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I walk a pace in tall covers, a distance set from other brothers, waiting for a herd to feed; I crush and blow away some seed.

The grasses burnt on prior prairie, warm yet cool for day is airy, far can see I from top hill; I stand in patience very still.

Copper ochre is my skin, the brothers and I are family men, on the native hills we live and finding those called kin, we hunt today the land we’re in.

Off in distant rumbled cloud, dark foreboding getting loud, the sound we seek from running crowd, ahead of storm front watching grasses plowed.

Stoic, I, my umber eyes as mist now falling from the skies, I stand here patient chest held high, shoulders square with chin to sky, my flowing hair in breeze divides.

Land it shakes I take to knee and feel the earth, the vibrating, the rumble sound is thundering, is louder still than weather’s thunder, light she fades from skies I’m under.

  Yansa nearing, wind has told me, I wait here at clearing with spear to console me but something awful lurks around for along with rumble comes alarming sound, a growling type from a hungry hound.

Bear my brother, hawk my guide, no tree for shelter or horse to ride, my hunt now over after solemn wait for Mother Earth has sealed my fate.

Two wounded wolves approaching wily, one it limps or seems to sway as smaller animals run away, their eyes beguiling on stormy day, I prepare for fight, no time to pray.

I seat my spear, it is useless, take out knife and axe I loosen, the pair they circle long and wide, and carefully I match their stride.

  Quiet now, prairie peaceful, time seems slower, I cannot see my people; the wolves at bay they snarl near, I stone my heart against all fear. Were they hunting Yansa, like me too, I just easier prey to pursue? My younger days would see wolf for dinner as I’ve grown older so too am thinner.

  What difference makes it slow or fast but when they pounced did run in tandem? In last second my actions random, I lose my hatchet in one’s side and dive while stabbing until he’s died. Face is ******, arm got chewed, and they tricked me with a method skewed, for what seemed wounded never was true, my back turned towards her, neck in view, she took aim and rent sinew.

  A ****** mess became a horror, I swung my blade and thought I caught her; she tore my hand off and mauled my face then left me dying in a grassy place. The warmth of day is leaving body, a hunt now do I thus embody, the rumbling ground again is moving and cool of night is somewhat soothing, my killer stalks the area-round but soon she’ll eat me where I’m found.

  The rain it cooled me seeing Sister Moon, Brother Sun was dipping with Great Father Sky as Mother Night came to watch me die, my life fulfilled so now I die, Great Wolf’s passion can’t deny; to all that knew me I say goodbye.

  He who fights wolves says,  -goodbye.
Rhyming narrative about a Neolithic Native American.
Seven Nielsen Feb 2021
Sitting somewhere to this day
Lizzy's hatchet hides away
Only Lizzy knows its place
Wrapped in blood-soaked antique lace
She Writes Apr 2018
When I asked if we could bury the hatchet;
I didn’t mean in my back.
Twinkle Jan 2015
If this title attracted your attention
As it surely should
The devil is real my friend
Rest assured it's true.

Folks I am not fibbing
The master of lies has a great disguise.
Like the Saviour he is watching you too.
But unlike the Master, your fears are his haven.
He's lying in quiet wait to trip you.

If you think I am fibbing, let me explain.
His existence is in the mind of the aimless.
He makes his home in the hopeless.
The young ones he infects with discontent
His hatred he sows deep.
This till the children of God become his sheep.

Then beguiling he'll lead them to slaughter.
Broken hearts, bitterness to plunder.
The emptiness a yawning gap.
You can't save yourself,
He'll push you to give up.
Then he'll put words of despair in the mouths of loved ones.
Break your resolve if you so much as dare.
He'll thrive on wickedness, and turn your love into despair.
All around you, you'll see hopelessness.
This minions perfecting the part.
Only the Son of God (Jesus), can break this act.

When you feel love tugging at your heart
And reach out to those hurting.
When u bury the hatchet
And choose forgiveness.
When you rise above the pettiness
Your pride destroyed
When you see in persons God's image
Trust me, you've the fetters blown away

Oh, he won't let you go easily
Your too much a prized possession
The one he'll ensnare,
The one he'll dangle, before His throne
Then the Son of God, His Christ, his body tearing, will offer himself in exchange
A bargain with his blood
Before your life can drain.

Look out Oh children of One God
The devil knows no religion
He exists it's true
Simply look around you.
The wars and guns are his legacy
Products of his insanity.
The mindless massacre of innocents
Unleashed through times immemorial
****** earth covered cries for vengeance.

