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"gruffly" poems
Let us paint our canvasses on WOMEN!! Curious I stand to unravel your perception of a woman Would you weigh her as a piece of wonder or a gruffly aggressive thunder? She is extraordinary, gorgeously efficient, solely independent! The love she embraces is wider than the infinite heaven and deeper than the fathomless sea. The shallow world with its profound hypocrisy, Banters with a judgemental frown. The world has changed, and so has she. It has known the beautiful rose, tarnished by its prickly thorns, Only the delicate rose, the world, with its abysmal critics, abides by to adorn. She knows her paths, truly determined to achieve her goals, Her patience deserves a salute, her tremendous sacrifice only to satisfy our souls. Dare never to shred the lovely red petals, not knowing her darings! For also the thorns in her are perilous, to blemish a wound till your last. With her chin up and a gaze so ferocious, ocean of wisdom she is vast. She rises, she grows, taking a free flight, venturing to claim new heights, She is benevolent, a ray of sanguine sunshine to your forlorn nights. Walking proud, believing in who she is, glimmering like a star! Born strong she is, refuses to be judged by her scars. She is the teller of her tale, over fears and worries she will prevail. A miracle of God, with a sweet lingering fragrance she leaves a trail, Of patience, commitment, empathy, and unfaltering fortitude !! by ~Mihika Rohatgi
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Mar 7, 2021
Mar 7, 2021 at 10:50 PM UTC
Wonder Woman !!
the isle meets us gruffly, ferry over rough seas, meaner winds, bay size puddling lakes a/k/a local  flooding, roads littered with tree debris, all saying an uncoded message: "see humans, you come to stay only with my forbearance" But I know that familiar voice, disguised as nature, a first derivative of the alpha of that god who comes, torturing me with requests for forgiveness I am nature too, I am human nature, and I too, am not in a forgiving mood, and one-word reply: Barcelona ashamed, the ugly skies ease off and next morn, an August beauty provided but I am neither assuaged, bought off, forgetting, address the hiding-in-disguise master of the universe: "*you trifle with us as if we could not count, keep tabs, and weary be at the newest sabbath carnage never ending give me storms, keep your glories, fell trees, drown us, if it pleases, we are neither perfect nor innocent but take impotent responsibility set us not one against the other, there, here, Charlottesville, keep your false free choice that always comes with a wink and nod, a little nudge, and exclaims of humans doing your work*" I light a candle not to you, but for you and be terrified when I no longer do <•> Aug. 19, 2017 12:14 pm
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Aug 19, 2017
Aug 19, 2017 at 1:14 PM UTC
Barcelona (the first derivative), Finlandia, Disguising God
morning the city is gruffly petted with heat          buildings quiver in the primeval whither wide mouthed and whiskered          the catfish thrive in the sewers taking aggression to the air and fixing to the trees         the insects speed into vigorous breeding in the populated afternoon    city is sternly scored     pressed down on    its wilted fur pushed    from back to front each itchy person   is its own greasy hair salt beads from brows    and stinging eyes are blinded scolded and bonded      the witless humans slow natures patient pace is not kin to their will           antsy ticking noises and electric whines whittle the air discomfort makes life immediate        a deal to be flustered with every enduring breath is consciously felt        alive and in suffering i crouch my form in shelter a jilted couch to lean against     bordering a grown over lot watching the foxes patrol in sweltering sun what expected prey   brought them into the light ? i release my hurt understanding   (it patrols also) my hurt snakes through the long tough grass   and tacky broken glass it moves further   raised in a mirage hover over welting heat from the melting tarmac this way   i please my way into nurture this way   i ease my suffering hum with the wires and smile at a good day putrefying
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Sep 18, 2022
Sep 18, 2022 at 6:24 PM UTC
swelter
