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"hieroglyphics" poems
With a body wrapped in a crimson dress, she bears a violent temper. Shining daylight, raging bewitching, captivating cunning. You arrive with starry eyes and cheeks flushed like a ****** In her curly hair, autumn curtains hang—roaming rays hot. She glows in the night like a pictorial wall with hieroglyphics concealing madness. You step elegantly, but you're a dangerously stealthy predator. Grassy hills in floating flames burn beneath a voluminous haze. Her look describes fabulous waterfalls, endlessly flowing and shining in the coming dawn. You associate with robbers and kings, but they do not understand, and no one will save you. Lovely eyes sprinkle enchanting rays, her lips intertwined like a rose petal. Her heart enticingly calls with her fruit to be drunk. You hide in the nightlife, dress up, and do your love magic. Neck fashioned in autumnal garments, wearing scarlet ruby earrings. Her pink skin smells of perfume, inviting like a grape on a vine. You invite visitors with your charm to carelessness, forever forced. Her lips are flowing bewitching rivers—intersecting strokes of crimson. They bring a dream to taste her deep soils and her artfully carved forms. You are determined to captivate without marrying— you stay lost in rebellion.
0
Sep 25, 2023
Sep 25, 2023 at 6:19 AM UTC
Scarlet
a black bat hangs upside down digesting a fly his face almost human a flying Frankenstein he excretes puddles of guano like miniature buttered popcorn a dark and wavy goulash gods gift to beetles and worms dizzied overheated men look on to an uproarious variety hour of song and a high heeled kicks inspiring a tempest of throbbing whisky drenched folded ***** and cash trouser trout fish,     undulant sexed up tape worms for love pulse the night egging on bunny **** pom poms devout finger puppets of Eros for shimmering ****** lipstick twilled vibratos sequined tassel spinning areolas and lavish come **** me dance girls bring down the house in flames making hearts apostate clamoring and melt men like steaming everglades the bat hangs from the chandelier licks his black lips and looks on to panorama of hieroglyphics hearing music a thunderous nonsense   witnessing visions of flies, tasty white winged moths and the thrill of screams while biting the head off of another bat in a claret stained red velvet cabaret
0
Aug 31, 2017
Aug 31, 2017 at 5:09 PM UTC
BURLESQUE MEETS A BAT
The farthest man made object in space, Voyager 1, is over 20 billion km away from Earth. On board is a phonograph record, brilliant gold, containing sounds and images of what life is like on earth, A message to whoever is able to listen, a literal shot in the dark. On it is an inscription that is perhaps the most beautiful sentence I have ever read TO THE MAKERS OF MUSIC ALL TIMES ALL WORLDS a time capsule, a gift, from us To anywhere and everywhere A hundred years from now or a thousand Our belief that no matter what time Or world you belong to, melody and harmony and rhythm, can bring us together, can communicate. On the cover Are figures, explaining how to operate this record Hieroglyphics from what by then Would be ancient history Messages in binary, the 1s and 0s Our position in the universe marked by our distances from gigantic pulsars, the star map to our home, the creators of this message There's beauty in this marriage of math and art Code and music As a way to communicate with the universe. Some of the images on the record are the most beautifully simple ones, Of us, humans, drinking and eating, laughing, of animals, nature, food and architecture. Then there are images of our scientific observations, mathematical calculations, our discoveries, Like a child showing off Look, look what I can do! Black and white and in colour, Pictures, proof that we, indeed have lived and achieved. The music, classical, our very best from Bach and Mozart to Blind Willie Johnson's Dark was the Night. But all of this can only matter, can come to fruition if someone exists to receive it, and is evolved enough to comprehend what it means. But that's the thing, everybody knows, That's there's a slim chance of this record ever being heard, and it's much more possible that the Voyager will simply end up as floating debris in the cosmos, but it doesn't matter! We just want someone to know that there was a species of bipedal, intelligent animals on this blue planet, no different than finding graffiti in alleys that read I WAS HERE. WE WERE HERE, WE EXISTED. And it's all about that hope, the hope that someone will see us, our pictures, listen to our languages, our greetings, our music, and remember us, even after we're long gone. Or perhaps we will one day be interstellar space faring people as well, following the path of the Voyager, doing what we do best, Explore.
