Submit your work, meet writers and drop the ads. Become a member
Jon York May 2017
Never accept the things that you
cannot change, just change the
things you cannot accept and as
you begin to find out what is real
you begin to realize that nothing
is as perfect as you imagine it to be.

Somewhere in my mind just now,
as I write these words, run all of
good tines and the bad times so
fast I could hardly see them yet I
can call back any one of them and
and describe them in finest detail.

In my words I express my faith in
life, my conscience, my hopes, my
loves and my attempts to understand
what is and and what has been going
on in the world that surrounds me
and may you find inspiration and
warmth in my words.

Looking out at the road passing
under my wheels, I can't tell you all
how crazy this life feels but as a writer
I try to look at my poems from a new
perspective, turning tragedy into
tenacity and in my creativity I allow
myself to make mistakes, but the art
of it is just knowing which ones to keep.

Understand life backwards but live it
forwards knowing that once great
wrongs are done it is rarely possible to
undo them so cultivate your powers of
recuperation and restoration and even
the darkest night will end and the sun
will rise again.

Life provides the contours and we as
poets provide the shading and color
and you will find that as the years pass
you by you will become more creative
and make fewer mistakes because you
become aware that your days are
numbered and that nothing remains
the same in the game of life.

Know that habit is your constant
companion,your greatest helper, or
your heaviest burden and it will push
you onward or drag you down to
failure, but always know that it is
always at your command as half of
the tasks you do are done by habit
quickly and correctly, so be firm with
it and show it exactly how you wish
things done and after a few lessons
habit will do it automatically.
                                             Jon York   2017
Carina Sep 2018
Trapped in a cage with golden bars of light
Of ancient habit and direful duties;
Below the water crashed into the bight,
The whispering waves baiting with beauties.

But her shadow lurked around the coast,
Dashing her to the beach like drifting wood.
Preventing her from what she wanted the most
To reach new shores from where she stood.

She wanted to travel and sail the open sea
Beyond the shingle, seaweed and shells
Closer to the horizon where the birds flew free
Or to the arenaceous ground in diving bells.

And coming back to where she started
She found her seaside changed since she has parted.
Or did the widening horizon change her perceiving?
For returning was not the same as never leaving.
Dedicated to all those wandering souls who like to seek new horizons, who love travelling and experiencing the world with all its wonderful facets.
Victor D López Dec 2018
Victor D. López (October 11, 2018)

You were born five years before the beginning of the Spanish civil war and
Lived in a modest two-story home in the lower street of Fontan, facing the ocean that
Gifted you its wealth and beauty but also robbed you of your beloved and noblest eldest
Brother, Juan, who was killed while working as a fisherman out to sea at the tender age of 19.

You were a little girl much prone to crying. The neighbors would make you cry just by saying,
"Chora, neniña, chora" [Cry little girl, cry] which instantly produced inconsolable wailing.
At the age of seven or eight you were blinded by an eye Infection. The village doctor
Saved your eyesight, but not before you missed a full year of school.

You never recovered from that lost time. Your impatience and the shame of feeling left behind prevented
You from making up for lost time. Your wounded pride, the shame of not knowing what your friends knew,
Your restlessness and your inability to hold your tongue when you were corrected by your teacher created
A perfect storm that inevitably tossed your diminutive boat towards the rocks.

When still a girl, you saw Franco with his escort leave his yacht in Fontan. With the innocence of a girl
Who would never learn to hold her tongue, you asked a neighbor who was also present, "Who is that Man?"
"The Generalissimo Francisco Franco," she answered and whispered “Say ‘Viva Franco’ when he Passes by.”
With the innocence of a little girl and the arrogance of an incorrigible old soul you screamed, pointing:

"That's the Generalissimo?" followed up loud laughter, "He looks like Tom Thumb!"
A member of his protective detail approached you, raising his machine gun with the apparent intention of
Hitting you with the stock. "Leave her alone!" Franco ordered. "She is just a child — the fault is not hers."
You told that story many times in my presence, always with a smile or laughing out loud.

I don't believe you ever appreciated the possible import of that "feat" of contempt for
Authority. Could that act of derision have played some small part in their later
Coming for your father and taking him prisoner, torturing him for months and eventually
Condemning him to be executed by firing squad in the Plaza de Maria Pita?

He escaped his fate with the help of a fascist officer who freed him as I’ve noted earlier.
Such was his reputation, the power of his ideas and the esteem even of friends who did not share his views.
Such was your innocence or your psychic blind spot that you never realized your possible contribution to
His destruction. Thank God you never connected the possible impact of your words on his downfall.

You adored your dad throughout your life with a passion of which he was most deserving.
He died shortly after the end of the Spanish Civil War. A mother with ten mouths to feed
Needed help. You stepped up in response to her silent, urgent need. At the age of
Eleven you left school for the last time and began working full time.

Children could not legally work in Franco’s Spain. Nevertheless, a cousin who owned a cannery
Took pity on your situation and allowed you to work full-time in his fish cannery factory in Sada.
You earned the same salary as the adult, predominantly women workers and worked better
Than most of them with a dexterity and rapidity that served you well your entire life.

In your free time before work you carried water from the communal fountain to neighbors for a few cents.
You also made trips carrying water on your head for home and with a pail in each hand. This continued after
You began work in Cheche’s cannery. You rose long before sunrise to get the water for
Home and for the local fishermen before they left on their daily fishing trips for their personal water pails.

All of the money you earned went to your mom with great pride that a girl could provide more than the salary of a
Grown woman--at the mere cost of her childhood and education. You also washed clothes for some
Neighbors for a few cents more, with diapers for newborns always free just for the pleasure of being
Allowed to see, hold spend some time with the babies you so dearly loved you whole life through.
When you were old enough to go to the Sunday cinema and dances, you continued the
Same routine and added washing and ironed the Sunday clothes for the young fishermen
Who wanted to look their best for the weekly dances. The money from that third job was your own
To pay for weekly hairdos, the cinema and dance hall entry fee. The rest still went to your mom.

At 16 you wanted to go to emigrate to Buenos Aires to live with an aunt.
Your mom agreed to let you--provided you took your younger sister, Remedios, with you.
You reluctantly agreed. You found you also could not legally work in Buenos Aires as a minor.
So you convincingly lied about your age and got a job as a nurse’s aide at a clinic soon after your arrival.

You washed bedpans, made beds, scrubbed floors and did other similar assigned tasks
To earn enough money to pay the passage for your mom and two youngest brothers,
Sito (José) and Paco (Francisco). Later you got a job as a maid at a hotel in the resort town of
Mar del Plata whose owners loved your passion for taking care of their infant children.

You served as a maid and unpaid babysitter. Between your modest salary and
Tips as a maid you soon earned the rest of the funds needed for your mom’s and brothers’
Passage from Spain. You returned to Buenos Aires and found two rooms you could afford in an
Excellent neighborhood at an old boarding house near the Spanish Consulate in the center of the city.

Afterwards you got a job at a Ponds laboratory as a machine operator of packaging
Machines for Ponds’ beauty products. You made good money and helped to support your
Mom and brothers  while she continued working as hard as she always had in Spain,
No longer selling fish but cleaning a funeral home and washing clothing by hand.

When your brothers were old enough to work, they joined you in supporting your
Mom and getting her to retire from working outside the home.
You lived with your mom in the same home until you married dad years later,
And never lost the bad habit of stubbornly speaking your mind no matter the cost.

Your union tried to force you to register as a Peronista. Once burned twice cautious,
You refused, telling the syndicate you had not escaped one dictator to ally yourself with
Another. They threatened to fire you. When you would not yield, they threatened to
Repatriate you, your mom and brothers back to Spain.

I can’t print your reply here. They finally brought you to the general manager’s office
Demanding he fire you. You demanded a valid reason for their request.
The manager—doubtless at his own peril—refused, saying he had no better worker
Than you and that the union had no cause to demand your dismissal.

After several years of courtship, you and dad married. You had the world well in hand with
Well-paying jobs and strong savings that would allow you to live a very comfortable life.
You seemed incapable of having the children you so longed for. Three years of painful
Treatments allowed you to give me life and we lived three more years in a beautiful apartment.

I have memories from a very tender age and remember that apartment very well. But things changed
When you decided to go into businesses that soon became unsustainable in the runaway inflation and
Economic chaos of the Argentina of the early 1960’s. I remember only too well your extreme sacrifice
And dad’s during that time—A theme for another day, but not for today.

You were the hardest working person I’ve ever known. You were not afraid of any honest
Job no matter how challenging and your restlessness and competitive spirit always made you a
Stellar employee everywhere you worked no matter how hard or challenging the job.
Even at home you could not stand still unless there was someone with whom to chat awhile.

You were a truly great cook thanks in part to learning from the chef of the hotel where you had
Worked in Mar del Plata awhile—a fellow Spaniard of Basque descent who taught you many of his favorite
Dishes—Spanish and Italian specialties. You were always a terribly picky eater. But you
Loved to cook for family and friends—the more the merrier—and for special holidays.

Dad was also a terrific cook, but with a more limited repertoire. I learned to cook
With great joy from both of you at a young age. And, though neither my culinary skills nor
Any aspect of my life can match you or dad, I too am a decent cook and
Love to cook, especially for meals shared with loved ones.

You took great pleasure in introducing my friends to some of your favorite dishes such as
Cazuela de mariscos, paella marinera, caldo Gallego, stews, roasts, and your incomparable
Canelones, ñoquis, orejas, crepes, muñuelos, flan, and the rest of your long culinary repertoire.
In primary and middle school dad picked me up every day for lunch before going to work.

You and he worked the second shift and did not leave for work until around 2:00 p.m.
Many days, dad would bring a carload of classmates with me for lunch.
I remember as if it were yesterday the faces of my Jewish, Chinese, Japanese, German, Irish
And Italian friends when first introduced to octopus, Spanish tortilla, caldo Gallego, and flan.

The same was true during college and law school.  At times our home resembled an
U.N. General Assembly meeting—but always featuring food. You always treated my
Closest friends as if they were your children and a number of them to this day love
You as a second mother though they have not seen you for many years.

You had tremendous passion and affinity for being a mother (a great pity to have just one child).
It made you over-protective. You bought my clothes at an exclusive boutique. I became a
Living doll for someone denied such toys as a young girl. You would not let me out of your sight and
Kept me in a germ-free environment that eventually produced some negative health issues.

My pediatrician told you often “I want to see him with ***** finger nails and scraped knees.”
You dismissed the statement as a joke. You’d take me often to the park and to my
Favorite merry-go-round. But I had not one friend until I was seven or eight and then just one.
I did not have a real circle of friends until I was about 13 years old. Sad.

I was walking and talking up a storm in complete sentences when I was one year old.
You were concerned and took me to my pediatrician who laughed. He showed me a
Keychain and asked, “What is this Danny.” “Those are your car keys” I replied. After a longer
Evaluation he told my mom it was important to encourage and feed my curiosity.

According to you, I was unbearable (some things never change). I asked dad endless questions such as,
“Why is the sun hot? How far are the stars and what are they made of? Why
Can’t I see the reflection of a flashlight pointed at the sky at night? Why don’t airplanes
Have pontoons on top of the wheels so they can land on both water and land? Etc., etc., etc.

He would answer me patiently to the best of his ability and wait for the inevitable follow-ups.
I remember train and bus rides when very young sitting on his lap asking him a thousand Questions.
Unfortunately, when I asked you a question you could not answer, you more often than not made up an answer Rather than simply saying “I don’t know,” or “go ask dad” or even “go to hell you little monster!”

I drove you crazy. Whatever you were doing I wanted to learn to do, whether it was working on the
Sewing machine, knitting, cooking, ironing, or anything else that looked remotely interesting.
I can’t imagine your frustration. Yet you always found only joy in your little boy at all ages.
Such was your enormous love which surrounded me every day of my life and still does.

When you told me a story and I did not like the ending, such as with “Little Red Riding Hood,”
I demanded a better one and would cry interminably if I did not get it. Poor mom. What patience!
Reading or making up a story that little Danny did not approve of could be dangerous.
I remember one day in a movie theater watching the cartoons I loved (and still love).

Donald Duck came out from stage right eating a sandwich. Sitting between you and dad I asked you
For a sandwich. Rather than explaining that the sandwich was not real, that we’d go to dinner after the show
To eat my favorite steak sandwich (as usual), you simply told me that Donald Duck would soon bring me the sandwich. But when the scene changed, Donald Duck came back smacking his lips without the sandwich.

Then all hell broke loose. I wailed at the top of my lungs that Donald Duck had eaten my sandwich.
He had lied to me and not given me the promised sandwich. That was unbearable. There was
No way to console me or make me understand—too late—that Donald Duck was also hungry,
That it was his sandwich, not mine, or that what was on the screen was just a cartoon and not real.

He, Donald Duck, mi favorite Disney character (then and now) hade eaten this little boy’s Sandwich. Such a Betrayal by a loved one was inconceivable and unbearable. You and dad had to drag me out of the theater ranting And crying at the injustice at top volume. The tantrum (extremely rare for me then, less so now) went on for awhile, but all was well again when my beloved Aunt Nieves gave me a ******* with jam and told me Donald had sent it.

So much water under the bridge. Your own memories, like smoke in a soft breeze, have dissipated
Into insubstantial molecules like so many stars in the night sky that paint no coherent picture.
An entire life of vital conversations turned to the whispers of children in a violent tropical storm,
Insubstantial, imperceptible fragments—just a dream that interrupts an eternal nightmare.

That is your life today. Your memory was always prodigious. You knew the name of every person
You ever met, and those of their family members. You could recall entire conversations word for word.
Three years of schooling proved more than sufficient for you to go out into the world, carving your own
Path from the Inhospitable wilderness and learning to read and write at the age of 16.

You would have been a far better lawyer than I and a fiery litigator who would have fought injustice
Wherever you found it and always defended the rights of those who cannot defend themselves,
Especially children who were always your most fervent passion. You sacrificed everything for others,
Always put yourself dead-last, and never asked for anything in return.

