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"gradients" poems
Last week I was taught that no matter how complex an expression may seem if you multiply it by its conjugate pair you will always end up with a non-negative real solution. That is a metaphor for how we have learned to love. I used to like mathematics, as strange as it may sound, because memorising the value of pi was somehow easier than forgetting the notion of you and I thought maybe comprehending the mechanics of the universe would lead me one step closer to cracking the combination. In a world that spins at the rate of 27,900m per minute, a constant can prove tricky to find. Hence, there is solace to be felt in knowing that even when it is all said and done – when the final bullet has slipped from our tongues and we are left trembling upon nothing but the rubble of our own destruction, two plus three will still be equal to five. In an attempt to clarify a theory to the class, my teacher analogised that mathematics is like one big giant jigsaw puzzle: everything always fits together perfectly in the end Since then I have learned it is the method without the madness, the passion for the predictable; it is everything - that love is not. Not even the greatest mathematician in the world has been able to measure how much a heart can hold. There is no algorithm for how to make you come back; I cannot draw a line graph on the speed at which love left and even if I could, our gradients would never be the same. I may have both halves of the bed, but there is never enough space to fill it with. If a task takes four hours for ten people to complete and the same job takes five people twice that time, how long will it take for a human to feel whole again? Sometimes I think we are nothing more than two parallel lines that accidentally crossed paths.
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Jan 14, 2015
Jan 14, 2015 at 5:47 PM UTC
a mathematical love poem
Last week I was taught that no matter how complex an expression may seem if you multiply it by its conjugate pair you will always end up with a non-negative real solution. That is a metaphor for how we have learned to love. I used to like mathematics, as strange as it may sound, because memorising the value of pi was somehow easier than forgetting the notion of you and I thought maybe comprehending the mechanics of the universe would lead me one step closer to cracking the combination. In a world that spins at the rate of 27,900m per minute, a constant can prove tricky to find. Hence, there is solace to be felt in knowing that even when it is all said and done – when the final bullet has slipped from our tongues and we are left trembling upon nothing but the rubble of our own destruction, two plus three will still be equal to five. In an attempt to clarify a theory to the class, my teacher analogised that mathematics is like one big giant jigsaw puzzle: everything always fits together perfectly in the end Since then I have learned it is the method without the madness, the passion for the predictable; it is everything - that love is not. Not even the greatest mathematician in the world has been able to measure how much a heart can hold. There is no algorithm for how to make you come back; I cannot draw a line graph on the speed at which love left and even if I could, our gradients would never be the same. I may have both halves of the bed, but there is never enough space to fill it with. If a task takes four hours for ten people to complete and the same job takes five people twice that time, how long will it take for a human to feel whole again? Sometimes I think we are nothing more than two parallel lines that accidentally crossed paths.
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32
Staring With Lustful Gaze Seductive Darkness Eludes Light To Dark Black To White Gradients Of Trouble Capture This Weary Mind Lie Still You Hopeful Hostage Thirsting For Sleep’s Tranquil Sanctuary Assuredly Salvation Is Just Moments Away
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Sep 23, 2018
Sep 23, 2018 at 5:34 AM UTC
Insomnia
You descended into my soul so effortlessly, like dark blue dissipate into the muted periwinkle sky that kiss the hilltops of dew covered mornings. Had there been but no measurement of the graceful manner in which your touch take a turn from skin to grasping onto organs locked behind the stern walls this may not be so difficult to comprehend. Yet for the first time, the notion of numbers on a clock became irrelevant and I saw this beginning in gradients and neon bursts of color that illuminate all in its path. For what can we track the depth of which we dive into oceans- with a ticking minute hand or the depth in which the opacity of our surroundings grow? I caught you at midnight, I drowned in your essence like 500 kilometers below sea level, I admire you most at sun break, and I love you, how I love you, like the most effortless periwinkle blue.
