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THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
RAJ NANDY Oct 2014
Dear Friends, kindly read the Foot Notes at the end for
better appreciation. I tried to convey some interesting
information in my verses for my few interested readers!
Thanks, -Raj

THE STORY OF ALPHABETS:
PART ONE

INTRODUCTION
Alphabets are the noblest and the greatest of
inventions of our civilization,
For transmitting human thoughts and concepts
through visible notations!
In the olden days those magical symbols and
signs,
Could be written and understood only by the
priests and scribes !
But with the invention of printing, literacy began
to spread, * (see notes below.)
When people began to read and write with standard
Alphabets!
The 26 English letters with which we read and express
ourselves so easily and well,
Has a legendary and checkered past, and an unique
Story to tell !

FROM PICTOGRAM TO WRITTEN SCRIPTS :
The story of writing can be traced back to over
thousands of years you see ,
From pictogram to ideograms and various cuneiform
scripts!
From the ancient Sumerians and the Egyptians, to
the Semitic tribes;
Up to the Phoenicians, the Greeks, right up to the
Roman times !
Till the Latin script got refined into modern alphabets,
And with 26 letters our literary aspirations were met !

PICTOGRAM & IDEOGRAMS :

Ancient pictogram and symbols were painted and
carved on rock walls and caves, -
But speech sounds and letters remained unrelated !
Followed by the ideographic, logographic, and the
syllabic stages ,
Evolving into written alphabets through these different
phases!
Ideograms expressed an idea through visual or graphic
symbols,
Giving rise to Chinese script without alphabets, but
with only ideographic symbols! @(notes below)
The Sumerian cuneiform and Egyptian hieroglyphs
were the oldest of these,
Let me now tell you something about the Sumerian
script !

CUNEIFORM WRITING :
On that land between the two rivers the Tigris and
the Euphrates,
Which the Greek’s called ‘Mesopotamia’,
Rose the earliest of ancient civilizations called
Sumeria!
Those Sumerians used a stylus, - the head of a
squared-off reed ,
To inscribe wedge shaped angular symbols on
clay tablets - for their accounting needs!
These tablets could be dried in the sun to form
hardened scripts ,
And also recycled if necessary, giving birth to the
Cuneiform Script!
The earliest clay tablets date back to 3500 BC ;
While archeologists and linguists could detect
and see ,
That with modifications over the centuries this
script was also used, -
By the Akkadians , Elamites , the Hittites and the
Uratians ;
And scholars say that it was the forerunner of the
hieroglyphs of those ancient Egyptians!
The earliest clay tablets found in Mesopotamia,
Indicate accounting of barley crops by the Sangu
of Sumeria!
Sangu was the Chief Official of their Holy Temples ,
Who recorded all temple wealth on clay tablets, –
with cuneiform symbols !
Herodotus the Greek historian tells us a story ,
About a letter sent by the Scythians to the Persian King
during the days of Scythian glory!
This letter contained symbols of a bird, a mouse,
a frog, and five arrows;
When translated it read: “Can you fly like a bird, hide
in the ground like a mouse, leap through the swamps
like a frog? If not, do not go to war with us, -
We shall overwhelm you with our arrows!”

EGYPTIAN HIEROGLYPHS :
Hieroglyph comes from a Greek word meaning
‘sacred inscriptions’ ,
Consisting of a large variety of images representing
sounds, as well as ideas and actions !
The images were depicted in rows or columns , -
oriented from right to left ,
And the signs were positioned as if looking towards
the beginning of the text!
They were used from end of Prehistory to 396 AD,
And the last text was written on the walls of the
Temple of Isis, on the Island of Philae !
The oldest one dates back to 3100 BC, - inside the
Temple of Ramesses II at Abydos ,
Where Thoth the ibis-headed God, - patron Deity
of Writing and Scribes is seen ,
Holding a scribal palette in one hand and in the
other a stylus of reed ;
And King Ramesses II holding up a water *** , -
To assist the great Thoth, their Writing God !

HIERATIC, DEMOTIC & COPTIC SCRIPTS :
The hieroglyphics were used for many varied
situations; -
Written on temple walls, statues , tombs , papyrus ,
and as monumental inscriptions !
Through its 3000 year’s long history it developed
into three other written scripts; -
The Hieratic, the Demotic and the Coptic, as
reformed hieroglyphic scripts !
Hieratic script was simplified with a more cursive
form ,
Could be drawn more quickly as over the years it
also reformed !
Though used in administrative and business text ,
Also found its way into literature and religious texts!
Around 600 BC it was supplanted by the most cursive
of all scripts,
Herodotus called it ‘Popular’ so it became a ‘Demotic’
script, meaning 'popular' !
Unlike the Hieratic, which on papyrus with a stylus
and ink was written ,
This 'popular' one could be engraved, and also hand
written, -
On a hard surface, and on papyrus by the ancient
Egyptians !
This script was found in the middle section of the
famous Rosetta Stone, $ = (see notes below)
Which for centuries held the secrets of the Hieroglyphic
Code alone !
And finally, during the 4th century AD, when Egyptian
was written with Greek alphabets,
We arrive at the last stage of the Egyptian language;
Which came to be know as the Coptic Script, with the
adoption of the Greek alphabets.
During the 2nd and 3rd centuries AD , Coptic became
the pre-Christian Egyptian language.
However, after the conquest of Egypt by the Muslims
in 642 AD,
Arabic became the main language of Egypt gradually.

A PAUSE & A BREAK :
It is interesting to note that all these ancient scripts ,
Inscribed on rocks , or written on papyrus or
engraved on wooden strips ;
Were written from right to left, with only consonants ,
Without any punctuations or any break!
Till centuries later, due to the innovative Greeks, -
Vowels got introduced to shape up the Alphabets!
Here friends I pause to take a break .
In my Part Two I shall tell you about those Semitic
Scripts ,
About those seafaring Phoenicians who preceded
the Romans and the Greeks;
Those worthy forefathers of the Latin alphabets ,
Which gave birth to ‘English’ with its Anglo-Saxon-
Germanic roots ,
Happily blending with some French vocabulary, -
Making English as unique as it possibly could !
-by Raj Nandy

FOOT NOTES : -
Friends, I tried to keep it as simple as possible for my readers;
adding Notes as explanations & for all knowledge seekers!
= Johannes Gutenberg in 1440 set up the first Printing Press in
Europe. William Caxton in 1476 set up the first printing press in
Westminster, England, he was the first English retailer of books!
* = Lascaux cave paintings of animals in SW France are 16,000
years old! Similar types also found in Spain and Africa!
= Pictogram date from the earliest cave paintings; represents
concrete nouns. Some civilizations like the North American Indians never
ventured beyond pictogram stage! Ideograms – the next stage, represents an abstract idea and verb also.
The Egyptian word-sign showing image of an Eye +a Bee+ a leaf = meant ‘I Believe’, i.e. Pictogram & Ideogram combined ! Since they did not write verbs, we do not know how they pronounced it!
Logograph = each written sign represents an actual word & Not sound of the word!
A tree is shown by the image of a single tree. A single logogram could be used by a plurality of languages to represent words with similar meanings.
After 3000 yrs of use, a large no. of symbols & the chasm between oral & written script made the Hieroglyphs obsolete!
The Semitic people tried to improvise a better script with limited consonant signs only!
@ = The Chinese use a combination of pictogram & ideograms along with complex symbols, but with only through association of spoken words; instead of alphabets!
$= Rosetta Stone, discovered by the soldiers of Napoleon in 1799 in Rosetta. The hieroglyphics on the stone was inscribed in 196 BC in the Ptolemaic Era. The French scholar Jean Champollion deciphered the script, and thereby solved the mystery of Egyptian Hieroglyphics for the world! .
*
ALL COPY RIGHTS RESERVED BY RAJ NANDY
INFORMATIVE 'FOOT NOTES' HAVE BEEN ADDED JUST AFTER THE VERSE.
Rahul Luthra Dec 2013
Library - It is a world full of books
All are interested, whether they are engineers, peons or cooks
Books of all genre you will find
It never fails to attract one's mind
But please remember the Golden Rule
Please be silent; it isn't a sin
Never be violent or else you'll disgrace your kith and kin
You may even make the librarian your friend
And he/she will provide you with books of the latest trend
Harry Potter, The Godfather and The Da Vinci Code
Not that keen? Well you could always try The Princess and the Toad
Books are for everyone; age doesn't matter
Idiot box or reading? I'd rather choose the latter
Whether you want science or fiction
The Library is a world of addiction
Once you pick up a book you will get glued
You'll shout yourself hoarse if anyone dares to intrude
You'll be reading it in class, the toilet or the bus
And when the teacher confiscates it you'll create a big fuss
Oh, Miss please! Just one more page!
It's the ****** part between the pirate and the sage
We should thank Gutenberg for inventing the press and bestowing upon us this boon
Else we'd all still be stuck watching cartoon!
Emily Pidduck Dec 2013
Could vous just take a second, a moment, one solid instant
to visualize the boy in the stall with more felt lacerations than words of admiration.

Could the bold, bright, beautiful ones start singing
because I'm sick of the loud talk that goes through the motions of lingering
in an echoed room as they "try" to save the oceans - tell me, did we
litter on the way there? There's a forgotten world in stories told of heroes, breathing clean air.

Could the world give one more shot (a mountainous event) because history needs valor.
But technology is further than requirements for bravehearts to trigger a gun. Envision
a man four foot high, who stands a flag where poppies lie because he was that lucky man
who watched his fellows die
I'll say, weaponry wields death to We, naught could prove me wrong.

Could the world be a little bit more tight; bring back the mystery of gentlemen.
We're too loose and on the edge of loss, and the cost - oh, the cost
is sentimentality that somehow became disconnected when
baring your soul and stripping bare became two
and when I meet the one, my mind is plagued that we shall only amount to half.

Could the world be about more than the new, the sophisticated
or have too many eye closed to the life before the Dodo's died; now only
one view: to screen the disease from the rescued swingers, sinkers and singers
ahhhhhhhhh! basking in captivity: to compensate, we take back by metabolizing habitats.

