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"heeled" poems
your little voice Over the wires came leaping and i felt suddenly dizzy With the jostling and shouting of merry flowers wee skipping high-heeled flames courtesied before my eyes or twinkling over to my side Looked up with impertinently exquisite faces floating hands were laid upon me I was whirled and tossed into delicious dancing up Up with the pale important stars and the Humorous moon dear girl How i was crazy how i cried when i heard over time and tide and death leaping Sweetly your voice
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84.3k
Your Little Voice
*You don’t make me sad It’s those monsters in my head That tell me hurtful rumors About what one girl said I listen and I wonder How could someone say those things When not a one is true Yet look at the pain it brings You don’t make me hate myself It’s those words on that screen The ones that say I’m ***** When I couldn’t be more clean Cyber bullying is not a joke Yet no one does a thing They let it happen constantly And I feel the pain that stings You don’t make me give up on life It’s the fists that give my bruises I’m not strong enough for this life My pain it bleeds and oozes I tried to be brave But this life just isn’t for me I gave up on this life And there’s no place I’d rather be She was a lovely girl Who cared so much for others But the ones she cared for most Are the ones that watched her suffer Her bruises are visible Her heart is broken in two But no one did a thing Because there was nothing we could do Now the rumors are dead The words are deleted from the screen Her bruises are heeled up And now she’s forever unseen*
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Feb 15, 2018
Feb 15, 2018 at 5:50 PM UTC
unseen
when you're young a pair of female high-heeled shoes just sitting alone in the closet can fire your bones; when you're old it's just a pair of shoes without anybody in them and just as well.
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19.6k
Shoes
I've come by, she says, to tell you that this is it. I'm not kidding, it's over. this is it. I sit on the couch watching her arrange her long red hair before my bedroom mirror. she pulls her hair up and piles it on top of her head- she lets her eyes look at my eyes- then she drops her hair and lets it fall down in front of her face. we go to bed and I hold her speechlessly from the back my arm around her neck I touch her wrists and hands feel up to her elbows no further. she gets up. this is it, she says, this will do. well, I'm going. I get up and walk her to the door just as she leaves she says, I want you to buy me some high-heeled shoes with tall thin spikes, black high-heeled shoes. no, I want them red. I watch her walk down the cement walk under the trees she walks all right and as the pointsettas drip in the sun I close the door.
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15.4k
Eat Your Heart Out
some dogs who sleep ay night must dream of bones and I remember your bones in flesh and best in that dark green dress and those high-heeled bright black shoes, you always cursed when you drank, your hair coimng down you wanted to explode out of what was holding you: rotten memories of a rotten past, and you finally got out by dying, leaving me with the rotten present; you've been dead 28 years yet I remember you better than any of the rest; you were the only one who understood the futility of the arrangement of life; all the others were only displeased with trivial segments, carped nonsensically about nonsense; Jane, you were killed by knowing too much. here's a drink to your bones that this dog still dreams about.
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12.8k
Eulogy To A Hell Of A Dame
Sometimes it feels so natural to let a man's hands run over my body, feeling every dip and curve and bump and bruise that exists. It is almost as if his hands and his longing are physical manifestations of my new-found womanly confidence. I have reached a point where I am comfortable in my own skin and ready to celebrate. I want to celebrate like there is no tomorrow and do something a little crazy, a little stupid, live one more breath of this night and one more kiss of this dream. Right now everything just feels so real and raw. To feel a man's touch on a body still so young is nothing to be afraid of - it is something to cherish and hold dear, for it only happens a short while. Sometimes it feels so natural to wear a short skirt and walk with a sway in my hips, each step with my heeled feet and long legs echo across the floor. There is something in the reverberance that acts as a fire in my soul, the flames within as courage on the outside. The sway of my hips work wonders as tickets to concerts, the pass to the front of the line, filling my empty hand with a full drink. It is a drug of sorts and something that I cannot get enough of. I take what is handed to me for the short while that it is available. Wearing my short skirt and tall shoes, I sway my hips to the beat of a different drummer while I can. Sometimes it feels so natural to drink to my heart's content and my stomach's contempt. I drink to make the pain and the thoughts and the worries and the stress melt away as my body melts on the dance floor. I become one with the music and one with the night. Carefree and unconcerned I drink until it is dawn. It feels so wonderful to live like there is no tomorrow with no regrets. When I drink I drink to darken the past and brighten the future. The sultry sway of my hips become the sloshing of a boat about to be capsized. The running hands over my body turn into drunk fumbling and clumsy fingers. But I drink while I can and enjoy while I can. Sometimes it feels so natural to be so bad - defiant and strong and a will to do whatever I choose.