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Nov 16, 2015
Nov 16, 2015 at 8:55 PM UTC
Periwinkle Sky
i swallowed the sunset like a pill; and drowned it with a bottle of nyquil; so my dreams involve stars instead of your hands; and my brain contains gradients in place of your arms. i clawed my own eyeballs out, mistaking them for yours; and what i thought was your skeleton i rammed with my car; was actually just a mailbox. i’ve screamed at the top of my lungs; but you are still jammed in my throat. i’ve opened up my skin; but your poison is stuck to me like a sunburn. (a.m.c.)
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Apr 29, 2014
Apr 29, 2014 at 8:41 PM UTC
{i wish you'd disappear}
If I lay on that big, white bed for along time, will you help me find my Father? If I put tubes in my arm and didn't eat for a week, would you show me where he is? Will the robot standing next to my head feed me coordinates through rhythmic beeps and blips and red flashing lights? I will do that. I will shrink in my bed and let my hair shed off like snake skin and let my skin wrinkle like I had been in the bath tub for too long and leave the windows wide open so my children can watch. My lungs will burn out and you'll put a mask on my face and add one more tube to the collection in the crook of my elbow, adding more weight as I lose mass just like my Father. And after countless times of being told, "You have his smile," I will truly know what they meant when my lips become sandpaper and my tongue becomes parchment and my teeth hollow out in gradients of pale moon yellow. The iron from my blood will add zest to every wheezing hack and trickle down my throat like the morning dew watering the growing weeds in my lungs. I will do nothing but blink my crusting, glazed eyes when my family cries at my bedside. I will not flinch as their shouted cries echo the hallway or look up as they throw their hands to the sky, begging to a name I had long turned away from. Would I find my Father if the flesh of my cheeks sunk into its bones and my face was contoured by the ugly shadows in its every crevice? Even then, I would not find my Father. I would not find my Father until the white coats stand over my bed, prodding me with pens and magnifying glasses and stinging needles, and finally tell my family there is no chance. I would nto be my Father until I refuse to cry or scream or become angered or say goodbye. I will be relieved that after countless months of being dead, they finally declare my pulse gone.
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Jun 3, 2014
Jun 3, 2014 at 10:41 AM UTC
Would I Find My Father
If I lay on that big, white bed for along time, will you help me find my Father? If I put tubes in my arm and didn't eat for a week, would you show me where he is? Will the robot standing next to my head feed me coordinates through rhythmic beeps and blips and red flashing lights? I will do that. I will shrink in my bed and let my hair shed off like snake skin and let my skin wrinkle like I had been in the bath tub for too long and leave the windows wide open so my children can watch. My lungs will burn out and you'll put a mask on my face and add one more tube to the collection in the crook of my elbow, adding more weight as I lose mass just like my Father. And after countless times of being told, "You have his smile," I will truly know what they meant when my lips become sandpaper and my tongue becomes parchment and my teeth hollow out in gradients of pale moon yellow. The iron from my blood will add zest to every wheezing hack and trickle down my throat like the morning dew watering the growing weeds in my lungs. I will do nothing but blink my crusting, glazed eyes when my family cries at my bedside. I will not flinch as their shouted cries echo the hallway or look up as they throw their hands to the sky, begging to a name I had long turned away from. Would I find my Father if the flesh of my cheeks sunk into its bones and my face was contoured by the ugly shadows in its every crevice? Even then, I would not find my Father. I would not find my Father until the white coats stand over my bed, prodding me with pens and magnifying glasses and stinging needles, and finally tell my family there is no chance. I would nto be my Father until I refuse to cry or scream or become angered or say goodbye. I will be relieved that after countless months of being dead, they finally declare my pulse gone.
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48
The solar system reclines in the flowing locks of your hair. Floss the soul from the rhythm of nocturnal galaxies. Can I please urge you to humbly acknowledge those strato-cumulus signs which signify the altitude of brazen sensuality? Pressure gradients are real you know.
