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Jacob Apr 2014
The girl with purple hair is sitting at my bar again.
I think she is beautiful. And not in a way that I wanna have awesome *** with her but in a way that I want to drink chocolate martinis with her
and go shopping for christmas vests that have tinkly bells and possibly polar bears with hats on them.
She is having a full-body cry. I am the worst bartender, simply
because I don't know how to counsel people without crying back at them.
She is crying about the state of women.

I know that we come from the same rotting wood, so all I do is nod.

"How is it that three quarters of the women I know have been ***** or molested?
What does that say about the men that I know?
**** is not a man behind a bush with a knife, she laughs
It's kissing you on the mouth like whiskey at a nice bar."
The girl with purple hair and I are holding hands now,
"I only wanted an apology,
an acknowledgement of what occurred."
Grappling as artists, as girls, as ships in bottles,
how do we change any of it?
I tell her I am going to write a poem.
She says no one wants to hear a **** poem.

And I know she's right.

Have you ever seen a stampede of horses?
Do you wonder what the hooves look like from underneath?
Have you ever tasted the blood from biting your own lips because you couldn't say no enough?
"I never fought back. I kept my thighs tight and
closed, but once he's inside you, you wish you were the streetlamp, the
store clerk, a street lamp, a bed of calla lilies-

anything but a woman.

In that moment, our eyes glaze over, and they stay that way for years.
That's when you've lost.
A poem by Mary Lambert, from the poem-book, "500 Tips for Fat Girls"
Pragya GAur Jul 2017
We play holi with colours,
And soldiers play it with guns and rifles.
At the risk of their own life,
They give us comfortable sleep and life.

A soldier is never sure of his life ,
And will he ever meet his daughter, son and wife.
Hats off and a dozen of salute,
Is nothing above a soldier and his sacrifice.
Besides a soldier his family also compromises,
Children sometimes starve to spent time with their father,
Mother's sometime don't even get to see dead bodies of their only son.
And what to say about the love of a wife,
Her sacrifices and compromises are just priceless.
After death a soldier is only remembered for a month or two,
Media is told to stay away too.
Payment of his life is done by some amount of money,
Is that all our duty towards our indian army?
This often chills my spine,
And brings a million years in my eyes.

A great salute to the Indian Army,
From the bottom of my heart.
I would help them anytime if they need me,
With each and everything I have.
Thanks to indian army for cool sleep and safety and for their invaluable sacrifice
Elizabeth May 2014
Today I am superwoman,
I go to three jobs, one meeting, two classes
I wear five hats throughout the day.
I got those lovely eyebags as my trophy.

By being superwoman I accomplish anything,
everything that they told me I couldn't do.
I wanted to be in student government...
the popularity vote told me no but I showed them
I could do that too. They said you can't have everything
and here I am sitting with it all.

In this day of superpowers
I fly from class to job to job to job to meeting to home
but I am the most human today.

I laugh in the face of my fears of failure because I have already gotten on the road to success.
I cry because even I am entitled to a good cry every once in a while.
I am cranky because it evens out the crazy bubblyness that I always am.
I radiate happiness although I am drowning in work
I support and lean on those around me causing a tangled connection of love

In every capacity I am me, happy, sad, lethargic, energized, hyper, lost, leading.

In every Wednesday, I remember that my humanity all in itself makes me just as super human as the next girl or guy.
September Jan 2016
Your words were so sweet—
I bet that when you lied through your teeth—
You got cavities.
Julie Grenness Dec 2016
Hats off to History!
Do we really change the story?
Are wars ever such glory?
Old men relishing the gory,
Hats off to History,
Can we change the past,
Each armed conflict is the last,
Change the future, indeed,
Thoughts for you to read!
Feedback welcome.
Francie Lynch Sep 2018
I've used them on my windows
To see the clear outside,
If I read the Op-eds,
I shudder, shuttered and hide.

I've spread them 'neath my plates and cups,
My shelves all neat and tidy;
But the headlines made it clear to me
My glass is more half empty.

They had a place in the litter box
For **** to scratch and squat;
I laid them round my garden plants,
They made fine insect traps.
Rolled and twirled they'd start a fire,
I could fold them into hats.
They cleaned the grease from BBQs,
And they're safe to pick up glass.
Crumple them for packaging,
They work as school book covers;
Add water and some flour,
To shape papier mache lovers.
Fold seeds in them to germinate,
Then use them for compost;
There's many ways to employ
Your Times and local Post.

But I won't subscribe to Dailies
For the felling of our trees;
And yet I miss my papers,
And the ways they worked for me.
But when enthroned,
You'll hear me grouse,
There's no **** paper in this ****-house.

My cell works well to scroll and swipe,
But it's only good for a virtual wipe.
Third Eye Candy Mar 2013
Barbarians At The Bill Gates

Kings in a Nutshell of Plots,
Machiavellian; made Lords Of Infinite Beige.
a Workspace now a  Dead-Space in The Heart of an Artist... Scaling, Mount Dew, at a snail's pace.
Behemoth Logarithms,
Jammed in a hot box. with cigarette soot blocking die-cut vents
The cousin with the soft-spot.
Hair, Nobly Re-Disheveled  by Hit and Miss ads, like
crow's feet dancing on insomniac spines, in and around, the Yawning Cathode D-Rez
Of all Villages, M. Night. Ramadan, forged, into Code Soldiers
With No Code to reverse Schrodinger's Black Cat, Back in The Bag...
The Genie, from a corner apartment in Manhattan, to a bedroom in a Bottle of Lightning.
Only Reactive Jazz
Cosmonauts, embedding feathers in " White Hats "
A Moral Avatar.

Hack Lads in The Boonies of Way Ahead of The Curve.
An Unsound lack of Judgment, echoing by Proxy, like Mr. Hyde;
Passing for a binary Schizophrenic. Swallowing Blackberries, Seeds of Anarchy and All.
Crowd-Sourcing the wisdom of Crowds of People
With cup-holders, the Elite call CD-Rom
Stand-by.
A Quest For Firewire. A billion portals,, huddled in chaos.
In the lens of  The Camera-Obscura, hidden in the USB Port
In the Fuzzy Logic of Our Narcissism.
SQL that Ends Well \ with a Backlash To Pi Charts
Of Privileged  Information,
Cooling, only in The Windows, Facing a Social Network
Resting, on a sill of Approval by Market Share and -
Ad *******

An eye of  a needle, peeling onions in a brave new world, weeping for the pure, post-ironic
Joy, Of Threading a Nano-Camel
Through The Eye of a Needles' Parable.  To Aesop the gravy of grave doubt
and reasonable suspicions off
Teutonic Plates

To an Atheist. The Heavyside Layer of Bricked Phones
and Dissonance,
May Find a Contract, 'Comes with Astroglide.
And a toaster.

Floppy Disc-Figurements of Our Right To Privacy.  
Resurfaced By The Naivete
Of a Target Audience, With a Heads-up Display,
A 4D Hologram  
Of Steve Jobs,  
Exported over dark fiber optics;  
Silicons of Prosaic non-Existence
Overclocking the Swatch
On  a wrist

Banning Calligraphy

Ward of the State
Of the Economy
With a Cult
Following


A Hologram of Steve Jobs
To sharpen the bleeding edge
with a moon rock from The OtherSide of Billions of Dollars.
The After-Accolades with the Spanish moss From Taiwan
Where Dragons Of  Technology
Shed limits, that metastasize rapid growth
Of Personal Stock by -
adding a Touch Screen Feature to an App For Clout.
To Out-Monopoly with a Walled-Garden
Designed by Stanley Kubrick's 2001 [ Available Space Odyssey  ]
A Terabyte
leaving Half a Worm
In your Apple.

A Difference Engine, differently Desired

Dumped
On a Corner in
Your Circle
Of Confirmed
Friends.


rocking XP like an OG on Food Stamps and The Fringe.
Centered Better And Re-Posted.
Classy J Sep 2016
Friendships are easy to lose when you play competitive videogames, rage quits and pride on the line, and yeah that's when things get insane. Smash bros, tekken, street fighter, king of fighters and mortal kombat, the greatest fighting games to ever come out of game designers hats. Its magic man, its addictive like gambling, who is the best gamer and who is a noob that everyone be trampling. Gg bro, even though we don't mean it though, your not as good as us, compared to us you are nothing but a ***. Powning and owning all you suckers, PC or console gaming, either way you are bound to find some trolling little *******. Gamer life, and one aspect of the nerd life, but there is more to our expansive life. There are the: know it all’s who can reference anything and corrects everything everyone says, and if you can't keep up, you can have a nice day. Star trek and star wars, collecting action figures that are definitely not dolls, roll them dice boy to see if our clan survives going down the falls. Dungeons and dragons, role-playing in a fantastic fantasyland, joining clubs like board games, videogames, writing, reading or band. Make fun of us now, but in the future we could be your bosses, so think about the next time you say that were wasting time trying to beat a dark souls boss. Cosplaying and reading comic books, this is the nerd life man, relaxing in our snuggies and croc's. Don't judge us without getting to know us, who knows you might want to get on the nerd bus. On a mission like Frodo or harry, going faster than the speed force just call us Barry. Feeling lucky punk, riding over you like a monster truck. Nintendo, Sony, Microsoft, steam, Sega, and PC, may just be me but I love it all, I'm not picky I appreciate things as they are like Marvel and DC.  Go go gadget, hate getting stuck traffic, I'm not the killer, I'm as innocent as Rodger rabbit. Please Ed, edd, and eddy, don't need to cause a scene because that would be pretty petty. What's the sitch wade, better beat those bad guys that choose to miss behave even if it effects my school grade. Kids that watch Cartoon Network nowadays will never how awesome it used to be, shows like samurai jack, power puff girls, Johnny bravo or Dexter’s laboratory. Duck hunting, ****** tunes and chill binge on anime and the only slam-dunk we do is Denny's pancakes sorry Shaquille O’Neal. Pocket protecting fiends; not to good at puberty, man we spending it all watching reality kings. New beginnings, love seeing what’s new at e3 each year, except for waiting for that game to arrive, counting the days till it finally appears. This the Nerd life, I may have never got the attention of girls when I was young but who knows I may just find myself a nerd wife. I can't wait to show my kids all that I know, the circle of life man, now I have a new perspective on watching this kid of mine grow. Future hopes, future class blasting off into possibilities, nerd life man better build up my durability.
happiness...is everything. Happiness isnt based on money and sometimes not even on what you're doing. Its about who your with.
its about living with no regrets
And realising that a bad thing will last a few months, so who cares if he doesnt ask you out? who cares what your parents catch doing with the one who does? and who cares what anyone says about you.
Happiness is taking a risk
and it pays off
and even if it doesnt
another oppurtunity presents itself.
happiness is staying up all night with your frends.
happiness is water fights on late summer evenings.
happiness is love....lust only gives moments of happiness to the fact you cant believe you have that person...love leaves you eternally in wonder of how you ended up feeling so right.
happiness is being with your friends and wearing crazy *** hats in public
happiness is seeing a familiar face in nevr ending sea of lies.
happiness is no homework
happiness is having tickle fights with the one you love
happiness is lying in the sun looking at the clouds
happiness is doing wat you want to do
happiness is helping one another
happiness if giving all of you no matter how much you recieve in return
happiness is being able to speak your mind
happiness is knowing you have earnt all the praise you get and being able to say thank you...not going red, studying your shoelaces and bringing yourself down
happiness is confidence
happiness is working hard for something
happiness is being wateva you want and not caring what anyone says...you only get to live once..you will nevr live it down if you're on your deathbed and you realise that you've spent your whole life being what everyone else wanted you to be. living a lie
happiness is finding out who you are
happiness is coming home and your parents ask you how your day was...evn if u jst grunt back
happiness is singing in the shower as loud as you can...i mean showers hav that magical power that means no-one else can hear you...rite?
happiness is not being afraid to say someone is hot...it makes u all giggly...saying someone is good looking doesnt neccessarily mean you want them
happiness is feeling safe
happiness is feeling wanted
happiness is feeling at peace with yourself
happiness is feeling that someone always has your back
happiness is when something isnt funny..but your so happy to see someone that u cant stop smiling
happiness is that one thing you can nevr really express to someone...its like a drug, it makes you do crazy things...its make you feel ontop of the world.
this made me happy knowing that peopl will read this and feel happy
it made me happy because i made a good attempt to describe something that can nevr be completely decribed.

