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"hens" poems
Weave through the roots Mangroves alike. A foxtail, catch it quickly. The birds sing for you help. Grapes fall from their vineyard. You have run too far. Don't give up. A cacophony ensues. The nesting hens are disturbed. The fox is gone and along with his prize.
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May 4, 2015
May 4, 2015 at 8:52 PM UTC
The fox
with an Apple Macintosh you can't run Radio Shack programs in its disc drive. nor can a Commodore 64 drive read a file you have created on an IBM Personal Computer. both Kaypro and Osborne computers use the CP/M operating system but can't read each other's handwriting for they format (write on) discs in different ways. the Tandy 2000 runs MS-DOS but can't use most programs produced for the IBM Personal Computer unless certain bits and bytes are altered but the wind still blows over Savannah and in the Spring the turkey buzzard struts and flounces before his hens.
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9.8k
16-bit Intel 8088 chip
Roselva says the only thing that doesn't change   is train tracks. She's sure of it. The train changes, or the weeds that grow up spidery   by the side, but not the tracks. I've watched one for three years, she says, and it doesn't curve, doesn't break, doesn't grow. Peter isn't sure. He saw an abandoned track near Sabinas, Mexico, and says a track without a train   is a changed track. The metal wasn't shiny anymore.   The wood was split and some of the ties were gone. Every Tuesday on Morales Street butchers crack the necks of a hundred hens.   The widow in the tilted house spices her soup with cinnamon. Ask her what doesn't change. Stars explode. The rose curls up as if there is fire in the petals.   The cat who knew me is buried under the bush. The train whistle still wails its ancient sound   but when it goes away, shrinking back from the walls of the brain, it takes something different with it every time.
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Mar 14, 2014
Mar 14, 2014 at 12:39 AM UTC
Trying to Name What Doesn't Change (by Naomi Shihab Nye)
How can my eyes hunger for tormentors bodies where in my soul can I find desires for sadists Eves threw on fitted coats of Marquis de Sade borrowed his manuals and added even more pages pierced the heart of a Dove defending his nest with lethal pins And in joyous indignities with devilment aplomp they reclined and crackled in wanton doltishness He thinks of and desires us and wants to make amor with us How can a heart marinated in love truely sincere a soul ready to die rather than any harm to Eves Be mother or sister or perchance even a stranger alas in utter ********** and grotesque situation dire Come undone with healthy pristine heart ripped to pieces hung drawn and quartered and sliced in tiny morsels Like fish baits for mice and minnows or hens clucking All at the hands of Sirens who worshipped in Satan's cravens How can a soul with only the spark of Salvation aglow where it once housed his heart and enduring humanity With brimful joy and devotions in fitting measures true as all Eves where to him nowt but sisters and earth angels Now his burning blood runs cold like rivelets in the Arctic their words ring hollow and smiles shows rapiers of snakes Nothing stirs desires for all Eves now seem and look like wicked corpses Delilahs' wrecking vengeance on Samsons in wickedness supreme [email protected] rights reserved
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Aug 23, 2018
Aug 23, 2018 at 4:31 AM UTC
I Don't See You That Way Anymore.......
Did I notice little birds early in the morning, Flying and hopping, chirping and tweeting.. Different families of birds chirping.. Brown, yellow chested, black with long tail and orange beak, house sparrow too, Hens and cock's crow too... All are busy talking Do they ever listen too?? ** As a child I remember, ** I Came back from school and twittered about my day, Each evening my family sat around each other, And all had to speak at once, None of us there were listeners.. So what one could hear was lots of twitterati.. My mom just said hmm and hmm.. Never really heard my endless stories.. My brother was gem... He always heard.. Don't know how much.. Though Each sentence of mine ended on .. Is it not bro?... And yes said he always..! From those carefree twittering to this day, Life has moved so much.. ** Life always moves, one always grow, From constant chatter to a deep silence. And so ** I wonder do birds ever become silent.. From Cuckoo to Wisdomed Owl From experienced Eagle to the chirping house sparrow.. Do they too grow silent when old?? The early morning chirping, Is it from young birds?? Are the old one just saying hmmm Are they listening ? Or are they talking? Ever wondered what happens in birds world?? ** Though nothing much changed now in my house.. ** We still speak at the same time We hardly have ear for other's stories.. But now we don't speak our heart out.. We are not those chirping type anymore, We speak about our performance, We speak about our achievement We speak about the praises we receive.. We give our Wisdom, We give our advice.. ** But we hardly speak about ourselves.. ** Sometimes, I still long to be that child again.. Twittering my tongue constantly.. Till my mother yells "Shhh! keep quiet" And my brother says.. I am listening.. you say..!!! ** Alas, life moves on, life always make one grow.. ** Sparkle in Wisdom
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Jul 30, 2018
Jul 30, 2018 at 2:15 PM UTC
Chirping