You were an excellent dancer and could sing like an angel. Song was your release in times of joy and
In times of pain. You did not drink or smoke or over-indulge in anything. For much of your life your only minor Indulgence was a weekly trip to the beauty parlor—even in Spain where your washing and ironing income
Paid for that. You were never vain in any way, but your self-respect required you to try to look your best.

You loved people and unlike dad who was for the most part shy, you were quite happy in the all-to-infrequent
Role as the life of the party—singing, dressing up as Charlie Chaplin or a newborn for New Year’s Eve parties with Family and close friends. A natural story-teller until dementia robbed you of the ability to articulate your thoughts,
You’d entertain anyone who would listen with anecdotes, stories, jokes and lively conversation.

In short: you were an exceptional person with a large spirit, a mischievous streak, and an enormous heart.
I know I am not objective about you, but any of your surviving friends and family members who knew you
Well will attest to this and more in a nanosecond. You had an incredibly positive, indomitable attitude
That led you to rush in where angels fear to treat not out of foolishness but out of supreme confidence.

Life handed you cartloads of lemons—enough to pickle the most ardent optimist. And you made not just
Lemonade but lemon merengue pie, lemon sorbet, lemon drops, then ground up the rind for sweetest
Rice pudding, flan, fried dough and a dozen other delicacies. And when all the lemons were gone, you sowed the Seeds from which extraordinarily beautiful lemon trees grew with fruit sweeter than grapes, plums, or cherries.

I’ve always said with great pride that you were a far better writer than I. How many excellent novels,
Plays, and poems could you have written with half of my education and three times my workload?
There is no justice in this world. Why does God give bread to those without teeth? Your
Prodigious memory no longer allows you to recognize me. I was the last person you forgot.

But even now when you cannot have a conversation in any language, Sometimes your eyes sparkle, and
You call me “neniño” (my little boy in Galician) and I know that for an instant you are no longer alone.
But too son the light fades and the darkness returns. I can only see you a few hours one day a week.
My life circumstances do not leave me another option. The visits are bitter sweet but I’m grateful for them.

Someday I won’t even have that opportunity to spend a few hours with you. You’ll have no
Monument to mark your passing save in my memory so long as reason remains. An entire
Life of incalculable sacrifice will leave behind only the poorest living legacy of love
In your son who lacks appropriate words to adequately honor your memory, and always will.


*          *          *

The day has come, too son. October 11, 2018. The call came at 3:30 am.
An hour or two after I had fallen asleep. They tried CPR in vain. There will be no more
Opportunities to say, “I Love you,” to caress your hands and face, to softly sing in your ear,
To put cream on your hands, or to hope that this week you might remember me.

No more time to tell you the accomplishments of loved ones, who I saw, what they told me,
Who asked about you this week, or to pray with you, or to ask if you would give me a kiss by putting my
Cheek close to your lips, to feel joy when you graced me with many little kisses in response,
Or tell you “Maybe next time” when as more often than not the case for months you did not respond.

In saying good bye I’d give you the kiss and hug Alice always sent you,
Followed by three more kisses on the forehead from dad (he always gave you three) and one from me.
I’d leave the TV on to a channel with people and no sound and when possible
Wait for you to close your eyes before leaving.

Time has run out. No further extensions are possible. My prayers change from asking God to protect
You and by His Grace allow you to heal a little bit each day to praying that God protect your
Soul and dad’s and that He allow you to rest in peace in His kingdom. I miss you and Dad very much
And will do so as long as God grants me the gift of reason. I never knew what it is to be alone. I do now.

Four years seeing your blinding light reduced to a weak flickering candle in total darkness.
Four years fearing that you might be aware of your situation.
Four years praying that you would not feel pain, sadness or loneliness.
Four years learning to say goodbye. The rest of my life now waiting in the hope of seeing you again.

I love you mom, with all my heart, always and forever.
Written originally in Spanish and translated into English with minor additions on my mom's passing (October 2018). You can hear all six of my Unsung Heroes poems read by me in my podcasts at https://open.spotify.com/show/1zgnkuAIVJaQ0Gb6pOfQOH. (plus much more of my fiction, non-fiction and poetry in English and Spanish)
For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb
Michael R Burch Sep 2020
Urdu Poetry: English Translations



You will never comprehend me:
I pour out my feelings; you only read the words!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Tears are colorless―thank God!―
otherwise my pillow might betray my heart.
―original poet unknown, loose translation/interpretation by Michael R. Burch



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound ...
Hell, we might have pronounced you a saint,
if only we hadn't found
you drunk
as a skunk!

There are more English translations of poems by Mirza Ghalib later on this page.



Every Once in a While
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Every once in a while,
immersed in these muggy nights
when all earth’s voices seem to have fallen
into the bruised-purple silence of half-sleep,
I awaken from a wonderful dream
to see through the veil that drifts between us
that you too are companionless and wide awake.



First Rendezvous
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

This story of the earth
is as old as the universe,
as old as the birth
of the first day and night.

This story of the sky
is included in the words we casually uttered,
you and I,
and yet it remains incomplete, till the end of sight.

This earth and all the scenes it contains
remain witnesses to the moment
when you first held my hand
as we watched the world unfolding, together.

This world
became the focus
for the first rendezvous
between us.



Impossible and Improbable Visions
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Eyes interpret visions,
rainbow auras waver;
similar scenes appear
different to individual eyes,
as innumerable oases
coexist in one desert
or a single thought acquires
countless shapes.



I Have to Find My Lost Star
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Searching the emptiest of skies
overflowing with innumerable stars,
I have to find the one
that belongs
to me.

...

Gazing at galaxies beyond galaxies,
all glorious with evolving wonder,
I ponder her name,
finding no sign to remember.

...

Lost things, they say,
are sometimes found
in the same accumulations of dust
where they once vanished.

I have to find the lost star
that belongs to me.



Last Night
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your memory stole into my heart―
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!

There are more English translations of poems by Rahat Indori later on this page.



Strange Currents
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

O Khusrow, the river of love
creates strange currents—
the one who would surface invariably drowns,
while the one who submerges, survives.

There are more English translations of poems by Amir Khusrow later on this page.



The Eager Traveler
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Even in the torture chamber, I was the lucky one;
when each lottery was over, unaccountably I had won.

And even the mightiest rivers found accessible refuge in me;
though I was called an arid desert, I turned out to be the sea.

And how sweetly I remember you—oh, my wild, delectable love!—
as the purest white blossoms bloom, on talented branches above.

And while I’m half-convinced that folks adore me in this town,
still, all the hands I kissed held knives and tried to shake me down.

You lost the battle, my coward friend, my craven enemy,
when, to victimize my lonely soul, you sent a despoiling army.

Lost in the wastelands of vast love, I was an eager traveler,
like a breeze in search of your fragrance, a vagabond explorer.

There are more English translations of poems by Ahmad Faraz later on this page.



The Condition of My Heart
by Munir Niazi
loose translation/interpretation by Michael R. Burch

It is not necessary for anyone else to get excited:
The condition of my heart is not the condition of hers.
But were we to receive any sort of good news, Munir,
How spectacular compared to earth's mundane sunsets!

There are more English translations of poems by Munir Niazi later on this page.



Failures
by Nida Fazli
loose translation/interpretation by Michael R. Burch

I was unable to relate
the state
of my heart to her,
while she failed to infer
the nuances
of my silences.



Apni Marzi se
by Nida Fazli Shayari
translated by Mandakini Bhattacherya and Michael R. Burch

This journey was not of my making;
As the winds blow, I’m blown along ...
Time and dust are my ancient companions;
Who knows where I’m bound or belong?

There are more English translations of poems by Nida Fazli later on this page.



My Apologies, Sona
by Gulzar
loose translation/interpretation by Michael R. Burch

My apologies, Sona,
if traversing my verse's terrain
in these torrential rains
inconvenienced you.

The monsoons are unseasonal here.

My poems' pitfalls are sometimes sodden.
Water often overflows these ditches.
If you stumble and fall here, you run the risk
of spraining an ankle.

My apologies, however,
if you were inconvenienced
because my dismal verse lacks light,
or because my threshold's stones
interfered as you passed.

I have often cracked toenails against them!

As for the streetlamp at the intersection,
it remains unlit ... endlessly indecisive.

If you were inconvenienced,
you have my heartfelt apologies!

There are more English translations of poems by Gulzar later on this page.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



This Dog
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Being
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You are so close to me
that no one else ever can be.

NOTE: There is a legend that the great Urdu poet Mirza Ghalib offered all his diwan (poetry collections) in exchange for this one sher (couplet) by Momin Khan Momin. Does the couplet mean "be as close" or "be, at all"? Does it mean "You are with me in a way that no one else can ever be?" Or does it mean that no one else can ever exist as truly as one's true love? Or does this sher contain an infinite number of elusive meanings, like love itself?



Being (II)
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You alone are with me when I am alone.
You are beside me when I am beside myself.
You are as close to me as everyone else is afar.
You are so close to me that no one else ever can be.



Perhaps
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

The cohesiveness between us, you may remember or perhaps not.
Our solemn oaths of faithfulness, you may remember, or perhaps forgot.
If something happened that was not to your liking,
the shrinking away that produces silence, you may remember, or perhaps not.
Listen, the sagas of so many years, the promises you made amid time's onslaught,
which you now fail to mention, you may remember or perhaps not.
These new resentments, those often rehashed complaints,
these lighthearted and displeasing stories, you may remember, or perhaps forgot.
Some seasons ago we shared love and desire, we shared joy ...
That we once were dear friends, you may have perhaps forgot.
Now if we come together, by fate or by chance, to express old loyalties ...
Our every shared breath, all our sighs and regrets, you may remember, or perhaps not.



What Happened to Them?
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

Those who came ashore, what happened to them?
Those who sailed away, what happened to them?

Those who were coming at dawn, when dawn never arrived ...
Those caravans en route, what happened to them?

Those I awaited each night on moonless paths,
Who were meant to light beacons, what happened to them?

Who are these strangers surrounding me now?
All my lost friends and allies, what happened to them?

Those who built these blazing buildings, what happened to them?
Those who were meant to uplift us, what happened to them?

NOTE: This poignant poem was written about the 1947 partition of India into two nations: India and Pakistan. I take the following poem to be about the aftermath of the division.



Climate Change
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

The songs of our silenced lips are different.
The expressions of our regretful hearts are different.

In milder climes our grief was more tolerable,
But the burdens we bear now are different.

O, walkers of awareness's road, keep your watch!
The obstacles strewn on this stony path are different.

We neither fear separation, nor desire union;
The anxieties of my rebellious heart are different.

In the first leaf-fall only flowers fluttered from twigs;
This year the omens of autumn are different.

This world lacks the depth to understand my heartache;
Please endow me with melodies, for my cry is different!

One disconcerting glance bared my being;
Now in barren fields my visions are different.

No more troops, nor flags. Neither money, nor fame.
The marks of the monarchs on this land are different.

Men are not martyred for their beloveds these days.
The youths of my youth were so very different!



Nasir Kazmi Couplets

When I was a child learning to write
my first scribblings were your name.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

When my feet lost the path
where was your hand?
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

Everything I found is yours;
everything I lost is also yours.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch



Memory
by Faiz Ahmed Faiz, as performed by Iqbal Bano
loose translation/interpretation by Michael R. Burch

In the wastelands of solitude, my love,
the echoes of your voice quiver,
the mirages of your lips waver.

In the deserts of alienation,
out of the expanses of distance and isolation's debris
the fragrant jasmines and roses of your presence delicately blossom.

Now from somewhere nearby,
the warmth of your breath rises,
smoldering forth an exotic perfume―gently, languorously.

Now far-off, across the distant horizon,
drop by shimmering drop,
fall the glistening dews of your beguiling glances.

With such tenderness and affection—oh my love!—
your memory has touched my heart's cheek so that it now seems
the sun of separation has set; the night of blessed union has arrived.



Speak!
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Speak, if your lips are free.
Speak, if your tongue is still your own.
While your body is still upright,
Speak if your life is still your own.



Tonight
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not strike the melancholy chord tonight! Days smoldering
with pain in the end produce only listless ashes ...
and who the hell knows what the future may bring?
Last night’s long lost, tomorrow's horizon’s a wavering mirage.
And how can we know if we’ll see another dawn?
Life is nothing, unless together we make it ring!
Tonight we are love gods! Sing!

Do not strike the melancholy chord tonight!
Don’t harp constantly on human suffering!
Stop complaining; let Fate conduct her song!
Give no thought to the future, seize now, this precious thing!
Shed no more tears for temperate seasons departed!
All sighs of the brokenhearted soon weakly dissipate ... stop dithering!
Oh, do not strike the same flat chord again! Sing!



When Autumn Came
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

So it was that autumn came to flay the trees,
to strip them ****,
to rudely abase their slender dark bodies.

Fall fell in vengeance on the dying leaves,
flung them down to the floor of the forest
where anyone could trample them to mush
undeterred by their sighs of protest.

The birds that herald spring
were exiled from their songs—
the notes ripped from their sweet throats,
they plummeted to the earth below, undone
even before the hunter strung his bow.

Please, gods of May, have mercy!
Bless these disintegrating corpses
with the passion of your resurrection;
allow their veins to pulse with blood again.

Let at least one tree remain green.
Let one bird sing.



Last Night (II)
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your lost memory returned ...
as spring steals silently into barren gardens,
as cool breezes stir desert sands,
as an ailing man suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?

There are more English translations of poems by Mirza Ghalib later on this page.



Couplets
by Jaun Elia
loose translations by Michael R. Burch

I am strange—so strange
that I self-destructed and don't regret it.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The wound is deep—companions, friends—embrace me!
What, did you not even bother to stay?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

My nature is so strange
that today I felt relieved when you didn't arrive.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Night and day I awaited myself;
now you return me to myself.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Greeting me this cordially,
have you so easily erased my memory?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Your lips have provided thousands of answers;
so what is the point of complaining now?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Perhaps I haven't fallen in love with anyone,
but at least I convinced them!
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The city of mystics has become bizarre:
everyone is wary of majesty, have you heard?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Did you just say "Love is eternal"?
Is this the end of us?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

You are drawing very close to me!
Have you decided to leave?
―Jaun Elia, loose translation/interpretation by Michael R. Burch



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!



