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Julian Mar 2019
Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.
Nigel Morgan Nov 2012
After the painting by Leonard John Fuller

I had promised I would arrive in good time for afternoon tea with Edith and the Aunt. Angela was nervous.
     ‘Edith scares me,’ she said. ‘I feel a foolish girl. I have so little to say that she could possibly be interested in.’
      She had sat up in bed that morning as I dressed. She had frowned, pushed her hair back behind her ears, then curled herself up like a child against my empty pillow. I sat on the bed and then stroked the hand she had reached out to touch me. She was still warm from sleep.
     ‘They are coming to see you,’ she whispered, ‘and to make sure I’m not fooling about with your mother’s house.’
‘I’ve told you, you may do what you like . . .’
‘But I’m not ready . . . and I don’t know how.’
‘Regard it as an adventure my dear, just like everything else.’
‘Well that had been such an adventure,’ she thought. ‘When you drive off each morning I can hardly bare it. It’s good you can’t see how silly I am, and what I do when you are not here.’
        I could imagine, or thought I could imagine. I’d never known such abandon; such a giving that seemed to consume her utterly. She would open herself to this passion of hers and pass out into the deepest sleep, only to wake suddenly and begin again.

Angela felt she had done her best. They’d been here since three, poked about the house and garden for an hour, and then Millicent had brought tea to the veranda. Jack had promised, promised he would look in before surgery, but by 4.30 she had abandoned hope in that safety net, and now launched out yet again onto the tightrope of conversation.
         Edith and the Aunt asked for the fourth time when Dr Phillips would be home. How strange. she thought, to refer to their near relative so, but, she supposed, doctor felt grander and more important than plain Jack. It carried weight, significance, *gravitas
.
       Angela hid her hands, turning her bitten to the quick nails into her lilac frock, hunching her shoulders, feeling a patch of nervous sweat under her thighs.
       ‘He’s probably still at the Cottage Hospital,’ she said gaily, ‘Reassuring his patients before the holiday weekend.’
      She and Jack had planned to drive to St Ives tomorrow, stay at the Mermaid, swim at ‘their’ bay, and sleep in the sun until their bodies dried and they could swim again.
       ‘How strange this situation,’ she considered. ‘Edith and the Aunt in the role of visitors to a house they knew infinitely better than she ever could.’
       The task ahead seemed formidable: being Jack’s wife, bearing Jack’s children, replacing Jack’s mother.
      Edith was thinking,’ What would mother have made of this girl?’ She’s so insipid, so ‘nothing at all’, there wasn’t even a book beside her bed, and her underwear, what little she seemed to wear, all over the place.'
      Edith just had to survey the marital bedroom, the room she had been born in, where she had lost her virginity during Daddy’s 60th party – Alan had been efficient and later pretended it hadn’t happened – she was sixteen and had hardly realised that was ***. Years later she had sat for hours with her mother in this room as, slipping in and out of her morphia-induced sleep, her mother had surveyed her life in short, sometimes surprising statements.
      Meanwhile the Aunt, Daddy’s unmarried younger sister had opened drawers, checked the paintings, looked at Angela’s slight wardrobe, fingered Jack’s ties.
      Edith remembered her as a twenty-something, painfully shy, too shy to swim with her young niece and nephew, always looking towards the house on the cliffs where they lived.
     They were those London artists with their unassorted and various children, negligent clothes and raised voices. The Aunt would wait until they all went into St Ives, for what ever they did in St Ives – drink probably, and creep up to the house and peer into the downstairs windows. It was all so strange what they made, nothing like the art she had seen in Florence with Daddy. It didn’t seem to represent anything. It seemed to be about nothing.
       Downstairs Angela knew. The visit to the bathroom was just too long and unnecessary. She didn’t care, but she did care, as she had cared at her wedding when the Aunt had said how sad it was that she had so little family, so few friends.
       Yet meeting Jack had changed everything. He wanted her to be as she was, she thought. And so she continued to be. All she felt she was this ripe body waiting to be impregnated with her husband’s child. Maybe then she would become someone, fit the Phillips mould, be the good wife, and then be able to deal with Edith and the Aunt.
        That cherub in the alcove, how grotesque! As Edith droned on about the research on her latest historical romance, Angela wondered at its provenance. ‘Daddy ‘ loved that sort of thing, Jack had told her. The house was full of her late father-in-law’s pictures, a compendium of Cornish scenes purchased from the St Ives people. She would burn the lot if she could, and fill the house with those startling canvases she occasionally glimpsed through studio doors in town. She knew one name, Terry Frost. She imagined for a moment covering up the cherub with one of his giant ecstatic spirals of form and colour.
       The chairs and the occasional tables she would disappear to the loft, she would make the veranda a space for walking too and fro. There would be an orange tree at one end and a lemon tree at the other; then a vast bowl on a white plinth in which she could place her garden treasures, rose petals, autumn leaves, feathers and stones. There might be a small sculpture, perhaps something by that gaunt woman with the loud voice, and those three children. Angela had been told she was significant, with a studio at the top of Church Lane.
       Edith had run out of experiences regarding her monthly visits to the reading room of the British Museum. She was doing the ’ two thousand a day, darling’, and The Dowager of Glenriven would be ‘out’ for the Christmas lists. The Aunt had remained silent, motionless, as though conserving her energies for the walk through the cool house to the car.
       ‘Oh Darlings,’ Jack shouted from the hall, ‘I’m just so late.’ Then entering the veranda, ‘Will you forgive me? Edith? Aunt Josie? (kiss, kiss) Such an afternoon . . .’
       Surveying the cluttered veranda Angela now knew she would take this house apart. She had nothing to lose except her sanity. Everything would go, particularly the cherub. She would never repeat such an afternoon.
      She stood up, smoothed her frock, put her arms around Jack and kissed him as passionately as she knew how.
This is the first of my PostCard Pieces - very short stories and prose poems based on postcards I've collected or been given from galleries and museums. I have a box of them, pick one out at random - and see what happens!
Julian Jul 1
Philosophy 6/13/2020: A New Model of Time (The Original Document Was Expurgated Because it was Too Genius so I am trying to reinvent the argument) EXPECT FUTURE EDITS WHEN I AM NOT INEBRIATED
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the pioneering basis of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context that consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously and both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny that by very definition could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor (I will edit this philosophy at an opportune time but the basic ingredients are provided)
K Balachandran Feb 2016
Quite enticing, plush
she is a spectacle,
all the same lacking
substance and depth.
A coffee table book
everyone who is
someone, curiously grab,
turn the pages in a jiffy,
just to feel the gloss
eye the seductive shine
ogle the ostentation,
and caress the pictures
in opulent colors,
then, let go quick
without any qualms.

Throw it back on the table
with a resounding thud
in no time and leave
without even looking back once!
Daniel James Mar 2011
Shrouded in secrets
The men from F-Branch
Recite the techniques
Undiscussed in advance
Of Democracy's dance
Democracy's dance
Democracy's Dance with Terror.

Outside the port of Umm-Qasr
Hundreds of men
Hooded in the dark
Of the midday sun
Kneeling on the run
From Democracy's Dance with Terror.

Suspected by students
Back home and online
Theories get conspired
Petitions get signed
"Stop Democracy's Dance!
Stop Democracy's Dance!
Stop Democracy's Dance with Terror!"

The attorney general
Is called for advice.
A solemn exchange
Top down bottom line.
His argument is
"If it's nice it's all right."

Ministers from Ministries
Are detained and questioned
By the goggles of a press
Suffering sleep deprivation.
It's like a game of touch rugby
Outside downing street
With a twist on the rules of 'Just a minute'.