Did I notice little birds early in the morning, Flying and hopping, chirping and tweeting.. Different families of birds chirping.. Brown, yellow chested, black with long tail and orange beak, house sparrow too, Hens and cock's crow too... All are busy talking Do they ever listen too?? ** As a child I remember, ** I Came back from school and twittered about my day, Each evening my family sat around each other, And all had to speak at once, None of us there were listeners.. So what one could hear was lots of twitterati.. My mom just said hmm and hmm.. Never really heard my endless stories.. My brother was gem... He always heard.. Don't know how much.. Though Each sentence of mine ended on .. Is it not bro?... And yes said he always..! From those carefree twittering to this day, Life has moved so much.. ** Life always moves, one always grow, From constant chatter to a deep silence. And so ** I wonder do birds ever become silent.. From Cuckoo to Wisdomed Owl From experienced Eagle to the chirping house sparrow.. Do they too grow silent when old?? The early morning chirping, Is it from young birds?? Are the old one just saying hmmm Are they listening ? Or are they talking? Ever wondered what happens in birds world?? ** Though nothing much changed now in my house.. ** We still speak at the same time We hardly have ear for other's stories.. But now we don't speak our heart out.. We are not those chirping type anymore, We speak about our performance, We speak about our achievement We speak about the praises we receive.. We give our Wisdom, We give our advice.. ** But we hardly speak about ourselves.. ** Sometimes, I still long to be that child again.. Twittering my tongue constantly.. Till my mother yells "Shhh! keep quiet" And my brother says.. I am listening.. you say..!!! ** Alas, life moves on, life always make one grow.. ** Sparkle in Wisdom
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63
Anne crutched her way over the grass from the nursing home to the white seats on the lawn and sat down in one of the chairs and threw her crutches to the ground beside her I sat in a chair next to her she had on a blue skirt and white blouse her one leg stuck out from the end of her skirt the other kids played on the swings and slide or walked around avoiding being near Anne I wonder if the nuns have periods? She said suddenly I don't know I said might explain their crabbiness some days she said I nodded my head unsure of the topic periods of what? I asked she looked at me sternly for a moment you don't know? I shook my head gazing at her it's ************ in real terms she said none the wiser I looked at her hair dark and almost shiny where she’d brushed it so much do you know that? no not heard of it I said she sighed and looked at me deeply do your parents tell you nothing? not about ************ anyway I said my old man told me about the Plague of London in 1665 and rats and stuff **** the Plague of 1665 she said this is real stuff it may come handy one day to know I doubted it but said nothing I looked back at the nursing home for rescue do you know anything about the female cycle? She said my friend's sister's cycle didn't have a cross bar I said remembering Jim's sister and the bicycle I sometimes rode no no Kid not that kind of cycle her body cycle I noticed as she moved on the chair her leg stump became visible   when a female gets to a certain age her body gets prepared to put an egg in a place in her body ready to be fertilized ok? I saw the stump clearly it looked like the end of a plump elbow Kid do you hear what I am saying? Yes I said good now if the egg doesn't get fertilized by a certain time her body gets rid of it in a cycle and she bleeds the whole package out right? It didn’t sound too good but I nodded what kind of egg? I asked what do you mean what kind of egg? A ****** human egg what do you think a ****** hens' egg? She sighed deeply and I wondered where she bought her one shoe how old are you Kid? 10 nearly 11 years old I replied studying her black shoe   and wondering what she did with the other shoe what's fertilization? I asked looking up at her sitting in the chair her eyes focused on me go ask the nuns they'll know she said snappily ok I said I will she reached for her crutches   and said right Kid let's go to the beach out of the eyes of the ******* and their reach and so I walked beside her out the back gate and onto the path that led to the sand and sea blue skies white clouds seagulls and Anne and me.
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Jul 4, 2014
Jul 4, 2014 at 2:11 AM UTC
ANNE'S BODY TALK.
Anne crutched her way over the grass from the nursing home to the white seats on the lawn and sat down in one of the chairs and threw her crutches to the ground beside her I sat in a chair next to her she had on a blue skirt and white blouse her one leg stuck out from the end of her skirt the other kids played on the swings and slide or walked around avoiding being near Anne I wonder if the nuns have periods? She said suddenly I don't know I said might explain their crabbiness some days she said I nodded my head unsure of the topic periods of what? I asked she looked at me sternly for a moment you don't know? I shook my head gazing at her it's ************ in real terms she said none the wiser I looked at her hair dark and almost shiny where she’d brushed it so much do you know that? no not heard of it I said she sighed and looked at me deeply do your parents tell you nothing? not about ************ anyway I said my old man told me about the Plague of London in 1665 and rats and stuff **** the Plague of 1665 she said this is real stuff it may come handy one day to know I doubted it but said nothing I looked back at the nursing home for rescue do you know anything about the female cycle? She said my friend's sister's cycle didn't have a cross bar I said remembering Jim's sister and the bicycle I sometimes rode no no Kid not that kind of cycle her body cycle I noticed as she moved on the chair her leg stump became visible   when a female gets to a certain age her body gets prepared to put an egg in a place in her body ready to be fertilized ok? I saw the stump clearly it looked like the end of a plump elbow Kid do you hear what I am saying? Yes I said good now if the egg doesn't get fertilized by a certain time her body gets rid of it in a cycle and she bleeds the whole package out right? It didn’t sound too good but I nodded what kind of egg? I asked what do you mean what kind of egg? A ****** human egg what do you think a ****** hens' egg? She sighed deeply and I wondered where she bought her one shoe how old are you Kid? 10 nearly 11 years old I replied studying her black shoe   and wondering what she did with the other shoe what's fertilization? I asked looking up at her sitting in the chair her eyes focused on me go ask the nuns they'll know she said snappily ok I said I will she reached for her crutches   and said right Kid let's go to the beach out of the eyes of the ******* and their reach and so I walked beside her out the back gate and onto the path that led to the sand and sea blue skies white clouds seagulls and Anne and me.