The Mad Moon
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Stars have a habit of showing off,
but the mad moon sojourns in darkness.



Body Language
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Your body’s figures are written in cursive!
How will I read you? Hand me the book!



Insatiable
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This mighty ocean, so deep and vast!
If it sates my thirst, how long can it last?



Honor
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Achievements may fade but the name remains strong;
walls may buckle but the roof stays on.
On a pile of corpses a child stands alone
and declares that his family still lives on!



Dust in the Wind
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This is how I introduce myself to questioners:
Pick up a handful of dust, then blow ...



Dissembler
by Rahat Indori
loose translation/interpretation by Michael R. Burch

In your eyes this, in your heart that, on your lips something else?
If this is how you are, impress someone else!



Rumor (M)ill
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I heard rumors my health was bad; still
it was prying people who made me ill.



The Vortex
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I am the river whose rapids form a vortex;
You were wise to avoid my banks.



Homebound
by Rahat Indori
loose translation/interpretation by Michael R. Burch

If people fear what they meet at every turn,
why do they ever leave the house?



Becoming One
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I have become you, as you have become me;
I am your body, you my Essence.
Now no one can ever say
that you are someone else,
or that I am anything less than your Presence!



I Am a Pagan
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I am a pagan disciple of love: I need no creeds.
My every vein has become taut, like a tuned wire.
I do not need the Brahman's girdle.
Leave my bedside, ignorant physician!
The only cure for love is the sight of the patient's beloved:
there is no other medicine he needs!
If our boat lacks a pilot, let there be none:
we have god in our midst: we do not fear the sea!
The people say Khusrow worships idols:
True! True! But he does not need other people's approval;
he does not need the world's.

(My translation above was informed by a translation of Dr. Hadi Hasan.)



Amir Khusrow’s elegy for his mother
loose translation/interpretation by Michael R. Burch

Wherever you shook the dust from your feet
is my relic of paradise!



Paradise
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

If there is an earthly paradise,
It's here! It's here! It's here!



Mystery
by Munir Niazi
loose translation/interpretation by Michael R. Burch

She was a mystery:
Her lips were parched ...
but her eyes were two unfathomable oceans.



I continued delaying ...
by Munir Niazi
loose translation/interpretation by Michael R. Burch

I continued delaying ...
the words I should speak
the promises I should keep
the one I should dial
despite her cruel denial

I continued delaying ...
the shoulder I must offer
the hand I must proffer
the untraveled lanes
we may not see again

I continued delaying ...
long strolls through the seasons
for my own selfish reasons
the remembrances of lovers
to erase thoughts of others

I continued delaying ...
to save someone dear
from eternities unclear
to make her aware
of our reality here

I continued delaying ...



Couplets
by Mir Taqi Mir
loose translations by Michael R. Burch

Sharpen the barbs of every thorn, O lunatic desert!
Perhaps another hobbler, limping by on blistered feet, follows me!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

My life is a bubble,
this world an illusion.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Selflessness has gotten me nowhere:
I neglected myself far too long.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

I know now that I know nothing,
and it only took me a lifetime to learn!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Love's just beginning, so why do you whine?
Why not wait and watch how things unwind!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch



Come!
by Gulzar
loose translation/interpretation by Michael R. Burch

Come, let us construct night
over the monumental edifice of silence.
Come, let us clothe ourselves in the winding sheets of darkness,
where we'll ignite our bodies' incandescent wax.
As the midnight dew dances its delicate ballet,
let us not disclose the slightest whispers of our breath!
Lost in night's mists,
let us lie immersed in love's fragrance,
absorbing our bodies' musky aromas!
Let us rise like rustling spirits ...



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Inconclusive
by Gulzar
loose translation/interpretation by Michael R. Burch

A body lies on a white bed—
dead, abandoned,
a forsaken corpse they forgot to bury.
They concluded its death was not their concern.
I hope they return and recognize me,
then bury me so I can breathe.



Wasted
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

You have noticed her forehead, her cheeks, her lips ...
In whose imagination I have lost everything.



Countless
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

I recounted the world's countless griefs
by recounting your image countless times.



Do Not Ask
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not ask, my love, for the love that we shared before:
You existed, I told myself, so existence shone.
For a moment the only light that I knew, alone,
was yours; worldly griefs remained dark, distant, afar.

Spring shone, as revealed in your face, but what did I know?
Beyond your bright eyes, what delights could the sad world hold?
Had I won you, cruel Fate would have ceded, no longer bold.
Yet all this was not to be, though I wished it so.

The world knows sorrows beyond love’s brief dreams betrayed,
and pleasures beyond all sweet, idle ideals of romance:
the dread dark spell of countless centuries and chance
is woven with silk and satin and gold brocade.

Bodies are sold everywhere for a pittance—it’s true!
Besmeared with dirt and bathed in bright oceans of blood,
Crawling from infested ovens, a gory cud.
My gaze returns to you: what else can I do?

Your beauty haunts me still, and will to the last.
But the world is burdened by sorrows beyond those of love,
By pleasures beyond romance.
So please do not demand a love that is over, and past.



O God!
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Torture my heart, O God!
If you so desire, leave me a madman, O God!

Have I asked for the moon and stars?
Enlighten my heart and give my eyes sight, O God!

We have all seen this disk called the sun,
Now give us a real dawn, O God!

Either relieve our pains here on this earth
Or make my heart granite, O God!



Hereafter
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Since we met and parted, how can we sleep hereafter?
Lost in each others' remembrance, must we not weep hereafter?

Deluges of our tears will keep us awake all night:
Our eyelashes strung with strands of pearls, hereafter!

Thoughts of our separation will sear our grieving hearts
Unless we immerse them in the cooling moonlight, hereafter!

If the storm also deceives us, crying Qateel!,
We will scuttle our boats near forsaken shores, hereafter.



Picnic
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

My friends laugh elsewhere on the beach
while I sit here, alone, counting the waves,
writing and rewriting your name in the sand ...



Confession
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Your image overwhelmed my vision.
As the long nights passed, I became obsessed with your visage.
Then came the moment when I quietly placed my lips to your picture ...



Rain
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Why shiver alone in the rain, maiden?
Embrace the one in whose warming love your body and mind would be drenched!
There are no rains higher than the rains of Love,
after which the bright rainbows of separation will glow with the mysteries of hues.



My Body's Moods
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

I long for the day when you'll be obsessed with me,
when, forgetting the world, you'll miss me with a passion
and stop complaining about my reticence!
Then I may forget all other transactions and liabilities
to realize my world in your arms,
letting my body's moods guide me.
In that moment beyond boundaries and limitations
as we defy the conventions of veil and turban,
let's try our luck and steal a taste of the forbidden fruit!



Moon
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

All of us passengers,
we share the same fate.
And yet I'm alone here on earth,
and she alone there in the sky!



Vanity
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

His world is so simple, so very different from mine.
So distinct—his dreams and desires.
He speaks rarely.
This morning he wrote: "I saw some lovely flowers and thought of you."
Ha! I know my aging face is no orchid ...
but how I wish I could believe whatever he says, however momentarily!



Come
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Come, even with anguish, even to torture my heart;
Come, even if only to abandon me to torment again.

Come, if not for our past commerce,
Then to faithfully fulfill the ancient barbaric rituals.

Who else can recite the reasons for our separation?
Come, despite your reluctance, to continue the litanies, the ceremony.

Respect, even if only a little, the depth of my love for you;
Come, someday, to offer me consolation as well.

Too long you have deprived me of the pathos of longing;
Come again, my love, if only to make me weep.

Till now, my heart still suffers some slight expectation;
So come, ***** out even the last flickering torch of hope!



I Cannot Remember
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

I once was a poet too (you gave life to my words), but now I cannot remember
Since I have forgotten you (my love!), my art too I cannot remember

Yesterday consulting my heart, I learned
that your hair, lips, mouth, I cannot remember

In the city of the intellect insanity is silence
But now your sweet, spontaneous voice, its fluidity, I cannot remember

Once I was unfamiliar with wrecking ***** and ruins
But now the cultivation of gardens, I cannot remember

Now everyone shops at the store selling arrows and quivers
But neglects his own body, the client he cannot remember

Since time has brought me to a desert of such arid forgetfulness
Even your name may perish; I cannot remember

In this narrow state of being, lacking a country,
even the abandonment of my fellow countrymen, I cannot remember



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when blindness falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Step Carefully!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Step carefully Ghalib―this world is merciless!
Here people will "adore" you to win your respect ... or your downfall.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart bleed before it expires?

There are more English translations of poems by Mirza Ghalib later on this page.



No Explanation! (I)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how deeply it hurt!
Her sun shone so bright, even the shadows were burning!



No Explanation! (II)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how it happened!
She didn't bind me, nor did I free myself.



Alone
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Why are you sad that she goes on alone, Faraz?
After all, you said yourself that she was unique!



Separation
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Faraz, if it were easy to be apart,
would Angels have to separate body from soul?



Time
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

What if my face has more wrinkles than yours?
I am merely well-worn by Time!



Miraji Epigrams

I'm obsessed with this thought:
does God possess mercy?
―Miraji, loose translation/interpretation by Michael R. Burch

Come, see this dance, the immaculate dance of the devadasi!
―Miraji, loose translation/interpretation by Michael R. Burch



Excerpts from “Going, Going ...”
by Miraji
loose translation/interpretation by Michael R. Burch

Each unfolding vista,
each companion’s kindnesses,
every woman’s subtle sorceries,
everything that transiently lies within our power
quickly dissolves
and we are left with only a cupped flame, flickering ...
Should we call that “passion”?

The moon scrapes the horizon
and who can measure a star’s breadth?

The time allotted a life, if we calculate it,
is really only a fleeting breath ...



1.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
on the breeze of some future spring
will chase after my songs
like dandelions.
—Miraji, translation by Michael R. Burch

2.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
through some distant future spring
will pluck my songs
like dandelions.
—Miraji, translation by Michael R. Burch

3.
Echoes of an ancient prophecy:
when my life has come and gone,
and when I’m dead and done,
perhaps someone
hearing me sing
in a distant spring
will echo my songs
the whole world over.
—Miraji, translation by Michael R. Burch

If I understand things correctly, Miraji wrote the lines above after translating a verse by Sappho in which she said that her poems would be remembered in the future. I suspect both poets and both prophecies were correct!




Every Day and in Every Direction
by Nida Fazli
loose translation/interpretation by Michael R. Burch

Everywhere and in every direction we see innumerable people:
each man a victim of his own loneliness, reticence and silences.
From dawn to dusk men carry enormous burdens:
all preparing graves for their soon-to-be corpses.
Each day a man lives, the same day he dies.
Each new day requires the same old patience.
In every direction there are roads for him to roam,
but in every direction, men victimize men.
Every day a man dies many deaths only to resurrect from his ashes.
Each new day presents new challenges.
Life's destiny is not fixed, but a series of journeys:
thus, till his last breath, a man remains restless.



Couplets
by Nida Fazli
loose translation/interpretation by Michael R. Burch

It was my fate to entangle and sink myself
because I am a boat and my ocean lies within.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

You were impossible to forget once you were gone:
hell, I remembered you most when I tried to forget you!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Don't squander these pearls:
such baubles may ornament sleepless nights!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

The world is like a deck of cards on a gambling table:
some of us are bound to loose while others cash in.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

There is a proper protocol for everything in this world:
when visiting gardens never force butterflies to vacate their flowers!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Since I lack the courage to commit suicide,
I have elected to bother people with my life a bit longer.
―Nida Fazli, loose translation/interpretation by Michael R. Burch



Changing Seasons
by Noshi Gillani
loose translation/interpretation by Michael R. Burch

Each changing season
reveals something
concealed by her fears:
an escape route from this island
illuminated by her tears.



Dust
by Bahadur Shah Zafar or Muztar Khairabadi
loose translation/interpretation by Michael R. Burch

Unable to light anyone's eye
or to comfort anyone's heart ...
I am nothing but a handful of dust.



Piercings
by Firaq Gorakhpuri
loose translation/interpretation by Michael R. Burch

No one ever belonged to anyone else for a lifetime.
We cannot own another's soul.
The beauty we see and the love we feel are only illusions.
All my life I tried to save myself from the piercings of your eyes ...
But I failed and the daggers ripped right through me.



Salvation
Mohammad Ibrahim Zauq
loose translation/interpretation by Michael R. Burch

Anxious and fatigued, I consider the salvation of death ...
But if there is no peace in the grave,
where can I go to be saved?



Child of the Century
by Abdellatif Laâbi (a Moroccan poet)
loose translation/interpretation by Michael R. Burch

I’m a child of this dreary century, a child who never grew up.
Doubts that ignited my tongue singed my wings.
I learned to walk, then I unlearned progress.
I grew weary of oases and camels infatuated with ruins.
My head inclined East only to occupy the middle of the road
as I awaited the insane caravans.



Nostalgia
by Abdulla Pashew (a Kurdish poet)
loose translation/interpretation by Michael R. Burch

How I desire the heavens!
Each solitary star lights the way to a tryst.

How I desire the sky!
Standing alone, remote, the sky is as vast as any ocean.

How I desire love's heavenly scent!
When each enticing blossom releases its essence.



Oblivion
by Al-Saddiq Al-Raddi (an African poet who writes in Arabic)
loose translation/interpretation by Michael R. Burch

Discard your pen
before you start reading;
consider the ink,
how it encompasses bleeding.

Learn from the horizon
through eyes' narrowed slits
the limitations of vision
and hands' treacherous writs.

Do not blame me,
nor indeed anyone,
if you expire before
your reading is done.



In Medias Res
by Shaad Azimabadi
loose translation/interpretation by Michael R. Burch

When I heard the story of my life recounted,
I caught only the middle of the tale.
I remain unaware of the beginning or end.



Debt Relief
by Piyush Mishra
loose translation/interpretation by Michael R. Burch

We save Sundays for our loved ones ...
all other days we slave to repay debts.