Could the world be about to - because me and mine are everywhere,
but mind: the brain's likely to reach revelation. Clap, we will excel. After all,
when the world explodes and we reconnect, I'm sure each will preach and teach and leech
until it's known - We'll thank Gutenberg as needed, but printer is no master
when the minds are intertwined. But P'haps it has been a bad morning because I've known you
and you've bled true - long been fixing those around, so they aren't torches who warn off monsters,
instead they shave down fangs of loathing, there's no - not one! - beast they burn.
And don't I wonder? Ah yes, I do wonder: that now
Could the world be about to turn?
I realize this can be slightly confusing, but I promise there's a reason for all of it, so feel free to ask questions. Mostly, I wanted to add world afflictions together because each is unique, but equally important and sometimes I forget the ones not in front of me.
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
Hal Loyd Denton Nov 2011
The Deep Well

Old books they have aged well their luster is gone but something greater took its place the sage that
Wrote it probably understood it well length of days project silent giving rays the eyes never stray the
Heart begins to pray the outward being feels the pulse beat of a monk with tender touch he lifts this
Holy trust in his spirit he hugs it tightly words once that were aflame now imbedded on cloth like paper
Did not the eyes of many move over these lines many at various stages of life drew from this source
Wisdom knowledge are cradled when opened each side a wing longer flight than any migratory bird
Its journey over time in heights it would soar never more than when mother and father set their
Children on their lap and began to read what attunement the smallest hearing the rising and falling of
Breath overlaid by the voice so dear and in years gone a stranger left his thoughts that will forever
Enrich those that are seekers that must know wonders from tomes and places that are far reaching
“Irion sharpened Irion” the great guide by written speech the cherry tree the apple tree has it time of
Blooming the writer’s mind comes into full bloom he gives of the harvest on each page is more fruit
More delights are a fixed as talking leaves as they were spoken by the great Cherokee chief Sequoyah
It wasn’t the trail of tears that made them a great nation but their new found ability to communicate
Through the alphabet that Sequoyah created for them their words would now endure as long as the
Land Beneath their feet Books to educate to entertain to train the mind to lay deep foundation under
The conquers creed in hallowed halls of education the blessing would march eroding ignorance
Establishing a code a system that is as detrimental as steel is for building you need to look no further
Than Gutenberg’s printing press it opened the flood gates of knowledge and reason all between the
Covers of books I used this in describing a piece called lost friend referring to the pen is mightier than
The sword it says it was very gratifying the pen is effectual while the sword is menacing and final. Their
Outer covers darken with time while their inner words grow brighter their meaning and reason only
Gets stronger with time truth is never lessoned every attack only makes it stronger all places and times
Are always available it waits at your finger tips just open and start reading
Tandis qu'au **** des nuées,
Qui semblent des paradis,
Dans le bleu sont remuées,
Je t'écoute, et tu me dis :

« Quelle idée as-tu de l'homme,
« De croire qu'il aide Dieu ?
« L'homme est-il donc l'économe
« De l'eau, de l'air et du feu ?

« Est-ce que, dans son armoire,
« Tu l'aurais vu de tes yeux
« Serrer les rouleaux de moire
« Que l'aube déploie aux cieux ?

« Est-ce lui qui gonfle et ride
« La vague, et lui dit : Assez !
« Est-ce lui qui tient la bride
« Des éléments hérissés ?

« Sait-il le secret de l'herbe ?
« Parle-t-il au nid vivant ?
« Met-il sa note superbe
« Dans le noir clairon du vent ?

« La marée âpre et sonore
« Craint-elle son éperon ?
« Connaît-il le météore ?
« Comprend-il le moucheron ?

« L'homme aider Dieu ! lui, ce songe,
« Ce spectre en fuite et tremblant !
« Est-ce grâce à son éponge
« Que le cygne reste blanc ?

« Le fait veut, l'homme acquiesce.
« Je ne vois pas que sa main
« Découpe à l'emporte-pièce
« Les pétales du jasmin.

« Donne-t-il l'odeur aux sauges,
« Parce qu'il sait faire un trou
« Pour mêler le grès des Vosges
« Au salpêtre du Pérou ?

« Règle-t-il l'onde et la brise,
« Parce qu'il disséquera
« De l'argile qu'il a prise
« Près de Rio-Madera ?

« Ôte Dieu ; puis imagine,
« Essaie, invente ; épaissis
« L'idéal subtil d'Égine
« Par les dogmes d'Éleusis ;

« Soude Orphée à Lamettrie ;
« Joins, pour ne pas être à court,
« L'école d'Alexandrie
« À l'école d'Edimbourg ;

« Va du conclave au concile,
« D'Anaximandre à Destutt ;
« Dans quelque cuve fossile
« Exprime tout l'institut ;

« Démaillote la momie ;
« Presse Œdipe et Montyon ;
« Mets en pleine académie
« Le sphinx à la question ;

« Fouille le doute et la grâce ;
« Amalgame en ton guano
« À la Sybaris d'Horace
« Les Chartreux de saint Bruno ;

« Combine Genève et Rome ;
« Fais mettre par ton fermier
« Toutes les vertus de l'homme
« Dans une fosse à fumier ;

« Travaille avec patience
« En puisant au monde entier ;
« Prends pour pilon la science
« Et l'abîme pour mortier ;

« Va, forge ! je te défie
« De faire de ton savoir
« Et de ta philosophie
« Sortir un grain de blé noir !

« Dieu, de sa droite, étreint, fauche,
« Sème, et tout est rajeuni ;
« L'homme n'est qu'une main gauche
« Tâtonnant dans l'infini.

« Aux heures mystérieuses,
« Quand l'eau se change en miroir,
« Rôdes-tu sous les yeuses,
« L'esprit plongé dans le soir ?

« Te dis-tu : - Qu'est-ce que l'homme ? -
« Sonde, ami, sa nullité ;
« Cherche, de quel chiffre, en somme,
« Il accroît l'éternité !

« L'homme est vain. Pourquoi, poète,
« Ne pas le voir tel qu'il est,
« Dans le sépulcre squelette,
« Et sur la terre valet !

« L'homme est nu, stérile, blême,
« Plus frêle qu'un passereau ;
« C'est le puits du néant même
« Qui s'ouvre dans ce zéro.

« Va, Dieu crée et développe
« Un lion très réussi,
« Un bélier, une antilope,
« Sans le concours de Poissy.

« Il fait l'aile de la mouche
« Du doigt dont il façonna
« L'immense taureau farouche
« De la Sierra Morena ;

« Et dans l'herbe et la rosée
« Sa génisse au fier sabot
« Règne, et n'est point éclipsée
« Par la vache Sarlabot.

« Oui, la graine dans l'espace
« Vole à travers le brouillard,
« Et de toi le vent se passe,
« Semoir Jacquet-Robillard !

« Ce laboureur, la tempête,
« N'a pas, dans les gouffres noirs,
« Besoin que Grignon lui prête
« Sa charrue à trois versoirs.

« Germinal, dans l'atmosphère,  
« Soufflant sur les prés fleuris,  
« Sait encor mieux son affaire  
« Qu'un maraîcher de Paris.

« Quand Dieu veut teindre de flamme
« Le scarabée ou la fleur,
« Je ne vois point qu'il réclame
« La lampe de l'émailleur.

« L'homme peut se croire prêtre,
« L'homme peut se dire roi,
« Je lui laisse son peut-être,
« Mais je doute, quant à moi,

« Que Dieu, qui met mon image
« Au lac où je prends mon bain,
« Fasse faire l'étamage
« Des étangs, à Saint-Gobain.

« Quand Dieu pose sur l'eau sombre
« L'arc-en-ciel comme un siphon,
« Quand au tourbillon plein d'ombre
« Il attelle le typhon,

« Quand il maintient d'âge en âge
« L'hiver, l'été, mai vermeil,
« Janvier triste, et l'engrenage
« De l'astre autour du soleil,

« Quand les zodiaques roulent,
« Amarrés solidement,
« Sans que jamais elles croulent,
« Aux poutres du firmament,

« Quand tournent, rentrent et sortent
« Ces effrayants cabestans
« Dont les extrémités portent
« Le ciel, les saisons, le temps ;

« Pour combiner ces rouages
« Précis comme l'absolu,
« Pour que l'urne des nuages
« Bascule au moment voulu,

« Pour que la planète passe,
« Tel jour, au point indiqué,
« Pour que la mer ne s'amasse
« Que jusqu'à l'ourlet du quai,

« Pour que jamais la comète
« Ne rencontre un univers,
« Pour que l'essaim sur l'Hymète
« Trouve en juin les lys ouverts,

« Pour que jamais, quand approche
« L'heure obscure où l'azur luit,
« Une étoile ne s'accroche
« À quelque angle de la nuit,

« Pour que jamais les effluves
« Les forces, le gaz, l'aimant,
« Ne manquent aux vastes cuves
« De l'éternel mouvement,

« Pour régler ce jeu sublime,
« Cet équilibre béni,
« Ces balancements d'abîme,
« Ces écluses d'infini,

« Pour que, courbée ou grandie,
« L'oeuvre marche sans un pli,
« Je crois peu qu'il étudie
« La machine de Marly ! »

Ton ironie est amère,
Mais elle se trompe, ami.
Dieu compte avec l'éphémère,
Et s'appuie à la fourmi.

Dieu n'a rien fait d'inutile.
La terre, hymne où rien n'est vain,
Chante, et l'homme est le dactyle
De l'hexamètre divin.

L'homme et Dieu sont parallèles :
Dieu créant, l'homme inventant.
Dieu donne à l'homme ses ailes.
L'éternité fait l'instant.

L'homme est son auxiliaire
Pour le bien et la vertu.
L'arbre est Dieu, l'homme est le lierre ;
Dieu de l'homme s'est vêtu.

Dieu s'en sert, donc il s'en aide.
L'astre apparaît dans l'éclair ;
Zeus est dans Archimède,
Et Jéhovah dans Képler.

Jusqu'à ce que l'homme meure,
Il va toujours en avant.
Sa pensée a pour demeure
L'immense idéal vivant.

Dans tout génie il s'incarne ;
Le monde est sous son orteil ;
Et s'il n'a qu'une lucarne,
Il y pose le soleil.

Aux terreurs inabordable,
Coupant tous les fatals noeuds,
L'homme marche formidable,
Tranquille et vertigineux.

De limon il se fait lave,
Et colosse d'embryon ;
Epictète était esclave,
Molière était histrion,

Ésope était saltimbanque,
Qu'importe ! - il n'est arrêté
Que lorsque le pied lui manque
Au bord de l'éternité.

L'homme n'est pas autre chose
Que le prête-nom de Dieu.
Quoi qu'il fasse, il sent la cause
Impénétrable, au milieu.

Phidias cisèle Athènes ;
Michel-Ange est surhumain ;
Cyrus, Rhamsès, capitaines,
Ont une flamme à la main ;

Euclide trouve le mètre,
Le rythme sort d'Amphion ;
Jésus-Christ vient tout soumettre,
Même le glaive, au rayon ;

Brutus fait la délivrance ;
Platon fait la liberté ;
Jeanne d'Arc sacre la France
Avec sa virginité ;

Dans le bloc des erreurs noires
Voltaire ses coins ;
Luther brise les mâchoires
De Rome entre ses deux poings ;

Dante ouvre l'ombre et l'anime ;
Colomb fend l'océan bleu... -
C'est Dieu sous un pseudonyme,
C'est Dieu masqué, mais c'est Dieu.

L'homme est le fanal du monde.
Ce puissant esprit banni
Jette une lueur profonde
Jusqu'au seuil de l'infini.

Cent carrefours se partagent
Ce chercheur sans point d'appui ;
Tous les problèmes étagent
Leurs sombres voûtes sur lui.

