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RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
LovelyLittlePoet Dec 2016
my great grammy mima
was the best person
alive
if you couldn't do something
she told you to
try and try and try

my great grammy mima
was the most heartwarming person
alive
if you were sad
she made you very
glad

my great grammy mima
was the most talented person
alive
she could play the flute, harp, and sing like an angel
she got featured on the music channel

my great grammy mima isn't now
alive
but she'll stay in my heart
and i'll try hard not to cry
Kind of sad . . .
Bo Burnham Mar 2015
Why do poets always talk about the ocean's waves,
about their single file march to shore,
and yet never talk about my grandmother's farts,
which arrive in time, one after the other, with equal
     regularity?

Are these poets too holy to comment on anything
less than nature's flashiest gestures?
Are we going to spend another millenia searching
for meaning in sunsets and waterfalls?

Or will we finally turn our ear to Grammy's ****
and away from all that pretty stuff,
and hear that foul, muted trumpet sing,
marking the end of an era?
robin moyer Oct 2011
This morning, out in lightly falling snow, I heard geese
as flights of them flew overhead. Like a shot
I was ten again, Grammy and I at the lake. I’d sit in the bow
of my canoe, pulled awkwardly ashore, neck craned back to watch the sky.
I was always sad to see them go; their calls so many cold goodbyes.
Ice encrusted water slushed against the dock in slow motion waves.

It was time to seek new horizons, where waves
of Floridian waters would embrace the geese.
My grandmother said that every new adventure started with goodbyes
to one thing or another. If I were ever to have a shot
at following my dreams, there’d be farewells as I reached for the sky.
Instinct would lead me onward to my accomplished bow.

One year Momma and Poppa Goose stayed behind, a nest in the bow
of my boat. The wintery sky turned black with departing waves.
They would call out as the flying ones filled the sky.
Wounded wing grounded Poppa. (Canada geese
mate for life.) Momma would not leave her mate, recently shot
during hunting season. She would not yet say her goodbyes.

This, then, was the winter of no cold goodbyes.
Before school, pony tailed hair with ribboned bow,
blowing in the stiff breeze, I’d take a shot
at keeping ice from the edge of the lake, waves
arrowing out as they swam. The geese,
with an itch in their wings, anxious for a return to their sky.

That summer Poppa introduced his flock to the sky,
practiced formational takeoffs leading to goodbyes.
Clouds overhead gathered gray with unfallen snow as the geese
took flight. My two watching for a moment, dipping heads in an elegant bow,
before joining in the aerial ballet of strong winged waves.
Grammy’s strong hand gripped my shoulder, then-- the parting shot.

Grammy joined the geese beyond the horizon. No miracle shot
or endless love could keep her with me. Heaven was in the sky.
I knew she was watching although there’d been no time for final waves.
Her new adventure started without time for goodbyes.
Outside, snow blanketed as I cried myself to sleep. Her final bow
had been silent, but she’d been telling me, as had the geese.

Overhead the geese are shaftless arrows shot
from an instinctual bow piercing the morning sky
with their raucous goodbyes. Time waves.
Linz Nov 2015
Dear Grammy
You are my everything
You make me smile
To be with you, I'd walk a million miles

The thought or your stew
Makes my stomach growl
Your warmth in the kitchen
Makes everyone run to the table

The thought of your embrace
I feel happy and high

The way your smile
Light up my life
I'm sad that your memory of me
Is no longer in sight

"What's your name?", you ask.
"I'm your granddaughter", I say.
Tear stream from my face
As I hide far away.
I come back, sit next to you
And your smiles astray.

I miss your fond memories
Of me and you dancing
Of us making dinner
Of us simply driving.

I know you can't remember the words that I say
But for you dear grandma
In your heart I will always stay
For my dearest Grammy and my favorite person in my entire universe, to the far galaxy and beyond, I love you.
Bunhead17 Nov 2013
[Verse 1: Drake]
Versace, Versace, Medusa head on me like I'm 'Luminati
This is a gated community, please get the ******* the property
Rap must be changing cause I'm at the top and ain't no one on top of me
****** be wanting a verse for a verse, but man that's not a swap to me
Drowning in compliments, pool in the backyard that look like Metropolis
I think I'm sellin' a million first week, man I guess I'm a optimist
Born in Toronto but sometimes I feel like Atlanta adopted us
What the **** is you talkin' 'bout? Saw this **** comin' like I had binoculars
Boy, Versace, Versace, we stay at the mansion when we in Miami
The pillows' Versace, the sheets are Versace, I just won a Grammy
I've been so quiet, I got the world like "What the **** is he planning?"
Just make sure that you got a back up plan cause that **** might come in handy
Started a label, the album is comin' September, just wait on it
This year I'm eating your food and my table got so many plates on it
Hundred inch TV at my house, I sit back like "**** I look great on it"
I do not **** with your new ****, my *****, don't ask for my take on it
Speakin' in lingo, man this for my ***** that trap out the bando
This for my ****** that call up Fernando to move a piano
**** all your feelin's cause business is business, its strictly financial
I'm always the first one to get it, man that's how you lead by example
Versace, Versace, Versace, Versace, Versace, Versace
Word to New York cause the Dyckman and Heights girls are callin' me "Papi"
I'm all on the low, take a famous girl out where there's no paparazzi
I'm tryna give Halle Berry a baby and no one can stop me

[Verse 2: Meek Mill]
Versace, Versace
Its killers, real ****** that's all in my posse (shooters!)
I'm getting so rich that they making up rumors that I'm illuminati (rich!)
Just me and my ****** we killin' these *******, go body for body (murders!)
These suckers be hating, they praying to God that I don't cop a Bugatti
Hold up, drop the top on the rari
Pull in the club and I'm stopping the party
Hold up, got ******* on *******
They poppin' on molly's I'm prolly at Follies with PeeWee and Tip
Of course i went with Lou
I did everything that I said I would do
I really won't tell you that I'm better than you
But we're not on the same level as you
Cause the G55 got a hell of a view
Regular ****** make regular moves
With ya regular ***** and ya regular crew
And you ***** still smokin on regular too? Like word?!
What a shame, my *****
Louboutin blood like Game, my *****
Get left tryna aim, my *****
Like Saddam Hussein, my *****
I'm whippin' this brand new machine
100 bands in my jeans
Call yo ***** Barry Sanders
She done ran through the team
I got hoes out the D
They playing on the team
Do anything for me
I mix that xan with the lean
Hold up, let me get it back
Versace, Versace
I'm gettin' this money, I'm stackin' my broccoli (racks!)
I'm running my city
You might gotta pay me if you land on my property (tax!)
I bought the boardwalk and I parked on the ave
****, my life's like monopoly
You caught a new case and you got outta jail
Boy, you look like a cop to me
(Get out of jail free card?)

