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"heifer" poems
Brass plays a sad tune Over the motors of the pontoon. I was lost; now I'm found Rescued from The dog pound Mama! Mama! Go get a doctor! Send forty days of rain And a kettle of copper. Ride that train! Hurry uptown! That ol' blue norther's pourin' At the dog pound Well, it's hard to be humble In this land by the sea But it's so easy here to stumble, Ain't it hard livin' free? Hear that train? How sweet the sound... That Burlington's a-blowin' At the dog pound Rally! Rally! Creepin' up the alley! Rope that heifer! No slack on the dally! Make her now become a cow And milk the puppies At the dog pound And with the storm well on its way, Back and forth the breakers sway; Fools rush in, makin' their rounds, But the muzzle has 'em puzzled At the dog pound
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Aug 31, 2017
Aug 31, 2017 at 10:48 PM UTC
Dog Pound
तत् त्वम् असि *for sitar, mridangam, vina, musical spoons, washboard, Jew’s harp and banjo* (*the names Swami and Guru-ji can be replaced by any other mystic names the reader wishes to substitute*) Swami and Guru-ji went to the river to wash their souls in the ***** water filled brass pots while they were at it, singing: “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami-ji flexed contortions twisted minds and limbs in knots sold each other secret mantras to erase akashic records when the body rots Swami and Guru-ji taught disciples how to fast and hum and chant; bound their ***** with priestly garments, saying “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami-ji swallowed prana purged their guts, then farted light launched their chakras into oneness in the ida and pingala of their third-eye sight Swami and Guru-ji built a temple around a monstrous calf of gold bowed before the six-armed idols chanting “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami-ji studied parchments by the dim light of a feeble ray railed and wailed at the sinful heathen in the filthy Kali-yuga of the dying day Swami and Guru-ji made ablutions offered incense and holy foods ate their share and smoked the profit, humming “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami’s blissed devotions entwined their members with the temple belles; stuck their yonis up their lingams in the twenty-seventh circle of the seven hells. Swami and Guru-ji offered puja wrote it all off as a karmic debt – forced a shudra to bear the burden, screaming “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami-ji meditated: pure omniscience in eternal now – drank fresh ***** from a heifer’s bladder for they knew that it was soma from a holy cow. Swami and the Guru merged with Brahman – then went home to the wife and kids. Told the servants to polish statues, saying “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” THE MORAL: (slower solemn rhythm, no banjo or Jew’s harp) Aaron’s calf is ground to powder, cast upon the Ganges’ tide. Every tribe shall taste its poison. “This is God –worship Him, worship Him – this is God – let us worship Him now…”
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Sep 11, 2015
Sep 11, 2015 at 8:33 AM UTC
Hindoo Folk Song
तत् त्वम् असि *for sitar, mridangam, vina, musical spoons, washboard, Jew’s harp and banjo* (*the names Swami and Guru-ji can be replaced by any other mystic names the reader wishes to substitute*) Swami and Guru-ji went to the river to wash their souls in the ***** water filled brass pots while they were at it, singing: “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami-ji flexed contortions twisted minds and limbs in knots sold each other secret mantras to erase akashic records when the body rots Swami and Guru-ji taught disciples how to fast and hum and chant; bound their ***** with priestly garments, saying “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami-ji swallowed prana purged their guts, then farted light launched their chakras into oneness in the ida and pingala of their third-eye sight Swami and Guru-ji built a temple around a monstrous calf of gold bowed before the six-armed idols chanting “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami-ji studied parchments by the dim light of a feeble ray railed and wailed at the sinful heathen in the filthy Kali-yuga of the dying day Swami and Guru-ji made ablutions offered incense and holy foods ate their share and smoked the profit, humming “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami’s blissed devotions entwined their members with the temple belles; stuck their yonis up their lingams in the twenty-seventh circle of the seven hells. Swami and Guru-ji offered puja wrote it all off as a karmic debt – forced a shudra to bear the burden, screaming “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” Guru and Swami-ji meditated: pure omniscience in eternal now – drank fresh ***** from a heifer’s bladder for they knew that it was soma from a holy cow. Swami and the Guru merged with Brahman – then went home to the wife and kids. Told the servants to polish statues, saying “These are Gods – worship them, worship them, these are Gods – won’t you worship them please” THE MORAL: (slower solemn rhythm, no banjo or Jew’s harp) Aaron’s calf is ground to powder, cast upon the Ganges’ tide. Every tribe shall taste its poison. “This is God –worship Him, worship Him – this is God – let us worship Him now…”
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68
Who put that crease in your soul, Davies, ready this fine morning For the staid chapel, where the Book's frown Sobers the sunlight? Who taught you to pray And scheme at once, your eyes turning Skyward, while your swift mind weighs Your heifer's chances in the next town's Fair on Thursday? Are your heart's coals Kindled for God, or is the burning Of your lean cheeks because you sit Too near that girl's smouldering gaze? Tell me, Davies, for the faint breeze From heaven freshens and I roll in it, Who taught you your deft poise?
