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guy scutellaro Oct 2019
The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold ,dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29 year old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well,  Jack Delleto, Dell, I heard you were dead. " The six foot, two hundred pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Marys with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The sauve, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

I met my older sister in Baltimore yesterday. Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why? I had so many questions and you know what?
I didn't ask one."

Jack is finishing his beer.

"Maybe if you knew the reasons, now, it wouldn't matter anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore," Jack Delleto asks.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is and adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Maloney's Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells the boy, they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sergeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                              
     

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You re not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                        
     

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Sue says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I did nt want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                              
     

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and restitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

"Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When is reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Teresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head.

"Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and sqeezes affectionately. Bob looks across the room at Teresa. "Yeah, she is beautiful." Teresa mother has stopped crying. Her father just stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the night, odd circles of light that moved haphazardly, forward and then sideways, sometimes up and down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, the shadows erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Perhaps he saw his reflection in the night.

Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Nothin," Delleto tells his friend, "Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, what should I call you."

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes."I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No."

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match, "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                  
     


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth  across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELLME YOU LOVEME, IFYOU LOVE ME TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "how are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This Kate."

Joesph Martin takes Kathleen by the arm and  gently squeezes, "Hello Kate, such a pretty women, ah if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifys his eyes as he looks from Kathleen to Jack, "Have fun now because when you are dead you are going to be dead a long, long time."

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he whats to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells like ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back.The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real and what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the old man's heart.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he can not determine if the footsteps are leaving or approaching. Joseph grabs the crow bar he keeps under his pillow. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms and kisses her and they walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above treeline heralding a brief season of son and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the kitchen.

Dell, standing in the doorway looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Spectre singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend." His hands slide up her thighs. "I'll be your friend, " says Jack.

"*** always ruins every thing," Her voice is a roaring whisper in his ear. He pulls her to the edge of the table and Ronnie sings, ",O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."



                                             Chapter 10



All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you." Jack Delleto sits down on the bed, caresses her shoulder and Kate pulls away.

"Well I don't need anyone."

"People need people."

There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"Your an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

The lingering silence. Jack gets up from the bed, stares her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed and she holds him close. The ghost of relationships past haunt her and although they are all she has she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the  dark street to his Harley.

High in reachless branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and  the singing goes on and on.



                                            
     



The ringing phone.

"Who the hell is this?" The clock on the dresser says 5a.m.

"Jack, I'm scared."

"Kate?"

"Someone broke into my apartment."

"Is he still there?"

"No, He ran out the door when I screamed."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6,"Says jack The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead. Jack starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. "What is it with you , two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on he T.V. he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy,"the little girl her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform , grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the rise starts. Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughters hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever present waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride stops, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the  Casino amusement park door."****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all the her dreams crawls into her like a dying animal from its hidden place.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the  street of broken buildings filled with broken people. From the empting lot of scattered thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                      
     

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back. His girlfriend in the tight  black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack does not let up on the man,  stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man does down.

Jack wins.



                                                  CHAPTE­R 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear. Straightening up, he looks at Dell, "I know you 're hurting Dell , I'm sorry, I'm sad about Kate, too."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, "the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard. Bill Wain knock down four times in the sixth round, lost consciousness in the dressing room, and died at the hospital."

"What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you loose all track of the clock."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure they do, "O'Malley asures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? Sure they do, june bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                          
     

Jack Delleto goes into the room, studies it. The light from the unshaded lamp on the night stand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the over hand right, three left hooks. He punches the wall and his knucles bleed. He punches and kicks the blood stained wall.

At last he is exhausted, collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy. The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the night stand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar. Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifys. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. jack must keep punching holes with his ice axe, probing the snow to avoid a fall into the abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and jack knows he needs to be high on the mountain before the  mourning sun softens the snow. He moves carefully, quietly, humbl;y to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"Da DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND  MY BRAIN."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant wind blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM,  WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                        
     


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A belly that's empty hurts, I miss you Jack Delleto."

"I'm glad someone does, I miss you ,too."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bare to see you unhappy, if you love me, tell me you love me."

"I m love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                          
      *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and the for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.

Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you."
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is  startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The dog has him pinned down, goes for his face. And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for awhile.
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
Kacie Lynn Dec 2014
She grabs my wrist and I pull away
She grabs my wrist and I pull away
She grabs my wrist and I pull away
I continuously run from being chained away.
My mind is full and about to explode
I'm not quite sure I can take the load
On my shoulders that I myself placed there.
I pace to and fro wondering why I do not care.
She grabs my wrist and I pull away
I continuously run from being chained away
If I were told how to move my lips
If I were told how to move my body
I could not live for I would be a chained puppet.
It is not life if you are not living.
I own all Copy Rights! steal words from your own tongue!
bre Apr 2015
I was only 9 years old.
I pray to Shrek every night, thanking him for the life I’ve been given. “Shrek is love” I say, “Shrek is life."
My dad hears me and calls me a ******. I knew he was just jealous of my devotion
to Shrek. I called him a ****.
He hits me and sends me to sleep. I'm crying now and my face hurts.
I lay in bed, really cold. I feel something warm...
It's Shrek! I was so happy.
He whispers in my ear "This is my swamp."
He grabs me with his ogre hands, and puts me on my hands and knees. I'm ready.
I spread my *** cheeks for Shrek.
He penetrates my *******. It hurts so much,
but I do it for Shrek. I can feel my **** tearing and eyes watering.
I want to please Shrek. He roars a mighty roar as he fills my ****
with his love. My dad walks in.
Shrek looks him straight in the eye and says, "It's all ogre now."
Shrek leaves through my window.
Shrek is love. Shrek is life.
Rob Urban Jun 2012
Lost in the dim
streets of the
Marunouchi district
I describe
this wounded city in an
  unending internal
monologue as I follow
the signs to Tokyo Station and
descend into the
underground passages
  of the metro,
seeking life and anything bright
in this half-lit, humid midnight.

I find the train finally
to Shibuya, the Piccadilly
and Times Square of Japan,
and even there the lights
are dimmer and the neon
  that does remain
  is all the more garish by
contrast.
I cross the street
near a sign that says
  "Baby Dolls" in English
over a business that turns
out to be a pet
  shop, of all things.