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Feb 9, 2013
Feb 9, 2013 at 11:08 PM UTC
A Natural Badass
Sometimes it feels so natural to let a man's hands run over my body, feeling every dip and curve and bump and bruise that exists. It is almost as if his hands and his longing are physical manifestations of my new-found womanly confidence. I have reached a point where I am comfortable in my own skin and ready to celebrate. I want to celebrate like there is no tomorrow and do something a little crazy, a little stupid, live one more breath of this night and one more kiss of this dream. Right now everything just feels so real and raw. To feel a man's touch on a body still so young is nothing to be afraid of - it is something to cherish and hold dear, for it only happens a short while. Sometimes it feels so natural to wear a short skirt and walk with a sway in my hips, each step with my heeled feet and long legs echo across the floor. There is something in the reverberance that acts as a fire in my soul, the flames within as courage on the outside. The sway of my hips work wonders as tickets to concerts, the pass to the front of the line, filling my empty hand with a full drink. It is a drug of sorts and something that I cannot get enough of. I take what is handed to me for the short while that it is available. Wearing my short skirt and tall shoes, I sway my hips to the beat of a different drummer while I can. Sometimes it feels so natural to drink to my heart's content and my stomach's contempt. I drink to make the pain and the thoughts and the worries and the stress melt away as my body melts on the dance floor. I become one with the music and one with the night. Carefree and unconcerned I drink until it is dawn. It feels so wonderful to live like there is no tomorrow with no regrets. When I drink I drink to darken the past and brighten the future. The sultry sway of my hips become the sloshing of a boat about to be capsized. The running hands over my body turn into drunk fumbling and clumsy fingers. But I drink while I can and enjoy while I can. Sometimes it feels so natural to be so bad - defiant and strong and a will to do whatever I choose.
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4
a black bat hangs upside down digesting a fly his face almost human a flying Frankenstein he excretes puddles of guano like miniature buttered popcorn a dark and wavy goulash gods gift to beetles and worms dizzied overheated men look on to an uproarious variety hour of song and a high heeled kicks inspiring a tempest of throbbing whisky drenched folded ***** and cash trouser trout fish,     undulant sexed up tape worms for love pulse the night egging on bunny **** pom poms devout finger puppets of Eros for shimmering ****** lipstick twilled vibratos sequined tassel spinning areolas and lavish come **** me dance girls bring down the house in flames making hearts apostate clamoring and melt men like steaming everglades the bat hangs from the chandelier licks his black lips and looks on to panorama of hieroglyphics hearing music a thunderous nonsense   witnessing visions of flies, tasty white winged moths and the thrill of screams while biting the head off of another bat in a claret stained red velvet cabaret
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Aug 31, 2017
Aug 31, 2017 at 5:09 PM UTC
BURLESQUE MEETS A BAT
Time to leave these ******* behind and delete them all from my mind. All had gone except for one. He was the worst for hanging on. He should have been just like the rest, who didn't like how I was dressed. Not to mention my high heeled shoes, well I don't care, It's them who lose. I'll need to find a brand new friend, not like these who all pretend. One who'd say "I don't care, do what you do. I'll put the kettle on, you fancy a brew?"
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Dec 18, 2017
Dec 18, 2017 at 5:32 PM UTC
'Fancy a Brew'.
To be a good writer or a poet You have to be good at wearing shoes other than your size Size 1, 2, 3, up to size 10 Even if it falls off your feet or too tight, you just have to try Not only shoes, also all other kinds of footwear From socks, sandals, flip flops, and slippers High-heeled, boots, flippers and sneakers Even barefooted, if there's nothing else to wear Then, walk with it, run with it Feel the calluses and feelings it brings Up until its soles are wearing thin Then, write the experience
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Jun 1, 2015
Jun 1, 2015 at 9:35 PM UTC
Wearing Shoes Other Than Size 5
I'm Bailey. I sometimes forget to recycle. I'm from singing camels and trigonometry. From soap bubbles and yellow scarves, Irish hymns and Zucchini the ferret, piano keys, bluebonnet seeds, and DO NOT ENTER signs. From salt. I'm the color of hosed off sidewalk chalk. I'm all summer in a day. I'm a conglomeration of artistic thoughts that make me look more profound than I actually am. I'm your infinite playlist. I'm from elephant necklaces and rosemary bushes from high-heeled taps and Camelot threadless socks, shopping carts, and impromptu salons. I'm the fifth ninja turtle. I live where you laugh so hard you cry. I'm from carrots and ranch. I'm a happy cow from California, a fortune cookie with your enchilada, a drill team skirt over marching uniforms. I'm from unfinished crossword puzzles and forgotten dead languages from pixie dust and snapcracklepop from actually-it's-pronounced's, because-i-said-so's, and that's-not-my-name's. I am Nancy Drew with a Peter Pan complex. I come from honeysuckle candles and sunroofs of pickup trucks broken-down fences and peach salsa the second you step onstage. I'm from in between. I'm Bailey. I don't drive the speed limit. And I'm from you.
