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"harried" poems
Why am I so dif-fer-ent? They say I’m out of touch. Why am I, ple-nar-ily sad? This life it hurts so much. And why do they come, come every day? Shush, quiet now, they’re here. Those awful tormentors of my soul all cackling and queer! Whirling head of spinning revolutions, …feel my stomach ache and pang. Why will they not leave me alone? This crew of darkness; Blackbird Gang. I shouldn’t always feel like this, feel such solemn pain, …troubling and trouble is these birds are driving me insane! I’m screaming now! I’m mad with rage! Throwing ice cubes at my deck, “Go away! Yes, go away!” -their numbers must be kept in check. Blackhole-whirl, flying twirling darkness, their funnel it points to me-e-e-e-! For too many is too painful and my mind’s a constant wreck! One cannot think with those infernal be-e-e-asts, ...and the crazy song they sang. Why do they so punish me? The crew of darkness; Blackbird Gang. I know they serve the Saturn’s wheel and now they’ve come for me. What did I do? Oh what great sin, oh the blackbirds from within; The Abyssimal Sea? Their whirlpool funnel is all around, as my harried soul, it expiates. I’m done-in; I’m over now, a sorely victim of the Fates! They took me, took me away, when the tolling bell it rang. Why could they not leave me alone? The crew of darkness; Blackbird Gang. If you find yourself all alone and mired in their thought, …do not think, extirpate, all the human damage that you’ve wrought. His flock of fledgling melancholy musical formation, …will take you away and straight to Hell; the Seventh Circle congregation! For they took me, took me away, when the tolling bell it rang. And they will not leave you alone. This crew of darkness; Blackbird Gang. *
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Jun 23, 2016
Jun 23, 2016 at 11:23 AM UTC
A Crowing Lamentation
Why am I so dif-fer-ent? They say I’m out of touch. Why am I, ple-nar-ily sad? This life it hurts so much. And why do they come, come every day? Shush, quiet now, they’re here. Those awful tormentors of my soul all cackling and queer! Whirling head of spinning revolutions, …feel my stomach ache and pang. Why will they not leave me alone? This crew of darkness; Blackbird Gang. I shouldn’t always feel like this, feel such solemn pain, …troubling and trouble is these birds are driving me insane! I’m screaming now! I’m mad with rage! Throwing ice cubes at my deck, “Go away! Yes, go away!” -their numbers must be kept in check. Blackhole-whirl, flying twirling darkness, their funnel it points to me-e-e-e-! For too many is too painful and my mind’s a constant wreck! One cannot think with those infernal be-e-e-asts, ...and the crazy song they sang. Why do they so punish me? The crew of darkness; Blackbird Gang. I know they serve the Saturn’s wheel and now they’ve come for me. What did I do? Oh what great sin, oh the blackbirds from within; The Abyssimal Sea? Their whirlpool funnel is all around, as my harried soul, it expiates. I’m done-in; I’m over now, a sorely victim of the Fates! They took me, took me away, when the tolling bell it rang. Why could they not leave me alone? The crew of darkness; Blackbird Gang. If you find yourself all alone and mired in their thought, …do not think, extirpate, all the human damage that you’ve wrought. His flock of fledgling melancholy musical formation, …will take you away and straight to Hell; the Seventh Circle congregation! For they took me, took me away, when the tolling bell it rang. And they will not leave you alone. This crew of darkness; Blackbird Gang. *
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PART II: A GLASS CEILING DRIPPING WITH BLOOD Mohanad Younis, of Gaza City; Where the sand is stained with blood As the world feigns pity. Broken families, unspoken tragedies – The order of everyday life. He was born amidst chaos and strife, To a divorcing husband and wife. If life were lived in peace, This dissolution would’ve been a release. Not much more, not much less – A family’s lore, a decision to digress. In war-ravaged land, however, One needs every helping hand, Especially a soul that was so clever. Such a curious, voracious mind needed to understand; A furious, rapacious search, Unexplained conundrums to unravel and unwind. Why do we exist? Why do we fight and resist? Is it worth living with all these scars on my wrists? Does anybody outside Palestine care? Will they keep on watching? Or will they be unable to bear? Of this and much more Mohanad must’ve thought, As he sat at the Marna House Hotel, Smoking cigarettes, freshly bought. A student at al-Azhar, a mild-mannered pharmacist, A prudent man who would have gotten far. An admirer of Bassel al-Araj, another victim of oppression – An inspirer, a brother who alleviated his depression. Hunted down and killed by the IDF, Another pacifist murdered for being an activist. One figure of many who died; One of those who did not want to hide. Mohanad wasn’t a resistance fighter – He felt that such persistence did not make their burdens lighter. Instead, he wished to make his mind brighter, And perhaps have family of his own. He was in love, and wanted to get married, But life was rough, and warranted a future far more harried. The final twist of horror? Having the intellect to apply for University, And deserving the respect needed to obtain a reply, Yet not being allowed to leave the city. That is the news Mohanad had received, Hopes and dreams suddenly deceived. Denied a right to education Because he was born on the wrong end of a cruel fabrication. The glass ceiling, dripping with blood, Swallowed his hopes whole like a flood.