[Verse 3: Tyga]
Aughh! Versace, Versace, I brought that **** back, all these ****** they copy
Medusa head on me I'm at the hotel, Versace Palazzo
I rented the yacht for a week, but I bought the convertible Lambo
Six mill for the mansion
I see haters coming I need some more ammo
These ****** gay that's Elmo
So much green I turned camo
Some hoover ****** on flannels
Light light you up no candle
Grip on that handle Yosemite Sam ya, that ***** bang like a banjo
Told my arms dealer no need for a box, I don't read the instructions, I throw out the manual (WOO!)
Versace, Versace, my brother king Trell he in a Ferrari
I don't look the same, my camera the same, I made too much money (WOO!)
Paul Pierce is my neighbor, I told him he should of went to the Clippers
I got some crazy ideas for Versace, get them and tell'em my number
Versace, auggh Picasso, Basquiat I'm cocky
23, 15 mill I'm just getting started
Pop water my water
I walk around on my wallet
I don't **** with Saddam but, that's gold all in my toilet
Statues of Horus, and the annubis is polished
I don't got to, rap about, coke for you to enjoy it
I'm bout' to join the money team, just holla' to Floyd about it
Versace, Versace, I'm taking my money to the Cayman islands (WOO!) Versace Auggh!!

[Outro: Quavo]
Versace, Versace, Versace, Versace
Versace, Versace, Versace, Versace
Versace, Versace Versace, Versace Versace
Versace, Versace Versace, Versace Versace
I love this song!... lyrics to  "Versace" by: Migos ft Drake, Meek Mill, and Tyga ****. by:  Zaytoven.
Claire Waters Dec 2013
i
you say i am honestly not the same person
i say one day i woke up honest
and i do not know how to undo experience
my own eyes and ears and nose and mouth
cannot be undone at the moment
how do you do it?
push that pressure to the back of your mind
like that
how do you all manage to laugh with a straight face
at things that you know aren't really funny
i can't fathom it. where you go
when you are stomping and ripping
and ****** and jeering
and laughing and running
it's exhausting to watch you

ii
i apologize if it doesn't make sense
that i can't play along
but playing along
doesn't make sense
i could never win a grammy
with this tight lipped smile
laughing at the expense of others
makes me feel more like a paparazzi
placating insecurities for currency
leeching off the vulnerability
you may not think i'm smart but
i am smart enough to know this is not 'normal'
and there is nothing wrong with staring at you in the rearview
and saying "i wish that was really sarcasm"
i'll tell you the truth
and you don't have to like it
and you don't have to like me
and i don't have to like you
because if there's one thing i know about myself
it's that i don't dislike anybody
until they show off their callousness
hoping it's the right party trick
to gain respect

iii
we watch comedy tv, and you are worried
by the way my spine cracks
when i let out a uncontrollable laugh
dragging on, beginning to spill, and as i try to quell it
my whole body shakes with the pressure
of it bubbling inside of me
you feel all of this beside of me
a small volcano with a bent back
quaking absorbed by pillows and flowers and cushions
not quite right for you
wondering why i couldn't laugh like this earlier
when we were not alone
everyone is looking for something more porous
more willing to let in effortlessly
and absorb tirelessly
that can simply laugh like a stream bubbles
and let go of the undercurrent
yet we are sharp and uneven and course like logs
and the weight of our actions carries much further
being shunted downstream by tides of gravity
every intention runs it's course
every intention speaks volumes
if you feel that in your core
every day you will uncontrollably think of how
every intention defines the quality of the laughter
stuck in someone else's head
and you will save it for things that are funny
Katy Sep 2013
I kissed you because it felt so right
I kissed you because I knew it was wrong
I kissed you because I felt a connection that we both said we lost with our current partners
I kissed you because I knew from the moment I saw you accross the room that you would mean something to me and by something I mean everything
I kissed you because she can't
I kissed you because my undeveloped brain acts too much on emotion and impulsity and not enough on logic
I kissed you because the way the moonlight reflected your face was so beautiful
I kissed you because I couldn't pay attention to what you were saying because I was too focused on your lips and not the words coming out of them
I kissed you because it was the perfect response
I kissed you because the look in your eyes was something I couldn't explain with any words
I kissed you because I can't possibly explain to you how I feel when those sweet eyes meet mine
I kissed you because when I heard that song at work with the lyrics that I no longer remember I knew you were perfect
I kissed you because you have what she doesn't
I kissed you because you deserve to be kissed, actually you deserve much more than a kiss from me
You deserve a Grammy worthy kiss from a scene in a cheesy movie
I kissed you because I hadn't felt those caterpillars in my stomach burst into beautiful butterflies in so long
I kissed you because there wasn't anything else in the world that I wanted more in that very moment
I kissed you because it felt so right

But now it feels so *wrong
Aaron LaLux Feb 2017
00:00 Valentines Day

It’s midnight,
and I’m,
alone again,
trying to fill the time,
with these words I write,

watched the Grammy’s last night,
Twenty One Pilots,
standing there in their underwear,
reminding us that we can be,
anything,