Il dissipe les ténèbres ;
Il montre dans le lointain
Les promontoires funèbres
De l'abîme et du destin.

Il fait voir les vagues marches
Du sépulcre, et sa clarté
Blanchit les premières arches
Du pont de l'éternité.

Sous l'effrayante caverne
Il rayonne, et l'horreur fuit.
Quelqu'un tient cette lanterne ;
Mais elle t'éclaire, ô nuit !

Le progrès est en litige
Entre l'homme et Jéhovah ;
La greffe ajoute à la tige ;
Dieu cacha, l'homme trouva.

De quelque nom qu'on la nomme,
La science au vaste voeu
Occupe le pied de l'homme
À faire les pas de Dieu.

La mer tient l'homme et l'isole,
Et l'égare **** du port ;
Par le doigt de la boussole
Il se fait montrer le nord.

Dans sa morne casemate,
Penn rend ce damné meilleur ;
Jenner dit : Va-t-en, stigmate !
Jackson dit : Va-t-en, douleur !

Dieu fait l'épi, nous la gerbe ;
Il est grand, l'homme est fécond ;
Dieu créa le premier verbe
Et Gutenberg le second.

La pesanteur, la distance,
Contre l'homme aux luttes prêt,
Prononcent une sentence ;
Montgolfier casse l'arrêt.

Tous les anciens maux tenaces,
Hurlant sous le ciel profond,
Ne sont plus que des menaces
De fantômes qui s'en vont.

Le tonnerre au bruit difforme
Gronde... - on raille sans péril
La marionnette énorme
Que Franklin tient par un fil.

Nemrod était une bête
Chassant aux hommes, parmi
La démence et la tempête
De l'ancien monde ennemi.

Dracon était un cerbère
Qui grince encor sous le ciel
Avec trois têtes : Tibère,
Caïphe et Machiavel.

Nemrod s'appelait la Force,
Dracon s'appelait la Loi ;
On les sentait sous l'écorce
Du vieux prêtre et du vieux roi.

Tous deux sont morts. Plus de haines !
Oh ! ce fut un puissant bruit
Quand se rompirent les chaînes
Qui liaient l'homme à la nuit !

L'homme est l'appareil austère
Du progrès mystérieux ;
Dieu fait par l'homme sur terre
Ce qu'il fait par l'ange aux cieux.

Dieu sur tous les êtres pose
Son reflet prodigieux,
Créant le bien par la chose,
Créant par l'homme le mieux.

La nature était terrible,
Sans pitié, presque sans jour ;
L'homme la vanne en son crible,
Et n'y laisse que l'amour.

Toutes sortes de lois sombres
Semblaient sortir du destin ;
Le mal heurtait aux décombres
Le pied de l'homme incertain.

Pendant qu'à travers l'espace
Elle roule en hésitant ;
Un flot de ténèbres passe
Sur la terre à chaque instant ;

Mais des foyers y flamboient,
Tout s'éclaircit, on le sent,
Et déjà les anges voient
Ce noir globe blanchissant.

Sous l'urne des jours sans nombre
Depuis qu'il suit son chemin,
La décroissance de l'ombre
Vient des yeux du genre humain.

L'autel n'ose plus proscrire ;
La misère est morte enfin ;
Pain à tous ! on voit sourire
Les sombres dents de la faim.

L'erreur tombe ; on l'évacue ;
Les dogmes sont muselés ;
La guerre est une vaincue ;
Joie aux fleurs et paix aux blés !

L'ignorance est terrassée ;
Ce monstre, à demi dormant,
Avait la nuit pour pensée
Et pour voix le bégaiement.

Oui, voici qu'enfin recule
L'affreux groupe des fléaux !
L'homme est l'invincible hercule,
Le balayeur du chaos.

Sa massue est la justice,
Sa colère est la bonté.
Le ciel s'appuie au solstice
Et l'homme à sa volonté.

Il veut. Tout cède et tout plie.
Il construit quand il détruit ;
Et sa science est remplie
Des lumières de la nuit.

Il enchaîne les désastres,
Il tord la rébellion,
Il est sublime ; et les astres
Sont sur sa peau de lion.
Nigdaw Sep 2021
my wife watches tik tok in bed
sounding like she is trying
to tune in a radio to someone's life
so many voices fading in and out
or maybe a spirit box with a message
from the other side

I'm with Johannes Gutenberg
some 570 years behind
the smell of the print as much
an enjoyment as the words inside
the book I am reading
about his life

we lie
a respectable distance between us
centuries apart
Hal Loyd Denton Jan 2012
The Great Search
Not too far lies the majestic Danube it cuts through the black forest possibly its cold winter wind was
Making a strong noise out side he set at the work bench his metal tools were hanging on the wall the
Great fire place was doing a good impression of a small fury the warmth pushed against the cold maybe
This was the impetuous that caused him to wonder what if there was a way to make a key that would
Open the door for all mankind to know happiness and total fulfillment it would have to be the most well
Crafted and the most thought out work of his life with human hands an accomplishment of staggering
Proportions he was accomplished in all manner of gold workings so that would be the direction to start
In it would take the very essence of mystery to delve into the dark heart of man then as it were find an
Acceptable antidote then it would have to be of the purist quality nothing less would do otherwise the
First move would bring catastrophe contamination would be complete project ends in disaster should it
Conform to the shape of the heart the core and seat of power the idea not to mimic but to gain
Entrance The most logical approach it would have to harness light but diffuse it to make it harmless
Somehow draw lighting down but take a way it over riding power stillness with its opposite present
Music has much to offer plenty of action but with harmonious smoothness that would soothe and move
To great Depths avoiding the pointed abrasive areas making joy to flow richly uninhibited you would be
Able to control that which is unpredictable and without warning flashes of rage bringing disastrous
Results it would have to contain the characteristics of the very wind that is not measureless as it seems
It is weighed held in check ordered movements bring the wealth of rain on what we be otherwise barren
Fields by now his mind was both enthralled and reeling with this magnitude he finally concluded
Impossible forget it except the truth and live with failure but truth had a resonating force that made
Him think long and hard in the fourteen hundreds at best progress was in a fragile state but truth
Continued to dance in his fevered mind and in the distance church bells started to ring his contrary
Nature leapt to a standing position everything he was dreaming and fretting about already existed he just
Needed to be its facilitator it would be the earth’s first mass engine a revolution was rapidly nearing
Birth all those requirements for such a key was not just a fantasy it is found from Genesis to Revelation
Gutenberg’s printing press would make it possible for all people to digest the only written words that
Can change lives make you a citizen of another kingdom while you are still earth bound
Nick Huber Dec 2017
I can't count the number of times, the wind stopped me in my tracks.
The length of night that stretched out of my heart.
The number of times, I could not say goodbye.
I counted on so many things to signal your return.
Each time, the signs dwindled down, to what they are today.
It was never, the way you described; I found out,
unintentionally.
You'd call on a whim,
And miraculously, I'd be there.
Like the worn down music-box my grandmother kept.
My motor was wound, and I laid,
Always ready.

Even if I were blind,
I'd know you from the gentler notes.
The rate of your breath, the sound of your voice, the scent of your hair...
I didn't have the heart, to stay far enough away.
I wasn't a slave,
But, I couldn't call this freedom.

I was a poet, with a few words,
and a jar full of tears.
I'd carry them to town: every morning negotiating a fair price,
to those who'd pay.
They'd pay me in flowers, in kisses, and large bellowing laughs.
But my pockets were empty, my lips parched, my voice hoarse.
But I did have a smile. It spread from cheek to cheek.

My eyes would receive the light, and transpose it into something else.
Faces molded by a Gutenberg Press. Antiquarian, but lovely either way.
After a day or so, the ink would fade at an alarming rate.
Once red lips, now chapped and anguished.

Their arms, could not hold me.
I was already, very far away.
Now, I watched as tears fell, from eyes that weren't my own.
I watched, and felt a pain in my stomach.
Not the gut turning pain of guilt.
I was hungry!

But my pockets were still empty.
I spent it all (out of concern for my health), on a fake smile and an empty glass. But don't think it was all that sudden.
I was cold, I was alone, and I was drifting through a town I didn't know. I went back and forth with the angel in my heart, and the devil in my ***** for a whole 30 seconds, accepting the shame I knew you wouldn't feel.

Now, now, I know what you're thinking. This story deteriorated into one about me. But it hasn't. It's still about you. 100%.
So, I'm sure, one day, you'll read this letter.
You'll file it away with all the postcards I sent.
Maybe even loosely bind it in a folder, held together with rubber bands, stables and tape. Not with the notation "beautiful poems," nor "inspiring messages," and definitely not
"everlasting love."
You'll put a post-it note on top, and label it "Deranged, Obsessive Ramblings."
It'll float around, bouncing in between the chasm of your perfectly sculpted head, till one day you realize: "It couldn't be about 'Him'."

You see, my life had none of the adornments I mentioned.
It had no flowers, no kisses, and assuredly, no bellowing laughs.
But I can say,
I was really, quite hungry.

                                               The End.
For Mayra
Jared Eli Nov 2013
A dozen heads but add one more
Placed on the piano near the door
That in its presence sounds will fall
Gutenberg's chaos, pleasing all
My version of a riddle...
Any guesses?
Julian Sep 2020
2 Kings 23:3-5 Version? (I found this by looking up the word Mazzaroth in Wikipedia it was the first reference and it is displayed in 23:5 (the hosts of the heavens and constellations)

3 And the king stood on the platform, and made a covenant before the LORD, to walk after the LORD, and to keep His commandments, and His testimonies, and His statutes, with all his heart, and all his soul, to confirm the words of this covenant that were written in this book; and all the people stood to the covenant.