Like
the Japanese, I sometimes feel I live
in reduced circumstances, forced to proceed with caution:
A poorly chosen
adjective, a
mangled metaphor
could so easily trigger the
tsunami that
    sweeps away the containment
             facilities that
                   protect us
                        from ourselves
                                                            and others.
  
The next night at dinner, the sweltering room
     suddenly rocks and
        conversation stops
                  as the building sways and the
candles flicker.

'Felt like a 4, maybe a 5,'
says one of my tablemates,
a friend from years ago
in the States.

'At least a five-and-a-half,'
says another, gesturing
at the still-moving shadows
on the wall. And I think
     of other sweaty, dimly lit rooms,
      bodies in slow, restrained motion,       all
          in a moment that falls
                         between
                                     tremors.

         Then the swaying stops and we return
to our dinner. The shock, or aftershock,
isn't mentioned again,
though we do return, repeatedly, to the
big one,
         and the tidal wave that
                           swept so much away.

En route to the monsoon
I go east to come west,
   clouds gathering slowly
     in the vicinity of my chest.

Next day in Shanghai, the sun's glare reflects
  off skyscrapers,
and the streets teem
with determined shoppers
and sightseers
wielding credit cards and iPhone cameras, clad
in T-shirts with English words and phrases.
I fall
          in step
             beside a young woman on
                 the outdoor escalator whose
shirt, white on black,
reads, 'I am very, very happy.' I smile
and then notice, coming
down the other side,
another woman
wearing
        exactly the same
       message, only
                        in neon pink. So many
                                  very,
                                          very
                                                 happy people!
Yet the ATMs sometimes dispense
counterfeit 100 yuan notes and
elsewhere in the realm
      police fire on
      protestors seeking
                more than consumer goods,
while officials fret
about American credit
and the security of their investments, and
     the government executes mayors for taking
                       bribes from real estate developers.
    
    A drizzle greets me in Hong Kong,
a tablecloth of fog draped over the peaks
   that turns into a rain shower.
I find my way to work after many twists and turns
through shopping malls and building lobbies and endless
turning halls of luxury retail.
               At dinner I have a century egg and think
of Chinese mothers
urging their children,
'Eat! Eat your green, gooey treat.
On the street afterwards, a
near-naked girl grabs my arm,
pulls me toward a doorway marked by a 'Live Girls’
sign. 'No kidding,’ I think as I pull myself carefully
free, and cross the street.

On the flight to Bombay, I doze
   under a sweaty airline blanket, and
       dream that I am already there and the rains
         have come in earnest as I sit with the presumably
           semi-fictional Didier of Shantaram in the real but as-yet-unseen
            Leopold's Café, drinking Kingfishers,
              and he is telling me,  confidentially,
                     exactly where to find what I’ve lost as I wake
with the screech and grip of wheels on runway.
            

     Next day on the street outside the real Leopold's,
bullet holes preserved in the walls from the last terrorist attack,
I am trailed through the Colaba district
by a mother and children,  'Please sir, buy us milk, sir, buy us some rice,
I will show you the store.'
    A man approaches, offering a drum,
                        another a large balloon (What would I do with that?)
A shoeshine guy offers
                                           to shine my sneakers, then shares
the story of his arrival and struggle in Bombay.
     And I buy
             the milk and the rice and some
                      small cakes and in a second
                          the crowd of children swells
                               into the street
               and I sense
                     the danger of the crazy traffic to the crowd
                         that I have created, and I
think, what do I do?
           I flee, get into a taxi and head
                             to the Gateway of India, feeling
                                                                                  that I have failed a test.

                                       My last night in Mumbai, the rains come, flooding
     streets and drenching pavement dwellers and washing
the humid filth from the air. When it ends
           after two hours, the air is cool and fresh
                                  and I take a stroll at midnight
          in the street outside my hotel and enter the slum
   from which each morning I have watched
the residents emerge,  perfectly coiffed. I buy
some trinkets at a tiny stand and talk briefly
      with a boy who approaches, curious about a foreigner out for a walk.

A couple of days after that, in
the foothills of the Himalayas,  monks' robes flutter
on a clothesline like scarlet prayer flags behind the
Dalai Lama's temple.
I trek to 11,000 feet along a
narrow rocky path through thick
monsoon mist,
   stopping every 10 steps
to
   catch
        my  breath,
              testing each rock before placing my weight.
Sometimes
    the surface is slick and I nearly fall,
sometimes
    the stones
        themselves shift. I learn slowly, like some
             newborn foal, or just another
                clumsy city boy,
                   that in certain terrains the
       smallest misstep
                            can end with a slide
                                             into the abyss.
                  At the peak there's a chai shop that sells drinks and cigarettes
                                of all things and I order a coffee and noodles for lunch.
While I eat,
      perched on a rock in a silence that is both ex- and
      in-ternal,
the clouds in front of me slowly part to reveal
a glacier that takes up three-quarters of the sky, craggy and white and
beautiful. I snap a few shots,
quickly,
before the cloud curtain closes
again,
obscuring the mountain.
                                                
                                     --Rob Urban: Tokyo, Shanghai, Mumbai, Delhi, Dharamshala
                                        7/13/11-7/30/11
Donna Bella Aug 2014
When I'm around him
It feels like we're connected
He speak life to me
I speak life back
He grabs I feel warmth
The ways he talks
The ways he look
It's just our chemistry
i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven
Racquel Davis Jul 2014
In a dream,
Or a nightmare,
Everything seems            out           of                           place.
Things start out right,
And then,
                                    You’re dropped into an ocean.
               You’re naked and drowning,
          Sleeping and awake.
        Slipping away into a panic,
     Floating on a wave of  d i s c o n n e c t.
Grasping for anything,
     You hold on to thin air.
Feeling good with just that,
                                     The darkness grabs your s
                                                               ­                          e
                                     ­                                                     n
                                                               ­                             s
                                                               ­                              e
                                 ­                                                              s.
­Gaining visual on your position,
You swim a short mile.
      Lost with no vision,
You look outside yourself a while.
Your view from up above,
     The ocean seemed to move.
      God knows how long it has been
Below,
       The water blackens.
               You lose faith,    
                                                                ­    The darkness wins again.