Reoccurrence
by Amrita Bharati (a Hindi poet)
loose translation/interpretation by Michael R. Burch

It was a woman's heart speaking,
that had been speaking for eons ...

It was a woman's heart silenced,
that had been silenced for centuries ...

And between them loomed a mountain
that a man or a rat gnawed at, even in times of amity ...
gnawing at the screaming voice,
at the silent tongue,
from the primeval day.



Don't Approach Me
by Arif Farhad
loose translation/interpretation by Michael R. Burch

Don't approach me here by the river of time
where I flop like a fish in a net!



Intoxicants
by Amrut Ghayal (a Gujarati poet)
translation by Kanu V. Prajapati and Michael R. Burch

O, my contrary mind!
You're such a fool, afraid to drink the fruit of the vine!
But show me anything universe-designed
that doesn't intoxicate, like wine.



I’m like a commodity being priced in the market-place:
every eye ogles me like a buyer’s.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

If you insist, I’ll continue playing my songs,
forever piping the flute of my heart.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

The moon has risen once again, yet you are not here.
My heart is a blazing pyre; what do I do?
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch



Drunk on Love
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me that God belongs to no man!

Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.

To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Dementedly, I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.



How strange has life become:
Our evenings drag out, yet our years keep flashing by!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When you are your own destiny?

Keywords/Tags: Urdu, translation, love poetry, desire, passion, longing, romance, romantic, God, heaven, mrburdu
Evan E Sep 2017
I want to be your habit,
Your guilty pleasure,
Hooked like prometh and codeine,
I'll love you forever

I want to be your habit,
Who's always there for you,
Like the THC rushing to your brain
I make happy what was once blue

I want to be your habit,
The kind you can't escape
Who picks up pieces of your broken heart
And reconnects the pieces with tape

EAE
Charlie Chirico Oct 2013
It takes three days to pick up a habit.*

How sound this is, I'm not sure,
because some habits seem as inconsequential
as a statement regarding time and vice.
It makes one wonder how long it takes
to believe a statement to be true.
Possibly as long as
a *** of coffee to be brewed.

Surely the amount of time will
vary by the weight of the statement.
But even a measurement is prone to
be thrown off by unforeseen additions.
Eight cups of water, and four scoops of grinds,
you're bound to have a little too much or
a little less than expected.
It becomes harder to tell
when dealing with a slow drip.
Brewing coffee may be completely divisible
when dealing with a recipe, but
hardly unequivocal when
the time comes to measure up.
This follows suit with patrons
and their proclivity.

Only in fiction is the coffee shop patron enigmatic.
Only in fiction can the patron enjoy a cigarette indoors.

Men and women wake and
head to their cubicles,
coffee in hand,
five days a week.
By the third day
a habit has formed,
and maybe that is why
acceptance is had midweek
and why the first day of the
nine-to-five seems so everlasting,
if not inscrutable.
You are an old habit
clinging to me,
like a child clings to a comfort blanket.
To elaborate, I need to cut the apron strings.
Discard you like a cigarette ****,
another old habit.
We've marred and scarred each other and called it:
Love.
We are nothing more than substance abuse,
for each other.
Habit formed, co dependent adults.
No twelve step program for us.
Just your charred remains, found
in our bed.
Our bed that justified our habit.
© JLB
20/06/2014
Not easy to state the change you made.
If I'm alive now, then I was dead,
Though, like a stone, unbothered by it,
Staying put according to habit.
You didn't just tow me an inch, no--
Nor leave me to set my small bald eye
Skyward again, without hope, of course,
Of apprehending blueness, or stars.

That wasn't it. I slept, say: a snake
Masked among black rocks as a black rock
In the white hiatus of winter--
Like my neighbors, taking no pleasure
In the million perfectly-chisled
Cheeks alighting each moment to melt
My cheeks of basalt. They turned to tears,
Angels weeping over dull natures,
But didn't convince me. Those tears froze.
Each dead head had a visor of ice.

And I slept on like a bent finger.
The first thing I was was sheer air
And the locked drops rising in dew
Limpid as spirits. Many stones lay
Dense and expressionless round about.
I didn't know what to make of it.
I shone, mice-scaled, and unfolded
To pour myself out like a fluid
Among bird feet and the stems of plants.
I wasn't fooled. I knew you at once.

Tree and stone glittered, without shadows.
My finger-length grew lucent as glass.
I started to bud like a March twig:
An arm and a leg, and arm, a leg.
From stone to cloud, so I ascended.
Now I resemble a sort of god
Floating through the air in my soul-shift
Pure as a pane of ice. It's a gift.
Mckenna Lynn Jul 2014
Although hard to admit,
I've come to realize
that you’re the bad habit
I’m unwilling to break.
Bouazizi’s heavy eyelids parted as the Muezzin recited the final call for the first Adhan of the day.

“As-salatu Khayrun Minan-nawm”
Prayer is better than sleep

Rising from the torment of another restless night, Bouazizi wiped the sleep from his droopy eyes as his feet touched the cold stone floor.

Throughout the frigid night, the devilish jinn did their work, eagerly jabbing away at Bouazizi with pointed sticks, tormenting his troubled conscience with the worry of his nagging indebtedness. All night the face of the man Bouazizi owed money to haunted him. Bouazizi could see the man’s greasy lips and brown teeth jawing away, inches from his face. He imagined chubby caffeine stained fingers reaching toward him to grab some dinars from Bouazizi’s money box.

Bouazizi turned all night like he was sleeping on a board of spikes. His prayers for a restful night again went unanswered. The pall of a blue fatigue would shadow Bouazizi for most of the day.

Bouazizi’s weariness was compounded by a gnawing hunger. By force of habit, he grudgingly opened the food cupboard with the foreknowledge that it was almost bare. Bouazizi’s premonition proved correct as he surveyed a meager handful of chickpeas, some eggs and a few sparse loaves. It was just enough to feed his dependant family; younger brothers and sisters, cousins and a terminally disabled uncle. That left nothing for Bouazizi but a quick jab to his empty gut. He would start this day without breakfast.

Bouazizi made a living as a street vendor. He hustles to survive. Bouazizi’s father died in a construction accident in Libya when he was three. Since the age of 10, Bouazizi had pushed a cart through the streets of Sidi Bouzid; selling fruit at the public market just a few blocks from the home that he has lived in for almost his entire life.

At 27 years of age, Bouazizi has wrestled the beast of deprivation since his birth. To date, he has bravely fought it to a standstill; but day after day the multi-headed hydra of life has snapped at him. He has squarely met the eyes of the beast with fortitude and resolve; but the sharp fangs of a hardscrabble life has sunken deep into Bouazizi’s spleen. The unjust rules of society are powerful claws that slash away at his flesh, bleeding him dry: while the spiked tendrils of poverty wrap Bouazizi’s neck, seeking to strangle him.

Bouazizi is a workingman hero; a skilled warrior in the fight for daily bread. He is accustomed to living a life of scarcity. His daily deliverance is the grace of another day of labor and the blessed wages of subsistence.

Though Allah has blessed this man with fortitude the acuteness of terminal want and the constant struggle to survive has its limits for any man; even for strong champions like Bouazizi.

This morning as Bouazizi washed he peered into a mirror, closely examining new wrinkles on his stubble strewn face. He fingered his deep black curls dashed with growing streaks of gray. He studied them through the gaze of heavy bloodshot eyes. He looked upward as if to implore Allah to salve the bruises of daily life.

Bouazizi braced himself with the splash of a cold water slap to his face. He wiped his cheeks clean with the tail of his shirt. He dipped his toothbrush into a box of baking powder and scoured an aching back molar in need of a root canal. Bouazizi should see a dentist but it is a luxury he cannot afford so he packed an aspirin on top of the infected tooth. The dissolving aspirin invaded his mouth coating his tongue with a bitter effervescence.

Bouazizi liked the taste and was grateful for the expectation of a dulled pain. He smiled into the mirror to check his chipped front tooth while pinching a cigarette **** from an ashtray. The roach had one hit left in it. He lit it with a long hard drag that consumed a good part of the filter. Bouazizi’s first smoke of the day was more filter then tobacco but it shocked his lungs into the coughing flow of another day.

Bouazizi put on his jacket, slipped into his knockoff NB sneakers and reached for a green apple on a nearby table. He took a big bite and began to chew away the pain of his toothache.

Bouazizi stepped into the street to catch the sun rising over the rooftops. He believed that seeing the sunrise was a good omen that augured well for that day’s business. A sunbeam braking over a far distant wall bathed Bouazizi in a golden light and illumined the alley where he parked his cart holding his remaining stock of week old apples. He lifted the handles and backed his cart out into the street being extra mindful of the cracks in the cobblestone road. Bouazizi sprained his ankle a week ago and it was still tender. Bouazizi had to be careful not to aggravate it with a careless step. Having successfully navigated his cart into the road, Bouazizi made a skillful U Turn and headed up the street limping toward the market.

A winter chill gripped Bouazizi prompting him to zip his jacket up to his neck. The zipper pinched his Adam’s Apple and a few droplets of blood stained his green corduroy jacket. Though it was cold, Bouazizi sensed that spring would arrive early this year triggering a replay of a recurring daydream. Bouazizi imagined himself behind the wheel of a new van on his way to the market. Fresh air and sunshine pouring through the open windows with the cargo space overflowing with fresh vegetables and fruits.

It was a lifelong ambition of Bouazizi to own a van. He dreamed of buying a six cylinder Dodge Caravan. It would be painted red and he would call it The Red Flame. The Red Flame would be fast and powerful and sport chrome spinners. The Red Flame would be filled with music from a Blaupunkt sound system with kick *** speakers. Power windows, air conditioning, leather seats, a moonroof and plenty of space in the back for his produce would complete Bouazizi’s ride.

The Red Flame would be the vehicle Bouazizi required to expand his business beyond the market square. Bouazizi would sell his produce out of the back of the van, moving from neighborhood to neighborhood. No longer would he have to wait for customers to come to his stand in the market. Bouazizi would go to his customers. Bouazizi and the Red Flame would be known in all the neighborhoods throughout the district. Bouazizi shook his head and smiled thinking about all the girls who would like to take rides in the Red Flame. Bouazizi and his Red Flame would be a sight to be noticed and a force to be reckoned with.

“EEEEEYOWWW” a Mercedes horn angrily honked; jarring Bouazizi from the reverie of his daydream. A guy whipping around the corner like a silver streak stuck his head out the window blasting with music yelling, “Hey Mnayek, watch where you push that *******.”

The music faded as the Mercedes roared away. “Barra nikk okhtek” Bouazizi yelled, raising his ******* in the direction of the vanished car. “The big guys in the fancy cars think the road belongs to them”, Bouazizi mumbled to himself.

The insult ****** Bouazizi off, but he was accustomed to them and as he limped along pushing his cart he distracted himself with the amusement of the ascending sun chasing the fleeting shadows of the night, sending them scurrying down narrow alleyways.

Bouazizi imaged himself a character from his favorite movie. He was a giant Transformer, chasing the black shadows of evil away from the city into the desert. After battling evil and conquering the bad guys, he would transform himself back into the regular Bouazizi; selling his produce to the people as he patrolled the highways of Tunisia in the Red Flame, the music blasting out the windows, the chrome spinners flashing in the sunlight. Bouazizi would remain vigilant, always ready to transform the Red Flame to fight the evil doers.

The bumps and potholes in the road jostled Bouazizi’s load of apples. A few fell out of the wooden baskets and were rolling around in the open spaces of the cart. Bouazizi didn’t want to risk bruising them. Damaged merchandise can’t be sold so he was careful to secure his goods and arrange his cart to appeal to women customers. He made sure to display his prized electronic scale in the corner of the cart for all to see.

Bouazizi had a reputation as a fair and generous dealer who always gave good value to his customers. Bouazizi was also known for his kindness. He would give apples to hungry children and families who could not pay. Bouazizi knew the pain of hunger and it brought him great satisfaction to be able to alleviate it in others.

As a man who valued fairness, Bouazizi was particularly proud of his electronic scale. Bouazizi was certain the new measuring device assured all customers that Bouazizi sold just and correct portions. The electronic scale was Bouazizi’s shining lamp. He trusted it. He hung it from the corner post of his cart like it was the beacon of a lighthouse guiding shoppers through the treachery of an unscrupulous market. It would attract all customers who valued fairness to the safe harbor of Bouazizi’s cart.

The electronic scale is Bouazizi’s assurance to his customers that the weights and measures of electronic calculation layed beyond any cloud of doubt. It is a fair, impartial and objective arbiter for any dispute.

Bouazizi believed that the fairness of his scale would distinguish his stand from other produce vendors. Though its purchase put Bouazizi into deep debt, the scale was a source of pride for Bouazizi who believed that it would help his profits to increase and help him to achieve his goal of buying the Red Flame.

As Bouazizi pushed his cart toward the market, he mulled his plan over in his mind for the millionth time. He wasn't great in math but he was able to calculate his financial situation with a degree of precision. His estimations triggered worries that his growing debt to money lenders may be difficult to payoff.

Indebtedness pressed down on Bouazizi’s chest like a mounting pile of stones. It was the source of an ever present fear coercing Bouazizi to live in a constant state of anxiety. His business needed to grow for Bouazizi to get a measure of relief and ultimately prosper from all his hard work. Bouazizi was driven by urgency.

The morning roil of the street was coming alive. Bouazizi quickened his step to secure a good location for his cart at the market. Car horns, the spewing diesel from clunking trucks, the flatulent roar of accelerating buses mixed with the laughs and shrieks of children heading to school composed the rising crescendo of the city square.

As he pushed through the market, Bouazizi inhaled the aromatic eddies of roasting coffee floating on the air. It was a pleasantry Bouazizi looked forward to each morning. The delicious wafts of coffee mingling with the crisp aroma of baking bread instigated a growl from Bouazizi’s empty stomach. He needed to get something to eat. After he got money from his first sale he would by a coffee and some fried dough.