And outside the port of Umm-Qasr
Democracy doggedly dances her dance.

But the rhythms of the dance
The stress of white noise
Peaked
And escaped on the wind
Blowing through the forgotten kindness
Of confused hearts and minds
Escaping through the drafty guilt
Of hung up uniforms
Dancing on the mumbling lips
Of sleeping soldiers
With wives, partners, families, friends
Back home
Who don't know what it's like
They don't understand the drill
They can't do the moves
They don't know what it's like.

But the dance did not stop
It did what every bad vibration does
And moved elsewhere
And was henceforth known
By an unpronounceable acronym:
JFIT!

And now we join James
Young musclebound man
With a drink in hand
Back from tour of duty
It's a Saturday night
And the Weston women like a soldier,
A real man.
The fact that he
Has been doing his duty.
"Do you mind if I ask..." Asked Deborah
Showing more than necessary of her bra
"Where was you based, your base in Iraq-
Your third base, in particular?"
"I'll tell you," Said James
And the ladies came quick
Putty in his hands
Just like a joystick.
Said James, with the gravitas
Or some silverscreen star,
"While out in Iraq,
I was stationed
At a British logistics base in Shaiba.
It's outside Basra.
Basra in Iraq.
Iraq?
You have heard of Iraq?"
But by then,
Deborah and her bra and her friends
Were talking to another group of men
Who worked in property development
And apparently, Deborah, they're neighbours
Or something, because that one said
They've got seventeen houses between them.

But what James hadn't told them is this
The exact meaning of words in English
Like British Logistics camp is
Not always what you think that it is.

Oh did I say camp?
I meant base.
Please delete any mention of camp
From the record.

It was not long before
That James' routine
Had been... very different
To say the least.

Indeed soon after crossing the border
And re-invading his parents' home again
He'd been watching Jeremy Vine when
He spotted a pattern of systematic abuse
On the curtains
Whenever he muted the telly.

James decided to get out of the house
And to help him get a grip
He decided to go shopping
But when he looked down at his list
It said:

59 hoodies
11 Electric plugs
52 Alarm clocks
122 pairs of earmuffs
160 torches
117 blackened goggles
132 stress positions
39 enforced nakednesses

And by this stage he realised
That perhaps he ought to see someone.
But instead of seeing a journalist
Or the Swedish King of wikileaks
He went and saw a military psychiatrist
Who charged him a lot to let him speak
On a one-off profit plus! contract
James ended asking the same question
Week after week -
Do you think I'm crazy?
What does all this mean?
The doctor replied:
"Of course you're not crazy,
It's just your mind is very ill,
I'll tell one part of it to ignore another part -
Here - take one of these little pills
They're only one pound ten each
And if you take one
Every three hours
Every day
For the rest of your life
(Or until you die,
Whichever is longer)
You'll be fine.

Meanwhile,
The dance continued to be taught
Like capoeira on a foreign-office team-building course
On the art of interrogation
The alpha-tango
Aimed at prisoners of war.
But the footsteps of karma
Where circling once more
And the base back at Shaiba
(Near Basra. In Iraq?)
Was once more withdrawn
This time to the airport
Along with other UK forces.

Now relatives of the victims
Both at home and abroad
And those most susceptible
To empathy's ill-considered force
Were planning to divert the dance -
Divert the Dance!
Divert the Dance
with Demo Dances,
Demo Dances!
Demo Dances!

Then it was the turn of the politicians
To work their magic of popular logisticians
By answering the questions no one has asked
Like are we human or are we just dancers?
We are just humans
Doing democracy's dance
Democracy's Dance
Democracy's dance with
(cough, cough).

And the news reporters
With their sleep-deprived goggles
Reported in such detail
As to make one's mind boggle
Each step, each move and each deliberate error
Of democracy's dance
Democracy's dance
Democracy's dance
With Terror.

(To be Continued... on the BBC)
Nat Lipstadt Jun 2014
the irises have passed,
their existence, entirety,
a three week, 21 day, gun salute,
to which I was witness to but an
abbreviated four short generational
days

the Kabbalist among us say Kaddish,
and a-Buddhist chants so-be-it,
both celebrating the brevity cycle
of natural things, both notating,
that death makes room for more

ugly yelloe'd and black now,
these irises are now
misfits on a breezy,
dancing summer lawn

today, shriveled and misshapen,
they compare and contrast
on a normative, glorious,
June Sunday that
picturesque presents
the living and the deceased,
side by side

all comrades,
all summer sundries
on a dancing grass blanket
half-graveyard battlefield,
the half-heaven

oft I have writ of the beach detritus,
the shells, the sun burnt *****,
a recycled funeral rectory where
no one utters prayers for the
no longer alive historical artifacts

what has this to do
with that human construct,
artifice of memory,
a string on the finger
of the mind,
a pausation, a man-made creation
to momentarily recall another of
nature's cycle -
your children

Have children.
Am a father.
Had a father in my youthful days.

this is a boy scout qualification medal,
marker of me as Expert,
permitting me to commentary
with gravitas, now that I’ve graduated
to grandfather status,
I enjoy superstar freedom
to opine inanely on such matters

of my father have I writ,
of my sons, those remain unseen,

likely neither will mark these day
with a telephone call
or an all-I-got-was-this-lousy-t shirt
gift of gall

I say that's ok for what else is there,
certainly not an unthinking, dismissive
whatever

it saddens me some for sure,
but it makes judge myself as human being
on a gradation of one to none

but more than this internal reflection,
I ponder this hallmark'd day,
as life cycle point notarized,
in verse and rhyme,
for that is what I do best

for before,
many father's day
in the priory passed,
most unrecallable,
just another ceremonial checkmark,
habitually acquitted,
but somewhere
in a drawer of shirts,
in a home I store stuff in,
I do believe, there are some cards
from decades past,
that prove nothing,
other than life goes on,
and we best capture
what we can, as best we can...
with small, objet d'art of sorts

Perhaps one will call after all...
in any event,
to honor the dead,
to mark the existing,
the bannered ship's bell rung,
its sonorous sound,
notable and onerous,
fades as well

but man and animal,
plant and tree,
a living fraternal sorority,
who all look over my shoulder
as I compose on
that Adirondack chair you
by now, we’ll acquainted

they know,
for whom the bell tolls this day,
and why as well,
as we all pause and contemplate
where we are on this day,
on our own overlapping cycles
nowadays I get a ten second video of a happy father’s day wish
If I could send
one message
back through time,
I wouldn’t write to beg
words off a writer
I admire –
be it Dante or Blake,
Yeats or Cummings –
and I wouldn’t warn away
the gazes of a to-be
lost love
or push the glad
hands of not-yet
abandoned friends.

I would write
to my yesterday self,
who lazily left
dishes for today’s
me to do,
and I’d rightly tell him:
“Please, reconsider
the sink-
me urge to shirk
was.

“These are citrus-
scented suds,
and if you let them,
they’ll tickle
a memory of 3
too-old oranges
forgotten to bother
the bottom of a wicker bowl,
which in turn
will return you to rethink
the how of when
a younger you
grew 5
times in those 10
years before the death,
and then
you stopped caring for the 20
since.”