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Dec 22, 2009
Dec 22, 2009 at 6:08 PM UTC
Where I'm From
We had well-heeled days With sprawling village, Glowing crop field, homestead, and flock of cattle ! We worked day and night Made our life accomplish with fruits of toil! Those were the days of amiable knot with everyone, Spring was echoed with the   sound of ‘Dhol’ and ‘Bihu’! Summer was fragrance with wet soil and mud of crop field! Autumn was resonance with ‘Aoi-ni-tom’! Winter was mirrored with golden Paddy! Now, we are like a vagrant! We work in other’s field We are living on our landowner’s marshy! “Have you seen that boat on the river?   Our village was there! Mighty Brahmaputra had carried away Our home and glee!” Now, we depend on our land owner’s marshy!
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Apr 19, 2014
Apr 19, 2014 at 4:19 AM UTC
Misfortune around a river
i girls with guard dogs at spike-heeled feet lips to kiss fire, still semi-sweet ii dirt black coffee on a fine tipped tongue and spiderwebs only half unspun iii dead roses in flowercrowns and tangled thorns and white bedsheets, handcuffs, lingerie unworn iv tempest springtime to summer’s rest and flowers of lovers laid on deathbeds
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Jun 24, 2015
Jun 24, 2015 at 1:59 PM UTC
Songs for Persephone
A piano plays softly through my ears My fingers waltz along the keys Splaying my life out into a symphony Every note Cool Calm Cultivated   A captivated audience is a blind one They can't see what's going on behind stage The puppets that rise along their strings Forever to be suspended in space Controlled and motivated As long as I'm behind this piano Mesmerizing the audience No one will ever see the pool of blood Arcing along my high heeled clad feet No one will notice my strained smile Or the flashing glint Knives of bone Protruding from my finger tips Pray tell Might I play a song for you?
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Aug 11, 2018
Aug 11, 2018 at 4:32 PM UTC
Bone piano
Here I am; waiting, Waiting for an old friend On a deserted Railway Station. She’s late; knew she would be. Time behaves differently in Such public places; very differently. I stood waiting alone, Then a gaggle of women Clattered up the subway. Stilettos and thick, heeled boots, Beating out an echoing tattoo, On the broad, concrete steps. Now we wait together, Myself and a Hen Party. Blending of emotional alloys Fused together, forming Excitement; then I see her And all heads turn to look. Amongst the flower boxes, Silence blossoms on the Platform as my old friend Glides serenely into the station, She’s late; knew she would be Even so, she’s on time for me. Steam unfurls around her, Billowing majestic clouds Crowning this, ‘Queen of The Rails’, last seen when I was a boy, now in manhood Her unsung glory is truly revered. Steel wheels clatter, a rhythmic Tattoo, then she draws to a halt. Old friend from a previous age Escaping through to this century, Thronged by beautiful women, I Smile, and step aboard a true beauty. ©Paul M Chafer 2014
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Oct 29, 2014
Oct 29, 2014 at 3:21 PM UTC
Old Friend
There were four pines, Straight, that branched Out over the hedge With holes. High beside The cement goldfish pond They stood, near the fence And alleyway. From our rows Of potatoes, And needed weedings, A hedge ran across The back, connecting The Tehtercotts and Taylors; We worked the garden Beneath the line Of drying clothes, Throughout our summers, Beneath the shade, And the intermitent shadow. ***** blades heeled Into mounds, We five posed For this poem Half a century ago. Over the hedge Carriages and bikes Rolled between houses With porches, And patios, Leading to lawns. Near Kevin's ***** A red and white rubber ball Had landed, From beyond the hedge. He turned it over With a shovel of dirt, And broke the sod With his blade. He was distracted, Singing us a Beatles song. But it wouldn't have mattered.