Activity in the market was vigorous, punctuated by the usual arguments of petty territorial disputes between vendors. The disagreements were always amicably resolved, burned away in rising billows of roasting meats and vegetables, the exchange of cigarettes and the plumes of tobacco smoke rising as emanations of peace.

Bouazizi skillfully maneuvered his cart through the market commotion. He slid into his usual space between Aaban and Aameen. His good friend Aaban sold candles, incense, oils and sometimes his wife would make cakes to sell. Aameen was the markets most notorious jokester. He sold hardware and just about anything else he could get his hands on.

Aaban was already burning a few sticks of jasmine incense. It helped to attract customers. The aroma defined the immediate space with the pleasant bouquet of a spring garden. Bouazizi liked the smell and appreciated the increased traffic it brought to his apple cart.

“Hey Basboosa#, do you have any cigarettes?“, Aameen asked as he pulled out a lighter. Bouazizi shook the tip of a Kent from an almost empty pack. Aameen grabbed the cigarette with his lips.

“That's three cartons of Kents you owe me, you cheap *******.” Bouazizi answered half jokingly. Aameen mumbled a laugh through a grin tightly gripping the **** as he exhaled smoke from his nose like a fire breathing dragon. Bouazizi also took out a cigarette for himself.

“Aameem, give me a light”, Bouazizi asked.

Aameen tossed him the lighter.

“Keep it Basboosa. I got others.” Aameen smiled as he showed off a newly opened box of disposable lighters to sell on his stand.

“Made in China, Basboosa. They make everything cheap and colorful. I can make some money with these.”

Bouazizi lit his next to last cigarette. He inhaled deeply. The smoke chased away the cool air in Bouazizi’s lungs with a shot of a hot nicotine rush.

“Merci Aameen” Bouazizi answered. He put the lighter into the almost empty cigarette pack and put it into his hip pocket. The lighter would protect his last cigarette from being crushed.

The laughter and shouts of the bazaar, the harangue of radio voices shouting anxious verses of Imam’s exhorting the masses to submit and the piecing ramble of nondescript AM music flinging piercing unintelligible static surrounded Bouazizi and his cart as he waited for his first customers of the day.

Bouazizi sensed a nervous commotion rise along the line of vendors. A crowd of tourists and locals milling about parted as if to avoid a slithering asp making its way through their midst. The hoots of vendors and the cackle of the crowd made its way to Bouazizi’s knowing ear. He knew what was coming. It was nothing more then another shakedown by city officials acting as bagmen for petty municipal bureaucrats. They claim to be checking vendor licences but they’re just making the rounds collecting protection money from the vendors. Pocketing bribes and payoffs is the municipal authorities idea of good government. They are skilled at using the power of their office to extort tribute from the working poor.

Bouazizi made the mistake of making eye contact with Madame Hamdi. As the municipal authority in charge of vendors and taxis Madame Hamdi held sway over the lives of the street vendors. She relished the power she had over the men who make a meager living selling goods in the square; and this morning she was moving through the market like a bloodhound hot on the trail of an escaped convict. Two burly henchmen lead the way before her. Bouazizi knew Madame Hamdi’s hounds were coming for him.

Bouazizi knew he was ******. Having just made a payment to his money lender, Bouazizi had no extra dinars to grease the palm of Madame Hamdi. He grabbed the handle bars of his cart to make an escape; but Madame Hamdi cut him off and got right into into Bouazizi’s face.

“Ah little Basboosa where are you going? she asked with the tone of playful contempt.

“I suppose you still have no license to sell, ah Basboosa?” Madame Hamdi questioned with the air of a soulless inquisitor.

“You know Madame Hamdi, cart vendors do not need a license.” Bouazizi feebly protested, not daring to look into her eyes.

“Basboosa, you know we can overlook your violations with a small fine for your laxity” a dismissive Madame Hamdi offered.

Bouazizi’s sense of guilt would not permit him to lift his eyes. His head remained bowed. Bouazizi stood convicted of being one of the impoverished.

“I have no spare dinars to offer Madame Hamdi, My pockets are empty, full of holes. My money falls into everyone’s palm but my own. I’m sorry Madame Hamdi. I’ll take my cart home”. He lifted the handlebars in an attempt to escape. One of Madame Hamdi’s henchmen stepped in front of his cart while the other pushed Bouazizi away from it.

“Either you pay me a vendor tax for a license or I will confiscate your goods Basboosa”, Madame Hamdi warned as she lifted Bouazizi’s scale off its hook.

“This will be the first to go”, she said grinning as she examined the scale. “We’ll just keep this.”
Like a mother lion protecting a defenseless cub from the snapping jaws of a pack of ravenous hyenas, Bouazizi lunged to retrieve his prized scale from the clutches of Madame Hamdi. Reaching for it, he touched the scale with his fingertips just as Madame Hamdi delivered a vicious slap to Bouazizi’s cheek. It halted him like a thunderbolt from Zeus.

A henchman overturned Bouazizi’s cart, scatter
Three years ago today Muhammad Bouazizi set himself on fire igniting the Jasmine Revolution in Tunisia sparking the Arab Spring Uprisings of 2011.
Amber Bowen Dec 2014
Did you need something?
Sorry, I'm raiding
And I have plans with a friend
To do some high rank arenas later
"I can't right now"
Or
"Give me a moment"
And that moment turns into ten
Then twenty
Perhaps an hour that lasts a day
It's a horrible habit at times
But I don't regret where I spend my life
Twisted into the net
Immersed in this video game
Like an unhealthy addiction
Only it's not
It's my choice
You do your thing
As I hide behind this screen
Enjoying my time
Interacting with people
Over great distances
Whom I call friends
They don't judge
The way those around me do
Believe it or not
Just don't be fooled
By those creeps out there
But I promise
Good people exist
Over the net
You just have to find them
I'm incredibly sick of being judged
For playing video games
Look in the mirror
And realize
That I don't care
Jess Sidelinger Feb 2016
You told me you were leaving because I wouldn't stop drinking.
So I stopped from the fear of losing you forever.
I gathered up the courage and went by your place to tell you
that I broke my bad habit.
Walking up those old, wooden stairs were we used to sit and talk for hours I
peered through the window
and saw your lips pressing against someone new.
The drive back home was lonely and the only thing I pressed to my lips
was the flask from the glove compartment I promised you wasn't mine.
I guess it's time to quit my bad habit.
You.
I am a creature of habit

I keep thinking wowohwowohwowohwowohwow how things CHANGE man things have changed SO much it's amazing it's incredible unbelievable overwhelming unfathomable unable to have ever predicted that here we would be hugging outside of the ADC no longer with forced smiles from clenching teeth and wicked, glassy marbles for eyes

Yet here I am still pick-pick-picking at the skin on the side of my thumb

Isn’t It Weird, I Mean Wired, I Think I Mean Weird Wait

Wait

Wait

Please

Don’tGo

Hold on, wait things haven’t changed at all, I’m thinking about the fall, thinking about the fall when the leaves were changing and so did we, permanently.  I think about the night we stayed up until the sun came up touching and talking and nearly dying one powder-filled capsule at a time.  I’m thinking about hallucinating black spiders crazy coming at me, grabbing me, surrounding me, consuming me until it seemed like there was nothing left of me at all

Except spiders, spidery veins, spidery ribs poking out from my spidery skin in every which direction with my spider tired eyes sinking into my spider tired mind

I’m thinking about another sleepless night, countless by then couldn’t remember the last time we really drifted off together into deep, peaceful rest.  We lay there at rock bottom which really turns out to be just another K hole but no amount of sticky sweet sugar will get you out.

And I took your hand in mine and said man we can’t stay like this, I looked at the spider cracks in the ceiling that matched the creases in my shaking hands and realized we changed or died.  

And I chose life.  I bent my knees and pushed up as high as I could off of the cold blacklight-lit lumpy, stained mattress on the floor we laid on because there was no other way to go but UP.

I climbed and climbed and I felt crushed beneath depression and exhaustion that latched on to my back like long-forgotten heavy backpacks full of stones and I wasn’t exactly sure who they belonged to so I carried them with me.  

The demons in my eyes started to dissolve into puddles that leaked into my lungs so I coughed them out violently night after night for weeks that seemed to stretch into years.   When my eyes managed to flutter shut for a moment I was immediately propelled into night terrors that had me screaming, crying, begging for a different life, a different night, for someone, something please save me from myself

It’s weird that that someone ended up being me

SORT OF. SORT OF is me, because I still am my own worst enemy.  I’m fighting this never ending battle in myself with myself, and I think of all these things I changed but here I am HERE I AM AGAIN listening to those same sweet whispers from under my bed, those **** demons that tell me we can just do it for a little while just to be better for a little while to not feel tired lets get wired **** everything lets get high

I’ve grinded out the sharpness of my teeth, just like I’ve grinded out the sharpness of my words, and grinded out the sharpness of the dark contrast against the images of memories of artificial sunshine happiness in my mind, my dopamine pathways have been long hibernating but unlike predictable seasons I'm unsure of when exactly spring will come, or if the groundhog will forever fear its shadow, a demon that reminds it of speed monsters it could never overpower.  

I feel like each relapse is worse than the last, like I lose another piece of me, shave off another few years of my life one heart palpitation at a time, and each time it takes more and more to finally feel fine

But there’s so much to do and so little time, so many tears to cry and no one to care, and no matter how many friends I have how many coffees I drink how many hours I sleep there’s only one thing that really makes me feel like I’m so recklessly alive

A creature of habit, I mull these thoughts over and pick my thumbs raw.
mannley collins Jul 2014
Is such a big and impossible to miss step for a scribbler
of poetry free poems to trip over.
A step that cannot be ignored, except consciously and conscientiously.
Such a person as a scribbler of poetry less poems would be a person who cannot tell the difference between truth and truthfulness.
A person whose sole raison d,etre in pretending to be a poet is their lifelong angst in being unable to escape from being under the control of  their mind and its operating system --the Conditioned Identity.
The Conditioned Identity,which is the facetious and morally dishonest "I am a poet" mask that is the consciously adopted Conditioned Identity--the operating system for the Mind.
In the great scheme of things becoming just another member of the human GroupMind--one who doesn't count--not even on the fingers of one hand-.
One,who,in the grand scheme of things,never has counted and never will count-call them countless.
Shadows that flicker and dim on the walls of the Prison of political, racial,national,familial and religious conformity
And these worthless scribblers of poetry less poems do have an all consuming conditioned habit  of consciously ignoring truthfulness and integrity and substituting pathetic sub-teen lower middle class emo whinging "truth"--about their "art" and "insight"and "vision"and their "truth"--always their worthless "truth".
Sitting and mourning the fulfilling love that always evades them and always will evade them--unless they let go of the conditioned identity and the Mind--consigning them to the dustbin of history--where they rightfully belong.
Angst ridden whingers all--in love with their image in the mirror of Minds oh so believable deception.
Scribbling about a conditional possessive love that would have been a valueless truth but never can be the essence of truthfulness.
A conditional possessive love that never was and never will be unconditional and non-possessive.
Whinging about nothing more than conditional love and a truthfulness that never can be for them--- as we see openly here and there and everywhere there are scribblers of poetry less "poetry" who use sites such as this to scribble their pretentious infantile nonsense.
Poverty of values and integrity,orphaned from the Isness of the Universe, children of worthless technological consumerism and followers of false oligarchic hopes.
With their greedy gobs open for any crumbs falling from the rich peoples tables,like baby chicks in the nest--feed me feed me they screech.
Colluding with like minded betrayers of truthfulness,groupminds of
limp wristed bombastic poseurs.
Deluding themselves by babbling media made inane celebrities
empty insights and twisted conclusions--purveyors of puerile pettiness.
Oligarchic media celebrities noted only for the illusions between their ears,and the beguiling way they collude with each other to delude themselves.
Ludare!
Oh how they love to play mind games
Lives spent colluding with these babbling worthless celebrities who know the price of everything and the value of nothing,
Pompous posturing pretentious pissants of aesthetic poverty.
Bound together into a worldwide consumers Groupmind,
persuaded by perverts of PR into believing in the Illusion of Wealth and Demockery that the Oligarchy sells.
To step over the truthfulness threshold is,indeed, to  leave behind their
security blankets of "truth and beauty and revealed knowledge"
and the concomitment meaningless verbiage about "veracity" and "existence".
Shallow and unrequited attempts to own another that the weak and unwanted call "love".
Stomping through the quagmire of conditional love
up to their necks in the **** of consumer garbage.
The Conditional love of possessing another and grasping at thin air
as they submerge slowly in the seas of righteous stupidity .
poets cling to their misconceptions religiously,
poets cling to their ignorance avidly,
poets cling to their proto-fascist politics squeamishly,
with each word and stanza that they write.
Pouring out such pleasant and elegant and flowery and "deep"
words and verses(rhyming or not) that,at their core,
have only one meaning and aim.
Which is!.
To divert and confuse their readers with the"shallow beauty"
of endless strings of meaningless associated but fine sounding words .
To create a groupmind for their poetry business products.
Admire me--buy my product--join my groupmind--eulogise me,
let me rip off your energy--I need your praise,I need your lifes energy
gimme your money honey!.
The Publishing Oligarchy will bestow rewards and honours,
medals and diplomas--critiques fit only to wipe your **** on.
Book sales and the summer Poetry festival circuit--reciting and signing scribbles of narcissism--casting lecherous eyes over dripping **** or stiff wobbling **** in the adoring crowd of sycophants.
The  Media will fawn and adulate and cast its sly net
to entangle your desires in ---infamy awaits.
Come admire me and my use of other poets stolen words,
my criminality in even daring to think the word "poet" has any value.
These are my words about my inexperience and unknowingness they scream possessively in jaundiced teeny remembrance.
Remembrance of mediocre middle class homes and attitudes
of ingrained ignorance and wilful imagined self victimisation.
Eating societies poisoned dishes--.
Serve me up a burger of roasted babies on toast
from Vietnam--live on Channel Whatever.
Or chargrilled peasants from Afghanistan
with breathless commentary from
our "reporter on the spot".
Or homeless mental wrecks from the streets
of any Amerikan or World city big or small,
trailing acerbic criticism from the immoral majority.
Or dead celebrity  consumer junkies in 5 star hotels
complete with PR handouts and **** licking "friends"
positioning themselves for increased sales.
Or the children of the Oligarchs with their "I" newspapers
and inbuilt fascist attitudes.
Who spend their shallow lives hoping for the kind
of meaningless and worthless Honours and Validation
from those that do not have honour or validity..
Or the not just lame but crippled duck presidents with their finely crafted speeches that say nothing but I am a beard wearing  failure,
looking forward to penning lies and calling it a frank memoir
while holding out my hands  for the Oligarchies pennies.
Can anyone tell me where to get a bucket of truthfulness?.
A glass of honesty?.
A tumbler full of veracity?.
A beaker of back breaking honest labour?.
Can anyone tell me where I can find
a peaceful man or woman,of any of the 5 colours.
Not those merely observing a Cease-Fire
while they rearm their weapons of the lies of beauty and truth.
Oligarchy allowed social commentary.
Is there just one decent truthful man or woman out there?.
Judging by the world Id say not.
No Id say not.
Not.
There Ive said it.

www.thefournobletruthsrevised.co.uk
MM May 2020
I am a creature of habit.
I always buy the same perfume each time I ran out of a bottle.
I use the same hair products no matter what the weather is.
I like my coffee today the same way I wanted it yesterday, and the day before.

