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"habiliments" poems
1465 Before you thought of Spring Except as a Surmise You see—God bless his suddenness— A Fellow in the Skies Of independent Hues A little weather worn Inspiriting habiliments Of Indigo and Brown— With specimens of Song As if for you to choose— Discretion in the interval With gay delays he goes To some superior Tree Without a single Leaf And shouts for joy to Nobody But his seraphic self—
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Before you thought of Spring
you are all of the mind’s dirtiest trick: a weathered image of Magdalena, a sleight of hand and a swirl of skin. defying the laws of inebriation like a culprit set loose, or the pallor of the moon excreting its habiliments. the old rancor of the tree from its spurious beating. vestal buds of autumn frugal hands of drizzle in April, prostitutes pirouetting, pried open, dissected in faces of the tabloids (their almost acrobatic supremacy on centerfolds) all mangled like the unclear, yet certain picture of a 1990s havocked retrospect. you are all of the mind’s filth: a putrid modal-jazz entrapment and I am that sad fellow at the elbow room of some dislimned establishment falling as lithe as poppies in spring only when my mind starts to sing freely, a clenched, harmonic framework will my bones start to unloose in the ether, death with its ammoniac perfume, closes in like an unwanted visitor with a bounty of silence drowning everything. i imagine you anything but lustrous this evening. there are certain points in the pressures of your gravity that levitate to mere intersections of the finer points of ecstasy. i imagine you all soft and plump as a word of salvage without the vigor of blandishments when you start with your own way of moving i imagine you as blunt as a dull knife plunging into me – i imagine your sidereal satellites fail in their coverage over impossibly the blackest of skies in February,| i imagine you anything but clean and all white and spruced up with the most drenched light, real to the touch and swiftly moving across the afternoon like wishing you all but perverse and anomalous and strikingly beautiful.
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Jan 10, 2016
Jan 10, 2016 at 8:27 AM UTC
Magdalena
you are all of the mind’s dirtiest trick: a weathered image of Magdalena, a sleight of hand and a swirl of skin. defying the laws of inebriation like a culprit set loose, or the pallor of the moon excreting its habiliments. the old rancor of the tree from its spurious beating. vestal buds of autumn frugal hands of drizzle in April, prostitutes pirouetting, pried open, dissected in faces of the tabloids (their almost acrobatic supremacy on centerfolds) all mangled like the unclear, yet certain picture of a 1990s havocked retrospect. you are all of the mind’s filth: a putrid modal-jazz entrapment and I am that sad fellow at the elbow room of some dislimned establishment falling as lithe as poppies in spring only when my mind starts to sing freely, a clenched, harmonic framework will my bones start to unloose in the ether, death with its ammoniac perfume, closes in like an unwanted visitor with a bounty of silence drowning everything. i imagine you anything but lustrous this evening. there are certain points in the pressures of your gravity that levitate to mere intersections of the finer points of ecstasy. i imagine you all soft and plump as a word of salvage without the vigor of blandishments when you start with your own way of moving i imagine you as blunt as a dull knife plunging into me – i imagine your sidereal satellites fail in their coverage over impossibly the blackest of skies in February,| i imagine you anything but clean and all white and spruced up with the most drenched light, real to the touch and swiftly moving across the afternoon like wishing you all but perverse and anomalous and strikingly beautiful.
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Qliphoth, Qliphoth, Qliphoth, Qliphoth roar the horses hooves of the apocalyptic Eloah like a bull of Bashan which under ye terror unto thee; unspeakable, the secrets of truth traducing these thy habiliments of bread and wine, creatures, as if they were apples of ***** the staff of life; cossetting lambent judgement peril to the duetoronomy of novice pyre souls not safe to dwell where those who venture fear to tread travelling the road to Damascus, pontifical with emerald honesty venatic of consenting stars pealing Dabar-Yahweh as if a song sung to the shell of Heaven. Eleete j muir
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Oct 10, 2013
Oct 10, 2013 at 10:57 PM UTC
Bleeding Rhemas
Even as I close the door I'm stripping off my clothes discarding all the fetters from my head down to my toes. Throwing off the shackles of decency prescribed 'cos writing when I'm naked leaves me no place to hide. Relieved of every stitch am I free in heart and mind all except my spectacles without them I am blind. The mirror smirks above me reflecting all I am just a little human born of woman, taught of man. Cheerful, unencumbered by the threads of etiquette a more effective custom I have not found, as yet. Though, sometimes in need of character out come the hats and bows bare as night beneath a tippet inspiration flows. Who cares for mere habiliments throw your trappings to the floor! But, oh, where is my dressing gown? Someone's at the door!