ד  וַיְצַו הַמֶּלֶךְ אֶת-חִלְקִיָּהוּ הַכֹּהֵן הַגָּדוֹל וְאֶת-כֹּהֲנֵי הַמִּשְׁנֶה, וְאֶת-שֹׁמְרֵי הַסַּף, לְהוֹצִיא מֵהֵיכַל יְהוָה, אֵת כָּל-הַכֵּלִים הָעֲשׂוּיִם לַבַּעַל וְלָאֲשֵׁרָה וּלְכֹל צְבָא הַשָּׁמָיִם; וַיִּשְׂרְפֵם מִחוּץ לִירוּשָׁלִַם, בְּשַׁדְמוֹת קִדְרוֹן, וְנָשָׂא אֶת-עֲפָרָם, בֵּית-אֵל.
4 And the king commanded Hilkiah the high priest, and the priests of the second order, and the keepers of the door, to bring forth out of the temple of the LORD all the vessels that were made for Baal, and for the Asherah, and for all the host of heaven; and he burned them without Jerusalem in the fields of Kidron, and carried the ashes of them unto Beth-el.
ה  וְהִשְׁבִּית אֶת-הַכְּמָרִים, אֲשֶׁר נָתְנוּ מַלְכֵי יְהוּדָה, וַיְקַטֵּר בַּבָּמוֹת בְּעָרֵי יְהוּדָה, וּמְסִבֵּי יְרוּשָׁלִָם; וְאֶת-הַמְקַטְּרִים לַבַּעַל, לַשֶּׁמֶשׁ וְלַיָּרֵחַ וְלַמַּזָּלוֹת, וּלְכֹל, צְבָא הַשָּׁמָיִם.
5 And he put down the idolatrous priests, whom the kings of Judah had ordained to offer in the high places in the cities of Judah, and in the places round about Jerusalem; them also that offered unto Baal, to the sun, and to the moon, and to the constellations, and to all the host of heaven. (Mazzaroth)