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Sep 10, 2018
Sep 10, 2018 at 10:04 AM UTC
Hopelessness kills: A tribute to Mohanad Younis [PART II]
PART II: A GLASS CEILING DRIPPING WITH BLOOD Mohanad Younis, of Gaza City; Where the sand is stained with blood As the world feigns pity. Broken families, unspoken tragedies – The order of everyday life. He was born amidst chaos and strife, To a divorcing husband and wife. If life were lived in peace, This dissolution would’ve been a release. Not much more, not much less – A family’s lore, a decision to digress. In war-ravaged land, however, One needs every helping hand, Especially a soul that was so clever. Such a curious, voracious mind needed to understand; A furious, rapacious search, Unexplained conundrums to unravel and unwind. Why do we exist? Why do we fight and resist? Is it worth living with all these scars on my wrists? Does anybody outside Palestine care? Will they keep on watching? Or will they be unable to bear? Of this and much more Mohanad must’ve thought, As he sat at the Marna House Hotel, Smoking cigarettes, freshly bought. A student at al-Azhar, a mild-mannered pharmacist, A prudent man who would have gotten far. An admirer of Bassel al-Araj, another victim of oppression – An inspirer, a brother who alleviated his depression. Hunted down and killed by the IDF, Another pacifist murdered for being an activist. One figure of many who died; One of those who did not want to hide. Mohanad wasn’t a resistance fighter – He felt that such persistence did not make their burdens lighter. Instead, he wished to make his mind brighter, And perhaps have family of his own. He was in love, and wanted to get married, But life was rough, and warranted a future far more harried. The final twist of horror? Having the intellect to apply for University, And deserving the respect needed to obtain a reply, Yet not being allowed to leave the city. That is the news Mohanad had received, Hopes and dreams suddenly deceived. Denied a right to education Because he was born on the wrong end of a cruel fabrication. The glass ceiling, dripping with blood, Swallowed his hopes whole like a flood.
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51
Eighteen misses and three survivors Two broken marriages with one spiteful lost love Two warring sisters and too many brothers Numbers don’t always make the lives of another Crocheted angels and heartfelt hugs Gone are the days of each of those Responsible, avoidant, and spoiled Resentment, confusion, and miscommunication Ghosts of the past Harried, busy, and distant Buy back the time Patience, hope, and acceptance Crowding the cast Three lives play out creating six more One life still here caught in time One life locked in with ghosts of the past cc062611
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Jun 26, 2011
Jun 26, 2011 at 2:11 PM UTC
Numbers
The stink of fish on earthen streets A hot wind blows from ochre hills Black faces shine with brilliant teeth Street market ***** doth cure all ills. Redness in her plaited hair Rhythm in her steady tread A harmony of balance, she carries Water jars on her head. A market girl is singing As she sits among bananas The drama in her music Is as dusty as the street, It fills the air with magic As it lilts above street chatter In the atmosphere of Africa Where new and ancient meet. The goat boy herds his docile flock Through camel trains and bales The steamer tethered at the dock Announces that she sails With billowed steam and mournful wail It echoes through the town And the planter and his agent Bargain with a harried frown. The bleating of the goat herd And the stench of fish and dung Is as ordinary as Africa In the searing mid day sun. Zanzibar is spices, Zanzibar is Stone. Club Zanzibar is whiskey on the rocks Consumed alone Or shared upon the balcony In the shadow of a palm With the turquoise Indian ocean Reaching out beyond the arm. Do you see the dhows are sailing? Do you see the fishing nets? Do you hear the oarsmen chanting? Did you see black muscle flex? Have you watched the dripping sweat Cascade on alabaster brow? Have you inhaled the scent of Africa And allowed it to allow? Colobus monkeys in the treetops Narrow lanes in the bazaar Dull white walls adorn stone buildings And the rupee is by far The favorite tenure of the Island Since the days when slaves were sold By Arab camel caravaners Who traded coin for young black gold. East and west collide in concert Africa and Asia blend The Sultan's mix of race and spice In Zanzibar, beyond lands end. Marshalg Mangere Bridge 3rd June 2008
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Oct 13, 2009
Oct 13, 2009 at 11:06 PM UTC
Zanzibar
The stink of fish on earthen streets A hot wind blows from ochre hills Black faces shine with brilliant teeth Street market ***** doth cure all ills. Redness in her plaited hair Rhythm in her steady tread A harmony of balance, she carries Water jars on her head. A market girl is singing As she sits among bananas The drama in her music Is as dusty as the street, It fills the air with magic As it lilts above street chatter In the atmosphere of Africa Where new and ancient meet. The goat boy herds his docile flock Through camel trains and bales The steamer tethered at the dock Announces that she sails With billowed steam and mournful wail It echoes through the town And the planter and his agent Bargain with a harried frown. The bleating of the goat herd And the stench of fish and dung Is as ordinary as Africa In the searing mid day sun. Zanzibar is spices, Zanzibar is Stone. Club Zanzibar is whiskey on the rocks Consumed alone Or shared upon the balcony In the shadow of a palm With the turquoise Indian ocean Reaching out beyond the arm. Do you see the dhows are sailing? Do you see the fishing nets? Do you hear the oarsmen chanting? Did you see black muscle flex? Have you watched the dripping sweat Cascade on alabaster brow? Have you inhaled the scent of Africa And allowed it to allow? Colobus monkeys in the treetops Narrow lanes in the bazaar Dull white walls adorn stone buildings And the rupee is by far The favorite tenure of the Island Since the days when slaves were sold By Arab camel caravaners Who traded coin for young black gold. East and west collide in concert Africa and Asia blend The Sultan's mix of race and spice In Zanzibar, beyond lands end. Marshalg Mangere Bridge 3rd June 2008