0
Jan 2, 2016
Jan 2, 2016 at 9:32 AM UTC
Space graffiti
The farthest man made object in space, Voyager 1, is over 20 billion km away from Earth. On board is a phonograph record, brilliant gold, containing sounds and images of what life is like on earth, A message to whoever is able to listen, a literal shot in the dark. On it is an inscription that is perhaps the most beautiful sentence I have ever read TO THE MAKERS OF MUSIC ALL TIMES ALL WORLDS a time capsule, a gift, from us To anywhere and everywhere A hundred years from now or a thousand Our belief that no matter what time Or world you belong to, melody and harmony and rhythm, can bring us together, can communicate. On the cover Are figures, explaining how to operate this record Hieroglyphics from what by then Would be ancient history Messages in binary, the 1s and 0s Our position in the universe marked by our distances from gigantic pulsars, the star map to our home, the creators of this message There's beauty in this marriage of math and art Code and music As a way to communicate with the universe. Some of the images on the record are the most beautifully simple ones, Of us, humans, drinking and eating, laughing, of animals, nature, food and architecture. Then there are images of our scientific observations, mathematical calculations, our discoveries, Like a child showing off Look, look what I can do! Black and white and in colour, Pictures, proof that we, indeed have lived and achieved. The music, classical, our very best from Bach and Mozart to Blind Willie Johnson's Dark was the Night. But all of this can only matter, can come to fruition if someone exists to receive it, and is evolved enough to comprehend what it means. But that's the thing, everybody knows, That's there's a slim chance of this record ever being heard, and it's much more possible that the Voyager will simply end up as floating debris in the cosmos, but it doesn't matter! We just want someone to know that there was a species of bipedal, intelligent animals on this blue planet, no different than finding graffiti in alleys that read I WAS HERE. WE WERE HERE, WE EXISTED. And it's all about that hope, the hope that someone will see us, our pictures, listen to our languages, our greetings, our music, and remember us, even after we're long gone. Or perhaps we will one day be interstellar space faring people as well, following the path of the Voyager, doing what we do best, Explore.
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51
I want to write something to fix me. I want to write something to heal my wounds, to hide my scars. I want to write something to wear that will make me beautiful. I want to sew something from words that will fit me perfectly, something that flows like linen, curves of S's fitting curves of hips, legs like L's and F's soft like lips. I want to write something to wear like new skin, something to make me interesting to look at, to make me a poem worth reading. I want to be the one you tuck into your notebook and read in class. When you're tired of listening, tired of focusing, tired of everything, you can read a few lines off my shoulder blades, from my palms or knees, and maybe you'll feel better. I want to write something that will make you laugh. God, I love your laugh, I'd write myself into a joke just to see you smile like that, my shoulders to set it up, collar bone to draw you in, my stomach could be the punch line and I'd have you cracked up for sure. I don't need to be taken seriously, as long as I can see you laugh. I want to write something strong and heavy. I'll melt the letters together, weld T's to G's and K's to X's until I've written us an anchor. It'll be just light enough for us to carry, just heavy enough to weigh us down. I'll weave J's into ropes, we'll tie ourselves together, and toss our anchor overboard. No matter how the ocean writhes and tosses my words will be heavier, my ropes stronger. The anchor will hold us fast, words weighted by promises, fighting angry seas around us. No matter what, we will always be close enough to read each others' poetry. I want to write something that will last forever. I want to set words in stone to be discovered long after I'm gone, to paint hieroglyphics on the walls of my house to be interpreted by future civilizations. "This is where I ate cereal." "This is where I showered." (Did I make you laugh? You know how I love your laugh.) I want to write razor-sharp, white-hot points of infinite logic, and I want to write children's books. I want to write something that means anything but God, all I want is to write anything that means something. I want to write something to fill pages, to break silence. I want to write something to fix me.
0
Oct 31, 2012
Oct 31, 2012 at 2:55 AM UTC
Anchors.
I want to write something to fix me. I want to write something to heal my wounds, to hide my scars. I want to write something to wear that will make me beautiful. I want to sew something from words that will fit me perfectly, something that flows like linen, curves of S's fitting curves of hips, legs like L's and F's soft like lips. I want to write something to wear like new skin, something to make me interesting to look at, to make me a poem worth reading. I want to be the one you tuck into your notebook and read in class. When you're tired of listening, tired of focusing, tired of everything, you can read a few lines off my shoulder blades, from my palms or knees, and maybe you'll feel better. I want to write something that will make you laugh. God, I love your laugh, I'd write myself into a joke just to see you smile like that, my shoulders to set it up, collar bone to draw you in, my stomach could be the punch line and I'd have you cracked up for sure. I don't need to be taken seriously, as long as I can see you laugh. I want to write something strong and heavy. I'll melt the letters together, weld T's to G's and K's to X's until I've written us an anchor. It'll be just light enough for us to carry, just heavy enough to weigh us down. I'll weave J's into ropes, we'll tie ourselves together, and toss our anchor overboard. No matter how the ocean writhes and tosses my words will be heavier, my ropes stronger. The anchor will hold us fast, words weighted by promises, fighting angry seas around us. No matter what, we will always be close enough to read each others' poetry. I want to write something that will last forever. I want to set words in stone to be discovered long after I'm gone, to paint hieroglyphics on the walls of my house to be interpreted by future civilizations. "This is where I ate cereal." "This is where I showered." (Did I make you laugh? You know how I love your laugh.) I want to write razor-sharp, white-hot points of infinite logic, and I want to write children's books. I want to write something that means anything but God, all I want is to write anything that means something. I want to write something to fill pages, to break silence. I want to write something to fix me.
