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"hardy" poems
~-English-~ The Beauty Of Flowers (Multiple Tankas I) A field of tulips Is where I laid down to sleep And dream a sweet dream Dew sparkled on the tulips And fell upon my fair cheeks In the shady woods Ladyslipper Orchids grow Near a babbling brook. Yellows and Pinks standing tall With ferns spreading all around. Beside the ocean The hibiscus are blooming Such a sweet perfume Lingers on the salty breeze Such beautiful rainbow hues Snowdrops are the first To appear blooming in frost Pure white heads nodding. Cold hardy and full of life, They offer a hope of Spring. Beside the farmhouse Gardenias are blooming White satin blossoms Their perfume is breathtaking Rain-washed petals of fragrance ~Timothy & Marian~ ~-French-~ La beauté des fleurs (plusieurs Tankas je) Un champ de tulipes Est où j'ai prévue de dormir Et un doux rêve Rosée brillait sur les tulipes Et tomba sur mes joues justes Dans les bois ombragés Ladyslipper orchidées poussent Près d'un petit ruisseau. Jaunes et roses debout Avec fougères répand tout autour. À côté de l'océan L'hibiscus sont en fleurs Tel un doux parfum S'attarde sur la brise salée Ces teintes belle arc-en-ciel Perce-neige est les premiers À comparaître fleurissant en gel Têtes blanches pures hochant la tête. Résistantes au froid et pleine de vie, Ils offrent un espoir de printemps. À côté de la ferme Gardénias sont en fleurs Fleurs de satin blancs Leur parfum est à couper le souffle Pétales restés du parfum ~ Timothy et Marian ~
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Jan 10, 2014
Jan 10, 2014 at 6:25 PM UTC
The Beauty Of Flowers (Multiple Tankas I)
~-English-~ The Beauty Of Flowers (Multiple Tankas I) A field of tulips Is where I laid down to sleep And dream a sweet dream Dew sparkled on the tulips And fell upon my fair cheeks In the shady woods Ladyslipper Orchids grow Near a babbling brook. Yellows and Pinks standing tall With ferns spreading all around. Beside the ocean The hibiscus are blooming Such a sweet perfume Lingers on the salty breeze Such beautiful rainbow hues Snowdrops are the first To appear blooming in frost Pure white heads nodding. Cold hardy and full of life, They offer a hope of Spring. Beside the farmhouse Gardenias are blooming White satin blossoms Their perfume is breathtaking Rain-washed petals of fragrance ~Timothy & Marian~ ~-French-~ La beauté des fleurs (plusieurs Tankas je) Un champ de tulipes Est où j'ai prévue de dormir Et un doux rêve Rosée brillait sur les tulipes Et tomba sur mes joues justes Dans les bois ombragés Ladyslipper orchidées poussent Près d'un petit ruisseau. Jaunes et roses debout Avec fougères répand tout autour. À côté de l'océan L'hibiscus sont en fleurs Tel un doux parfum S'attarde sur la brise salée Ces teintes belle arc-en-ciel Perce-neige est les premiers À comparaître fleurissant en gel Têtes blanches pures hochant la tête. Résistantes au froid et pleine de vie, Ils offrent un espoir de printemps. À côté de la ferme Gardénias sont en fleurs Fleurs de satin blancs Leur parfum est à couper le souffle Pétales restés du parfum ~ Timothy et Marian ~
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56
fall was in the air and it was a very dreary october day. the halls of the old victorian house had been filled with new arivals and lots of noise. "i can barely hear myself think." Madison sneered, a cigarette in her hand as she stood next to zoey and nan in the hallway. looking at the new girls with disguist. "and none of these new ******* better step on my toes. this isnt ******* hogwarts." she rolled her eyes. "hogwarts." zoey laughed, making nan laugh aswell. "if this were hogwarts, you would be draco malfoy" nan joked. "hardy har har." Madison snickered. "and you would be harry potters fat cousin because your ugly and nobody loves you." madison smiled. "well, i think it's great." zoey said cheerfully. "all of these girls would feel lost and alone and now they have somewhere to belong.". "you would say that." Madison rolled her eyes. suddenly a slightly younger girl with big green eyes and long brown hair and freckles rushed up to the three of them with a gleam in her eye. "oh my god it is you! you're madison montgomery!" the girl explained. " i love you! will