Hollywood,
my home,
so many people,
at the Grammy’s,
I’ve met and befriended,

but sometimes,
the enthusiasm seems so gone,
it feels like we’re living,
after the credits when the film has ended,

like,

what’s happened to us,
where have we gone,
and why,
do we still feel,
so totally alone,

supposed to be gone by the morning,
flight to Cabo to pick up my truck,
just flew in from Australia,
found letters from the IRS in my PO Box,
welcome home boy now it’s time to pay your tax,

met my accountant tonight,
gave him all the paperwork,
we chatted for a minute in his Range Rover,
I made a joke about having a black accountant,
he reminded me of the Basquiat photo I’d given him,

Basquiat in the 80’s,
looking awkward as fck,
holding a FroZade cup in his hand,
a crooked No Parking sign standing by,
and the ‘ol Twin Towers towering in the hazed background,

another genius gone before his time,
sometimes the art we create is ahead of us,
sometimes we have to watch our success from the Heavens,
1 2 3 4 5 6 7,
8 9 10 11,
12,

It’s midnight,
and I’m,
alone again,
trying to fill the time,
with these words I write,

watched the Grammy’s last night,
Twenty One Pilots,
standing there in their underwear,
reminding us that we can be,
anything…

∆ Aaron La Lux ∆
Helen Sep 2020
Grammy is an Empath, clairsentient old soul
Mommy is an Indigo, not sure if she knows
I was born a Rainbow Bear to make the planet whole
Together we will change the world, at least that is our goal
Grammy plays with honeybees, loves entomology
Mommy is a healer, she gets it naturally
I'm completely fearless, we all are HSP
At least we’re slightly different, on that we can agree
Grammy hears the trees speak, scream when they are down
Mommy sees the unborn babes by using ultrasound
I sensate most creatures before they come around
We hope to stir you deeply so offer this background
I’ll share my involution with you every now and then
Speak with you of changes by taking up a pen
Together we bee wise ones who work for truth again
The world will be lighter, though I can not tell you when...
(Little Bear speaks of Starseed, from "The Book of the Bear")
Poignant prose chucked out and recycled by morning.
Turned out trick repeated til boring.
The local band just started touring.
Sonnet's blasted until the ladies are 'whooring'.

...

Roxy Music dropped David Byrne.
For Ellie Goulding and a remix of burn.
Robert Johnson's been reworked.
Ratatat rap as interest is perked.

Dylan picked up the silent game.
Making ambient noises which all sound the same.
The Rolling Stones joined the church.
After buying some of Hoosier's merch.

Nicki Minaj claps her ****
Laying down a tribute for Terry Fox's stump.
Benefit concert soon to be run.
By the played out Glee Club composing Fun.

Beach Boys dragged in with the tide.
...And Stars Collide.
NOFX has gone clean
Fat Mike's gone and become a dean.

Tom Waits stomps out to Kendrick Lamar.
Hacking up bits of blunt induced tar.
Bumping out in Steve Ellison's car.
To Captain Murphy's karaoke bootlegged from a bar.

...

Less than 10 good tapes a year
Even fewer if referring to those others actually hear.
Jack White's gone third eye blind
Getting over run by his drug free mind.
Steven Hutchison Apr 2013
Chase my voice through clouds of sulfur
convince it to let me burn it alive
parade it down broadway to light up the corners
starved of recognition

Tie anvils to the tips of my fingers
light them also on fire
it wasn't really the cigarettes
so much as the flames of sacrifice

Ignore their judging eyes
invite them into my home
whip my back until it bleeds for their religion
go to sleep with the smell of incense in my throat
Classy J Nov 2018
Intro: You know, I don’t care what you’re saying about me.
For I’m not an insecure ***** like you but I do got to thank thee.
For if it weren’t for thy vile venom spitting I wouldn’t have a reason to enact my lyrical terrorism!
So, you only have yourself to blame for this ****, so don’t say I didn’t warn ya.

Verse 1
Uh, yeah let’s talk about it!
Can’t contemplate, the vicious state that contrary to popular belief I’m not a basket case!
Can’t misuse the time I got so here I go to vanquish these fraudulent thots!
Started an unfocused freight train that charged towards the lucid dream because I couldn’t assimilate!
In that time, I was so focused on changing everyone’s snot ridden hypocrisy about reality being Camelot.
I know I’ve also ****** up a lot but that’s something I had to face!
It’s not any of your business so stop ripping off my skin then rubbing in the salt!
I still have a goal in mind to destroy discrimination that incriminates my people,
by putting em on the hot seat.
So now that every one is up in arms I got my chance to aim at the sweet spot!
Everyone is hungry to be the fittest but not everyone has time to think how to be the smartest.
To strike will the fire’s hot or wait for the embers to spark and settle is the true test for an artist.
Who cares about the lines when it was never rightfully drawn in the first place?
Who cares about what spot or space is for you when it’s all been delegated to the privilege of a certain race?
I can only undergo so much disgrace So, sorry but I’m not willing to have my people’s history erased!
Free speech is going to be a ***** for some and a tool for others, I guess it all depends on that person’s poker face.
Inequality is frequent not just in Canada or The United States but every country, province, and common place.

Verse 2
You want the real, raw, unfiltered Classy J well here you go!
Uh, Tell Trudeau to kiss my *** and stop ******* Trump’s ****!
While you’re at it can you tell your father that he’s a ******* stupid *****!
Also, totally forgot but can you tell Kim Jon un when he’s shafting you that he’s a ******* Buffoon!
But’s that’s enough about ******* politics let’s talk about ******* rap artist’s who think they’re hot but really, they so tacky and obsolete like the Zune.
To mister bi-racial we get it you’re into being superficial but’s honestly with you being so focused on being a ****** your delivery showcases the truth that you’re really a cringy ******.
Just face the fact dude that people will only see ya as a juggaloed Dolph Ziggler.
Uh, Now on to the next!
Dear mister Young moolah imma be front, you look like diseased uvula with the lyrical skill comparative to that of an elementary grade schooler.
Now to address the biggest flacky ***** in the game the not so slim shady.  
Here’s the matter Mr. Mather’s you look like a hobo who ***** guys off around the corner,
maybe that’s why you always diss homos.
Because youse a **** trapped in your mommas’ closet,
and if wasn’t for Dre’s hand up so far up your *** you wouldn’t be as popular of a puppet.
Oh ****, Shady you so focused on Doctor Dre and acclaim to fame that you forgot about Hallie.
****, and speaking of Hallie, I feel for you girl because just like you I also didn’t have a dad there for me.
I’m a man of war so every rapper got to get their **** together and better be prepared to me seriously.
For Imma slit their throats and turn em inside out rigorously, and I make sure those tardy cats will rule the day they ever had curiosity.