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10
I often find myself deep in the world of unknowns of wind, of fire, of water She exhales sending static electricity waltzing through the air as if the particles find some deeper attraction in her presence Her fragrance zests the cracks of empty space Within a single whispered word, my breath escapes me in hopes that it may embrace just the sound of her voice Her heat fills up my spine like a thermometer and illuminates the heart Fiery eyes burn hieroglyphics onto my lungs Her touch gives me the fireflies and in a frenzy they collide igniting on impact Their spilled embers cast sillouetes on my eyelids of our candle-lit dinners Silk hair pools against the bed sheets Her lips would be the moon to my tidal kiss Frost nips at her imperfections But she never freezes for she changes feverishly like bubbling water If only transparent Her forms cannot define her But, She is mystic like the air Spontaneous like a spinning flame A kinesthetic ocean and I’m good at drowning
0
Nov 10, 2012
Nov 10, 2012 at 10:34 PM UTC
Forms
Blues Haiku Freddie King’s guitar Waits for a big leg woman Fishnets adorn mine Self Portrait LIII Reading street hieroglyphics comfortable in it’s dark caress Buildings like promises Broken and lost The wheels spinning My mp3 jazz loop Sing that skit skat baby The things I tell my pillow makes it blush Self Portrait 54 Weekend Books at half mast Reading a book on Af Am essays Wondering what happened to The ‘Dream” Monday Listening to Bob Segar and Snoop Tatas at attention mode Bopping to the Unemployment office to see a lady about a check and a “Dream Deferred”
0
Sep 16, 2012
Sep 16, 2012 at 11:10 AM UTC
3 poems - Blues Haiku Self Portrait LIII Self Portrait 54
Like modern day knights we muster around a table. We don’t wear shiny armour we wear suits that are 50% polyester 50% rayon. Our jousting poles are have been replaced with nervously bitten biros, and on a fuzzy screen the MD appears speaking from a country where the currency is colourful but ultimately worthless. His voice is delayed giving and talks of mergers, leverage & buy outs. But I fade out like a ghost image in a propaganda film, doodling hieroglyphics on a pad. From the window I see workmen digging a hole and I wonder will they ever reach China?
0
Jan 17, 2013
Jan 17, 2013 at 2:23 AM UTC
accountants of the round table
To the ancient Egyptians hieroglyphics looked like IMAX-HD blockbusters; Renaissance art is so real it's like the Holy Family's really right in front of u! gamers & pervs lose their egos to avatars & **** - the surplus visual culture strikes future generations like silent movies today; commercials are empty & expensive; drama, cliched stereotypes for the money; gone are the days of Baal & Dionysus, & gone are the ecstatic frenzies,  gone are realism & surrealism; space is our new home, now forget everything u've ever known
0
Jul 22, 2018
Jul 22, 2018 at 7:16 AM UTC
culture is still a cult
The slaves of their passion built this pyramid But now there’s no sign of civilization But ancient artifact have been found The great migration to the underground I look at the hieroglyphics on the wall It’s an epic story oh I’ve seen it all This place was taken by industry Powered by fame and the illusion of money They perverted the artist’s proud, heartfelt ways Forced the true artists out for the ones who stayed They create things that sound the same to us Dropped their talent sold their souls to business Lost their land to a cult of executives So now they put out songs without messages There puppets without any ideals But it’s amazing for album sales They were tempted by the glorious pop charts Every follower goes by the formula Produce garbage without connection With no real emotion or expression Their distorted auto tuned emptiness All to be on TV and in magazines Want exposure to be recognized Their careers won’t fade they were never alive This place ***** robbed lied to n even forgotten The ones who stayed chained to the corporation Not for the sake of art but for the money Lack of feeling and effort plain to see The slaves of their passion built this pyramid But now there’s no sign of civilization But ancient artifact have been found The great migration to the underground Can’t understand what their saying Fan base is alienated Rather be an icon than a star The space between performer and audience grows more and more So the true artists have left n disappeared They’ve been out of sight for many many years There somewhere where you don’t need to be in style Might not find them at the left of the dial No they don’t care about TV or radio They just want to make something with all their soul They are all now opposed to the fame Crossing their fingers it won’t be the next craze But today we still have the artifacts Amazing and impressive sounds of the past Better than the sell outs we all know Talent, determination, originality flow The slaves of their passion built this pyramid But now there’s no sign of civilization But ancient artifact have been found The great migration to the underground Someone poisoned the main stream So now it’s the same to me Did I read the hieroglyphics wrong I don’t know? But it was the rise, fall and return of rock n roll
0
Dec 5, 2013
Dec 5, 2013 at 1:39 PM UTC
Cool and Slow With a Backbeat