I am a creature of habit.
I leave the office the same time every day.
I get home at almost the same time every day too – except when there’s a horrible traffic.
I cry during the same movie scenes no matter how many times I’ve watched it.
And I listen to a single song when I am upset.

I am a creature of habit.
A slight change in the orbit and I am unhinged.
Break this cycle, love.
Break this habit.
For once, I want to live.
PEARL SMOKE Sep 2014
iTs Difficult To Live Mylife,
The Struggle.
The Problems iHave And Keep Creating.
Not Knowing Who iAm
Being A Drug Addict Who Cant Seem To Stop There Bad Habit.
They Say iTs Easy You Just Want To Want iT.
Not iF You Fallen So Low, left All Alone.
iM Deep iN This ****, Deserve To Be 6ft Down To Rest.
iTs The Best.
For Everyone.
iM Doing Nothing But Disappointing The Ones Taking There Time Trying To Support Me.
Wasting There Encouragement Not Knowing iWont Last Long Before iUse And Fall Back in
The Same Cycle All ******* Over Again :/
iTs  Very Sad, To Continue This.
Been To Many Places Yet Nothing Changes,
iM Tired And Overwhelmed .
Why Am iUsing Now?
iFeel Lonely.
This Drug Fills Everything Up inside Of Me.
This is The Reason Why iWent Back To iT.
Before iT Was Cause iLoved The Effects And Kept Trying To Get High Asf Like My 1st Hit,
Then Lead To Me Going At iT Cause
My Body Felt Like iT Couldnt Function Off iT
Which Made Me An Addict .
Loving And wanting To Always Have iT.
Before iT Was Great,
Nobody Knew.
Then they Found Out The Truth.
Ever Since Then Ive Been Living Daily On Lies Having To Hide iT, Denying im On iT When Clearly iTs Obvious.
Chemicals Messing With My Mood ,
My Mind Now Plays Tricks On Me. Dont Know When itl Be Over Cause iDont think il 
 Want To ever Be Sober.
Sharina Saad May 2016
Out of habit
I say your name
In a whisper
As soon as I wake up
I remember you
Out of habit
I cry for you
Before I go to bed
I wish you hadn't been
so cruel.........
rey Mar 2015
it takes twenty one days
to build a new habit*
and you came back to me
on the twentieth day
Alyssa Underwood Sep 2021
I
--
The LORD is asking, “Do you trust Me, child?”
And surely He is worthy of all trust,
but visceral reactions oft’ seem just
in keeping soul’s anxieties well riled.
While panic, shame and dread stir doubting winds,
obsessive, tight, compulsive thoughts pour fuel
into this downward spiraling boil of gruel
where toxic interactions breed more sins.
So for relationships I feel unfit,
and now old interests die and pleasures wane,
as each new hope in Earth’s good brings fresh pain,
where dark depression’s presently my bit.
Yet in this wilderness I hear God call,
“Child, look to Me. I am your ALL in all.”

II
--
I meditate upon the word of God
to heal a mind that’s broken from the fall,
and lying in morn’s bed I now recall
the former paths of fullness I have trod.
I clear the course of tangling debris
that fogs perspective’s distance-viewing sight
and clogs the narrow way which lets in light,
so with God’s truth I’m able to agree.
I gaze toward the future that is sure,
to glory that is promised out of trial.
I push through lying voices of denial,
rememb’ring my inheritance secure.
So healing first begins by sizing scope,
for in true measure I can grasp true hope.

III
---
Long sheltered in the recesses of mind
on pedestals that overshadow truth
are lies which I have entertained since youth
like tape recordings stuck on forced rewind.    
There‘s something of appeal in misbelief,
some comforting, perverted, dressed-up face
which keeps foul strongholds rooted into place
and lets such rotten seedlings harvest grief.  
But I must choose to undermine their message,
uncovering deception’s hidden lairs
whose cultivation grounds for growing tares
leave roadblocks to integrity’s safe passage.
God’s probing, piercing words—what precious gifts!—
can excavate, expose and extract myths.

IV
---
I apprehend these truths in David’s psalm:
“I’m fearfully and wonderfully made,”
and all my days of life are firmly laid
within the sovereign care of God’s own palm.
And yet another voice keeps creeping out.
“You’re too unfit for blessed community,
hence from belonging full immunity
is your dim lot,” says paralyzing Doubt.
For ‘gainst the Word that says I‘m rightly hewn
rub all the bristling edges of myself,
but would one set forever on a shelf
a Bösendorfer piano out of tune?
No, value is a function of creation,
and He who made has promised restoration.

V
--
Restoration’s anchored in redemption,
and my redemption‘s grounded in God’s love.
Nowhere in far reaches man has thought of
could mind unfurl the breadth of such conception.
Sloshing, hesitating in the shallows,
I wander close to shore in Love‘s vast sea.
Then from the swell I hear a coaxing plea
to dive into the deeper wake of hallows.
What‘s this weight that pins my frame from racing
toward His unknown billows of delight?
Do I not trust that He will clasp me tight,
help me bear the fiercest waves I’m facing?
What guile of devils am I heeding here
which keeps me bound by paralyzing fear?

VI
---
Disheartened by my want for firm resolve
to swim toward agápē’s unplumbed depths
for int’macy with Him who paid my debts—
the only One from sin who can absolve,
I wander, wond‘ring what I’ve missed to see
within my comprehension of Christ‘s love
when He would vacate majesty above
and suffer cruelest death to set me free.
They stripped Him, flogged Him, spit, pulled out His beard,
then pressed a crown of thorns down on His head.
They nailed Him to rough cross to leave for dead—
Creator of the world now by it jeered.
In love this traitor by her King was served:
Christ Jesus bore God‘s wrath which I deserved!

VII
----
Considering what labors Christ performed
to buy my freedom off sin’s slav’ry block
that of His fullness, with Him, I could walk
in resurrected life (not just reformed),
can I not trust that He will see me through
each trial, tribulation, sorrow, loss
when He would not forsake me at the cross
but carried all my grief and suff‘ring too?
And just as death‘s cold grave could not contain
my Savior but gave way to watch Him rise,
whatever loss my path has to comprise
shall work for me eternal glorious gain.
So while my courage may still be in lack,
the settled thing is there’s no turning back.

VIII
-----
Wading through fresh tidal pools of mercy
along a piece of coast that‘s not too wide—
among the crags and caves where stragglers hide,
hoping to evade crowd controversy—
I know I‘ll have to move on before long.
But in the warm meanwhile of the day,
I kneel to rest; and as I start to pray,
my heart begins to open to a song—
a gentle, soothing lullaby I’ve known
sung to the tune of ‘Eventide‘ as hymn,
reminder that this life is fading, dim
but that in Christ I never walk alone.
And as I raise the words, “Abide with me…,”
here comes my Shepherd, walking by the sea.

IX
---
What now is this waylaying, sin-sick soul?
Diversional winds from cliffside descend.
Where‘s pressing fire my devotions attend?
Brain‘s robbed of sanity, sleep, self-control.
Jesus comes near numb heart in distraction
and bids me again to clean deadwood out.
Jesus, I‘m desperate, drowning in doubt!
Help me expel what‘s needing subtraction!
Discipline, prudence, wisdom, contentment
can work to restore both body and brain,
while worship will lift locked heart from restraint—
its untethering from woe’s resentment.
I won‘t, without wisdom, taste truest Love,
yet Love holds true keys to wisdom above.

X
--
Mottling mind’s hazed subconscious sockets—
bedecked by ego’s restless crave for fill—
infections grow to permeate my will,
ladening, with dross, affection‘s pockets.
Foul seepage soon coagulates to plaque,
forces clefts which weaken my foundation,
foments psyche’s stormed disintegration
till half-light’s flushing falls to midnight‘s black.
Yet amid murk‘s rotting, rank confusion
with ev‘ry faculty succumbed to rift,
My Shepherd plucks me fiercely from the cliff,
tending thorn-torn blight with Love‘s ablution.
Healing, though, requires my surrender—
all cooperation I can lend 'her.'

XI
---
Jesus asked a question at Bethesda,
the pool by which an invalid was lain,
for thirty-eight lost years left in his pain—
twisted, timed, tormenting, teared siesta.
“Do you desire to be made well?” He asked.
“I’ve none to help me!” was the plaintive cry,
then Jesus spoke miraculous reply
that to get up and walk the man was tasked.
That’s not to say all healing will be found
within this present life of ills and woes,
but still I hear Christ probing through the throes
if I am truly willing to be sound.
Or would I rather lie on crippling bed,
an invalid of spirit, heart and head?

XII
----
Shuffling through some past miscalculations
surrounding toxic breakage of the vines
that ought secure the healthy bound’ry lines  
guarding interpersonal relations—
rememb‘ring my susceptibility
to ego-shuttled, codependent err‘rs
which strain to manage others‘ own affairs
and so invert responsibility—
I ponder if I‘ll ever grow to learn
proper seeds for sowing mutual trust
with vital tools for gently sanding rust
to help stave off a bondship‘s breaking-burn.
One thing I know, that trusting in the LORD
steers love‘s impetus to carry forward.

XIII
-------
“I’m not enough and yet too much,” I've read.
Succinctly that describes my current angst,
and I can‘t justify to war against
these arguments which whirl around my head.
I’ve been told, “You’re just a little intense,”
by many people, not just one or two,
and this they voice clangs manifestly true,
as gaping holes defect my bound‘ry fence.
Voluminous in content and in force,
bestowing as prized gifts what isn‘t sought
or wanted by those for whom gifts are brought,
I falter in my need to change set course.
And where it comes to giving what‘s desired,
real competence seems found to have expired.

XIV
-----
Someone wrote, “true soul mate is a mirror“—
like limelight they‘ll reveal your unseen faults.
Where no one else delights to search your vaults,
“soul mate“ renders time to be apt hearer.
It matters not, was said, that they don‘t stay,
so long as they‘re an agent for reform—
the one who makes you desp‘rate to transform
by breaking heart and making ego fray.
Danger lies in nuanced underpinnings.
I thought I‘d found my soul mate in abuse
and used “he needs my fuel“ as excuse
to take a twisted game to extra innings.
Here I’ll grant these crazed imaginations
were at core demonic machinations.

XV
-----
Casting down romantic schoolgirl notions
that sin-drenched bonds might fashion souls complete,
I drag bewitching grails to Jesus’ feet—
spurning now to drink past guile‘s potions.
As I linger longer in His presence,
I‘m freshly bathed from marring guilt and shame,
reminded I‘m made whole in Jesus‘ Name—
partaker in the fullness of His essence.
Identified eternally with Christ,
secured by His unfailing love through grace,
one day I‘ll walk perfected face-to-face
with Him from whom true life is all-sufficed.
And as I muse, I taste true heart‘s desire—
rekindling, renewed with holy fire.

XVI
-----
Attitude is prime, determinant hinge
on which the door of restoration swings—
deciding what response subconscious brings
and on which morsels mind should bestly binge.
Plenty is dependent on perspective.
Mountain, plain or valley alter sight 
and size by which is measured present, plight.
Simply switching lens can be corrective.
In Christ, Ephesians tells me, I‘ve been raised,
seated with Him in the heavenly realm—
positioned by the One who steers the helm
that Father, Son and Spirit would be praised!
Worship, like a rudder, sets the outlook
to keep me highly grounded in God‘s Book.

XVII
------
Why should I to the worship of false gods
surrender my outlook frivolously?
Idols grab first gaze notoriously,
rob joy as will‘s defenses yield heart‘s nods.
What then? Can I suppose I might steal back
a measure of exuberance through more
skewed genuflecting to gilt calf before—
itself beleaguered, plagued by woeful lack?
Now heed, wayfaring soul of mine, what‘s true:
Creation‘s bounty-goods will make you slave
and with sweet Siren‘s flutes your mind deprave
when to them you lend focus Christ is due.
Lay firm your eyes on Him—pure, restful bed,
cover, fuel, completer, Fountainhead.

XVIII
-------
Wandering down some cobbled, crowded street,
I‘m nowhere headed, rapt in mindless thought,  
and as I saunter south I happ‘ly spot
a friend long-lost but fiercely longed to meet.
Just up ahead, he’s mixed well in the throng
but might be caught if I push through and race!
Heartbeat quickens. Oh, to see his face,
this one with whom I’m sure I must belong!
Yet when I actually seize him and he turns,
I’m devastated, sunk. It isn’t him.
Then moping northbound—dazed, dejected whim—
I stumble on the One for whom heart burns!
How strange, as I had grappled, chased and shoved,
that I’d been running from the One I loved!