©Copyright 2014 Written and Edited by Racquel Davis
edited 11/23/16
it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache
Asphyxiophilia Jul 2013
It's 3 am and you're restless again. Your thoughts wander briskly through the fields of memories of him and you find yourself picking each one and holding it delicately in your palm. The lights from the streetlamps outside your window peek through the blinds and illuminate synthetic stars onto your ceiling which you count like each kiss he ever placed on your cheek. Your legs are wrapped up in your sheets like the way they used to tangle around his ankles every evening. You roll onto your side and attempt to close your eyes once more, calling out to a peaceful slumber that has been evading you for weeks when suddenly, you hear a whistle in the distance. You open your eyes again to see the stars growing into spotlights that threaten to swallow you like black holes, but without the mystery. You immediately grab your wrists out of fear that you unconsciously took a blade to them but you are greeted by scars that have been forming for approximately three years (and eleven months). Your heart threatens to pound its fist through your chest as you slowly turn to see what the source of the light is. Just as your shoulders align with your mattress, a man steps from what appears to be a train engine and greets you with a nod of his head.
"Good evening, sleeping beauty," he begins sweetly, "I have come to extend an invitation to the night train."
You bring your hands to your eyes and attempt to wipe the hallucination away from your vision but when you open them again, you see the man gazing intently.
"It is my understanding that this is your first meeting with the night train," he states as he waits for you to supply an answer.
You nod your head.
"Well, my dear, the night train is here to offer a sweet elixir to cure this sleepless evening. You see, the night train's purpose is to supply the recipient ("that's you," he says behind his hand) exactly twenty minutes of time spent anywhere of their choosing. And then, once the time is up, the recipient must board the train once more, and will be met with approximately eight hours of uninterrupted slumber." He pauses as an assurance that you are following along, so you nod your head slightly. "However, the catch, you see, is that if the recipient does not board the train at the end of the twenty minutes, they will find themselves trapped in a restless oblivion with the promise of never again finding the comfort of sleep." A slight smile tugs at his lips as he tilts his head out of sympathy. "This may not seem to be much of a threat considering you are currently wrapped up tightly in your bed, but I assure you it will be tempting to remain within the place of your choosing, despite the whistle of the night train."
Unsure of what else to do, you nod your head once more.
"Alas, now we must be on our way, because the countdown begins in exactly three minutes! So I urge you to think quickly of where you would like to be taken!"
As though the train has suddenly run into your chest, the meaning of the opportunity that has been placed in front of you knocks the wind out of you. Before the conductor even finished his sentence, you knew exactly where you wanted to go, so you swing your legs to the side of the bed and push yourself upright.
"I would like to be taken to July 13th at precisely 2:32 in the morning," you say quickly as you flatten your restless hair to your head and straighten the t-shirt you are wearing.
"Very well, very well. Now board the train, my dear. And we'll be off to the morning of July 13th, but I urge you not to forget your time limit of twenty minutes!" He places his hand on your back and ushers you into the train, guiding you to a red velvet seat lined with golden stitching. Once you are comfortable, he disappears into the cabin and blows the whistle before pulling out of the station that is your bedroom.
With no warning at all, you feel a tightening in the pit of your stomach and before you even have time to clench, you are sitting on a rooftop overlooking a vibrant city.
"I just don't know anymore. It's like- It's like everything I once knew has been flipped upside-down and I'm just expected to be okay with it. But I'm not."
You blink a few times in an effort to adjust to the sudden deja-vu that causes your head to swim in the memory of an evening you have constantly waded in.
He is sitting with one leg tucked beneath him and the other dangling over the edge, as though even his limbs can't decide whether they want to take the fatal plunge or not. His hair was always absent of color, the kind of black that made you question the material of the universe because even the night sky couldn't compare to the degree of darkness; but it seemed to be doing just that as it laid haphazardly across his pale forehead. His bony fingers are clutching a nearly empty bottle of gin which he brings to his lips between sentences. He continues speaking as though you didn't just appear out of thin air beside him.
"My mum doesn't even pretend to understand anymore. I've heard her mention boarding school at least three times this week, despite my constant refusal to even speak of it. She knows the walls in the apartment are paper thin, so I know she brings it up because she knows I can hear it. But I don't want to hear it."
You notice the vacant look in his eyes as he stares into the horizon, like a hotel room that has been emptied of every belonging, including the light bulbs. He uses his free hand to adjust the collar of his leather jacket before taking another swig of the gin.
"I just can't stay there anymore, and she knows that. Deep down, she knows I can't stay there now that he's gone. I just can't."
His voice is as hollow as his chest as he uses his tongue to wet his lips before turning his head slightly to look at you.
"I wish you could come with me, I really do. It would be quite the adventure, the kind that we used to dream of having. But I can only afford one ticket out of town."
He places the bottle on the ledge, dangerously close to the edge, before resting his sweaty palm on your exposed thigh. His eyes travel from your legs to your forehead, and he leans forward to place a kiss on it, but he misses and falls into your lips. Just like before, your hands land on either side of his face, catching him before he falls completely, and you suddenly find yourself exploring the warm cavern of his vulnerability. His tongue swirls around your own and you taste the bite of the alcohol on his breath but this is the moment you have always craved so you soak up every bit of it. He pulls away just as your heart starts to tremble, and he wipes his mouth with his sleeve before picking the bottle up again and stealing a drink.
"I wish you could come with me," he says again, his eyes now focused on the street below. "But I fear I can only afford one ticket out of town."
Just then, you hear a whistle, but the timing isn't right. This is the moment you would have died to change, and now you've been given a second opportunity, but you can feel it slipping away.
You lean towards him, softly placing your hand on his arm.
"Come with me. We can go anywhere in the world that you please, and I promise it'll be better than here or there if we're together. Because I can't go where you're going, because I can't pay that price, but I want to go away with you, I do."
You search his empty expression, hoping to grab some string of familiarity that you can use to pull him back to reality, but his eyes are locked on the parallel lines beneath.
The whistle grows louder, this time stinging your eardrums, and you know that your time is running short, but you can't let him go.
"You don't have to go back to your apartment, you don't have to go back to your mum. We can runaway tonight, together. You and me, just the way it was always meant to be."
Your voice is shaking and desperate, getting louder with each word that you speak as the whistle blows from behind you, threatening to leave.
Just then, a hand falls upon your shoulder, and for a second you allow yourself to glance over, and it is in that second that the body before you tips over the rooftop's edge. Your heart falls like a weight in your stomach, just like on the evening this event first occurred, anchoring you to the cement and preventing you from going after him. The conductor who now stands behind you grabs your torso and pulls you backwards as you scream his name into the night sky. You kick against his hold as he drags you back onto the train and into the velvet seat again.
This time, you were unable to hear his body land on the pavement.
This time, you weren't able to look down and see his hands lying ten feet away from the rest of his body.
This time, you didn't get to perch on the edge and contemplate for hours joining him.
This time, you couldn't blame yourself for being speechless, for letting him be the star of his shining moment, because you attempted to be his Juliet.
You didn't realize you were still screaming until the conductor grabbed your shoulders with his hands and shook you quickly.
"Quiet my dear, I fear it is time to go. And I was unwilling to allow you to remain any longer, but I fear you will only be receiving six hours of peaceful slumber."
You look at him sternly, unsure how he can continue to speak of this ****** night train and its guidelines after you just watched the love of your life commit suicide for the second time.
You take a deep breath before speaking, "I don't understand the point of this, why bring me here if I couldn't change anything? Why allow me to relive this if it didn't make a difference?"
He smiles sympathetically before beginning, "oh but it did. You see, for three and a half years you have been tossing and turning, wondering what you would have done differently and if you would have been able to change it. But you see, the past isn't something that can be changed. It can only be relived again and again within the minds of those who continue to contain it, and the pain of the past and the memories that come along with it will feel just as real as the day they happened if you continue to dwell on them. Eventually you will see that tonight made a significant difference, because you were finally able to recreate the scenario that you always dreamed."
Your mind is running at a faster speed than the train as it makes its way back to your bedroom, and you can't seem to comprehend what the conductor is saying.
"So you're telling me that the whole reason behind this was to show me that he was going to die whether or not I tried to convince him otherwise?"
He places a gentle hand on your shaking shoulder and replies, "the reason behind this was to allow you to finally put the past behind you and grant yourself the pleasure of peaceful slumber. Because you see, my dear, there is no such thing as the night train. It is merely a figment of your imagination. Deep inside you, you realize that nothing you said could have changed that night, but you needed to dream another possibility in order to believe it. Now believe it."
"But I-" you begin to speak but in the blink of an eye, you're suddenly sitting on the side of your bed, your shoulders no longer shaking. You blink again, trying to make sense of everything. You bring your hands to your face and feel your cheeks, reassuring yourself that you still exist. You look around once more, noticing the stars upon your ceiling twinkling as though they are winking at you like the conductor of a mysterious night train. But you realize that you are in your bedroom, in your t-shirt, as though you never moved beyond that point. And you find that you're unsure whether it was all a dream, or whether you really did go for a ride on a night train, but you decide to lie back down and attempt to sleep anyways.
And six hours later, you find yourself awaking from a very peaceful slumber.
Samuel Apr 2018
It’s fine
Is what she tells everyone
This day
Like so many others.
Fears run through her,
Her mind a mess of possibility
Infinite in number and horror.
Deaths here.
Failures there.
Maybe a grave injury at best.
Can they best this foe?
Is this the end of the Sages?
Is this the end of the world?
She ponders this
Over a cup of coffee
Poured by Moojdart,
All concern and bother.