The slaves of their passion built this pyramid But now there’s no sign of civilization But ancient artifact have been found The great migration to the underground I look at the hieroglyphics on the wall It’s an epic story oh I’ve seen it all This place was taken by industry Powered by fame and the illusion of money They perverted the artist’s proud, heartfelt ways Forced the true artists out for the ones who stayed They create things that sound the same to us Dropped their talent sold their souls to business Lost their land to a cult of executives So now they put out songs without messages There puppets without any ideals But it’s amazing for album sales They were tempted by the glorious pop charts Every follower goes by the formula Produce garbage without connection With no real emotion or expression Their distorted auto tuned emptiness All to be on TV and in magazines Want exposure to be recognized Their careers won’t fade they were never alive This place ***** robbed lied to n even forgotten The ones who stayed chained to the corporation Not for the sake of art but for the money Lack of feeling and effort plain to see The slaves of their passion built this pyramid But now there’s no sign of civilization But ancient artifact have been found The great migration to the underground Can’t understand what their saying Fan base is alienated Rather be an icon than a star The space between performer and audience grows more and more So the true artists have left n disappeared They’ve been out of sight for many many years There somewhere where you don’t need to be in style Might not find them at the left of the dial No they don’t care about TV or radio They just want to make something with all their soul They are all now opposed to the fame Crossing their fingers it won’t be the next craze But today we still have the artifacts Amazing and impressive sounds of the past Better than the sell outs we all know Talent, determination, originality flow The slaves of their passion built this pyramid But now there’s no sign of civilization But ancient artifact have been found The great migration to the underground Someone poisoned the main stream So now it’s the same to me Did I read the hieroglyphics wrong I don’t know? But it was the rise, fall and return of rock n roll
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56
Nostalgia is a poor excuse for ignorance yet it pervades with a tenacity stemming from fabricated desire for the smell of **** we're told is roses and it's blasphemous to question potential "isms" lurking behind the veil of Saturday morning cartoons and black and white family sitcoms. Yet by the time the sonic *** organs have lain into us with repressed emotion, the holy spirit has spilled its ***** in the dirt to traverse onward floating apparition out of the room and down the hall closer towards progress. and we are left reeling stumbling into the hallway buttoning our blouses and yanking at our zippers wondering what could cause such great haste and we follow blindly in the wake of the first high or we turn backwards and plunge into fading bricolage as a means to cope with the rapid and fleeting *********** of the electric eye in its shape-shifting pylons and appendages getting smaller in the naked eye and gargantuan in the mind. Clutching our ******* in great amorous heaves of lust or donning our father's clothes in a mask of artifice and enlightened cultural pretension. Moaning for the days of youth a week ago, the epoch squeezed in the space between thumbs, looking for treasures in the trash craving something tangible in an increasingly intangible world. The semblance of touch lost on a generation who knows only of emotion through hieroglyphics and never through direct sensation. So we dig through the toy boxes and leave Generation X puzzled as we dig into their records in Guns n Roses T-shirts and high waisted jeans. We're just looking for an immaculate conception of something palpable.
0
Oct 25, 2016
Oct 25, 2016 at 10:26 AM UTC
Nostalgic Fallacy
Nostalgia is a poor excuse for ignorance yet it pervades with a tenacity stemming from fabricated desire for the smell of **** we're told is roses and it's blasphemous to question potential "isms" lurking behind the veil of Saturday morning cartoons and black and white family sitcoms. Yet by the time the sonic *** organs have lain into us with repressed emotion, the holy spirit has spilled its ***** in the dirt to traverse onward floating apparition out of the room and down the hall closer towards progress. and we are left reeling stumbling into the hallway buttoning our blouses and yanking at our zippers wondering what could cause such great haste and we follow blindly in the wake of the first high or we turn backwards and plunge into fading bricolage as a means to cope with the rapid and fleeting *********** of the electric eye in its shape-shifting pylons and appendages getting smaller in the naked eye and gargantuan in the mind. Clutching our ******* in great amorous heaves of lust or donning our father's clothes in a mask of artifice and enlightened cultural pretension. Moaning for the days of youth a week ago, the epoch squeezed in the space between thumbs, looking for treasures in the trash craving something tangible in an increasingly intangible world. The semblance of touch lost on a generation who knows only of emotion through hieroglyphics and never through direct sensation. So we dig through the toy boxes and leave Generation X puzzled as we dig into their records in Guns n Roses T-shirts and high waisted jeans. We're just looking for an immaculate conception of something palpable.