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Dec 31, 2013
Dec 31, 2013 at 4:00 PM UTC
Sensual Strokes of Celestial Precipitation
Rain-clouds linger in cumulonimbus fascination where the cultural class-formation is shaped by abstract territoriality. Pressure gradients of global awareness are impacted by the adiabatic process. So, turn up the heat and chill in the waves of dialectical ontology.
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Dec 31, 2013
Dec 31, 2013 at 4:11 PM UTC
Thermodynamic Equilibrium
In my first life, I died The year I turned 25, And now that I’m in the hours before I taste my second, I want to make it all the way to 28.27 years cause when you divide that by 9, You’re left with pi. And because the universe isn’t just a Straight line, you’ve got to use a formula to get around, Get all up on that pi d because piety just isn't logic enough for me, where  even the repentant Are told they’re going to burn in purgatory, sweetheart, please. Being alive and feeling was sometimes hell enough for me. In just a few hours before I’m sent through that Tight tunnel, I want to be judged by the god of 3.14159, the baker that made me Mr. Blueberry Buddah Master in the art of reincarnation. I want to be birthed **** with just a dab of pure whipped cream for a soul, Drizzled sweet with the blood I never watched my mother bleed for me on the morning of my second birth. But I gotta say, this bardo shit's pretty odd, Here the sky ranges in color gradients too specific like “violent salmon” all the way to “lukewarm smoothie” But once I get out, I know things will be strange, owning a life that’s not quite mine to lose. And even though I’ll have no answer to give, I desperately Want someone to ask, Stranger, tell me, how did it feel? Theoretically, I’ll respond, Well, I was kicked back into some ancestral dream To meet everyone I will ever be, everyone I have ever been and Once I’ve met all of them, Everyone I will never meet again. And they'll ask, Friend, is that why babies take so long to be born? Yes, its because they’re shaking hands with the universe On the way out of the womb. At least, the one who will reach nirvana After this life cycle circles through. Lover, if I were to meet you again, will you remember? Does your soul still have my story Etched on it somewhere, Or will you be washed clean of me, The tabula rasa upon which Locke never wrote? I won’t remember you, but I have faith that you’ll find me, Even lifetimes grow apart after too long. It’s all about the company you keep because They never stay. And if that should happen, well, We just met each other in an inconvenient life.
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Apr 24, 2013
Apr 24, 2013 at 2:26 AM UTC
An Inconvenient Life
In my first life, I died The year I turned 25, And now that I’m in the hours before I taste my second, I want to make it all the way to 28.27 years cause when you divide that by 9, You’re left with pi. And because the universe isn’t just a Straight line, you’ve got to use a formula to get around, Get all up on that pi d because piety just isn't logic enough for me, where  even the repentant Are told they’re going to burn in purgatory, sweetheart, please. Being alive and feeling was sometimes hell enough for me. In just a few hours before I’m sent through that Tight tunnel, I want to be judged by the god of 3.14159, the baker that made me Mr. Blueberry Buddah Master in the art of reincarnation. I want to be birthed **** with just a dab of pure whipped cream for a soul, Drizzled sweet with the blood I never watched my mother bleed for me on the morning of my second birth. But I gotta say, this bardo shit's pretty odd, Here the sky ranges in color gradients too specific like “violent salmon” all the way to “lukewarm smoothie” But once I get out, I know things will be strange, owning a life that’s not quite mine to lose. And even though I’ll have no answer to give, I desperately Want someone to ask, Stranger, tell me, how did it feel? Theoretically, I’ll respond, Well, I was kicked back into some ancestral dream To meet everyone I will ever be, everyone I have ever been and Once I’ve met all of them, Everyone I will never meet again. And they'll ask, Friend, is that why babies take so long to be born? Yes, its because they’re shaking hands with the universe On the way out of the womb. At least, the one who will reach nirvana After this life cycle circles through. Lover, if I were to meet you again, will you remember? Does your soul still have my story Etched on it somewhere, Or will you be washed clean of me, The tabula rasa upon which Locke never wrote? I won’t remember you, but I have faith that you’ll find me, Even lifetimes grow apart after too long. It’s all about the company you keep because They never stay. And if that should happen, well, We just met each other in an inconvenient life.