It’s fine
Is what she says as she slinks off,
Telling Mooj again and again
Don’t worry, don’t worry
It’s fine,
She can handle it.
She always can, she always must.
Grus is worried too
And Milest
And even their leader
Who’s normally too vain to care.
She brushes past them all
To go and hide away
As she tries to fix it,
As she runs through bad ends
In search of a single good.
She can’t find one
Or even the hint of one
No matter how hard she picks
At the threads of potentiality.
There’s only more worries,
Only more failures,
Which darken the flame of Hope
Burning inside
Which she clings to so stubbornly
Even though it’s not her natural Will.
She’s got to.
She’s got to cling,
Got to be strong.
She’ll fix it, she will.

There’s a knock at her door
And it opens
Before she can even say no
Because that’s just how Fiethsing is,
Because that’s just how little she cares.
Really it’s amazing she knocked,
But there you go.
You never can guess with her,
But Zero can know she’s annoyed.
She snaps at her.
An admonition, a demand
To go, to leave.
That you shouldn’t just barge in
“I mean really, Fieth,”
And it’s fine anyway.
It’s always fine.

But that’s not what she came for.
So she claims.
She’s just here to find a book,
Steal it more like,
Like she always does
And Zero’ll never see it again.
It’s just a ploy anyway,
It’s just a ploy thankfully,
Unfortunately.
Fieth sets in on the search,
Looking for a book
And not speaking a word more,
Of concern or otherwise.
She’s simply an annoyance
That rummages through her things
After barging into her space.
Fieth’s one that’ll be ignored.
Has to be, must be.
So she drinks her coffee
And goes to reading,
Or more like looking at pages
As the words blur together
From fear
Now tinted with anger.

It’s fine
And Fiethsing sighs
Finally feeling fit
To make a sound
And even words.
“Wow, it’s hot.
Don’t you think so, Zero?”
There’s more sound too
Of rustling clothes
Falling off
Onto the floor.
A shirt gone,
More than likely.
Still searching too.
She pays no mind,
As little as she can.
She has a book to not read.

A book to not read
As a thought invades her mind
Of what Fieth must look like.
******* and slick with sweat
As she digs through her shelves
Musing to herself,
“Oh it’s not here either, oh dear.”
There’s a book to not read
As an image invades her mind
Of a hug,
Of a kiss,
A touch, anything.
Contact, warm and simple.
Memories flood
And imaginings more
As she has a book to not read.

Still it’s fine,
Just fine.
She’ll just read and think
On all the ways the world can end
Because that’s better.
Better than admitting she’s scared,
Better than admitting she needs help.
Help of any sort.
A talk, advice, a decision
Or a pair of arms
Wrapped around her waist
As she falls apart
Just for a moment.