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56
Let the poetry of others repose in majestic halls: My poems are filler for paper shredders, For packing in shipping boxes, And backing for flypaper sticky strips; To wipe the muddy soles of shoes That have seen too much of springtime In the garden. Others poetry fills the airwaves, and sits between the covers of books; My poetry is for grocery lists, And sudden messages you need to scribble while on the telephone, And maps to undiscovered geneological treasures That are only a township away- To trace the faces of cool tombstones Under a mid-day sun. You won't find my poetry near any other kind of list That doesn't say get bleach, dog food, and toilet paper. Still, my poetry is from a well lettered life- I have written all my heartbeats, and most of my sighs Into sibylline hieroglyphics, from midnight initiations In the secret brotherhood, of my own soul: And I will die a freeman, because nobody Will ever feel the need to own any of these words.
0
Mar 29, 2010
Mar 29, 2010 at 12:51 PM UTC
Words of a Freeman
I want to write a poem but I have to write code instead There can be a kind of poetry in code especially my code I'm proud of the elegant design of my loops and logics my streamlined systems My code flows pulling the User along effortlessly guiding them gracefully from one end of the black box to the other and out again No Errors My code flows secret haikus left in comment blocks for other programmers to find like digital hieroglyphics on virtual cave walls test data populated with pantheons and mystical chants from faraway lands My code flows water of ones in sea of zeroes pouring through me from aether to mind to muscle to machine bit by bit block by block stacked upon stack module into module through function and parameters passed My code flows flows through me until the integer flips the Boolean switch change of state status update now compiled and crystallized Executable and then passed on leaving me out of my hands disseminated to The Users like a prayer to a congregation I hear the clicking fingers of their choir singing the song of my code now flowing through Them
0
Feb 22, 2013
Feb 22, 2013 at 4:50 PM UTC
Electric Ego
I’ve spent twenty three years at war, so when he looks at me, he doesn’t ask why I haven’t gotten up off the floor, doesn’t know that I’ve played this game before, and I choose paper, specifically the paper I used to write my first poem, the piece of paper where I drew love out in hieroglyphics, carved constellations into the page, I think I first learned to make pain sound beautiful when I took your broken fragments and built a church with my bare palms, I think it was around the time I picked up the pen, so I haven’t picked one up since. they always say it’s such a shame, but love to me is a shattered domain, and this world is still ill prepared to swallow the pain. decoding my feelings, I’ve spent a lifetime baptized in shame. I choose paper, specifically the paper that declared my parents love, and the one 12 years later that made the former a will that left me in possession of a starless sky, an enigma, but still I never asked why. left me in possession of all these matches, with nothing to burn but my own flesh, from what I’ve learned from love, I wouldn’t expect anything less. there isn’t a map on the surface of this earth that could tell you where love lives in this body, and if there was I’d use it as a my weapon in this game. strike a match to its skin, so even if there was, you’d never be able to find it again. put its ashes in a frame, trust me, no pair of scissors will ever damage your life quite the same. I choose paper, specifically the anatomy of every card sent to me with love, because each one was as empty as the wine bottles in my closet, each name signed marks a grave where I buried a part of me, nailed myself to the cross, just so other people could find meaning in my pain. oh to be a saviour for the shattered, still over and over again, I found my heart slain. I still don’t understand what there was to gain, told that story on a 8.5x11 sheet, and I’ve never seen a rock carry the same amount of defeat. rock, paper, scissors I explain this game resembles my insides, broken at its core. rock, paper, scissors like clockwork,my opponent heads for the door. rock, paper, scissors, don’t worry, from my eyes, you’ll never catch a drop pour. I told you, I’ve lost this game one too many times before.
0
Aug 17, 2021
Aug 17, 2021 at 10:38 PM UTC
rock, paper, scissors
I’ve spent twenty three years at war, so when he looks at me, he doesn’t ask why I haven’t gotten up off the floor, doesn’t know that I’ve played this game before, and I choose paper, specifically the paper I used to write my first poem, the piece of paper where I drew love out in hieroglyphics, carved constellations into the page, I think I first learned to make pain sound beautiful when I took your broken fragments and built a church with my bare palms, I think it was around the time I picked up the pen, so I haven’t picked one up since. they always say it’s such a shame, but love to me is a shattered domain, and this world is still ill prepared to swallow the pain. decoding my feelings, I’ve spent a lifetime baptized in shame. I choose paper, specifically the paper that declared my parents love, and the one 12 years later that made the former a will that left me in possession of a starless sky, an enigma, but still I never asked why. left me in possession of all these matches, with nothing to burn but my own flesh, from what I’ve learned from love, I wouldn’t expect anything less. there isn’t a map on the surface of this earth that could tell you where love lives in this body, and if there was I’d use it as a my weapon in this game. strike a match to its skin, so even if there was, you’d never be able to find it again. put its ashes in a frame, trust me, no pair of scissors will ever damage your life quite the same. I choose paper, specifically the anatomy of every card sent to me with love, because each one was as empty as the wine bottles in my closet, each name signed marks a grave where I buried a part of me, nailed myself to the cross, just so other people could find meaning in my pain. oh to be a saviour for the shattered, still over and over again, I found my heart slain. I still don’t understand what there was to gain, told that story on a 8.5x11 sheet, and I’ve never seen a rock carry the same amount of defeat. rock, paper, scissors I explain this game resembles my insides, broken at its core. rock, paper, scissors like clockwork,my opponent heads for the door. rock, paper, scissors, don’t worry, from my eyes, you’ll never catch a drop pour. I told you, I’ve lost this game one too many times before.