you sign my back pack?" the girl turned around and Madison pulled a pink highlighter out of the side of her floral backpack. her face lit up as she wrote her name on the backpack making zoey and nan smile aswell. "thank you! thank you! thank you! you're my idol." the girl blushed. "my name is Cassie motts, i've seen all of your movies, i love you! i love you! i love you!" the girl giggled. "alright.." Madison had been taken back a step. "have a great day you little ****** she smiled, a look of confusion hung upon her face. "thank you.. you dont know how much this means to me." the girl explained cheerfully and walked away. "well ladies it looks like we're the head honchoes around this **** show." Madison sighed, still slightly smiling. "i was always the head honchoe." nan replied. "yeah, okay, right." zoey rolled her eyes and smiled at nan as the three made there way down the hall together.
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Jan 28, 2015
Jan 28, 2015 at 7:14 PM UTC
im going to write my own american horror story:coven fan fic here because i am bored.
fall was in the air and it was a very dreary october day. the halls of the old victorian house had been filled with new arivals and lots of noise. "i can barely hear myself think." Madison sneered, a cigarette in her hand as she stood next to zoey and nan in the hallway. looking at the new girls with disguist. "and none of these new ******* better step on my toes. this isnt ******* hogwarts." she rolled her eyes. "hogwarts." zoey laughed, making nan laugh aswell. "if this were hogwarts, you would be draco malfoy" nan joked. "hardy har har." Madison snickered. "and you would be harry potters fat cousin because your ugly and nobody loves you." madison smiled. "well, i think it's great." zoey said cheerfully. "all of these girls would feel lost and alone and now they have somewhere to belong.". "you would say that." Madison rolled her eyes. suddenly a slightly younger girl with big green eyes and long brown hair and freckles rushed up to the three of them with a gleam in her eye. "oh my god it is you! you're madison montgomery!" the girl explained. " i love you! will you sign my back pack?" the girl turned around and Madison pulled a pink highlighter out of the side of her floral backpack. her face lit up as she wrote her name on the backpack making zoey and nan smile aswell. "thank you! thank you! thank you! you're my idol." the girl blushed. "my name is Cassie motts, i've seen all of your movies, i love you! i love you! i love you!" the girl giggled. "alright.." Madison had been taken back a step. "have a great day you little ****** she smiled, a look of confusion hung upon her face. "thank you.. you dont know how much this means to me." the girl explained cheerfully and walked away. "well ladies it looks like we're the head honchoes around this **** show." Madison sighed, still slightly smiling. "i was always the head honchoe." nan replied. "yeah, okay, right." zoey rolled her eyes and smiled at nan as the three made there way down the hall together.
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he would sit in his room and draw space ships that could only be described as something from star wars or star trek and he'd do geometry on the floor his school books scattered and punk music would be playing on his boom box game informers stacked high in tens and twenties all over his bookcase cozy against star wars and hardy boys the wood frame bed simple and pure until tainted by a name of his first love scratched in with passion and heartbreak he lied quite often and was a sore loser his mood usually consisted of being short fused and even more short fused and then he moved left for good not visiting for another three years and then three more after that each time he gets older and less of the thirteen year old i had known when he lived at home
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Oct 30, 2012
Oct 30, 2012 at 6:53 PM UTC
brother
My fair - skinned stranger As you sit across from me. Nylon leggings; short skirt, All black Ed Hardy t-shirt, Pretty Little Kitty, smiling at me.                                                   Before I could let you know,                                                   I looked up, and you winked at me!