First I will refer to Job 38 which is clearly indicative of some guarded celestial truths that might be miscegenated of origins of the life forms that believe in synoecy among the dominions of the covert verdure of Earth reigning over us with silence and silentium with solatium for the soilure of the interregnum of times reigning with pollution and in stern rebuke by God I was reminded subconsciously that Climate Change is a truly evocative Lachrymose experience when encouraged by prayer that was a poignant moment of tears when I meditated on the Carbon Tax I immediately started crying even though I was not saddened by the affair in any other way that was palpable. The staddle of Job talks about specifically the tucked vestiges of the thorny imbroglios of intemperance countermanded by the master stroke of the divine interpretation of lightning which is essentially electricity and the clouds it is referring to are the internet where instantaneous communion can be achieved without exertion the line that struck me the most is the “Clods that cling together” because it is a resonant stroke of Islamic virtues that the ***** clot is the seed of all creation by which all have been created in the fungible image of our variegated creator who is not necessarily janiform of a leviathan of many faces but an experimental disposition of a disembodied figment that can assume any form on heaven or earth to dissemble his true cloaked identity of the original protoplasm of the first anointed civilizations in the long history of the Universe. Knowing the true visage of the first sentient civilization to bow beneath the creator with obsequious devotion in a presumably monolithic world where God’s presence was so obvious it might have actually been the first heaven before there was death and this pays homage to Adam and Eve the firstborn of all creation. The creation story might refer to the first sentient animated civilization in the Universe which sinned and then became a diaspora of a mirrored reality of the realty of heaven and  earth where many variegated snakes and beasts roamed about clamoring for God when they turned the synsematic toasts of revivalism to the newfound creation of sentience with rivalry potentially precluding the salvation of Abel who was murdered by Cain. These stories might be extraterrestrial vestiges of the true lineage of the Almighty God we serve and although controversial as it has been Biblical knowledge that Adam and Eve were humans before being tempted by the Tree of the Knowledge of Good and Evil, it is possible this process was recapitulations of former times and the former protoplasm that precedes all things because the strokes of glory of sentient life was nurtured especially attentively at the beginning of the first civilization of the Universe where God was probably everpresent and ubiquitous and accessible to all creation and it is even possible that this world was the first heaven for the first death before many subsequent deaths of the lineaments of tribes that supplicated beneath divine mercy for adjudication. My theology is that God is attentive to a broad universe of quagmires and in perfection or refinement at the beginning or the crux of history we are a perfectabilism of God’s attentive scrutiny and we master ourselves rapidly enough so that God doesn’t intervene as often as some might hope but many people don’t understand the time frame of God’s everlasting perspective. So it is potential that the first habitable world in the universe became the utopia of extensive cosseted scrutiny that became the prototype for Heaven that eventually alighted into a cosmic if segregated fraternity of the chosen for the cubic metropolis or the gardens beneath which rivers flow. God can assume any form and he chose the pulchritude of humans to issue a strong statement about the verdure of our plenipotentiary potential perhaps replicated often with minor mirrors of dimpled design throughout the cosmos as it is likely that another civilization which resembles humans in DNA with almost exact precision currently exists and is civilized by advanced life at this current time and that we exist in a multiverse unbounded by the enumeration of infinity. God pays scrutiny to those civilizations that repent and many are saved by the salvation of their orbific longings but it is also possible there exists an operative design of cacotopias that don’t know God but relish prosperity or have derelicted the possibility of God for too long because of either extreme asperity or abundant warmth of luxury. Remember the universe is infinitely vast so the likelihood that God is fungible is possible but not yet confirmed because if other alien civilizations exist that yet know God because of Jesus of Nazareth they are reproved by the divinity of interposition of reality in its mercurial ways conforming to the grand design of perfectabilism and God has operated throughout humanity for thousands of years why now have we reached the pinnacle for repentant absolution? We bend towards the synclastic light of the culminated alien fascination with our pulchritude despite their dearth and they are attentive to God because of Jesus of Nazareth and subsidiary to that Muhammad or potentially the deities of the Egyptians which might be defalcated concepts of the alien version of a pancosmism that is mysticated on the rarefied commentary of the strictures of polytheism that might populate some regions of the universe. The absolute truth in the One God we serve is that human understanding cannot enumerate his truths without understanding its distance and segregation from other worlds as we fight the suffrage of old age to propitiate the longing for tranquility. This is all tethered speculation but I believe that God is regnant in all affairs and in this vast universe is attentive to all our pleas and the questions of heaven and Earth remain unheeded or distorted by our humane totemic versions of truth that all memorialized the pyramid a sequential convex formulation of a stratified system that reaches its apex in the singularity of the hypethral skies above and is the tenure of the majesty of the esoteric secrets that coshered and ushered societies into great divergence but ultimate found consecration on Mount Moriah with Abram’s sacrifice before he was known as Abraham of his son Isaac that was prevented by Yahweh’s messengers of isangelous repute. The mystery of Adam and Eve might be a recapitulation just as the story of Noah reminds us of the travail of other centuries and other worlds that provide the pathways to divergent creations that are ultimately saved by providence and the rich thickets of allegory throughout the Bible all point to the emergence of transcendental truth which is shepherded by the mysticism of this age and the surrealism of knowing we belong to the elect hive-mind cosmic fraternity built on psychism and titanism. The firmament is testament both to our distance from our cosmic neighbors and also our propinquity to their suffrage and suffering in their beatific but arid realities that are draped with the pangs of loneliness in their excursion to broader realms of conquest and in their wallop of time itself they have opened up the lychgates of Heaven and Earth to provide the provisions for a new understanding of history that is rich with the percurrent themes of a monotheism of a fungible God which took the form of Man as he can take any form he chooses in his aseity of being and his judicious providence to select the Earth as an exuberant exsibilation against glaikery but also a profound victoria for the awakening of humanity to its cosmic identity as a favored species young in years but enriched by celestial guardians that are among isangelous repute because of their decisive roles in human history throughout the Creations of their divergent designs that illuminate the illuminism of the pyramid the elemental form of the ultimate capstone of knowledge with the all-seeing eye of providence encapsulated above all ethereal reckoning. So it was the downfall of the utopias of ignorance by learning knowledge that bequeathed the lineage of mortality itself in the beginning in the form of men and angels both that inhabit our broad universe because in several occasions in my life I felt like I encountered human beings with such clairvoyance that they seemed like agents of God. Noah’s flood might refer to a distant or near civilization that was swamped by a catastrophic event or tsunami much like Atlantis and this predicates Noah and explains the longevity of his estimated lifespan and that of Methuselah who lived 969 years which ironically points to the  Apollo Moon landing in 1969. The fumatoriums of human ignorance can now be micromanaged by a swarm of up to seven alien civilizations but most likely 3-4 of them and they are all attentive to these theories and probably inseminated the Bible to begin with potentially with their own theological understanding of the universe transplanted on a human perspective to shepherd humanity into the answers it so desperately sought but found themselves famished by. So in Job 38 we crouch in our dens looking for the prey of the lioness of civilization that is embattled against itself for entirely internecine reasons. There is some temerity but I believe the theopneustic power of this revelation because I am keen to the attuned universe of the largesse of omnified civilization trouncing over the matter and fettle of instinct but Genesis is integral to understanding every cosmic mystery on Earth and in celestial Realms and is probably the seedy repute of Baal and Molech among other idolatries which severed themselves by heterodoxy of eunuchs and saturnalias too profane to expound because their epicureanism outweighed their pragmatic need for the virtues of the conclamation of heavenly authority manifest clearly on Earth at various times by various prophecies that all point to the Sacrifice at Mount Moriah and notice how God always works through mountains like Mount Horeb/ Sinai to provide his flock with everything they need to know to maintain vital sustenance. Surah 3.86 “How shall Allah guide a people who disbelieved after their belief and had witnessed that the Messenger is true and clear signs had come to them? And Allah does not guide the wrongdoing people.” Surah 3.84 “Say, "We have believed in Allah and in what was revealed to us and what was revealed to Abraham, Ishmael, Isaac, Jacob, and the Descendants, and in what was given to Moses and Jesus and to the prophets from their Lord. We make no distinction between any of them, and we are Muslims [submitting] to Him.". Surah 38.1-9 is mandatory reading even for the scepsis of Christians because it proves how farsighted the aliens that shepherded Muhammad really were and how insightful Muhammad really is and still is as an emissary of heavenly recompense in his guarded palace beneath which rivers flow. Surah 85:3 (853 AM) “And [by] the witness and what is witnessed” Lets return to the central thesis of all kerygma that is synallagamatic with mutual respect to the pillars of all civilization that the meeting ground of the jovial joust of gladiatorial conquest of the yobbery of rookery and the apikoros yordim that emigrated too far into esotericism might marvel that God is ultimately vindicated as an author of a true unfiltered version of a slightly redacted history suited for the auditorium of a universal audience that displays with majesty and power his foresight to tend to the distant constellations that are created by the tentpoles of the sky reaching their apex into the aperture of the allegorical veracity of all culminated creation exultant in its self-affirmations of pride that it might balk at the embellishments of pettifoggery by the kirkbuzzers of superstition and behold the true throne of grace and authority bestowed upon the bailiwick of the living and the dead in what might be a segregated heaven to prevent the pullulation of tribal discord even in omniety with eternity. I hope to witness heaven firsthand in my upcoming seances with the extramundane but first we must expound this troponder. Jews first, Christians second and Muslims third were all alerted to this watershed moment in history with exact knowledge probably encased in the Arc of the Covenant or some other divine artifact that embodies it but sometimes we pale in our pallor of substandard evils that lurk within the recesses and alcoves of our destiny that we forget to prophesy with earnest sincerity about an abiding hope for the forward rather than the froward future. A book that changed my life forever and shattered my worldview and made me obsessed with Earthquake science was 1906: A Crack at the Edge of the World because that quake inspired the Azusa Church Revival movement that lead to the resurgence of proselytism of protestantism of evangelical churches. I highly recommend buying that book on Amazon.com right now it gives you such a harrowing perspective on that Earthquake 114 years to the day that beset Northern California. Revelations 5:11-14 NKJV “11 Then I looked and heard the voice of many angels, numbering thousands upon thousands, and ten thousand times ten thousand. They encircled the throne and the living creatures and the elders. 12 In a loud voice they were saying:
“Worthy is the Lamb, who was slain,
    to receive power and wealth and wisdom and strength
    and honor and glory and praise!”
13 Then I heard every creature in heaven and on earth and under the earth and on the sea, and all that is in them, saying:
“To him who sits on the throne and to the Lamb
    be praise and honor and glory and power,
for ever and ever!”
14 The four living creatures said, “Amen,” and the elders fell down and worshiped.
Genesis 2:1a (reaffirms my theory) NKJV
 Thus the heavens and the earth were completed in all their vast array
I am going to pause to marvel at the significance of that San Francisco Earthquake because that seismotic jolt shaped the destiny of our aborning nation and was the first time-to my knowledge-martial law was declared and they tried to extinguish the fire with dynamite which further spread the conflagration and San Francisco is obviously named after Saint Francis of Assisi who ironically died listening to Psalm 142 which is about the liberation of prisoners on October 3rd 1226 A.D. His name is also ironic in purely terms of cognomen that should not be expounded. Although depaysed from my original brunt I would like to extend the bronteum of theological reckoning to the absolved polity of the renown of gigantopariahs clamoring for vitality in a time of treachery and perfidy because the valiant insurrection of our adventures in decent music is the chavish of many birds to the itinerant hordes of adoration as in some parallax of reality in the realty of a potentially merged heaven compartmentalized into factions there might be an ulterior reckoning of overabundance but instead I propose a segregation of the heavenly realms postulated on the idea that in omniety we will know of many things that will fascinate entire generations of time as the knowledge of the esoteric percolates through the heavens by riometers beyond calculus and calculation that will one day heed these proclamations with a hortatory weight as the assized Epic of Gilgamesh echoes the same percurrent themes as Noah’s Arc including the forty day ultradian rhythm which signifies temptation and also the contrition of God signified by the flocks of the sigillum of the aspergillum of dignity afforded to all who migrate into tethered territory beyond the yokes of ******* to the dengonins which own all the ulterior praises but serenade lesser patrons in this almighty day of wondrous awakening to the cosmogony of the infinite justification of the allegorical heft of herculean prophecy entwined in the rhetoric of the primordial authors of human sociogenesis bound to the covenant of Abraham and his blessed sons Isaac and Ishmael who both deserve glory and honor. The elegance of the mystagogical parlance of the intrepid bravery of partial rogues but never full-fledged knaves impregnates God’s vibrant experiment with flourish that delights him with the zaktengur of individual raconteurship so an adventurism in life might be warranted as long as it is done gingerly and with love as the ultimate cloak of absolution rather than the self-insulated boredom of an impavid disposition of the self-settled sedentary languor of whilded depositions of thanatousia brought into parturition by the midwives to sorrow and tragedy that besets the human family from time to time but the sorrow of mankind is not beyond the bailiwick of God because perfectabilism is in his very nature in the adolescence of creation which can greatly be prolonged by the conservation of our robust intellectual bastions of energy and the sustainable development of a green planet beyond depredation that heeds some minkumpfs with some peremptory guerdon to save the spate of suffering among our animal brethren. I grieve that my profound plumb into the depths of psychism was abbreviated by the pomp of porlocking purpresture but I renege my former glaikery in sustained suspense over selfsame tridents of musical happenstance and with poignant evocation I convoke a solemn remembrance of all those lost to the spates of disaster and the paroxysms of the unpredictable that is now foreseen in time to forestall turgid tragedy and impregnate the world with a ****** of a thirsty new vogue eager to adapt and learn with laureate belletrist of the aubades of the dawning light of absolution granted the the sacred cross and the lives we relish in history that are dedicated in sincere earnest alacrity to become revenants of the new age beating the whiplash of the second death because the former things have passed away in a figurative manner even though there still is death one day the inventive verve of the quizzical nihilism will try to outfox death itself for a hollow memorial to preserved sentience which is a mockery of transhumanism that is a professed modesty of the ultimate vouchsafe of the transmundane but unnecessary because of the real palpable joy of the resurrection inherent to all segues between life and death that we all might embrace our creator with almsgiving and gratitude with patient forbearance for the virtuosos that memorialize a prosperity worth relishing even in the soilure of privation because no soul should grieve in bereavement when there is so much joy inhabiting this gleeful planet that is hardly glad in any way about the dereliction of spite and anteric schadenfreude of sacrilege on a massive scale that should be a blotch of a bodged chantage of evil. As I digest the memorials of the festive but never churlish traditions I marvel at the synclastic bent of amasthenic enlightenment concave towards certainty in a demarche for the diminished efficacy of viruses to scare us into trepidation but with dutiful caution of proactive measures taken in times of exigency and crisis. There is nothing facetious about God’s exigent deliverance in these times of leniency and fasting as the wineskins preserved from the lineage of old will perdure until they have their fill and the Earth is saturated with the blood of the prescience of a Cattaneo prophecy guarded in his 6-24-2006 set which hints at a catastrophic scenario potentially impending right now or of a future variety where “blood will be pouring like oil gushing out of a well” “respirators will have their fill” “hospitals be closing” etc. and in these steep harbingers we find poise and pause to reflect that the majesty of God is unfurled unpredictably by showcasing the redemptive power of the autarky of the imagination to see the unforeseeable and lurk in the dungeons of the unknown dengonins just to spy with privy knowledge about the circular circus of privation encircling me like the rapture of murders of ravens that are a crow shy of an X-Files repute...Of that situation that the afflictions of the many matter to the anointed few that delegate because of Jethro and through the power of the Levitical orders to abolish some Kosher restrictions among some apikoros Jews that lean on my wisdom because the suffering of animals should be a suffrage for sentient rights of animals not to bleed excessively into a slow painful death. I urge all Jews not to let those cows or other animals suffer so grievously at the hands of malefaction just for a petty consecration which proves a hollow point about sacrifice and thereby seek to abolish some Kosher demarcations on the grounds that they are inhumane sacrilege because the ransom of Jesus of Nazareth’s suffering and agony on the cross-rather than his blood as many people beguiled more on physical manifestations of trauma rather than the emotional toil of suffering that bears more incumbent on the human sympathy-consecrates all virtues of circumcision and makes meat ceremonially clean because we serve a miracle-worker God who hasn’t finished his last work yet because more thaumaturgy is in store. The antagonist of history is congealed human superstition filtered through the siphon of protective scurrilous fears and petty vendettas borne of willborne hatred of tribe and division that was the fettle of preliterate societies of hyperdulia because they knew the iconography of Christ and marveled at his miracles but believed too strongly in retributive justice to scare away the herds of the contrite to a monasticism of plight and blight that consecrated  many great human achievements in scholastic virtue and scientific importance but ultimately found relegation before Gutenberg saved history with his seminal watershed invention third only to the second place wheel and the first place advent of human language itself as the most prominent plucky invention of human revitalization and through the salons of France and the dramaturgy of Shakespeare we found an apex of enlightenment that provoked revolutionary ideas not so guarded by gingerly blackguarded varnish of a superstition for the metal tablets that illustrated magically the future for an abiding audience of the past which must have seemed an abominable miracle to the astounded puritans of the times because songs like Love Story (at least the music video) suggests that the song circulated in the past eras of the English Renaissance before electric lighting was invented. We have all to thank for the invention of rock and roll which is an esoteric title for a sizable momentum of catalyzed verve that enchants the planet still with the majesty of the harp and the lyre to glorify God for all eternity and Allah for all the worlds he possesses in his infinite bounty one in the same for the culminated vision of all hallowed prophets with an emphasis on Surah 2 accentuated to the Christian audience even if neglected by the Muslim audience. I am primarily a Christian but I believe Islam is a divine path worth pursuing on a tentative basis but I have yet to outstretch my hands to try and reach the barnacles of a distant world beyond my womb and bereft of my lineage even though I stand united with the Abrahamic faiths that solidify truth and memorialize the superorganism messiah of humanity in collaboration with our celestial hosts to foist the ribbons of the figurative far-flung Pleiades and the harps of the harpricks of the just as distant but transfixing Orion to envelope the earth in sincere repentance before the holy flock of the justifiable truths found in the candor of devotionals and hymns to the immemorial God of all Creation that is the impetus behind every ambition-if only subconsciously in his universal psyche and consciously the catalyst behind every cohesive machination or orchestration of complex human and alien activity but subsumed in the psychism of God-is the idea that we are living indelible elements that constitute his superorganism in the theoplasm that is circumjacent and adjoined to his intentions that he surveys with such nimongue ease that his wednongues go out of style very slowly because his vogue is the ultimate champion against the misprision of militant psychiatric injustice that needs to be rectified by top-down government action to debrief and inform the necessary travail to surmount my challenges and assume a subsidiary role in the government and the ecclesiarchy to shepherd the shepherds and write for a living with a fair governmental stipend and a partially uncensored internet so my fanfare can envelope a broader portion of the world. I issue a humbled but ultimately otiose entreaty that Donald J. Trump, a personal hero of mine, can be a participant to my plevisable situation by appointing a team of people to work with me on the social engineering of the future and most importantly the ligature of the ecumenical cause for aggiornamento of the ecumenical cause of Abraham and all of his descendants because we all abide by that sacred covenant in the broader world that inhabits our sacred rites and rituals. We should also embrace the boundaries of mysticism to fathom the depths of the theoplasm more fully to understand how the firstborn of all creation is the perpetuity of sentience for the revival of respiration for new species yet to come even more beautiful and prosperous than us and those that already exist frolicking in approximated heavens that we might meet upon transmigration as reincarnated wisps of superior worlds of heavens inhabited by the segues of death but knowing no despair. But I stridently believe in the ultimate promise of an ineffable splendor of a real final resting place or a cradle for the supervisors of the isangelous that orbits above our heads and flutters in our considerations as the vast multitude of worlds.with heroic saviors that spellbind the universe together with a stitchwork of mastery of the fraternal bonds that divide some species from others by insuperable bounds of space and time but through the gift of transcended time ushered by alienesque invention and we have thus been bequeathed a new unexpected emergence phenomenon that is aperspectival in temporal terms but always recumbent upon the prolific dance with a jousting destiny toying with us through swarpollock and other machines of sentinels but never tiring their terrier race as subservient to the human imagination ambitious beyond former bounds.
    Thank God we have a president that presides over the defeat of the strictures of warped and intorted hypocrisies of orthopraxy for the candid endeavor of the plain plaid truth of the vibrancy of germane beating the pulp pallor of the nebbich calculations of uxorious plumage plucky in its resolve to serenade our youthful cadets in their continued resolve to chaperoned campaigns of the barnstorm of the obvious for the conclamation of the ultimate victory of history over its worst proclivities that suspend themselves in the tentpoles of time and space as glaring menaces of affliction. The gated entryway to prosperity should be unfurled with majesty and a welcoming grace to sustain cordial deeds and promote fundamental encounters with vagary not with a vagrant fission but an emergent fusion not of hyperbolic atrocity but rather the subsidence of the chisel of directive ambition that serves the greatest causes of the ****** of dignity to transcend the fettle of disarray. The quibbles of the questermongers and the querulous wernaggles of relative impotence matter greatly to the large bulk of a hibernating humanity but when we all awaken to a universal truth that serves a flickerstorm of revolutionary usucaption of the halidom of tomorrow experienced by the foresight of today. We levy the largesse of a collective bronteum that warns and admonishes gently the people behind the curtains that might find objectionable some of the barnstorms inherent to this missive of doctrinaire but soluble missions to save humanity from its worse caverns of idolatry and to anoint the brightest light to beat the most deafening din of darkness that can be imagined by the sterile vapid retreats of privilege into insularity-we fight not for a mercenary cause but for the valorous insurrection sanctioned by the chartered expedition of new frontiers for a newfound freedom found in fundamental vouchsafes of a freer speech in the lyceum of the knowable reality of noogenesis. We should never suborn the dacoitage of the hybridized compromises of the halvork of mandarism but always tolerate the entreaties of amicable jousts of demarche even when combative with a peaceful irenic resolve that is contempered with virility rather than pomp and not even a hint of virulence because the collective world depends on a quorum of well-spoken and considered thinkers adjudicating a bonhomie rather than provoking a collieshangie. The world should not spurn error but castigate it calmly because the worst errors of temerity are remediated by the ploys of the treacle of the imaginary plane of the supersolid convergence of the ulterior with the pragmatic that serves the working class as well as the shepherds of elite institutions because all deserve a fair hearing in the court of commonwealth justice. There is no treachery in universal irenology that special barleychild of serendipity that shields us from harm while providing bulwarks to stabilize economies and sustain the recognition of our wholesome usucaption of newly acquired deeds and merchandise that spawns an ingemination of technological revolution incumbent upon declassification that leads to a resurgent robustness of economic conditions that calibrates properly on the proper alkendur of the hikkle of hype mixed with disdain. We suppose that the remixed panmixia of virtual insanity doesn’t become an affliction because in many ways it might meet abomination but some people lean on the leniency of felicity to swell the coffers rather than populate the coffins of the agreeable pivot between the sustenance of choice and amicable adjustments in economic security meets a run-on sentence of the levies of strain as the imponderables outnumber the certainties of the covert. We populate the future by going back to the past and this is why the movie is so entitled Back to the Future because if you think about it, it requires a recumbent logic of a recursive incursion of the origination of the future visible to the past to create the impetus to sustain the vitality of a resurgence of travel to the future itself one of the most obvious giveaways in movie titles ever devised by the clever. We encounter the timing of the lightning and thus hear the thunder not of the radioglare but the laskerade and serenade of the pulpit of good deeds rectified by the rectiserial visionaries that balk at orthodromics when the artful bypass of nonlinearity is favored for curiosity rather than missives of emissary diplomacy.
The reparations of tomorrow are the guerdon of yesteryear, the heyday of seminal prophecies that consummated a theological brunt that revolutionized the perspective of eagles nest lookouts all around the world to sempiternal decryption of history showcased by the sheen of prophecies now culminated in the effervescent now is a plangent epiphany in the life of a storybook romance with an artful dalliance with a romanticist ideal of an enlisted destiny recruited to cement its own purpose with concrete action without flagging resolve. The ultimatum of history was a faltered filibuster of the listless historian marveling at the prescient telaesthesia of the unknown visibilia that protrude in remontant certainty that the memorials of yesteryear catapult this cause into the fruition of a dated missive of coded bywords encrypted by the chronological clepsammia of allotted time for special occasions when the entirety of space-time folded upon itself to anoint itself champion of the supersolid reality of the surrealism draped over the tentpoles of abundant absolution that excuses the kisswonks of the glaring threats of Wilkes Booth to entomb a heroic titan of imposture as the real effigy of a slain delay of strenuous calculation to appease the Confederate heart wounded by the diacopes of struggle. In this rollicking turmoil of a roiled time of rookery we can celebrate that the amasthenic weight of the historical certitudes of the docimasy of memorialized junctures in time when all was denuded barefaced in the sight of the world to marvel at the rigged artisans of the artistry of furtive skullduggery that imposes no astringent rebukes other than those reserved for departed gyrovagues of hallswallop before their due time and season, we marvel at the irony that an insular vociferous vehemence of clairvoyance predicated on the absolved shrive of history for aborning and alighted apostasies now stands regnant in triumph of the space-time continuum. This might be an overstatement of the herald of a day signified by a transcendent conversion to a theology reified by the rengall discoveries of the intuitive theopneustic truths of the subsultus of vagary and vicissitude that the day when the code was cracked about the fractures of history converging upon the latticework of ephemeral and ethereal cords of cordial embrace of the cryptadia belonging to the “commonwealth of the aliens of Israel” (Eph 2:12) became evident to the masses was the chosen day of encroachment upon the suspicions of the alerted masons of the American Revolution-to ward off with apotropaic beacons of light glinting in lighthouse caverns of repositories of unknown treasuries-the salvation of the human race from the dudgeons of apostasy by the consecrated creed of the newfangled credenda that borrows heavily from lore to make this fabled date stammer as a freckle in a dimpled time that is cute but eccentric in its flapdoons of memorial that shower history with innumerable examples of the numerological importance of consecrating or desecrating a given day based on the furtive skulks of hidden troves of luxuries the elite have always bestowed upon the elect. So maybe this day wasn’t as transcendent as it could have been and maybe there is a resigned awgrudge that such a pilfer of time would make such a resonant dent on the pride of Britain to provoke their invasion and scuttle the American bastions of prideful reconnaissance of the future bestowed by the patronage of elective privilege, but this day will always be canonical in its ability to reprove the critics that the orchestra of history is not a heterochrony with destiny but a very validation of its truth in serpentine convolutions of the bywords of the guarded synquests of aristocracy. May the doubters gleefully jibe at the overstatement of a heroic task on a filibuster against the cretins that foresaw the trudge of ignominy and still willingly stooped to the levels of evil cadges into prurience that they foisted upon the reminiscence of evil protrusions that they might be forever banished to the barathrum for their pitiable deeds to desecrate and blaspheme that historic wallop of synquest to trounce the trinces of an uncertain future gravitated and mesmerized by certain facts known widely enough to provoke wars and enter the pasilaly of universal knowledge enough to warrant further inspection. The wravel of time is elegant and exquisite and all the glory goes to the coryphaeus dengonin that braved infamy and rebuke to soldier on in demarches to dignify the otherwise seedy drab and daft drolleries of pretense that any uncouth man could ever emerge from the throes of absolute defeat into the vindication that history either by intention or by accident is convex and aimed to entrench the vital truth that accidents are convenient but deliberation is calculus that deserves fanfare. It was because of a seminal theory of theology that this day earned its repute in history because it coincided with such rattled seismic events that are turgid with blessed tragedy that is never gloated over but always solemnly commemorated in hymn and deed of charity and eleemosynary duty. The irony is that the Revolutionary War ended on May 12th 1784 which marked the exact time of the Earthquake in California at 5:12AM PST and that fact makes many subscribers to the scepsis of sebastomaniacal delusion postulates more keen on the acumen of the day that history unraveled at the seams and revealed its circular reference to an ennobled prophecy that was the momentum and excuse for many clarigations of force and many other heralded deeds of posture and gentility or savagery and desecration. All that matters now is that we know that history is not a myth but rather a stagecraft of timing that is predevoted by preordained memorials to the tithes of time to cement its own legacy as foresight transcends hindsight in its own largesse but also its brutal slaughter. If the encroachment of tyranny poaches its greatest champion to excoriate an overstated case of mania they will meet the Army of Me and believe me their exhaustion will no know swift end in the halls of a deep dark purgatorial gridlock cell of eternal torment at the castration of their virility or their spayed femininity because I will not be reduced to rubble because of some hapless Facebook posts misinterpreted by the garbled miscegenated heap of albatrosses of invidious lies trying desperately to dethrone my virtues and seek the ulterior misprision of a  forever vanquished hope that resides in the torment of a plagued future negligent of the sacerdotal duty of the guardians to protect history rather than brutally savage it with dismal reprisals that are pangs of the deepest ire that will provoke a choleric rage enough for them to have to barge into my apartment and break down my doors. They will not trespass into my sanctuary city because I inoculate myself hereby from any incursions foreign or domestic on my livelihood for posts that do not hint at instability but only memorialize cute facts of the gawsy rather than the gawky imposture of the morality police trying to entomb me in the glaikery of a forever sunken refuge of homelessness and ill-gotten subterfuge.
The tentacles of darkness stretch across the land,
but it is not night that is at hand.