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52
~ Ivory-teal ruffled his parochial feathers His tongue dipped in languages He wanted to learn the pronunciation of life As he folded himself in Egyptian ink He opened his mind against the dioramic surface of syllables Painted in alloy; dripping from a papery canvas He brushed his ivory creme feathers in crimson and lavender hieroglyphics Bleeding their pictorial valor inside a golden sepia lantern "Go on, light the world with your suspense and mystery" Ivory-teal twittered to himself Wrapping the bijoux night around his little body he disappeared into the stars The teal birthmark on his forehead; glowing He took the lantern in his gold beak fluttering away into spirals of smoke Toward Mythology mountain Where a storm of butterflies were winging their seasonal weather Ivory-teal sometimes wished he could be a candle flame Flickering in the darkest of moments Letting the sunshine bleed through his beautiful feathers and soft skin But his destiny was a bit different He was folded in cultural prophetic proverbs and sewed neatly in parabolic traditions Where nationality is mixed into colorful pixels inside skin Accents are curved in throats and lilted on the edge of tongues Ivory-teal was carved in diamond flex dreams In a temple of mythical patterns Imprinted in mercury cocoons laminated with knowledge The Angel Apostles printed him in their book of Dreamtales Where he became a bilingual silhouette He was birthed right here on this mountain As he balanced himself on thoughts He had learned to love himself to this point of his life He wanted to be the change he wanted in the world He gently lifted the little lantern It rose up toward the sun and exploded into rainbow fireworks The contexts that were inside split sideways Tilting and pressing themselves into the air particles If birds could smile then that would've been Ivory-teal As he laughed quietly "Now breathe in earthlings, breath in the wonders and knowledge of life" He then spread his gorgeous ivory creme wings tattooed with all the languages of the world and life itself He twirled into the sunset and bled himself in a cloud A mountaineer had been watching and wondered to himself As he unknowingly breathed in the context from Ivory-teal's lantern "If flying is a language I would love to learn and speak it with my wings" But shouldn't he know that language already For it is the language of freedom Ivory-teal is one of many symbolic accents Of that beautiful language ~
0
Dec 25, 2014
Dec 25, 2014 at 11:10 AM UTC
Spirals of Accents
~ Ivory-teal ruffled his parochial feathers His tongue dipped in languages He wanted to learn the pronunciation of life As he folded himself in Egyptian ink He opened his mind against the dioramic surface of syllables Painted in alloy; dripping from a papery canvas He brushed his ivory creme feathers in crimson and lavender hieroglyphics Bleeding their pictorial valor inside a golden sepia lantern "Go on, light the world with your suspense and mystery" Ivory-teal twittered to himself Wrapping the bijoux night around his little body he disappeared into the stars The teal birthmark on his forehead; glowing He took the lantern in his gold beak fluttering away into spirals of smoke Toward Mythology mountain Where a storm of butterflies were winging their seasonal weather Ivory-teal sometimes wished he could be a candle flame Flickering in the darkest of moments Letting the sunshine bleed through his beautiful feathers and soft skin But his destiny was a bit different He was folded in cultural prophetic proverbs and sewed neatly in parabolic traditions Where nationality is mixed into colorful pixels inside skin Accents are curved in throats and lilted on the edge of tongues Ivory-teal was carved in diamond flex dreams In a temple of mythical patterns Imprinted in mercury cocoons laminated with knowledge The Angel Apostles printed him in their book of Dreamtales Where he became a bilingual silhouette He was birthed right here on this mountain As he balanced himself on thoughts He had learned to love himself to this point of his life He wanted to be the change he wanted in the world He gently lifted the little lantern It rose up toward the sun and exploded into rainbow fireworks The contexts that were inside split sideways Tilting and pressing themselves into the air particles If birds could smile then that would've been Ivory-teal As he laughed quietly "Now breathe in earthlings, breath in the wonders and knowledge of life" He then spread his gorgeous ivory creme wings tattooed with all the languages of the world and life itself He twirled into the sunset and bled himself in a cloud A mountaineer had been watching and wondered to himself As he unknowingly breathed in the context from Ivory-teal's lantern "If flying is a language I would love to learn and speak it with my wings" But shouldn't he know that language already For it is the language of freedom Ivory-teal is one of many symbolic accents Of that beautiful language ~
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55
She is a Goddess held upright In the light. Her face shines blossoming among the clouds. The words she speaks are of lyrical proportion. Her body is a temple of sheer devotion, One whom I worship. Yearning to protect. She shines her light upon me, Revealing the inner working of her mind. The hieroglyphics and pamphlets deciphered by gentle lips. Shes not just another girl nor another woman. Her crown is woven above her brow, easily mistaken as hair. Her influence knows no bound. Devouring every inch of my thought. Her voice is infinite, Her soul dances as a child knowing the beauty of outside. She is a Goddess of love, one of infinite wisdom. Her sighs are one with the wind. Spreading throughout the whispers of her voice. Filling my dreams with the lucidity of open eyes. I close my eyes and see her standing there. I smile, picturing her soul dance as freely as a child knowing the beauty of being outside. If only she knew what I saw everytime I looked at her
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Jun 28, 2016
Jun 28, 2016 at 4:07 AM UTC
Nubian Goddess
There are no handles upon a language Whereby men take hold of it And mark it with signs for its remembrance. It is a river, this language, Once in a thousand years Breaking a new course Changing its way to the ocean. It is mountain effluvia Moving to valleys And from nation to nation Crossing borders and mixing. Languages die like rivers. Words wrapped round your tongue today And broken to shape of thought Between your teeth and lips speaking Now and today Shall be faded hieroglyphics Ten thousand years from now. Sing--and singing--remember Your song dies and changes And is not here to-morrow Any more than the wind Blowing ten thousand years ago.