*Ramirez waits on the couch patiently for the date of his life* 1. fidgety-fidgety boy there's no call for nervous-smiles her daddy gruffly placed you on the couch now, you wait and wait and wait 2. you decide to use some bonus-airtime you received but who to call? the one you'd like to spend that time on .. is with your Maker but you're too shy to talk to God your Momma told you God's one busy-light and he ain't got no time for a slow-coach like you who can barely spell two words 3. yes, I can spell my name.. leave me alone! hey man, who says God won't talk to me? why, I did Him a favour here.. I'm takin' out this here girl who's never been out before 18 years old and her pappy been watching her so she can barely make two sentences before her complexion vies with beet *it came to him in a dream.. take her out.. take out.. take her out.. and so, tonight.. he will* 4. Lord behold, where is our boy? ****** why did you not watch him? what... and you believed him?? goodness, go out and find him....NOW! he didn't take his stuff 5. she descends slowly, as on a cloud and smiles in awkward-bunches oh, if only her father had let her go out before.. like everyone else she may have been able to see.............................................................. *this is the date and he took her out* S T - 2 dec 13
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Dec 2, 2013
Dec 2, 2013 at 12:03 PM UTC
the date
SHOWING SOME ENTERPRISE DURING DOUBLE MATHS CLASS IN 1969 "Look, Kirk..!" I stab at the map "Yes, the Barzan Wormhole is unstable but~ it's our only hope!" Kirk's face blanches Spock tries to show no emotion "Highly illogical, yet. . ?" Now, 70,000 light years away "My God, Capt. Dempsey.."" Kirk smirks "...it worked...it...worked. . !" "Worked...of course it worked!" I bluff and bluster Spock's tight lipped smile "Ahhh...Mr. Dempsey..." Sir's voice gruffly Klingon beaming me back up to Reality "...seems to be in another universe entirely..." snickers as he reaches for the cane "So..." Kirk smiles "The square on the hypotenuse is equal to... "Shut it Kirk..!" I snap "...just shut it!" I watch the parabola of the cane "Warp Factor 9...now...quick!" I order Mr. Sulu
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May 27, 2016
May 27, 2016 at 3:58 PM UTC
SHOWING SOME ENTERPRISE DURING DOUBLE MATHS CLASS IN 1969
Tobias. A handsome, broad-shouldered man with soft earth-brown eyes, that lived in 18th century England, who then came to America with his mother and father plus his eight brothers. He would die of fever at the age of 23. After he died, he did not move on to the afterlife, instead he was chosen by a group of elders called The Guard. As a Guardian, he was tasked a keeper of human lives selected by The Guards' standards as 'changers,' or humans that change the course of history. Tobias rejected his forced calling and attempted to abandon his task. The oldest of The Guard, Helten, a man thousands of years old (only looking 40), approached him and asked a simple question, "Why do you want to truly die?" Tobias was silent, until Helton added, "There is a Shift after your changer." Shifters, or Shifts, are the enemies of the Guardians and their mission is to destroy all changers so that Shifts can take their place and change the world to their liking. Tobias added gruffly, "Which one?" "Daniel." Tobias' hand squeezed into a fist. He hated Daniel ever since the 1920's. He wanted a rematch since that idiot tried to **** his charge for a cigarette. Tobias wanted to punch him. Hard. His eyes flashed crimson, and his fists turned blue flame. "Where is he?!" Daniel growled. Helton smirked, "Pennslyvania."
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Dec 20, 2014
Dec 20, 2014 at 10:03 PM UTC
Tobias the Guardian
I, Too, Sing America (and did so in my diapers!) by Michael R. Burch I, too, served my country, first as a tyke, then as a toddler, later as a rambunctious boy, growing up on military bases around the world, making friends only to leave them, saluting the flag through veils of tears, time and time again ... In defense of my country, I too did my awesome duty – cursing the Communists, confronting Them in backyard battles where They slunk around disguised as my sniggling Sisters, while always demonstrating the immense courage to start my small life over and over again whenever Uncle Sam called ... Building and rebuilding my shattered psyche, such as it was, dealing with PTSD (preschool traumatic stress disorder) without the adornments of medals, ribbons or epaulets, serving without pay, following my father’s gruffly barked orders, however ill-advised ... A true warrior! Will you salute me? I hope my “small” attempt at humor will help readers remember the sacrifices made by the spouses, children and extended families of our valiant servicemen and women. It was not easy making friends only to lose them, time and time again, as I grew up a “military brat” on American air bases around the globe. I really did make sacrifices for my country, while winning every battle against the “communists” in our back yard. Keywords/Tags: Memorial Day, military brat, service, war, duty, honor, heroism, soldiers, army, navy, air force, marines
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May 31, 2021
May 31, 2021 at 2:26 AM UTC
I, Too, Sing America (and did so in my diapers!)