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Apr 13, 2015
Apr 13, 2015 at 10:43 PM UTC
Singing A Beatles Song
Your Feet precarious heels into high heels into high heeled shoes the stilted amazement
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Apr 2, 2014
Apr 2, 2014 at 2:04 PM UTC
Wearing High Heels.
Now, moving in, cartons on the floor, the radio playing to bare walls, picture hooks left stranded in the unsoiled squares where paintings were, and something reminding us this is like all other moving days; finding the ***** ends of someone else's life, hair fallen in the sink, a peach pit, and burned-out matches in the corner; things not preserved, yet never swept away like fragments of disturbing dreams we stumble on all day. . . in ordering our lives, we will discard them, scrub clean the floorboards of this our home lest refuse from the lives we did not lead become, in some strange, frightening way, our own. And we have plans that will not tolerate our fears-- a year laid out like rooms in a new house--the dusty wine glasses rinsed off, the vases filled, and bookshelves sagging with heavy winter books. Seeing the room always as it will be, we are content to dust and wait. We will return here from the dark and silent streets, arms full of books and food, anxious as we always are in winter, and looking for the Good Life we have made. I see myself then: tense, solemn, in high-heeled shoes that pinch, not basking in the light of goals fulfilled, but looking back to now and seeing a lazy, sunburned, sandaled girl in a bare room, full of promise and feeling envious. Now we plan, postponing, pushing our lives forward into the future--as if, when the room contains us and all our treasured junk we will have filled whatever gap it is that makes us wander, discontented from ourselves. The room will not change: a rug, or armchair, or new coat of paint won't make much difference; our eyes are fickle but we remain the same beneath our suntans, pale, frightened, dreaming ourselves backward and forward in time, dreaming our dreaming selves. I look forward and see myself looking back.
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3.8k
Autumn Perspective
Now, moving in, cartons on the floor, the radio playing to bare walls, picture hooks left stranded in the unsoiled squares where paintings were, and something reminding us this is like all other moving days; finding the ***** ends of someone else's life, hair fallen in the sink, a peach pit, and burned-out matches in the corner; things not preserved, yet never swept away like fragments of disturbing dreams we stumble on all day. . . in ordering our lives, we will discard them, scrub clean the floorboards of this our home lest refuse from the lives we did not lead become, in some strange, frightening way, our own. And we have plans that will not tolerate our fears-- a year laid out like rooms in a new house--the dusty wine glasses rinsed off, the vases filled, and bookshelves sagging with heavy winter books. Seeing the room always as it will be, we are content to dust and wait. We will return here from the dark and silent streets, arms full of books and food, anxious as we always are in winter, and looking for the Good Life we have made. I see myself then: tense, solemn, in high-heeled shoes that pinch, not basking in the light of goals fulfilled, but looking back to now and seeing a lazy, sunburned, sandaled girl in a bare room, full of promise and feeling envious. Now we plan, postponing, pushing our lives forward into the future--as if, when the room contains us and all our treasured junk we will have filled whatever gap it is that makes us wander, discontented from ourselves. The room will not change: a rug, or armchair, or new coat of paint won't make much difference; our eyes are fickle but we remain the same beneath our suntans, pale, frightened, dreaming ourselves backward and forward in time, dreaming our dreaming selves. I look forward and see myself looking back.
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49
I should be thinking about things that normal girls do like homecoming or prom or high heeled shoes i shouldn't be thinking about you i shouldn't forgive you for the things that you do when you should've been inside my head you were on top of her bed i shouldn't be thinking about how great it'd be to be dead and i won't sleep until that hunger is fed i can't get you out of my ******* head i shouldnt be thinking about you
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Sep 21, 2014
Sep 21, 2014 at 8:56 PM UTC
shouldn't
Young women know all about style - how to fix the decimal point between them and their mothers differentiate themselves from Special K over 40s wanna bees mini skirted and high heeled trying to catch their husband’s eye Yummy mummies in their 30’s are separated from the new stock by firm elastic flattened midriffs no bulge or wobble unlined skin taut sometimes navel peirced or ******* their legs wear the 4” heels again on winklepicker pointed toes for a mid century crop of bunioned feet. No scraggy necks or waddle no tea tray arses only plump peaches in the bend over show of skimpy, lacy thongs of ****** floss So, **** femme fatale is cool body object the thing to be flouncing and preening flirting and ******* random hook-ups on the run in the alleys of time on the net in the warp of space Killer ! Whatever ! Wicked ! Yeah feral !