Slowly, but surely the darkness wins,
across dead soil with no winds.

Then the dark changes before my eyes,
to something unworldly - the ancients had cried.

Plato, Gutenberg, Hercules, and Wolf may be red,
but it is not these I mourn as dead.

I shiver and shake while the world slumbers,
but it is they who miss the wonder.

Only 8 tetrads to occur in the century 21,
so I don't know if I will see another one.

No Facebook, Instagram, or headline news,
can compare to seeing my muse.

Only my eyes see it from this spot on Earth,
only my brain will remember the moon's rebirth.

From light to dark to blood and back,
it is something to remember when I fade to black.

The limbs of light fight back the dark across the land,
but it is not day that is at hand.
The following was written by the author while watching the 1st total lunar eclipse of the 2014-15 Tetrad on 15th April, 2104.  The temperature was 40 degrees, the eclipse started at 12 am and ended at 4 am.
« Vraiment, notre siècle est étrangement délicat. S'imagine-t-il donc que la
cendre des bûchers soit totalement éteinte ? qu'il n'en soit pas resté le plus
petit tison pour allumer une seule torche ? Les insensés ! en nous appelant
jésuites, ils croient nous couvrir d'opprobre ! Mais ces jésuites leur réservent
la censure, un bâillon et du feu... Et, un jour, ils seront les maîtres de leurs maîtres... »

(Le Père ROOTHAAN, général des Jésuites, à la conférence de CHIÉRI.)


Ils ont dit : « Nous serons les vainqueurs et les maîtres.
Soldats par la tactique et par la robe prêtres,
Nous détruirons progrès, lois, vertus, droits, talents.
Nous nous ferons un fort avec tous ces décombres,
Et pour nous y garder, comme des dogues sombres,
Nous démusèlerons les préjugés hurlants.

« Oui, l'échafaud est bon ; la guerre est nécessaire ;
Acceptez l'ignorance, acceptez la misère ;
L'enfer attend l'orgueil du tribun triomphant ;
L'homme parvient à l'ange en passant par la buse.
Notre gouvernement fait de force et de ruse
Bâillonnera le père, abrutira l'enfant.

« Notre parole, hostile au siècle qui s'écoule,
Tombera de la chaire en flocons sur la foule
Elle refroidira les cœurs irrésolus,
Y glacera tout germe utile ou salutaire,
Et puis elle y fondra comme la neige à terre,
Et qui la cherchera ne la trouvera plus.