It’s news of the wee,
menial
and non-consequential
tasks that gives
all of these me’s pleasure
now.
This work is licensed under a Creative Commons Attribution 3.0 License.
K Balachandran Aug 2015
Her loneliness wears maroon,
                 I am aware," to her yin, my yang,"
mine in deep purple echoes,
                the density that's her, in my presence.
On an island of her own, she sojourns,
                 where there is comfortable room for two.
A happy recluse she is, ruminating,
                 diving deeper in to the sea of consciousness.
What does it really mean?
                  we are wound around a "KOAN", working on it,
wouldn't stop to think,  I flow
                    with the insistent gravitas of the current,
Through her the dense silence speaks,
                     in voices clear,  heard within me.
all beyond words, and in a far more
                     subtle plane, than this existence.
Koan--aparadox to be meditated up on
(C) K.Balachandran(balaprimus@gmail.com)
Max Hale Jul 2018
Clever minds that stretch
The many elements which live as our backdrop
Too often everyday is spoiled
By unnecessary people, gathering ammunition
For climbing invisible platforms of command
These are cast aside by simple smiles and welcomes
And it was.
Even if the task was invisible to me at first
My soul felt at home amongst these new work mates
My responsible position was underwritten
Given gravitas and a freedom to which I wasn't quite used

The time was charged with familiar but different
It was fraught but strangely healthier in paradox
The honest fight was taken with gestures of family proportion
Success had waned but the unity of 'knowing' was the strength
That continued to support that Company
In spite of the turmoil my personal facets were given air
To run and to adjust, to temper and to manage
Poor communication was completely disastrous
The confusion of three currencies
And the balance of understanding left us guessing
Never mind agreement or translation

Through all this, looking back my heart is lifted
Not by the freedom or the ability to achieve ...mostly,
It is the strength from our leader,
That calm, silver haired man
When many were distraught you kept us going
And fed us with hope and built our confidence,
Not always with the obvious
But gave us the ability to win through by believing ,
Believing in us and building back our motivation and teasing out
The raw infrastructure of our true capabilities
Never before has anyone, apart from my Mother
Believed in me as you did. To tackle the toughest of tasks
Anything that the industry, the public or our customers
Could throw at us, we dealt with it.
Sadly you could do nothing at the final demise but take the role
Of a father giving news of an aged relative sadly moved by
A force greater than yourself
I know had you the influence, the power and the funding............

You were always more than a boss Chris
Your transparent enthusiasm raised our spirits
And in times of worry I hope we lifted yours too.
I think of you often, thank you for being a friend
After we were no longer professionally connected.
I see your generous smile and your warm handshake
I can hear your laugh now
It's always a treat to catch up over a beer.
I now find you in my phone, in my photographs
But mostly in my heart for being a great bloke
You taught me so much.

Speak soon, with love, Max
For Chris Palles, a giant amongst men in his calm effortless and kind way
Perig3e Sep 2012
Mornings,
The blessed shroud of sleep lifts,
Ones usesless limbs
Have filled in the nocturn hours with mercury,
Not swift Olympian Mercury,
But the toxic fluid metal
That nearly weighs the same as lead.
A new day,
A new day
Weighs in
Without volitional choice.
K Balachandran Jan 2013
The owl
owns silence,
it dawns;
movements
are arrested,
as stillness
comes alive
as owl moments.

The condor,
gravitas,
incarnated,
in relentless search,
circling around
the sky's navel,
in a mystical quest,
a motif that arrests
motions of mind.

An owl sits and sees,
a visible presence
of an invisible absence,
on the cosy notch
hid by foliage
on the  tree of loneliness.

Perking up ears
inner silence,
the faithful watch dog,
listens owl's unuttered words,
ever echoing,
deep within the walls
of mind's corridor.

The owl and the condor,
the eloquence of silence,
has two voices speaking
in unison.In the secret center
they reveal the forbidden,
silence rules, the dawn of wisdom
bright and spectacular, awaken
the fog filled landscape.
Chris Thomas Apr 2016
Outstretched hands
I'm governed by a cycle of choices
Wash.
Rinse.
Repeat.

Dirt under my fingernails
I listen to a thousand voices
Wash.
Rinse.
Repeat.

Gripping a shovel
I break earth and hit layers of shale
Break.
Stop.
Withdraw.

Eight barren harvests
Yielding no fruits, just broken, rusted locks
Break.
Stop.
Withdraw.

I suppose by now my disposition is bitter
The gravitas courses these bloodless veins
Write.
Speak.
Destroy.

I collect no glee from your failure
Nor scintillating coins that rattle like chains around feet.
I just write.
Speak.
Destroy.
Mateuš Conrad Feb 2017
for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ
... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (
Nat Lipstadt Jan 2014
Reworked and resubmitted, and this time to stay.
Anything you say can and will be used...


excited utterances,
acerbic witticisms,
utter stupidities,
elegant inanities

can and most assuredly
will be used
evidentially, eventually,
about you
in the court of poetic
justice

as inspiration,
original source material,
proofs of our collaboration
with the enemy,
whom Pogo
fathomed long ago, is
us

a Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for
future etch-a-sketchers,
inspiration for future poets,
far, far better than
me

this dishonorable, low repute,
poetic eavesdropper,
poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible
trash,

the trite and tragic,
the pith and prissy,
the calm and hissy

all your lovely revelations
of human frailty
and asininity,
most adorable,
(except for those scarface
treatises I despise as
never justified
self-pity)

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charmes de notre
humanité

Even your silences are
most curious fodder,  
the sighs you sigh
so hard
and yet again, even
harder

unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant and genetically improved
absurdities

Rembrandt will honor us,
we as the Comedic Elders of the City,
paint us upright
avec expressions most suitably gravitas,
but see the poetic jester,
funning underneath the table,
in manner most levitas,
out-sticking his
protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny
and he will be
the one
future generations recall

when I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars

dicker and obfusicate,
delve and explicate,
each turn of phrase

write tomes on the
catacombs, where in
jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes
of our mutualism,
your edicts,
pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  
in the year 2300

you err most grievously,
if you relegate
this note
to the dustbin of
simple ditties.

take these words
at plain face,
and
look not askance
at this fair warning,
for I am
but a tragic,
empty vessel
for you to fill,
you are the raconteur,
me, just a  
poet poseur~extraordinaire,
street urchin,
word merchant,
all my verbally,
wordly goods expropriated
from the wind,  
where your scattered thoughts
lie about, carelessly
unattended

Mock me not,
for anything
you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived
embarrassments

A fevered dream
you might say,
rumors and excuses of a
vision of drug induced haze?

a theorem most plausible,
but the redacted versions
will not conceal
that all my words
were Indo-rooted in
a dialect called
collaborative

this I pen
partly as apology,
partly thank you note,
written notice,
subpoena served,
for as long
as you emote,
my fingertips
will gleefully record
with love abundant
in their artful device,
your mutterings, putterings,
and in-cahooting

right here, shall be,
wrought and wrote,
treasured and kept
anything you say
that can and will be used...
to express our communitas

Written June 1, 2011
Nat Lipstadt Sep 2013
In God We Trust, For He Invented Reasonable Doubt




In Courtroom of the State of New York, Part 62,
where the only decoration extant,
in gold leaf letters,
a magnificent joke,
In God We Trust.

Words so incongruous
to the real time drama,
a poorly acted Law and Order episode
of which I partake,
(as Juror No. 1,
ergo you may address me as
Mr. Jury Foreman),
they stun me into stupefaction
every time we enter and the
Bailiff pronounces with much gravitas,
"Jury Entering"

A potpourri of a dozen Manhattanites,
with wisdom acquired
by the singular virtue of
having attained the robust age of 18,  
noteworthy for being free of
criminal record,
having been nominated
to sit upon the jury that will decide
the fate of one Eric B.,
for what he may have done upon West 11th Street
one Summer night in
June Two Thousand and Eleven,

If adjudged guilty,
New York State can take,
incarcerate him for up to
15 years of his life

Predicate felon by the age of twenty seven,
Eric's resume consists of
four felonies,
two misdemeanors
a wife and two little children,
and a partridge in a pear tree.