“Oh, there it is!”
Rings out Fieth’s sing song tone
And she trots on over,
For once bothering to walk
And not float.
Just so she’ll hear,
Just so she’ll know.
It’s a kindness but it doesn’t feel like it,
More like a threat
That makes her sigh
Heavy and hard
In frustration
As she turns around to see
Fieth ******* and grinning.
It’s enough to make her sick.
With fury.
With fear.
With want.
She holds out her book
Arm outstretched
As far as it can go,
A barrier between them both.
She doesn’t want to play this game,
She wants to play this game.

Fieth takes the book with glee
And a pleased, “Thank you!”
Before she rambles on and on
About dull history being her passion
Don’t you know, Zero?
It’s charming,
It’s cute
And she just wants her gone.
Gone and away
With her mirth,
Infectious as always,
And her plans,
Impish as always.
So she turns back around
And grabs another book.
Another thing to not read
As she tells herself
That it’s fine.

It’s fine
As Fieth steps forward and
rests a hand on her
Gripping her shoulder.
It’s fine
When she says, “I went a bit far
Didn’t I, Zero?”
Which she did
But it’s fine
And it’s not.
It wasn’t far enough, not close enough.
She didn’t just grab her
Right there, right then.
She didn’t just force her down
Against her desk
And whisper in her ear
Just what she’ll do to her.

So she falls to her side
Just far enough
To fall back into Fieth,
Head resting right between her *******.
The grip becomes a hug,
Arm wrapping firmly around
Her frightened frame,
So frail,
Right now, right here.

“It’s fine,”
She says again.
This time it’s the truth,
And a lie
And she closes her eyes
And she melts
Right there, right then
In Fiethsing’s arms,
Though she wants nothing more
Than to chase her off.

“Just need a moment?”
Fieth asks
With a sincerity
That she so often lacks.
She’s not going to run off.
She’s not going to lie.
She’s not going to force the matter
Even if Zero wants her to.
It’s frustrating,
The fiendish way that Fieth
Makes her fend for herself
By pushing just enough
To get a decision.

It’s fine,
Frustrating or not,
As she pushes herself up and off.
Just enough to sit up,
Just enough to lean in
As she makes a decision at last.
Her lips part
And she kisses Fiethsing.
A moan escapes her,
A desperate plea
Muffled as Fieth’s tongue meets hers
And as Fieth’s hand crawls up her front.
Up her front, to her shoulder
To her neck,
Thumb rubbing idly, intently.
Intoxicating, it’s intoxicating
That sensation and more
As she leans forward the more,
Body pressed
Against Fieth’s.
Fieth who takes hold of her waist
With a free arm
And pulls her forward and up
To get her standing.
Two bodies, pressed together.
The kiss deepens,
Desperate all the more.

Her hands snake up Fieth’s back
And her nails dig into Fieth’s back.
Fieth who breaks the kiss
As she lets out a hiss
Of pained satisfaction
And who looks down
At her
As she buries her face
Into her chest.
She’s coming undone.
She’s starting to cry.
She’s clinging as she can,
Telling herself
Over and over
That it’s fine.

It’s fine
And Fieth’s here
Resting her cheek
Against her head
And with her hand
Stroking her hair
And her other
Holding her firmly,
Tightly
Just as she needs.
Just as she needs
Until she needs more,
More than a hug
And fingers in her hair.

She slips away,
Steps on back
One step, then two
Until a boot clicks against her desk.
She looks on
Eyes pleading
As she looks on at her
Her shirtless lover standing there
Unsure now of what she wants
But so sure of what she wants.
More, her.

So Fieth steps forward herself
Hands taking to her dress,
Undoing the buttons
As Zero tries to slip out of it.
Abandoning it on the floor,
Her bra goes there next
And her underwear
And her boots too.
It all goes
Until she is laid bare
For Fieth to look upon.
Fieth who doesn’t strip entirely,
Keeping her skirt on
And her boots too.
She dips down into her neck,
Pressing her lips against
That flesh
Vulnerable, sensitive
Enough to elicit a sigh.
Enough to get a roll of the hips.
Just enough
And not enough
As she buries her fingers
Into Fieth’s hair.
Pulling, stroking,
Needing simply to feel
Her and only her.
The her that slips a hand
Right between her thighs
Right then, right there.
A finger searching,
A finger finding
Just how wet she is.
A finger searching,
A finger finding
Just how hard her **** is.
Zero finds too
Once again
Just how skilled Fieth is.
How Fieth can circle her ****
Just the right way, just firm enough.
Enough to get her biting her lip
And resting her forehead
Into Fieth’s shoulder
As she comes apart
In her hands.

It’s fine
As her knees grow weak
And her breathing quickens.
It’s fine as Fieth slides a finger in
And a second.
The welcome stretch,
The familiar tension
Makes her shiver
As Fieth reaches deeper,
Deeper inside
And as Fieth pulls out
And pushes back in.
She pulls her head back,
And lets out a moan
Saying her name
As she pulls her hair.
God she’s near,
God she’s close,
God she’s in.
In her
Both in body and soul
And it’s all she can do
But say her name again
And again.
A fevered plea
As she begs for more,
Begs for her.
As doubts begin to clear
And leave
Just for a time.
Just right here, right now
And it’s fine.

Fieth pulls out again
This time fully
Leaving a dull ache,
An urgent need for more.
She wants to swear at her,
She wants to beg to her
To go back.
Back in,
Take her right there.
She needs it, needs her.
Desperately.
Fieth doesn’t though.
She grabs Zero’s thighs
And lifts as she can.
And she gets it
Though she’d rather not.
Rather not wait,
But she does wait and she knows
And she shifts her weight
Until she’s seated right on her desk,
Until she’s pressed down on her desk.

Fingers out of Fieth’s hair
She gropes at hard wood
That’s cold against her back
While the warmth burns
Between her legs.
She looks at her,
Looks to her.
Fieth’s hands rest on her thighs
As she looks back
Right at her,
Like she sees right through her.
Because she does,
She always does.

A hand travels up her thigh
Tracing a finger across her body.
A touch electric,
But not enough.
Not enough but enough
To get her speaking, to get her begging.
“Fieth, please.”
But Fieth just grins,
Feeling her *******,
Admiring the look in her eyes.
“Fieth please just stop looking,
Just this once and **** me.”
The words excite
And torment
And her cheeks burn red,
More ashamed to say it
Than have it happen.
Yet
The word she hears back isn’t a yes.
It’s “No.”