« Seulement un froid sombre aura saisi les âmes ;
Seulement nous aurons tué toutes les flammes
Et si quelqu'un leur crie, à ces français d'alors
Sauvez la liberté pour qui luttaient vos pères !
Ils riront, ces français sortis de nos repaires,
De la liberté morte et de leurs pères morts.

« Prêtres, nous écrirons sur un drapeau qui brille
- Ordre, Religion, Propriété, Famille. -
Et si quelque bandit, corse, juif ou payen,
Vient nous aider avec le parjure à la bouche,
Le sabre aux dents, la torche au poing, sanglant, farouche
Volant et massacrant, nous lui dirons : c'est bien !

« Vainqueurs, fortifiés aux lieux inabordables,
Nous vivrons arrogants, vénérés, formidables.
Que nous importe au fond Christ, Mahomet, Mithra !
Régner est notre but, notre moyen proscrire.
Si jamais ici-bas on entend notre rire,
Le fond obscur du cœur de l'homme tremblera.

« Nous garrotterons l'âme au fond d'une caverne.
Nations, l'idéal du peuple qu'on gouverne,
C'est le moine d'Espagne ou le fellah du Nil.
À bas l'esprit ! à bas le droit ! vive l'épée !
Qu'est-ce que la pensée ? une chienne échappée.
Mettons Jean-Jacques au bagne et Voltaire au chenil.

« Si l'esprit se débat, toujours nous l'étouffâmes.
Nous parlerons tout bas à l'oreille des femmes.
Nous aurons les pontons, l'Afrique, le Spielberg.
Les vieux bûchers sont morts, nous les ferons revivre
N'y pouvant jeter l'homme, on y jette le livre ;
À défaut de Jean Huss, nous brûlons Gutenberg.

« Et quant à la raison, qui prétend juger Rome,
Flambeau qu'allume Dieu sous le crâne de l'homme,
Dont s'éclairait Socrate et qui guidait Jésus,
Nous, pareils au voleur qui se glisse et qui rampe,
Et commence en entrant par éteindre la lampe,
En arrière et furtifs, nous soufflerons dessus.

« Alors dans l'âme humaine obscurité profonde.
Sur le néant des cœurs le vrai pouvoir se fonde.
Tout ce que nous voudrons, nous le ferons sans bruit.
Pas un souffle de voix, pas un battement d'aile
Ne remuera dans l'ombre, et notre citadelle
Sera comme une tour plus noire que la nuit.

« Nous régnerons. La tourbe obéit comme l'onde.
Nous serons tout-puissants, nous régirons le monde
Nous posséderons tout, force, gloire et bonheur ;
Et nous ne craindrons rien, n'ayant ni foi ni règles...  »
- Quand vous habiteriez la montagne des aigles,
Je vous arracherais de là, dit le Seigneur !

Le 8 novembre 1852, à Jersey
Victor D López Dec 2019
Version original de Esopo...

Un buen día en invierno, algunas hormigas estaban ocupadas secando su almacén de maíz, que se había humedecido durante un largo período de lluvia. En ese momento apareció un saltamontes y les rogó que le otorgaran algunos granos. "Porque", dijo, "simplemente me muero de hambre". Las Hormigas dejaron de trabajar por un momento, aunque esto fuse en contra sus principios. "¿Podemos preguntar", dijeron ellas, "qué hiciste todo el verano pasado? ¿Por qué no recolectaste un almacén de alimentos para el invierno? "" El hecho es que ", respondió el Saltamontes," estuve tan ocupado cantando que no tuve tiempo ". " Si pasaste el verano cantando ", respondieron las hormigas, "no puedes hacer nada mejor que pasar el invierno bailando". Y ellas se echaron a reír y continuaron con su trabajo.
______­

Nueva versión del siglo XXI: El Saltamontes y las Hormigas (por Víctor D. López, fanático de las hormigas en todas partes del mundo y en todos los tiempos)

Un buen día en invierno, algunas hormigas estaban ocupadas secando su almacén de maíz que se había humedecido durante un largo período de lluvia. En ese momento llegó un saltamontes y exigió que le dieran una parte justa de su maíz almacenado. Las hormigas dejaron de trabajar por un momento, aunque esto fuese en contra de sus principios.

"¿Podemos preguntar", dijeron ellas, "qué hiciste todo el verano pasado? ¿Por qué no recolectaste un almacén de comida para el invierno? "

"El hecho es", respondió el Saltamontes, "Estaba ocupado con cosas más importantes, como abrazar árboles agarrado de las manos de personal con ideas compatibles y cantando “Cumba Ya”. Desafortunadamente, estas actividades no son apreciadas por las estúpidas élites que oprimen injustamente a las clases más bajas y tratan de explotarlas por medios tales como hacer que realicen trabajos mal pagados y sin sentido que están por debajo de su dignidad ".

“Si pasaste el verano cantando, agarrándote de las manos y abrazando árboles”, respondieron las hormigas, “cuando deberías haber estado planeando y construyendo tus tiendas para mantenerte a ti y a tu familia durante el invierno, no puedes hacerlo mejor que pasar el invierno bailando ”. Y se rieron y continuaron con su trabajo.

El saltamontes, que era un tipo de temperamento muy sensible, quedo profundamente ofendido por el egoísmo y la intransigencia de estas hormigas ricas que no estaban dispuestas a proporcionarle su parte justa para apoyar a los miembros menos afortunados de la comunidad, como él. “No construiste el maíz que cosechaste a través de tu avaricia en el verano, mientras que las personas más ilustres que tú trabajaron muy duro explorando su naturaleza sensual y artística. Ustedes no hicieron que lloviera, o que el sol brillara, o que las abejas polinizaran los cultivos nacientes. Simplemente cosecharon el beneficio de la generosidad de la naturaleza que pertenece a todos y tratan con avidez de conservar para ustedes una cosecha proporcionada no por su trabajo sino por la gracia de la madre tierra. Ustedes son ladrones, acaparadores y bestias egoístas que tomarán para sí mismos lo que la naturaleza proporciona a todos sus hijos en igual medida ”. Luego se marchó, mientras las hormigas sacudían la cabeza, sonriendo y regresaron a su trabajo.

Más tarde, ese mismo día, el saltamontes regresó con hordas de personas de ideas afines que hervían sobre la indignación y la falta de respeto que les mostraban estas hormiguillas egoístas, crueles y despiadadas. Cayeron sobre las mismas a golpes y patadas dejándolas a todas sin sentido. Luego tomaron la mayor parte de su cosecha y quemaron lo que no podían llevarse para enseñarles una lección a estas pequeñas hormigas malvadas, mientras cantaban: "Sí, podemos", "poder para la gente" "Si no hay justicia, no hay paz" y una serie de frases similares mientras golpeaban a las hormigas egoístas ya inconscientes, liberaban sus tiendas de alimentos y quemaban el que ya les sobraba. Fue un gran día para los saltamontes que bailaron día y noche alrededor de las hogueras de su victoria.

Ese invierno, las hormigas murieron de hambre, al igual que los saltamontes que pronto agotaron las tiendas liberadas de las hormigas egoístas en unos días de fiestas y orgías las veinticuatro horas del día. No pudieron encontrar ninguna ayuda de los otros espíritus libres en su pueblo ese invierno y, como su último acto, se reunieron, tomaron de las manos, abrazaron un árbol y cantaron al unísono su canción final: "Todo es culpa de las estúpidas hormigas que trajeron su destrucción sobre sus cabezas y las nuestras a través de su falta de voluntad y egoísmo en reusar compartir su generoso tesoro. Insignificante pequeñas hormigas estúpidas, egoístas, codiciosas. Todo es su culpa. Todo es su culpa. Si tan solo hubieran sido tan cultas como nosotros "
El Saltamontes y las Hormigas - Edición del Siglo XXI...
THE GRASSHOPPER Y THE ANTS por Aesop (Edición original con traducción al ingles de Proyecto Gutenberg, http://www.gutenberg.org. La traducción del ingles al español es mía. La edición nueva del Siglo XXI es mía también en ingles (2010?) y en español (2019).

Translated from my English original "The Grasshopper and the Ants--XXI Century Version"
Mateuš Conrad Jul 2022
I. from living under a rock to exploring the internet

well... isn't it nice...
me? i've greatly benefited from the existence
of the internet...
how else would i have found out about the origins
of Taoism if not thanks for the internet...

i just kept one maxim in my head from
a book i picked up in some bookshop near
Russell Sq., it was a book on Taoism...
but it was sort of like the Best of
   of a band...
                not good enough... but my modus operandi
became the Kantian categorical imperative:
in order to help the world -
forget the world and let the world forget you:
the crux of "not-doing": i.e. purely being...
hell not- is not the antonym of pure...
                 not could be coupled with just... simply...
pro?
                   one of those...

me? i greatly benefited from the internet...
as most "bears" / "loners" / solitary creatures have
found out to be true...
i have an entire world history and a body
of knowledge at my fingertips:
it's only a question of what you're wanting to find...

without the internet i would have never
bothered to spend £20 on a physical copy of a book...
the complete writings of the primo Taoist: Zhuangzi...
nor would i have spent £30 x 2 on Heidegger's
black notebooks...

but i understand that the people who make videos
and do not write are all "savvy" when it comes
to view-counts... they ignore them...
they are more into "interaction": the comment sections...
i don't remember the last time i commented
on something:
i mean, ****'s sake... it's not like you buy
a book and expect to leave a comment... where?
on the sleeve? who's going to read that?
the author? hardly...

                             i like my view counts...
obviously the comments come minimally...
why? i believe in the anonymity of the readership...
the anonymity of the reader...
i like the fact that ideas are equivalent
to gold-mining and lightning strikes...
and that thinking itself is subject to shadows acting...
that it can be the best: most worthwhile "thing"
that implores of a being: hide me! hide me!

but i'm never going to make a video...
videos attract all the wrong viral attention...
i like the filter process involved in writing:
people have to make an effort and?
therefore? i'm left to my devices and whims
and sarcasms...
i can entertain Ovid and Marquis de Sade...

tu mihi, tu certe, memini, Graecine, negabas
    uno posse aliquem tempore amare duas.
per te ego decipior, per te deprensus inermis -
    ecce, duas uno tempore turpis amo!


i remember that it was you, certainly you Graecinus,
who told me to deny the idea
that one could love two girls at once!
through you i'm deceived - unarmed -
reason (this be the reason): i'm in love with two
girls at the same time!

i did one over old Ovid... loved two girls when both
of them were loving me...
which is so much better that loving one when loving
one and loving another when loving
another...
might as well:

                ledo duas aves uno lapide

two birds one stone... hardly serving two masters:
being served up twice...
and we're not talking about masters and servants
either...

me? i greatly gained from the internet...
                 am i the only person to agree to the fact that
it's just a jolly decent tool to use...
in and out... in and out... the internet to me
is like a brothel... i'm there / "here" for an hour...
then i disappear... leave footprints in the sand
on the beach... the tide of humanity washes in...
i'm left diluted: but i don't mind...
i too wouldn't want to have written the Harry Potter
books and then be mistreated for some
trans-****** phobic insinuations...
but i give her the grammar...
and how about the grammar on
the lyrics from WHAT IS SOUL... the B-sides
of By The Way...
                                 Big-Pie (Bag-Pie from Trainspotting:
freaking about... did i just touch
a magic nugget... a leprechaun's nose?!
is there! is there! a rainbow on this "other" side?!
pretty please... hey! if i go to Thailand
i'm sort of expecting to get confused...
it's a Thai thing... it was originally a Thai thing...
those Thai ******* are crazy)...