Facts turgid and muddy,
Eric tells a story
one juror calls a confection of lies,
no one murmurs
much disagreement in the
tiny, overheated room
we have been sequestered to
replay
the 2012 version of
Twelve Angry Men.

But I am not his peer,
nor am I a seer,
common sense says
if appearances are what they seem to be,
he aided and abetted
in the forcible taking of
a nice Connecticut lady's cell phone
with his brother who just happened to be
released from prison earlier that day

A convoluted tale
ripe with inanities is told,
upshot is our defendant's tale,
his robust defense,
portrays him as the unluckiest man
in the whole world,
a good Samaritan,
{chasing after the thief,
** **, his bro}

against whom events have conspired

In Manhattan can be a harsh place,
where the natives
a tough lot,
tougher than the Indians from whom
they stole it all.

Our bridges we sell to out-of-towers,
all it takes is one to say,
what the heck,
reasonable doubt is
a ***** to overcome
so let him go


Jan, 2012
Nat Lipstadt Jun 2013
Dedicated to you.
Fair Warning: a long road ahead*

MAJOR WARNING: Anything you say can and will be used...


Excited utterances,
Acerbic witticisms,
Utter stupidities,
Elegant inanities,
Can and assuredly will be used
Evidentially, eventually,
about you in the court of poetic justice,
as inspiration, original source material,
proofs of our collaboration
with the enemy,
whom Pogo fathomed long ago,
is us

A Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for future sketchers,
inspiration for future poets,
far, far better than me

this dishonorable, low repute,
poetic eavesdropper, poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible trash,
the trite and tragic,
the pith and prissy,
the calm and hissy,
all your lovely revelations
of human frailty and asininity, most
adorable

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charms de notre
humanity

Even your silences are
most curious fodder,  
the sighs you sigh so hard
and yet again, even harder,
unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant genetic,
absurdities

Rembrandt will honor us,
we, the Comedic Elders of the City,
paint us upright avec expressions
most suitably gravitas,
but see the poetic jester,
find him underneath the table,
in manner most levitas,
out-sticking his protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny

When I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars
dicker and obfusicate,
delve and explicate,
each turn of phrase,
write tomes on the catacombs,
where in jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes of our mutualism,
your edicts, pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  

You err most grievously,
if you relegate this note
to the dustbin of simple ditties.

Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet *poseur
extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended

Mock me not,
for anything you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived embarrassments

A fevered dream you might say,
rumors and excuses of
visions of drug induced haze?
a theorem most plausible,
but the redacted versions will not conceal
that all my words were Indo-rooted in
a dialect called,
collaborative

This I pen
as apology, thank you note,
written notice, subpoena served,
for as long as you emote,
my fingertips will gleefully record
with love abundant in their artful device,
your mutterings, putterings,
and in cahooting,
right here, shall be,
wrought and wrote,
treasured and kept
Anything you say can and will be used...to express our community

Written June12011
when gravitas
takes a 
scrounge with
a pound
to entice
that one
of a
kind sound
with this
rock your
world and
waves with
incisive views
in the
Moirai now
shine with
capital ties
a note on caution
Nat Lipstadt Mar 2014
Touch

You cannot lift or load it,
over your shoulder, throw it,
to best assay its weight -
is it ponderous, full of big *** gravitas
or a snack, a parfait desert,
a haiku delight?

You cannot touch it,
but it can touch you,
It can grasp both your shoulders,
shake you from complacency,
put its hands upon thy throat,
gasp emit, a scream demanded,
paint whimsy lines on thy face,
from ear to ear.

See

With yours eyes, by a mere glance,
true reveal its length,
stanzas multiple or an itty bitty ditty,
but this gives no value clue,  
Ogden Nash vs. Tennyson,
in two minutes make you laugh,
in twenty, make you beg, mercy!

Smell

Some Poe poems do stink,
befouled mushrooms in
a dank place, some require nerve to read,
but your olfactory be ill suited for
poetic deconstruction and criticism.

Hear

Wake you with kisses upon thy face,
inject love poems into thy ears,
straight to the brain verbal crack *******
yet even the hearing the whisper
of words from my lips,
is an insufficient,
sensorily speaking methodology,
of how a poem, to best comprehend

How then?

If touch, vision, smell and cursory hearing alone
can't essence capture, what then, weary reader,
is the supposed Laureate's approved analytical tool?

Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member
in a tasting menu,
Perfect only in conjunction
with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip
upon the roof of your mouth
and the exalted exhalations of
air rushing past thy cheeks
as you messenger breath from
your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down,
a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move
as you savor my words,
my taste you share,
and we are closer for it.


*
Deaf, dumb and blind,
all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
an old favorite of mine reposted.
Mateuš Conrad Jan 2017
oh i didn't write something to change the boundaries,
i wanted to capture the digital narrative,
or how the hope of destroying all forms of theology
with our a.i. gravitas, we started to
apply the digital anaesthetic -
and cradle the numbing effects of:
                 us, in experiment,
or: us, in a medium of synthetic material...
             either way pushing us apart friom actually
inhabiting organic matter...
           the many of us these these are merely pawn
in the game...
                  we're pawns in a construction site
of all thing theretical... meaning it's truly 2D by comparison
to the 3D structures we see...
       the element that will truly give a.i. it's ego?
wait wait... why with latin dead and me not speak it
but i have this theoretical baggage of ego?
            ego is only short of en egg should i decide to
write it... arbeit macht frei must come from
counter-conceptualisation of the remains of the roman
empire with self- (hyphen included), to remind people
that it's all about work, and how we will either loose
or free ourselves from the re in the setting sun to echo aeons...
that might be the case...
            but find me a modern day writer who has
to use this medium of people talking over one another...
find me a writer who''s lodged in the internet like
a cherry atop a cake...
          who can't be gagging for a log cabin in some obscure
place, who has to be in the thick of it...
       i'm not writing to change the world,
i'm writing to describe the status quo...
            qua norm, or should i say "norm"...
from status quo comes the question: qua status?
     when i write i think about throwing a pebble into
a lake, compared to throwing a pebble into a river...
compared to throwing a pebble into a sea...
to be honest? throwing a pebble into a sea is
the most involving...
                  and there is poetic subconscious in this,
which i will unearth: the pebble is supposed to mean this:
the three forms of water are supposed to represent
another this:
                                 the pebble is supposed to represent
a soul, a concentration of my my, my sigma (total),
and the three tiers of water are supposed to represent this...
that said, i watched
    an internet video... by angry mgtow...
an answer to white women are rejecting beta males now /
blonde in the belly of the beast...
   first thing: why are men using the internet
deemed more "creepy" than women?
    we've already embarked on this a.i. project for the sole
reason as to overcome theological argument and
religion... we are living in a Frankenstein experiment,
but the "problem" is that we're only working on
the software package of the beast...
         the hardware can wait... we're not going to replace
our fondness for busdrivers and cleaners any time soon...
  we love our manual labourers...
                  american woman! stay away from me!
american woman! mama let me be!