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3.3k
Chapel Deacon
Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden **** Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,--that is all Ye know on earth, and all ye need to know."
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3k
Ode On A Grecian Urn
Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden **** Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,--that is all Ye know on earth, and all ye need to know."
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50
Numerous number systems beyond the real: complex numbers, octonions, omnions which can eat whole black       holes. It's axiomatic that your personal history, preferences, how you feel account for nothing at all. $30 buys a flock of chickens for a needy family (International Rescue       Committee) $29 gets a girl a school uniform (CARE), for $300 you can stock a fish       pond (Heifer International) $69 can start a female entrepreneur in the sewing business (Mercy       Corps) $5 will buy a bed net that protects a family from mosquitoes (Against       Malaria) 20th century experiments demonstrated that electrical charge is       quantized; that is, it comes in multiples of individual small units called the elementary charge, e,       approximately equal to 1.602 x 10-19 coulombs (except for particles called quarks which have       charges that are multiples of 1/3e). Why has the experimentalism of the avant-garde, which has failed in       the novel, succeeded in poetry? Because poetry is always experimental; while the novel, on       the contrary, by its nature, cannot be . . . which is to say that experimentalism is synonymous       with poetry, and that applied to the novel, it leads simply to the substitution of the novel with       poetry. --Alberto Moravia Man made the town, Fibonacci inflated zero to be the wheel around which the universe turns and language is the soul walking and talking quietly or going angrily to war. "Counting is in its very essence magical, if any human practice is at all.       For numbers are things no one has ever seen or heard or touched."       As are words. Joan Didion thought the scariest stanza in all of poetry begins Row, row, row your boat gently down the stream. The elements, the material penumbra, irresolvable for the mortal, readily dissolve in words and numbers.
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Aug 11, 2015
Aug 11, 2015 at 4:08 PM UTC
The Scariest Stanza in All of Poetry
Numerous number systems beyond the real: complex numbers, octonions, omnions which can eat whole black       holes. It's axiomatic that your personal history, preferences, how you feel account for nothing at all. $30 buys a flock of chickens for a needy family (International Rescue       Committee) $29 gets a girl a school uniform (CARE), for $300 you can stock a fish       pond (Heifer International) $69 can start a female entrepreneur in the sewing business (Mercy       Corps) $5 will buy a bed net that protects a family from mosquitoes (Against       Malaria) 20th century experiments demonstrated that electrical charge is       quantized; that is, it comes in multiples of individual small units called the elementary charge, e,       approximately equal to 1.602 x 10-19 coulombs (except for particles called quarks which have       charges that are multiples of 1/3e). Why has the experimentalism of the avant-garde, which has failed in       the novel, succeeded in poetry? Because poetry is always experimental; while the novel, on       the contrary, by its nature, cannot be . . . which is to say that experimentalism is synonymous       with poetry, and that applied to the novel, it leads simply to the substitution of the novel with       poetry. --Alberto Moravia Man made the town, Fibonacci inflated zero to be the wheel around which the universe turns and language is the soul walking and talking quietly or going angrily to war. "Counting is in its very essence magical, if any human practice is at all.       For numbers are things no one has ever seen or heard or touched."       As are words. Joan Didion thought the scariest stanza in all of poetry begins Row, row, row your boat gently down the stream. The elements, the material penumbra, irresolvable for the mortal, readily dissolve in words and numbers.