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May 7, 2014
May 7, 2014 at 12:01 AM UTC
Naughty Little Kitty
gulls and terns spin in the air as waves lullaby the sleepy dreamers with grand tales and rich promise of paradise to be found just over the horizons edge sailors eye to the swift wind sure hand to tackle and line hearty men of salted liquid soil grown to giants in the breakwaters thunder but gentle that hands heart when the tolling bell calls out the names of the lost and the sea has swept away all but her witnessed tale to leave the widows and forlorn child to carve name to wall and mourn past midnight now a dead calm and cloudless sky reigns with a majesty of brilliant starlight upon this sea reflecting the heavens slow march i lay like a supplicant muted by the spectacle to souls hunger this moment and place shows a deeper meaning to thouse souls with eyes to see a dead calm and cloudless sky reigns with a majesty of brilliant starlight the old salt sailor breaks into deep song that sooths and lends hardy meal to the heart hold fast young lad hold fast the morning rushing forward brings the breaking wave and unfolds sail with quick wind and the sailors eye rejoices with merry songs to measure the hour and jauntily bring our fair seabird back to her warm home sea and sand in the salt sailors blood and a kind heart guides the way
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Mar 23, 2014
Mar 23, 2014 at 2:10 PM UTC
salt sailors song
well, first Mae West died and then George Raft, and Eddie G. Robinson's been gone a long time, and Bogart and Gable and Grable, and Laurel and Hardy and the Marx Brothers, all those Saturday afternoons at the movies as a boy are gone now and I look around this room and it looks back at me and then out through the window. time hangs helpless from the doorknob as a gold paperweight of an owl looks up at me (an old man now) who must sit and endure these many empty Saturday afternoons.
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6.7k
sit and endure
The minstrels played their Christmas tune To-night beneath my cottage-eaves; While, smitten by a lofty moon, The encircling laurels, thick with leaves, Gave back a rich and dazzling sheen, That overpowered their natural green. Through hill and valley every breeze Had sunk to rest with folded wings: Keen was the air, but could not freeze, Nor check, the music of the strings; So stout and hardy were the band That scraped the chords with strenuous hand. And who but listened?—till was paid Respect to every inmate’s claim, The greeting given, the music played In honour of each household name, Duly pronounced with ***** call, And “Merry Christmas” wished to all.
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6.2k
Minstrels
it's okay to experience the worst things in life, nothing other than it can make you hardy. it's okay not to be perfect, as no one out there is, you can't even be perfect until you satisfy the beholder's expectations. It's okay to fail sometimes it tastes bitter, but not boresome, ceaseless success can make you happy, but to subdue lack of success is kinda reward. It's okay to be lost in your deep musings, to wander the unsure ways in quest of esctasy.
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Jul 31, 2018
Jul 31, 2018 at 2:28 AM UTC
SOMETIMES, IT'S OKAY.
The crocus with fresh tendrils, hardy and alive Fighting frost and snow just to survive. In it's garden, cold, thin and alone. Visual pleasure emits from ground, hard as bone. A beauty to behold, cherish, and covet, I tend the spring garden, so we all may love it.