It’s fine
Isn’t it?
What had she done?
What could she have done?
Is it ending here, now?
Is it ending with still more to go?
What could she have done,
What could have Fieth have done?
Her fears come quick
And they’re tossed aside quick
As Fiethsing’s grin widens
And she says
“I’ve got a better idea.”
That’s fine.

More than fine.
Fine as Fieth bends down
Hand resting against the desk,
The other heading right back down
To her thighs.
Right back to part her lips
And then she feels her lips
And she feels her tongue
Against her ****.
Her fears are dashed
Right against the wall
And she lets out a cry,
A trembling moan.
So satisfied, yet not at all
As Fiethsing traces her ****
With her tongue.
As Fiethsing ***** at her ****
She claws, she scrabbles
Searching for purchase on the desk.
Which can’t be found
And she can’t find words
As she bucks her hips
Against Fiethsing’s mouth.
Not concerned about noise,
Not concerned about poise
Her worries gone entirely
And only this moment exists.
Only their bodies so close
Yet not close enough.
Time fades, distance fades.
A finger slips in again,
Then two, then three
But Fieth pulls her head up
Just to get it all situated.
Just to get it right.
Zero whines,
“Fiethsing please. ”

It’s more than fine
As Fieth dips back down
And Zero grabs wildly
Looking for something to hold
To touch.
All the better if it’s her,
If it’s Fieth and it is,
Her hair.
Her hair that Zero ***** into her fist,
Her hair that she pulls upon
As the tension builds,
As the ache grows.
Until at last it rolls over,
A rush of sensation
And feeling
That shakes her body
And gets her to cry out
Impassioned, fevered ramblings
About her, about her,
God just her.
Just.
Fiethsing.

And it’s fine
As Fieth keeps working at her
Through the ******,
Past the ******
And into the pain
Of too much sensation, too much.
She moans, she whines.
She begs, she even swears
And she bangs a fist on her desk
To stifle the pain, the pleasure.

Fiethsing slides out
And sits on up
And she laughs and prods
Right at her thigh.
“I bet even Milest heard that.”
What can she do
But roll her eyes
And groan in exasperation
At that comment.
What can she do
But be glad
Glad deep down for it,
For it all.
Glad enough that she sits up,
Glad enough that she hugs Fieth.

“It’s fine.”
Emily Larrabee Jan 2014
Bundled under her black and white comforter knowing her alarm will ring any second. Wraps the blanket around herself and rocks herself out of bed. Right as she does the alarm starts to ring. She tells it to shut up as she turns the switch to off. She goes out into the kitchen no one is up yet. Grabs herself a packet of oatmeal (Always strawberries and cream) She likes it thick and lukewarm with a glass of milk. While shes out there her dad comes out makes his coffee then leaves.After she eats her breakfast she slowly makes her way to her bedroom. The night before she lied out an outfit. Skinny Jeans and a purple button down shirt. She looks at herself in the body mirror by her dresser and pinches the fat around her hips and stomach. She takes off her fleece shirt and pants. She puts deodorant on and sprays herself with "Our moment" she put her shirt then her pants on. Goes into the bathroom. And brushes her red hair back into a messy bun. She applies her favorite makeup on her freckled face and her favorite lip balm on her small lips. She brushes her teeth with one of her eight toothbrushes and Colgate toothpaste. She runs into her room and puts her black flats on. Puts on her red jacket with the fur trim and walks out the door.  "Oh ****" she thinks "I forgot my back pack" She runs inside and grabs it. She makes her way to the bus stop. By the time she gets there everyone is there. About five minutes later the bus shows up. The bus is freeeezzzinnggg because the bus driver doesn't heat the bus. She sits in the seat still bundled up. A little later Aaron and Lori get on the bus. Aaron pushes her over and lies on top of her. Soon after the baybridge kids get on and it gets extremely loud. She talks to Brandie Logan Hannah and Aaron until the bus comes to her highschool. She walks off the bus and into the school. She walks to the cafeteria and puts her stuff down. She sees her best friend and walks around the school for what seemed like an hour. She sees her crush by his locker and tries to hide but he sees her and waves. She smiles and waves back shily. Soon after her class starts. Then she has lunch with him. She sits on her friends lap because there are no seats left. She checks her pockets for a dollar for a bagel but has none. One more class left. She finishes her school day and gets on the bus. (Pretty much the same thing but this time They have to pick the Jr high kids up) She gets to the bus stop and gets off of the bus. HOLY CRAP its freezing she thinks as she starts to walk home. Once she gets to her house she opens the door. She throws her stuff down and runs to the bathroom because she really has to go. Once shes done that she watches t.v. for a few hours. While procrastinating doing any homework or chores.  Finally at about 5 she decides to get some **** done... After dinner she washes the dishes and this one day asks to go on facebook. Her dad says yes so she goes on. She continuously sees Jessica's picture on facebook and tries to hold the tears in. After awhile she can't anymore. She asks her dad to take a shower but the real reason she wants to take a shower is so she can sob without people hearing her. Her dad says no though. She goes into her room and tries to find a razor.... nothing. She grabs a rock that for some reason appeared on her night stand.She srapes her arms over and over. She scratches fat into her stomach. she outlines the word Jess into her arm then crosses it out. Jess is gone she thought. She lies on her bed under the covers and silently cries until she falls asleep.
Angel Nettles Aug 2014
The iron fist
A name that should be capitalized
The name alone makes one shiver
Shiver like freezing water being thrown on you

Not like the ice challenge
Like your mother throwing gallons on you
While your in the tub
She makes you lay there

You beg for her to stop
She doesn't and grabs a switch instead
Not the small ones either
The ones that are extra thick

She pours
You begs
She stops and cusses
"Shut the **** up or I'll get more water"
You cry silently
Hoping she'll stop
She grabs the switch off the toilet
She whips your *******
Stomach
Arm
You turn
She whips your back
****
Even your feet

You scream for a god that's not there
"Shut the **** up!"
WHIP!
You cry silently

She goes away
You jump out of the tub
Run naked into your room
Lock the door

The iron fist knocks
"Open this **** door"
You weep"Go away mommy"

She kicks the door down
Punches you down
Chokes you
Gets up
Grabs her gun
Puts it in your mouth
Tells you stop crying or you die
"Mommy don't"
"Shut up! You think this is a game?"
"No mommy!"
She lifts you up
"Stop crying you *****! Or you'll be dying tonight"
You stop but still whimper
She drops you and leaves your room

No words were said for the rest of that night
Mom is cleaning out her perfumes today,
hands me a bottle,
says this is what she wore when she was my age.
The musk shakes onto my palms,
the bottle fogs at my sweat.
I am remembering her scent.
The sharp bottles of Armani Code Blue
stare up at me from her vanity.