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38
*baby in the crib, turns closed eyes into dream-light young boy at the window, eyes on the calf woman with the cow, flies milling around the eyes* 1. every morning, with a penchant for rising before his hour            he stands, sees the calf at the wooden-fence            watches with the fawn-coloured beauty of sea-shell heartbeat.. the rising-eye while his sister, nearly a young-woman, washes dishes with eyeballs out the tiny-window            heifer passes by and he looks straight into eyes – gentle eyes – soothes calamity 2. in the cold morning on the farmstead, the baby curls in its warm-folds      she chases off the flies from the horns      and cleans gummed-openings yet deity’s crown falls from splendour this day       as moments devoured by need eventually bear witness to warm dripping in the sand the bowl is filled                                            (high-scale horror) and the boy has seen it, too he holds his arms round him to stop the wholesale-shaking.. bites down hard      as his face contorts baleful.. in impotent-anger      his silence bought decades ago.. in another life no price on his shock and the bird on the branch flies off.. glint-eyes on another branch it’s that time once again: she takes the old-cow to town they await her before nightfall she never does return 3. I’m begging you         leave it be, this is how it is go pick up the baby, please (the baby won’t stop crying) *your fences, I’ll rip up your fences with your very own whip while them wolves howl on and on I got oppressive-time to suffer your unmatched-law in the crush-of-daylight now, kindly.. get outta my face!* S T – 22 Jan 2014
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Jan 22, 2014
Jan 22, 2014 at 9:51 AM UTC
The Calf at the Wooden-Fence
*baby in the crib, turns closed eyes into dream-light young boy at the window, eyes on the calf woman with the cow, flies milling around the eyes* 1. every morning, with a penchant for rising before his hour            he stands, sees the calf at the wooden-fence            watches with the fawn-coloured beauty of sea-shell heartbeat.. the rising-eye while his sister, nearly a young-woman, washes dishes with eyeballs out the tiny-window            heifer passes by and he looks straight into eyes – gentle eyes – soothes calamity 2. in the cold morning on the farmstead, the baby curls in its warm-folds      she chases off the flies from the horns      and cleans gummed-openings yet deity’s crown falls from splendour this day       as moments devoured by need eventually bear witness to warm dripping in the sand the bowl is filled                                            (high-scale horror) and the boy has seen it, too he holds his arms round him to stop the wholesale-shaking.. bites down hard      as his face contorts baleful.. in impotent-anger      his silence bought decades ago.. in another life no price on his shock and the bird on the branch flies off.. glint-eyes on another branch it’s that time once again: she takes the old-cow to town they await her before nightfall she never does return 3. I’m begging you         leave it be, this is how it is go pick up the baby, please (the baby won’t stop crying) *your fences, I’ll rip up your fences with your very own whip while them wolves howl on and on I got oppressive-time to suffer your unmatched-law in the crush-of-daylight now, kindly.. get outta my face!* S T – 22 Jan 2014
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40
Little thinks, in the field, yon red-cloaked clown, Of thee, from the hill-top looking down; And the heifer, that lows in the upland farm, Far-heard, lows not thine ear to charm; The sexton tolling the bell at noon, Dreams not that great Napoleon Stops his horse, and lists with delight, Whilst his files sweep round yon Alpine height; Nor knowest thou what argument Thy life to thy neighbor's creed has lent: All are needed by each one, Nothing is fair or good alone. I thought the sparrow's note from heaven, Singing at dawn on the alder bough; I brought him home in his nest at even;— He sings the song, but it pleases not now; For I did not bring home the river and sky; He sang to my ear; they sang to my eye. The delicate shells lay on the shore; The bubbles of the latest wave Fresh pearls to their enamel gave; And the bellowing of the savage sea Greeted their safe escape to me; I wiped away the weeds and foam, And fetched my sea-born treasures home; But the poor, unsightly, noisome things Had left their beauty on the shore With the sun, and the sand, and the wild uproar. The lover watched his graceful maid As 'mid the ****** train she strayed, Nor knew her beauty's best attire Was woven still by the snow-white quire; At last she came to his hermitage, Like the bird from the woodlands to the cage,— The gay enchantment was undone, A gentle wife, but fairy none. Then I said, "I covet Truth; Beauty is unripe childhood's cheat,— I leave it behind with the games of youth." As I spoke, beneath my feet The ground-pine curled its pretty wreath, Running over the club-moss burrs; I inhaled the violet's breath; Around me stood the oaks and firs; Pine cones and acorns lay on the ground; Above me soared the eternal sky, Full of light and deity; Again I saw, again I heard, The rolling river, the morning bird;— Beauty through my senses stole, I yielded myself to the perfect whole.