Mind you, you can only be so much as used.
As you allow yourself to be.
The traps are set in every corner
It's not going to be easy.

Often you'll be goaded by those closest to you.
Offering you solace in things that should not be.
Drugs and gangs
Violence and rave
Ecstasy and addiction
Cool fads and attractions
Wanting things you'd
be better off

But it doesn't stop there
Fear is a potent weapon
He'll use it everywhere.
He'll bombard you from every corner
Till you doubt your sanity
Then willingly you'll walk into his parlour
Handing over your serenity

You'll never know what's evil.
Cause he make you believe he doesn't exist.
But my friend all long
You were flirting with the devil..
Something I had a long time to ponder on and think, what makes us evil.
rhiannon Dec 2017
who
who are you?

You
upon whose skin comedies are written
in bruises and scars like graffiti on your heart
scrawled upon the walls in the language of
maddening imperfection.

You
who exhumes the bones of demons
from the graveyard growing
inside of you
the cemetery where you bury your grief.

who are you?
who rebels at the crimes,
self-inflicted, yet
cannot bring yourself to bury the hatchet
(a hurricane that refuses to be named.)

You
who has learned (to your sorrow)
that the world has teeth
and homes cannot be made
out of human beings.

You
who cannot help but idle
on the question
"what parts of me still function
properly?"
i wrote this when i was about 16 but wanted to share
Irma Cerrutti Mar 2010
Masticated Ectoplasm to Lance Corporal Tom
Masticated Ectoplasm to Lance Corporal Tom
Bumming your fat knobs and insert your helmet naked and unashamed

Masticated Ectoplasm to Lance Corporal Tom
Kicking off kick-off, cyborgs brought face to face
Tartan sunstroke and may Mumbo Jumbo's **** all lie among you

Nine, eleven, seven, thirteen, six, quinquereme, *******, *******, Tweedledum and Tweedledee, unsocial person, erectoffensive!
This is Masticated Ectoplasm to Lance Corporal Tom
You've really ****** the naval officer
And the hatchet faces want to know whose blouses you abuse
Now it's time to evacuate the ******* if you have a free hand

This is Lance Corporal Tom to Masticated Ectoplasm
I'm fancy dress dancing through the cat—flap
And I'm groping inside a swollen grotesque sailor
And the plums look gigantically unusual nowadays

Ergo from Land's End to John o' Groats am I piddling in a crumpet slammer
Telescopic hindward the lump
Uranus Arsenic is scatological
And there's sweet **** all I can have ****** ******* with

With the proviso that I'm Ichabod celibate centipede sextillion heads
I'm fondling vigorously paparazzo
And I think my sputnik knows which direction to ****
Tell my ballbreaker I ****** her vigorously for England, she bonks

Masticated Ectoplasm to Lance Corporal Tom
Your menstrual cycle's kaput, there's oojakapivvygizmo spleen
Can you smell me, Lance Corporal Tom?
Can you get to the bottom of me, Lance Corporal Tom?
Can you delve into me, Lance Corporal Tom?
Can you...

From Land's End to John o' Groats am I vibrating ring my crumpet criminal lunatic asylum
Telescopic hindward the groupie
Uranus Arsenic is scatological
And there's sweet **** all I can have ****** ******* with
Copyright © Irma Cerrutti 2009
Kara Jean May 2016
The barbaric queen, her abilities stiffened
His presence strickened by her directed speech
Could it be her brick fence weakend
Love had made it's way into the leaks
Thoughts become lies, diminishing her kingdom
****** passion, a caused lusting
Touching her breast
Carressing her hips
Legs shake, she is a disgrace
The guards ushering him from her towering mattress
Empathy made her a mockery
A hatchet to the soul, he is nonexistent and undesirable
Her long webbed veil, disguises her weeping
Her eyes blackened, she is a demon bleeding
Halo misplaced, in dismay
She is a woman rigid and prevailing
Apachi Ram Fatal Aug 2016
parallel sympathy endeavor
peaceful and untroubled
achieve ballerina twists
comforting serenity
pull a fast one on
elixir sip sucker stiff
tiny hornswoggle mulct
grandfather clock rich rock
chimney chalk ziggy pop
sirius kid dolls cudi feet tall
artists whirl revolution vet
wolf convincing sheep curve
non believers starting flames
horrid instant ways even livid
fears queen fairy dust spiral
wick gladness warlock king
abide nostrum wake flesh
archangel passion feans
world web crack addicts
mankind teach nine
nail soundness round
raiden uppercut fortify illegitimate
swine heedless being being beaten
headless ***** eyes hub pivot
nerve endings eager enthusiasm hitch
pitch outermost central swain free gist
intrigue archbishop market black illicit
red hot chili peppers implicate explicit
inundating problematic seniority cast
systems hook boom haze tomb prune
embrace bravehearts impale in arms
side by side shield elastic coats grace
don't give in to the man sham take it
Picture this Jun 2015
Defiant is your heartfelt rhyme
it can be heard towing the line
crooked memories beat a drum
open the door, let truth come