happiness is the one thing that keeps you going when you're like the single flowers whose colours hav turned to shades of grey

i cant explain this happiness
Third Eye Candy Dec 2012
At Nineteen Miles An Hour, Smoking On A Train

chugging along the lilacs of twilight in the plasma darkening of a stretch
we fetch the improbable road to our destination. we give a ****. but the birds are listening.
and that might lead to luggage. so much, you might sweep the light fantastic
into army hats. you might march a sustained coup on your hopeless epiphanies.
at nineteen miles an hour, on a train... you see your god.
are you too light to darken the right words
to a happy demise?

are your zeroes at odds?
Josh Koepp Oct 2012
Every morning i greet the sun smelling like jasmine and spice
the rays roll through my window
bend nicely and tip their hats only to figure out
that i am a man
and they switch between reaching down to kiss my hand
something they subconsciously planned
ever since that smell of sensual perfume heated up
even the hottest, and the coolest
made them too woozy to stand
they switch to an improvised hand shake
their mother told them not to judge on every
first impression that they make
but they smell my personality
my mannerisms and the way i walk and talk
WAFTED into their nostrils
like some woman dolled up before a date
with no one
to sit alone and say
"** hum"
and wait for the casual wreck of a man to walk in
to punch his time card and clock in
to commit sin upon this woman

but no

their nostrils and their eyes
seem to not agree
on what is
me

i wake up smelling like jasmine and spices
like a woman who spent all night in sin
taking pleasure from her vices
and i waft into every man and womans nostrils

and their eyes say man

their nose says woman so it seems
so they think i must be something in between

when in reality i smell like this because
i spent an entire night in love
with someone i lost the next day
and in our own way she brought her oils
for me to serve and slave her body with
and i wasn't ashamed of it

i spilt the oils all over our bodys they caressed us
and gave every motion an unstoppable velocity
every situation was slippery
and things that shouldnt have been
almost came to be

as we slept the oils clocked out
and slid down our still interlocked bodies and into the bedspread
it opened up its homestead
and buried its dead, started families and grew in number
until the population of the smell was too strong
too strong and the one i shared the smell with
was gone

but i hold that night fondly
i hold it above my head in all its glory
and when i am judged by my scent and called
gay
***
or questioned of my sexuality
i just tell them
i'm being the scent i smelled when i discovered my masculinity
when i tried gender fusion and it didn't quite work
but i covered every other base
i swear my good sir

so ill tell you one thing
i am not an inbetween because i have never joined in the sweet final base
into sweet sexuality
with the opposite *** making man and woman
into man-woman
the in between

what i really mean is i am not what you think of me
i am 100% man until i find the right woman
a beautiful sight in the sunlight
and when night falls and i cant see her at all
i can find even more things i like
to take that from me
and i will give it up gladly

i am a man
as much as any man woman
or man man is
and stereotypes are for those who dont understand
that there IS no difference.
Michael R Burch May 2020
The Original Sin: Rhyming Haiku!

Haiku
should never rhyme:
it’s a crime!
―Michael R. Burch

The herons stand,
sentry-like, at attention ...
rigid observers of some unknown command.
―Michael R. Burch

Late
fall;
all
the golden leaves turn black underfoot:
soot
―Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch

A snake in the grass
lies, hissing
"Trespass!"
―Michael R. Burch

Honeysuckle
blesses my knuckle
with affectionate dew
―Michael R. Burch

My nose nuzzles
honeysuckle’s
sweet nothings
―Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.
―Michael R. Burch

The moon in decline
like my lover’s heart
lies far beyond mine
―Michael R. Burch

My mother’s eyes
acknowledging my imperfection:
dejection
―Michael R. Burch

The sun sets
the moon fails to rise
we avoid each other’s eyes
―Michael R. Burch

brief leaf flung awry ~
bright butterfly, goodbye!
―Michael R. Burch

leaf flutters in flight ~
bright, O and endeavoring butterfly,
goodbye!
―Michael R. Burch

The girl with the pallid lips
lipsticks
into something more comfortable
―Michael R. Burch

I am a traveler
going nowhere,
but my how the gawking bystanders stare!
―Michael R. Burch



Here's a poem that's composed of haiku-like stanzas:

Haiku Sequence: The Seasons
by Michael R. Burch

Lift up your head
dandelion,
hear spring roar!

How will you tidy your hair
this near
summer?

Leave to each still night
your lightest affliction,
dandruff.

Soon you will free yourself:
one shake
of your white mane.

Now there are worlds
into which you appear
and disappear

seemingly at will
but invariably blown
wildly, then still.

Gasp at the bright chill
glower
of winter.

Icicles splinter;
sleep still an hour,
till, resurrected in power,

you lift up your head,
dandelion.
Hear spring roar!



Unrhymed Original Haiku and Tanka
by Michael R. Burch

These are original haiku and tanka written by Michael R. Burch, along with haiku-like and tanka-like poems inspired by the forms but not necessarily abiding by all the rules.

Dark-bosomed clouds
pregnant with heavy thunder ...
the water breaks
―Michael R. Burch

one pillow ...
our dreams
merge
―Michael R. Burch



Iffy Coronavirus Haiku

yet another iffy coronavirus haiku #1
by Michael R. Burch

plagued by the Plague
i plague the goldfish
with my verse

yet another iffy coronavirus haiku #2
by Michael R. Burch

sunflowers
hang their heads
embarrassed by their coronas

I wrote this poem after having a sunflower arrangement delivered to my mother, who is in an assisted living center and can’t have visitors due to the coronavirus pandemic. I have been informed the poem breaks haiku rules about personification, etc.

Homework (yet another iffy coronavirus haiku #3)
by Michael R. Burch

Dim bulb overhead,
my silent companion:
still imitating the noonday sun?

New World Order (last in a series and perhaps a species)
by Michael R. Burch

The days of the dandelions dawn ...
soon man will be gone:
fertilizer.



Variations on Fall

Farewells like
falling
leaves,
so many sad goodbyes.
―Michael R. Burch

Falling leaves
brittle hearts
whisper farewells
―Michael R. Burch

Autumn leaves
soft farewells
falling ...
falling ...
falling ...
―Michael R. Burch

Autumn leaves
Fall’s farewells
Whispered goodbyes
―Michael R. Burch



Variations on the Seasons
by Michael R. Burch

Mother earth
prepares her nurseries:
spring greening

The trees become
modest,
coy behind fans



Wobbly fawns
have become the fleetest athletes:
summer



Dry leaves
scuttle like *****:
autumn

*

The sky
shivers:
snowfall

each
translucent flake
lighter than eiderdown

the entire town entombed
but not in gloom,
bedazzled.



Variations on Night

Night,
ice and darkness
conspire against human warmth
―Michael R. Burch

Night and the Stars
conspire against me:
Immensity
―Michael R. Burch

in the ice-cold cathedral
prayer candles ablaze
flicker warmthlessly
―Michael R. Burch



Variations on the Arts
by Michael R. Burch

Paint peeling:
the novel's
novelty wears off ...

The autumn marigold's
former glory:
allegory.

Human arias?
The nightingale frowns, perplexed.
Tone deaf!

Where do cynics
finally retire?
Satire.

All the world’s
a stage
unless it’s a cage.

To write an epigram,
cram.
If you lack wit, scram.

Haiku
should never rhyme:
it’s a crime!

Video
dumped the **** tube
for YouTube.

Anyone
can rap:
just write rhythmic crap!

Variations on Lingerie
by Michael R. Burch

Were you just a delusion?
The black negligee you left
now merest illusion.

The clothesline
quivers,
ripe with unmentionables.

The clothesline quivers:
wind,
or ghosts?



Variations on Love and Wisdom
by Michael R. Burch

Wise old owls
stare myopically at the moon,
hooting as the hart escapes.

Myopic moon-hooting owls
hoot as the hart escapes

The myopic owl,
moon-intent, scowls;
my rabbit heart thunders ...
Peace, wise fowl!



Original Tanka

All the wild energies
of electric youth
captured in the monochromes
of an ancient photobooth
like zigzagging lightning.
―Michael R. Burch

The plums were sweet,
icy and delicious.
To eat them all
was perhaps malicious.
But I vastly prefer your kisses!
―Michael R. Burch

A child waving ...
The train groans slowly away ...
Loneliness ...
Somewhere in the distance gusts
scatter the stray unharvested hay ...
―Michael R. Burch

How vaguely I knew you
however I held you close ...
your heart’s muffled thunder,
your breath the wind―
rising and dying.
―Michael R. Burch



Miscellanea

Childless
by Michael R. Burch

How can she bear her grief?
Mightier than Atlas, she shoulders the weight
of one fallen star.

sheer green stockings
queer green beer
St. Patrick's Day!
―Michael R. Burch

cicadas chirping everywhere
singing to beat the band―
surround sound
―Michael R. Burch

Regal, upright,
clad in royal purple:
Zinnia
―Michael R. Burch

Love is a surreal sweetness
in a world where trampled grapes
become wine.
―Michael R. Burch

although meant for market
a pail full of strawberries
invites indulgence
―Michael R. Burch

late November;
skeptics scoff
but the geese no longer migrate
―Michael R. Burch

as the butterfly hunts nectar
the generous iris
continues to bloom
―Michael R. Burch



Haiku Translations of the Oriental Masters

Grasses wilt:
the braking locomotive
grinds to a halt
― Yamaguchi Seishi, loose translation by Michael R. Burch

Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation by Michael R. Burch

The first soft snow:
leaves of the awed jonquil
bow low
― Matsuo Basho, loose translation by Michael R. Burch

Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
― Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
― Matsuo Basho, loose translation by Michael R. Burch

One apple, alone
in the abandoned orchard
reddens for winter
― Patrick Blanche, loose translation by Michael R. Burch

The poem above is by a French poet; it illustrates how the poetry of Oriental masters like Basho has influenced poets around the world.