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Sep 26, 2013
Sep 26, 2013 at 7:34 AM UTC
Writing naked
I heard a plaintive heave before the cleaving of the air, then of the flesh – a forceful splitting of a young citrus, then of the splintering – a crunch that froze the scorch of that afternoon. Finito! the sound of the fragile spine breaking into hundreds... or is it thousands? of pieces. And the debris, of the marrow and the dangling arteries – of chunks of the hypothalamus, a part of the left hemisphere – the tangential stains of blood on modern Golgotha – a cemented clearing deep within the woods parched and dried by the anger of that afternoon - which resembles a festive night: festooned with firecrackers, with showers of embers and fountains of fire, glow sticks of horror, And the lower part, the detachment: loose and limp placid and peaceful. A fresh sculpture of soft clay in red   plaid polo and punturong – both saved by the stain of gore, but not with the stain of nature on the flipside the habiliments are covered in dust – modern dust brought by cement and its slow deterioration of how friction demolishes it era by era tick by tock of the giant slothful clock - and as this same cement seeps all the fireworks vegetation thrives – and the fruit of man, and law, and capital teeth and eye dangles through thick sinewy vines. The land devour the sculpture carved by a single stroke. And then another heave is heard then the cleaving of the air, the almost splitting of the neck meat, the forceful pulling of a penchant edge then the cleaving of the air the splitting of a young tangerine, then the splintering of a spine, the spray of sainthood in scarlet, then the limping, the rolling, the creation of a mask. It was a masterpiece of music, visual aesthetics and natural arts. As the mark of each face was left in the humid winds of that afternoon.
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Aug 19, 2019
Aug 19, 2019 at 6:42 AM UTC
Humanities
I heard a plaintive heave before the cleaving of the air, then of the flesh – a forceful splitting of a young citrus, then of the splintering – a crunch that froze the scorch of that afternoon. Finito! the sound of the fragile spine breaking into hundreds... or is it thousands? of pieces. And the debris, of the marrow and the dangling arteries – of chunks of the hypothalamus, a part of the left hemisphere – the tangential stains of blood on modern Golgotha – a cemented clearing deep within the woods parched and dried by the anger of that afternoon - which resembles a festive night: festooned with firecrackers, with showers of embers and fountains of fire, glow sticks of horror, And the lower part, the detachment: loose and limp placid and peaceful. A fresh sculpture of soft clay in red   plaid polo and punturong – both saved by the stain of gore, but not with the stain of nature on the flipside the habiliments are covered in dust – modern dust brought by cement and its slow deterioration of how friction demolishes it era by era tick by tock of the giant slothful clock - and as this same cement seeps all the fireworks vegetation thrives – and the fruit of man, and law, and capital teeth and eye dangles through thick sinewy vines. The land devour the sculpture carved by a single stroke. And then another heave is heard then the cleaving of the air, the almost splitting of the neck meat, the forceful pulling of a penchant edge then the cleaving of the air the splitting of a young tangerine, then the splintering of a spine, the spray of sainthood in scarlet, then the limping, the rolling, the creation of a mask. It was a masterpiece of music, visual aesthetics and natural arts. As the mark of each face was left in the humid winds of that afternoon.
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No doubt an Eskimo fabulous Asia breeze feeling in their element with style, elan while snacking (with Wallace and Grommet) on crackers and cheese this spate of bitter cold doth not seem to ease as Arctic air blast (oh riff you prefer Polar Vortex) submerged much of the nation in what feels like absolute zero, and no matter the appellation, the outdoors analogous to being in a deep freeze brings state of emergency (designated as Code Blue from a drain on bare necessities sans: energy, food, general habiliments unable to traverse frozen waterways obstructing tankers access to key shipyards, thus imposing engines of society (Mother Nature decreed harshly lashed pact with ole man winter) asper bitter cold temperatures a gripping sizable chunk of United States, where one step outside induces chattering class to shiver from hypothermia, and a scant number of minutes will witness rigor mortis evinced by knocked knees whereat authoritative figures strongly advise (nee require) every person to stay home lest (if heedless) within seconds their body electric will seize from the unseen large area of low pressure and cold air surrounds both of Earth's poles chastising anyone foolish enough to risk life or limb, thus take a page from hibernating bears playbook, and stay under warm covers collecting countless zs!
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Jan 12, 2018
Jan 12, 2018 at 11:00 PM UTC
Deep Freeze December 2017