Verse 3
Just remember my people were here before you, and will be here after you!
And I’ll be here to destroy any of you who dare to pursue native issues!
Or if I’m just bored and feeling like killing you!
However, if I forget about dealing with you, I’m just to busy to properly give a **** about you!
It’s not just revenge, I see it as using justice by retorting with my wordplay to cleanse ya like shampoo!
But I’ve spent enough time dissing freeloaders, for it gives their ego’s too must **** exposure!
I won’t coaster to these composers, for a chauffeur can’t gain an advantage over a soldier!
I wont lower myself to these grouchy Oscar’s, who hunt for Grammy’s;
or as I refer to these events as pedantic half ***’d statements for excepting grandiose toasters.
Why bother, for it’s so annoyingly stupid that I would rather waste my time watching a movie featuring Adam *******.
So, **** this glass ceiling that defines and dictates what makes up a talented rapper.
I may not be a ******* goat but at least I’m confident enough to go out in my birthday suit and retain my composure for being dapper.
That’s the synopsis of my classy brain, and though it may be insane I’m willing to ride this hurricane!
To make sure you know my name, but yet not let myself get engulfed in the flames.
IncholPoem Jan 2019
While  wearing  t-shirt
        and  a  brown  cap
Two  knees  ar­e

         on  two  thighs.



Fingers   were
     functioning    like

             on  keyboard    to
    
  create   an   unique  tunes

    for Grammy  and  Oscar.


  A  woman   filmmaker
is  travelling  by  taking
her  movie  in  globe.

    ­Desires  deserve
  
             for  Oscar   or
              nominees  of  Oscar.


  A  zoologist
is    bein­g  prepared  to  submit
her   new  invention  for
Nobel  prize.
For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.
Mary McCray Apr 2015
(NaPoWriMo Challenge: April 9, 2015)

The tendency to forget information that can be found readily online by using Internet search engines.


This information is the result of my searches on Google this morning:

• “Never memorize something that you can look up.” Online this quote is widely attributed to Albert Einstein.

• “[I do not] carry such information in my mind since it is readily available in books. ...The value of a college education is not the learning of many facts but the training of the mind to think.” This was Einstein in response to not knowing the speed of sound as included in the Edison Test. (Wikiquote)

• Many people wear the same clothes every day. In Einstein’s case this was a grey suit--the reason being that our thinking time is wasted making irrelevant wardrobe decisions. I also re-read the Henry David Thoreau quote about life being frittered away by detail. But when considering what is being frittered, you could add the mind, the spirit, time itself. This idea was part of Thoreau’s “simplicity, simplicity” quote which I once bought as a magnet from the museum at Walden Pond in the fall of 2001. I didn’t remember that date. I just googled a story about the trip, (www.apeculture.com/travel/boston.htm). In any case, I felt the magnet was being ironic. Like Einstein, President Barack Obama wears the same variation of two suits every day in order to “pare down decisions.” Apple genius Steve Jobs wore the same thing every day as does Facebook co-founder Mark Zuckerberg. (Elite Daily: elitedaily.com/money/science-simplicity-successful-people-wear-thing-every-day/849141/)

• Google is creating personalities for androids, personalities that will live in the cloud and can be swapped into robots. I plan to forget this information because it’s creepy and like Ripley in the movie Alien, I’m suspicious of androids unless they are like Lance Henriksen in the movie Aliens in which case I would probably buy that personality for my robot if I had one.

• I also found out today that Google's images section, (which I use religiously when blogging), was created due to Jennifer Lopez’s green floral Versace dress, the one that opened like a surgical split to her navel, the one that caused such a kerfuffle when she wore it to the 2000 Grammy Awards and everyone searched Google fruitlessly for it afterwards. I’ve forgotten about that dress because I hated it. It looked like a Miami house-robe for one thing and I don’t like any couture that structurally hangs off *****.

• Google also announced a new patent today for a warning system that protects you from pop culture spoilers on Internet pages. If you think about it, this warning system will protect you from Google itself. Sometimes a little information ruins everything.

• I found all of this Google news on Google News.

• You can find more Einstein quotes here:  brightdrops.com/albert-einstein-quotes, one particular quote informs me that creativity is knowing how to hide your sources.

• D’oh!

• Which is a word I have always remembered because the great poet Homer said it.
Hello Poetry doesn't allow linkage in poems which created a problem for my Google-based poem today! To access the links you can cut and paste them into your browser.
Black girl roots.
Black girl magic, stemming from their black girl roots.
From their magical skin, full lips and hips, beautiful roots of their hair
Is the genetic anatomy of a black female that incomprehensible?
Full lips on display lined with collagen filled comments,
the peanut gallery of social media filled with distasteful outrage by the same things they inject to achieve yet,
riots on social media streets over the distasteful cultural misappropriation of all that is black yet,
It's distasteful to live somewhere, to live here, beautiful islands bathed in sun and filled with black people that aren't even conscious of their background...that aren't conscious of their 'blackness'.
To be so ashamed of their blackness. Their very roots.