I remove my beautiful kimono:
its varied braids
surround and entwine my body
― Hisajo Sugita, loose translation by Michael R. Burch

This day of chrysanthemums
I shake and comb my wet hair,
as their petals shed rain
― Hisajo Sugita, loose translation by Michael R. Burch

This sheer kimono—
how the moon peers through
to my naked skin!
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

These festive flowery robes—
though quickly undressed,
how their colored cords still continue to cling!
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

Chrysanthemum petals
reveal their pale curves
shyly to the moon.
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

Loneliness —
reading the Bible
as the rain deflowers cherry blossoms.
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

How deep this valley,
how elevated the butterfly's flight!
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

How lowly this valley,
how lofty the butterfly's flight!
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch

Echoes from the hills—
the mountain cuckoo sings as it will,
trill upon trill
—Hisajo Sugita (1890-1946), loose translation by Michael R. Burch



This darkening autumn:
my neighbor,
how does he continue?
― Matsuo Basho, loose translation by Michael R. Burch

Let us arrange
these lovely flowers in the bowl
since there's no rice
― Matsuo Basho, loose translation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch

The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch

Pausing between clouds
the moon rests
in the eyes of its beholders
― Matsuo Basho, loose translation by Michael R. Burch

The first chill rain:
poor monkey, you too could use
a woven cape of straw
― Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
― Matsuo Basho, loose translation by Michael R. Burch

Like a heavy fragrance
snow-flakes settle:
lilies on the rocks
― Matsuo Basho, loose translation by Michael R. Burch

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
― Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
― Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
― Matsuo Basho, loose translation by Michael R. Burch

Will we meet again?
Here at your flowering grave:
two white butterflies
― Matsuo Basho, loose translation by Michael R. Burch

Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
― Matsuo Basho, loose translation by Michael R. Burch

Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho, loose translation by Michael R. Burch; this has been called Basho's death poem

These brown summer grasses?
The only remains
of "invincible" warriors...
― Matsuo Basho, loose translation by Michael R. Burch

Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
― Matsuo Basho, loose translation by Michael R. Burch

See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
― Matsuo Basho, loose translation by Michael R. Burch

An empty road
lonelier than abandonment:
this autumn evening
― Matsuo Basho, loose translation by Michael R. Burch

Spring has come:
the nameless hill
lies shrouded in mist
― Matsuo Basho, loose translation by Michael R. Burch

This world?
Moonlit dew
flicked from a crane's bill.
—Eihei Dogen Kigen (1200-1253) loose translation/interpretation by Michael R. Burch

Seventy-one?
How long
can a dewdrop last?
—Eihei Dogen Kigen, loose translation/interpretation by Michael R. Burch

Dewdrops beading grass-blades
die before dawn;
may an untimely wind not hasten their departure!
—Eihei Dogen Kigen, loose translation/interpretation by Michael R. Burch

Dewdrops beading blades of grass
have so little time to shine before dawn;
let the autumn wind not rush too quickly through the field!
—Eihei Dogen Kigen, loose translation/interpretation by Michael R. Burch

Outside my window the plums, blossoming,
within their curled buds, contain the spring;
the moon is reflected in the cup-like whorls
of the lovely flowers I gather and twirl.
—Eihei Dogen Kigen, loose translation/interpretation by Michael R. Burch



The Oldest Haiku

These are my translations of some of the oldest Japanese waka, which evolved into poetic forms such as tanka, renga and haiku over time. My translations are excerpts from the Kojiki (the "Record of Ancient Matters"), a book composed around 711-712 A.D. by the historian and poet Ō no Yasumaro. The Kojiki relates Japan’s mythological beginnings and the history of its imperial line. Like Virgil's Aeneid, the Kojiki seeks to legitimize rulers by recounting their roots. These are lines from one of the oldest Japanese poems, found in the oldest Japanese book:

While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another excerpt, with a humorous twist, from the Kojiki:

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch

Here's another, this one a poem of love and longing:

Onyx, this gem-black night.
Downcast, I await your return
like the rising sun, unrivaled in splendor.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch



More Haiku by Various Poets

Right at my feet!
When did you arrive here,
snail?
― Kobayashi Issa, loose translation by Michael R. Burch

Our world of dew
is a world of dew indeed;
and yet, and yet...
― Kobayashi Issa, loose translation by Michael R. Burch

Oh, brilliant moon
can it be true that even you
must rush off, like us, tardy?
― Kobayashi Issa, loose translation by Michael R. Burch

Standing unsteadily,
I am the scarecrow’s
skinny surrogate
―Kobayashi Issa, loose translation/interpretation by Michael R. Burch

Autumn wind ...
She always wanted to pluck
the reddest roses
―Kobayashi Issa, loose translation/interpretation by Michael R. Burch

Issa wrote the haiku above after the death of his daughter Sato with the note: “Sato, girl, 35th day, at the grave.”



The childless woman,
how tenderly she caresses
homeless dolls ...
—Hattori Ransetsu, loose translation/interpretation by Michael R. Burch

Clinging
to the plum tree:
one blossom's worth of warmth
—Hattori Ransetsu, loose translation/interpretation by Michael R. Burch

One leaf falls, enlightenment!
Another leaf falls,
swept away by the wind ...
—Hattori Ransetsu, loose translation/interpretation by Michael R. Burch

This has been called Ransetsu’s “death poem.” In The Classic Tradition of Haiku, Faubion Bowers says in a footnote to this haiku: “Just as ‘blossom’, when not modified, means ‘cherry flower’ in haiku, ‘one leaf’ is code for ‘kiri’. Kiri ... is the Pawlonia ... The leaves drop throughout the year. They shrivel, turn yellow, and yield to gravity. Their falling symbolizes loneliness and connotes the past. The large purple flowers ... are deeply associated with haiku because the three prongs hold 5, 7 and 5 buds ... ‘Totsu’ is an exclamation supposedly uttered when a Zen student achieves enlightenment. The sound also imitates the dry crackle the pawlonia leaf makes as it scratches the ground upon falling.”



Disdaining grass,
the firefly nibbles nettles—
this is who I am.
—Takarai Kikaku (1661-1707), loose translation/interpretation by Michael R. Burch

A simple man,
content to breakfast with the morning glories—
this is who I am.
—Basho, loose translation/interpretation by Michael R. Burch
This is Basho’s response to the Takarai Kikaku haiku above

The morning glories, alas,
also turned out
not to embrace me
—Basho, loose translation/interpretation by Michael R. Burch

The morning glories bloom,
mending chinks
in the old fence
—Basho, loose translation/interpretation by Michael R. Burch

Morning glories,
however poorly painted,
still engage us
—Basho, loose translation/interpretation by Michael R. Burch

I too
have been accused
of morning glory gazing ...
—original haiku by by Michael R. Burch

Taming the rage
of an unrelenting sun—
autumn breeze.
—Basho, loose translation/interpretation by Michael R. Burch

The sun sets,
relentlessly red,
yet autumn’s in the wind.
—Basho, loose translation/interpretation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

As autumn draws near,
so too our hearts
in this small tea room.
—Basho, loose translation/interpretation by Michael R. Burch

Nothing happened!
Yesterday simply vanished
like the blowfish soup.
—Basho, loose translation/interpretation by Michael R. Burch

The surging sea crests around Sado ...
and above her?
An ocean of stars.
—Basho, loose translation/interpretation by Michael R. Burch

Revered figure!
I bow low
to the rabbit-eared Iris.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Nothing in the cry
of the cicadas
suggests they know they soon must die.
—Basho, loose translation/interpretation by Michael R. Burch

I wish I could wash
this perishing earth
in its shimmering dew.
—Basho, loose translation/interpretation by Michael R. Burch

Dabbed with morning dew
and splashed with mud,
the melon looks wonderfully cool.
—Basho, loose translation/interpretation by Michael R. Burch

Cold white azalea—
a lone nun
in her thatched straw hut.
—Basho, loose translation/interpretation by Michael R. Burch

Glimpsed on this high mountain trail,
delighting my heart—
wild violets
—Basho, loose translation/interpretation by Michael R. Burch

The bee emerging
from deep within the peony’s hairy recesses
flies off heavily, sated
—Basho, loose translation/interpretation by Michael R. Burch

A crow has settled
on a naked branch—
autumn nightfall
—Basho, loose translation/interpretation by Michael R. Burch

Except for a woodpecker
tapping at a post,
the house is silent.
—Basho, loose translation/interpretation by Michael R. Burch

That dying cricket,
how he goes on about his life!
—Basho, loose translation/interpretation by Michael R. Burch

Like a glorious shrine—
on these green, budding leaves,
the sun’s intense radiance.
—Basho, loose translation/interpretation by Michael R. Burch



Yosa Buson haiku translations

A kite floats
at the same place in the sky
where yesterday it floated...
― Yosa Buson, loose translation by Michael R. Burch

On the temple’s great bronze gong
a butterfly
snoozes.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Hard to describe:
this light sensation of being pinched
by a butterfly!
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Not to worry spiders,
I clean house ... sparingly.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Among the fallen leaves,
an elderly frog.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

In an ancient well
fish leap for mosquitoes,
a dark sound.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Flowers with thorns
remind me of my hometown ...
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Reaching the white chrysanthemum
the scissors hesitate ...
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Picking autumn plums
my wrinkled hands
once again grow fragrant
―Yosa Buson, loose translation/interpretation by Michael R. Burch

A silk robe, casually discarded,
exudes fragrance
into the darkening evening
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Whose delicate clothes
still decorate the clothesline?
Late autumn wind.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

An evening breeze:
water lapping the heron’s legs.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

gills puffing,
a hooked fish:
the patient
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The stirred morning air
ruffles the hair
of a caterpillar.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Intruder!
This white plum tree
was once outside our fence!
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Tender grass
forgetful of its roots
the willow
―Yosa Buson, loose translation/interpretation by Michael R. Burch

I believe the poem above can be taken as commentary on ungrateful children. It reminds me of Robert Hayden's "Those Winter Sundays."―MRB

Since I'm left here alone,
I'll make friends with the moon.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The hood-wearer
in his self-created darkness
misses the harvest moon
―Yosa Buson, loose translation/interpretation by Michael R. Burch

White blossoms of the pear tree―
a young woman reading his moonlit letter
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The pear tree flowers whitely:
a young woman reading his letter
by moonlight
―Yosa Buson, loose translation/interpretation by Michael R. Burch

On adjacent branches
the plum tree blossoms
bloom petal by petal―love!
―Yosa Buson, loose translation/interpretation by Michael R. Burch

A misty spring moon ...
I entice a woman
to pay it our respects
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Courtesans
purchasing kimonos:
plum trees blossoming
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The spring sea
rocks all day long:
rising and falling, ebbing and flowing ...
―Yosa Buson, loose translation/interpretation by Michael R. Burch

As the whale
  dives
its tail gets taller!
―Yosa Buson, loose translation/interpretation by Michael R. Burch

While tilling the field
the motionless cloud
vanished.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Even lonelier than last year:
this autumn evening.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

My thoughts return to my Mother and Father:
late autumn
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Late autumn:
my thoughts return to my Mother and Father
―Yosa Buson, loose translation/interpretation by Michael R. Burch

This roaring winter wind:
the cataract grates on its rocks.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

While snow lingers
in creases and recesses:
flowers of the plum
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Plowing,
not a single bird sings
in the mountain's shadow
―Yosa Buson, loose translation/interpretation by Michael R. Burch

In the lingering heat
of an abandoned cowbarn
only the sound of the mosquitoes is dark.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The red plum's fallen petals
seem to ignite horse dung.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Dawn!
The brilliant sun illuminates
sardine heads.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The abandoned willow shines
between bright rains
―Yosa Buson, loose translation/interpretation by Michael R. Burch

Dew-damp grass:
the setting sun’s tears
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The dew-damp grass
weeps silently
in the setting sun
―Yosa Buson, loose translation/interpretation by Michael R. Burch

White plum blossoms―
though the hour grows late,
a glimpse of dawn
―Yosa Buson, loose translation/interpretation by Michael R. Burch

The poem above is believed to be Buson's jisei (death poem) and he is said to have died before dawn.

Lately the nights
dawn
plum-blossom white.
―Yosa Buson, loose translation/interpretation by Michael R. Burch

This is a second interpretation of Buson's jisei (death poem).

In the deepening night
I saw by the light
of the white plum blossoms
―Yosa Buson, loose translation/interpretation by Michael R. Burch

This is a third interpretation of Buson's jisei (death poem).