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2.2k
Each And All
Little thinks, in the field, yon red-cloaked clown, Of thee, from the hill-top looking down; And the heifer, that lows in the upland farm, Far-heard, lows not thine ear to charm; The sexton tolling the bell at noon, Dreams not that great Napoleon Stops his horse, and lists with delight, Whilst his files sweep round yon Alpine height; Nor knowest thou what argument Thy life to thy neighbor's creed has lent: All are needed by each one, Nothing is fair or good alone. I thought the sparrow's note from heaven, Singing at dawn on the alder bough; I brought him home in his nest at even;— He sings the song, but it pleases not now; For I did not bring home the river and sky; He sang to my ear; they sang to my eye. The delicate shells lay on the shore; The bubbles of the latest wave Fresh pearls to their enamel gave; And the bellowing of the savage sea Greeted their safe escape to me; I wiped away the weeds and foam, And fetched my sea-born treasures home; But the poor, unsightly, noisome things Had left their beauty on the shore With the sun, and the sand, and the wild uproar. The lover watched his graceful maid As 'mid the ****** train she strayed, Nor knew her beauty's best attire Was woven still by the snow-white quire; At last she came to his hermitage, Like the bird from the woodlands to the cage,— The gay enchantment was undone, A gentle wife, but fairy none. Then I said, "I covet Truth; Beauty is unripe childhood's cheat,— I leave it behind with the games of youth." As I spoke, beneath my feet The ground-pine curled its pretty wreath, Running over the club-moss burrs; I inhaled the violet's breath; Around me stood the oaks and firs; Pine cones and acorns lay on the ground; Above me soared the eternal sky, Full of light and deity; Again I saw, again I heard, The rolling river, the morning bird;— Beauty through my senses stole, I yielded myself to the perfect whole.
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51
Barry’s dead. I saw you dying weeks ago; An oyster shell turned empty can, Scrumpled up and finished By the past’s magnet attraction In your shakey hands. It’s just a habit now and you can hardly kick yourself. Buckets of Grolsch: My swash-buckling hero Turned slosh-slurping zero once again And shiny surfaces Never suited you. Scrub away at that black demon matter With the sole white spirit Your genius affords. A shattered socialist Posy primrose ****** That’s the story of your life – All most man. Now beneath the cowslips And the heifer’s hooves, Your saintly-thorny words without a roof: But who will speak for you? And trawl the depths As you once did in youth? Prizing open oysters… I hope that where you are Your silence brings relief. I hope that where you are You smell the borage breeze. I hope that where you are There’s ox-cheek for tea And your carbonated past Is carbonating in mute peace. Tonight the argent stars Are dulled in disbelief Tonight the slate that you’ve carved Is the hardest you will teach. Tonight the tumblestones Are falling down in grief: For Barry’s gone to rediscover Pearl And the beauty of her peace.
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Feb 22, 2011
Feb 22, 2011 at 4:40 AM UTC
Rediscovered Pearl
Extending my sleeves past my frozen fingers, it is -3 and handles of anything get extremely bitter this time of year. I fork in splinters of silage #235 pokes her head out through the feeder. I have plans for you Missy Moo — well: our progeny. Provided you’re in calf; provided you stay in calf; provided you calf down successfully; provided it lives long enough to be killed. If not, I’ll probably sell you and buy an in-calf heifer instead. No pressure.
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Dec 22, 2010
Dec 22, 2010 at 9:44 AM UTC
Hopefully
all winter housed in the yard. Fed the freshest silage, the cleanest water. All the nuts they could eat. But they’d hang their heads by the gate, longed for earth between their hooves. Hard to run giddy on concrete between confining walls. Eventually beaten with hurlies and a black pipe onto the back of a truck. 5 heifer hang from hooks.
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Aug 30, 2010
Aug 30, 2010 at 2:14 PM UTC
5 Heifers
A bit of another story for someday when we can make the time, to think how old river tales are, those ones when a river is bent, to the will of empires, using tiny autonomic nanobots, scene human scale. Here your mind crossed mine in all probability exactly once, just right, it all was just fine, grinding to a halt, frictional tension, old blisters recollected as reminders, what the science misthought right, and sold mysteriously, for the promise to pay all the taxes you manage to squeeze, from the cash cows digital representation, brass bull, where once stood a golden calf, in the blood of a red heifer and a white buffalo.