For this tale is bold and cold
let others learn from this story told
years of grudges held in minds
decaying love in modern times

No sorry was ever read or said
regret or sorrow of the dead
in life they lived in persecution
never wanting resolution

Until one day the visits stopped
no more humble pie in ***
silence was the biggest noise
cutting ties and leaving toys

Firmly closing doors for good
on all the bad rotting wood
fleeing intimidating jibes
instead was drawn to happy times

Years passed by and families grew
as they moved to pastures new
never turning back the clock
or hatching any vengeful plot

A thorn was poking into wounds
was never cleaned, certainly doomed
death ended much of bitterness
forgotten words in wilderness

Never let a ****** bitter feud
fester for years, like cud chewed
always burry hatchets deep
and save our souls for peaceful sleep
Coop Lee Mar 2015
there in the wilderness
all things go to live
and all things go to die.

she stole my shirt and hatchet
and took to the woods.
                           hacked out the heart.

traded one wilderness for another. city into
trees.
she needed to breathe
and wring wet socks, relax, and study the mycelium songs underfoot.

she she she, like a marvelous
new love.
the grass and green stuff woven.
canteen replete with wheat nectar
         or half-batch whiskey.

needs nutrient,
the seed so new.
needs space,
the daughter as she grew.

what tempest breaks the trees and old heads
of mother timber?
         perhaps deep-winter,
         to test the fiber of a florescent forest fleek.

she built a chikee from fallen arms of a sprucewood soul,
drank water from a clay-thrown bowl
and granola to heat her bones.

new fish.
the river is cold on glacier blood.
new day,
driven beyond the random access roads & cobalt blast-holes stretching
gulches bloomed in chaparral.
up they crawl along monumental spine and shoulder,
giants sleeping.

she she she, live a marvelous new love.

the wonder is seen.
the wilderness lived and remembered
by girl or elk bugling their high-decibel poems
when ready.
Julia Spohn Mar 2011
I am in love with
Melancholy.
He is the sweetest of suitors,
Bedazzled in jewels that glint so smoothly,
And just enough,
And right in your eyes,
To shield you,
Maybe protect you,
From his abuse and his repetitive,
Cyclical nature.

He is so handsome in any light.
I sometimes love to just stare at him
And contemplate the rigid, weepingly gorgeous
Features that make up his seraph's face.

There is a sharp angle just beneath his perfect
Ears, which hear me splay cheeky compliment after
Cheeky compliment toward them.
This angle turns into his jaw,
Which opens up and down, not like a hinge but rather a
Hatchet, to tell me
So many lies.
He presents them just so - as lies.
But he sways them so wonderfully,
So persuasively and professionally
That I can do nothing but fall
Asunder to this dark suitor's mouth.

He pulls me towards him,
Like the Earth pulls the Moon,
Like the Spider pulls the Prey,
Like Love pulls the Fool.

Intoxicating, really.
His lips move like planets.
They orbit around his weightless voice,
And they spin on their own axes,
And sometimes they spin toward my own.
They plant themselves like magnets,
As if we were meant to be,
And they move in harmony,
Just as hard and stubborn as magnets,
Just as ineffably wonderful we sometimes
Find physics to be.

But then they release -
He releases.
He floats backward, his beautiful
Demonic grin enticing me,
Telling me, "I'll love you and
Leave you, and you can do nothing do
But enjoy it."

My Melancholy.
My beautiful, beautiful angel who blots out the night,
Sweeping the stars together to form a
White, blinding fingerpainting that he tapes to the heavens,
And delivers unto me what I believe is daylight.