   (it's daily, over and over in my head, that line and
many more kindred sing-alongs)
   we've already been drafted into creating the software
of the a.i. beast, it doesn't matter that the
hardware is already there but that we've stalled its
potential... the software is harder to be bound to
the logistics a limb might be drafted to exhibit basic
tongue of movement...
          all compliments to women:
they're the irrationality that will give the a.i. the spark!
           meaning autonomy...
  and how could i not even sound like an atypical man?
don't date the opposite ***?
              tease urban living with what life's like in
the middle-zone of outer-urbanity, i.e. the case of
a ******* bungalow? ha ha.
                              but this video got me like i might
catch a herring, and i do love pickled herrings...
raw pickled herrings...  it just got me
when i said: i'd like to move to the Faroe Islands...
no please, spare me the misery...
                         it's hard not to be
sexually antagonistic (sexist) - esp. when you're
not a sheikh with a motorboat and a fluffy moustache
that might brush-up against the ******* like
a vibrating ***** while you taste the pastries of flesh
with a saintly glee...
             every time i performed oral ***
on her i felt i left that hot-spot having slobbered
a tonne of lard... smeared a tonne of ****** cream and
that my face became phosphorescent, or an anglerfish:
which is the first sign before you don't even
bother to care to launch a space mission apollo 13
into the depths containing stars... or ask
      ridley scott...
                          i think he's the one dubbed:
coping mechanism... unlike philip k **** this guy's
a coping mechanism, a rare spectacle:
science fiction obstructs actual science...
                     i'm glad he's around and i pray that
we truly explore the depths of seas before going up
there: where the sun don't shine.
                  but this video got to me...
                i can't relate to it, either with the masculine
theory or the feminine experience...
i don't know: it almost feels like i live in a time
capsule at the best part of the 20th century when
i could still buy compact discs in a music shop
on a high-street... when there was no over-arching
agarophobia and claustrophobia telling us
when it was worthwhile to leave the house...
   and when it wasn't...
                         i opened another bottle of wine
that i made myself, and i don't know...
                  we started by ridding ourselves of god
to later replenish that end with a death of us,
it's almost as if we're staging parameters of being human
in this 2D construction site, on the basics:
merely exchanging opinions...
                                         i have, coming naturally:
this curiosity with the internet...
   i remember times of hotmail.com chatrooms...
      it's not as old as some people will claim the burden
to be, but the times when the ****** medium was
being sold to us... before facebook and subsequently otherwise
people were still very much comfortable before the television
set... but then people became less interested in
music and decided music could only exist in software
and not hardware, and i started to forage the berry shrubs of
youtube for music...
  i hope i don't precipitate any thought toward
nostalgia... bearing in mind i did establish myself
on the memory of having been to the cinema
to watch the films blow and austin powers 2:
the spy who shagged me
- and in the latter case
i laughed at the shadow-scene like i might at
a laurel and hardy... and in the former case i loved
the music... and that's before comedy became too
"intelligent": too canned laughter...
revisionist existentialist, when dittoing can no longer
mean borrowing, or passing on a meaning,
                     or d.n.a. competition, when the end result
is but ~ (approximate) / ambiguity...
    the too intelliget: canned laughter...
                   the last time i really laughed at the movies
i was watching austin powers 2: the spy who shagged me...
the tent scene... it was the epitome of comedy,
a laurel and hardy slap stick incantation of a viewer...
   i guess it only comes with a sense of an individual
finding something so simple funny, that when
the same individual is dropped like a paratrooper into
a cinema audience: his laughter will become akin to
a virus, and thus become infectious and the individual
in mind because the cursor for canned laughter
later stored, to witness a televised episode of Friends
or Fraiser... which... would you believe it: aren't funny at all.
what was i going on about in the first place?
      ha ha... dunno... which makes Nick Harper a comic
genius... every time i see him
i laugh like a tickled ******* dangling off a bull horn
and two words ring a bell: mein shawl! and yes: it's
dramatically flinged, like i might be found
******* against the wind...
   quick question! five easy pieces rebel or cool hand
luke rebel?!
Mateuš Conrad Oct 2018
too many fictional stories have congregated,
into what was once a three-dimensional
space, new age agism (joke)...

      but... whenever three dimensions exist,
with a frequented present,
a nostalgia for the past,
and an imagination for the future...

whatever...
  doesn't it bother, anyone,
that too many fictional stories have overpowered
the rarity of the reality narrative?
no?
  just me then?

         sole idiot, just the only Robinson Crusoe
idiot around these parts,
of: the rediscovery of the world?
just me? no Friday?!
just me...
good good... good to know...

well then... i've achieved the stature of
paying due concerns to a *******,
rather than repenting before
a crucifix with... what... what...
deaf people gesticulate...
         no... i couldn't go blind...
i'd have to have tender skin...
as any blind man would need...
to read Braille... tender skin...
that sort of arithmetic?
you're kidding me...
you're not expected to have the hands
of an aristocratic courtesan,
compared to the hard, thick
layered buck of a guitar player,
or some hammer yielding "minotaur"?!

then i'm thinking...
perhaps all aristocrats should be blinded...
well....
   we could cater for their bodies
in light of their embodied souls
as twins... dualistic...
           save the hindered body,
with what becomes the unhindered
body of what becomes:
an unhinged soul...

              but i am but a fool...
who could suspend such architecture...
and succeed in asking for success
of the originating of the said construct...
Edward the Confessor?
  he put you up to it?!

            such great mammoths of the worth
of man have died...
and the world...
    the world...
                assured itself neither day
gained not day lost...
assured itself neither blink lost,
or blink gained...

just like god said...
           i can't be bothered with what
has become too intricate...
too personal...
too free-willed...
     no... i can't do it...
even running the marathon,
i cannot introduce myself
into this affair a second time...
i "thought" it a great idea the first time
round...

            second time....
let them assure themselves in icon,
and the subsequent iconoclasm of
the anti-thesis of dyslexia...

   all?                         ah...
good to know...
      all of them?             ah.... elaboration
of the sigh...

                                but i can't...
you know i can't...
we drink up north to keep warm,
or. "fool" ourselves in keeping warm...

so?
  ******* with your coffee and baklava!
take your caffeine addiction
and your diabetics...
out of this place!
                                 *******!

the sign reads: NOT WELCOME!
no... no Martin Luther King Jr.
speech at the University
of Newcastle...

     no! no! nein! nein! nein!
up yours.

the people in question pushed
the wrong buttons,
and the people who pushed the wrong
buttons unconsciously...

i'll be the last of my people
to leave these isles, on a boat
charged with the gravitas of
Charon...

             believe me...
    i'm thankful that i didn't **** your women;
i was accused of ****?!
                              not once;
ha ha...
    they still think they won the cold war...
ha ha!
ah ha ha ha ha ha!
the war where there was no war,
and, rather,
    colonization imploded upon itself?
Lawrence Hall Nov 2018
The wind that blows is all that anyone knows

                                                          ­  -Thoreau

“She hit me!” “She did not!” “He hit her first!”
“You can ask anyone – I hit the mike!”
“No, no, she hit me!” “No, he is the worst!”
“No, not at all, that’s not what it was like!”

“The president’s a meany!” “The press is rude!”
“This is unprecedented!” “You’re a fake!”
“Take away his pass; I’m not in the mood!”
“It’s unacceptable!” “Well, you’re a snake!”

As the nation crumbles in violence and smoke
The press and president are one bad joke
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.