Ashamed of their roots.  What a time to be ignorant Trevor.
Black History Month is now, yet there’s a rampage to eradicate the very aesthetics of blackness rather than appreciate them.
Dear colonialized principal of C.R. Walker High School, quit.
Dr. Claudius Roland Walker, the school’s namesake, built a hotel for blacks who were being discriminated against and
I imagine he would build a coffin for your revulsion of all things black,  
We’ve moved past your self-hate and the disdain you have for your very roots.
Black hair is beautiful and can never be unkempt. Let me say that again.
Black hair is beautiful and can never be unkempt.
Black hair is a statement that you and nobody that inhabits
this dying planet has the authority to deem untidy or inappropriate.
It took our ancestors far too long to comb through fields of complications
the root being wearing their natural hair and through natural hair movements
to have some nescient minded leader deem it disheveled.
Our roots have permitted our black skin magic, we absorb the rays of the sun,
magicians, and for my final trick, watch my skin glow like gold
dripping like wet paint onto a canvas of unfinished art
left behind by our old souls.

Oh my black people,
a juxtaposition of media sensationalism led by governmental lies, descendents of slave owners insisting that our black hair is something to be ashamed of,
it seems we have our heads so far up our own *****
we're getting too used to the essence of sh-t.
Then the chant goes up, the battle cry,
"This isn't the United States, there's no misogyny, there's no racism, there's no-"
Shut-up.
"Are you angry?"
No, I'm black and I'm angry!

Our mindsets rooted in the prevalence of self hatred, leaves of mighty oaks desperate to remove themselves from their very roots,
requesting emancipation from the very ones that have us enslaved,
begging to be cut loose from the European hand
consciously and subconsciously unshackling the left as we tie the right.
but where are you going?
When has a plant ever survived without its roots?
How dare we neglect the nutrients our ancestors left behind and chase the suicidal pesticide made to eradicate our total being?

Dear god if you're listening, as the cry of former sages went up I also cry,
emancipate yourselves from mental slavery and take me back to my golden home,
where I belong.
Take me back to the very roots I am taught to be ashamed of,
so that I may feel the energy of what once was.
Take me back so that I may cultivate my roots. Take me back so that I may live to tell the truth.
Just take me back.
My people deserve the truth as I find them in the lie,
smearing the proverbial “creamy crack” on hair and skin,
My people deserve more than a painted picture of Cesare Borgia Son Of Alexander Pope 6 as Jesus.
My people deserve to know that Jesus was black and that the Catholics were snakes in the grass abusing their power during their time of reign. Uh oh, the snaps got quiet.
Oh but my people deserve to know that perceived infallible Bible they see today has been edited and destroyed to hide the secrets. Why?
When mama and grammy worship pictures of “Jesus”, why wouldn’t white be right?
Jesus in the pictures mama, he’s a white man, he has straight hair, he’s the savior,
aren’t we supposed to be just like him?  
but
Little black girl with your, black girl magic and your,
magical skin, full lips and hips, beautiful roots of your hair
your crown, your skin, is beautiful. Your roots are strong.
Got excellent help from a friend named Gail on this piece.
Jack L Martin Sep 2018
"Stop It!" shouted the man
who was dressed in a ***** pin stripe suit,
eye glasses half askew on his nose,
ski-***** haircut sported since his youth.

My face turned blank, shoulders shrugged
not fearing this man's belligerent outburst
because I was used to it;
it was the hundredth time I felt it's sting.

I stood there, patiently and quiet
caressing my double bass violin
my secret seventh grade lover;
she had **** curves and a deep, soothing voice.

I stood there, impatiently and quiet
waiting for Mr. Heidrich to finish the lesson
focused on the third seat violinist
whom played without feeling, again.

I stood there, overbearingly anxious
tapping on the shoulder of my wooden BFF
my rendition of the William Tell Overture
A performance worthy of a Grammy!

The man in the ***** pin stripe suit,
turned and looked at me, scornfully
his half-bald head turned beet red
body shook violently like an earthquake!

The energy released from his gullet
would have made Mount Vesuvius jealous
fiery vocals of curse and rage
would have made the evilest of demons run for cover!

My face turned blank, shoulders shrugged
not fearing this man's belligerent outburst
because I was used to it;
it was the 101st time I felt it's sting.
Asa D Bruss Nov 2014
I've got a gravy train riding hefer
and she's ready to deliver
all the goods and the services that I never give her
cuz she's mother ****** queen absalom
in the directory's cut
of the film that won a grammy and a mammy
and made it all the way to flavortown
in the south bahaman outback of queens land
and ate all my chili beans so that I would be sad on a green day
cuz I got granades in my ******* about ready to be pulled,
and there aint no sunshine when she's gone, and there's only darkness every day, but she's never gone too long because I never learn to live without her anyway.
rachel g Nov 2012
You're wearing too many rings,
just like me.
You're wearing glasses,
just like me. (except mine don't fix my eyes because my eyes are fixed fine)
You're calling me a Little Monster
and I'm laughing, giggling, because monsters don't exist
(except in the closet and in the basement and inside the vacuum)
and you're smiling at me and everything's gold from the fire.
You are wearing an office-shirt, with a collar and a pocket and buttons
tucked into your brown pants
almost like it's seven thirty in the morning, every morning
except it's not. It's Christmas Eve Eve, and I know that because Mama told me
because that's why Grammy and Grampy and Aunts and Uncles and Cousins are being loud in the Living Room
(which is weird because why isn't the kitchen called the Eating Room or our bedrooms called the Sleeping Rooms)
and I know that you're wearing serious-clothes because that's What Grammy Wants to See
and I've been waiting for this day for a whole year. Which is like forever.

I ask for a story and your face wrinkles a little because
I ask for them all the time, I collect them like old people collect money and bank letters and shoes
and you're getting tired of telling them, probably,
but I want the air to shimmer behind your voice
and I want to be the only one that hears it
so I beg.