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Mar 24, 2023
Mar 24, 2023 at 12:16 AM UTC
These days things change
In a past life… I’m sure of it… I was exceedingly Grandiose… And as grand as myself… each entrance- Pausing in doorways To give each and every head the privilege To turn and peruse the Magnificence that was me… And with each exit Shatter champagne glass… and Slowly… hip swayingly…. Drag full length mink along the floor…. But not this time around… No… This phenomenal, prosaic, and unpretentious time around If I drag full length mink… Some heifer would accidentally… or purposely Be guaranteed to step on it.. making me hafta Step to her… (get off’a mah coat!) And no good can ever come From two grown women… Rolling in gutter gum And miscellaneous sidewalk debris ‘til the cops show… and I catch a case…   With footprints on my coat…   gum in my hair… and My spirit of woe… Cuz it wasn’t s’posed to go Down like that… not the way I saw my Grand Exit at all… So… I’ve concluded … evidently… by the way it seems like i should roll… Not this time around… but in a past life… Surely… I was exceedingly Grandiose
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May 29, 2013
May 29, 2013 at 2:30 PM UTC
Grandiose
Athens, February the seventh of two thousand thirteen A long day is perishing, its dawn was short, its rain perpetual and its air heavy, And I think it is a shame that you are not here with me, now that I look my watch and its 6 o’clock in the afternoon. I have the stark feeling that Athens was much,, much more yellow with you here, now that in my magic eyes are candles, and in my head bells, and that I listen the tachycardic throb of this keyboard, being punched with rugged fingers for almost 3 pages, now that I see the clock and its 7 already, I pop my knuckles just to harvest some cassavas for you, and briefly, I found myself judicious. Because, today as always, and also as ever, I think it is a shame that you are not here with me… My left foot aches like hell and I think about which running shoes I will buy, then I cherish the time we bought your brown running shoes and then, wonder the ones I just picked will like you, because Maybe, in that near and also far day of fall, I will be using them, when I met you again. Maybe then I will watch into my cellphone and, being 8 p.m. already, you will say “Hello, my love” while walking toward me … and I will say “Hello, my heifer”… And we will stand right there, both of us… me, stained with the green sea color of your glaucomic eyes, and you, with the blue stain of my banished loneliness.
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May 25, 2013
May 25, 2013 at 1:32 PM UTC
Haunt
well look over yonder there's miss daisy wearing that same old red and white polka dot dress looking like them big Jersey cows oh yeah that big old heifer stronger than a blue ox well i saw her wrestle 6oo lb alligator and knock out a full-grown bull oh hi... miss daisy well i saw her scratching her big old behind on an old piece of tree stump while strolling up the old dirt road go to the big church house for choir practice with church lady sister Maxine Gwendolyn Brooks anyway miss daisy knows deep down in her heart of hearts that she going straight to heaven like seven eleven when she says i am goin' up yonder and up over them hills
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Sep 24, 2018
Sep 24, 2018 at 12:54 PM UTC
I Am Goin' Up Yonder
places where I worship from the dark green church of my fascination with heavy frogs comes the **** body of a boy wearing the head of a heifer.  his legs are not entirely under as of yet but he is let stumble.  from the same dark an excessively wormed fishhook flies on a line and knocks the boy’s ******* behind like a bell.  I scratch my fake arm from shoulder to elbow and believe the sound is not coming from the hook scraping back into the dark.  even in dream I hallelujah lip synch.         places where I am discontent in an abandoned dog’s house, I am, shoeless, with a slipper, in my mouth, a spotlight, caresses, dry grass, my mind, I mistake my mind, for the brain, cinerea, for cinema, my thoughts are meat, are herded, whipped at by a whipping tool, I fear nothing more than I fear, my ***** what it thinks of me, or that it thought, me, first, and lastly beneath that whip, at the end of which, some interrogator’s, bulb.
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Jun 7, 2013
Jun 7, 2013 at 1:51 PM UTC
(places)
When light was treading the horizons of darkness When leaves were rustling in zephyr When butterflies were fluttering across the wilderness When foamy flakes were shimmering like eyes of a heifer I saw her; a noble matron Enjoying the alluring aroma of rose Her eyes were glistening like a naked natron Sitting like my mother; in a statuesque pose She gently drew me closer And served my past as ambrosia And told me to drink the elixir of present for future Then like my mother, she gave me a bunch of gloriosa As she started climbing the stairs to Shangri-La My dream ended as I tossed and turned under the sheet of chinchilla.