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Observing these old men sitting at the stockyard cafe, Suspendered bellies hanging above huge buckles And button-crotched Levi's tucked tight  over leather boots, Legs grown bowed and thin, but carrying  them to the sale, still, To hear the auctioneer, talking fast to work the buying crowd, And get their fill of cattle, shoved indoors, Sold beneath the steady cracking whips, A spectacle to burn its way into my minds's forever eye: The skidding steers, the rolling eyes, the frantic scramble to find cover, While buyers gave their quiet signs: A tilted cap, a winking eye, a thumb or index finger up or at a side, To purchase cow or bull or horse, in living flesh... Then out again, through the other door, And turn our heads to wait for more, and read the scrolling numbers: How many head, how much per pound, perhaps a buyer's name, And then the swinging sound of other cattle coming in to start again. So, here these old boys sit again, Slurping coffee through their yellowed teeth, Remembering days  of indoor cigarettes and harried waitresses, The smell of cow manure and jingling spurs, Though now the smokeless ring seems tame, more civilized, I see the glory days reflecting in the old men's eyes..... I was just a boy back in those good old days, My memory is a little hazed, but I can recall When smoking was allowed and sawdust covered the filthy floor, A Coca-Cola cost a dime, and the cattle sale with Dad was the big time; Quaking as we treaded light on the catwalks above the pens, Looked for our calves, or cows Dad culled to bring to sale, Then going down and in to see them sell. Fondly now, I can recall the restaurant at the ring Where  I hoped for a slice of lemon pie from behind chill-fogged glass, Saw cowmen wearing spurs and neckerchiefs and chaps... Dreamed of growing up to be a cowboy.
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Jun 30, 2015
Jun 30, 2015 at 1:32 AM UTC
Montana Livestock Auction
Observing these old men sitting at the stockyard cafe, Suspendered bellies hanging above huge buckles And button-crotched Levi's tucked tight  over leather boots, Legs grown bowed and thin, but carrying  them to the sale, still, To hear the auctioneer, talking fast to work the buying crowd, And get their fill of cattle, shoved indoors, Sold beneath the steady cracking whips, A spectacle to burn its way into my minds's forever eye: The skidding steers, the rolling eyes, the frantic scramble to find cover, While buyers gave their quiet signs: A tilted cap, a winking eye, a thumb or index finger up or at a side, To purchase cow or bull or horse, in living flesh... Then out again, through the other door, And turn our heads to wait for more, and read the scrolling numbers: How many head, how much per pound, perhaps a buyer's name, And then the swinging sound of other cattle coming in to start again. So, here these old boys sit again, Slurping coffee through their yellowed teeth, Remembering days  of indoor cigarettes and harried waitresses, The smell of cow manure and jingling spurs, Though now the smokeless ring seems tame, more civilized, I see the glory days reflecting in the old men's eyes..... I was just a boy back in those good old days, My memory is a little hazed, but I can recall When smoking was allowed and sawdust covered the filthy floor, A Coca-Cola cost a dime, and the cattle sale with Dad was the big time; Quaking as we treaded light on the catwalks above the pens, Looked for our calves, or cows Dad culled to bring to sale, Then going down and in to see them sell. Fondly now, I can recall the restaurant at the ring Where  I hoped for a slice of lemon pie from behind chill-fogged glass, Saw cowmen wearing spurs and neckerchiefs and chaps... Dreamed of growing up to be a cowboy.
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33
Today my long tall tulip fell His pearl-pink bulb had dared to swell But blushen hung now like a bell His slim and slender stem once towering Arced to earth with posture cowering Burdened by his glory flowering How quickly he had seemed to climb To bask in sudden sunlit prime The longest flower, the shortest time His adolescent orb once closed With youthful promise, then exposed More beauty than we all supposed And eager straight he stretched to see The furtive squirrels’ revelry And blue jays jostling high in tree His handsome head became a hand Outstretched to welcome wide and grand We who’d pale beside him stand But now his palm points to the ground Where loyal subjects once were found A fallen king with withering crown I saw you flower – be sure of this Your scented cheeks I bent to kiss Nor did a day of beauty miss Though brief your waxing and your wane Your colours left the purest stain That in my mind’s eye does remain In all the world where flowers grow We sallow souls rush to and fro Preoccupied, we miss the show But when we pause to smell the blooms Held captive by arresting plumes Forget the sundry that consumes Thus precious harried minutes take Our reverie to gaily break I noticed you -- make no mistake I studied you that rare of gift You gave my care-worn spirit lift Then cut its soaring hopes adrift Today my long tall tulip fell Surrendering to Nature’s knell And left us where he deigned to dwell
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Feb 26, 2014
Feb 26, 2014 at 7:21 PM UTC
Tommy the Tulip
Harried, Harassed, Hassled and Hounded- These are the H-words I work by. Harpies and Henchmen, Harridans and Heathens- These are the H-folk I work with. Hubbub and Hokum and Hurly-burly- These are the places I do it. Hoodlums and Hooligans, loaded with Hubris- These are the clients I deal with. Heartless and Horrible, Hateful and Hurtful These are the attitudes around me. Hopeless and Hapless, Haggard and Helpless- This is the way I usually feel. What happened to Happy, and Hopeful and Harmony- These are the H-words I search for. Hinder and Hobble, Heckle and Hamper- These are the Hamstrings that trip me. Heaven and Harmony, Humor and Honor- These are the things that I strive for. Havoc and Hades, Hurt, Hate and Hauteur- These are the H’s that I have to conquer. Hope, Help, and Herculean effort- Is How I will finally get myself Home. ljm
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Feb 25, 2017
Feb 25, 2017 at 12:30 AM UTC
THE H-WORDS
Baby birds sit still, sleeping softly, in baby eggs not hatched, while mother bird waits patiently for little shells to crack. Now little birds with open eyes chirp sharply without rest, and mother bird leaves speedily to gather worms and crumbs of bread. After their meals, the little birds are filled with food and joy, 'till mother bird hops closer to help them soon deploy. With harried squeaks and frenzied flapping, they fall down from their nest, and mother bird, from up above, spies patiently, in hopes of their success.