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57
Crushing the air from my lungs, exhaling in a gasp If it's nothing more than the dance of neurotransmitters across synapses Nerves transmitting impulses Proton gradients forming and dissipating Why do I feel it so vividly
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Jun 20, 2013
Jun 20, 2013 at 10:55 AM UTC
Panic
To look carefully. It begins with a reminder to myself to look oh so carefully Because this isn't just any time of day, But the end of day time when the light fades away. To think, that this happens before every eve and after every noon Night pulls at the Sun so gently. From behind the mountains The anchor of time begins its distortion Upon the Sun, its stress seems to bless the sky In those blending hues And spins clouds into colorful sweetness As it demands an encore for a set too soon. The mountains become flat nibbles into space, Eating at the canvas Where sky's light knows nothing of us. It too, flattens buildings at the foothills; A pasting of pastel flavor, drawn By the distant gray air of sand and sea. The glorified glass edifices at my shore watching, Bleeding, in mocking colors of a time that burns into another A time that ends in blazing defiant oranges assaulting the falling sky In quarrelsome pinks and purples I remember the tender I must see this so softly At the sinking light As the mountains swallow burning sky One ring at a time, Lighter than velvet. Heavier than vivid. Humility rose, with this setting, To stand against so many gradients And recall the faux pas of permanence. Not until it was gone With its whims toward time. Could I see, tenderly. The width and warmth Of their embellished embrace Between day, and night- Pouring that fragility- From the last light.
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Jan 14, 2013
Jan 14, 2013 at 5:39 PM UTC
Tender
Ah, to write with glorious sight All life's joy and all its pain To color in the shadows and highlight their beauty To fill emptiness with gradients of emotion Oh yes, a pencil can pierce a lung if stabbed with enough force A sketch can elicit unexpected responses And the words of a stranger can feel like home In the subtleties of one's own emotion In the thoughts that build our fear, There is only loneliness when the pictures don't hit the page For in our isolation, there is unity In our pain... passion In our hate... love And in all things... beauty 2815
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Feb 8, 2015
Feb 8, 2015 at 9:01 AM UTC
Poetic Solipsism and the Real World
I've always been nervous not loud enough to say how I really feel about this or that. OCD about strange things like sugar packets and cups on the table and gradients of tea. I could stand up for other people but never for me. Always been quiet about the things that matter and the things tattooed on my heart like that bird on your arm. The things that speak to me in the middle of the night like knocks on a door, Knock, Knock. Wake up at three am because God is yelling at me, but I can't tell any of YOU that because of the bitterness locked in your chest and there's bitterness locked in mine. For all this anxiety that I feel up in front of this crowd, You all make me want to not say things out loud Because as much as any one of you say you accept all things you have never once accepted me. And I'm slapping pavement with bare hands in the middle of the night, red callouses from holding on too tight, begging for a way in when I'm only ever gonna be left out because you've water-hosed me from your bathroom tile like old chunks of grout. I've always been too nervous to say how I really feel, because my God scares people away. So here I am too afraid to look off this piece of paper because my voice has never been above a whisper, and I'm too afraid to see any of you up close and personal, a shake that no public speaking class could ever fix, because these tremors are more like heart quakes, and all your demons are hitting my st-stutter buttons, who ever said you weren't terrifying was a freaking liar you are.
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Aug 12, 2013
Aug 12, 2013 at 8:38 PM UTC
Quiet.