Our life here on earth:
to what shall we compare it?
Perhaps to a rowboat
departing at daybreak,
leaving no trace of us in its wake?
—Takaha Shugyo or Yosa Buson, loose translation by Michael R. Burch



I thought I felt a dewdrop
plop
on me as I lay in bed!
― Masaoka Shiki, loose translation by Michael R. Burch

We cannot see the moon
and yet the waves still rise
― Shiki Masaoka, loose translation by Michael R. Burch

The first morning of autumn:
the mirror I investigate
reflects my father’s face
― Shiki Masaoka, loose translation by Michael R. Burch



Wild geese pass
leaving the emptiness of heaven
revealed
― Takaha Shugyo, loose translation by Michael R. Burch

Inside the cracked shell
of a walnut:
one empty room.
—Takaha Shugyo, loose translation by Michael R. Burch

Bring me an icicle
sparkling with the stars
of the deep north
—Takaha Shugyo, loose translation by Michael R. Burch

Seen from the skyscraper
the trees' fresh greenery:
parsley sprigs
—Takaha Shugyo, loose translation by Michael R. Burch

Are the geese flying south?
The candle continues to flicker ...
—Takaha Shugyo, loose translation by Michael R. Burch

Still clad in its clown's costume—
the dead ladybird.
—Takaha Shugyo, loose translation by Michael R. Burch

A single tree,
a heart carved into its trunk,
blossoms prematurely
—Takaha Shugyo, loose translation by Michael R. Burch



Silently observing
the bottomless mountain lake:
water lilies
― Inahata Teiko, loose translation by Michael R. Burch

Cranes
flapping ceaselessly
test the sky's upper limits
― Inahata Teiko, loose translation by Michael R. Burch

Falling snowflakes'
glitter
tinsels the sea
― Inahata Teiko, loose translation by Michael R. Burch

Blizzards here on earth,
blizzards of stars
in the sky
― Inahata Teiko, loose translation by Michael R. Burch

Completely encircled
in emerald:
the glittering swamp!
― Inahata Teiko, loose translation by Michael R. Burch

The new calendar!:
as if tomorrow
is assured...
― Inahata Teiko, loose translation by Michael R. Burch



Ah butterfly,
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation by Michael R. Burch

Because morning glories
hold my well-bucket hostage
I go begging for water
― Fukuda Chiyo-ni, loose translation by Michael R. Burch



Spring
stirs the clouds
in the sky's teabowl
― Kikusha-ni, loose translation by Michael R. Burch

Tonight I saw
how the peony crumples
in the fire's embers
― Katoh Shuhson, loose translation by Michael R. Burch

It fills me with anger,
this moon; it fills me
and makes me whole
― Takeshita Shizunojo, loose translation by Michael R. Burch

War
stood at the end of the hall
in the long shadows
― Watanabe Hakusen, loose translation by Michael R. Burch

Because he is slow to wrath,
I tackle him, then wring his neck
in the long grass
― Shimazu Ryoh, loose translation by Michael R. Burch

Pale mountain sky:
cherry petals play
as they tumble earthward
― Kusama Tokihiko, loose translation by Michael R. Burch

The frozen moon,
the frozen lake:
two oval mirrors reflecting each other.
― Hashimoto Takako, loose translation by Michael R. Burch

The bitter winter wind
ends here
with the frozen sea
― Ikenishi Gonsui, loose translation by Michael R. Burch

Oh, bitter winter wind,
why bellow so
when there's no leaves to fell?
― Natsume Sôseki, loose translation by Michael R. Burch

Winter waves
roil
their own shadows
― Tominaga Fûsei, loose translation by Michael R. Burch

No sky,
no land:
just snow eternally falling...
― Kajiwara Hashin, loose translation by Michael R. Burch

Along with spring leaves
my child's teeth
take root, blossom
― Nakamura Kusatao, loose translation by Michael R. Burch

Stillness:
a single chestnut leaf glides
on brilliant water
― Ryuin, loose translation by Michael R. Burch

As thunder recedes
a lone tree stands illuminated in sunlight:
applauded by cicadas
― Masaoka Shiki, loose translation by Michael R. Burch

The snake slipped away
but his eyes, having held mine,
still stare in the grass
― Kyoshi Takahama, loose translation by Michael R. Burch

Girls gather sprouts of rice:
reflections of the water flicker
on the backs of their hats
― Kyoshi Takahama, loose translation by Michael R. Burch

Murmurs follow the hay cart
this blossoming summer day
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The wet nurse
paused to consider a bucket of sea urchins
then walked away
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

May I be with my mother
wearing her summer kimono
by the morning window
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch

The hands of a woman exist
to remove the insides of the spring cuttlefish
― Sekitei Hara, loose translation by Michael R. Burch

The moon
hovering above the snow-capped mountains
rained down hailstones
― Sekitei Hara, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
― Kakio Tomizawa, loose translation by Michael R. Burch

Spring snow
cascades over fences
in white waves
― Suju Takano, loose translation by Michael R. Burch



Tanka and Waka translations:

If fields of autumn flowers
can shed their blossoms, shameless,
why can’t I also frolic here —
as fearless, and as blameless?
—Ono no Komachi, loose translation by Michael R. Burch

Submit to you —
is that what you advise?
The way the ripples do
whenever ill winds arise?
—Ono no Komachi, loose translation by Michael R. Burch

Watching wan moonlight
illuminate trees,
my heart also brims,
overflowing with autumn.
—Ono no Komachi, loose translation by Michael R. Burch

I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
—Ono no Komachi, loose translation by Michael R. Burch

That which men call "love" —
is it not merely the chain
preventing our escape
from this world of pain?
—Ono no Komachi, loose translation by Michael R. Burch

Once-colorful flowers faded,
while in my drab cell
life’s impulse also abated
as the long rains fell.
—Ono no Komachi, loose translation by Michael R. Burch

I set off at the shore
of the seaside of Tago,
where I saw the high, illuminated peak
of Fuji―white, aglow―
through flakes of drifting downy snow.
― Akahito Yamabe, loose translation by Michael R. Burch


Haiku Translations

As the monks sip their morning tea,
chrysanthemums quietly blossom.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

The fragrance of plum blossoms
on a foggy path:
the sun rising.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

The sea darkens ...
yet still faintly white
the wild duck protests.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Pear tree blossoms
whitened by moonlight:
a young woman reading a letter.
—Yosa Buson, loose translation/interpretation by Michael R. Burch

Outlined in the moonlight ...
who is that standing
among the pear trees?
—Yosa Buson, loose translation/interpretation by Michael R. Burch

Your coolness:
the sound of the bell
departing the bell.
—Yosa Buson, loose translation/interpretation by Michael R. Burch

As the moon flies west
the flowers' shadows
creep eastward.
—Yosa Buson, loose translation/interpretation by Michael R. Burch

By such pale moonlight
even the wisteria's fragrance
seems distant.
—Yosa Buson, loose translation/interpretation by Michael R. Burch

Leaves
like crows’ shadows
flirt with a lonely moon.
Kaga no Chiyo, loose translation/interpretation by Michael R. Burch

Let me die
covered with flowers
and never again wake to this earthly dream!
—Ochi Etsujin, loose translation/interpretation by Michael R. Burch

To reveal how your heart flowers,
sway like the summer grove.
—Tagami Kikusha-Ni, loose translation/interpretation by Michael R. Burch

In the thicket's shade
a solitary woman sings the rice-planting song.
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

Unaware of these degenerate times,
cherry blossoms abound!
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

These silent summer nights
even the stars
seem to whisper.
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

The enormous firefly
weaves its way, this way and that,
as it passes by.
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

Composed like the Thinker, he sits
contemplating the mountains:
the sagacious frog!
Kobayashi Issa, loose translation/interpretation by Michael R. Burch

A fallen blossom
returning to its bough?
No, a butterfly!
Arakida Moritake, loose translation/interpretation by Michael R. Burch

Illuminated by the harvest moon
smoke is caught creeping
across the water ...
Hattori Ransetsu, loose translation/interpretation by Michael R. Burch

Fanning its tail flamboyantly
with every excuse of a breeze,
the peacock!
Masaoki Shiki, loose translation/interpretation by Michael R. Burch

Waves row through the mists
of the endless sea.
Masaoki Shiki, loose translation/interpretation by Michael R. Burch

I hurl a firefly into the darkness
and sense the enormity of night.
—Kyoshi Takahama, loose translation/interpretation by Michael R. Burch

As girls gather rice sprouts
reflections of the rain ripple
on the backs of their hats.
—Kyoshi Takahama, loose translation/interpretation by Michael R. Burch

Keywords/Tags: haiku, tanka, oriental, masters, translation, Japanese, nature, seasons, Basho, Buson, Issa, waka, tanka, mrbhaiku
Greg Obrecht Jan 2014
A grey room with soft walls is waiting down the road.
Purple pills and quiet voices will ease my  heavy load.
They'll place electrodes on my head to shock away the pain.
Then I'll sit drooling as I stare at the morning rain.

Maybe a friend will visit and stare with wide unblinking eyes.
They'll speak cautiously and try to fill me with empty lies.
Even with my drug addled mind will see  through their mask.
There are questions visible on their tongue they refuse to ask.

The stern nurses in their funny hats take us out in the sun.
The sudden warmth and bright light jolt us like a firing gun.
We must stay in line and only speak when we're spoken to.
When one is barely conscious that's an easy thing to do.

I'm back in my locked room starting to fade off to sleep.
I wonder if God can hear my prayers under layers so deep
Please come and save your creation from this destiny.
Sprinkle your magical dust and set this tormented soul free.
CautiousRain Sep 2015
"Women who wear hats are the most beautiful."

The way her small smile extends;
the brim of her hat protecting,
capturing its radiance.

Her cheeks, flushed a deep red,
darkened only by the shadows,
of the worn, woven straw.

Her eyes, a dark, vibrant brown,
dancing with soft melodies,
as she hums with warm breath.

"Women who wear hats are the most beautiful",
he said,
*"How interesting is that?"
As I stood with my hat.
Somehow his little comment was the highlight of my day. A poem about myself inspired by a kind man with sweet words.
stargazer Aug 2018
I wear many hats
i switch them up
Turn them
                                       in          
                             side
                                     out
I wear the hat
that presents me
as the person i am
in the moment

But how do I wear so many different hats?
how can i be such a
versatile,
flexible,
changeable,
thing?

Do I Even Have A Personality?
Or AM I jusT a BundLe of PaRts?

Interchangeable pieces,
No defined course of action

am i even a person?

or just a reflection of who i think i should be?
aM I Me? oR Am I jUsT a SheLL of wHaT MADe mE?
The line didn't move, though there were not
many people in it. In a half-hearted light
the lone agent dealt patiently, noiselessly, endlessly
with a large dazed family ranging
from twin toddlers in strollers to an old lady
in a bent wheelchair. Their baggage
was all in cardboard boxes. The plane was delayed,
the rumor went through the line. We shrugged,
in our hopeless overcoats. Aviation
had never seemed a very natural idea.

Bored children floated with faces drained of blood.
The girls in the tax-free shops stood frozen
amid promises of a beautiful life abroad.
Louis Armstrong sang in some upper corner,
a trickle of ignored joy.
Outside, in an unintelligible darkness
that stretched to include the rubies of strip malls,
winged behemoths prowled looking for the gates
where they could bury their koala-bear noses
and **** our dimming dynamos dry.

Boys in floppy sweatshirts and backward hats
slapped their feet ostentatiously
while security attendants giggled
and the voice of a misplaced angel melodiously
parroted FAA regulations. Women in saris
and kimonos dragged, as their penance, behind them
toddlers clutching Occidental teddy bears,
and chair legs screeched in the food court
while ill-paid wraiths mopped circles of night
into the motionless floor.
Nigel Morgan Oct 2012
It was a cold night for a concert. There was frost on the windscreen as we got into the car for the short drive to this city church. We drove because we were going to be late, and it was cold, and would be likely to be colder still when the concert was over. I had wondered if part one would be enough. Could Bach and Rameau be enough? Might the musical appetite cope with Mozart and Beethoven too? Were we about to sit down to a large meal, possibly in the wrong order. Can the cheese course be a transcendental experience I wondered? Bach to begin certainly, a substantial starter with one of the mid period keyboard toccatas and two ‘distant’ preludes and fugues, but then a keyboard suite by Rameau?
 
When I listen to Beethoven though I want to hear a work on its own, unencumbered round about with other musics.  A recent experience of several hours driving to hear a single Beethoven symphony has remained close and vivid, and an experience that brought me close to tears. So I imagine that I might only hear Op.110 to make that opening sequence of chords so ominously special. The introduction seems to come from nowhere and does not connect with musical past, except perhaps the composer’s own past. It is as though the pianist puts on a pair of gloves imbued with the spirit of the composer, and these chords appear . . . and what is there that might possibly prepare the listener for the journey that pianist and listener embark upon?  Certainly not the soufflé of Mozart’s K.332.
 