I knocked on Lydia's front door and waited the morning sun was coming into the Square Lydia's old man opened the door and stared at me with bloodshot eyes what do you want? he said is Lydia coming out? I asked who wants to know? I do why? wondered if she'd like to see the trains I said why would she want to see trains? he said gruffly she likes trains I said he looked beyond me at the block of flats behind   who said she likes trains? she did I said I work with fecking trains all day she's never said about trains before he said looking at me again his eyes trying to focus we often go see trains I said we went  to Waterloo train station the other week he closed his eyes rubbed his hairy chin and breathed out a beery flavour LYDIA he bellowed suddenly I stepped off the front door step and stood gaping at him LYDIA he called again he opened his eyes and stared at me I detected life behind the mask Lydia came to the door and peeped under her old man's arm this kid wants to know if you want go see fecking trains he said gently his voice silky do you? she nodded her head yes can I? she asked he looked at me as if I’d just stolen his wallet trains? he said steam trains I said yes steam trains she said we like watching them he raised his eyebrows and looked down at her under his arm resting on the door jamb ok ok if you want go see trains go see trains he said and wandered off inside leaving Lydia and me looking at each other Waterloo again? I asked what about Victoria station? she said ok sure I replied and she turned around to go get her shoes inside.
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Mar 27, 2014
Mar 27, 2014 at 5:34 PM UTC
TRAIN SPOTTING WITH LYDIA.
I knocked on Lydia's front door and waited the morning sun was coming into the Square Lydia's old man opened the door and stared at me with bloodshot eyes what do you want? he said is Lydia coming out? I asked who wants to know? I do why? wondered if she'd like to see the trains I said why would she want to see trains? he said gruffly she likes trains I said he looked beyond me at the block of flats behind   who said she likes trains? she did I said I work with fecking trains all day she's never said about trains before he said looking at me again his eyes trying to focus we often go see trains I said we went  to Waterloo train station the other week he closed his eyes rubbed his hairy chin and breathed out a beery flavour LYDIA he bellowed suddenly I stepped off the front door step and stood gaping at him LYDIA he called again he opened his eyes and stared at me I detected life behind the mask Lydia came to the door and peeped under her old man's arm this kid wants to know if you want go see fecking trains he said gently his voice silky do you? she nodded her head yes can I? she asked he looked at me as if I’d just stolen his wallet trains? he said steam trains I said yes steam trains she said we like watching them he raised his eyebrows and looked down at her under his arm resting on the door jamb ok ok if you want go see trains go see trains he said and wandered off inside leaving Lydia and me looking at each other Waterloo again? I asked what about Victoria station? she said ok sure I replied and she turned around to go get her shoes inside.