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Mar 19, 2010
Mar 19, 2010 at 5:29 PM UTC
The Crocus
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
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Sep 11, 2013
Sep 11, 2013 at 6:36 PM UTC
9/11 Distilled
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
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67
<> for the early morning teach <> she's young, beautiful and thinks her life is cursed, in the past, subject of some of my poems, her health to nurse, yet, as is normative, you fall into & out of a well of touch, until you accidentally once again path cross, she provides a precision mathematical status update "i'm fairly certain things are like at least 38% worse." it is 1:38AM for you, the not unnoticed ironic minute and hour when the night ether has prematurely worn off, rising time close but not nearly close enough, a dark dose of a sleeping nurse's aide seems inappropriate, and TV reruns seem like an insult to your brain instead you turn on some belle string musique, a Grande Messe des Morts, a chorus, singing a high mass for the dead, while opening all your various email luggage and baggage, smiling as you read a poetess's message of laughter behind tears "i'm fairly certain things are like at least 38% worse." and Mississippi ****** your uncontrollable mixed drink of her emotional Grenada grenade cocktail, flavored with musique, paintings, and words and a nearby beloved's gentling sleep sounds, has you writing your own protest poem, your very own, oy vey, grande messe, about lives that were supposed to be pictures of perfect artistry and for but a word or two, instead, a painting of a life that got hung upside down, and indeed, leaving a grand mess and no one to help clean up alternatively weeping, laughing as you are thinking, smiling recall Laurel and Hardy's summary definition of living a life's of ill begotten, misventured adventures: "Well, here's another nice mess you've gotten me into !" but 38% worse? not an even-steven rounded up 40%, should I write you only 38% of a poem, teach? or more accurately, more mathematically, 138% of what was writ before? and you recall your older, prior words about the love hate affair between you poet, and the beauty of written brevity (her style) and you give her this then, this rambling, scrambled, attention paid notification, word attentiveness, a summary of your readings of her cheddar sharp and honey mustard sweet retorts of pained poetry, it is insufficiently but perfectly sufficient, a summarizing phrase that opens and yet briefly encapsulates all that you are feeling for her "thinking of you" or the 38% larger version thereof - ***"Well, here's another 38% more nice poetic mess you've gotten me into!"***
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Jul 20, 2016
Jul 20, 2016 at 5:01 PM UTC
"i'm fairly certain things are like at least 38% worse"
<> for the early morning teach <> she's young, beautiful and thinks her life is cursed, in the past, subject of some of my poems, her health to nurse, yet, as is normative, you fall into & out of a well of touch, until you accidentally once again path cross, she provides a precision mathematical status update "i'm fairly certain things are like at least 38% worse." it is 1:38AM for you, the not unnoticed ironic minute and hour when the night ether has prematurely worn off, rising time close but not nearly close enough, a dark dose of a sleeping nurse's aide seems inappropriate, and TV reruns seem like an insult to your brain instead you turn on some belle string musique, a Grande Messe des Morts, a chorus, singing a high mass for the dead, while opening all your various email luggage and baggage, smiling as you read a poetess's message of laughter behind tears "i'm fairly certain things are like at least 38% worse." and Mississippi ****** your uncontrollable mixed drink of her emotional Grenada grenade cocktail, flavored with musique, paintings, and words and a nearby beloved's gentling sleep sounds, has you writing your own protest poem, your very own, oy vey, grande messe, about lives that were supposed to be pictures of perfect artistry and for but a word or two, instead, a painting of a life that got hung upside down, and indeed, leaving a grand mess and no one to help clean up alternatively weeping, laughing as you are thinking, smiling recall Laurel and Hardy's summary definition of living a life's of ill begotten, misventured adventures: "Well, here's another nice mess you've gotten me into !" but 38% worse? not an even-steven rounded up 40%, should I write you only 38% of a poem, teach? or more accurately, more mathematically, 138% of what was writ before? and you recall your older, prior words about the love hate affair between you poet, and the beauty of written brevity (her style) and you give her this then, this rambling, scrambled, attention paid notification, word attentiveness, a summary of your readings of her cheddar sharp and honey mustard sweet retorts of pained poetry, it is insufficiently but perfectly sufficient, a summarizing phrase that opens and yet briefly encapsulates all that you are feeling for her "thinking of you" or the 38% larger version thereof - ***"Well, here's another 38% more nice poetic mess you've gotten me into!"***
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67
Sounding like some wild soundtrack to a Spaghetti Western starring none other than The Clintster, it were rolling in good vibes with the peeps taking selfies with the band for a backdrop. Two horns poundin' out a happening grove, with a bass player all of four foot nothin'. with a cool round sound. It was cookin' alright, hours after midnight, a Halifax sextet hinting of Tom Waits and the The Bob man. I yawned, I looked around, all those sweet tarts in their skin tights. I yawned again, shook my head as the band was covering Ray Charles... I yawned again and again and realized I am too old to party hardy. But still... 'I can hack it'.. the last thing I said as I headed out the door, homeward bound In a January breeze that had a hint of Spring. end © 2014
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Jan 12, 2014
Jan 12, 2014 at 1:53 AM UTC
A Knight Out
Tolstoy was a boy, Ibsen was Henrik's son Hardy had a father, And see how well they've done. Byron was a grandson, And Wordsworth had a wet nurse, Thoreau had a 2 to go, Shakespeare a bad marriage, Austen was a loner, Poor Sylvia was a goner, And see how well they've done. Joyce had a ***** mind, Fitzgerald liked to drink, Richler liked to smoke, And Wolfe enjoyed a **** And see how well they've done. Fielding was a misogynist, Wilde was a jailbird; Virginia a misandrist, And Kerouac a simple **** Yet see how well they've done. Still with all their drawbacks, Look how well they've done; Like our old friend John, We surely come un-done.