And you tell me about a magic carpet you had when you were a boy
about fruit--like bananas and apples and kumquats--coming to life
about the time Santa slept late
about when dragons used to be pets and how we used to fly them like cars

and the air is still shimmering but
I'm getting sad
sad,
which I never do when you tell stories
because I'm realizing that all your stories have already happened.
They're ghosts, gone by, never coming back,
beautiful things lost, disappeared.
And you never tell me about the future
because you don't know it any better than I do
and the world seems kind of scary,
too big for me,
ready to **** me in like the vacuum.

You stop your voice, you peek at me
and see my eyes
and then you hug me
all warm because we're by the fire
and the room is silent except for the crackles and snaps
and voices coming from downstairs.

And your shirt is soft and I'm crying
hot water leaks from my eyes, falling down beside my nose
because no one knows the future and it's all too perfect right now.
And you let me go and you kiss my forehead and
say "is it all better now?"
and I nod because I love you
not that I know what love is, but it feels that way
and I'm safe.
spysgrandson Feb 2017
he sat bedside with his great grandmother
stroking a hand laced with what he saw as
tiny blue rivers, flowing from a thin wrist
dammed by ancient knuckles

boulders chiseled by eighty-four years

he read from his book while Mommy
dozed in the chair, and nurses squeaked
in and out, all with half smiles he could
not decipher, for Grammy was sick

and when his mother was awake, she cried

he hadn't seen her tears before;
he tried not to look, preferring his book
with its pictures of the sun, orbiting
planets and mazy moons

and spaces in between where heaven might hide

he understood most of its words,
and none were of heavens--unless noxious gasses
and swirling clouds of dust were the winds which
whipped through the pearly gates

but his seven wise years knew that was not so

when he turned to the page of the
penultimate planet from the sun,YOU-ruh-nuss
he discovered it took four score and four years
to orbit our star once

math's mystery may have eluded him

though coincidence was not yet
in his lexicon, and now he knew Grammy
had her times around the sun, her eighty four
equaling one for the great tilting Uranus
Uranus, the next to the last planet from our sun, takes 84 years to make its orbit
Jim Kleinhenz Jun 2010
those crisp empty boxes have
been left there for the imagination to
fill up with mind stuff

for that kid in the park,
alone with a soccer ball, a good one,
one his grandma bought for him

for the World Cup
he gets past Maradona, yes, Diego
Maradona. Horton is ahead of him,

Tim Horton, in goal
charging hard, forcing his shot wide
for the goal of a minimalist poem

could be donuts, for Grammy
to take the whole team out for donuts
filled with mind stuff
© Jim Kleinhenz
Megan Parson Feb 2019
Once there was a file,
The file was used in a program.
Unfortunately, could never smile,
Digitally stuck in rolling RAM.

Wanting a life beyond the lab,
To be called more than just a tab.
Instead AMAZING, cool & fab,
Being able to dance & dab.

Tired of being cut, copied and pasted,
Duplicated, locked and wasted.
So s/he married a trojan,
And eloped, far from that dungeon.

To party with android & PUBG,
Feasting on apples & candy.

Living life in blissful entirety!
Bonjour my fellow poets & poetesses, i know its been long but my exams are finally over  *dab*  I wrote this poem in my computer lab, with the first 2 lines left behind by some kind soul. Love, Megan.
Jack L Martin Sep 2018
Independent Grammy
Ameripolitan Billboard
CMA Triple Play
Indigenous K-Love Fan

Austin YouTube
Loudwire MTV Video
GMA Dove iHeartRadio
Canadian Country
Stellar BBC Music Magazine

Americana Blues
Tennessee Songwriters Association
Soribada Best K-Music
Texas Country

APRA Western Heritage
Texas Sounds
Academy of Country Music
Wine Country

Carolina Teen Choice
Pulitzer Prize
Latin American Unsigned
Alternative Press

International Western
People's Choice
American Tejano
ASCAP Country Soul Train

Soribada Best K-Music
Texas Country
American Songwriting
Branson Terry

Nashville Industry
International Bluegrass
Source: https://camphouseconcerts.com/2017/09/25/list-of-2018-music-award-shows/
saige Mar 2018
no count-downs for birthday parties
no arm wrestles, no jump shots
no go-cart donuts
not even a snowball

where did we go?

blond hair
up to my shoulders
surrounded by jewels
some empty-paned picture frame
couple sprouts beneath a pine
saying "monkeys" for Grammy's kodak
red clay on your feet
pink frosting in your teeth
me, sheathed in my favorite shirt
"I'm the big sister!"
with a butterfly depicting
what I've yet to become

how wrong have we gone?

well, I'll be twenty
once spring rolls around
and brother
you're not far behind
I can't tell time
to change its mind
but I promise you
it won't be changing mine
from the photographs, scrapbooks
I'll forever feel your laughter
just like goosebumps
the brail I'm reading into
let's gaze past glares
straight through white sunbeams
spiking your brown eyes
twice as deep as mine
the truest shades
on the face of the earth
to this very
foggy day
this mirror, this moment snagged
before shutters snap
and capture us, splatter us
on matte paper, or cell screens
with brown hair
up to your shoulders

way to go, little brother
but I'm still keeping that tee
because the only thing
I've always been proud to be
is your big sister
Aaron LaLux Apr 2019
Another prophet who got his top knocked off,
this system’s toxic thought we’d found hope but lost it,
Nipsey Hussle shot down outside his clothing store Marathon,
live and die in LA grow up only to get shot down on Slauson in Compton,

and the irony is that he was taken out,
in the same neighborhood he had invested in,
from Proud2Pay to AfroTech Nip was a Community Activist,
in a system of force fed poisons he was medicine,

and maybe that’s why he was martyred,
just like MLK Tupac and Marley,
this is all real life in living color,
life’s not a Game but this is The Documentary,

every word true,

I mean do you,
think it’s just a coincidence,
that Nip was murdered when,
it was announced he was about to come out with a film,

about Dr. Sebi,
the herbalist,
who was also possibly murdered when,
he went public with claims of curing AIDS and other illnesses,

nothing random about this act of violence,
it makes so much sense when you think about it,
nothing senseless in the message,
I mean seriously think about it,