I've always been nervous not loud enough to say how I really feel about this or that. OCD about strange things like sugar packets and cups on the table and gradients of tea. I could stand up for other people but never for me. Always been quiet about the things that matter and the things tattooed on my heart like that bird on your arm. The things that speak to me in the middle of the night like knocks on a door, Knock, Knock. Wake up at three am because God is yelling at me, but I can't tell any of YOU that because of the bitterness locked in your chest and there's bitterness locked in mine. For all this anxiety that I feel up in front of this crowd, You all make me want to not say things out loud Because as much as any one of you say you accept all things you have never once accepted me. And I'm slapping pavement with bare hands in the middle of the night, red callouses from holding on too tight, begging for a way in when I'm only ever gonna be left out because you've water-hosed me from your bathroom tile like old chunks of grout. I've always been too nervous to say how I really feel, because my God scares people away. So here I am too afraid to look off this piece of paper because my voice has never been above a whisper, and I'm too afraid to see any of you up close and personal, a shake that no public speaking class could ever fix, because these tremors are more like heart quakes, and all your demons are hitting my st-stutter buttons, who ever said you weren't terrifying was a freaking liar you are.
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28
I'm a plain white canvas waiting to be filled with lovely colors day by day I try hard to fill myself up with smooth textures and gorgeous gradients and then you came by spilling and splashing splattering black ink all over the beautiful painting and now no matter how hard I try to cover it up that cannot change the fact that the canvas, nay, I was already ruined
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Jun 24, 2014
Jun 24, 2014 at 12:41 PM UTC
Ruined Canvas
He said he liked her style and her pianist fingers. She told him that he could paint her onto canvas, in shades of cinnamon and ivory. He laughed at her trembling hands as she sat there, dressed in naught but peonies and wild roses. She scowled at his impudence and then laughed at the absurdity of it all. She sat there and he told her hold still with a smile that flashed across his eyes like quicksilver. She watched him create poetry with strokes of umber and chartreuse, cerulean and scarlet. He pulled the shadows from her eyes and placed them into a fixed state of being. She watched the metamorphosis of scars into moonlit fault lines and freckles into blips of smooth paint. He transformed her pale outline into a sensuous display of smooth gradients and colors deep enough to make men weep. He captured the penumbra of sorrow and spread it across her painted eyes. As he anointed the canvas with delicate finishing touches, She dressed in a paint-spattered shirt and marveled at the uncanny likeness. They sat and watched the paint dry as he rubbed the knots from her shoulders and kissed strained tendons and ligament beneath innocuous flesh, as she tapped rhythms into his hands. He is no longer hers to consume. He belongs now to the kingdom of earthworms and a darkness that swallows all traces of light. He took with him the chunk of her that knew how to love as a human and left her with shirts devoid of his form and gradually losing his scent, fragmented memories that slip through fingers like sand, and a room full of paintings that she cannot bring herself to uncover.
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Mar 2, 2014
Mar 2, 2014 at 9:47 PM UTC
The Artist
He said he liked her style and her pianist fingers. She told him that he could paint her onto canvas, in shades of cinnamon and ivory. He laughed at her trembling hands as she sat there, dressed in naught but peonies and wild roses. She scowled at his impudence and then laughed at the absurdity of it all. She sat there and he told her hold still with a smile that flashed across his eyes like quicksilver. She watched him create poetry with strokes of umber and chartreuse, cerulean and scarlet. He pulled the shadows from her eyes and placed them into a fixed state of being. She watched the metamorphosis of scars into moonlit fault lines and freckles into blips of smooth paint. He transformed her pale outline into a sensuous display of smooth gradients and colors deep enough to make men weep. He captured the penumbra of sorrow and spread it across her painted eyes. As he anointed the canvas with delicate finishing touches, She dressed in a paint-spattered shirt and marveled at the uncanny likeness. They sat and watched the paint dry as he rubbed the knots from her shoulders and kissed strained tendons and ligament beneath innocuous flesh, as she tapped rhythms into his hands. He is no longer hers to consume. He belongs now to the kingdom of earthworms and a darkness that swallows all traces of light. He took with him the chunk of her that knew how to love as a human and left her with shirts devoid of his form and gradually losing his scent, fragmented memories that slip through fingers like sand, and a room full of paintings that she cannot bring herself to uncover.