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Dec 20, 2018
Dec 20, 2018 at 10:39 AM UTC
Just Like Us
" I had toasted many in my life time. Glasses of the most expensive wines, the exclusive champagnes, and the cheapest of beers. Funny. Out of all, the beers were the most enjoyable through my years. I now ask myself why? It's because of the laughter. Sophistication was always troubling to me. Don't get me wrong. To each is own i always say. Joke telling, and stories that seemed to be so crazy, many wondered if they were true. It was how the story was told, Some were hysterical you had to hold you stomach with both hands praying that it didn't split apart. Others were so sad they brought tears to your eyes. That's when i new i belonged, There is where i saw love among friends. The beer drinkers. Happy, Hardy. Without a trouble in the world. Where are they now? A question that is not to be answered. No more pat on the backs. No more. " Hey don't forget tomorrow nights card game at Tony's." No more. "See ya latter's." Just millions of us sitting at our computers, and maybe drinking a beer. To them i raise my mug with a toast. "Happy to spend this time with you." Michael....
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Oct 16, 2016
Oct 16, 2016 at 12:32 AM UTC
"The Beer Drinkers"
Star soldier with the rocket arm, you bleed silver, gold, and product placement. Smile big for the camera, the media will sell its soul for a new bankable face. Party hardy, Heisman candidate, ******** your semi-steady's sorority sister, then ask to see her again sometime after the **** kit. It's quite alright, so long as you have talent beyond this hemisphere. Why even the fatherland, ESPN, will gladly call you "son."
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Mar 9, 2021
Mar 9, 2021 at 11:37 AM UTC
First Round Draft Pick
Well Done. She said, but don't ***** it up. Its a start. How could I? Your sauciness drove right thru my heart. Will you please be my bottom bun? Baby, you're my seed number one. Sesame wants Sesayou Tardy to your selfworth day party Salty, and peppered with hardy haught looks I've overcooked this simple match up Maybe baby I'm plain ketchup.
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Feb 23, 2018
Feb 23, 2018 at 4:48 PM UTC
Gluten Freedom
Efforts run a trickling stream and Good Intentions leap a head, Dedication fights the hardy fight Lackadaisical rides the flow. Respite comes up fare, Desire strives ever forward, only few will Make the race, but Doing lags behind. Effort holds up, slowing a tiny bit the end not yet in sight Good Intentions has already died, Dedication surges toward the finish. The finish line is not so far, Lacky fell off quick, Respite finds one or two, Desire is crawling, Effort Is right behind, Dedication takes the easy way out. Doing is plodding, trudging up the hill, but, picks Up Desire before it falls...Effort is gone, some laugh, laugh at the race, but winning is None the Less with Doing and Desire right along.