My vanity publications are available on amazon.com as bits of dead tree and on Kindle:  The Road to Magdalena, Paleo-Hippies at Work and Play, Lady with a Dead Turtle, Don’t Forget Your Shoes and Grapes, Coffee and a Dead Alligator to Go, and Dispatches from the Colonial Office.
Nat Lipstadt Sep 2015
~for Ernesto, with love~

these last days, so recently arrived
to nag/remind, pre-commence,
the celebration
of mine fast approaching,
significant other mileage marker,
the day that is the in-between mid and seniority,
finds me asleep by nine,
only to be turned hard a starboard,
startled and startling,
sharp awoken at midnight,
a headful of dreadful and most colorful dreams,
my ever faithful midnight alarm clock

so I find myself alert and inclined to be
urgently communicative,
answering queries from friends,
catching up on comments and likes
to my poems that once penned,
are then penned by me themselves,
surrounded by fences,
put away to be ignored and enclosed,
my flock of sheep unshorn

that upon occasional re-reading
then become hairless, all pink and white skin,
newly denuding of me
by the reminder of public exposure

this travelogue
through heart and mind
is journey for journey's sake,
I have discarded older outdated notions
(the "outdated" conceptual
begs for a poem all its own)

of commencement, beginnings,
ends, finales, terminals. even periods.

instead I conquistador land upon a new
plateau, familiar but confusing,
where my muddled thoughts
have lain for several days,
cloudy in a accumulating cumulus of realizations,
the "compare and contrast" of
life and death,
their gravitas diminished,
understanding them to be but modest signposts
upon the path of this
stewing, brewing, yearning to be free
poem
~~~
The In-Between

all day, I too,
am penned in a museum auditorium,
listening, hearing, applauding a gorgeous gaggle
of writers, musicians, doctors and dancers,
security guards and comic book authors,
falsely accused death row prisoners,
sons and daughters
and yes,
even a poet laureate

all assembled to contemplate this connective notion
of curator-as-written
with capitals and hyphen (most appropriately) as
The In-Between

of course dear Ernesto,
everyone defines their personal in-between
personally
but all these artists corral my thoughts
onto and against a canvas blank,
awaiting the portrait painting
slow cooking in my oven

of you,
who lays dying in Texas
surrounded by family and
the notions of reconciliation
and thus birthing
in me
these words,
something new ironical,
if only to prove a point

You,
my self-appointed
mentee
ex-drug addict, father,
self-savior of yourself
make

I,
your mentor, cheerleader, steadfast critic armed
with
just encouragement enough to give your self-propelled
poetry an occasional push
of your hand-carpentered, tree swing

but this is a poem about
in-betweens

two words,
separate and equal
but when combinated by a
hyphen,
a dash that leaves no spaces
in-between
making two into one

for you and I
are both

in
and
between

each other

two-in-one

only a few weeks ago we talked about
you coming to my new york city,
and now life deserts you,
and you,
me?

here I pause and smile
for I hear you thinking,
natty, too long, too much,
wrap it up and connect that special and peculiar,
in-between,

-

*but I can't stop
for each hour of the last 72
has witnessed a new poem
in-between
minute one and minute sixty five
written for you,
writing for life,
writing of this moment
this space so gulf and so narrow
in and between
the unity of
us

the poet laureate talks of spaces,
the poem she reads out loud,
is emitted light from her body's mind
exhaled into the room,
and now designed to be placed
in-between
her and us,
purposed to successfully connect
our in-betweenness

I do not like this notion of
rest in peace,
as if peace was a desirable end in and of itself

prefer rest in pieces,
for what follows and precedes peace,
is pieces of ourselves
torn from the notebook
where we write down our poems unique and
secrete our secrets

rest in pieces!
connected by the in-between
which like
the
s p a c e s between  e a c h letter  here,
are the connective tissues of two parts
one, new
and the other,
created-crested by the transference
of every old reworked

I think of spaces differently

the gap between two fron teeth,
the space between two violin strings,
the V separating divider of the space
between our legs that is the baseline
of our torso entire,
the re-appearing and then disappearing space
between two bodies making love

all now remind that the
in-between
is a place of its own purport,
a parapet to stroll across from
one castle keep to another

so more and more,
mere mortal
are these discards,
I forsake these antiquities:

commencement, finale, terminal, ending,
even new beginnings

and all attention paid now to the recasting of our
happenstances and events
as a series of
in-between's,
the most valuable of our possessions,
connecting the only-seemingly
disparate days

but I must now return once more to the
in-between
of us

we uncovered something of ourselves
in
each other,
creating a causeway
between

for you and I are one big
differential,
so unlike in
life's
temperamental,
that
given the down easy to the shock and awe,
most happily easily,
our so very differing poems bridged the
in-between
us

the in-between us,
seen incorrectly as the timeouts
separating the fifteen rounds we fight

that is the thing,
the rub,
the main event on the fight card,
is not the fight itself,
but the crossing over

come quickly to our in-between,
my brother-in-words,
do not leave me
bereft and bereaved,
disconnected and despairing

let's follow,
both of us,
the trail
of dividing and connecting hyphens
---------------

I, given every advantage,
you, given every ghetto gang disadvantage
yet your voice soars
while mine aches and creaks
and breaks

I am better now
understanding existence as
a series of connected in-betweens,
but the not knowing when we will meet again
for the first time,
stretches me thin,
for without you
in
me,
between
us
the space flickers wider,
and the next in-between far far distanced,
further for farther,
and I worry,
who will love my poetry as you did,
who will be my encouragement now?

your passing shall not come
in-between us,
this I swear
~~~
in your honor of
your cellphone misty typo pings and compulsed hurried style,,
I do not edit this edifice that. I have lain down just now,
it was writ in slow haste and
fast forming eddies of ideas,
full of typographical errors of
omission and commission,
just
put out down as it was born,
just as you and I
we were put out as born,
only to cross and combine
to be a single
in-between
3:24am
Sept 26, 2015
------
The DedPoet
5 hours ago      3 hours ago

A Final Poem
Though I stand at the precipice
Of eternity's brimming cup,
Filled with hymn and speech
Alive like a livid wound
Gasping for more heavy minutes,
I wonder at the things left unsaid.

The sun mounts the coast
Consuming the resurrection
Of my forsaken throat,
The penetrating odor of certain
Death,
Still in this fragility
A certain voice I still call
To in dreams that come ever stronger
In the gentle atmosphere
Where night is born
And the dawn of her smile,
Here destiny can be seen
With continuity of life.

In this memory
I feel the calm of a faraway star,
My journey to he taken among
The densities
Which petrifies the brilliance
Of my shining fear,
My great love like my life
Should become an omen
That flies out of my hand
And becomes an actual presence
While the world is suspended
As I leave for the transparent skies.

And my life with her was a harvest,
My memory drinks of her
Forehead lit by the moon,
My lost time in a repugnant solitude
In my unmajestic life,
I arrive at forever
Because I loved her,
And yes because she loved me back.

The world is a mystery to me,
And I will leave as a question
Filtered by words
In a journey of galleries
Visible by the days I was alive,
Among the corridors I will see her
Face,
Among the words I will
Have given to poetry
What life had given like pillars
Of magic,
Taken by the arches of light filled
With enduring gratitude
For my greatest sorrows,
Simultaneously my greatest joy.

Like a song in the wind
I voyage the flames
Fanning the fire of words,
Because she loved me these words
Were born,
Because I loved her,
I birthed a poem.
And upon my death
Collect my fragments and place
Them under the tired sun,
Swept away by the ocean tides
Full of anguish under the flowering
Of my death,
I will be a poem remembered,
Nostalgic and scattered.
Here in the flesh,
My eyes see,
My hands touch,
I seek the say to live as a bird,
I search without finding,
I pace the shadows off the lonely
Walls ,
The day ends, the minutes end,
These heavy seconds
Of walking onward to the next life.

Where is my life without her?
And the poem absurd and short,
Death makes one know the worth,
The drowsiness of these poets,
Awakening when something ends.
Unleashed is my word,
Flawed and with no center,
I am a dying man.
Angry and bitter,
Tempered by the words
Never spoken,
The words I will never say,
Though I die and go to a body
More golden and transparent,
To a land with tiger lilies
In undying meadows where the sun
Dances on the outskirts
Of the night,
I know I have lived,
I lived because she lives now,
And she loved me.