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Oct 19, 2011
Oct 19, 2011 at 6:06 PM UTC
To my mother
If I a wayward traveler were to rest my weary bones, I fear I’d quickly find my name in a garden full of stones. So I continue trudging onward, without regard for my direction. Eyes forever pointed downward by the fear of my detection. Carrying the bags of follow travelers despite their ever growing weight. My steps harried ever onward by the fear I might be late. I can’t see my destination but I have faith to keep me strong. I can’t let my pace be slowed by the fear that I am wrong. I can’t say I quite recall even the way this journey started but I must have held some purpose on that day I first departed. So I continue trudging onward without regard for my confusion. This journey is about so much more than my self-involved delusions. If I a wayward traveler were to rest my weary bones, I fear I’d quickly find my name in a garden full of stones.
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Mar 25, 2015
Mar 25, 2015 at 2:34 AM UTC
Wayward Traveler
Out of the noise of tired people working, Harried with thoughts of war and lists of dead, His beauty met me like a fresh wind blowing, Clean boyish beauty and high-held head. Eyes that told secrets, lips that would not tell them, Fearless and shy the young unwearied eyes — Men die by millions now, because God blunders, Yet to have made this boy he must be wise.
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2.4k
A Boy
You know how when You put a kettle on a stove, Maybe for tea Or something else maybe You get the kettle To put on the stove And you put water in it From the tap Or if you're in The inner city Then maybe from A jug From cvs Or rite aid I don't know which is closer To your kettle That you're putting the Water in To put on the stove But the tap smells funny And tastes like minerals And artificiality So if you have a bit of money, Maybe an on-tap Filter or brita You turn the little **** on the front Of the oven And you hear The distressed, hurried Sound of a component Desperately trying To do its job It seems like forever But it's just a couple Seconds The spark catches The gas And glorious blue Energy leaps out And causes Instant condensation On the side of the Kettle you've filled With water And put on the stove And then Primordial chemistry As old as old Changes **** Around inside No time For a chem lesson Just listen And then after a few minutes A blast of Piping hot Shrill Pure energy Explodes out of the top In an earsplitting Harried call To you to let you Know the kettle You put on the stove Is now ready For you. All that pressure, From so much activity, Before you even Turned the heat on You walked around Gathering materials And moving about And all the calories You burn thinking About it And then the Thermal activity Which is breathtaking In its simple But ever so complicated Perfect order And predictability And all of this simply Amazing process Culminates In one constant, High energy geyser Of released pressure. This is equivalent To the results Of one thought About you. What a life As a kettle. Yea.
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Sep 3, 2012
Sep 3, 2012 at 11:07 PM UTC
--Arithmetic--
You know how when You put a kettle on a stove, Maybe for tea Or something else maybe You get the kettle To put on the stove And you put water in it From the tap Or if you're in The inner city Then maybe from A jug From cvs Or rite aid I don't know which is closer To your kettle That you're putting the Water in To put on the stove But the tap smells funny And tastes like minerals And artificiality So if you have a bit of money, Maybe an on-tap Filter or brita You turn the little **** on the front Of the oven And you hear The distressed, hurried Sound of a component Desperately trying To do its job It seems like forever But it's just a couple Seconds The spark catches The gas And glorious blue Energy leaps out And causes Instant condensation On the side of the Kettle you've filled With water And put on the stove And then Primordial chemistry As old as old Changes **** Around inside No time For a chem lesson Just listen And then after a few minutes A blast of Piping hot Shrill Pure energy Explodes out of the top In an earsplitting Harried call To you to let you Know the kettle You put on the stove Is now ready For you. All that pressure, From so much activity, Before you even Turned the heat on You walked around Gathering materials And moving about And all the calories You burn thinking About it And then the Thermal activity Which is breathtaking In its simple But ever so complicated Perfect order And predictability And all of this simply Amazing process Culminates In one constant, High energy geyser Of released pressure. This is equivalent To the results Of one thought About you. What a life As a kettle. Yea.