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Languages
Osiris is not a viable option, The rays of him are toxic, One must err on the side of caution, One mustn't take in the toxins. Not with a serpents gaze of night , I am the gleam in their very eyes, The twilight of people's lives, The shine dwindling with time. Street lights conjoin with the void,   As loss and gain meet with choice, The old teach young about voice, Lack thereof and unspoken poise. Lines have gathered across the head, Along with emotions, swirling regrets, Primal fear creeps up ones neck, The remainder of memories to forget. I haven't slept for I have wept I Am No King I haven't sang for I have pain I Am No King I haven't laughed for I am ****** Keep On Looking I haven't smiled for I am vile You Won't Find Me For she dwells within me A potion within a vial Searching for answers, Answers that have long since forgotten the questions, As words have forgotten poems, Poems that have forgotten books, Books that have forgotten shelves, And you, who has forgotten me, Although you live here, my Isis. You do not have the mind, To know that I dream of you, With me, as one in the same, Glimmers of hope which make way, For back breaking pain, and disdain As you say, my name, I sob, I pray, You encounter the soul provider, Whom you alone, deserve. Deciphering the hieroglyphics, The depth of my chambers, Such an undertaking, Is only for those not wary, Of rude awakenings and laws, Forsaking the freedom of my bonds, Which hold my place, along the gate, Which controls my fate. Bonds of loathing and taunting Specters of faceless smiles Messages of nameless moans Titles and spiteful rivals, Bring cries of despair and tears, Which shatter the floor beneath, Uncovering layers of disgust, Skin deep, is the source of vanity. Vanity meaning fleeting importance, For it, death, life, joy, fear, hope, And melancholy; know nothing, As they are simply the effects, But not the causes of the ruckus, The frozen coating of ocean surface, Ignorant to the swelling below, Waiting for a chance to bring Diablo. I Am No King You Won't Find Me Strip Me Of My Crown And Bury Me My Queen
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Oct 30, 2013
Oct 30, 2013 at 11:10 AM UTC
Isis
Osiris is not a viable option, The rays of him are toxic, One must err on the side of caution, One mustn't take in the toxins. Not with a serpents gaze of night , I am the gleam in their very eyes, The twilight of people's lives, The shine dwindling with time. Street lights conjoin with the void,   As loss and gain meet with choice, The old teach young about voice, Lack thereof and unspoken poise. Lines have gathered across the head, Along with emotions, swirling regrets, Primal fear creeps up ones neck, The remainder of memories to forget. I haven't slept for I have wept I Am No King I haven't sang for I have pain I Am No King I haven't laughed for I am ****** Keep On Looking I haven't smiled for I am vile You Won't Find Me For she dwells within me A potion within a vial Searching for answers, Answers that have long since forgotten the questions, As words have forgotten poems, Poems that have forgotten books, Books that have forgotten shelves, And you, who has forgotten me, Although you live here, my Isis. You do not have the mind, To know that I dream of you, With me, as one in the same, Glimmers of hope which make way, For back breaking pain, and disdain As you say, my name, I sob, I pray, You encounter the soul provider, Whom you alone, deserve. Deciphering the hieroglyphics, The depth of my chambers, Such an undertaking, Is only for those not wary, Of rude awakenings and laws, Forsaking the freedom of my bonds, Which hold my place, along the gate, Which controls my fate. Bonds of loathing and taunting Specters of faceless smiles Messages of nameless moans Titles and spiteful rivals, Bring cries of despair and tears, Which shatter the floor beneath, Uncovering layers of disgust, Skin deep, is the source of vanity. Vanity meaning fleeting importance, For it, death, life, joy, fear, hope, And melancholy; know nothing, As they are simply the effects, But not the causes of the ruckus, The frozen coating of ocean surface, Ignorant to the swelling below, Waiting for a chance to bring Diablo. I Am No King You Won't Find Me Strip Me Of My Crown And Bury Me My Queen
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94
Words of the forgotten voice. The soft spoken voice that can no longer be heard by the ears of her beloved. Her once loud spoken voice turned into nothing but a whisper of a faded memory. The muffle tears of this forgotten girl plays a gentle soothing lullaby in Death's ears. As he attentively listens to her angelic cries, she begins her ****** story. Story of pain, heartache, and suffering is slowly etched across her thinning body. Her hieroglyphics only visible to the cold longing eyes of Death. She waits for his daunting kiss to penetrate her broken vessel and reach her impure soul. "Please." The last word her meek voice will ever say. My voice. My thoughts. Belong to Death.