MLK shot on 4/4 at 39,
NIP shot on 3/31 at age 33,
why do the most violent things happen,
to the brothers that preach the most peace,

it all makes sense everything adds up,
but most will probably dismiss this just as another conspiracy,
I mean I guess it doesn’t matter ‘cause nothing will bring Cuz back,
RIP NIP Rest in Peace Nipsey another brother gone to young at 33,

and it’s all so eery it’s creepy,
all the above evidence plus,
“Having enemies is a blessing.”,
was his last tweet,

as the words of his last sound sit in my ears as they ring,

“**** I wish my n!gga Fats was here,
how’d you die at 30 somethin’ after bangin’ all them years,
Grammy nominated in the sauna shedding tears,
all this money power fame and I can’t make you reappear.”…

RIP NIP

∆ LaLux ∆

LA 2019
For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dogtag,
Or a dog, a colossal beast of a pet,
A humongus Harlequin Dane dog to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes.
Our boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo,” they will sigh.
What more could you want in retirement?
You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
Mateuš Conrad Oct 2018
.you want to relearn the schoolyard? are you sure you want to relearn the schoolyard?! sure... we can relearn the schoolyard...  i have a theory though, and it goes along the lines of... you know those *******(s)? i have a theory... they're not exactly into smoking, or drinking... like... their female counterpart... i actually think women are afraid of young boys... for what young boys are, per se... well, given Muhammad, hyper-inflated interest in literacy... that covers the whole: illiterate prior, married to an older woman, not drinking, not smoking?! so what's your outlet?! to be an object of what... "subjects"... or to be a "subject" of what... objectifies... case in point, the nuance is interchangeable in the metaphor quadratic of wording... and no... not really... i find it hardly necessary to concern myself with making the sort if accuracy to give a metric unit basis of a centi-, or otherwise, etc.

it's sheryl crow
for ****'s sake...
it's not
           katty perry...
that debut:

was... pristine..
seminal...

sure... my feet stink...

what? what's wrong
with Cheryl Crow?!
you better be *******
with me for serious,
otherwise
i switch to: unhinged...

a change?

***** won a ******* grammy!
sure... she married
a glorious child of
the two pedals...
   who faked Paris having faked
a tourism ploy of France...

it's still Sheryl Crow though!
a trucker's daydream
of perfect head,
incubated by a mouth
of an 18 year old boy...

no... i like Alanis...
when... whatever that was that came
from a woman's mouth was...
deemed, fun...
now?

       n'ah... not really.
all i really want... that sort of **** was
fun...
now? i'm becoming more and more
bemused by the fragrance of my
socks, worn, second day to count
thoroughly...
              hand in my pocket...
right through you...

so... BIG daddy gonna come around
to save this teenage girl's cherry ***?
the kind of daddy that could never
have a beer with me?
like i'm feeling that:
while using my right hands when typing
feels like i'm using my left hand,
and vice versa?!

no! i'm not having it!
Cheryl Crow... &...
Chrissie Hynde!
            no... don't give me the *******
zig-zag argument suggesting
i'm about to see something
"better", via an X, cross-eyed...
blurry, like some reverse Freudian
fetish off Ariel, the mermaid,
blurry, under the water...

Disney princesses my ***.

head over feet...
         now... that's a song.
James Ellis Mar 2013
Yo I'm tryna hear some new lines, some true lines
Maybe in this darkness I can see the Blue Sky
Like Common Sense, tryna get us out the dirt my friends
But instead, we choose to listen to those who abuse
Those that sound like an alarm clock snooze
Brainless, in ten minutes we'll hear the same ****
Y'all love to make music? That's not what it seems
Cause its apparent to the people, you had a dream
But betrayed that dream once you saw some C.R.E.A.M.
All that paper for a couple of lame joints and some haters
I wanna hear a rhyme about the government, or at least the truth
Like how it's our time to shine a light for the youth
That way, one day, they'll know that wisdom is what we follow
So they can stay away from the darkness before it swallows
Cause once you get in it, there ain't no escaping
From the sky scrapin', paper chasin, devastation, soul deflation
That can occur with the exchange of only a few words
Its absurd how so many let producers be the choosers
You may win that Grammy, but to us you're still losers
Now tell me, is that how it has to be? Cause actually,
The artist that works the hardest never get credit
What I loved so much is no longer respected
So unless you to plan to change and stop fronting
Do us all a favor and don't say nothing
Amanda Oct 2015
Yours were the arms that held me
on the very first day I was born.
Looking back at pictures,
I can tell how much you truly adored
the little babies that commanded your attention
on that frigid November day.

You held our hands as we took our first steps,
and you held us when we cried.
You laughed when we’d take little stumbles;
you’d put soap in our mouths when we lied.
But your love for us remained,
Unwavering —
Nothing could take it away.

Before you knew it,
You were watching us walk across the stage;
both high school and college flew by.
You attended every single ceremony;
we were never left asking, “why.”
You have remained our utmost support system -
you’ve always made it all okay.

Through tough love & your strength,
you raised us the best way you knew how;
we’re quickly growing into young women -
Grammy would smile to see us now.
She would be so proud of you;
she’d laugh and shed a tear.
“Mare,” she’d say, “Look at your beautiful babies..
My god, it’s been so many years.”
She’d leave you with a slight kiss on the forehead;
you’d turn around and she’d be gone.
“A dream,” you’d think,
but she’s always here with us,
though it feels like it’s been so long.

Momma, I’m sorry;
I know that we fight.
I think that you’re wrong;
you know that you’re right.
our personalities may be
like day and like night…
but I am you, and you are me.
I promise I’m not blind to see
that for us, you have risked everything -
     for us, you have done everything -
     for us, you are everything.

I’ll sign off here; it’s time to go.
But in your heart,
please always know:
You are the absolute best mother
& Momma, I love you so.