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It was the type of day Wellington is infamous for: rain slanting into the pursed and puckered faces of harried pedestrians and I, out and about with my secret that in the tall towers where the wheels grind slowly a thing not made of commerce a growing not spurred by market forces an investment not subject to whims and crises, but a spark ignited by two people laying themselves open to love and hope and dreams and schemes sometimes lost sight of, was fanning the flame, the head, heart, flesh, bone and wairua of a life taking root in my beloved's belly, a life long longed for a life whose existence sweeps before it all petty irritations and affixes itself on my face as a big stupid grin
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Feb 25, 2015
Feb 25, 2015 at 7:02 PM UTC
BIG STUPID GRIN
The male tortoise was quite harried, more than that hurt, not being able to get the logistics right, to copulate with its mate, even after repeated attempts, in which the girl did her best! The keeper of his cage and other men stood as mute spectators, looking the other way acting coy, offering no help. **How could he know that they didn't want to be seen as a zoophilous lot!**
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Mar 27, 2012
Mar 27, 2012 at 10:36 AM UTC
in jeopardy; the conjugal rights of the tortoise in the zoo.
Who knows what losses this infinitely rich and resilient heart has suffered? The sorrowful splendor of the Earth -- its endless cycle of gestation and bringing forth, its eternal season of becoming and decay -- inspires and beckons her silent musings. And her muted passion, burning with the mesmerizing ardor of the innocent, awakens a diffident adoration in the bickering brood that surrounds her. How beleaguering they are! these driven ones, so eager to possess the elusive beauty that stirs the dark, enigmatic depths of their harried souls. *** unwitting they are! those dreary ones... Destiny has drawn them to the shimmering, diaphanous aura of her breathless presence. And destiny will drain them like a brimming chalice, so full of their impetuous blindness. For they will never see how she is set apart by the wandering, restive vision of the chosen. But I see her, standing alone on the fringe of the tumultuous herd. She gazes at me with that subtle, sacred smile, and I feel the threatening, familiar forces of the universe descend -- Jacob wrestling with the angel of authenticity. She gazes at me, and in the still light of that impenetrable look... the silence speaks! I tremble in anticipation. I listen and am fed. For Laura.
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Sep 4, 2018
Sep 4, 2018 at 4:01 PM UTC
The Beloved
To Gods acre caught in the storm Of the angels immolation harried Like welcome strangers to the feast of The good shepherd, the world The flesh, the devil take the hindemost Vigilantly stalking Earthly tears Encrusted jewels upon Hells vestment, The harbinger of death wearing a garland Of skulls fashioned off of Heavens tomb Splendiferously graven upon lonelinesses Stoop spirited as shooting stars the Pitched candles of sovereignties saintly hands Resting between lives enlightening the broken Lamp of truth purging the liasing humours of Illuminous damnation unfrocking priests Under colour of nothingness epitomising Faiths elixer yonder the gate of unfoldenment Breaking butterflies on the wheel Of rightousness unabating delving the vale Deciduously to show the cloven hoof woe betide The levity of Man Friday billowing in the Teeth of the wind. ELEETE J MUIR.
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Jan 13, 2012
Jan 13, 2012 at 1:18 PM UTC
Torrid Reproach
You are the clapping monkey You are the restless throb of dusty city streets You are the children running around after the school bell And the stubborn tree that has lived in the neighbourhood for fifty years However, you are not clipped footsteps of harried workers Or the diligent, clockwork-like ebb of traffic And you are certainly not tranquil duck in the middle of the city park There is just no way that you are the tranquil duck It might interest you to know that I am the neat, color-coded filing cabinet I also happen to be worn-out recliner beckoning in the evening’s light And the ever-winding, deserted country road I also happen to be the free-floating paper bag But don’t worry, you are still the clapping monkey You will always be that clapping monkey And I am the enchanted audience.
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Feb 24, 2013
Feb 24, 2013 at 1:18 PM UTC
The Clapping Monkey
The First. My great-grandfather spoke to Edmund Burke In Grattan's house. The Second. My great-grandfather shared A pot-house bench with Oliver Goldsmith once. The Third. My great-grandfather's father talked of music, Drank tar-water with the Bishop of Cloyne. The Fourth. But mine saw Stella once. The Fifth. Whence came our thought? The Sixth. From four great minds that hated Whiggery. The Fifth. Burke was a Whig. The Sixth. Whether they knew or not, Goldsmith and Burke, Swift and the Bishop of Cloyne All hated Whiggery; but what is Whiggery? A levelling, rancorous, rational sort of mind That never looked out of the eye of a saint Or out of drunkard's eye. The Seventh. All's Whiggery now, But we old men are massed against the world. The First. American colonies, Ireland, France and India Harried, and Burke's great melody against it. The Second. Oliver Goldsmith sang what he had seen, Roads full of beggars, cattle in the fields, But never saw the trefoil stained with blood, The avenging leaf those fields raised up against it. The Fourth. The tomb of Swift wears it away. The Third. A voice Soft as the rustle of a reed from Cloyne That gathers volume; now a thunder-clap. The Sixtb. What schooling had these four? The Seventh. They walked the roads Mimicking what they heard, as children mimic; They understood that wisdom comes of beggary.