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110
This fighting is killing me, and its its splitting me just like a dead tree, i tripped and fell and messed up my knee, baby can't you see that you and me were just meant to be? I don't understand why you went and set me free, I don't get why you acted so cruelly baby, i feel like a groupie because every time you talk to me you act so gruffly, i know I'm being greedy trying to keep you all the me but baby I know it might sound cheeky but for you girl I'd grow a goatee I know that makes no sense but again, can't you see that what ya do to me, makes it so I can barely, think or even use my mind, what I mean to say girl is that you've got me stymie-d
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Jul 22, 2011
Jul 22, 2011 at 6:14 PM UTC
Stymied
Miss Schinzer do not undress they said but she did and so they locked her in the side room alone and she heard the key turn in the lock and that was that she heard them walk away along the passage heard the footsteps getting soft and softer then silence the silence of that abbey she went to some years back as a child and the nun with her beady eyes said here one must absorb the silence here silence is our food and drink and she remembered the way the nun empathised the word silence the way her lips moulded the word as if it were brand new and not to be damaged or spoilt but that was then as a child before the voices began before the orders were laid out for her to obey do not undress Miss Schinzer they had said but her voices inside said undress take off garment by garment and as you do so think of Christ and how he was disrobed and hammered to the wood and she did hearing as she undressed the hammer on nails the jacket and then the blouse and then the brassiere and she felt the chill about her ******* how they stiffened she thought waiting to remove more cloth waiting for the voice to say undress more of the clothes and she recalled how Mr Dimpledone had said the same thing but she was a child then a girl in the choir but she didn’t ask why she just undressed and he just stared at her and said what are you doing child? but you said so she said no no he said gruffly be silent unless you want to leave the choir but she didn’t remember him saying that not then but couldn’t be sure and the voices said take off the lower garments and so she removed her skirt the black one the one that made her look like a nun she took it off and then removed her slip and underwear and sat on the floor quite bare remembering the hanging Christ the hands curled like ***** nailed to the cross beam his naked flesh the wounds the blood and she lay down flat and put out her arms forming a cross and her legs tight together one foot touching the other and over in the corner knitting and humming some Schubert her bossed eyed mother.
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Mar 15, 2013
Mar 15, 2013 at 8:39 AM UTC
DO NOT MISS SCHINZER.
Miss Schinzer do not undress they said but she did and so they locked her in the side room alone and she heard the key turn in the lock and that was that she heard them walk away along the passage heard the footsteps getting soft and softer then silence the silence of that abbey she went to some years back as a child and the nun with her beady eyes said here one must absorb the silence here silence is our food and drink and she remembered the way the nun empathised the word silence the way her lips moulded the word as if it were brand new and not to be damaged or spoilt but that was then as a child before the voices began before the orders were laid out for her to obey do not undress Miss Schinzer they had said but her voices inside said undress take off garment by garment and as you do so think of Christ and how he was disrobed and hammered to the wood and she did hearing as she undressed the hammer on nails the jacket and then the blouse and then the brassiere and she felt the chill about her ******* how they stiffened she thought waiting to remove more cloth waiting for the voice to say undress more of the clothes and she recalled how Mr Dimpledone had said the same thing but she was a child then a girl in the choir but she didn’t ask why she just undressed and he just stared at her and said what are you doing child? but you said so she said no no he said gruffly be silent unless you want to leave the choir but she didn’t remember him saying that not then but couldn’t be sure and the voices said take off the lower garments and so she removed her skirt the black one the one that made her look like a nun she took it off and then removed her slip and underwear and sat on the floor quite bare remembering the hanging Christ the hands curled like ***** nailed to the cross beam his naked flesh the wounds the blood and she lay down flat and put out her arms forming a cross and her legs tight together one foot touching the other and over in the corner knitting and humming some Schubert her bossed eyed mother.
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54
She spat out a string of four letter abuse words followed by American ***** you stood at the bar at the base camp outside Stockholm sipping a beer Moira stood beside you in grumpy mood her Glaswegian tones still in the air others in the bar gazed your way amused some giving a small titter if have to share a tent with her one more night I’ll suffocate her with my sleeping bag over her head she said you girls don’t get on then? you said more expletives followed after which she sipped from her glass of white wine you lit a cigarette all the time watching her listening to her talking about the American girl the tour guide and driver had picked up in Hamburg how she spent ages in the shower at base camps across northern Europe how she got her man whom she slept with and what she did and leather said Moira her and her ****** leather I know her sort she added you studied her as she spoke her short stature her wild blazing eyes her hair tight curled her small **** pressing against her tee shirt then she was silent and leaned on the bar sipping the wine grimacing staring at the mirror behind the bar maybe we could swap tents you said you share with the Australian bore and I with the Yank girl   that’s a case from the frying pan into he fire Moira said gruffly I’d rather share my tent with a shaggy dog with fleas she said I guess you thought taking in her tight *** some are hard to please.