My persecuted ways are done,
I relieve to you all
This final poem,
Filled with her grace,
The love of my life,
A final verse to say nothing more
Than goodbye,
Where the writing is done
By living,
Death shall remain but a word.
Mateuš Conrad Nov 2016
hard to play the idiot; likened to Mr. Bean
taking the role from
            Angus Daily into a Blackadder
   hurrah who? ha, ha, ha!
        my eyes never
left me baffled - or washington prone:
*** to a stirrup - furthermore,
  or Rushmore:
Atilla with an entourage
worthy of Genghis: of prone gravitas -
i too santa's little helper
and sinatra's
five p.m. flamingo strut's
worth of martini -
when said slavic eye then lessened
germanic white-boy fisheyed to boot...
i mean less binocular and more concentrate...
      but
there's me as a fifth of Nevada in Siberia
that's always the: ****! we sold Alaska!
Nicolai! oh Nicolai! Alaska! ****! or
  of what was the Crimea, of what is the Kremlin:
k, c, k, c, s, c, k, c, k, c, Vlad, s, t, u, v, k, c, s,
Rasputin, k, c, k, c, Boney M....
i'm still fidgety about the third ethnicity in
europe... i have to gather them attune to being
southern slav, or pseudo-turkish,
Finns, Latvians and Greeks... sounds like
falafel: all guidance to the subsequent reprimands
of necessarily tongue-tied whiplash -
gravitas with the kink and jeopardy of a gimp
fetish on the loose.
Nat Lipstadt Jul 2018
I spoke to Kissinger this week

~for C. C.   the reluctant poet~


read him your poem,

https://hellopoetry.com/poem/1933595/kissinger-on-park/

spoke of your reluctance
to write without the encouragement of others
(see below)

K. said poetry writing
very similar to decision making -
a single letter addition makes it into a wry thing:

writhing

but once you’ve published,
  once you have made the policy decision
then and only then begins the incision
that others cut upon your chest,
to fill with infectious assassination or
admiration,
at the risk taken

K. said: pray and trust that you reluctant fellow
and I
can non-disclose (hide) our internist discordance,
neath a sheen of stolidity that is a
pretense gravitas cover-up certainty,
for we wince when they shoulder tap you with
hindsight queries that you recognize
as retro grade F seeds
of inequitude

if you require recognition as encouragement, K. intoned,
prepare prepayments for your poems,
you have failed before even starting

please your self, lad, no one else,
reluctance is the chief ingredient in failure
do the work and pray for grace to do some
yeoman-well-enough to carry others upon the outgoing tide
of your burdened shoulders

this man who transmits my words
has been kicked off the fence, rejected,
a
frequent wrong road chooser,
for at least 25 years too,
stiff-necked like me, refuge survivor,
who leaves it all the way out
from no one nothing hiding,
freely acknowledges the policy errors of his wasted life,
can not be but the finest fodder for the retrospective historians
but he reminds us
loving children and animals is one way to say
I am so sorry for
the human judgments one must make when
first you sign your true and honest name
at the end of a
poem
or a war they call yours

reluctance is a luxury one can ill afford,
it seeps and permeates in the guise
of a sleepless temerity
and cracks the reflection served up
in the mornings first judgement,
that is,
if you dare to
reflect

<•>

~ a message from the Reluctant Poet~

“I'm a reluctant poet myself -
just started getting some
positive responses here recently,
which is ever so heartening.
I have three poems total posted!...
I'm just happy when
I can get deep down and say
what I want to say, and
hopefully give it a little beauty and
poetical magic for good measure.
The rest is up to the dear readers.”*

<•>
https://hellopoetry.com/poem/1933595/kissinger-on-park/

Apologies for the delay in reaching
inside myself and pulling deep out
with some reluctance the thousand
poems you have intuitively commissioned

indeed,, started this child over and over,
most recently over two slices on East Fifty Second & 3rd,
but in matters of gravity, write in the situ appropriate
and so it came to compo-fruition intuitively reached
in the neo-natal nook where my best ones were birthed
then released to the sea breeze carrier free to roam,
tickle fancies, kiss new brides, release the hiding
reluctant to come forth, joining conjoining words and people,
becoming the hypotenuse of some others lives/
  

and I had to get ahold of Henry which isn’t easy
Hannah Jan 2016
Zeus’s golden scales are hanging

around my closet doorknob.

The satin ribbons straddling an uncertain fate.

Two such similar– such distinct

entities

You could say I fell in love with your differences.

One side is bold

all caps writing,

spelling errors and innuendos.

I pirouette on my right foot.

The other is softer,

delicacy in strength,

precision and restraint.

I developé with my left.

And how easy would it be if I only needed one foot to dance?

If balance simply happened by willing it so?

But feeling comes first

and the relationship is symbiotic,

and I–

I am stuck,

waiting for the scales to tip.
Alternatively: being interested in two boys at once is a very weird and confusing phenomenon especially when they're very close friends
Alexander Coy May 2016
Her name is Justine and she
just turned thirty a day go;

'You're over the
hill,' her friends say;

'When are you gonna
settle down?' her parents ask

'Single and
damaged'

is what she translates

She walks to the
pharmacy two, or so
blocks down from her apartment;

Buys a pack of cigarettes,
Yellow American Spirits,
and as she begins to walk toward
the door to leave, she realizes
she forgot to buy a lighter

She turns around and notices
the man behind the counter
has been staring at her ***;

He looks up, as though
he were checking the time
of an imaginary clock posted
on the ceiling;

and then he coughs,
or fakes a cough,
and ask how he is able to help her;

'I forgot
to buy a lighter'
she says

'These are the
only ones we have'
he says
pointing to
a collection
of white Bic lighters
displayed on the counter;

'Nothing else?' she asks,
'I'm superstitious
and I'm definitely not
buying a white one'

'Only ones we have'
he says with a slight
southern undertone
of indifference

'Oh what the hell'
she says, grabbing the lighter
and slamming
it on the counter
'You only live once,
right?'

The man behind the counter
shrugs, 'sure' he says
his glasses sinking
into the sockets of his eyes;
and she notices beads of tears
underneath the ***** of skin,
or is it sweat?

He rings up the lighter
and hands it back to her

She takes it, but not without
keeping an eye on him
till she reaches the exit;

Then she gives him the finger,
peels the package of her pack
of cigarettes and lights one up
for the road
Ishmael Hurst Jun 2010
Socrates was a savage son of a gun
Waltzing across town with an urbane gravitas,
Trumping the pimps and priests that passed
His lazy confidence demanded the reverence oft reserved
For kings and queens and prime ministers
Without a home, the world was a playground all his own
He was always gentle, always genial,
Because he descried through his one good eye
That dregs like me had it rough enough already
He was my friend,
And then he died,
And no one cared but me.
While functional American boys were
Learning from their fathers,
I was learning from that feral cat.
Good old Socrates.
Good boy, Socrates.
ottaross Mar 2018
Just a thing put together on a blank screen
With pointless words that accomplish no goal
No sentiments here that the world has not seen
Nothing to tug at the depths of your soul.
Brevity#1
nivek Dec 2017
flailing
out of control

orbital
mayhem

its all gravity can do
at times

- to keep us grounded
in deep gravitas
Max Rutherford Dec 2012
She was a barefoot singer
Her toes sliding
through the fine, cool earth
It was how she drew
from the spring of nature
She never could hit that high C
while wearing shoes
Their soles are blacker than ours
she used to say
Those ugly boots are cutting you off
she used to tell me
You'll never hit a high C