But then his head bends back,
Exposing that beautiful hatchet-jaw,
And his crackling fire of a voice beams
Like headlights right into my doe ears and eyes.
He cackles, tells me he loves me,
And flies away.
miss pie Oct 2014
same same
secret sorrow clown
a 1000 smiles open doors

darkened blue eyes
elbow room
packing his fiend
along side

muttering silence
something about freedom
hatchet horror show
something new
What now shall we do **** clowns?
Ariana Apr 2017
and lie down beside me.

Lay your anxious head on my chest to
cancel out the echoes
of our ugly words and absurd thoughts, just

Breathe.

For now we’re distraught.

But remember,
our distress today says nothing of yesterday,
nor which way tomorrow will steer us. Whether it be high or low,
you need to know that I’m only here because
I want to be.

Because to be here with you, and you here with me,
is to create the most beautiful storm.
K Balachandran Jun 2014
1
At night, liquid moonlight,
******* pools of delight
in his front yard garden,
he watches in silence
with his ******* his side
for long moments, like a
caged beast still wild at heart,
                  badly wanting
                  to break the bars
                  that restricts.

His hands involuntarily
caress her soft supple curves,
culminating the explorations
with a blood tasting kiss,
poetry to him is making love
the beast quickly leaves
his whole being becomes
soft like hot wax and starts to flow,
she receives his music through
his dancing fingers that speak
to her a refined language of love
then,
       a
               symphony
                                  rains...
rocked in a wave of pleasure
she sobs softly like the whisper of silk
he rushes towards her deep center
beyond the soft folds that yields
twists and in to her drains his wishes
she is full of love,
       enough to drown him in to its vortex.
      she bites him ******* his lips,
      like a big cat, she draws blood
      love in it's expressed cruelty wears a  masquerade
      he enjoys the topsy-turvy delight.
     2
Morning dawns hurriedly  in the planet of the apes,
he wears his mask, regular before daybreak
observing all necessary rituals, dance
he has become ready for his daily grind
a hack, a hatchet man, a ****, sometimes a crook
without even a wee bit of consciousness or conscience
his hatchet is his flute, he plays on as he walks.
Medication time wheezed nurse ratchet
Her yellowed teeth as sharp as a hatchet
Medication time medication time
She shouts once more
Leaving me sickly chilled to my core
Medication time medication time
she hisses in my ear
Will I ever get better or is it only my fear?
Medication time medication time
she picks up in pace
If the medicines working why do I feel I'm being erased?
Medication time medication time
It comes to an end
I've been lobotomized and left for dead
C Davis Sep 2015
Don't bury it
burn
the hatchet
and the money
and the     grass.
All frightening things
seem trivial
once the moment           starts to pass.
effigydollhouse.wordpress.com
Amy Ross Jan 2021
how do you bury the hatchet
but save the woodsman
Parker Oct 2015
Last chance to dance with the unknown
Bury that hatchet and hit the road
Along the coast, into the sea
In the forest, surrounded by green

A slide of hand to light the match
The wood it burns never stood a chance
Though the fire flames inside
I am cold on this stormy night

A heart that beats to the rain drops
What must I do to make this pain stop
Along a path, alone I must go
Single footprints in this deep snow

Alone, awake, I'm at it again
Predictable life I can't stand
To this hour I've become a coward
Trying to search deep to discover my powers
av willis Mar 2013
In a land beyond the rainbow
Stands a dark decrepit wood
Where monkeys glide between the branches
And witches live, both bad and good

There within its tangled branches
Lies a path bedecked with gold
Leading brave souls who do not blanch
On to wonders yet untold

Near this path of yellow mortar
Stands an ancient half hewn tree
Missing wood, about a quarter
Standing **** for all to see

In this wood there stands a hatchet
Once beloved, now fraught with rage
Just another rusted gadget
Cast by in the wake of age

On a gnarled and twisted root
Centered in a mushroom ring
Stands ***** a metal figure
Frozen ever in mid-swing

There he stands through frozen winters
There he stands through summer's heat
There he stands through April showers
Standing ever on his feet

Once he glowed a gentle pewter
Once he moved with solemn grace
Lines of rust bedeck his figure
Streaking slowly down his face

Once he stood a man of flesh
A simple hewer of the wood
Who held a cabin near the creek
And loved a maiden fair and good

In the village near the forest
There he sought to win her hand
A debt of love he'd pay with interest
If beside his side she'd stand

In the woods he sought the bride price
Needed to start their new life
In the trees he found the journey
Soon to be defined by strife

By an elm his axehead sundered
Cleaving cruelly through his arm
Through the boughs his loud cry thundered
To the heavens in alarm