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1.9k
The Seven Sages
It's Friday night, I knock back five Then stumble out to hit the club I catch your eye looking for mine Looking for a lover you don't have to love A harried glance, we start the dance With roaming, groaning hands And sweat, and grit, and scripted friction A masterclass of sham romance But you're not you and I'm not me And these red cups won't set us free And I regret the way we met As faceless strangers in a drunken sea I wish it were morning To watch the wind play in your hair I wish it were morning To see the sunlight in your stare I wish it were morning When I could tell you what I think I wish it were morning Without the help of all these drinks The ***** on your breath, it smells like death And your lips don't taste quite right And your Levi jeans pressed up against me Just aren't doing it tonight The hiccup when you flirt, and the ***** on your shirt, Match the beer-stains on your shoes With your empty flask, and your haggard mask I just can't stand the sight of you And while I'd like to spend the night And wake up warm between the covers I tip my hat instead, and see you off to bed Because poets are daytime lovers.
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Jan 29, 2013
Jan 29, 2013 at 4:54 PM UTC
Poets Are Daytime Lovers
A general and statesman, reformer and conquerer, summoned to the senate, and hastily issued a petition of which to bring back a senators banished brother. The Dictator Waves him off, and Cimber grasps his shoulder, “Ista quidem vis est!”*1 Cascas dagger is drawn, swiftly toward the neck it darts, yet caesar nimbly catches such attack, “Casca you villain! What is this you do!?” Casca fearing, cries “Adelphe, Boethei!”*2 Then like the wolves descending on a lonely foe, they lunge and leap, Brutus too… Caesar at the sight of him, averts his eyes and makes for the door, unable to escape he falls upon the floor, “Kai su, Teknon?”*3 The man who was harried, crawled to the steps, and saying nothing, Caesar dies… The Lower steps submerged in the Emperors crimson blood, the body cold, limp, lifeless, had at by the vultures, armed with knives, and stabbed times twenty-three. The conspirators proud, marched through the streets, and announced to fear-struck citizens, “People of Rome! We are once again free!” Yet, no one came out… for now. until, Three hours passed, and only then, was the fallen mans lifeless, corpse drenched in blood, collected and cremated.
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Jan 18, 2012
Jan 18, 2012 at 10:35 PM UTC
The Death of Caesar...
"Ah, did you once see Shelley plain?" -- Browning. "Shelley? Oh, yes, I saw him often then," The old man said. A dry smile creased his face With many wrinkles. "That's a great poem, now! That one of Browning's! Shelley? Shelley plain? The time that I remember best is this -- A thin mire crept along the rutted ways, And all the trees were harried by cold rain That drove a moment fiercely and then ceased, Falling so slow it hung like a grey mist Over the school. The walks were like blurred glass. The buildings reeked with vapor, black and harsh Against the deepening darkness of the sky; And each lamp was a hazy yellow moon, Filling the space about with golden motes, And making all things larger than they were. One yellow halo hung above a door, That gave on a black passage. Round about Struggled a howling crowd of boys, pell-mell, Pushing and jostling like a stormy sea, With shouting faces, turned a pasty white By the strange light, for foam. They all had clods, Or slimy ***** of mud. A few gripped stones. And there, his back against the battered door, His pile of books scattered about his feet, Stood Shelley while two others held him fast, And the clods beat upon him. 'Shelley! Shelley!' The high shouts rang through all the corridors, 'Shelley! Mad Shelley! Come along and help!' And all the crowd dug madly at the earth, Scratching and clawing at the streaming mud, And fouled each other and themselves. And still Shelley stood up. His eyes were like a flame Set in some white, still room; for all his face Was white, a whiteness like no human color, But white and dreadful as consuming fire. His hands shook now and then, like slender cords Which bear too heavy weights. He did not speak. So I saw Shelley plain." "And you?" I said. "I? I threw straighter than the most of them, And had firm clods. I hit him -- well, at least Thrice in the face. He made good sport that night."
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1.7k
The General Public
"Ah, did you once see Shelley plain?" -- Browning. "Shelley? Oh, yes, I saw him often then," The old man said. A dry smile creased his face With many wrinkles. "That's a great poem, now! That one of Browning's! Shelley? Shelley plain? The time that I remember best is this -- A thin mire crept along the rutted ways, And all the trees were harried by cold rain That drove a moment fiercely and then ceased, Falling so slow it hung like a grey mist Over the school. The walks were like blurred glass. The buildings reeked with vapor, black and harsh Against the deepening darkness of the sky; And each lamp was a hazy yellow moon, Filling the space about with golden motes, And making all things larger than they were. One yellow halo hung above a door, That gave on a black passage. Round about Struggled a howling crowd of boys, pell-mell, Pushing and jostling like a stormy sea, With shouting faces, turned a pasty white By the strange light, for foam. They all had clods, Or slimy ***** of mud. A few gripped stones. And there, his back against the battered door, His pile of books scattered about his feet, Stood Shelley while two others held him fast, And the clods beat upon him. 'Shelley! Shelley!' The high shouts rang through all the corridors, 'Shelley! Mad Shelley! Come along and help!' And all the crowd dug madly at the earth, Scratching and clawing at the streaming mud, And fouled each other and themselves. And still Shelley stood up. His eyes were like a flame Set in some white, still room; for all his face Was white, a whiteness like no human color, But white and dreadful as consuming fire. His hands shook now and then, like slender cords Which bear too heavy weights. He did not speak. So I saw Shelley plain." "And you?" I said. "I? I threw straighter than the most of them, And had firm clods. I hit him -- well, at least Thrice in the face. He made good sport that night."