The audience is hardly a smattering of coats, hats and grey hair. There is another piano recital in town tonight and this is but the artist’s preview of a forthcoming concert at a major venue. Our pianist is equipping herself for a prestigious engagement and sensibly recognizes the need to test out the way the programme flows in front of an audience, and in a provincial church where she is not entirely unknown. I admire this resolve and wonder a little at the long-term planning which makes this possible and viable.
 
Now a figure in black walks out from the shadows to stand by her piano. Coming from stage right she places left her hand firmly on the mirror-black case above the keyboard. She looks at her audience briefly, and makes a bow, almost a curtsey, an obeisance to her audience and possibly to those distant spirits who guard the music she is to play. We will not see her face again until the next time she will stand at the piano to acknowledge our applause after the Bach she is about to play. Her slightly more than shoulder-length hair is cut to flow forward as she holds herself to play; her face is often hidden from us, her expression curiously blank. Perhaps she has prepared herself to enter a deep state of concentration that admits no recognition of those sitting just in front of her. Her dress is long and black with a few sparking threads to catch the careful lighting. Without these occasional glimmers her ****** movement would be unnoticeable. As it is the way the light is caught is subtle and quietly playful, though not enough to distract, only remind us that though in black she is wearing the kind of starry sky such as you might perceive in crepuscular time.
 
Thus, we already sense so much before she has played a note there is a firm slightly dogged confidence and reverence here in her approach to instrument and audience. And in the opening bars of the Bach toccata that is manifest; and not just a confidence born out of some strategy against nervousness, but a ritual of welcoming to this music that now spills out into the partially darkened church. The sonorousness and balance of the piano’s tone surprises. It is not a fine piano, but it has qualities that she seems to understand. There is a degree of attentive listening to herself that enables her to control dynamics and act resolutely on the structure of the music. When the slow section of this four-part toccata appears there is a studied gentleness and restraint that belies any ****** led gesture or manner. Her stance and deliberation at the keyboard remain determined and in control, unaltered by the music’s message. She does not pull her body backwards as seems the custom with so many who feel they have to show us they are stroking and coaxing such gentleness and restraint out of the keyboard.
 
As the final fugato of the toccata flows at almost twice the speed I’ve ever heard it, my concentration begins to disengage. It is too fast for me to follow the voices, I miss the entries, and the smudged resonance of the texture hides those details I have grown over so many years to know and love. This is Glen Gould on speed, not the toccata that resides in my musical memory. I am aware of missing so much and my attention floats away into the sound of it all. It seems to be all sound and not the play of music.
 
In this stage of disengagement I sense the tense quality of her right leg pedalling with the tip of a reddish shoe just visible, deft, tiny flicks of movement. She turns her face away from the keyboard frequently, looking away from the keyboard through the choir to the high altar; and for a moment we see her upturned face, a blank face, possibly with little or no make up, no jewellery. A plain young woman, mid to late thirties perhaps, and not a face marked by children or a busy teaching life, but a face focused on knowing this music to a point at which there is almost a detachment, where it becomes independent of her control, flowing momentarily beyond herself.
 
Then she reins the toccata in, reoccupies it; she is seeking closure for herself and for her audience whose attention for a short while has been, as the Quakers say, gathered. Gathered into a degree of silence, when breathing and the body’s sense and presence of itself disappear, momentarily, and musical listening moves from a clock time to a virtual time. There is a slowing down, an opening out, even though in reality’s metronomic time-field there is none.
 
There is a hesitation. With more Bach to follow, should we applaud? With relief after holding the flight of time’s arrow in our consciousness, just for those concluding minutes and seconds we acknowledge and applaud - the beginning of the concert.
sunprincess Nov 2016
Okay friends, Hats off to Mr. Trump the man of Steel
He's a great big fish, Americans caught on a Reel

He's made a big promise and he's made a huge Deal
He's giving us the facts, and he's keeping it Real

He's got his act together and he's laying down the Law
He's fighting bad guys, and building a great, big Wall

SO Just sit back, and don't worry about a thing My Friend
Coz the man of steel's, gonna make America great Again
~The End~
We'll bid her goodbye in September
Her time for leaving is our decision
We'll cast a last motion of recission
Twill be first rate blotting out this member
Her team hath been a truly awful crew
Our nation cannot bear their governance
We require a mob with better guidance
She's got all persons in a right old stew
Another three years of her we'll not stand
The polls say she is on an outbound trip
New policy directions will be grand
We'd prefer she wasn't captaining the ship
To a fresh government our hats we'll doff
CK Baker Apr 2017
to exonerate the clippings
they took the back road to oswega
the tudor house rabbits
had long lost their heads
(presumably to the *****)
and what remained
of the landscape
was dead
and dry
and orange

that happy home
on the brink
of cattle loop
was now gull grey
the needles
and stragglers
from shady bay
remained (in growing numbers)
on the outskirts
of the driven back park

the once fabled town
of horse drawn tours
and dignitaries
was stone washed ~
on the back of it's
government docks
sat decrepit toppers
set against the high tide
beside the lighthouse
and its measured song

flutes and fiddlers
and acoustic sitars
ride the accompaniment
nose rings
and signage
in the hands of
staged protesters
the sickly spit strewn
with tidal run
and ocean bags

hedgerows trimmed
along the sea side
rolling hills fade
adjacent the chuck
mint juleps
and flop hats
peak on the parade
clydesdales
and royals
blinded in the back
Who are these people at the bridge to meet me? They are the villagers----
The rector, the midwife, the sexton, the agent for bees.
In my sleeveless summery dress I have no protection,
And they are all gloved and covered, why did nobody tell me?
They are smiling and taking out veils tacked to ancient hats.

I am **** as a chicken neck, does nobody love me?
Yes, here is the secretary of bees with her white shop smock,
Buttoning the cuffs at my wrists and the slit from my neck to my knees.
Now I am milkweed silk, the bees will not notice.
They will not smell my fear, my fear, my fear.

Which is the rector now, is it that man in black?
Which is the midwife, is that her blue coat?
Everybody is nodding a square black head, they are knights in visors,
Breastplates of cheesecloth knotted under the armpits.
Their smiles and their voces are changing. I am led through a beanfield.

Strips of tinfoil winking like people,
Feather dusters fanning their hands in a sea of bean flowers,
Creamy bean flowers with black eyes and leaves like bored hearts.
Is it blood clots the tendrils are dragging up that string?
No, no, it is scarlet flowers that will one day be edible.

Now they are giving me a fashionable white straw Italian hat
And a black veil that molds to my face, they are making me one of them.
They are leading me to the shorn grove, the circle of hives.
Is it the hawthorn that smells so sick?
The barren body of hawthon, etherizing its children.

Is it some operation that is taking place?
It is the surgeon my neighbors are waiting for,
This apparition in a green helmet,
Shining gloves and white suit.
Is it the butcher, the grocer, the postman, someone I know?

I cannot run, I am rooted, and the gorse hurts me
With its yellow purses, its spiky armory.
I could not run without having to run forever.
The white hive is snug as a ******,
Sealing off her brood cells, her honey, and quietly humming.

Smoke rolls and scarves in the grove.
The mind of the hive thinks this is the end of everything.
Here they come, the outriders, on their hysterical elastics.
If I stand very still, they will think I am cow-parsley,
A gullible head untouched by their animosity,

Not even nodding, a personage in a hedgerow.
The villagers open the chambers, they are hunting the queen.
Is she hiding, is she eating honey? She is very clever.
She is old, old, old, she must live another year, and she knows it.
While in their fingerjoint cells the new virgins

Dream of a duel they will win inevitably,
A curtain of wax dividing them from the bride flight,
The upflight of the murderess into a heaven that loves her.
The villagers are moving the virgins, there will be no killing.
The old queen does not show herself, is she so ungrateful?

I am exhausted, I am exhausted ----
Pillar of white in a blackout of knives.
I am the magician's girl who does not flinch.
The villagers are untying their disguises, they are shaking hands.
Whose is that long white box in the grove, what have they accomplished, why am I cold.
Old Cowboys, forts and shootouts
Black for bad and White for good
With a spinning canvas background
And cactus cutouts made of wood
The desert sits behind them
Fifty yards away at most
The heroes don't ride horses
They sip drinks and sit and boast
About their celluloid adventures
singing songs all dressed in white
While behind them in the background
The stunt men do it right
A canvas background rotates
Through valleys, hills and streams
While the hero rides his deck chair
And the director yells and screams
Central casting fills the tribes out
With Italians, and made up stock
While our hero stops an avalanche
Of fake paper covered rocks
Cardboard Cut out Cactus
And heroes smiling in the sun
Most have never seen a cowpoke
Let alone shot off a gun
But, it's magic when it's finished
the dusters up there on the screen
All the fakery and snake oil
Are all hidden, never seen
The white hats beat the black hats
The hero sings and gets the girl
And the background on the spindle
Is still spinning, watch it whirl
A celluloid adventure
Cowboys no where close to what they were
But..watch the next show for a nickel
And don't forget your spurs!!!
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
SamBee Feb 2013
Drop of a hate
Top hat;
Knitted cap;
Russian hat:
Pink *****;
Skulled bandanna -
Red; grey stitches;
Wool yarn -
Head itches;
Black slouching,
Sides pouting,
Hair sticking out,
Color picking: in;
Bear face;
Crochet lace;
leather paper boy;
Pirate toys;
**** mask,
Hold the wax;
Zebra print,
Purple ink;
Furried hood,
"understood;"
Thrift store cat,
Drop of a hat
I am yours:
There will be more.
All the hats that are incorporated in my relationship with my best friend! :D
Hello, everyone! This is one of the weirdest sites: or your money back! We have ZIM, neopets, music, and much, much, more. E-mail us for questions, comments, complaints and information. Why not click on the Very Weird Stuff link to see more, or click on the music link? We have halloween and christmas pictures on the NeoPics link. Cheese is not a wild thing!!!!!!!!! Now I have decided to go for a world record. I will try to make the longest web page ever, made completely out of text! Won't that be fun? I will just type, and type, and never, ever use copy and paste. Wow...I really must be bored. Just goes to show what boredom can do to you. Any way, that's it for now. Wait, no it isn't, I still have to keep going, and going, and going. Because I do. THE REST OF THE STUFF I TYPE WILL BE COMPLETLY IN CAPS JUST BECAUSE I CAN. THAT IS ALL. SEEYA! Hi, I'm back. So far this is nowhere near the world record. I think. I don't exactly know where it is...oh, well. I'll just have to do the very best that I can. No one is really coming here, anyway. So it doesn't matter. By the way, TAB is a worthwhile, community-service organization. The form link is to a 100% fake TAB registration form that you can fill out just for laughs. I can't believe I'm bothering to do this. I have very low expectations of my site. None ever comes here, I could do this all day long and I still wouldn't have any more hits. This is just a pointless excursive in spelling errors and grammatical imprecision. May your day be shiney! The following is an extremely weird poem-thingy that I wrote when I was in a relatively weird mood:
never mind that noise my dear can anyone pass the cheese only if you say pretty please oh, boy do I have to sneeze. why must everyone always rhyme, why I’m a poet and don’t I know it? what I fear comes right after here not this life or the next will I ever be able to pass the test? we’re stuck in here, (alone my dear) and we’ll problem never get out so don’t start to shout. it’s dark and I want to go home is where the heart was where is it now? we’ll never know but oh crap it’s starting to snow and it’s time to show and tell about the well that you found last summer at camp when it was damp it was near the ramp oh god why must this be I liked that tree but now it’s gone, farewell so long I’ll miss you as long as you write but then I’m afraid to say good-night. my dear there’s nothing to fear that’s only a box that’s made of blocks next to the wagon that looks like a dragon why are you shaking it’s your fear that is making you shiver and act all a quiver. don’t you know that you only need be afraid of fear and never anything here and certainly not a post that acts like a ghost?
See, very weird. At least it fills up my word quota for the day. Not that I exactly have a word quota for the day. It just sounded very professional to say it. Anyway, I still don't think that anyone is actually coming here. You'd have to be an absolute loser (or really bored) to come here. I'd probley come here, but that isn't much of a surprise. After all, I've been to the Really Really Big Button That Doesn't Do Anything website over 50 times. Pathetic. But, whatever. As long as I'm happy, right. Humor the crazy person, okay? Oh, guess what? According to someone you problem don't know, this is the second most pointless website ever! Next to the Really Big Button, of course. I feel special. Come on everyone, group hug. Okay, now I'm starting to scare myself...I'm gonna quit for today. Seeya. Now I'm back. Is this getting confusing to you? Too bad. Now I want you to go to http://quiz.ravenblack.net/blood.pl?biter=eon" If you do this I'll get points in the game. Come on all you non-existing people! Help me! You know you want to! It's a worthy cause! Honestly, the more time I waste playing the game, the less time I'll work on this site and the less stuff you gotta read. Although why you'd be here if you didn't want to read is beyond me. Maybe you're lost. Okay, if you want to get out, click the little refresh button, okay? Good...what? You say it didn't let you out? Oh, well. You must be caught in a time warp. Keep pressing it. Maybe you'll break free. What's that. The little counter at the bottom keeps going up? Never mind. That's just how many times you have to click before you can leave. Good-bye.