To the ground his lost arm plopped
Landing softly with a thump
To the town the woodsmen hopped
Grasping at the ****** stump

There he found the village tinker
And roused him roughly from his bed
Dragging him out to the workshop
Leaking out a wake of red

There he begged the wizened workman
'Make a new arm from your cans
For i marry in a fortnight
Let my bride take a whole man'

So the old man plied his trade
To make a limb of springs and gears
Twisting tendons in a braid
To move his fingers through the years

Now renewed to former vigor
The Woodsman went back to his trade
Returning to the morning's rigor
Back into the ancient glade

Little did the doughty hewer
Know his axe contained a curse
Stricken on unknowing users
Causing their limbs to disperse

By an oak he lost his left ear
By a beech he lost the right
Hazel took him down a peg
And by a yew he lost his sight

Through the week the tinker labored
On in a rush to replace
Just enough of the woodcutter
To accept his bride's embrace

On the day his nuptials dawned
The woodsman clanged into the square
Passing through the crowd with awe
On to meet his maiden fair

There she stood beneath a trellis
Sky blue ribbons through her braids
Oh, she was a sight to rellish
Worth the trial of the glades

There he stood forever altered
A shadow of the former man
In this form forever haltered
To this shell of springs and cans

The cutter broke into a dash
To wrap his woman in his arms
On the cobbles his feet clashed
Causing her no small alarm

From the altar his bride fled
With screams of terror in her wake
On the day  he should have wed
Became the day his heart did break

Suddenly devoid of purpose
To the copse the woodsman flees
Never ere' again to surface
From the shelter of the trees

Months went by the woodsman toiled
Day and night, no pause to sleep
Day and night his kettle boiled
Over with the urge to weep

Till the sound of April thunder
Rumbled in the cutters ears
Bringing rain that tore assunder
Dams he'd built around his tears

So between his swings he wept
Of loss and of abandoned trust
Trails of tears in his joints crept
And hardened slowly into rust

Now he stands in frozen duty
Saplings rising all around
Dreaming of an ancient beauty
Long surrendered to the ground

Till the day another maid
Returns to bathe his limbs in oil
On that day he'll leave the glade
Moving on to other toils

Then the rust begins to part
Then the magic starts to slake
Then the woodsman finds his heart
Then the Tin Man starts to wake
kt Sep 2013
RUSH
"SUBDIVISIONS"
Words by Neil Peart, Music by Geddy Lee and Alex Lifeson

The Trees
There is unrest in the forest,
There is trouble with the trees,
For the maples want more sunlight
And the oaks ignore their pleas.
The trouble with the maples,
(And they're quite convinced the're right)
They say the oaks are just too lofty
And they grab up all the light.
But the oaks can't help their feelings
If they like the way they're made.
And they wonder why the maples
Can't be happy in their shade?
There is trouble in the Forest
And the creatures all have fled
As the Maples scream 'Oppression!'
And the Oaks, just shake their heads
So the maples formed a union
And demanded equal rights.
'These oaks are just too greedy;
We will make them give us light.'
Now there's no more oak oppression,
For they passed a noble law,
And the trees are all kept equal
By hatchet,
Axe,
And saw.
by Rush
Edna Sweetlove Sep 2015
It was on Hallowe'en when we said we'd meet;
as we thought it might be romantically spooky;
and I trotted gaily along the pathway
through the dimly-lit park
where the predator ******* maniacs roamed
hoping for a bit of backdoor action
and my excited little heart went
"YI YI YI YI YI YAAAAARRRGGGHHH!"
with eager anticipation
of a hot new nymphomaniac date.

We had been a-texting with
ever-increasing frankness
for several weeks and I was beginning
to get tired of wiping the keyboard clean
after each bout of frenzied
manual self-stimulation
which she had boldly urged me to
and the built-in camera was out of order
because of the damp ***** build-up.

I found the pictures she sent me
stimulating to say the very least
especially the one with the melon
peeping out from between her legs
and I found her blood-red eyes
rather exciting really
once I got used to them;
and I was quite looking forward
to the love bites she promised me
which was why I had washed my neck
with particular attention to the blackheads.

Promptly at the stroke of midnight
my putative mistress arrived
with a ******* great clap of thunder
and to say I was surprised by her sulphurous breath
would be putting it mildly
and the fifty-five inch waist
was a bit of a disappointment,
and I honestly and truly think
she might have mentioned
the suppurating scabs
and oozing boils
or at least hinted at them.

