ‘boot-licking friend’ present across India’s western borders. Unfortunately, only Historians remember the rise and fall of ambitious Empires. China too shall one day realize her Himalayan Blunder! -Raj Nandy, New Delhi; 16 May 2020
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