Hey, I'm once again: back. I don't suppose you fell for that little thing about the refresh button. After all, you're a responsible, intelligent person who apparently has a lot of time on your hands. Well, you can't possibly have more time than I do. I mean, after all, I made this site. You're only browsing it. And most people don't even come here. Not even my friends...sniffle The just ignore this poor, pathetic little page. All they do is fill out the TAB form and leave. I think. Maybe they're here right now! HI! HOW ARE YOU DOING? I'M FINE! THANKS FOR COMING! YES, I'M YELLING! Who am I kidding. This page won't get a single hit, unless I bribe people...now that has possibilities. Okay, fill out the TAB form, so I have proof that you bothered to come here and...uh...I'll...uh...send you a sandwich? Please allow 6-8 weeks for delivery. I'm bored. I'm gonna go hug a moose. MOOSE! I love-d you moose! Hey, I'm back again! Yea...waits for applause okay! Now I want all you loyal fans...cricket chirps to go to the link to see what I'm like. I took a whole bunch of personality quizzes and posted them there. I'm an evil villain, kitty and a freakazoid so far. And I only took the quiz once, too. Spooky how accurate they are...anyway, I command you to go! I'm going. I'm back. I'm gonna start counting how many times I say back. Let's see: 1...2...3...4...5! Wow. I must really be desperate for something to do. I now officially have proof that someone has been here! It was one of my friends. Apparently this page really is getting long, because my friend said something to that effect. Maybe. Anyway, moving on! I'm just basically typing nothing. Just like all those reports people have to do. You know? With a specific number of words. They start out with half that number, and then just fill in words until they have the right amount. I salute those people. You're great tradition is being carried out here, on the second most pointless site ever! Well. Maybe eventually some weird, bored person will wander onto my site on accident and be mildly entertained be my site until they wander onto a live video feed of a coffee maker. Or maybe not. I only know that I'm entertaining me, which was my original goal. So. I've done what I've set out to accomplish. Yea, me! I'm so special. You see, most people, they don't like reading or writing. So if you're not most people, you've made it down this far without skipping, skimming or getting the spark notes version. (Which I think does not exist) My point is, if you've bothered to read this, then, (like me) you probley have also read the ketchup bottle so many times that you have it down verbatim. Look verbatim up. It's a word. But, you should know that, since you like reading. Or maybe you're just skimming. Anyway, there's nothing wrong with reading food labels. You might be asked a question about them on a quiz show. And now, for the million-dollar question: How many calories are there in a single serving of Mustard? I can just see it now...It could be called Know-Your-Food. Or You are What you Eat. It'd probley be as popular as those game shows that no one's ever heard of. Speaking of food, what's up with pie? There's strawberry pie, apple, pumpkin and so many others, but there is no grape pie! I know. I'm just as upset about this unfortunate lack of development in the pie division. Think about it. Grapes are used to make jelly, jam, juice and raisins. What makes them undesirable for pie? Would they dry into raisins? Couldn't you just stick some jelly in a piecrust and bake it? It just doesn't make any sense. Another thing that bothers me is ***** grinders. You know, the foreign guys with the bellhop hats and the little music thingy and the cute little monkey with the bellhop hat who collects the money? Okay. They're basically begging on the street. How did they ever afford an *****-thingy? Wouldn't it make more sense to get a kazoo, if you're broke? And if they're so poor, what possessed them to buy a monkey? I mean, I don't think I could afford a monkey, and I'm not exactly on the streets. Obviously I at least have a computer...so, back to the ***** grinders. I would have sold the monkey and the ***** and been able to eat for at least a year. Or, if I was weirder than I am, I could at least **** the monkey with the ***** and eat it. Why on earth did they keep the monkey? It must have cost a fortune to feed...not to mention the mess. That's just one of those many facts of life that are better left mysteries. Especially since no one but me would ask the question. I better go. I think I hear a monkey...Okay...now I'm back. That's the sixth time I've said back! I realize that this longest text ever must be very boring and not worth anyone's time. But I'd like to take this time to thank the 2 and 1/2 people in the entire universe who have bothered to read this entire thing. I'm not exactly sure who they are, but: thanks! Right now, my spacebar is malfunctioning...that's not good...I have to press it two or three times just to insert a freaking space. Maybe the evil little faeries with the sharp little teeth have put their evil faerie dust on my computer. Or maybe not. This is too frustrating. Goodbye for now...Now I'm back. And still frustrated. But for a different reason. Today I had the misfortune of playing a Treasure Planet game on neopets.com It was terrible. Apparently the point of the game was to get your character to shout "Whoo-Hoo!" as many times as possible before you splattered your brains on the rocks, all the while listening to a soundtrack that is similar to a dying ceiling fan. Of course, when I started out I accidentally hit the rocks approximately three million times. Halfway though I used my four remaining brain-cells to decide that the game was dumb. So my goal changed from surviving to laughing evilly while my character died. So the game naturally did everything it could to preserve my life. The stupid game is still going on and I refuse to quit because I want my points. My character is actually dodging the stupid rocks better now then when I controlled him. I hate irony. Seeya. Okay. Now I'm back again. Today I added an update page, which is basically a less chaotic, outlined version of this without all the ranting. It's more like techno talk about arrays and how much I **** and whether or not the Braves will win this year. Okay, the whole braves thing is made up. But everything else I've said so far is true. I think. Maybe I should start on a boring disclaimer...Eh-hem. All contents of this site were designed for entertainment purposes only. Any use thereof that is not stated in the above mentioned statement would make the author, hereby referred to as Patron Saint of Paper Clips, very angry. Should you violate the purpose of this site: i.e. become not entertained, the Patron Saint of Paper Clips will be forced to take drastic measures. This is specified in Code: 343 of the Flaming Chicken Handbook. Ooooo…that’s a great idea! I’m gonna start quoting from the Flaming Chicken Handbook! Code: 343 of the Flaming Chicken Handbook states that the Patron Saint of Paper Clips (that’s me) is allowed to cause vague, pain like sensations while the offending person (or alien life form, dog, etc.) isn’t paying attention. Now I have a purpose in life! To make up quotes from the non-existent Flaming Chicken Handbook, which I’m sure you have a copy of. No? Too bad. It’s in the mail, I promise! Now I must take my leave…and remember. Cheese is watching. Okay...I'm back...I think that eventually half of this thing will consist of the word back over and over again...that's just weird. Which fits the motif of the rest of the site. There's even a money back guarantee. Isn’t' that nice? See? Now no one can ever say that I don't take care of my viewers. Especially since I don't have viewers. I have readers. Wait...I really don't even know if anyone bothers to read this. Even if I put it in a less chaotic, more user-friendly format people would still ignore this because it involves: reading. Yes. Sad to admit, but the majority of people would rather read the summary at the back of a book rather than the whole book itself. What has the world come to? It's pathetic. Especially since I'm bothering to write all this. It's not fair! Why can't I have more readers?! All the other internet writers have nothing on me, except they're better at advertising, having a central theme/plot and basically more talented. Whereas I'm more into the whole ranting and raving stage right now. Plus, I am horrible at spelling. Which is bad. Thank the powers that be for spell-check. The single greatest invention of the computer gods. I'm getting bored, so I think I'm done for the day. May your day be shiney! I'm back again! And I feel weird! I found at that yet another one of my friends is reading this. Creepy. Just how much time do they have on their hands. Perhaps their just trying to be nice. I can just see it now...an organization devoted not to feeding the hungry, or peace, or love or whatever, but to giving recognition to all those poor, pathetic, unpopular websites. I wonder what it's name would be. Don't Ignore Sites? Would it be called DIS? Isn't that like a slang term for an insult? Would that be considered poetic justice, or just a nice coincidence? And why do I even care? I'll tell you why. Because I have nothing else to do right now. I could be playing neopets, but ever since my bad experience with Treasure Planet, I don't feel like it. Oh, by the way, I noticed that whenever I use spell-check, my stupid computer turns the word probley into to word problem. To prevent this, I did nothing. So, it is now up to you, the imaginary reader, to decide whether I mean probley or problem...it's almost like a game! But without the bad sound track. And I promise not to force you to live when you would rather die. Moving on, I have nothing else to say, but don't feel like quitting just yet. I'm like the little engine that could. Or maybe the Energizer Bunny. I just keep going, and going and going. Or I could be like that annoying guy on T.V. who keeps asking if you can hear him. If my site manages to last a decade, my readers snicker will probley wonder what I'm talking about. My answer is simple. It doesn't matter. I'm just rambling. Which means that it doesn't matter if you understand anything I say. Doesn't that make you feel better? I bet it does. Wow. Look how long this has gotten. I even impress myself. Who would have thought I have this much free time? And I congratulate any reader who has gotten this far. Ooooooo! You must check out the fortunes section of the random stuff page! I've just gotten an idea for some more, original, fortunes...I gotta go!(may the moose be with you) And now I am back. I swear. If iI fill out the fake tab form I'm gonna have to put back as my favorite word...I already have filled it out, though. Would it be cheating to fill it out again? Only if I had multiple personalities. Or would it be cheating if I didn't have multiple personalities? The world may never know. Just like how many licks it takes to get to the bottom of a tootsie pop. Would it vary? The number of licks, I mean. Someone could have super-disolving spit, or watery-spit. Or what if you took big ol' slobbery licks? Does the commercial take that into account? No. It doesn't. And let me tell you, it's an outrage. It deludes all of American's sweet, innocent, candy-loving children into thinking that a cartoon owl is smarter than they are! "Mr. Owl, can you tell us how many licks does it take to get to the bottom of a tootsie pop?" Or whatever. And "Mr. Owl" replies "One...Twoo...Three! Chomp" And he bites it. That teaches our youth that it's okay to agree to help someone, and then ruin their experiment. Well...it's not. I am going to start a protest group. Teens Against Cartoon Owls. We could call ourselves TACO! I love the little tacos, I love them good! That is a direct quote from GIR, co-star and comic-relief on INVADER ZIM. Hmmmm.
(1)

This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.

Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.

Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..

A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices

Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,

Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?

Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers

Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.

The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.

                (2)

This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,

The high, dead, toeless foot of this priest
Who plumbs the well of his book,

The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,

******* and hips a confectioner's sugar
Of little crystals, titillating the light,

While a green pool opens its eye,
Sick with what it has swallowed----

Limbs, images, shrieks.  Behind the concrete bunkers
Two lovers unstick themselves.

O white sea-crockery,
What cupped sighs, what salt in the throat....

And the onlooker, trembling,
Drawn like a long material

Through a still virulence,
And a ****, hairy as privates.

                (3)

On the balconies of the hotel, things are glittering.
Things, things----

Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.  Why should I walk

Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,

I am not a smile.
These children are after something, with hooks and cries,

And my heart too small to bandage their terrible faults.
This is the side of a man:  his red ribs,

The nerves bursting like trees, and this is the surgeon:
One mirrory eye----

A facet of knowledge.
On a striped mattress in one room

An old man is vanishing.
There is no help in his weeping wife.