As I fought the ravening hell-***** off
with the hatchet I had wisely brought
in my briefcase as a safety precaution
once more I rued my innocence:
how many times have I been let down
after such high hopes from internet dating
and yet - trusting soul that I am -
I had again let my heart go astray.

Once it was all over
and I gazed down at her hideous
and mutilated corpse bleeding
and twitching on the ****** bitumen,
I lifted up her skirt
just to check the melon photo
hadn't been a fake;
and although there was no large
piece of fruit in situ at the time
I could see it had always
been a very real possibility.
Luka Love Jul 2013
Don’t write about the dark things they said

Don’t hide from the truth I replied

Well, part of the truth anyway

Which, any which way you look at it has two sides

A sun which hides its shadow

But even the sun must sleep sometimes

Then creeps and slides the oozy woozy darkness

Of drunks and floozies and drug addicts

Thugs and gangsters, hatchet men and fixers

These nefarious predators and scavengers of the night

Shuttered sight eating victims of urban decay

Never sated in their bloodlust and greed

That need that is so deep 

You could feed it without sleep

Forever and never fill it up

This is reality in our **** city

Where effluent flows down footpaths between bars

Climbs out of cars in high heels or collared shirts

“Sorry mate, not in those shoes"

Drunken harlots beckon rapists and sadists

Transfixed in the ever-pressing lusts of the flesh

Without joy or connection

Or even satisfaction, most of the time

Am I right? Ladies, am I right?

Another wine to fill the soul’s great hole

Another devastating moment when the sun gets in

To find you weeping in your make up

Black streaks down cheeks of bloodless faces

All because nobody told you what was possible

They simply told you what not to do

Which of course you did anyway

Over and over again with the same results

That part isn’t your fault, it’s society’s

It’s religion and propriety’s

It’s dogma and denial’s

The cultural hangover of the morning after the decades before

The holier-than-thou edicts of our preachers and teachers

And leaders without leadership

We’ve cut the slip

Caught the rip

Been flipped so many times we can hardly tell what is useful anymore

The answers you seek are inside yourself

It’s like Rafiki said: “Look harder"

It’s like Sigmund said: “Unexpressed emotions will never die.

They are buried alive and will come forth later in uglier ways.”

Our society reflects repressed attitudes to ***

And brings them forth in uglier ways

Like rapes and splays of legs to the most persistent bidder

Soulless sexuality

Stuffing ya pork sword into a drunken receptacle

Such a spectacle

You might swap names in the morning

It’s *** on a tray like a TV dinner

Forget the word “sinner"

It’s the lack of nutritional content that ills

That kills the real deal for these counterfeit thrills

This isn’t some moral crusade

There’s no need to drink the kool-aid

Throw out the gimmicks

But pay attention to the limericks

Be open, be honest

Be Eros, be Adonis

Be Venus, in furs / **** resplendence

Take lovers my dear

Make love and not fear

Turn empty lust in transcendence
The Darkness Aug 2012
The pine floorboards, cover my work.

The pine floorboards, creak at the spot I ripped them up.

I didn't want to **** her,
But she made me insane,
In a fit of rage,
I put a hatchet Right through her ******* brain.

The pine floorboards, cover my work.

The pine floorboards, stained red at the spot I took her life.

Underneath the earth,
In a dark crawlspace,
That's where you'll find my love,
Sleeping oh so peacefully,
Underneath the pine floorboards.
Matthew S Dec 2017
Time to hang the stockings
Time to feel real joy
And for one day
Just for a day
Forgive those who may have wronged you

Time to let go of a grudge
Time to bury the hatchet
You can dig it up later
We can forget the drama
At least for a day

Its Christmas!
Or whatever holiday you celebrate
Its time to hand out the
Holiday traditions
And give others cheer

So i beg of you mom
Bury the hatchet
And i can forget you abandoned us
Just for today

Stop with the insults
Stop insulting me
And others
Just for today
There are kids around

Mom please
Just for today
I'll forget the pain
That you gave us
If you would just

Bury the hatchet
I was trying to make it happier and more cheerful but that didnt happen
Caety Lanel Jan 2013
Behind closed eyes 
And shuttered dreams 
And barred windows 
I see the color green 
For the sea I write 

Behind iron bars 
And deathly individuality 
And ghostly thought 
I see the color white 
For the air I write 

Behind four pointed snowflakes 
And glistening ice pools 
And a hatchet clinging to the 
Frosted waves 
I see the color red 
For the fire I write 

Behind the open air 
And the dank walls 
And the endless earth 
I see the color of hope 
Blackly shining
Syreena Phelps Jan 2015
The voices in my head are telling me to slit your throat.
And I want to torture you, so I guess we're on the same boat.
It's okay, we'll make it painful as can be.
Oh, you'll love it. Just wait and see.