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156
amidst Jeffersonian opulence the Prez broke bread with his GOP poker face friends to solve government gridlock and sequester predicament trends citizens of the republic hopeful for nonsense to cease sat at the table asking “would you pass the biscuits please?” Obama perused the wine list boldly choosing a luscious Merlot senators ordered the finest hors d'oeuvres the guests were all aglow numerous delectable dishes were liberally splayed on the table revelers sipped flowing vintages wine a surefire icebreaker sparkling crystal Lennox flutes tinkled with convivial release while America’s disenfranchised voices ask “would you pass the biscuits please?” chutney meat, curried hens and sweet walnut rainbow trout the table a horn a plenty the guests gorged on fine cuisine a blessed nations bounty the feast consumed the Senators sated said it was some of the finest ever served but the taxpayers only got a peak of the banquet a whiff of senators nerve and asked “would you pass the biscuits please?” the dessert cart was rolled in with custards, cakes, creme brulee cordials, cognac and VSOP tastes rounded out the wholesome feast when the check was presented for payment all guests headed for the door with haste they told the waiter the bill of fare was covered by the guy asking... “would you pass the biscuits please?” Music Selection: Andre Williams: Pass The Biscuits Please jbm Oakland 3/7/13
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Mar 9, 2013
Mar 9, 2013 at 6:14 PM UTC
Pass the Biscuits Please
Mud is good, Its dead good mud, It's in me blood, But where not understood, Us people of mud, In the shadow of a gas tank and born on a Mersey bank, I lived on cobbled streets dark and dank, I played on a ship that sank, and for anything else I wouldn’t thank....... you On king street docks, girls in cheap frocks, curly locks, time tocks, the boat rocks, The tanyard smell made life hell for all that dwell, under the bridge, In Garston L19, it’s the scene, its clean, it’s where I’ve been, it’s not obscene or green, if you know what I mean. Its community security sincerity and every other word that ends with erity, But it’s fallen apart, Don’t lose heart. I go into town when I’m down, it clears me frown, I don’t go in me jarmies or me dressin gown, There’s men with round bellies, toddlers in wellies, Posh ladies gather in their marks and spencer swagger, There’s scouse brow teens, sunbed queens, Hunks and punks, lonely drunks, Suits in boots forgetting their roots and hens in ***** Big issue sellers, statue fellas holding golf umbrellas, Coz of all the rain, But it’s all good, coz we come from mud, Let’s cheer, why? Coz I’m here, I’m me, me names T, and me hubbys P me best friends she..... lagh, I like coffee and toffee and Roger Mcgoughy, I like statistics logistics eye shadow and lipsticks, I like bags and wags and cigarette **** but not beer, I’m fine on wine if I take me time, I don’t do a line, unless I’m hanging me washing on it, I work in a bar, not far, I don’t drive a car, and I don’t say Lar or kid or lad or lid or mar, I’m proud and loud, don’t live on a cloud, and I don’t follow the crowd, I’m a mum to some, I’ve got a big round *** but I’m me you see, I’m not square, I dye me hair, I swear but you can take me anywhere, Coz I care, I’m good, I’m mud; it’s in me blood, Understood By Christina Ford
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Feb 3, 2014
Feb 3, 2014 at 7:23 PM UTC
Mud
Mud is good, Its dead good mud, It's in me blood, But where not understood, Us people of mud, In the shadow of a gas tank and born on a Mersey bank, I lived on cobbled streets dark and dank, I played on a ship that sank, and for anything else I wouldn’t thank....... you On king street docks, girls in cheap frocks, curly locks, time tocks, the boat rocks, The tanyard smell made life hell for all that dwell, under the bridge, In Garston L19, it’s the scene, its clean, it’s where I’ve been, it’s not obscene or green, if you know what I mean. Its community security sincerity and every other word that ends with erity, But it’s fallen apart, Don’t lose heart. I go into town when I’m down, it clears me frown, I don’t go in me jarmies or me dressin gown, There’s men with round bellies, toddlers in wellies, Posh ladies gather in their marks and spencer swagger, There’s scouse brow teens, sunbed queens, Hunks and punks, lonely drunks, Suits in boots forgetting their roots and hens in ***** Big issue sellers, statue fellas holding golf umbrellas, Coz of all the rain, But it’s all good, coz we come from mud, Let’s cheer, why? Coz I’m here, I’m me, me names T, and me hubbys P me best friends she..... lagh, I like coffee and toffee and Roger Mcgoughy, I like statistics logistics eye shadow and lipsticks, I like bags and wags and cigarette **** but not beer, I’m fine on wine if I take me time, I don’t do a line, unless I’m hanging me washing on it, I work in a bar, not far, I don’t drive a car, and I don’t say Lar or kid or lad or lid or mar, I’m proud and loud, don’t live on a cloud, and I don’t follow the crowd, I’m a mum to some, I’ve got a big round *** but I’m me you see, I’m not square, I dye me hair, I swear but you can take me anywhere, Coz I care, I’m good, I’m mud; it’s in me blood, Understood By Christina Ford
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40
The morning finds the young lasses milking And the young lads in the fields cutting Rams, ewes, and lambs eat and grow fat. The hens lay eggs while the roosters are strutting. The sun rises up for his daily walk, Drawing the day across the sky. He takes his daylight with him to another place Because the moon's time is nigh. Evening falls across the heather And the stars come out to dance. The faerie folk come to life And fill the night with their lyrical chants. The mists on the moors swirl and caper about, Taking rock and tree to embrace. The faerie folk make merry and dance about 'Neath the silver of the moon's face. They dance to music as old as time, Melodies and rhythms from long ago. Verses sung in ages long past, Songs only faerie folk know. They sing and dance under the moon and stars, As long as the night covers them about. But the moon and the faerie folk must go their ways For 'tis time for the sun to come out.