Where are the eye-stones, yellow and valuable,
And the tongue, sapphire of ash.

                (4)

A wedding-cake face in a paper frill.
How superior he is now.

It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;

They are browning, like touched gardenias.
The bed is rolled from the wall.

This is what it is to be complete.  It is horrible.
Is he wearing pajamas or an evening suit

Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?

They propped his jaw with a book until it stiffened
And folded his hands, that were shaking:  goodbye, goodbye.

Now the washed sheets fly in the sun,
The pillow cases are sweetening.

It is a blessing, it is a blessing:
The long coffin of soap-colored oak,

The curious bearers and the raw date
Engraving itself in silver with marvelous calm.

                (5)

The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,

The hollows in which rock the thoughts of the wife----
Blunt, practical boats

Full of dresses and hats and china and married daughters.
In the parlor of the stone house

One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.

This is the tongue of the dead man:  remember, remember.
How far he is now, his actions

Around him like living room furniture, like a décor.
As the pallors gather----

The pallors of hands and neighborly faces,
The elate pallors of flying iris.

They are flying off into nothing:  remember us.
The empty benches of memory look over stones,

Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here:  it is a stopping place.

                (6)

The natural fatness of these lime leaves!----
Pollarded green *****, the trees march to church.

The voice of the priest, in thin air,
Meets the corpse at the gate,

Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.

What is the name of that color?----
Old blood of caked walls the sun heals,

Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,

Necessary among the flowers,
Enfolds her lace like fine linen,

Not to be spread again.
While a sky, wormy with put-by smiles,

Passes cloud after cloud.
And the bride flowers expend a freshness,

And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.

                (7)

Behind the glass of this car
The world purrs, shut-off and gentle.

And I am dark-suited and still, a member of the party,
Gliding up in low gear behind the cart.

And the priest is a vessel,
A tarred fabric, sorry and dull,

Following the coffin on its flowery cart like a beautiful woman,
A crest of *******, eyelids and lips

Storming the hilltop.
Then, from the barred yard, the children

Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,

Their eyes opening
On a wonderful thing----

Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.

For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
CK Baker Jan 2017
He filled his week bag
with quick picks from the commissary
cover blades and skull cap
canned goods and half stated pearl
liquor bills and bleeders
for the flight of weary

Into the ****** bunks
of the western front
past sivana and nurture sage
past the pomp and ceremony
out of robes and into jumpers
and casings
and masks of gas

Light infantry and yelling men
muscled and scorned
fly boys high in 3 wing flight
mounted gunners filling the night
in hawkers and packards
and scabbard chape

Tarrant tabers and camels
dodge the vicker gun
skeleton hands grease the mill trap
carnage makers mark the rhineland
(buried in bunkers and pile bags and earth pack)

Trench helmets and metal back
under machine fire
minefields burn in muzzle and coil
deep in the shadows
and shrapnel and spear
the razor wire
and dead cold despair

Slouch hats and burning rats
kerosene lamps and droopers
the soldier stares down
the broken lines and limbs
a ****** holds steady
(shelved at a distance)
on ripped and rolled pipe and beam

It was an all in end game
a grapple for the ages;
*** in the fokker pursuit
over rolling hills and fallen comrades
into the bishop bullet
(and sporadic cheer)
which sealed the deal
in an empty field
off the brae corbie road
Cabbage Sep 2022
I can feel it’s cold embrace.
The wind.
A brush, naturally moving back and forth
And me.
The canvas upon which the wind does its work.
short. sweet. to the point. unlike my life
Jackie Mead Oct 2017
Prince Simon, Prince Jason and Princess Sophie lived a regal life.

Slaying dragons and battling witches by day, monsters and beasts by night.

Each day brought adventures new, trips on boats and to the zoo.

One particular day when feeling bored, Prince Simon decided to explore.

Down to the basement, he slowly sneaked, quietly to take a peek.  New adventures he did seek.

A rickety old wardrobe he did find and suddenly an adventure sprang to mind.

Prince Simon shouted excitedly, "come quickly Prince Jason, Princess Sophie the Wardrobe holds an adventure new, one for me and why don't you join me too?"

The three children didn't hesitate into the Wardrobe they climbed, "where are we going today? do you know the way? Prince Jason chimed.

"The way is West" Prince Simon declared "to the Wild Wild West in the days that were best, in the morning I have a history test."

Quickly buckle up, hold tight, the wardrobe will soon be taking flight.

No sooner had they entered the wardrobe and buckled up, then the wardrobe began to rock and shake, the wardrobe began to lift and quake.

The rocket started rising higher and higher, faster and faster , picking up speed and going faster and faster.

Higher and higher, faster and faster they rose into the sky.

Higher and higher, faster and faster until they were 30,000 feet high and heading in the direction of the Wild Wild West.  
All three children were delighted, the rocket ship made them so excited.

Prince Jason and Princess Sophie said, " what do we need to wear on this adventure?"

Prince Simon said "cowboy hat, jeans, boots, and vest, that's all that's required for the wild wild west"

"mmm said Princess Sophie what about cowgirls or squaws that is what an Indian Girl is called"

"Well," said Prince Jason "their very similar, a cowhide dress, boots and Stetson hat for cowgirl, a cowhide dress, boots and feather headdress for the Squaw, let's look around and explore what the wardrobe has hidden for us all"

The children started looking and everything they required they did find Prince Simon and Prince Jason looked very fine as Cowboys with their hats, jeans, boots and vest they would fit right in, in the Wild Wild West.

Princess Sophie decided to dress as a Squaw and donned Cowhide dress, boots and feather headdress turned to her brothers to see if she passed the test.

"Perfect" Prince Simon and Prince Jason declared "come join us  now," they both said," it won't be long" Prince Simon stated "until we land back in time of the 1870's in Deadwood Gulch, USA, the Sheriff has a campaign to rid the county of its bad name "

Prince Jason and Princess Sophie were so excited they began to laugh and squeak, Princess Sophie did declare that "her knees were feeling weak"

10 minutes later the rocket had slowed down and was starting its' descent, Princess Sophie got so excited as she spied a teepee tent.

"Look" Princess Sophie shouted "a reservation down below, where Indians are settled and warm fires are all aglow"  

"Can we please stop and speak, I would like to ride a horse and a canoe, I have read stories and I know that's what they do, in the land of the Sioux!"

Slowly the rocket did descend, landing near the reservation, all three children opened the door, their eyes grew wider at what they saw.

5,000 Indians greeted the visitors with big smiles, and their leader, name of Crazy Horse asked them to join them for a while.
“Stay a while,” Crazy Horse said we’ll make some food, teach you to ride a horse ******* and a canoe, teach you the ways of the Sioux.

Princess Sophie replied, “we can’t wait” looking at the leader’s headdress Princess Sophie sighed “how come your headdress is as tall as it is wide?”

Crazy Horse smiled and sweetly said “I am a leader of these people and I do not hide; my headdress makes me stand out from others at my side”

Crazy Horse led the children to the teepee tent and signalled them to sit on the floor in front, cross-legged.

“We hunt daily for fish and meat, the food you are going to be given is precious and prepared with care, please do not wait, dig in, enjoy, there is enough to share”

Prince Simon, Prince Jason and Princess Sophie dived in enthusiastically, tasting everything, they could, from rice and beans, fish and meat, everything was so tasty and cooked in a *** hung over the wood.

“when you have finished “Crazy Horse declared we have horses ready for you to ride, don’t worry someone will walk with you at your side”

The children excitedly climbed upon their horses, Lakota for Prince Simon, Kamanchee for Prince Jason and Quil for Princess Sophie, they each clicked their heels and off the horses trot.

Just as Crazy Horse promised, each of the children had an Indian by their side, walking and talking about the best way to ride.

After an hour the children did decide that as much as they enjoyed it they had to end the ride.

Prince Simon said to Crazy Horse “thank you for your hospitality but we really must leave right now, we are meeting the Sheriff man of Deadwood Gulch” he said with a bow.

Crazy Horse bid them adieu and said, “say Hi to Wild Bill for me, last time I saw him he was wagon master”

The three children said their goodbyes and walked along the White River to their destination town, Deadwood Gulch.

Suddenly wooden huts appeared and horses pulling carriages, people and cargo shared the inside and Wells Fargo in writing on the outside.

Prince Simon, Prince Jason, and Princess Sophie looked around the town, found a sign that said Sheriff’s Office, rang the bell and entered.

Wild Bill Hickock with his long hair and Stetson hat, looked just as the children remembered from their history class.

“Hi,” said Wild Bill as he rose from his seat, stretched his hand out to greet the three children.

You must be Prince Simon, Prince Jason and Princess Sophie come to learn the ways of the Wild West before your history test.

“Yes” said Prince Simon, wildly shaking Wild Bills hand “we are delighted to meet you and lend a helping hand”

Wild Bill said, “follow me, I am about to take a walk, meet the local folk and welcome visitors to the town, would you like to tag along with me as I walk around?”

The three children agreed excitedly and followed behind, “First stop” said Wild Bill is the Post Office look for the Yellow sign”
“I see it,” said Princess Sophie as she ran across the street “let’s all go inside and meet the postmistress, make sure she’s got what she needs, if she requires any stationary we may have to place an order to arrive with speed”

“Next stop,” said Wild Bill “is the Blacksmiths down the road, if you are lucky he will show you how a horse is shoed”
The children watched quietly as the Blacksmith plied his trade, treating all of the horses to pairs of shoes fit for a parade.

“Last,” said Wild Bill “off to a rodeo we go, you will see cowboys riding their horses and using their lassoes and if your very lucky they will let you try it too”

Prince Simon, Prince Jason, and Princess Sophie were so excited they hardly said a word, watching the rodeo in silence, watching every move.
Finally, Wild Bill shouted from the side, “hands up who is keen to have a ride around the ranch? Try their hand with a lasso and maybe get some lunch.

The children’s hands shot up in the air and all three children gave a very loud cheer, Wild Bill laughed and replied, “Follow me and I will hook you up with three horses for a ride”

For the second time that day the children rode horses, this time in a circle around the corral, keeping time Wild Bill always by their side, they loved the ride.

Last but least Wild Bill put on a feast of a show with rope in his hand he threw the lasso over some cans set up on a fence, pulled the rope tight and without a second glance, felled the tins to the floor, the children let out an appreciative roar.

“That is the end of your day” Wild Bill did say “I am sorry to see you go but you must run along home, you’ve been gone a long time and your mummy will be worried”

The children shook Wild Bill's hand and thanked him for his time, sadly the day had ended and they climbed back in the wardrobe, set the destination to their home a million miles below.

As they approached their home, the roof started to open wide and the rocket began to slow, the ride was nearly over and they did not have far to go.

Very soon the wardrobe landed safely on the floor, the children were exhausted and ran to open the door, out they fell full of excitement and looking for their mummy, headed straight to the kitchen.

Mummy looked at all three children and declared “there you are, I was searching for Prince Simon as he has a history test in the morning on the Wild Wild West and I was going to help him revise for it.

The children laughed and cried, Princess Sophie, sighed, “no need mummy” they all declared “we know all about it, we’ve all been there”

Prince Simon said “Can we just have some tea and go straight to bed, I promise I have all the knowledge of the Wild Wild West clearly in my head, at least enough to pass the test.”

Of course said Mummy wash your hands, tea is ready.
If you have children, you may wish to know this is now available as a book. As is the Two Princes and a Princess fly to the Moon
Ellie Wolf Aug 2018
When its emerald eye glimmers in the shadow of the dusty shelf above
I pause,
I sense a presense.

It is not unlike me to attribute human characteristics to inanimate objects.
Give them names and nicknames and quirky character traits based on how their forms bend.

In the flickering lights of a broke wicken sanctuary though, I do not do it out of habit.

I feel it and stare it back down and see my own reflection in the cracked gems that once were a soul.

A gaudy skull.