'it's roaming the streets at 4 in the morning
finding your best friend making out with a trans-******
in an all-night diner in Cleveland in 1986!'

plenty of women... ingenious boys
will be outright butch or add some extra BLUSH...
i can't say that i never kissed a man
sensually like i might kiss a woman sensually...
to later brush up on my Mr. Slurp'y skills
in the garden of fleshy flowers...
located where i entered the world: hopefully head-first:
oh sure... plenty of dolphins too...
how's it hanging? how's it hanging in Dubai?
plenty of hanging in Dubai...

freakishly lean: a plentiful decent diet of literature...
me? i benefited from the internet...
hey presto! i can bypass the gatekeepers of literature!
i can forget about publishing houses...
sure... i don't earn any money from it...
but that also increases me drive to pursue
the spiral out of control...
for me the advent of the internet is akin to:
the invention of the Gutenberg Press...
                                                  
yes, i was a fan of buying cans of Pepsi
instead of those 2litre bottles...
hmm... how to keep the gas once opened!
aha! shake the bottle after having a refill!
shake shake!
keeps the pressure tight-knit... beautifully
bountiful!

- two songs get me these days....
ALLAROUND THE WORLD
and GO ROBOT...
i trun to the canvas with regret: great! more typing!
i just want to keep keeping the rhyhtm:
perched on the windowsill
tapping my leg and grooving with my neck
like an imitation-party-pooper-pigeon
who invented head-banging
as the Hebrews imitate before the Wailing Wall...
i should have never picked up the guitar...
what a lonely enterprise:
it's already haunting me...
i was born as a natural drummer...

huh?!
of course i gained all the things there
are gained from the internet...
minus the light-bulb...
i managed to bypass all the gatekeepers
of literature: the editors...
hello! you forgot the paper! there's no paper!
there's no spoon either!
forgot the pills! just focus on the spoon
that isn't there!
and it's the perfect filter...
no one is going to bother me when i'm writig
and slacking on making video confession...

videos can be ingested passively:
reading? oh wow! who would have thought
that it might take some effort!
mix into the whole affair some Katakana...
hell... mix in some Mandarin hieroglyphs...
perfect defences against "simpletons"...
who? you have rotten cabbage
agreed with to throw with your comrade
against against being disgruntled about some
poor acting actor? what?!
stealing shadows became mundane?!

i also managed to breed a higher purpose
while everyone else was slumping
in the "pandemic"... i couldn't tell the difference...
what a funny: he-he-ha-ha tickling breeze!
ooh... let's have another go!
come on! let's go, let's go!
           he-he-ha-ha!
or rather: hí-hí-h'ah-ah-haha!

                             the internet wa been great for me...
but recently i came across this trend...
hmm (emoji of the biggest SMILE)...
VABBING...
                     dabbing... people dab perfumes on themselves...
what's VABBING... ah... ah... ha ha...
this is the point where i feel like putting
on my clown make-up and going out to
party come Halloween...

i'm pretty sure i'lll grow old and irrelevant
at some point... pop culture will no longer
interest me...
             but until that time comes...
piglets! teases!
                   it's like that one time where
i thought it was a good idea to date a single mom....
brought her homemade wine...
brought her homemade banana loaf cake...
NO GOOD...
i'm good-crazy as one prostitutes remarked...
still NO GOOD...
                                   goo.. plenty of goo...
oh man... the arsenal of music i have to sieve through:
it makes sense to not have children...
sure.... i'd love a little kritter "here and there"...
but? come on... with so much music
made available: would you?

and how did that parody of my grandfather
and grandmother play out?
she kept his death a secret....
to the point where he was in AGONIA:
out of reach... **** that then!

****'s sake VABBING... i.e. inserting your fingers
into your genital regions...
and then... Orestes! save me!
pretending that these juices are sort of:
akin to: perfumes!

o.k.: i'll level with these women...
here goes:
i like... ******* on my leg...
when i'm having a shower?
i like the idea of being a child again:
unable: UNONSCIOUSLY to control his bladder...
once in a while: i like ******* on my leg...
but that's only when i'm having a shower...
i like the idea of being without control...
i wish i could **** my pants ever so often...
alas... i can't!
but then i relieve my tamed unconscious
inhibitions... i tend to **** on my leg...
while taking a shower....
          
what is left for man beside finding new avenues
to compete: for the crown and the jewel in
in it of losing reason?
hell... let's all become **** AUTOMATON!
i can wait...
i'm orientating myself around the internet
like i might orientate myself around
a phonebook, an encyclopoedia...
and the... sacred loss of the music store on
the high streets...

there's me imitating drummers on a windowsill...
robot-esque...
*****! i'm keeping rhythm...
with a squint of my eye watching NORMIES
sitting static with their static televisions...
entertained?!
i like brick walls: i think of chess...
i like the sea bashing the land come high night...
i think of playing cards with the boys...
and backgammon...
i also like the idea of interpreting the flute
by splitting a reed of grass and blowing through it...
i like the childhood memory
of catching cockchafers and throwing them
down girls' t-shirts...
         hmm! i liked a lot of things...
whiskey won... i like swimming in it: thoughtless...
it's like like: give me a drink of whiskey =
Cleopatra having a ******* bath of milk!

i love the minutes "concerning" an unlit cigarette
dangling in my mouth...
before the opening crescendo
of Led Zeppelin's IN THE EVENING...
kicks in... only because: SHARP OBJECTS
waas such a captivating t.v. show...

hate t.v. love t.v. most certainly loved the movies...
i hate the movies these days...
i sometimes think: i could replace
the t.v. with three "things":
the sky... a fireplace... or a... ooh!
a ******* aquarium!
                     yeah... that could  work!
then again.... candles or the sky...
either wait.... play shadow charades...
                  
             there are actually two ways to give stress
to a F-U... using the hand...
there's:
A. the clenched fist with the etended middle
finger... poison...
but there's also
B. ******* extended....
thumb also extended: NO FIST...
all the other fingers are "bowing":
but they're not clenched... there's no imitation
of a fist...

seriously, though? no wonder i ventured into the realm
of prostitution, no wonder so many people thought this
"pandemic" was a "fake"...
sure sure... let me just apply my *****
Jean-Paul Gautier sniff-sniffs
while you, girl, test out, your next best
found ******.... what the ****?!

how about we start off with... oiling ourselves
with molten pig fat and then, then asking:
kosher enough for you?
oh... but this craziness is not supposed to stop!
it's supposed to escalate!
didn't you know?!
                           no no!
                                 there are either the crazies
or the uber-crazies!
      there's no in-between!
                 as much as Ovid prescribes ****** love...
i find the most erotica in prescriving myself
a decent amount of sleep...
               perhaps in his days...
but... he wasn't a solider...
so he wouldn't have known about being stationed in
Britannia,., jumping ****-naked into
the feral bushes of... no! not mint!
              you ******* Forrest Gimp or something?
blushes of *******... ****'s sake... FENNELS!
POKRZYWY! FENNELS! not ******* BASIL...
not ROSEMARY... not TYHME
*******: Hamza: brain-drain-lord
of an otherwise working Latin BREEN!
call your ******* cousin Hah-med and Muha!
the lord of the flies! Muhammad!
Muha! FLY! Jesus is the lord of mosquitos...
Muhammad is the lord of the flies...

please tell me someone tried to tell them
that they were
the auxillaries of Hell?
the past 2000 years has been an advent
of Hell...
Hell... even more: the Hellenic original
thought project...
comme ci, comme ça... c'est la vie!
i.e. it's good when it's good...
and bad when it's bad...

the tired mountain: the eagerly waiting stone...
the tired sea... the ambitious droplet of water...
that eternal flame... but all the more eager
sparkle of an ignite!

time flies when you're not having any fun...
pretending to not having a stab at...
those Kenyan ivory slush-puppies
come the crocodiles and Muhammad types
moon-served plump almost juiced up...
hey ** hey... you're just my Macaque sort
of type...

II. a schematic of rugby

H15()15H
\ (pass back)
/ (kick forward)
and...
just run around
shuffling your
magic feet:
toying with the octopus
dance of
a dislocated shoulder.


III. leftovers from an afternoon

give me until tomorrow, i'm still figuring "things" out...
video: oh video V video... Deo. and Doo and Deus...
mighty Churchill's index and middle...
of the fork in the road...
          or akin to the crossroads of
Robert Johnson...
            i picked up playing the guitar but i'm
a natural drummer...
easily soothed but also easily irritated by a rhythm
and beat...
for all the protest of (search engine, hello...
back of the bus protest, i just need a name)
sitting at the back of the bus:
Rosa Parks and the Montgomery bus protest...
i just remember mornings on the no. 86
bus... reading Stendhal while all the black
boys "unconsciously" stashed themselves
to the back of the double-decker...
white-flight in reverse, i.e. all the white girls
could join them:
thank god for my Turkish and Japanese fetish...
a fact not frequently recited:
i don't own any woman under the sun,
it's just my turn, turn after turn...
perhaps happily a *****-donor...
what's ******* and what's surrogate
motherhood for a homosexual couple,
like for like: i can't tell the difference...
besides... i earn about £10 an hour...
she earns £120 an hour and all for what?
being given an ******
and soothing my ego...
amazing though... it's crystal clear...
i never liked the back of the bus...
double-deckers have their engines in their ***...
very much like VW beetles...
the black boys naturally migrated to
the back of the bus every trip to school i took...
loud, vociferous: like most post-African people...
still strapped to the gridlock of
VICTIM... but sure: thanks for the jazz...
thanks for the blues...
if certain Africans were not exposed
to the English tongue...
i fear we'd still be stuck in a Mozart epoch...
Lara Mari Sep 2020
We leave the world the way it is,
not seeing past it.

Sophocles left behind his theatres,
not knowing of his plays today.

Buried underground,
we see no progress.

Shakespeare doesn't know
I read his plays in class.

Not alive to experience
the next invention.

Gutenberg won't ever know
how books are published now.

We never live to tell the tale
to future people,

how things were made,
how things were done.

We leave the world the way it is,
not seeing past it,

so what creations will follow mine?
Salmabanu Hatim Apr 2020
Did God listen to Greta Gutenberg about Climate Change,
Starting with China one of the worst polluters,
And suggesting the idea in our minds that lockdown,good hygiene and no social gatherings are some solutions to stop the spread of the virus,
And a tremendous breathing space for earth.
22/4/2020

— The End —