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Jul 10, 2018
Jul 10, 2018 at 2:28 AM UTC
A sonnet
Again, hello my smooth tender Suffolk maid, What do you have there in your woven basket? Would you like to listen to a dainty rhyme I made? If with a lovin' pinch of salt I ask it? I know you know, of course you know, That I would walk with you where ever, Plough through wind and rain even deep slushy snow, My heart with warmth gives in any quite such weather. To hold your gaze with sweet subtle words, For you to answer with your so kind voice, To walk your figure passed heifer own'd herds, Talking together brings into being sunbeam rejoice. To grasp your arm mild, to clench your hips tight, Begging gentle kiss of mine to dazzle your cheeks rosy glow, Never could scholars ink descript such a devout sight, As to my song express'd could never, your beauty, show.
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Dec 30, 2012
Dec 30, 2012 at 1:05 PM UTC
Again, hello
Here's a would you rather straight from the slaughter house. Would you rather be hung from a rope, and have your throat slit, or would you rather have a drill pierce your skull? We are human, not heifer, but the fact still remains would you rather a quick death, or be left to suffer? Personally I would choose hung. I really wouldn't mind being hung.
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Sep 1, 2015
Sep 1, 2015 at 11:53 PM UTC
Would you Rather...
If the first few lines were really true you wouldn't have posted the rest. Misery loves company. Why?
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Jul 10, 2012
Jul 10, 2012 at 4:33 PM UTC
Heifer Undigested Food
Bo Goodin Reddy was a friend o' mine Gargled in the morning with turpentine ! Ate catfish and drank moonshine , Worked like a mule on the old rail line ! Bo yanked a heifer 'outta Whitewash Creek , He could whup a black bear with a hickory switch ! Played five card stud till the cows came home , Shot a pine cone off a tree at a hundred yards                                                      Man could grab a rattler before the snake could blink ,     Bo was more man than a man could think !
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Sep 26, 2015
Sep 26, 2015 at 4:41 PM UTC
Big Bo Reddy
"One day, you'll grow up And you'll make a lot of friends Or maybe you won't Maybe you'll just have a few tight buddies But if anyone tries to change you you don't need them You're amazing the way you are" I told her She looked up at me With large, doeful eyes Nuzzled me and mooed as if to say "I'm not sure what you just said But I think I understood it" As I rubbed her head and ears At least I can give life advice to a Jersey heifer Before my program ends and I go back home
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Jul 17, 2017
Jul 17, 2017 at 11:51 PM UTC
Impractical Life Advice
All that was lost opens opprtun All that was lost opens opportunities for us to find ourselves; if at least for the first time ever All that has been destroyed begs us to question why we came here The grotesque nature we have allowed ourselves to fall in creates an endless state of amnesia so we forget about the time when we were once divine The more we throw stones at each other the farther we are from marble halls The more our women give into envy and jealousy, the more they are hindered to be the treasures of gold, diamonds and pearls - exuding ethereal beauty The more we focus on material significance, the more our souls are left begging The more we make rash decisions with an open mind, the more we are forced to live with those consequences The choices you are making, the choices you have made, can you live with them for ten years to come or the rest of your life? How rich are you to afford such a hefty debt? But this is the rhyme, the rhythm that the kingdoms have sent down to the material world... A hefty heifer hole and a pole for prowl; oh goal But what about our own goals Are we cyborgs or are we souls? Are we going to let the insecurities of one or a few compromise our own happiness? Why are we so uneasy, we know only attacking the centredness of another We are enemies of peace because we are not friends of love and yet we are quick to demand mercy Such irresponsibility! Not taking account for the things we've done We are afraid of mirrors because we cannot face the demons we've gowned ourselves to inhabit And yet we can proudly call ourselves princes and princesses Or Kings and Queens Leaders and representatives of State But our objectives are the complete opposite Our deeds are the complete opposite Our thoughts and emotions tell a complete dark story But if you can confess to yourself the things you've done wrong then you can confide them in another If you can confess the things you aspire to be then you are ready to break out of your shell Once again a pure chance for us to find ourselves; if at least for the first time ever All that has been destroyed begs us to question why we came here The grotesque nature we have allowed ourselves to fall in creates an endless state of amnesia so we forget about the time when we were once divine The more we throw stones at each other the farther we are from marble halls The more our women give into envy and jealousy the more they are hindered to be the treasures of gold, diamonds and pearls - exuding ethereal beauty The more we focus on material significance, the more our souls are left begging The more we make rash decisions with an ooen mind, the more we are forced to live with those consequences The choices you are making, the choices you have made, can you live with them for ten years to come or the rest of your life? How rich are you to afford such a hefty debt But this is the rhyme, the rhythm that the kingdoms have sent down to the material world... A hefty heifer hole and a pole for prowl; oh goal But what about our own goals Are we cyborgs or are we souls? Are we going to let the insecurities of or a few compromise our own happiness? Why are we so uneasy, we know only attacking the centredness of another We are enemies of peace beacuse we are not friends of love and yet we are wuick to run after mercy Such irresponsibility Not taking account of the things we've done We are afraid of mirrors because we cannot face the demons we've gowned ourselves to inhabit And yet we can proudly call ourselves princes and princesses Or Kings and Queens Leaders and representatives of state But our objectives are the complete opposite Our deeds are the complete opposite Our thoughts and emotions tell a complete dark story But if you can confess to yourself the things you've done wrong then you can confide them in another If you can confess the things you aspire to be then you are ready to break out of your shell Once again a pure soul.