The kind you see in home video Indiana Jones tributes,
with hats stolen from someone’s parents,
and jackets stolen from someone else’s elder siblings,
and ketchup for blood.

The kind your quirky local manic pixie dream girl uses to hold incense.

The kind I’m about to waste my money on because I’m an adult now and I can use my millennial minimum wage however I want.

I do not become aware of the possessed nature of my new buddy until I take it back home and hear it snicker in the middle of the night.

I know it is the skull, for my roommate is not one to snicker.

(He chuckles when he’s hiding an opinion and has a villainous laugh when it’s coming from a place of sincerity, but that’s beside the point)

I know it’s laughing at me.
I know this for a fact.

It takes me three more nights to call it out on it because I’ve never been confronted with the issue of standing up to a haunted antique I took home from a secondhand shop, possibly owned by satan’s offspring.
But I’m twenty-one years old and still experiencing some firsts, I suppose.

The gaudy skull is exceptionally snarky.
In a way none of my named plants ever were.
Not even Gerard.

He comes for me for the garbage on the floor and the dust on the windowsill on which he’s propped up, and then later for my poor taste in chore-doing music.

I never ask for its name because I know for a fact he’ll make a game out of it
and I am not in the mood for entertaining ghosts.

I come to realise it all on my own a couple of weeks later.
Once the snark starts to wear off,
and domesticity settles in,
and shared quiet becomes comforting,
despite the circumstances.

It is Judas.

I know this for a fact.

You do not understand the extent to which I am certain that it is Judas.
I have never been so aware of someone’s origins in my entire life.
I bought this creepy item and it is now in my room and I’m developing a weird attachment to it and maybe occasionally use it as a paper-weight and it is Judas.

I feel it in my heart and know it inside of my skull that might be standing on someone else’s touchscreen windowsill
two thousand years in the future,
jade stones for eyes even though I specifically requested amber,
but you get ****** over by bureaucracy even after death.

How do I know it is Judas?

Because I feel him stare at me like he wants to kiss me late at night and sense him plotting my betrayal early morning.

I know it is that, for a fact, because I’ve felt this exact sensation before.

My **** edgy room decor is Judas.

I try to get him to admit it himself by talking of past lovers and reading aloud the surprising number of Jesus metaphor poems I have in my room.
I hate Jesus metaphors, but I do it for that sweet sensation of seeing someone trying to dodge the inevitable once it’s coming at them like a mule through Rome piloted by the son of god.

I know he’ll cave eventually and tell me
and I know it’ll be the same caliber of glorious news as Jesus coming out of his own cave of burial,
resurrected and preaching winning.
I know I’ll win.

And I think to myself that maybe I am in the mood to entertain and just haven’t found the right outlet yet.
Maybe history’s most infamous apostle is It.
The original sinner and the original rebel.

(I’m aware it’s technically Cain, the jealousy-ridden son of Adam and Eve, but I only ever count the gays)

Judas and I have bonded.

And I can tell he’s on the verge of telling me his dark and twisted backstory. Again, I have felt this sensation before.

And when it happens, we can talk
about what it’s like being demonised by the one you love
and being the odd one out in your devotee friend group, even though you eat bread and drink wine and worship metaphor just like them.
And how patriarchal institutions distort history to pedal the same tired spiel of everything having a place and everything being there for a reason.

But we both know that isn’t true
because neither of us feel like part of god’s plan or created in anyone’s image.

And we can listen to sad music about wanting to kiss the wrong people together.

And that’s all I ever wanted from a friendship.
Martyn Thompson Aug 2011
Hear the bass, grace notes race all over the place
Cymbals paced, hi-hats chase, weaving between the bass
The piano - chords struck with wide spanned hands
Poly-rhythmic, multi-layered sounds in strands

The timbre of reed vibrating against warm metal
Precision; a sixth, a ninth and an eleventh interval
A major, a minor scale; a frantic modal sweat
A small sound for mankind; but a truly giant step

Each note slices through the eclectic beat-drop
Singing and whispering this post-modern be-bop
Multi-phonics scream, like controlled feedback
The seductive saxophone – this weapon of attack

The boundary is stretched, new ground broken
The holy saxophone has never thus spoken
And I pay homage, all my deepest respects
Go to the man who made those giant steps
teaching a wild creature to feed from your hand is a feat maybe maybe not Mom taught me from a young age then never let go in June 2013 the estate will cease all the coats hats shoes scarves skirts dresses blouses belts purses from Ultimo Saks Neimans wherever steaks from Gene and Georgetti’s Gibsons whatever will be consumed and she will be forced by the bank to resign her condo on lake shore drive and go live with her sister and i will be left with nothing

nothing feels better than fighting back gathering the strength courage to do that to fight until there is no daylight

the world is a mysterious place it is Sunday December 26th 2010 6AM pitch dark outside in several months daybreak will come earlier a remarkable surprise yet always been this way in several minutes firmament turns light i open eyes stretch legs look out window pink blue gray blue morning skies tree tops mountains watch flock of birds maybe 30 or 40 flying back and forth east west why do they do that how would you like to be one of those birds flapping around searching from above at the earth hmmm what if everyone had a ***** and ****** feathered wings fin distinctive tail floppy or pointed ears what if you could share breakfast or lunch with Kim Gordon Patti Smith work on poem with e. e. cummings James Joyce William Faulkner paint with Mark Rothko Anselm Kiefer play football with Payton Manning Drew Breeze jam with Jimi Hendrix Keith Richards race with Secretariat sniff with Lassie mix with Max Ernst Georgia O'Keefe Donald Judd meet with Gandhi and J.F.K. make love with Charlotte Gainsbourg Kate Moss dinner with John Lennon Friedrich Nietzsche dance with Albert Einstein Isadora Duncan share a smoke with Sam Clemens (Mark Twain) Sam Shepard last drink with Sylvia Plath Virginia Woolf then go to sleep next to Sphinx Pyramids wake with Cleopatra Mata Hari on Bali beach look up at tiny puffy clouds that resemble strange script do you understand the possibilities mysteries of everything

old is lecherous but i’m still trapped in childhood hurting wanting to be grown-up

i think i said i don’t know how to talk i was speaking to this **** greedy landlord trying to negotiate between 2 different spaces long distance and i meant to say i can’t talk right now i’m in a restaurant or shop but instead what came out was i don’t know how to talk he was insulting me bullying hollering at me on cell phone accusing me of dickering about price lease and it slipped out my terror from Dad my childhood fears repression inability to negotiate i froze fumbled finally uttering i don’t know how to talk then disconnected

i’m running scared gasping for breath heart pounding yearning praying crying for love beauty happiness success i’m smart creative powerful yet inept too shy or fearful to know how to properly spontaneously speak in person

what if consumerism is realized as a mental disorder a method to suppress genuine hunger with fetish products

what if money is identified as disease actual legal tender found to source fatal viruses

what if humanity is discovered to belong to an alien predatory race independent from Adam and Eve or monkeys

what if all knowledge is found to be deceptive invention concealing real world truth

what if existence is a chess game or trial enacted by higher forces and your every thought feeling recorded in eternity

what if progress is the enemy and primitivism the remedy

my whole life i’ve learned about infidelity my mom sister dad uncle i don’t understand i’ve never been unfaithful to a girlfriend (one is enough one is more than i can handle) why do people speak those vows then get married only to violate themselves their mates maybe that’s why i am afraid to ever get married infidelity is the most painful betrayal to find out your partner with all your shared secrets compromises them with someone else oh god

April 19th 1995 a bomb explodes in Federal building in Oklahoma City killing 168 people injuring 759 what are Timothy McVeigh and Terry Nichols thinking did they act alone there are so many lunatics running around out there so much misunderstanding disenfranchisement in America

Arlington Street Asheville North Carolina June 1995 Odysseus and his dog Farina keep mostly to themselves something is wrong with his voice he sounds hoarse when he speaks it is uncomfortable to talk he goes to free clinic and waits half a day elderly doctor attempts to stick long metal instrument down Odysseus’s throat Odysseus gags coughs elderly doctor becomes irritable he warns Odysseus to quit smoking Odysseus wonders what it would be like to be loved possibly married in loving positive relationship to know all the endearing enduring connections between caring couples other people manage it why can’t he? he thinks i’ve never been a good provider nor placed enough value in money i believe in freedom and love i chose to make art and pursue a life of self-discovery experiment dang i am wrong from the moment one’s work hangs in a gallery the artist’s integrity is compromised individuality becomes commodity typically people who buy paintings have so much money they scatter a trifle on art the artwork provides the consumer with a look of ‘soul’ to be shown off to their envious friends the artist becomes needy pet of dealer and client maybe converting one’s spirituality into commercial merchandise is like making deals with the devil he thinks about Native American artists whose work is immediately esteemed and utilized in their culture he has spent his whole life seeking validation in art world he wonders how many other unknown artists feel similarly useless discarded he considers i’m forty-five years old now and i don’t have a penny to show for all my troubles i still believe i have much to give insights to reveal but no practical plan for survival i don’t know how i’m going to get through this existence the world wants young promising talent not some older painter striving for another chance women want nothing to do with an impoverished aging dreamer my dog loves me she knows who feeds her i’ve got academic degrees a long resume of legitimate shows i know how to use a computer solve problems fix toilets sinks strip and paint serve food and liquor but i can’t land a decent job i never learned how to properly market or barter my work and i’m not interested in the position of sacrificial lamb i want a home and female partner like other men have i want to be needed respected loved a creative member of a community instead of an expendable outsider working menial jobs for minimum wage what good are paintings if no one looks at them what good are noble values in a corrupt society the world runs on money and greed not freedom and love
Marshal Gebbie Nov 2009
Dedicated to the Hard Hats, ..for holding it all together.


**** frost on the green grass
There's a cold moon in the sky
The estuary waters black and calm
Where golden ripples lie.
Dawn's horizon lightens up
Bright stars begin to dim
Hard Hats all arrive for work
And with frozen breath...log in.


Work boots crunching on the stone
The men disperse to trucks,
The diesel motors roar to life
Their departures forming rucks.
Swarming in the morning light
Each to his own job's task,
Bridge building work underway
As dawn's first sunbeams bask.


Amazing the complexity
That building bridges has,
Amazing how voraciously
It eats up time and gas.
The planning and design work
The funding of supply,
Those organizational matters
And the labour standing bye.


Digging, lifting, shoving, shifting
Moving this to there,
A logistical nightmare
For the novice, unaware.
Steel and timber by the ton
Concrete pours en mass,
Gravel, sand and aggregate
And reservoirs of gas.



Procurement of supply ensures
A smooth transitional flow
Of successive small procedures
To make the project mesh and grow.
Day after day the massive trucks
Carting tons of sand
Are authorized by gate men
To unload on to land
Where motorway construction
Is steadfastly taking place
And progressing at
A gradual and steady building pace.



From concept to completion
A million multitasks,
Which involves a caste of thousands
And a schedule which asks,
That the finished installation
Be completed by the time
Of the Rugby World Cup kickoff,
Our global status on the line.


Like ants the Hard Hats swarm about
Each does his little bit
And gradually, over time,
The bridge emerges from the pit.
It emergeth like a phoenix
In a drab and sombre gown
But on completion, shines like fire
To be the nation's most re known.


The Manukau Harbour Crossing
A project for the Gods,
Of massive lengths of concrete
And miles of reinforcing rods.
Of an eternity of effort
From everyone involved
And an asset for New Zealand
And a beauty to behold.


Marshalg
@theGate
MHX
Mangere Bridge
14th March 2009

Please view the following link
http://www.youtube.com/watch?v=VzQZ-M90Zig
nivek Oct 2014
Braided brushed *******
the princess and her jewels
hair fair platted with history
servants standing by swords ready
gold hats seamed silver pulled tight
with silk ribbons and scarfs full beaded
this is a Viking girl astride her war horse
Martin Narrod Mar 2014
I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
*There's A Wocket In My Pocket by Dr. Seuss

— The End —