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Aug 25, 2014
Aug 25, 2014 at 1:08 AM UTC
Feminism's Babes
New York penthouse room service french perfume satin sheets gold etched dinnerware sixty-one pairs of high heeled shoes diamond earrings crystal goblets antique art picturesque window view of the homeless on the streets below.
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Jul 20, 2012
Jul 20, 2012 at 4:32 PM UTC
Balance
I have a vision of you, Fresh shaved legs, Smooth as silk, Nylon stockings, Gartered neat and snug, Gliding effortlessly, Across your skin, Your slow moving hand, Feeling your legs curvature, Clean well-oiled scented skin, Ready for a soft touch, Of gentle hands soft caresses, Velvet black high-heeled shoes, Slipped upon your feet, Dressed in black velvet dress, Clinging like hugs, Everything is just so, Hungry red lips, Outlined perfectly applied, Disguised a sultry smile, Of one not yet kissed, Eyes lined dark, Shaped like night, Made up in dim lights, Bedroom eyes they say, This way no tears are seen, Sleek painted red nails fingers, Reaching for courage, Brushing across your lips, Wink of your eye, Blow soft kisses across backroom, A fresh spray of perfume Long strides across a stage, Music starts to play, Fresh shaved legs, With glittered oils, Gleam with every move, Closing misty night eyes, Getting lost in trance, When music stops, Open your eyes, Once again your still waiting it seems, High-heeled shoes, You are not alone, Your smile wide, When music stops.
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Apr 9, 2012
Apr 9, 2012 at 11:04 PM UTC
In Black Velvet with High-Heeled Shoes
She broke her grip on the strap of my heart Lipstick stained, pale faced caress Sultry gone long in a high-heeled daze Slaps of fright in a lost fight The strap of my heart ***** loosely in time To pulses of desire as they beat dimmer Pushed down swagger of hot sighs Lost cries to last lies Broken grips on heart straps She broke me down in fueled up lies Broke me down in that last caress cc2011
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Jun 25, 2011
Jun 25, 2011 at 8:56 PM UTC
Straps
so this is where it ends still drunk, in a shabby room with half full bottles of liquor last night stuck in your hair, glitter like snowflakes of a single night out’s winter this is where it ends heart broken, shattered in two hung up and longing two years after his name a poison on your lips you refuse to stop tasting this is where it ends wallowing in dreadful self-loathing, contemplating your idle blues, your black hole of sadness the smile you wear is but a painful reminder this is where it ends with your small group of girls, fellow high heeled warriors lip glossed and pretty, shiny hair and perfect skin dressed to the nines, miraculously young and fearless intelligent, outspoken and strong and far from empty too broken to do anything but go on more nights will be filled with hollow, tinkling laughter more nights will be spent lying on floors than waiting in towers all because you forgot them all your forgot his harsh whisper you made up you mind and decided “i love me” and laughed at the sheer terror, the insanity, the undeniable ridiculousness at the end there is just you this is where it ends this is where it ends This is where it ends
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Jan 8, 2014
Jan 8, 2014 at 3:33 AM UTC
This is where it ends
Long table laden in lace mismatched silverware chipped plates cloth napkins and crystal cups beneath a canopy of knotted branches framed between two hallowed trunks snaggled twigs cling to lanterns and ribbons strung across the foliage for the Moonlight Feast. When the sun sinks the guests begin to arrive with their flowing gowns thin veils and hats lace gloves masked faces shaped like wooden birds slender heeled black boots daintily stepping through grass to find a seat at the Moonlight Feast. As they sit drinking their wine tittering through frozen smiles one man walks wearing a frown. the woman by his side pale as the moon hair like the sun they sit at the head of the Moonlight Feast. They look nearby at the less traveled road where a young man walks with not a penny they run like wolves on their hands and knees and strike him down limb from limb he is torn and brought to the Moonlight Feast. The frowning man gave a toothy smile and as well did his queen. The guests all ate of the flesh of a beggar who they slaughtered alone on the street. Their titters all turned to shrieks and howls while the moon shined bright over these Moonlight Beasts
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Apr 3, 2014
Apr 3, 2014 at 4:53 PM UTC
Moonlight Feast