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Mar 22, 2013
Mar 22, 2013 at 2:20 PM UTC
Written Not Spoken, 143234
the soul of a writer can be found in words s cr ib b led on crumplednapkins -- like horcruxes-- when sleep feels like a far off dream (when people watch you, wondering if you are strung out on coke while you scratch words on these thin sheets of paper in restrauntsbarscoffeshops half mad eyes glassy) in discernible handwriting comparable to some primitive hieroglyphics-- a language of voices in your head and dreams too vivid they can be found on the backs of hands and journals and popcornbags when nightlights are too dim in the early hours of insomnia and moonlight is obscured by curtains in drinks like london fogs and ***** chais and black coffee and black tea in packs of empty American Spirits and half-full (empty) gas tanks and piles of books that will never be read that will be re-read and quoted and tweed scarves and empty journals and chipped nail polish in dead pens and phones in unanswered texts, emails, messages and unrequited love their souls can be found in the stained bottoms of coffecups and sticky shot glasses and wine glasses (some still half full of cheap redwhitezinfadel because rent is hard to pay when no one wants to read words scribbled on the back of a napkin
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Jan 29, 2013
Jan 29, 2013 at 10:03 PM UTC
napkins
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
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Feb 23, 2017
Feb 23, 2017 at 9:37 PM UTC
Lindísima
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
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3
a falling boy's measured out footprint, slipping in vain search for a breadcrumb of solace lost is spring, and green, and bird nesting, lost is his mother's smile, he breathes in deeply a memory of trees, an afternoon sun emptied of fertility: a high wood on its last, teetering legs urban air is everywhere and wishes to be free, but we are all carbon emissions, separate living-dying pieces polluted hieroglyphics with nothing to convey, fragments of a prayer with nothing left to say
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Aug 2, 2021
Aug 2, 2021 at 2:16 PM UTC
We Are Carbon Emissions
You get real tired of that boy that takes and takes and takes. I am so ******* tired of drinking and calling and wishing it was more than it actually is. You move out of your home town to forget them and you paint the walls the color of their eyes anyway. Sometimes my head feels like it is carving hieroglyphics into my skull because I can't seem to read myself any better than anyone else can. There is nothing like throwing up in the shower because you couldn't wash off the feeling of their fingertips almost three whole years later. But the boys that take and take and take will keep you up at night and never ask why your walls are blue or why you cry in the shower and why you scream your favorite songs alone. He won't ask until alcohol fills his blood just like the first and last time he kissed you.
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Sep 1, 2015
Sep 1, 2015 at 11:34 PM UTC
Alcohol in my Hometown
You came like wildfire Indistinguishably incendiary Struck my butane skin With phosphorus fingertips Clouded myopic eyes Saw the ashes to ashes Flushed lackluster lips Whispered dust to dust What you left me with: A collection of burnt bridges A drawer of regrets A heart of hieroglyphics
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Mar 25, 2013
Mar 25, 2013 at 10:15 PM UTC
Incendiary
On hieroglyphics and holograms, Ancient runes in endless sands, We're journeying in a timeless span, Travellers in a great Southern land, A distance past, times long gone, Through the future we'll wander on, To the world there is a helping hand, We all come from migrants in our land, A multicultural heritage, that's grand, As Mum used to say, "Are you Irish or mad?" A river of time floating by, We're journeying in an endless sky, Travellers in a timeless span, Soon, hieroglyphics and holograms.
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Apr 22, 2016
Apr 22, 2016 at 8:39 PM UTC
HIEROGLYPHICS AND HOLOGRAMS
I want to tell this to you now. But I could never find the words to tell you. I wrote hieroglyphics across your eyelids, stapled memos to your chest, and flew banners in the scenery while you dreamt. Translations of these words alone will not be sufficient enough to tell you what I want to share. I... Miss you. I miss you like a front tooth on picture day.
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Jul 22, 2014
Jul 22, 2014 at 7:59 PM UTC
Longing