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Jul 17, 2011
Jul 17, 2011 at 3:48 PM UTC
Night of Faeries
You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; ***** and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
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4.4k
Letter
You can see it already: chalks and ochers; Country crossed with a thousand furrow-lines; Ground-level rooftops hidden by the shrubbery; Sporadic haystacks standing on the grass; Smoky old rooftops tarnishing the landscape; A river (not Cayster or Ganges, though: A feeble Norman salt-infested watercourse); On the right, to the north, bizarre terrain All angular--you'd think a shovel did it. So that's the foreground. An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up. At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; ***** and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect. In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff. I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off. The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud. The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds. Lately it slept in port beside the quay. Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
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44
I On the Coast of Coromandel Where the early pumpkins blow, In the middle of the woods Lived the Yonghy-Bonghy-Bo. Two old chairs, and half a candle,-- One old jug without a handle,-- These were all his worldly goods: In the middle of the woods, These were all the worldly goods, Of the Yonghy-Bonghy-Bo, Of the Yonghy-Bonghy-Bo. II Once, among the Bong-trees walking Where the early pumpkins blow, To a little heap of stones Came the Yonghy-Bonghy-Bo. There he heard a Lady talking, To some milk-white Hens of Dorking,-- ''Tis the lady Jingly Jones! 'On that little heap of stones 'Sits the Lady Jingly Jones!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. III 'Lady Jingly! Lady Jingly! 'Sitting where the pumpkins blow, 'Will you come and be my wife?' Said the Yonghy-Bonghy-Bo. 'I am tired of living singly,-- 'On this coast so wild and shingly,-- 'I'm a-weary of my life: 'If you'll come and be my wife, 'Quite serene would be my life!'-- Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. IV 'On this Coast of Coromandel, 'Shrimps and watercresses grow, 'Prawns are plentiful and cheap,' Said the Yonghy-Bonghy-Bo. 'You shall have my chairs and candle, 'And my jug without a handle!-- 'Gaze upon the rolling deep ('Fish is plentiful and cheap) 'As the sea, my love is deep!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. V Lady Jingly answered sadly, And her tears began to flow,-- 'Your proposal comes too late, 'Mr. Yonghy-Bonghy-Bo! 'I would be your wife most gladly!' (Here she twirled her fingers madly,) 'But in England I've a mate! 'Yes! you've asked me far too late, 'For in England I've a mate, 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!' VI 'Mr. Jones--(his name is Handel,-- 'Handel Jones, Esquire, & Co.) 'Dorking fowls delights to send, 'Mr. Yonghy-Bonghy-Bo! 'Keep, oh! keep your chairs and candle, 'And your jug without a handle,-- 'I can merely be your friend! '--Should my Jones more Dorkings send, 'I will give you three, my friend! 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!' VII 'Though you've such a tiny body, 'And your head so large doth grow,-- 'Though your hat may blow away, 'Mr. Yonghy-Bonghy-Bo! 'Though you're such a Hoddy Doddy-- 'Yet a wish that I could modi- 'fy the words I needs must say! 'Will you please to go away? 'That is all I have to say-- 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!'. VIII Down the slippery slopes of Myrtle, Where the early pumpkins blow, To the calm and silent sea Fled the Yonghy-Bonghy-Bo. There, beyond the Bay of Gurtle, Lay a large and lively Turtle,-- 'You're the Cove,' he said, 'for me 'On your back beyond the sea, 'Turtle, you shall carry me!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. IX Through the silent-roaring ocean Did the Turtle swiftly go; Holding fast upon his shell Rode the Yonghy-Bonghy-Bo. With a sad primaeval motion Towards the sunset isles of Boshen Still the Turtle bore him well. Holding fast upon his shell, 'Lady Jingly Jones, farewell!' Sang the Yonghy-Bonghy-Bo, Sang the Yonghy-Bonghy-Bo. X From the Coast of Coromandel, Did that Lady never go; On that heap of stones she mourns For the Yonghy-Bonghy-Bo. On that Coast of Coromandel, In his jug without a handle Still she weeps, and daily moans; On that little hep of stones To her Dorking Hens she moans, For the Yonghy-Bonghy-Bo, For the Yonghy-Bonghy-Bo.
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4.2k
The Courtship Of The Yonghy-Bonghy-Bo
I On the Coast of Coromandel Where the early pumpkins blow, In the middle of the woods Lived the Yonghy-Bonghy-Bo. Two old chairs, and half a candle,-- One old jug without a handle,-- These were all his worldly goods: In the middle of the woods, These were all the worldly goods, Of the Yonghy-Bonghy-Bo, Of the Yonghy-Bonghy-Bo. II Once, among the Bong-trees walking Where the early pumpkins blow, To a little heap of stones Came the Yonghy-Bonghy-Bo. There he heard a Lady talking, To some milk-white Hens of Dorking,-- ''Tis the lady Jingly Jones! 'On that little heap of stones 'Sits the Lady Jingly Jones!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. III 'Lady Jingly! Lady Jingly! 'Sitting where the pumpkins blow, 'Will you come and be my wife?' Said the Yonghy-Bonghy-Bo. 'I am tired of living singly,-- 'On this coast so wild and shingly,-- 'I'm a-weary of my life: 'If you'll come and be my wife, 'Quite serene would be my life!'-- Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. IV 'On this Coast of Coromandel, 'Shrimps and watercresses grow, 'Prawns are plentiful and cheap,' Said the Yonghy-Bonghy-Bo. 'You shall have my chairs and candle, 'And my jug without a handle!-- 'Gaze upon the rolling deep ('Fish is plentiful and cheap) 'As the sea, my love is deep!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. V Lady Jingly answered sadly, And her tears began to flow,-- 'Your proposal comes too late, 'Mr. Yonghy-Bonghy-Bo! 'I would be your wife most gladly!' (Here she twirled her fingers madly,) 'But in England I've a mate! 'Yes! you've asked me far too late, 'For in England I've a mate, 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!' VI 'Mr. Jones--(his name is Handel,-- 'Handel Jones, Esquire, & Co.) 'Dorking fowls delights to send, 'Mr. Yonghy-Bonghy-Bo! 'Keep, oh! keep your chairs and candle, 'And your jug without a handle,-- 'I can merely be your friend! '--Should my Jones more Dorkings send, 'I will give you three, my friend! 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!' VII 'Though you've such a tiny body, 'And your head so large doth grow,-- 'Though your hat may blow away, 'Mr. Yonghy-Bonghy-Bo! 'Though you're such a Hoddy Doddy-- 'Yet a wish that I could modi- 'fy the words I needs must say! 'Will you please to go away? 'That is all I have to say-- 'Mr. Yonghy-Bonghy-Bo! 'Mr. Yonghy-Bonghy-Bo!'. VIII Down the slippery slopes of Myrtle, Where the early pumpkins blow, To the calm and silent sea Fled the Yonghy-Bonghy-Bo. There, beyond the Bay of Gurtle, Lay a large and lively Turtle,-- 'You're the Cove,' he said, 'for me 'On your back beyond the sea, 'Turtle, you shall carry me!' Said the Yonghy-Bonghy-Bo, Said the Yonghy-Bonghy-Bo. IX Through the silent-roaring ocean Did the Turtle swiftly go; Holding fast upon his shell Rode the Yonghy-Bonghy-Bo. With a sad primaeval motion Towards the sunset isles of Boshen Still the Turtle bore him well. Holding fast upon his shell, 'Lady Jingly Jones, farewell!' Sang the Yonghy-Bonghy-Bo, Sang the Yonghy-Bonghy-Bo. X From the Coast of Coromandel, Did that Lady never go; On that heap of stones she mourns For the Yonghy-Bonghy-Bo. On that Coast of Coromandel, In his jug without a handle Still she weeps, and daily moans; On that little hep of stones To her Dorking Hens she moans, For the Yonghy-Bonghy-Bo, For the Yonghy-Bonghy-Bo.
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120
the hens have raised their fowl fists, protested the pecking order, debated the Cuckoo Clucks Clan, and started a coup in the coop. they have a bird's eye view from their fort, truly an eggcelent perch to reside in while they gather resources and duck when enemies fire. joining is a nestcessary evil to end the corruption. so, my dear, please don't chicken out.
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Oct 19, 2018
Oct 19, 2018 at 1:29 AM UTC
light as a feather
I was six when I first saw kittens drown. Dan Taggart pitched them, 'the scraggy wee shits', Into a bucket; a frail metal sound, Soft paws scraping like mad. But their tiny din Was soon ****** They were slung on the snout Of the pump and the water pumped in. 'Sure, isn't it better for them now?' Dan said. Like wet gloves they bobbed and shone till he sluiced Them out on the dunghill, glossy and dead. Suddenly frightened, for days I sadly hung Round the yard, watching the three sogged remains Turn mealy and crisp as old summer dung Until I forgot them. But the fear came back When Dan trapped big rats, snared rabbits, shot crows Or, with a sickening tug, pulled old hens' necks. Still, living displaces false sentiments And now, when shrill pups are prodded to drown I just shrug, 'Bloody pups'. It makes sense: 'Prevention of cruelty' talk cuts ice in town Where they consider death unnatural But on well-run farms pests have to be kept down.
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3.6k
The Early Purges
There is incessant noise in the city—as if the blinding light blocking out the sky was not enough. They never spread their wings, but oh, do they spread far and wide; but their songs are nothing to shake a tail-feather at. The squabbling and screeching of fighting roosters, the mimicry of baby cockatiels finding their voices, the chattering of gossiping hens, hawks that stalk the night only to swoop in screaming at the first sparrow to cross their paths, the mourning doves who wake alone to cry and moan their songs of melancholy. They remain awake and call out into the night longer than the old owl in the park. The ****** of crows bear witness to the clamor on this night; looking on— as the Eyes of God— in disgust and judgment. These tall, fleshy creatures see fit to complain of the calls of pigeons and gulls when their noise is the farthest-reaching plague that keep all awake at night.
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Mar 23, 2015
Mar 23, 2015 at 11:05 PM UTC
City Birds
Rita was a battery hen And every day was bleak; For her, life's stage was just a cage, And meagre corn her only wage, But things all changed for Rita when She learned that she could speak. She overheard the farmer say *"That cage is getting weak, That's not just dust, but flakes of rust And if the hens gave one quick ****** They'd all be free to run away And we'd be up the creek!"* She waited till the dark of night, Then pushed into the gaps; The bars were old, the bars were cold, It seemed as though the bars would hold, But Rita shoved with all her might And felt the cage collapse! She ran right out the farmyard In the moonlight, dim and pale; No more is known of where she's flown, I hope she found a lovely home, Perhaps she'll send a greeting card To tell of her next tale!