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I walk past the old woman who wears unflattering red lipstick, vivid as cartoon blood, and jeweled chopsticks in her hair. We meet haunted eyes, full of defiant sorrows. The pudgy little girl streaks past, pigtails askew, sandals mismatched by herself or a harried mother she is either running to, or away from. The boy with the closed face, like a letter that no one opens for fear of what it might hold, reaches for the same book I am reaching for. We smile at one another, surprised. Such small things bring recognition. We are the same inside.
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Apr 29, 2014
Apr 29, 2014 at 4:50 PM UTC
Kindred
**Topsy and Turvy, hassled and harried jostled among a jungle of jumble, so busy they beavered, in search of a bauble upon all the shelves, so deftly they delved, ... within the lair of the piffling frippary. They ambled and rambled, so giddy they gambolled and sought for that trivial trinket or trifle, they rummaged and rifled, their eagerness stifled, through struggle, they strived, from nine until five, ... within the lair of the piffling frippary. Staunch but stressed, their zest so hard pressed for until discovered, found and recovered, they muttered and spluttered, and audibly uttered within the lair of the piffling frippary, ... persuing that piece of paltry frivolity. Now flagging, they floundered, not finding the foible in shambles they rambled, revealing reluctance, and ceding, conceding, they threw in the towel on trembling, tottering knees they now tumbled, ... out of the lair, of the piffling frippary. ...   ...   ...**
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Feb 6, 2012
Feb 6, 2012 at 10:42 AM UTC
... Lair Of The Piffling Frippary ...
We strode together in another age, my love, You, in your earthen gown and beautiful dark tresses. I, the wearer of the long plaited, thong and sinew sandal. You and I, we strode through quiet valleys of tall conifer Where huge rock falls left monolithic edifices... as monuments to past largess. Together we walked as one, in a world much simpler than the one we live in now. In a time, without the inhibition of contrivance or sophistication. We walked in clarity and drank from clear, clean waters. We dallied in the honeyed light of a huge, summer moon. A field of dandy lions in the warm April sunshine, was the byre in which we made love and produced our babies. A love ... un-harried, unhurried and devoid of any preoccupation other than that of the beautiful desire We felt for each other. The love we feel now is the same as the love shared then; But in this age it is diluted and complicated by the urgencies and imperatives of the day. Then there was just time...given and taken. Without cost or penalty, without blame or insinuation, without hurt or harm. Time in that better age...was a friend.   A friend who augmented the beauty of today into the promise of tomorrow, A friend who exchanged the serenity of yesterday for the excitement of the new day’s dawn. This was our time, when the bond of eternity sealed our commitment to each other. For however many lifetimes we may live in... We shall be one. Marshalg For darling Janet 12 September 2011
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Sep 12, 2011
Sep 12, 2011 at 3:14 PM UTC
Commitment
<> thirty years apart/making love at the midpoint/Zeno's minding the gap <> *we are a thrifty thirty years apart but we make love as if it were an after school, really hungry, special snack laugh at myself once again for this tom, **** 'n harried foolishness knowing no good can come of this other than what has already come and gone, life's reaffirmation is not age dependent, we love in the light of  embers brightest glow the older man is at the midpoint trap of Zeno's Paradox^ can never grow down to be closer to her to her youth, given his head start, his slowing motion, can never catch her down, or she, up to him physics laws forcibly insist they both have lost this race* "In a race, the quickest runner can never overtake the slowest, since the pursuer must first reach the point whence the pursued started, so that the slower must always hold a lead. " as recounted by Aristotle, Physics VI:9, 239b15 *too quick to be born, now the fastest and oldest, though having reached the equidistant point between, will forever never be able to close the gap I mind the gap, I mine the gap for rousing poems, from passion piercing fierce love making prayers preserving the falsity of a magic illusion of a growing nearness that we will never grow apart, burdened that truer is, never ever closer she asks me with great tenderness, why I moisten mine eyes after our great joy replying, honestly I am minding the gap answers the broken joyous poet of now, no way* <> "Mind the gap" ( listen (help. · info)) is an audible or visual warning phrase issued to rail passengers in the United Kingdom (and elsewhere) to take caution while crossing the horizontal, and in some cases vertical, spatial gap between the train door and the station platform. ^https://en.m.wikipedia.org/wiki/Zeno%27s_paradoxes
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Jul 24, 2016
Jul 24, 2016 at 7:44 AM UTC
thirty years apart/making love at the midpoint/Zeno's minding the gap^
<> thirty years apart/making love at the midpoint/Zeno's minding the gap <> *we are a thrifty thirty years apart but we make love as if it were an after school, really hungry, special snack laugh at myself once again for this tom, **** 'n harried foolishness knowing no good can come of this other than what has already come and gone, life's reaffirmation is not age dependent, we love in the light of  embers brightest glow the older man is at the midpoint trap of Zeno's Paradox^ can never grow down to be closer to her to her youth, given his head start, his slowing motion, can never catch her down, or she, up to him physics laws forcibly insist they both have lost this race* "In a race, the quickest runner can never overtake the slowest, since the pursuer must first reach the point whence the pursued started, so that the slower must always hold a lead. " as recounted by Aristotle, Physics VI:9, 239b15 *too quick to be born, now the fastest and oldest, though having reached the equidistant point between, will forever never be able to close the gap I mind the gap, I mine the gap for rousing poems, from passion piercing fierce love making prayers preserving the falsity of a magic illusion of a growing nearness that we will never grow apart, burdened that truer is, never ever closer she asks me with great tenderness, why I moisten mine eyes after our great joy replying, honestly I am minding the gap answers the broken joyous poet of now, no way* <> "Mind the gap" ( listen (help. · info)) is an audible or visual warning phrase issued to rail passengers in the United Kingdom (and elsewhere) to take caution while crossing the horizontal, and in some cases vertical, spatial gap between the train door and the station platform. ^https://en.m.wikipedia.org/wiki/Zeno%27s_paradoxes