When I was 5 years old,
I wanted to look like mami,
so I used her cherry blush,
her **** lipsticks,
capping them  before twisting them down,
opening her perfumes and painting my legs with them.
My mom came home,
saw the powder spilling on the mirror,
and cried until her limbs shook.

I am remembering the basement.
I was 8 and shivering,
mom sank into the swell of a rain slapped carpet,
grabs my wrists, wrings them into the shape
of a J’adore bottle,
wrapped and twisted and golden,
asks me why all I do is fight her.
Her favorite perfume stains my arms red.
This was the first time I ever felt scared of my own mother.

My mother and I are different in our scents.
While I smell like blood and lipstick,
she is as aggressive as the perfume she wears,
the bottles in her lines in her bedroom,
Today she decided to get rid of them.
I hope she knows
no amount of perfume can make me forget the cigarettes,
the kicking,
the mangled wrists,
the drips of her perfume on my eyelashes.

I am wearing her perfume today.
The musk grabs my wrists and strips them.
I hope she knows that I forgive her.
That the smell of her is still with me.
Alex Douillet Feb 2010
I wont be censored and I cant be stopped,
I'll be air brushed out and photoshopped.

Forgotten.

There's an energy in this youth,
Kids with blue and red hair,
The world is up for grabs,
but I wont see it,
I wont be there.

If the revolution came tonight would anybody care.
Skendong Apr 2015
Party
He gropes her ****
She grabs his ****
He reckons she wants it
Bad Bad Bad

He was a ***
She was a farce
Her husband saw & he’s
Mad Mad Mad
1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris
Carolina Mar 2018
The mind of that girl is a pain sanctuary
whose aching decreases due to a world that's imaginary.

From home she goes out to get away,
and all those nights in stranges she relies.

The soft morning breeze
tenderly dries the tears in her cheeks,
and childishly it peeks
through her bloodshot eyes looking for a trace of peace.

Nobody could really tell
if she, bones and flesh, is still alive
or if she's just a wanderer ghost.
Probably the only one of her kind.

The dark circles under her eyes
are a proof of the restless crying nights.

The tangled auburn messed up hair
tells she didn't sleep at home, but no one cares.

Picking up flowers on the way back home,
humming songs that once made her feel whole.
She rests for a few hours and once awake she grabs a pen,
she writes down a poem before she gets drunk again.

Somehow she finds calm
in the simple things of life,
and she tries not to think
about the coldness in her eyes.

Barely getting through, day by day,
trying not to be absorbed by all the grey.

Amassing countless heartbeats
to the final point where life she quits.
valencia May 2019
September

from dust and broken glass, from silver and stone, an army arises from their shallow graves. and to this day, no one can remember that this is how it all began.

demons run when a good man goes to war.
that’s what they have always told me. there haven’t been any good men here for a while then, because I can still see demons lurking around corners like shadows.


there have always been things in my life I have learned not to question. you do not doubt the stars in the sky, the ground beneath your feet, or the strength of the northernland. we do not question the northernland.

i like to ask myself questions-
after the sky fell, who gathered it all up and put it back in the sky?
they won’t tell us in school.
when the sky fell, what did the stars taste like?
i think it would taste like fire and pain and sugar, like drinking lighting hot lemonade in the summer.
we don’t ask in school.

thursday



there has never been enough. money, food, water. in school, they teach us about the war. the war has no name, it is just the war. maybe it will someday. no one dares to name it. you do not name the devil.

we bow to the throne of the northernland, unaware that is was born of lies. the cameras are our leader now. they are all we have ever known.

on Sundays we go to church and pray. the crosses will never hang right and are always turning upside down and the priest is always looking pale. we all look pale, now. the cloud of dust from northernland blocks out the sun most days.


friday
I went to Lou's house today. she has a red front gate and ivy growing in her garden. we kicked a deflated kickball around for a bit, but she kept looking over her shoulder. she pretended to drop the ball behind her but couldn't bend down to grab it because her arm is broken, so I went over. tears were hiding beneath her eyes, but she did not say anything. then her dad came out and watched us play. i didn’t like his smile, it was too wide.




when i wanted to go home, he offered to walk me home. i said i could do it by myself. wouldn’t want you to get into trouble he said, somehow smiling wider. lou made herself laugh and smiled too, but it wasn’t a real smile. as we walked home, he didn’t turn his head away from me, even to cross the street. i looked deep into his pupils, which were so wide they covered the colored part. i swore i could see someone behind them, watching. i didn’t say anything. after i went into my house,
he stood out front for a long time, watching. then i heard. shout from the basement but the door was locked as always so i got scared about that instead and when i looked out front again he was gone.

saturday

today in school i fell and skinned my knuckles. the blood that came was strange, reddish-orange. teacher grabbed my hand and bandaged it right away before i could get a good look at it. she said you mustn’t tell your mother.


teacher doesn’t know that mother went to go live in the White Building, a place for people who hear voices and don’t like the government and have to be restrained so they don’t hurt people. i don’t say any of this, i just nod my head ok.

sometimes i worry, about alistair. he’s a gravedigger and everyday when he comes home he looks so empty. he won’t tell me why he’s so sad but once i heard him tell canary that the graves just get bigger everyday and then after a long time he said but there are always to many bodies

i tried to listen more but he found me behind the wall and when i asked him why there were so many bodies he said there’s a sickness, that’s all
then after that teacher made us all wear cottons masks that are itchy and make it hard to breathe.