XIX
-----
He‘s reservoir for which parched spirit begs,
familial feast cast heart longs to attend,  
elixir fractured psyche craves, to mend,
secure foundation ‘neath soul‘s skittish legs.
Jesus is hearth fire, garden blooming,
joy‘s kiss that welcomes prodigals with tears,
arms’ tender brawn consoling weak ones‘ fears,
shelt‘ring lullaby as nightstorm‘s looming.
Who else can scatter stars, strew mountain snow,
to whet beloved‘s taste for pristine grace?
What other love’s like this, that He‘d embrace
excruciating death to grace bestow?
And best, most faithful lovers of this earth?—
dull pennies next to Christ‘s resplendent worth!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

VOLUME II:
(** — XXXII) [Edited in 9/27-29/21]

**
----
Closing the door on chaining obsessions
requires some short-circuiting of thought
previously allowed to flow uncaught
and forge ever-deepening depressions.
Pathways in my brain can be rerouted
by changing interactions with my world,
observing what’s most easily unfurled—
presently what’s to five senses suited.
‘Mindfulness’ can be a Christian practice
and doesn’t have to rest on Buddha’s shelf—
“awak’ning non-existence of the self”—
or from unseen, eternal things distract us.
True mindfulness is found in gratitude—
joyful, eucharisteo attitude.

XXI
-----
A biblical version of ‘mindfulness‘
is found in 1 Thessalonians 5,
revealing as God’s will that saints should strive
for ever-prayerful joy and thankfulness.
Pond‘rous gratitude staves off resentment,
greed and pride. As was taught to Timothy,
what‘s created and giv‘n by God should be
received in sacred thanks with contentment.
Creation reflects God‘s bounteous glory
and demonstrates His loving grace and care,
so in same grace and glory we can share
each time we recognize Him in our story.
Ten thousand tiny gifts write each day‘s page,
and he who welcomes most is most like sage.

XXII
------
In restoration, elasticity
of mind is a factor to celebrate.
So please don‘t ever underestimate
the wonders of neuroplasticity.
New brainpaths form and old channels falter,
depending on what choices I might make.
Fresh experience of which I partake
will physically help my brain to alter.
Here‘s one great hope I must now remember:
What’s hardwired today can still be displaced,
and thoughts might soon flow on paths greenly graced,
as I feast my soul’s eyes on brain’s Mender.
Bent mindfulness toward Giver and His gifts
best brings joy‘s healing for my mental rifts.

XXIII
-------
Realizations that some obsessions
are desires to vicariously ride
the mindfulness of others who don‘t hide
their own keener sensory possessions,
aptly are aiding to turn my focus
from curiosity to understand
their thoughts, which often‘s led my heart-demand—
want to consume their minds‘ crops like locusts.
What I‘ve perceived as love, concern to know,
empathy for others‘ worlds internal,
might be more escape from mine external—
attempts to hide from life‘s real, present show.
Avoidance wears all sorts of vibrant masks
to keep me blinded to here-moments‘ tasks.

XXIV
-------
Viewing secondhand eviscerations,
as others spill their innards on the page,
may seem the safest way to heart engage—
surrogated life participation.
Substituting others‘ honed perceptions
where I ought learn observance of my own
will keep childlike experience ungrown,
smother creativity’s conceptions.
Social media’s pitfalls lie therein,
along with greater dangers lurking large.
Despite its many goods, there’s needed charge
that gorging on a good thing leads to sin.
Shutting website windows is like trailhead,
opening mountain path to higher tread.

XXV
------
I‘m learning to sit with anxiety
raised by self-denial of habit’s fix,
mindful how my heart solicits tricks  
to alternate for true society.
Discomfort speaks in volumes to soul’s ear
like smoke alarm alerting to a fire.
It tells me, “Quick, investigate! Inquire!
Please find the source of inner burning fear!”
Nervousness as friend might offer insight
if I can hear and listen to its warning,
objectively without the shame-filled scorning
that tends to follow panic-stricken plight.
Practice putting tension in glass cage
to monitor its undercurrent’s rage.

XXVI
-------
It’s time to preach a sermon to myself,
for fears are overtaking me in waves;
and spirit must combat what habit craves—
flesh seeking consolation in false pelf.
Scrutinize what’s underneath such worry.
Do I believe the LORD is still in charge
of details of my life and world at large?
Look to Him. Don’t yield to anxious hurry.
Do I believe He’s with me and He’s good,
a faithful Shepherd tending to each need?
Then look to Him. Don’t drown in fretting’s greed.
Christ’s sheep don’t have to look elsewhere for food.
Each wait is opportunity to grow,
for God has holy riches to bestow.

XXVII
--------
God’s character and sovereign wisdom hem
my life, as His responsibility.
No wrong will steal my true identity,
whatever slips or schemes might spill from men.
Christ’s Ruler over all, but do I let
Him fully reign as Master in my heart?
Do I acknowledge I’m His work of art
and purpose for His hammers, chisels get?
Intimacy and glory are the friends
to which His sanctifying lessons point
and meld together as love’s dovetail joint
whenever I surrender to these ends.
Soul, set your hope on grace to be revealed.
Entrust to God strain’s mysteries still sealed.

XXVIII
---------
LORD, HELP! Why is my mind so distracted?
And why then, letting it be drawn away
for half an hour, am I now okay
to let my compulsions be retracted?
Give in to let go feels like solution,
but know it only deepens the desire
for later curiosity‘s inquire—
grants no satisfying resolution.
Those thirty minutes mindfulness was lost,
yet could it be empowered by the fall,
as I look closer inside to recall
that giving way to habit bears great cost?
I won‘t grow discouraged by the setback
but seek to further understand self‘s lack.

XXIX
-------
Low-pitched, humming anxiousness was sitting
all day inside my torso‘s cavity.
Mindful sensing lent no gravity
to coax the stubborn squatter through outwitting.
Head was tired from too little sleeping,
so frankly seemed to coast and just make do.
Soul felt no fresh excitement by woods‘ view
and lacked bright energy for much guard keeping.
One moral of this story is night‘s rest
must become priority for healing.
Otherwise this shaky default feeling
will grow into another panicked crest.
Though it‘s no excuse to say I‘m tired,
it‘s clear reformed sleep habits are required.

***
------
Changing what’s practical opens a door
to transforming what’s spiritual, mental
and emotionally experiential.
Habit alterations might well restore
enough equilibrium of body,
restfulness, clarity, reason and time
to give me needed aid to better climb
above oppressive moods, both low and haughty.
Early to bed, early to rise...”could be
one thing to make a world of difference
and welcome back some simple common sense,
to open up new space for setting free.
But for that discipline to take effect,
I’ll also have to curb the internet!

XXXI
-------
Every opportunity for worry
is greater opportunity to trust
that God behind the scenes is sanding rust
from parts of me where fear has made faith blurry.
Without unknowing-gusts to stir the pit
of nervousness inside my helplessness,
I might ne‘er seek my Shepherd‘s faithfulness
nor learn to wait on Him and with Him sit.
These are times of richest growing lessons
when I‘m reminded He is LORD, not me,
and that He works to draw in int‘macy
feeble souls to Him through stretching sessions.
Joy is knowing sure—head, heart and will—
He‘s ever whisp‘ring, “Child, come closer still.

XXXII
--------
Recapping basic steps to take thus far:
Find sleep (which may mean need for melatonin
to counteract my haywire serotonin),
and overuse of internet I‘ll bar.
Then with restfulness bring mindful thinking—
keen noticing that‘s graced with gratitude
and sets a stronger skyward attitude,
buoys me up against fret‘s downward sinking.
More important still is meditation
upon the word of God‘s indicatives
which lay foundations for imperatives
to follow as prescriptive medication.
Most crucial element preventing fall
is fix my eyes on Jesus through it all!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

VOLUME I
(I — XIX)

8/23/21— 9/8/21

~~~~~~~~~~~~~~

VOLUME II
(** — XXXII)

9/22/21 — 9/29/21

~~~~~~~~~~~~~~~~
Becky Littmann Mar 2015
Eenie Meenie Miney Moe
You're just another ***
Never saying "no" & NOT **** fo' show
Beyond  ****** is where you go
The nasty crust is what you are below

A busted *** ratchet
With a scandalous habit
So bounce *****, with  that ****
Or you're going to get hit
Peace out **** it
You need to just quit
Karma is what you're going to get
Because ******* DONT  FORGET

You're  not classy, just a slutty *****
With legs like a revolving door
Open to anyone wanting to score
But your ***** is stank & rotten to the core!
With more than one new STD sore
Just like I said before
BOUNCE,***** no one wants MORE!
chylee plunkett Nov 2012
This is a poem of a girl. A girl who is so cliché, that she needs to write angst-filled poetry to keep herself conscious and her thoughts free, but is too hipster to believe it. A girl who is too freckled to be fair, too fleshy to be flirty, too conspicuous to be classy, too prominent to be petite, but too small to be seen. A girl who’s piercing blue eyes absorbs everything and regurgitates emotions like a tampered slots machine—excessi vely and noisily. This is a poem of a girl who is so over-stimulated with color, texture, love, and life that the numbness in her head is a pink eraser. A girl who was brought up to have opinions and dreams as long as they kept her on the path to perfection, poise, and parenting. A girl who is experienced enough to know the difference between sorrow and guilt, manipulation and cowardice, hysteria and hyperventilation but is too naïve to know why certain boys are a bluish green, why math is a bafflement, and why ground up chili peppers in dark chocolate ice cream isn’t everyone’s favorite food. This is a poem of a girl who salivates at the mere thought of classical music, couture fashion, and feminine heels. A girl who breathes in culture like a caterpillar inhales hookah smoke. A girl who Alis volat propriis (flies with her own wings) but ultimately plummets to nosus decipio (Let’s just cheat) because her humanity held down her Heredity. A girl who thrives on music of every variety: as long as it can paint out her emotions in front of her. This is a poem of a girl who is so acerbically witty and harsh that she could unarm Napoleon but is so vehemently protecting that Mother Theresa herself would be awed. A girl with an attention span of a fish, short-term memory like sea foam, thoughts that outnumber armadas, and a bad habit of dehydration. This is a poem of a girl who talks but shouldn’t, speaks but doesn’t, and who is so badly burnt by the enticement of affection that her wallflower camouflage is now charred ashes around her stubby toes. A girl who has such infatuation that she could pin Lust against the wall and make Passion jealous. A girl who wears red lipstick because she knows it will keep a man’s gaze for 8.2 more seconds than with chapstick and the 50’s will never grow old. A girl too nervous and traditional to make the first move, but too strategic and over-analytical to lie back and forget. A girl who loathes the word mamihlapinatapai because it describes her every circumstance since the day she befriended the purple-brown boy who thought her personality tasted of Raspberry ice cream and to this day she still can’t pronounce it. This is a poem of a girl who needs a bed so crowded and protected with blankets and pillows that her monsters can’t penetrate her mazed-up mind. A girl who drinks tea with her lips, and philosophy with her soul. A girl who can’t spell the alphabet backwards but can make great mnemonic devices. A girl who can’t tie ends together because she doesn’t want to leave anything unsaid but whose tangents are kite-strings. A girl whose sentences are distracting fences in front of her literal eyes but doors for her mind’s eyes. A girl who has Synesthesia but keeps it quiet because of the condescending kids in kindergarten who called her a freak, and a liar. This is a poem of a girl who thinks about Death and whether he is a snatching thief or just the ferryman. A girl who dances with her eyes shut, her heart open and her toe-socks on. A girl who will clean her room at 2 am because she can’t handle the sight and the night is too lively for sleeping anyways. A girl who wears her heart not only on her sleeve, but on her chest, open as a blushing book playing poker with hockey players and still winning a game. A girl who’s emotions are kept in a Tupperware box and left in the refrigerator but if you shake it hard enough the lid just might pop open
PEARL SMOKE Sep 2014
iM Scared To Fall Back
Into My Old habit
Im worried
I Don't Know if il be able to get off
Crystal ****
Temptation is quick to blind me
Im weak minded when
It comes to this
What are the chances to get
Into the habit again...
Sarah Oct 2013
In between your ribs grow a garden of flora
Flowers bloom an sunlight filters through the bone
Every happy thought centers itself in your chest
And vines cage your heart
They cradle it and nurture it
Raising it up
So let's break that nasty habit, shall we?
Let's kick it to the curb
Pour poison all over those blooming flowers
Let the buds shrivel up and die
Nightmares swim through your marrow
Ingrained in your soul
And the sun sets in a rip roaring fire across your beautiful bony sternum
Darkness settles upon your heart
Cold air seeps through the skin
Your heart is frozen now
It's cracked in two
Your habit is gone along with the past and any emotion you've ever had
I wouldn't be worried or ashamed because
Because numb is better then feeling anything.
As I **** this cigarette
my life go's up in smoke,
in clouds of gray and white
some day I'll die of stroke.

If only I would quit
this habit that I have,
my lungs would never rot
all cancerous and scabbed.

And though I know this all,
to my love I still return,
for nicotine I crave for nicotine I yearn.