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Apr 28, 2013
Apr 28, 2013 at 4:34 AM UTC
EXCHANGE OUTSIDE STOCKHOLM.
The Stubborn man refused to budge or listen to complaints he always wore a frown they said while standing at the gate on rainy days he might stay in on sunny days stay late but there was not a day went by when he wouldn't wait Exactly what he waited for no one could ever say the local folks just wandered by wishing him a pleasant day he would gruffly wave them off and mutter to himself while keeping up his vigil and keeping to himself Curiosity finally gripped me I had to find out for my self so cautiously I approached the man and this is what I asked why do you stand here every day peering into the wind a lonely endless vigil seemingly without end He smiled at me as best he could and slowly shook his head "I am waiting for somebody who wants to be a friend".
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Mar 10, 2015
Mar 10, 2015 at 12:30 PM UTC
The Vigil
WAKE UP I want to GET UP But the weight holds its Thick arm Across my shoulders and it Yells gruffly, "You do not deserve this day!" We wrestle for a while, this arm and I, And some days it tries to Strangle me But I Always Win A weight is just a Weight, no matter how Heavy. The arm is just an Arm with no body, unless you give it Yours.
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Nov 16, 2014
Nov 16, 2014 at 11:06 PM UTC
Wake Up
"bring another bottle," you tell me, leaning against the bricks hunched in the rain - your eyes, they glitter, out your coattails are long, lavish, and filthy and your hat is pulled low i can see the care in you from time to time i feel it. "you ain't gonna leave me, nance?" you say, and i hear the fear the uncertainty, and then i go to you. filthy london, it's brought you down and me down with you. the little boys, the old man, they have questions in their eyes when they see me let you, lead me, away, but they don't see that under the grime of your crimes and the filth of your sins, there is a heart, black, patched, and wounded but beating. for this i love you. your hands on me, my man can be a thing frightening a thing thrilling when you beat me like a dog when you kiss me like a lover. your violence, my man, is a curse because you would have better for me if you could give it. and your bitterness, my man, is deserved for the low-life life you've been given. and i feel you, how you whisper in the nighttime, "nance." and i quiver, just to hear it "nancy," you whisper, gruffly, after the alcohol's worn off, the *** "i didn't mean none of it, nance. not a thing of it, eh?" you whisper, roughly, bowing your head to my shoulder. "you're a good girl for not leavin' me, then. and i ain't never deserved you a day in my life." and i pretend to sleep to hear it. you'll be the death of me, my man. they tell me so, and i know it's so. but first i will be the life of you.
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Oct 18, 2011
Oct 18, 2011 at 5:29 PM UTC
my man (twisted fancy)
"bring another bottle," you tell me, leaning against the bricks hunched in the rain - your eyes, they glitter, out your coattails are long, lavish, and filthy and your hat is pulled low i can see the care in you from time to time i feel it. "you ain't gonna leave me, nance?" you say, and i hear the fear the uncertainty, and then i go to you. filthy london, it's brought you down and me down with you. the little boys, the old man, they have questions in their eyes when they see me let you, lead me, away, but they don't see that under the grime of your crimes and the filth of your sins, there is a heart, black, patched, and wounded but beating. for this i love you. your hands on me, my man can be a thing frightening a thing thrilling when you beat me like a dog when you kiss me like a lover. your violence, my man, is a curse because you would have better for me if you could give it. and your bitterness, my man, is deserved for the low-life life you've been given. and i feel you, how you whisper in the nighttime, "nance." and i quiver, just to hear it "nancy," you whisper, gruffly, after the alcohol's worn off, the *** "i didn't mean none of it, nance. not a thing of it, eh?" you whisper, roughly, bowing your head to my shoulder. "you're a good girl for not leavin' me, then. and i ain't never deserved you a day in my life." and i pretend to sleep to hear it. you'll be the death of me, my man. they tell me so, and i know it's so. but first i will be the life of you.