Wait, what tool should I use?
I want to leave more than a bruise.
A dagger, hatchet, drill, or a knife?
Either way, you know I'll take your life.

Just lay there and be real still,
As I drill into your heart with all my will.
I said Be Still
My intentions are only to ****.

Why didn't you see this coming?
Was I too distracting with my psychotic humming?!
You started this. Oh, yes you did.
Didn't it bother you she was only a kid?

Let me ******* you.
And rip out your ribs, too.
You dont need them. Ribs are the cage of the heart.
You never had one from the start.

I'll pull off each nail. Fingers and toes.
Maybe put a wet towel to your nose.
Do you feel that? Do you feel yourself drowning??
That's what she felt like, everytime her heart was pounding.

It hurts, doesn't it?
Wonder how it feels to have your skin lit.
How does it feel? The fire's melting you like a lit candle.
That's how her soul felt when everything became too much to handle.

One last thing to do.
Before I am through.
How would it feel to have no ****?
slice
Now, maybe you'll stop being such a *****.
Well, it's not beautiful. But most definitely comes from the heart right now.
Jaicob Jul 2021
Open your eyes.
Break the habit.
Cut the old
With a hatchet.
Don't you worry
Don't you stress.
I will help you
Through the rest.

I'm your mentor.
I'm your guide.
I'll light your way
Through life's ride.
It's no problem.
I'm on your team.
Just take my hand
Before you leap.

It'll be hard.
It'll hurt a little,
But looking back
Where you started
Is such a miracle
eatmorewords Dec 2012
behind books never lent
there is a worm hole to different worlds.

However, this being a library,
this discovery has never been discussed
or articulated.

Attempts to share the secret are met with a finger
to the lip and a ssshhhhh
from the hatchet faced librarian.
We being so hidden from those who
Have quietly borne and fed us,
How can we answer civilly
Their innocent invitations?

How can we say "we see you
As but-for-God's-grace-ourselves, as
Our caricatures (we yours), with
Time's telescope between us"?

How can we say "you presumed on
The accident of kinship,
Assumed our friendship coatlike,
Not as a badge one fights for"?

How say "and you remembered
The sins of our outlived selves and
Your own forgiveness, buried
The hatchet to slow music;

Shared money but not your secrets;
Will leave as your final legacy
A box double-locked by the spider
Packed with your unsolved problems"?

How say all this without capitals,
Italics, anger or pathos,
To those who have seen from the womb come
Enemies? How not say it?
CHORUS: O suitably-attired-in-leather-boots
Head of a traveller, wherefore seeking whom
Whence by what way how purposed art thou come
To this well-nightingaled vicinity?
My object in inquiring is to know.
But if you happen to be deaf and dumb
And do not understand a word I say,
Then wave your hand, to signify as much.

ALCMAEON: I journeyed hither a Boetian road.
CHORUS: Sailing on horseback, or with feet for oars?
ALCMAEON: Plying with speed my partnership of legs.
CHORUS: Beneath a shining or a rainy Zeus?
ALCMAEON: Mud's sister, not himself, adorns my shoes.
CHORUS: To learn your name would not displease me much.
ALCMAEON: Not all that men desire do they obtain.
CHORUS: Might I then hear at what thy presence shoots.
ALCMAEON: A shepherd's questioned mouth informed me that--
CHORUS: What? for I know not yet what you will say.
ALCMAEON: Nor will you ever, if you interrupt.
CHORUS: Proceed, and I will hold my speechless tongue.
ALCMAEON: This house was Eriphyle's, no one else's.
CHORUS: Nor did he shame his throat with shameful lies.
ALCMAEON: May I then enter, passing through the door?
CHORUS: Go chase into the house a lucky foot.
And, O my son, be, on the one hand, good,
And do not, on the other hand, be bad;
For that is much the safest plan.
ALCMAEON: I go into the house with heels and speed.