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Aug 12, 2017
Aug 12, 2017 at 7:14 AM UTC
New Beginning
All that was lost opens opprtun All that was lost opens opportunities for us to find ourselves; if at least for the first time ever All that has been destroyed begs us to question why we came here The grotesque nature we have allowed ourselves to fall in creates an endless state of amnesia so we forget about the time when we were once divine The more we throw stones at each other the farther we are from marble halls The more our women give into envy and jealousy, the more they are hindered to be the treasures of gold, diamonds and pearls - exuding ethereal beauty The more we focus on material significance, the more our souls are left begging The more we make rash decisions with an open mind, the more we are forced to live with those consequences The choices you are making, the choices you have made, can you live with them for ten years to come or the rest of your life? How rich are you to afford such a hefty debt? But this is the rhyme, the rhythm that the kingdoms have sent down to the material world... A hefty heifer hole and a pole for prowl; oh goal But what about our own goals Are we cyborgs or are we souls? Are we going to let the insecurities of one or a few compromise our own happiness? Why are we so uneasy, we know only attacking the centredness of another We are enemies of peace because we are not friends of love and yet we are quick to demand mercy Such irresponsibility! Not taking account for the things we've done We are afraid of mirrors because we cannot face the demons we've gowned ourselves to inhabit And yet we can proudly call ourselves princes and princesses Or Kings and Queens Leaders and representatives of State But our objectives are the complete opposite Our deeds are the complete opposite Our thoughts and emotions tell a complete dark story But if you can confess to yourself the things you've done wrong then you can confide them in another If you can confess the things you aspire to be then you are ready to break out of your shell Once again a pure chance for us to find ourselves; if at least for the first time ever All that has been destroyed begs us to question why we came here The grotesque nature we have allowed ourselves to fall in creates an endless state of amnesia so we forget about the time when we were once divine The more we throw stones at each other the farther we are from marble halls The more our women give into envy and jealousy the more they are hindered to be the treasures of gold, diamonds and pearls - exuding ethereal beauty The more we focus on material significance, the more our souls are left begging The more we make rash decisions with an ooen mind, the more we are forced to live with those consequences The choices you are making, the choices you have made, can you live with them for ten years to come or the rest of your life? How rich are you to afford such a hefty debt But this is the rhyme, the rhythm that the kingdoms have sent down to the material world... A hefty heifer hole and a pole for prowl; oh goal But what about our own goals Are we cyborgs or are we souls? Are we going to let the insecurities of or a few compromise our own happiness? Why are we so uneasy, we know only attacking the centredness of another We are enemies of peace beacuse we are not friends of love and yet we are wuick to run after mercy Such irresponsibility Not taking account of the things we've done We are afraid of mirrors because we cannot face the demons we've gowned ourselves to inhabit And yet we can proudly call ourselves princes and princesses Or Kings and Queens Leaders and representatives of state But our objectives are the complete opposite Our deeds are the complete opposite Our thoughts and emotions tell a complete dark story But if you can confess to yourself the things you've done wrong then you can confide them in another If you can confess the things you aspire to be then you are ready to break out of your shell Once again a pure soul.
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