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Dec 24, 2011
Dec 24, 2011 at 10:55 PM UTC
The Tortoise and the Hares
"Dear Mama", Question... "Is life worth living or should I blast myself" I'm always searching for those "better days" knowing that peace in my heart will come In "Thugs Mansion". Where I can "sip champagne while I listen to Billy Holliday sing and sit there kickin it with Malcolm till the day came." Should I "ride on my enemies"? Become one of "Amerikas most wanted"? Or should I remember that "the road is hard so I'll never give up"? And "time don't stop, always going by. So I'll puff on mine, hoping that it will get me high" Smile for me. "Won't you smile for me now"? "It ain't easy" being a changed man so when it feels like "all eyez on me". I just remember that "heaven ain't hard to find". But I'm Not starving, I been eatin Hardy,...like the night at that "Gangsta Party".... Certain things happen, I wana be happy so I have to make some arranges... Hopin in my life I have the ability to 1 day make those "Changes"...
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Aug 8, 2014
Aug 8, 2014 at 12:01 PM UTC
Feeling Thru Pac
In toasting Mike I recollect His steady watching gaze, I recollect his calm On a thousand stormy days. I recall his jaunty humour In his funny cockney style, And the rationale behind it And the pleasure of his smile. And the quiet determination In the steeliness within And the love that emanated When his Jules laughed loud with him. When he held her hand and strolled In the life they shared as one, In the racket of the grand kids As they shout and leap and run. Through the years of hardy seamanship From England's chalky reach, Across the ocean's vastness To far antipodean beach, To the soft greens of New Zealand And the promise of this land And the shining eyes of Jules When he offered her his hand. And the life they shared together Through the joy, the strain the tears The utter joy of baby Kristin And her beauty through the years. The seamlessness of craftmanship In tradesman's art supreme And the pride of his achievement In a sweet successful dream. A chasm has appeared in life Where old Mike used to be. Dreadfull death has exercised It's right to set him free. But I can't feel bad for Micheal For the brilliance of it all Is celebration of his life well lived And my toast to judgement's call. Marshalg @theBach Mangere Bridge 10 January 2010.
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Jan 10, 2010
Jan 10, 2010 at 6:51 AM UTC
In Toasting Mike....
~and for Harlan, who loved this one best~ *"for tandem is the ever-changing, graying color of their fierce attached tenacity" waking/walking in careful pacing regular lock steps, like new cadets, counting cadence, in perfect silent, almost motionless, except for the minuscule quivering of slightly parted moving lips these two elders, still now plebes, freshmen but of a latter, graduated stage, demonstrating robustly the slow shuffle-along, a well practiced dance conjured 'in tandem' her arm, crooked in his, his other hand, in protective custody of a knight's armored chain glove encasing hers, he, shuffling just,   a precise, intended half-a-beat slower lest she ever think that she, ever be a drag upon him hair, his, threaded with daily, new arriving grays, proudly accepted as the privilege of graceful aging hers, disguised with periodic outings, outings for the hidings of life's bookmarks, conceding nothing ever to time's lunatic desire to separate them modest in dress, styling hints of  pasts' elegant, the man's hat defiant, daringly jaunty angled, a small scarf to handbag knotted, matching his Windsor knotted tie the passers-by, all smile,   the signal charm of an end game processional, thinking so sweet, yet mine eyes detect more, something hardy and radical a fierce, fierce fierceness, both fighters in the resistance, armed with tandem tenacity, ground given, but only inches surrendered, wounds resisted by scar skin toughened by the caress of ions bonding under the pressure of atomic level mutuality worn out, well past Purple Hearts, no capitulation feared, to the ever changing, enemies' new disguises, they, a two person platoon, each, having the other's back and I burst into tears on the street, a train of out loud moans, even groans emitted, like a string of perfect pearls breaking, clattering on an asphalt terrain weeping not from visions of the inevitable, sighing not from the certitude of a cycle's uptime ending* but jealous furious by this reminder delightful, angry at myself, for having lost so many wasted years, mine, the loss greatest, for absent was the fierce tenacity of tandem