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54
if a came summer (over the beaches sweat in ribbons or rivulets binding the sand with ******* and **** improbably fleshy rumples ) i'd be gladly giddy in its shall on me its lazy hands on me to draw me to it in to it drawn a manacled surly bead of magic burning *** on loose footing the unreasonable grains of sloughing seconds I came a summer to livid unmanageable moments where myself and myself used our stuff of soft and pink to drizzle drugged blatant skin on a beach somewhere i have been with you in the fall but then it was not so like the hot testing nerve (the bar of crimson branding light) instead a pale and frail limpet gruffly muscular light was all over it and it was cold and i pulled you really in my arms stabbing the youth of you slender able promise of corded elation hotly sudored morsels of.
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Jul 6, 2011
Jul 6, 2011 at 11:52 AM UTC
if a came summer
"Look, Kirk..!" I stab at the map "Yes, the Barzan Wormhole is unstable but~ it's our only hope!" Kirk's face blanches Spock tries to show no emotion "Highly illogical, yet. . ?" Now, 70,000 light years away "My God, Capn. Dempsey.."" Kirk smirks "...it worked...it...worked. . !" "Worked...of course it worked!" I bluff and bluster Spock's tight lipped smile "Ahhh...Mr. Dempsey..." Sir's voice gruffly Klingon beaming me back up to Reality "...seems to be in another universe entirely..." snickers as he reaches for the cane "So..." Kirk smiles "The square on the hypotenuse is equal to... "Shut it Kirk..!" I snap "...just shut it!" I watch the parabola of the cane "Warp Factor 9...now...quick!" I order Mr. Sulu
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Sep 17, 2015
Sep 17, 2015 at 3:04 PM UTC
SHOWING SOME ENTERPRISE DURING DOUBLE MATHS CLASS IN 1969
Head aching Thunderous throbbing throng Smacking back and forth Round and round this skull Water, water God! please Heal my sickness Thud slowly, carefully down the stairs Kitchen? Light switch? Water water where's the water Fumbling hazeiness A hand in the blind reaches out, Gruffly silhouetted standing leaned Against the Darkness A military slouch in shadow He spoke with a bellow “Look, you drink too much, it’s not good for health” **** off you old **** “Trust me don't touch the poison, Look after yourself!” With the mighty declarative of this sort He rose from the casual to a grumpy trot Past the light revealing old sad Ernest He's one to ******* talk.
0
Feb 7, 2019
Feb 7, 2019 at 7:19 AM UTC
Stirring
by the hours' split (and half of that) the wasted marble (her head) discharged, of her oblong thrusting voice, to shamble quickly silence fingers gruffly wringing all the necks of loud and it was also. it was blithe
0
Feb 12, 2011
Feb 12, 2011 at 1:51 PM UTC
Untitled
The phone had only been on a day When the cranky calls began, ‘Nobody knows we’re on,’ I said, When at first the **** thing rang. I had to run up the passageway To catch it before it stopped, Then there was just an awesome hush Like a tree before it’s lopped. The line dropped out at the first ‘hello’ As if they would wait for me To run the length of the passageway, Expend all that energy, I’m sure they laughed as they cut me off Though of course, I couldn’t hear, ‘It’s dead again,’ I would rage and froth ‘Though it must be someone near.’ ‘It better not be your stupid friend,’ I said to my wife, Diane, ‘The one that’s such a comedienne Who annoys me when she can.’ ‘It isn’t her,’ was Diane’s reply In her testy, haughty tone, ‘She wouldn’t ring when she knows I’m here, But wait till you’re home alone.’ But the phone rang every evening, At the high point of our show, Just as they named the villain, and I nodded to her to go. ‘You go,’ she’d say, ‘I’ve worked all day, And it really is your phone,’ I’d grit my teeth up the passageway And rage at it on my own. I finally let it ring and ring And refused to pick it up, ‘I’ll teach them never to mess with me,’ As I drank a second cup, A truck arrived in the morning and It dumped a ton of twine Blocking all of the driveway while Some clown said it was mine! ‘I never ordered this blasted twine, You should have come to the door, Confirmed the order you say you had, What would I want it for?’ ‘We got the order over the phone So we rang, with no reply, Somebody said you don’t pick up You’re such an eccentric guy.’ I always answered it after that, And after the pig dung treat, Fifteen tons, and the smell had hung The length of our angry street, We tried to tell them it wasn’t us We said it must be the phone, I know that I would have picked it up If only I had been home. We never did get a proper call, One where somebody spoke, I don’t think anyone likes me, and That phone’s a pig in a poke, I went outside and I cut the cord To the world who scorned our line, Then went inside where the blasted phone Still rang, one final time. I picked it up and I snapped, ‘Who’s that!’ And a voice came on the line, It wasn’t a voice I knew, it spat And it gruffly asked the time, ‘You’ve cut us off from the Internet, I hope you’re feeling spry, We live in your rhododendrons, and You’ve made the fairies cry!’ David Lewis Paget
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Oct 6, 2015
Oct 6, 2015 at 8:33 AM UTC
The Flowerbed Phone
The phone had only been on a day When the cranky calls began, ‘Nobody knows we’re on,’ I said, When at first the **** thing rang. I had to run up the passageway To catch it before it stopped, Then there was just an awesome hush Like a tree before it’s lopped. The line dropped out at the first ‘hello’ As if they would wait for me To run the length of the passageway, Expend all that energy, I’m sure they laughed as they cut me off Though of course, I couldn’t hear, ‘It’s dead again,’ I would rage and froth ‘Though it must be someone near.’ ‘It better not be your stupid friend,’ I said to my wife, Diane, ‘The one that’s such a comedienne Who annoys me when she can.’ ‘It isn’t her,’ was Diane’s reply In her testy, haughty tone, ‘She wouldn’t ring when she knows I’m here, But wait till you’re home alone.’ But the phone rang every evening, At the high point of our show, Just as they named the villain, and I nodded to her to go. ‘You go,’ she’d say, ‘I’ve worked all day, And it really is your phone,’ I’d grit my teeth up the passageway And rage at it on my own. I finally let it ring and ring And refused to pick it up, ‘I’ll teach them never to mess with me,’ As I drank a second cup, A truck arrived in the morning and It dumped a ton of twine Blocking all of the driveway while Some clown said it was mine! ‘I never ordered this blasted twine, You should have come to the door, Confirmed the order you say you had, What would I want it for?’ ‘We got the order over the phone So we rang, with no reply, Somebody said you don’t pick up You’re such an eccentric guy.’ I always answered it after that, And after the pig dung treat, Fifteen tons, and the smell had hung The length of our angry street, We tried to tell them it wasn’t us We said it must be the phone, I know that I would have picked it up If only I had been home. We never did get a proper call, One where somebody spoke, I don’t think anyone likes me, and That phone’s a pig in a poke, I went outside and I cut the cord To the world who scorned our line, Then went inside where the blasted phone Still rang, one final time. I picked it up and I snapped, ‘Who’s that!’ And a voice came on the line, It wasn’t a voice I knew, it spat And it gruffly asked the time, ‘You’ve cut us off from the Internet, I hope you’re feeling spry, We live in your rhododendrons, and You’ve made the fairies cry!’ David Lewis Paget
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73
a short america is gruffly and shouting with the britain who's is owns the metal caffeine *** dull and shiny they suckle about and like to rambling about the weather and the whethers and they clump to safely dryness by the wall at the little under of the eave plunking out the serious angle of its chin walloping the rain and makes a pleasant patch. they 2, the america and the britain, spitting at each others ears their voices they like to hear
0
Feb 25, 2011
Feb 25, 2011 at 2:35 PM UTC
Untitled
do corpses ever(inboxesdeeply ) long for smelling roses or the wiggling light of saturday afternoons when their lover came early a bit unexpectedly fantastically finding them nothing doing and took their body in softly hands shaking perfectly the morsels of their flesh on top of the kitchen counter gruffly gentle ?