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I was there before the beginning Before the conception of time and space, when nothing was everything and everything was nothing. In vain I waited for you to materialize from the ether of emptiness But you never came. So there I stood, waiting... I was there at the beginning At the conception of time and space when everthing came from nothing. I saw the sun, or that condescent swirling cloud of dust that was to be the sun. I saw the earth, a miniscule ball of molten, boiling, writhing anger I was there when everything, but you emerged from nothing. So there I stood, waiting... I was there at the edge of an undulating mass of the pimordial ooze, that sea of everything and nothing. I saw pleaseasaur ribbon its long, shiny, black body through the fathomless depths of the sea Searching, as was I, for something. I saw stegasaur, that lumbering hulk of muscle and scale take its first precarious steps onto land looking, as was I, for something. Every creature, but one-the one I wanted, stepped forth from that roiling soup. But you never came. So there I stood, waiting... I was there when neanderthal first discovered fire. I saw that temptress dance across the contours of his rough, wind hewn face. I saw his eyes sparkle as he and I gazed longingly into the yellow, red dancer's lair. Both searching for something or someone. I stared and stared hoping to catch the slightest glimmer of your eyes. But you never came. so there I stood, waiting... I was there when Egypt and Rome first peeped their heads from the cold ground surrounding their feet. I was there as those stone goliaths, pyramids, grew block by block layer by layer stretching, reaching, longing for heaven's basement. Just as I longed for you. I saw Rome's aquaducts, seemingly endless terracota snakes, slicing through the eons blindly feeling for something. Just as I searched for you hoping you were searching for me. But you never came. So there I stood, waiting... I was there when we almost killed the human race, for the second time. I stood at the entrance to Auschwitz scanning the multitude of worn, sullen,destitute face hoping, praying you weren't there. Thank God you weren't there. So there I stood, waiting... I am here. In a cold place made of lifeless, emotionless steal and glass. I watched as heartless obelisks devoured the cozy bricks of ancient neighborhoods. Signaling the undaunted march of father time. His harried pace, defies his antiquated frame, drains my fortitude. but step for step night and day day in and day out I will wait for you. So here I stand, waiting...
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Oct 19, 2011
Oct 19, 2011 at 4:20 PM UTC
Here I Stand...
I was there before the beginning Before the conception of time and space, when nothing was everything and everything was nothing. In vain I waited for you to materialize from the ether of emptiness But you never came. So there I stood, waiting... I was there at the beginning At the conception of time and space when everthing came from nothing. I saw the sun, or that condescent swirling cloud of dust that was to be the sun. I saw the earth, a miniscule ball of molten, boiling, writhing anger I was there when everything, but you emerged from nothing. So there I stood, waiting... I was there at the edge of an undulating mass of the pimordial ooze, that sea of everything and nothing. I saw pleaseasaur ribbon its long, shiny, black body through the fathomless depths of the sea Searching, as was I, for something. I saw stegasaur, that lumbering hulk of muscle and scale take its first precarious steps onto land looking, as was I, for something. Every creature, but one-the one I wanted, stepped forth from that roiling soup. But you never came. So there I stood, waiting... I was there when neanderthal first discovered fire. I saw that temptress dance across the contours of his rough, wind hewn face. I saw his eyes sparkle as he and I gazed longingly into the yellow, red dancer's lair. Both searching for something or someone. I stared and stared hoping to catch the slightest glimmer of your eyes. But you never came. so there I stood, waiting... I was there when Egypt and Rome first peeped their heads from the cold ground surrounding their feet. I was there as those stone goliaths, pyramids, grew block by block layer by layer stretching, reaching, longing for heaven's basement. Just as I longed for you. I saw Rome's aquaducts, seemingly endless terracota snakes, slicing through the eons blindly feeling for something. Just as I searched for you hoping you were searching for me. But you never came. So there I stood, waiting... I was there when we almost killed the human race, for the second time. I stood at the entrance to Auschwitz scanning the multitude of worn, sullen,destitute face hoping, praying you weren't there. Thank God you weren't there. So there I stood, waiting... I am here. In a cold place made of lifeless, emotionless steal and glass. I watched as heartless obelisks devoured the cozy bricks of ancient neighborhoods. Signaling the undaunted march of father time. His harried pace, defies his antiquated frame, drains my fortitude. but step for step night and day day in and day out I will wait for you. So here I stand, waiting...
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