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Aug 23, 2014
Aug 23, 2014 at 5:08 AM UTC
Rita's First Adventure
A calendar knows little of a day, Of any day; its arbitrary squares Mark seasons as they amble on their way From holy Advent ‘til the harvest fairs When summer’s crops, all red and gold and blue Along with piglets, ducks, some well-fed hens Are carted squeaking, squealing, creaking to Saint Michael’s fields in the Anglian fens Old Father William lifts a pint (no less!) With farmers selling cows and chicks and corn For he is merry too, and quick to bless The laboring marsh-folk on this autumn morn Earth, sky, and air mark seasons as they fall, And soon comes Martinmas, joyfully, for all
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Sep 22, 2018
Sep 22, 2018 at 2:20 PM UTC
Harvest Time in the Fens: St. Michael's Church, Chesterton
I. something within me, maybe its my amigdala, misses the oven-turned-gentrified clot, that great collection of want, of transient soles-souls. I miss how we’re piled three stories high, so close to each others’ mouths that we must burrow in criss crossed, colliding tunnels to our point b’s, our job sites, our lovers’ houses. maybe it is indeed part of our un-nature to do this, to cling to one another even as our unforgiving sungod bakes us whole, cornish game hens on the el train, hurdling 40 mph, to and from our personal hovels, heavens and bedsheets, tethered to this place, possibly indentured, definitely flawed, where we revel under roofs to prove incredibleness an virility. II. our eyes are not closed today. they may not blink in unison as mannequin lids do, so effortlessly, plastic and mechanical, but those, we are thankfully not. for we are flesh, and air, and miles of gastrointestinal turnpike, if unpinned, would stretch from here to panama. we are each of us a viscous mound called Sally, Bertram and Queen Mary. We are the collision of milk flowing, divine, a whirling dervish in scalding darjeeling. we are air, gliding over enamel into the collective breath to be devoured so sweetly by others, as saintly man-scripted gelato, dribbling down our chins in piazzas. la dolce ************* vita. III. that’s the funny thing about living in this size 2 world, the ability to appear anywhere upon its face at a moment’s notice, to be in front of any face when desired, to live sans toll booth or customs desk, to simply dust off our ability to fly and tumble icarus-adolescent into the collision between the two blue planes called sea and sky
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Jun 7, 2011
Jun 7, 2011 at 9:58 AM UTC
La Marzocco Lionhead
I. something within me, maybe its my amigdala, misses the oven-turned-gentrified clot, that great collection of want, of transient soles-souls. I miss how we’re piled three stories high, so close to each others’ mouths that we must burrow in criss crossed, colliding tunnels to our point b’s, our job sites, our lovers’ houses. maybe it is indeed part of our un-nature to do this, to cling to one another even as our unforgiving sungod bakes us whole, cornish game hens on the el train, hurdling 40 mph, to and from our personal hovels, heavens and bedsheets, tethered to this place, possibly indentured, definitely flawed, where we revel under roofs to prove incredibleness an virility. II. our eyes are not closed today. they may not blink in unison as mannequin lids do, so effortlessly, plastic and mechanical, but those, we are thankfully not. for we are flesh, and air, and miles of gastrointestinal turnpike, if unpinned, would stretch from here to panama. we are each of us a viscous mound called Sally, Bertram and Queen Mary. We are the collision of milk flowing, divine, a whirling dervish in scalding darjeeling. we are air, gliding over enamel into the collective breath to be devoured so sweetly by others, as saintly man-scripted gelato, dribbling down our chins in piazzas. la dolce ************* vita. III. that’s the funny thing about living in this size 2 world, the ability to appear anywhere upon its face at a moment’s notice, to be in front of any face when desired, to live sans toll booth or customs desk, to simply dust off our ability to fly and tumble icarus-adolescent into the collision between the two blue planes called sea and sky
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52
Good morning rooster How do you do? It’s the crack of dawn You cock-a-doodle-do You sit on your perch pride fully and woo Standing mighty and bold you call your brood for food Sleek and graceful you do the cockerel waltz Strutting vaudeville statuesque Crowing to proclaim your territory You stand protecting your roost ***** and brave Watching for predators coming your way The alpha male Your earlobes and crown are blood red like a bird of paradise Your steel beak as strong as a saw Your feather mane chestnut drapes over your back Your breast fuchsia and emerald quill Your silken tail an extended fan You run free reign on my ranch A thousand chickens roost in my barn You rearrange my garden while pecking for nourishment Eating up all the insects and brown recluses in my yard In dust you and your flock bathe You even watch over the hens eggs Your calls distinct and powerful When you are still and content sweet singing rings You are friendly to humans And can even be domesticated Stay here Roo We will protect you
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Oct 8, 2010
Oct 8, 2010 at 7:10 AM UTC
Cockerel Waltz
The rooster swivels on its axis returning coarse wind into the pyre of mad, mad tongues raving alongside charred ivory. Lifted by sorry hands from dying embers’ embrace and eased with foreign pity, ceremoniously, into a cardboard crate wheeled against the traffic, stumbling backwards through yellow canvases, between my family dressed in black, to dress the void (deck), mourners spitting soda into their cups, as word paddle upstream, onto a thin futon within four walls stained with unfinished ghosts. The doctor removes the white shroud like God coaxing pink light on the first day and wine oozes through elastic veins to the far corners of my skin thin ventricular walls. One crack, in the doors and in my chest, paramedics in white blur in, heel first, Pan-island couriers on reverse gear to the corner of a numbered street, where I am delivered like a gladiator thrown into the arena of nosy gazes, with the urgency of hens clucking away from premeditated slaughter: deep Christmas red on the tessellated parking lot. Clumsy thumbs dialing 599, I moan inwardly to the concentric circles of strangers retreating, erasing me from cell-phone cameras. Then like a flip animation I snap backwards, up 21 floors, pause for about an hour on the ledge before smashing backwards, back down, past kids scratching graffiti off the cement and growing cigarettes in their mouths. The rain ascends and I take wet cash from the driver while I fidget on the leather and throw up mediocre coffee into my cup. I dig into my throat and return the bread to its plastic bag and when the cab stops I fall left out onto another parking lot, moonwalk up the stairs to where I unwrite my name in the annals of failure and shove the Fs of my past back then I take the bus instead.