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Jul 27, 2011
Jul 27, 2011 at 11:43 AM UTC
do corpses ever(inboxesdeeply
Magdalene sits opposite her father at the dining table, her mother is in the kitchen dishing up the food. Your ma says that Maguire girl was here? Her father says. Magdalene looks at him for a while. What was she doing here? He says. Listening to records, and talking, she replies. But why was she here? The reports from school from the nuns are not good, he says. What mine? Magdalene says. No hers, they've almost given up on her, he says. Shame on them, she says. He stares at her, no lip from you or you'll feel my hand, he says gruffly, stay away from her, she'll bring you no good. Magdalene looks away from him, looks at the Scared Heart of Jesus picture on the wall. Her da goes on, she listens to the music in her head, that Billy Fury song, thinking of her and Mary in the bed, kissing   and touching. Her ma comes in with two plates of stew and puts them down in front of them both, then goes out again. Her da still yaks, Billy Fury still sings. Her ma comes in with her own plate of stew, and sits down at the table. I've told her to stay away from the Maguire girl, the father says to the mother. Make sure you do, her ma says. Magdalene gazes at her mother. Billy stops singing; her ma's voice has driven him away. I will, Magdalene says, beginning to fork in the dumpling. Make sure you do, I don't want her round here again, her da says. Billy Fury sings once more, Mary's hand touches her, brings her to a seventh heaven, and then she kisses neck, and shoulder. We'll run away, Mary said, when we get older.
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Jun 1, 2016
Jun 1, 2016 at 1:35 AM UTC
WHEN WE GET OLDER 1963.
Magdalene sits opposite her father at the dining table, her mother is in the kitchen dishing up the food. Your ma says that Maguire girl was here? Her father says. Magdalene looks at him for a while. What was she doing here? He says. Listening to records, and talking, she replies. But why was she here? The reports from school from the nuns are not good, he says. What mine? Magdalene says. No hers, they've almost given up on her, he says. Shame on them, she says. He stares at her, no lip from you or you'll feel my hand, he says gruffly, stay away from her, she'll bring you no good. Magdalene looks away from him, looks at the Scared Heart of Jesus picture on the wall. Her da goes on, she listens to the music in her head, that Billy Fury song, thinking of her and Mary in the bed, kissing   and touching. Her ma comes in with two plates of stew and puts them down in front of them both, then goes out again. Her da still yaks, Billy Fury still sings. Her ma comes in with her own plate of stew, and sits down at the table. I've told her to stay away from the Maguire girl, the father says to the mother. Make sure you do, her ma says. Magdalene gazes at her mother. Billy stops singing; her ma's voice has driven him away. I will, Magdalene says, beginning to fork in the dumpling. Make sure you do, I don't want her round here again, her da says. Billy Fury sings once more, Mary's hand touches her, brings her to a seventh heaven, and then she kisses neck, and shoulder. We'll run away, Mary said, when we get older.
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SHOWING SOME ENTERPRISE DURING DOUBLE MATHS CLASS IN 1969 "Look, Kirk..!" I stab at the map "Yes, the Barzan Wormhole is unstable but~ it's our only hope!" Kirk's face blanches Spock tries to show no emotion "Highly illogical, yet. . ?" Now, 70,000 light years away "My God, Capt. Dempsey.."" Kirk smirks "...it worked...it...worked. . !" "Worked...of course it worked!" I bluff and bluster Spock's tight lipped smile "Ahhh...Mr. Dempsey..." Sir's voice gruffly Klingon beaming me back up to Reality "...seems to be in another universe entirely..." snickers as he reaches for the cane "So..." Kirk smiles "The square on the hypotenuse is equal to... "Shut it Kirk..!" I snap  "...just shut it!" I watch the parabola of the cane "Warp Factor 9...now...quick!" I order Mr. Sulu
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May 27, 2017
May 27, 2017 at 3:53 PM UTC
SHOWING SOME ENTERPRISE DURING DOUBLE MATHS CLASS IN 1969