She sang and I played
I wore my shoes
And I let my hair grow long
My savage war paint
Smeared across my chest
under my shirt
Unknown to everyone but me
And her, she saw it too

We only played outside
The earth on her soles
The wind in my hair
The tortured animus of song
How those nights conspired against us
The natural warmth of audience and music
Our blighted bond, tenuous at best
Soared strong on those nights
A wind over the mountains
A wind that promised rain

Her voice was fragile
But also eerie in its gravitas
It commanded the respect
of the dead soldiers and sailors that came out for us
It made her younger
It declawed and dulled her fangs
I would sometimes cry
when she hit that high C

On our very last number
On the very last page
The fire would kick up
and my fingers would dance
And we both believed in the other
She in her naked earth
Me with my jaguar soul
Oh, how those nights
conspired against us
Third Eye Candy Oct 2012
humid temperance in your tussled hair
you are fair to begin with
a more wholesome lust-
my ***** could pray too.
you give this
gravitas -
while withholding a miracle of aftermaths.
you're spot on.
manifest this for me...
bring out the outcasts of your hinterlands and small tokens.
bring out your fists so that i  may comfort them
with too warm kisses.
let me languish in your paradox
swollen with joy
totally into it,

let me love you like like like like daybreak mending.

i'll size you up
on a pedestal
and catch
you

like a lover.

try me.
Nat Lipstadt May 2013
How to Read a Poem (Hint:  Not With Your Eyes)


Touch

You cannot lift or load it, over your shoulder, throw it,
to best assay its weight - is it ponderous, full of big *** gravitas
or a snack, a parfait desert, a haiku delight?

You cannot touch it, but it can touch you,
It can grasp both your shoulders, shake you from complacency,
put its hands upon thy throat, gasp emit, a scream demanded,
paint whimsy lines on thy face, from ear to ear.

See

With yours eyes, by a mere glance, true reveal its length,
stanzas multiple or an itty bitty ditty, but this gives no value clue,  
Ogden Nash vs. Tennyson,
in two minutes make you laugh,
in twenty, make you beg, mercy!

Smell

Some Poe poems do stink, befouled mushrooms in
a dank place, some require nerve to read,
but your olfactory be ill suited for
poetic deconstruction and criticism.

Hear

Wake you with kisses upon thy face, inject love poems into thy ears,
straight to the brain verbal crack *******
yet even the hearing the whisper of words from my lips,
is an insufficient, sensorily speaking methodology,
of how a poem, to best comprehend

How then?

If touch, vision, smell and cursory hearing alone
can't essence capture, what then, weary reader,
is the supposed Laureate's approved analytical tool?

Taste

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.


Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

Feel the light pressure of the tongues tip upon the roof of your mouth
and the exalted exhalations of air rushing past thy cheeks
as you messenger breath from your chest to be shared with the world,
over the poem's interpreter, your tasting lips.

As I lay each word down, a brick by brick edifice construct
of mine own design, I am sated, fulfilled only,
when with I see your lips move as you savor my words,
my taste you share, and we are closer for it.

Deaf, dumb and blind, all such travails can be conquered, assailed,
but when I cannot, no longer anymore taste
my poems upon thy lips, then I breathe no more.
Fanciful, farcical, and highly incorrect, but then again a friend said to me after reading this, "wish I had known this in high school..."
ambiance amplified and gravitas dead inside
drink alone, danger zone, shot the Jekyll, saved the Hyde
cut my seat belts so my doors wouldn't beep, though
I creep with a fleet of conceited banditos
to the park, skip some rocks, play the shark, shuffle birds
find the narc, go and knock, make it bark, no one heard
a million reason to stay awake wide-eyed tonight
ninety-nine *******, one problem: you're in my line of sight
black & decker woodpecker, fur-trap chop with my power-drill
trill wagon, cool dragon flagon of honey mead on the window sill
unseen fiends mean for stones out beating streets to smithereens
you only live nine times: shake the earth, **** the silver screens
pair of sweet, pear-shaped tweets for you to meet in the suite,
they can show, you can see that they know how to greet
enough throwaways to keep boost mobile open
enough light reflecting princess cuts that they think my neck is frozen
touch fuzzy, get dizzy
tlp
Ian Boyd Apr 2012
This week I have been mostly petrified,
and in between such periods I have been jelly.
Do you remember the action of freeze and thaw?
Surely you do, it’s the one clear spot
in the fogged grey landscape of your old school geography.
Well that is the state of me.
I am eroding.

When this process began I cannot tell,
I only know that it continues.

I like to think that the fragments of my self
are at least collecting somewhere,
perhaps in my socks.
If I had the will I might tip out the sediment nightly
and store it in a glass jar by the bed.

I am of course losing weight,
though not so much weight as gravitas.
Conventional scales won’t register the change
as I have tried to explain to my doctor,
but he smiles the smile of an indulgent uncle
then writes me another little green ticket
for little blue pills.

When the last essential ballast is crumbled and gone
Into that that jar, nicely striped,
my substance will rise
like a cheap balloon, leaving
something empty and indifferent
and insensitive.

Hooray is what I say!
I, or that thing that is I minus self,
might at last succeed by blundering on into money regardless,
by making the right decisions.
Judgement is right because there’s no backchat inside
to say otherwise.

Bring it on.
Make thyself important,
though not by mere words;
for they who claim importance
are fatally mistaken all too often.

Make thyself important
and none shall turn from thee for long,
for thy merit and consummation
shall be thy calling card:

-
Be good at what you do.
Do what you love.
Love what nurtures thy soul.
Inspire others to do the same.

These are but four of the tenets by which I try to live.

If they are shown to be obsolete,
they shall be revised,
but, until such a time,
they seem to be wise.
H Zul Jun 2015
In aloneness
all in oneness
thoughts trickle
never end
but never mend
these scars

The gravitas
weight of words
push and piston
beating heart
the rise and fall
of chests

Cold and candour
truths in clamour
cresting waves
the callous pull
in quiet calm
the moon

And so I gaze
in silent praise
the constellations
glinting stars
in tessellation
your eyes

As I became
so garrulous
and perilous
chit and chatter
careless talk
to self

While I beheld
the universe
reflected
in reverse
your eyes
the skies
PK Wakefield Jan 2011
all lips and spit
rinds glittering pleasure
i'm lean sinew knotting heavy gasps
at nails and texture rawly rumples
     the divine shale
your pertinent flavor strums a tattoo polished on my back upper
      sprouted feathers
how contracting desperate talons
                      grapple cotton bedding
shouting mumbles of lipbiting  
         sweat
                         in tremulous arcs
of ***** lint
                         i gravitas  surreptitiously
  the cradle of your spark spitting electric engine gloved
in black hard fuzz
                                  tickling the moist
       tremor of
                          my rose petals splitting
tongue delivers
                              screeching        love
Paul Butters Jun 2016
Iambic pentameters are quite old
As poetry fashions go now, I must say.
Tetrameters are sharper, yes,
But both are old I must confess.

Make any speech, with force, you’ll surely find
Iambic rhythms: the power of pulse.
Such things are found in common speech for sure.
And lines of ten syllables must endure.

Poetic structures set in stone are not
My way: variety is key I have
To say. Some use of rhyme is okay too.
So how you write, that’s up to you (my friend).

For I prefer to write free verse,
To steer away from doggerel’s curse.
Longer lines are languid, with gravitas.
Short ones clout,
It’s as simple as that.

Paul Butters
As requested by my friend Stephen Chapman. Retitled and stanza added 24\6\16.

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