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Mar 6, 2017
Mar 6, 2017 at 8:41 PM UTC
Tandem: The Color of Their Tenacity
~and for Harlan, who loved this one best~ *"for tandem is the ever-changing, graying color of their fierce attached tenacity" waking/walking in careful pacing regular lock steps, like new cadets, counting cadence, in perfect silent, almost motionless, except for the minuscule quivering of slightly parted moving lips these two elders, still now plebes, freshmen but of a latter, graduated stage, demonstrating robustly the slow shuffle-along, a well practiced dance conjured 'in tandem' her arm, crooked in his, his other hand, in protective custody of a knight's armored chain glove encasing hers, he, shuffling just,   a precise, intended half-a-beat slower lest she ever think that she, ever be a drag upon him hair, his, threaded with daily, new arriving grays, proudly accepted as the privilege of graceful aging hers, disguised with periodic outings, outings for the hidings of life's bookmarks, conceding nothing ever to time's lunatic desire to separate them modest in dress, styling hints of  pasts' elegant, the man's hat defiant, daringly jaunty angled, a small scarf to handbag knotted, matching his Windsor knotted tie the passers-by, all smile,   the signal charm of an end game processional, thinking so sweet, yet mine eyes detect more, something hardy and radical a fierce, fierce fierceness, both fighters in the resistance, armed with tandem tenacity, ground given, but only inches surrendered, wounds resisted by scar skin toughened by the caress of ions bonding under the pressure of atomic level mutuality worn out, well past Purple Hearts, no capitulation feared, to the ever changing, enemies' new disguises, they, a two person platoon, each, having the other's back and I burst into tears on the street, a train of out loud moans, even groans emitted, like a string of perfect pearls breaking, clattering on an asphalt terrain weeping not from visions of the inevitable, sighing not from the certitude of a cycle's uptime ending* but jealous furious by this reminder delightful, angry at myself, for having lost so many wasted years, mine, the loss greatest, for absent was the fierce tenacity of tandem
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Take egg, invite ***** Mix for five minutes to two hours Dependant on assistant Feed at about body temperature After 9 months or a little sooner if needed Your childling will be ready to *** out Decorate in nice new clothes and feed After 5 years place in greenhouse with others Come back in about 12 years It will be totally unrecognizable to what you started with Now dependant upon cross pollination in greenhouse environment You may have unwanted seedlings of its own popping up!!! So choice of greenhouse at an early stage is essential If that doesn't present a blight they are now hardy enough to plant out!!!
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Feb 18, 2013
Feb 18, 2013 at 5:05 PM UTC
How to sow a life
Once I looked to the Bard for words profound; ageless, his wisdom ran unabated. Yet Hamlet is now ideologically unsound, “the slings and arrows” historically Iocated. I wept for the creature of Frankenstein, spurned by his master, forced to roam the Earth. But I’d been subjectively positioned in a paradigm by Mary’s anxiety about childbirth. I read Balzac, Hardy and Henry James describing “worlds” which seemed quite sensible. Now Eagleton’s exposed their bourgeois games I find them morally reprehensible. I dreamt of being Robinson Crusoe or proud, fierce Hawkeye in his buckskins dressed, but Fenimore and Defoe have to go, they’re culturally encoded and empirically obsessed. Inspired by Guinness, did James Joyce sit down to see what magic flowed when he was ****** The stream of Ulysses floats Bloom-about-town dreamthinkingnever : “I’mamodernist”. I’d gladly give Woolf a Room of Her Own and be one of the boys with Hemingway, but sensitive guys leave their bulls alone say de Beauvoir and Luce Irigaray. No more fun with Wordsworth being daffodilly, no simple pleasure reading Mickey Mouse; Steamboat Willie can’t help but look silly dissected by Foucault and Levi-Strauss. The Bible shows intertextuality says the two Jacques, Lacan and Derrida. Judas, a construct of bisexuality? The **** fixations of Herod are? It’s got so bad I deconstruct a holiday brochure. I can’t even **** without Roland Barthes and Ferdinand de Saussure.