Take this poem to heart,
and let thy cigarette go,
for dieing of lung cancer
is the slowest death I know.
wanna hear me  reading this?
https://www.youtube.com/watch?v=AdOHXCTrZSk
oguh stanley Jan 2015
PATIENCE is one virtue so rare
That is often missing in our daily affair

PATIENCE is a companion of wisdom
He who has it stands among kings in any kingdom
It is an habit that cannot be thrown out of the window
Without it lives you in a place of limbo

PATIENCE is not just how long we wait
But how we behave while we wait
It is a virtue of grace put together to make a pretty face
One year of patience equals ten years of peace

PATIENCE is the key to contentment
That locks every gate of resentment
One ounce of patience is more than pounds of brains
Investing in the bank of patience yield no loss but more gains

PATIENCE makes lighter what impatience may not heal
Driving through a narrow road but on a balance wheel
A heart fuel with patience drives with an unseen speed
It might be a soar fruit but with a sweet seed


PATIENCE is truly a virtue acquire it if you can
It will make you a good father,a better mother and a perfect human
Charlotte Ivy Oct 2017
You're a piece of my dad
Sometimes I find him in your laugh
But then your smile goes crooked and your "bugs" act up again
You find clarity for a moment and then your thoughts become distorted
Was the habit to hard to break or did you think the promises I made for you were fake  
You always told me every day to never give up why can you not wake up
Dad, Jake.. ?
What's your name ?
I feel like we're strangers and I feel like your love was fake
You took a piece of my sister's away and for that I'll never forgive you
Can't you see your own ****** mistakes
You're blind and they were right you are a snake
You fried your brains and I'm afraid it's to late
I can't save you unless you want to be saved
Phyllis T Halle Dec 2012
Caint Complain
                       By Phyllis T.  Halle  February 26, 2006
Growing up in a tiny coal mining town in the hills of Eastern Kentucky,
I frequently heard a response out of the lips of stooped, arthritic miners, toothless women, old before their time,
wretchedly poor widows with six children to feed.
It was just a common reply to the courteous, "How are you?" -
"Caint complain."
The high pitched voices of those descendents of English, Scottish, German, Irish pioneers still echo in my ears and I wonder always at the tenacity, strength and wisdom which resounded firmly in those two words,
                                          "Caint Complain."
Very few people had indoor plumbing, telephones, cars or two pair of shoes. Health insurance, retirement plans, paid sick days, furnaces, pizzas, air conditioners, jet planes, paid vacations, job security, career planning were all unheard of unknowns.
When someone became ill, the ‘‘kindly old general practitioner would come to the house and dispense his little pills and words of encouragement and instruction, knowing the limitations of his skill and ability to heal.
Mothers and fathers still buried their little children who died from diphtheria, pneumonia, whooping cough, measles, diarrhea, croup ( a disorder known in later years as asthma).
Husbands buried wives who died in childbirth, at an alarming rate. "Caint Complain," they'd say gently, with a soft 'almost' smile and deeply troubled eyes.
Sanitation was fought for, vigorously, by hard muscled women, who scrubbed and washed, and swept and mopped.
They'd boiled the family’s clothes which had been worn for a week, in pots in the back yard, "to get ‘em clean."  
Killing germs was not in their vocabulary, but that is what they'd were doing. Ask that little old gal who was out in the yard, stirring the clothes around in boiling water, over an open fire, "How are you doin’?"  
                            "Caint Complain, " she would invariably say.
WHY couldn't they'd complain? Where did their tenacity come from?
Where did that philosophy of not complaining come from?
Where did they find the resolve to place dire, critical deprivation, hard labor and malnourishment behind them and place a smile on their faces and say
                                Caint Complain?

I knew some of those people when they had grown very old and faced birthdays in their late nineties. Without exception, they had the sweetest dispositions, most grateful hearts, kindest words and calmest old ages of any among the many I have known who reached that age!
When the pressures of their life had faded and they had nothing remaining that had to be done except to live out the final part of their life, they did not have a habit of complaint.
Some recent phone calls I have received were what prompted me to think about this. One right after another, friends called and for the first ten minutes of each call, I listened to a long list of complaints about the trials and travails my dear friend was suffering.
Each friend has: no financial worries, a wonderful primary care doctor, prescriptions to keep their heart pumping, eyes seeing, brain focusing, stomach digesting and body sleeping, each night.
They are protected from financial ruin, by medicare and/or HMO, social security checks, pensions, savings and inherited wealth. They have loving, devoted sons, daughters, nieces and nephews who keep in touch and are there for them.
They each one have lovely heated and cooled homes, apartments or condos with every convenience known to Americans; cars or taxi/bus services to get them out and around. More than that, each has beautiful memories which they can call upon to bring a smile to their face at any moment of the day or night. But somehow we find plenty to complain about.
Why haven't we formed the habit of Caint Complain?
Maybe the philosophy of always seeking more comfort, more possessions, more money, more- more- more- of everything, has driven us to achieve, accumulate and accomplish but it required us to never know what the word contentment means.
Contentment doesn't mean having everything at one’s fingertips. It doesn't mean lacking nothing. It certainly doesn't mean every dream and desire fulfilled.

Yet there are many who have enough of everything except the common sense to know when they really "Caint Complain."
Happiness is a fleeting moment of joy. Contentment is finding peace in what you have, what you are and what you have accomplished.
Having the serenity to know which one brings lasting goodness into your life is wisdom.
A SMILE IS THE KNIFE GOD GAVE US TO CUT THE SIZE OF OUR TROUBLES DOWN TO A BEARABLE LOAD.    
Lots of love and hugs, Phyllis
Big Virge Oct 2014
Ya know .....  
  
I have one now ... !!!  
but ... hear the sounds  
of people complaining  
in different towns  
  
A woman one day  
had this to say .....  
  
"This ***** keeps saying  
all types of things  
on my Facebook Page  
as if my thoughts  
shouldn't get airplay !!!!!"  
  
Well to me ... Her Lines  
meant Facebook ... Shine ... !!!  
  
Why ... ???  

Well ... because her views  
play a different tune  
to them and those  
who drop ... THAT PROSE ...  
which ... CLEARLY ... shows ...  
what's up ... Their Nose ... !!!!!!  
  
Something .... BROWN .... !!!!!!!!!!  
  
What's with these clowns ... ?!?!?!  
  
Folks ....  
It just goes to show ...  
that ... ******* go ...  
with ... BIG EGOS ... !  
  
Could it be ... Crack ... ?!?  
that's got her on ...  
"Facebook Attacks !!!" ...  
  
Well ......  
Here's ... My Pitch ...  
to you ... Facebook ***** ... !!!  
  
Unhook yourselves ...  
from where I dwell ...  
but ... Don't Dismiss ... !!!  
These here ... Lyrics ... !!!  
  
When you see ... My Posts ...  
Please ... just do this ...  
Adopt ... That Pose ...  
and yes ... Double Click ...  
where you see ... " QUIT " ...  
and make ... Your ... EXIT ... !!!!!!  
  
A ... Nice ... Quick Fix ...  
for your obvious ... " Glitch " ...  
to act ... " Foolishly " ...  
before you ... " THINK " ... ?!?  
  
which is a ... Habit ...  
You ... NEED TO ...  
  
... " MANAGE !!! " ...  
  
Is this ... what you ... REALLY ?  
Have one ... for ... ???!???  
  
to wage ... Cyberspace War  
with ... Lyrical Swords ...  
that aren't ... Sharp Enough ...  
to cut through ... The Stuff ...  
that Clearly gets you ...  
... in a ... " Huff " ... !!!!!!  
  
So you ...  
  
" Huff and Puff " ...  
  
All ... Facebook Tough ... !!!  
  
But ....  
That's NOT ... Tough ... !!!!!!!  
  
All it proves ...  
is that ... Your Moves ...  
are ... Shady, Hazy ...  
Thought waves ... CRAZY ... !!!  
thinking that ... befits a ... " Baby " ... !!!  
  
Facebook hype ...  
has got these types ...  
acting like ...  
  
" They've Lost their Minds ... !!!!! "  
  
Girls and ... Guys ... ?!?  
Women and ... Men ... ?!?  
  
Hiding behind ...  
Facebook pretense ...  
Their Facebook Friends ...  
and posts contrived ...  
to prove how wise ...  
and ... EVER SO ... Nice ...  
these people are .....  
who have ... " NO LIVES " ... !!!  
  
2000 friends .... !!!!!  
on ... Facebook ... Yes .......  
Very ... Popular ...  
like a piece of ... "****" ... !!!  
  
that likes being ... licked  
by ... Any Old Chick  
or being ... " Sticked ! " ...  
by .... " THOSE ! " ....  
  
"Naaaarrrsssttty *****" ... !!!  
  
Is this what you ...  
REALLY .....
have one for ... ?!?!?  
  
"Really man ...  
don't you ever use it ...  
to try to uplift ...  
and share something ...  
that helps our kids ... !?!  
  
" Oh right, You DO !!!!! "  
  
You ... "FaceTime" ... yours ...  
now they're ... abroad ...  
because they ... RAN ...  
away from ... YOU ... !!! "  
  
"Oh your fam and friends  
in far away ends ...  
that's how you stay  
in touch with them !"  
  
"Okay that's cool  
but tell the truth ..."  
  
"It's once a year  
that they call you  
to bend your ear  
about THEIR issues !!!"  
  
Now ....  
Calm down your mood  
and don't be rude  
it's just ... MY VIEW ...  
on Facebook crews ...  
  
Who ... think they're cool ...  
  
Posting this ... and ...  
Posting that ...  
  
Until someone ...  
points out some ... FACTS ...  
or ..... Even worse ...  
Points out the ... FLAWS ...  
in post they've made ...  
that have ... No Cause ...  
  
than to get people ...  
to message you ...  
  
and say,  
  
"Hey dude, your post was cool !!!"  
  
" Vacuous CRAP ! "  
that just ... attracts ...  
the flies who ... Lie ...  
in ... " Venus Traps "  
  
Hoping to escape  
when they've .......  
Long since made ...  
  
A page of ... " Farce " ...  
to build a ... " Facade " ...  
  
that proves their thoughts ...  
  
come out their ........... ???? ............  
  
.... " Perverted Minds " ....  
  
You're bound to see  
****** imagery ...  
I think ... You'll find ...  
on their ... Timelines ... !!!  
  
It is what it is ....  
This Facebook thing ...  
  
Built to consume ...  
Peoples' thinking ...  
and built to ensure ...  
Egos get .... Poured ............................  
  
ALL OVER THE PLACE ... !!!  
  
It's a ****** disgrace ...  
don't you people ...  
feel ... " Ashamed ?!? "  
  
Such forums should be ...  
used for more ...  
than ... waging war ...  
or trying to impress ...  
these ... " Cyber ****** " ... !?!  
  
This question I guess ... ???  
is for ... " Face-Hooked " ... hoards  
  
Is this what you ...  
REALLY ... have one ... for ?
Social Freaking Media ... !?!
There isn't a day that goes by where you don't cross my mind. There isn't a night where i don't find myself hankering to call you mine again. When you left, i fell to pieces and those pieces scattered everywhere. I have the habit of looking for you at the bottom of a ***** bottle. Im drowning and my bloods slowly but surely turning to alcohol and before i know it I'm not gonna be able to find those scattered pieces to put myself back together again.
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
Shelby Azilda Apr 2015
I still expect your name to pop up in my open Facebook tab.
A message has been sent from so and so,
Maybe in reply to me,
Maybe with some weird picture you thought I would get a laugh out of,
Maybe just to say hello.
I know you won't.
I know it.

Even after we have not talked for some time
A part of me still expects you to be there.
A part of me hopes you still care.

Maybe you just became a habit.
Like every morning I make a coffee with breakfast and whenever I don't have that my entire day is thrown off. It has gotten to the point where I need that coffee in order to function. It may not be a good habit. I may be addicted to caffeine even. The point is that you are like my morning coffee without you I feel off.

I know that one day I won't feel that way. Like, if I did not drink coffee for long enough eventually things would be fine. Would it be the same with you? I hope so. But I don't think feelings are the same as caffeine addiction.
Exhale Your Mind Apr 2016
i'm not a slave of compliments.
I won't overdose on injections of racism.
The only addiction i have it of the melanin in my skin.
My heritage is not a sin.
My womanhood has always been the evidence of excellence.
My faith is not a bad habit I need rehabilitation from.
If discrimination was a drug i would be high every day
emmaa May 2018
we all have habits
they make us who we are
they’re what makes us unique

the twirling of her hair
the nibbling of his nails
the tapping of their foot

you used to do this little thing
you’d touch the tip of your nose
in the peak of your amusement

you would fidget
usually with the hair tie at your wrist
you’d snap it constantly

you ran your fingers
through your hair
nervously working the nerves

sometimes when you were deep in thought
you’d chew on the inside of your cheek
i could always tell by the sour look on your face

and when you got embarrassed
you’d smile and bite your lip
and turn bright red

or how right before a performance
you’d thump a hand over your chest
a harmony to the heavy thudding of your heart

those were the things that made you you
the things you didn’t notice
the things nobody would unless they knew you

the way i knew you
knew
before everything changed

you’re still the same you, though
for the most part
people change, habits don’t

you still touch your nose when you laugh
you still snap your hair tie on your wrist
you still run your fingers through your hair

you still chew the inside of your cheek
you still bite your lip when you’re embarrassed
you still thump on your chest before a show

you’ve changed
but you’re still human
and humans are creatures of habit
Shelby Hemstock Jul 2013
I'm a creature of habit

Each new day
I pull the same old food
Out of the cabinet
Like a hawk dives
Out of the sky
To snag a rabbit

We can base ourselves on the paths we lead
Or the foods on which we feed,
If your pockets are billowing with greed
Or if you strive to survive on humans basic need,
Love

Either, or
If you're the shimmering sun
Or a dying star
The hawk
Or the rabbit
You are who you are

A creature of habit
River Apr 2017
If you gotta dream, show me
Reveal it to the world
And own it
If you gotta passion,
Disown your inaction
And make a habit of climbing the steep hill of your goals,
Or else dissatisfaction will echo in your soul

Go after your dreams fearlessly,
You've got all the potential you need,
Just find the why for the motivation you lack,
Conjure the reasons why you've laid low and cut yourself slack,
Well, you can't hide behind excuses no more,
Because you're a dazzling star and you're too bright to hide behind confining bars

You think you're a nobody?
Too scared to show your true colors?
Hey, you better get out there on that red carpet and like a peacock flaunt all your magnificent beauty,
And not even for a moment doubt yourself
Or listen to the chickens cluck **** about you on the sidelines
You've got a dream
Stop hiding it under your bed
And make it into your reality
You ain't think life got magic,
But it's full of meaning
Once you awaken from your brain dead anxiety
Because you worry too much of what people think of you
Your heart will come alive, beating with all the colors of the rainbow and the music you love will revive you,
I speak from experience,
Stop letting your fears hold you back,
Because they are just lies
No one is gonna believe in your dream as much as you do,
Not until you accomplish what you dream of, when you get there then they'll believe you
What else have you got to live for
But your dream!
It's your purpose
And it's your responsibility
To make your dream a reality
Not until then will you be able to see
The magic that both surrounds us and lives inside of you and me.
Missing you has become a terrible habit of mine.

— The End —