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49
You are such a fearless thing in your twenties now and still alive when I got that bike seat for you and me to travel around on the back for all to see Man I peddled fast on busy streets with you cooing on the back seat you loved the speed so fearless indeed Then that day that we were on our way for your mothers to mine down that steep hill with all the ramps of many gradients unkind We hit that rather big speed bump and with an unnatural clunk I knew something was amiss I stopped, got off, goodness the seat was junk There you were learning over one of the supports were broken and gone yet you smiled at me, my non plus tike my sweet baby on my bike By Christos Andreas Kourtis aka NeonSolaris
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May 14, 2014
May 14, 2014 at 9:34 AM UTC
Baby On My Bike
Such a wind today! The air seems almost solid. Impossible to go out in it. Swifts invoking anti-gravity lean on the air with sickle wings, slice upward through it; hang weightless at the peak, then accepting the pull of earth, hurtle downhill on kamikaze ski-run, a mutual slalom, each avoiding a hundred twisting obstacles; alter their angle to the air, and rise again up invisible gradients, a swooping, soaring ballet with the wind, its complex choreography conceived in the tiny brains of a hundred separate birds. One pair, suddenly detached, wings fluttering, wheel and plunge, circle each other in an aerial ice-dance pas de deux, stunt kites without strings; return to the flock, and are replaced by another, and another, virtuoso couple. The whole etherial stage is full of improvisational star turns. Such a wind! Impossible for this earthbound human to go out in it. I'll stay and watch the show.
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Apr 27, 2016
Apr 27, 2016 at 10:10 AM UTC
Swifts in the Wind *
The sun sets gentle as it is painted and painted over, a portrait of sliding sky. in gradients too slow for notice the painter erase the day's melodies brooding all the while the sky finishes its fall onto the rising night. He is a quiet man, all calloused hands, stained forearms, more accustomed to solitude than the daylight of scrutiny. With the precision of an almanac, the painter finishes, canvas cleaned of its light and sliding quiet beneath his blanket of tattered stars, the man waits in hope, that tender lunacy, to find the lady who resides in the corners of his dreams. He longs to touch her outside his mind's eye, but all too soon he is asleep and she is nowhere to be found. His breathing evens out and rising unconscious from the bed, he shuffles towards the canvas. Sitting picturesque before the easel, he eases the woman into existence, champagne beneath his brush. She never stays longs, though, leaving with the drop of her mimosa glass, bleeding orange onto background and body; he rushes to catch her oils as she drips between his fingers. The painter sighs deep and begins to cover his work. Every night his heart breaks as he paints and paints her over. When he finally wakes, dropping the shredded sky from his frame, he finds the canvas inexplicably different than how it was left. It will be forever, it seems, until their two shadows will be allowed to meet, concrete as a realist's ache for resolution.
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May 3, 2013
May 3, 2013 at 2:43 PM UTC
A Portrait of Sliding Sky
Just let these feelings sit inside and subside let the tried and true come to you through the two rules of this life One there is no rival for love Two there is no love if you can't face it embrace it UPPER CASE IT because if you can't give it than prepare to live a life of receiving but not having and traipse the edge of the knife sort of like a tightrope act walked until cracked in half complete on cold concrete with no one to say goodbye to. No-one would even remember you. Love is the lens we see ourselves through and it will all, one day, come into focus. None of this 'meet and greet' hocus pocus, life is an encounter that you step up our back down to but if you can come up, then you will not go back down, you are ten seconds of sunshine in a night where no-one can find anything, you are the something, you are the exception we connect ourselves by strings like hearts made of tin there will be lonely days when the path ahead splays out like a million highways. But you can be a moonbeam by which everything that would seem impassable, insurmountable like boot set in dirt so hard it takes up root all these things become moot when held to your radiance because there are gradients in all life's creatures but the greatest teachers ever summoned to our side will be our reflection in the pond do not abscond from this sight you will die... if you do not fight. Alright?