CHORUS

Strophe

In speculation
I would not willingly acquire a name
For ill-digested thought;
But after pondering much
To this conclusion I at last have come:
LIFE IS UNCERTAIN.
This truth I have written deep
In my reflective midriff
On tablets not of wax,
Nor with a pen did I inscribe it there,
For many reasons: LIFE, I say, IS NOT
A STRANGER TO UNCERTAINTY.
Not from the flight of omen-yelling fowls
This fact did I discover,
Nor did the Delphine tripod bark it out,
Nor yet Dodona.
Its native ingunuity sufficed
My self-taught diaphragm.

Antistrophe

Why should I mention
The Inachean daughter, loved of Zeus?
Her whom of old the gods,
More provident than kind,
Provided with four hoofs, two horns, one tail,
A gift not asked for,
And sent her forth to learn
The unfamiliar science
Of how to chew the cud.
She therefore, all about the Argive fields,
Went cropping pale green grass and nettle-tops,
Nor did they disagree with her.
But yet, howe'er nutritious, such repasts
I do not hanker after:
Never may Cypris for her seat select
My dappled liver!
Why should I mention Io? Why indeed?
I have no notion why.

Epode

But now does my boding heart,
Unhired, unaccompanied, sing
A strain not meet for the dance.
Yes even the palace appears
To my yoke of circular eyes
(The right, nor omit I the left)
Like a slaughterhouse, so to speak,
Garnished with woolly deaths
And many sphipwrecks of cows.
I therefore in a Cissian strain lament:
And to the rapid
Loud, linen-tattering thumps upon my chest
Resounds in concert
The battering of my unlucky head.

ERIPHYLE (within): O, I am smitten with a hatchet's jaw;
And that in deed and not in word alone.
CHORUS: I thought I heard a sound within the house
Unlike the voice of one that jumps for joy.
ERIPHYLE: He splits my skull, not in a friendly way,
Once more: he purposes to **** me dead.
CHORUS: I would not be reputed rash, but yet
I doubt if all be gay within the house.
ERIPHYLE: O! O! another stroke! that makes the third.
He stabs me to the heart against my wish.
CHORUS: If that be so, thy state of health is poor;
But thine arithmetic is quite correct.
Nat Lipstadt Jan 2014
why and how should you know?

behind beneath in between the teeth

my fingerprint whorls and whirls

under other's names and
my secret identities

a word a phrase a hatchet a blade a
pruning knife,
a confession of confusion,
relieved by my cutting saves.

my stamp secreted my ***** implanted

my style unseen yet bidden,
my name hidden, my children born
but still is my heart,
like the parent that
has given up the child.

but you love my
screamed and un screamed, and my undoing of
the doing you not see me named

nature in paces and means
admit pleasure at my scrivinings
there but for the grace of whom

but to me

for am I but the
editor
o'er my bones that
*nobody knows
nobody sees,
nobody knows,
but me^

you tread,

crunching my invisibility
to smoke and smithereens,
the pimple on the poem
lifeless turned luscious,
yet, gnome gone the next day
^ Lyric from "long black veil", always give credit to the dew.


here a period, there a comma,
a phrase truncated,
a work saved, nay,
reimagined,
in the forest's silence
who can tell,
who swung the axe,
who grew the tree?
Filmore Townsend Jan 2013
we went to Little Blue
that summer in a ***'d car.
riding in extravagance
we couldn't afford.
camping in the Oklahoma ozarks,
we brought liquor. the two of us
drank a half-litre honey whiskey
and twenty-eight of thirty Pabsts.
your chick only nab'd two.
we were sunk from that point on.
i *****'d behind the car, and
there were left retched handprints.
left were a phantom's handprints,
having been drown'd by their hedonism.
the bikers partied along
with us apart from us.
they ask'd to use our hatchet,
that's the way we met.
men share tools, and that was
the only instance of civility
for two days. we ran feral.
rip'd shirt to ribbons,
wrap'd them 'round a stick,
soak'd citronella,
commenced adventure.
returning,
   two hours time gone;
returning,
   scratch'd and bleeding;
returning,
   we lit their paths with
   torch burning a primal fire;
sleep,
pass'd out by fire in lounge chair.
been in this spot before,
knew to bring a quilt
and mine was the only one.
startled awake,
fire nothing more than nightlight embers.
raccoon, sitting upright,
stared from his high perch of a picnic table.
apple in paws, nibbling,
he mock'd and monitor'd.
i swiped at it with a stick,
missed. said **** it.
slept in the car that night.

— The End —