0
Jan 12, 2013
Jan 12, 2013 at 3:24 AM UTC
Backwards
The rooster swivels on its axis returning coarse wind into the pyre of mad, mad tongues raving alongside charred ivory. Lifted by sorry hands from dying embers’ embrace and eased with foreign pity, ceremoniously, into a cardboard crate wheeled against the traffic, stumbling backwards through yellow canvases, between my family dressed in black, to dress the void (deck), mourners spitting soda into their cups, as word paddle upstream, onto a thin futon within four walls stained with unfinished ghosts. The doctor removes the white shroud like God coaxing pink light on the first day and wine oozes through elastic veins to the far corners of my skin thin ventricular walls. One crack, in the doors and in my chest, paramedics in white blur in, heel first, Pan-island couriers on reverse gear to the corner of a numbered street, where I am delivered like a gladiator thrown into the arena of nosy gazes, with the urgency of hens clucking away from premeditated slaughter: deep Christmas red on the tessellated parking lot. Clumsy thumbs dialing 599, I moan inwardly to the concentric circles of strangers retreating, erasing me from cell-phone cameras. Then like a flip animation I snap backwards, up 21 floors, pause for about an hour on the ledge before smashing backwards, back down, past kids scratching graffiti off the cement and growing cigarettes in their mouths. The rain ascends and I take wet cash from the driver while I fidget on the leather and throw up mediocre coffee into my cup. I dig into my throat and return the bread to its plastic bag and when the cab stops I fall left out onto another parking lot, moonwalk up the stairs to where I unwrite my name in the annals of failure and shove the Fs of my past back then I take the bus instead.
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31
This is a place on the way after the distances can no longer be kept straight here in this dark corner of the barn a mound of wheels has convened along raveling courses to stop in a single moment and lie down as still as the chariots of the Pharaohs some in pairs that rolled as one over the same roads to the end and never touched each other until they arrived here some that broke by themselves and were left until they could be repaired some that went only to occasions before my time and some that have spun across other countries through uncounted summers now they go all the way back together the tall cobweb-hung models of galaxies in their rings of rust leaning against the stone hail from Rene's manure cart the year he wanted to store them here because there was nobody left who could make them like that in case he should need them and there are the carriage wheels that Merot said would be worth a lot some day and the rim of the spare from bald Bleret's green Samson that rose like Borobudur out of the high grass behind the old house by the river where he stuffed mattresses in the morning sunlight and the hens scavenged around his shoes in the days when the black top-hat sedan still towered outside Sandeau's cow barn with velvet upholstery and sconces for flowers and room for two calves instead of the back seat when their time came
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2.7k
Vehicles
This one time, my mom and I said goodbye to Juan's mom and we walked from her apartment to wait for the elevator. Mom didn't like it when I wouldn't stand still- sometimes she'd smack me upside my head just to make sure I was there (accompanied by her motherly calls of malcriado)- so I'd look in any direction for a distraction or two. Through the window a few feet from my left, I could see two older ladies in curler hairdresses bochinchando like caffeinated hens about the awfully friendly suelta living next door to gallina #1 (they hung their hand-me-down nightgowns and their husband's boxers with such professional care; if any article escaped the grasp of family clotheslines, it was roadkill forever). I turned to the right of the elevator doors, counted the tar-black patches of decade-old gum on the floor, finished the half-written sentences sprayed in ***** rainbows on the sweaty walls by the zig-zag flight of stairs. A boom and a click, and the door creaked open with the sideways grace of a crab. My toddler's impatience boiled past the brim, I exclaimed "FINALLY" and began to walk forward. Not a second later, I heard a "NO" behind me, my mother grabbing the back of my cartoon mouse t-shirt, letting out an ay cono, pendejo that echoed eight stories down, past the empty space substituting for an absent elevator shaft, soaring down that rusty freefall at ten thousand times the speed of a human boy's body. Letting out a long exhale, my mother did not allow her emotions to brim over the barrier-she recomposed herself, all the while silently chanting hymns of gratitude in dedication to fate and her reflexes. We decided to take the stairs. In my youthful oblivion, I noticed a toy store right outside the building from the corner of my eye- I plan to start begging when we're at the bottom, if we ever get there. My mother took her sweet time walking down those many steps, reveled in the scratchy bristle of the concrete against her sandals, cultivated a newfound admiration for my atonal imitation of a Washington Heights car alarm- it was a sign I was still there.
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Sep 9, 2010
Sep 9, 2010 at 12:14 PM UTC
Hearing Footsteps
This one time, my mom and I said goodbye to Juan's mom and we walked from her apartment to wait for the elevator. Mom didn't like it when I wouldn't stand still- sometimes she'd smack me upside my head just to make sure I was there (accompanied by her motherly calls of malcriado)- so I'd look in any direction for a distraction or two. Through the window a few feet from my left, I could see two older ladies in curler hairdresses bochinchando like caffeinated hens about the awfully friendly suelta living next door to gallina #1 (they hung their hand-me-down nightgowns and their husband's boxers with such professional care; if any article escaped the grasp of family clotheslines, it was roadkill forever). I turned to the right of the elevator doors, counted the tar-black patches of decade-old gum on the floor, finished the half-written sentences sprayed in ***** rainbows on the sweaty walls by the zig-zag flight of stairs. A boom and a click, and the door creaked open with the sideways grace of a crab. My toddler's impatience boiled past the brim, I exclaimed "FINALLY" and began to walk forward. Not a second later, I heard a "NO" behind me, my mother grabbing the back of my cartoon mouse t-shirt, letting out an ay cono, pendejo that echoed eight stories down, past the empty space substituting for an absent elevator shaft, soaring down that rusty freefall at ten thousand times the speed of a human boy's body. Letting out a long exhale, my mother did not allow her emotions to brim over the barrier-she recomposed herself, all the while silently chanting hymns of gratitude in dedication to fate and her reflexes. We decided to take the stairs. In my youthful oblivion, I noticed a toy store right outside the building from the corner of my eye- I plan to start begging when we're at the bottom, if we ever get there. My mother took her sweet time walking down those many steps, reveled in the scratchy bristle of the concrete against her sandals, cultivated a newfound admiration for my atonal imitation of a Washington Heights car alarm- it was a sign I was still there.