Happy Birthday.
judy smith Feb 2016
Fashion rarely looks to the Brit awards for style inspiration but somehow fashion finds its way, in dribs and drabs, to its red carpet. These awards are the unwanted stepchild of the red carpet and generally, this means it’s a bric-a-brac of high-end and high street looks. For every Rihanna in couture you have a Little Mix in Asos.

Such is life, though, and there were legitimate trends, aside from the James Bay/Kylie double hatter. First, in the spirit of Angelina Jolie’s 2012 viral, there was a Right Leg – as flashed by model Lily Donaldson and singer Lana Del Rey. Nightwear came in a rather lavish Miss Havisham-esque form via Florence Welch (cream slip, eiderdown wrap, bed-hair) and Rihanna (a lilac slipdress covered with seashell patterns), and which unexpectedly preceded Alexander McQueen’s autumn/winter 2016 collection. Finally, there was a definite nod to The Wizard of Oz’s Emerald City via Jess Glynn’s sparkling green jacquard suit, Kylie’s backless heels and Jack Garratt’s toned down double-breasted suit.

There were the half-successes, too: Adele’s cascading liver-red dress and matching lipstick was grownup, but compared to her memorable 2013 Valentino hit at the Grammy’s, it felt par-cooked. Singer Charli XCX has been a frow regular at this year’s London fashion week, so she went predictably designer in pale green Vivienne Westwood. But she was let down with her slicked-back hair, a styling addendum that somehow overegged the overall effect. She also looked stiff and uneasy, probably because, at 23, she was too young to pull it off.

The menswear was far more experimental. To wit: Labrinth in a blue and pink orchid-print suit which, unaccessorised, had just enough humour to work (it looked like a box of Cadburys Roses). Mark Ronson did his usual trick of pepping a cleanly cut suit with the odd flourish. This time it was a monochrome dogstooth suit covered with a static print. Even JLS’s Marvin Humes, in a Yves Saint Laurent bomber jacket, epitomised the modern man. And what Carl Barât lacked in pizzazz he made up for by wearing a Hedi Slimane suit (although less said about the James Bay hat, the better).

The misses, of course, were plentiful. The mullet dress is the trend that refuses to die (see Cheryl Fernandez-Versini and half of Little Mix in various synthetic horrors). Alexa Chung rarely puts a brogue wrong, but here in a velvet bustier dress, was fairly forgettable (lesson: don’t step out of your style lane). Then, of course, there was Keith Lemon, who pillaged the misses of awards seasons gone (the Pharrell hat, the pseudo-Gucci blazer … everything really). What did you expect from Keith Lemon? The Brits then: a series of blind taste tests on the red carpet, none of which gets full marks.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/evening-dresses
Softly caress my ears, songs of yesteryear
Making sense of the here and now
When was your sound, you play so well?
Stunned to find you're active now.

Expectation, that song of yours
Makes me feel comfortable with break-ups
Crying my tears dry imagining,
If it ever happened how easy it would be.

If I hung out with you guys, I know
We would be like long lost pals
The music you play is my truth also
Your songs are like inspiration calls.

Vintage sound, yet ultimately timeless
I think you deserved that Grammy
Vampire Weekend, I couldn't care less
Could never imagine your infamy.

Awakened my kundalini for sure
Such a connection to your genius
Your messages loud and pure
Thank you, Tame Impala.
An ode to Grammy nominees Tame Impala. A life inspiration.
Mateuš Conrad Nov 2018
.and believe me, you will never get into the music of Bohren & der Club of Gore... if you weren't played a lot of classical music as a child, and having graduated from classical music, moved onto jazz music... you will simply not get this band, notably the bass fetish fest on the album Midnight Radio; how did i graduate from classical music to jazz? my GCSE English teacher, a Scot, a Mr. Bunce... THOMAS! he experimented with writing on the basis of our music, my writing partner were to explore whether "satanic" metal music induced violence... we were supposed to speak... but didn't really... first my writing partner's song choice was played, Raammstein's Rein Raus... then mine... Slayer's Spill the Blood... but then one day he brought in a jazz CD... Jazz on a Summer's Day (a compilation)... with the opening track being art barkley's moanin', sooner than later i was asking him to borrow that Ben Webster album, where you can listen to the best cover of the song: how deep is the ocean... and then came Miles Davis... i was probably the only 15 year old who listened to the message literally, and followed the advice the day after, having bought the album... he said... whoever doesn't own Miles Davis' kind of blue by the time they're 30, well... then there's something seriously wrong with them.

who would have thought...
that wes borland
could craft such atmospheric
instrumentals...
well...
     given how atmospheric
the song hold on
was on chocolate starfish
and the hotdog flavored water
,
i'm not surprised...
and almost akin to
to tom verlaine's album
around...
you take one listen
to the song jubilee
from the album crystal machete...
whatever the hell he did
with big dumb face
with that death-metal growl...
i'm happy he finally found
his strength to compose
purely instrumental music...
obviously he's not a guitar
maverick,
   in terms of showing-off
like some Van Halen or
a joe satriani...
the whole point was to craft
something akin
to the comparison with
the album kenotic (2005)
by the band hammock...
yes, great... you can pick up
the frets,
the solo *******
into excess..
but like food...
   where the balance of flavors,
and texture are important...
texture translated from
a critique of food...
into music?
       atmosphere...
the haunting lingering on...
a simple nuance,
   matched to a perfected
repetition...
what texture is in food,
atmosphere is in music...
now... i figured...
   if john frusciante could
tap into a purely instrumental
album,
  and forgot about singing...
he'd probably come out
with a Grammy's worth of
an album...
             i mean... i like his music...
but if he continues to
preserve the multitask
endeavor of singing,
and playing guitar?
    he's not prince...
                 but if wes borland
can move away from
  that... ******* that was
big dumb face...
and make something akin to
crystal machete?
then john frusciante
can pull-off a tom verlaine...
or at least work with
something akin
to davy graham's
virtuosity on the track
blue raga,
from the album
              large as life and twice
as natural
(1968).

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