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Feb 25, 2015
Feb 25, 2015 at 12:06 AM UTC
LAMENT FOR LOST LITERARY COMFORT
there's a hard silence here and there is a fresh echo of the dim kitchen light in the ***** linoleum tiles that zigzag the floor even the air feels broken as it limps slowly through the room i stop near the door upon entering and gather myself like a ragman gathering the tattered remains stitching the fragments of self with the thread of awareness weave the image of self into the reality of the moment with the hesitations of someone who has lived this moment too many times' it will come to naught she is alive but her heart is dead the dust on my worn coat is from the graves of my fallow field where we once laid a crop of hopes but i cannot abandon her to this barren place i know i perceive only the narrow sunstricken pages faded and stained with the words legible only to the hardy eye but its the deeper tale which even the gardener of times bloodstained trophy's would fear to tread his leather shod hands worry the intricate gears of the mechanical face she wears he manipulates it to wear a lopsided grin pantomime of happiness for my birthday but i watch the vacant places behind the face and see that with a blemished mechanical eye she looks out over the oncoming evening through the livingroom window its cracked and ***** surface turns the setting sun into a parody of dawn she greets me but just stares out the window as if she is waiting a lovers return i stand infront of her blankly we wait for the hours to pass i fix her tea even though it isn't broken and make small talk as she makes mechanical sounds till she sleeps i leave with the dawn and make my way to my own bed at last to fend off dreams that something somewhere could be different and wake to the sorrowful song of a passing bard his thin feet dancing on a moonlight hilltop meant for lovers only and he is dancing alone alone
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Jan 13, 2014
Jan 13, 2014 at 8:45 PM UTC
the mechanical face she wears
there's a hard silence here and there is a fresh echo of the dim kitchen light in the ***** linoleum tiles that zigzag the floor even the air feels broken as it limps slowly through the room i stop near the door upon entering and gather myself like a ragman gathering the tattered remains stitching the fragments of self with the thread of awareness weave the image of self into the reality of the moment with the hesitations of someone who has lived this moment too many times' it will come to naught she is alive but her heart is dead the dust on my worn coat is from the graves of my fallow field where we once laid a crop of hopes but i cannot abandon her to this barren place i know i perceive only the narrow sunstricken pages faded and stained with the words legible only to the hardy eye but its the deeper tale which even the gardener of times bloodstained trophy's would fear to tread his leather shod hands worry the intricate gears of the mechanical face she wears he manipulates it to wear a lopsided grin pantomime of happiness for my birthday but i watch the vacant places behind the face and see that with a blemished mechanical eye she looks out over the oncoming evening through the livingroom window its cracked and ***** surface turns the setting sun into a parody of dawn she greets me but just stares out the window as if she is waiting a lovers return i stand infront of her blankly we wait for the hours to pass i fix her tea even though it isn't broken and make small talk as she makes mechanical sounds till she sleeps i leave with the dawn and make my way to my own bed at last to fend off dreams that something somewhere could be different and wake to the sorrowful song of a passing bard his thin feet dancing on a moonlight hilltop meant for lovers only and he is dancing alone alone
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I sit here on this lonely windswept ridge Overlooking a wild place Of peathag and bog and wild heather Of outcrops of gritstone rock Standing like rotting teeth In ravished gums Bleak and dreary in the rain But still a place to be loved Hardy sheep graze the barren slopes Watched over by equal hardy men and dogs Out in all weathers I'm lucky Because I know the tracks and trails Crossing this wild land I know the streams of fresh water And the sanctuary for my nights rest In my small lightweight tent This is wild Yorkshire As yet an unspoilt place
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Nov 20, 2016
Nov 20, 2016 at 1:50 PM UTC
Wild Yorkshire