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Dec 27, 2014
Dec 27, 2014 at 1:37 AM UTC
The Speech of a Man With No Time for Punctuation
*prancing about on your illustrious painted words finely tuned elusive emotions that leap from the heart my soul immersed in fine pomegranate wine's effervescence, glissading upon silken grassy gradients of yesteryear's intentions romancing the spirit's rhythm'd inclinations within this enchantment of poetic's movements tempo inhaling vapor'd affinity of ecstasy's diaphanous illusions bumble'd upon convictions confection'd sensibilities floating on celestial air's divine wafting impulses ecstatically dying a little death with each fine tuned melody dancing in the cadence of ***** nectar'd blissful notes of poesy's mesmerizing etchings upon a soulful caress*
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Feb 20, 2014
Feb 20, 2014 at 8:59 AM UTC
Bumble on poesy's diaphanous vapors ~
I hadn't heard the wind blow in a few weeks. I bricked myself within the eight walls of my cell, I turned off the lights, and I drowned in the dark. Nothing protruding other than glimpses of my rafters, and two sets of stairs on either side of me, but I wouldn't dare use them. In fact, I had soon forgotten they even existed, I was blind to any escape from the infinity surrounding me. I couldn't breathe without poisoning myself, and I couldn't swallow without glass bottles prying my lips from each other. Repetition became an excuse, re-reading the tales trailing the left side of my left arm, rose colored love stories in flat black. Unfinished, unpredictable, but they are mine, and I know what follows. Broken windows, one in particular, and my silhouette in the star shaped shards barely intact. That's what made me feel alive, those simple moments filled with tint gradients, wishing I had never seen your trapping smile. Wishing you had never taken place of all the elements around me. This infinity is just a room. This room has a light switch, and two sets of stairs. This is just a chair, and my window is just open, and I miss when the wind would blow, because it was just you breathing.
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Oct 7, 2013
Oct 7, 2013 at 11:47 AM UTC
Page 2
Measure me. Can you quantify the gradients of emotions I spin through daily? If I awake from years of passivity, will you still know how to walk through years of conversation and growth? I hate when I call upon the gods of anxious hearts, The ones who have troubled every decision you have made. They make your commute from genuine emotions to a grey, murky house full of players pretending to be teams, blue's pretending to be rainbows, and persons pretending to be people. Come here and hold my hands. Mine have been missing their fingerprints for countless lifetimes. Touch my incomplete, hungry dreams. You alone can. I alone can. Can I?
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Nov 3, 2019
Nov 3, 2019 at 9:51 PM UTC
A Conversation with Myself
What else can I cover my mouth with Other than clear, cherry-flavored lip balm? It stains, otherwise Goes where I ask it not to go Its' gradients are as spread and varying as strands on a feather I prefer, to be different, to taste better than I look After all, it's my story that always wins It was never Red Riding Hood But the enigma beneath the cloak I am one of those girls Hairy and imperfectly coiffed Veiled in nudes, beiges, and understatements When men look at me, I wonder what their gazes snag on There's no snare of life about me except the berry on my fingers and toes These chipped, bright nails are my calling card Through the cracks in the polished veneer you can see **** me filtering through I hide my hands , tuck the berry away This is not what I want you to see
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Sep 14, 2015
Sep 14, 2015 at 9:24 PM UTC
My Berry
in dreams, her heels dig into the soft overlap           between ocean and beach, an underbelly she ebbs and flows to phantom melodies           of spectral murmurs, un-broken. she is adrift, with the liberation of seabirds amidst salty, swirling sea breezes all gradients of blues poured over ice,           and the cocktail of fluttering wings, beating, pumping like an undamaged heart.
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Mar 14, 2016
Mar 14, 2016 at 12:04 AM UTC
post blue