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77
Speculation proved contagious, misinterpretation crept silently on patchwork soles (odds n' sods messily stitched, tittle tattle did no favours) like a flu it spread, hushed curiosities rested outside ol' Hutch baker's door, where even a freshly oven'd batch might strain an ear or five to net nearby tongue trading, seeds straining on their brows. Even those Mother hens had a cluck or two left in them, rumours about the 'Dust mite Martyr' as she was dubbed, “Does she have no shame, sitting pretty in Matrimony's dress?” one heaving checkered breast commented titling her beak to gain a better look - At that shriveller slumped, an examiner of the cobbles with such a religious stare her lids traced stones within the darkness, a traveller - wanderer not to be trusted, especially not with bloodied lilies tangled within her gleaming mop.
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Oct 25, 2011
Oct 25, 2011 at 1:58 PM UTC
Martyr
There was a vicar from Crewe Whose congregation were few To make amends he brought in his hens And they all lined up on a pew Then he compiled an avian choir (For the singing voice of the hens was dire And the only song the cockerel knew Was cock-a-doodle-do) The church fell silent as we heard The Lord is my Shepherd from the minor bird The vicar invited us to pray And we got the Lords Prayer from the African grey There followed a rendition of psalm thirty four Performed without fault from the tenor macaw The parakeets squawked and scratched their fleas As they jumped up and down on the ***** keys The vicar was thrilled it was going so well The geese gave a honk as they pulled on the bell But then there appeared right at the back An evil sparrowhawk poised to attack Calamity reigned inside the church The African grey fell off his perch The first to escape was the tenor macaw As fast as he could through the open door The chickens shrieked and went home in a flap The minor bird had a heart attack The geese walked away back to their pen And the church fell silent once again
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Apr 19, 2014
Apr 19, 2014 at 1:28 PM UTC
The Easter service
so it begins when it begins blasé grass serrates past herds of carabao dreaming anxiously of the day's toil; the countryman stilts through mounted in gray mountain with dippers, casserole, mirrors with imprints of ******** clad women and women who are (really ******** clad) ready for bathing work, collections of red days and even tenderly the ***** sing attenuated songs of rooming-houses — the crunch of basil over the afternoon. waft of a pasture's death my eyes well up rivers and ponds of elation. dog days, feral nights limp behind rusted kennels and makeshift asylums there is nothing left of the world (this small world that only rises when bellows of festivities harangue the many streets bending in them, the curve) men moving from neck to neck of bottles — (in the north there is only four corners of bottle: gin, pristine brook; in the Visayas is the redolent Vino Kulafu of the same potency) plucked out of the vermilion and on benched careening on half-painted gates crooning Sinatra gets stabbed, bloodied on the floor, named after elegies; native chicken held upside down and beheaded as many blacker days stifled; what do you make out of this? carabaos, equines, hens line up the slaughterhouse behind the TODA; you know a fine day when it happens — breaking eggs against the lip of the kaldero. crumbled archaic sensurround, barrage of simmer round the clock cycling before the child wakes and wails to suckle our mothers, faster than repose of milbrightlions of stars falling asleep to silent radios, leaving windows open revisited by the eve of cold.
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Nov 9, 2015
Nov 9, 2015 at 10:24 PM UTC
Plaridelius
so it begins when it begins blasé grass serrates past herds of carabao dreaming anxiously of the day's toil; the countryman stilts through mounted in gray mountain with dippers, casserole, mirrors with imprints of ******** clad women and women who are (really ******** clad) ready for bathing work, collections of red days and even tenderly the ***** sing attenuated songs of rooming-houses — the crunch of basil over the afternoon. waft of a pasture's death my eyes well up rivers and ponds of elation. dog days, feral nights limp behind rusted kennels and makeshift asylums there is nothing left of the world (this small world that only rises when bellows of festivities harangue the many streets bending in them, the curve) men moving from neck to neck of bottles — (in the north there is only four corners of bottle: gin, pristine brook; in the Visayas is the redolent Vino Kulafu of the same potency) plucked out of the vermilion and on benched careening on half-painted gates crooning Sinatra gets stabbed, bloodied on the floor, named after elegies; native chicken held upside down and beheaded as many blacker days stifled; what do you make out of this? carabaos, equines, hens line up the slaughterhouse behind the TODA; you know a fine day when it happens — breaking eggs against the lip of the kaldero. crumbled archaic sensurround, barrage of simmer round the clock cycling before the child wakes and wails to suckle our mothers, faster than repose of milbrightlions of stars falling asleep to silent radios, leaving windows open revisited by the eve of cold.
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44
Take this metal car and plane And give me a camel or a horse Take these four walls I want to trade them In for a tent I will pitch it at the bottom of the Mountains On the banks of Barada That runs through Damascus Or the shores of Tigris That binds Turkey and Iraq In the suburbs of Amman Amongst the unique contrast Of old and new Or the deserts of Arabia The unknown regions of Yemen Maybe on the slopes of the pyramids In the oasis of Libya The valleys of Kashmir On the beaches of Zanzibar I'll trade in the can of pop For coconut water Or thirst quenching Organic blends of fruit juice That I will hand pick Straight from the trees Sleep to the lullaby Of rain and birds In a tree house In Kuala Lumpur Awake to the **** a doodle doo Of a rooster In Bangladesh Then go and collect The eggs from the hens I'll trade these windows For a panoramic view Technology and social networks For loyalty and love Go back to simple living Be friends with the earth
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May 5, 2014
May 5, 2014 at 9:39 AM UTC
Trade