sunday

on the telly today the man in the suit announcer we had another victory but i don’t understand how we can have victories without winning the war. the man in the suit tried to show a picture but all we saw was a blurry mess because alistair said sometimes things can’t be shown on the telly but i don’t know why. i doesn’t make sense why they would restrict anything anymore. we now what it looks like. a flat landscape paved with bodiesaccented with blood.
we aren’t supposed to know about that though.

in school, teacher tells us there have been no casualties of the war. but only when principal is watching. when he’s not she’s stuffs our coats beneath the crack and the door and tunes the telly to a different station- one that’s fuzzy that she has to hold a hanger to in order for us to see anything. and she’ll flip back and forth between leader of the northernland and say this is propagandam  and then turn the **** back to the man in the suit, and then say this is the truth

i don’t know why teacher tells us these things.

monday

listen- do you hear it? i can hear planes buzzing overhead. teacher says to ignore it. teacher says we aren’t supposed to hear.
alistair never lets me go in the basement. he keys the key round his neck, even when he’s sleeping. he says it’s dangerous down there. but i’ve always been too curious- that’s what principal says. he looks at me with those stern different colored eyes and says curiosity killed the cat every time ms. hoth brings me to his office for doodling. i still have no idea what a cat is. cardeully, he erases my drawings and put the paper neatly into his desk. we waste nothing here. go home is all he says. but i know what he means. walk home in silence and do not ask questions, do not look behind curtains and do not wander off.

today mari has her birthday party. her mum wasn’t there. i can tell lou noticed because her eyes were scanning the room all strange, but she didn’t say anything. i didn’t ask. mari looked all scared and the camera of the ceiling fan hadn’t moved from her in a long time. i wondered who was watching her.

later, mari pulled me beneath her bed. i tried to say something but she covered my mouth with her hand. they’ll take me for telling you
was all she said.
but i have to tell someone.

i knew the feeling.
after a long time she took her hand off of my mouth and said mums in the garden








while she opened her presents, the mandatory ones from the northernland that are no fun, i tried to look out the window to see her mum. the only thing i could see in the garden was a pile of freshly turned earth. lou caught me looking and grabbed my wrist. she said you mustn’t look.


tuesday
when i come home there is a woman sitting at the kitchen table, and with her there are four ravens. she is royal, i can feel it in the way she sits and breathes and just exists. she looks at her hands and then at me. but this lady is not a guardian angel, like the kind canary says is always looking out for us. i am not an angel. she says. she is not from the northernland, but not from here either. i know is all i say, because i am not alarmed that she is here and that there are cameras and that she does not belong. i know she is not real. and she says i am a godess. i do not doubt her. she sits up, and puts the ravens about her in her hair and on her shoulders and the like. this is an omen. i nod, because why else would a goddess be at my kitchen table? and then she is gone because she was never really there, and i wash my face and make sure i am no longer seeing people that are not there, because i don’t want to go live in the White Building like mum.


wednesday

they are always watching us at recess- we mustn’t stand or walk anymore. we have never been allowed to run. there are cameras everywhere now, too. they see everything like a great waking monster that never sleeps. i thought i would feel safe with the cameras, but the back of my neck feels prickly like there’s somebody standing behind me and when i spin around and look the mushroom is empty except for me.

the only place there aren’t cameras is under alistair bed. i go and hide there sometimes, just to forget the feeling of being watched. that’s where i read the stories that alistair’s written. in them, he talks about a sky as blue as the ocean.
i have never been to the ocean. i remember the sky used to be blue, but never really. now it is a sickly grey.
canary caught me looking at the sky once and pushed my head down. she said don’t let them catch you looking or they’ll put cameras in your eyes.
i believe her.

wednesday

today we went to mandatory meeting, where they passed out rations. there is always less and less then there was last time. while we were there they made us watch a video where the leader of the northernland talked about how well we were doing in the war and how this would almost be over soon. he also reminded us that if we were past curfew there would be serious punishments.
for rations we got a red powder called kool-aid that you mix with water to make juice. we also got a loaf of white bread, a browned banana, circular crackers and a warm jacket. alistair took the jacket and left for work.

canary always looks worried. ever since mom went bonkers i haven’t seen her not wearing her worry lines. i can’t believe she’s only six years older than me. to alistair that doesn’t seem like a long time. to me, six years is an eternity. as long as a war.

canary watched alistair go at the window for a long time, long after he disappeared into the fog. then, all of a sudden, she turned around and said i’ll help you with your homework. i didn’t tell her that i knew how to multiply fractions. mom always used to say that if you were busy you weren’t worried. canary made me a cup of red juice and her hands shook so much she dropped the glass.
pity, that was our last one. it seemed to shatter in slow motion, and i could see every piece break slower and slower.

the day seemed to go by slowly, the cold sleeping into my bones and making me sleepy. i wa so thirsty, so thirsty. i wasn’t allowed anymore water till friday though. if you drink to much of it at once you get sick. i begged canary to let me drink from the stream in the garden but she wouldn’t. it’s black and thick, and smells like nail polish.

the last time i punted my nails was for dads funeral. i remember canary used her last bottle of nail polish to paint my fingers black, so as not to have anybody see the dirt under my fingernails. it didn’t matter, in the end. we were the only ones who attended.

canary is flying together the pieces of the glass with tacky glue. i can’t bear to tell her that all the glue in the world would never be enough. the shards are too small. she’s fills it back up with red juice and fora moment all is well, but then the glass can’t take it anymore and collapses with force into her hands. kool-aid runs down her fingers like blood. intermixed is real blood, from the cuts the glass left. she looked at it for a long time, letting the blood run down her fingers like that.

then she said what a waste

november

alistair is sick. principal gave us ibuprofen but all it does it make him feel empty. he begs us not to give him more but it’s the only things that will take his fever down. he thrashes in bed and screams ****** ****** and i worry he is going to be like mom, always seeing things and hearing things. maybe he can go live with mom in the White Building. mom would like that, if she could remember alistair.

i have been sleeping at school, because canary doesn’t want me to get sick. the dorms are cold and empty and heavily sanitized. i miss canary and i miss alistair but canary won’t let me come home. i don’t know what she would do if i was sick. so i stay. and every night, i say to myself i hate the northernland i hate the northernland i hate
but i say it in my head,  because i am worried they will come for me.
sometimes i worry about canary getting sick. she says promise i wont, sunshine but i know she never worries about herself. teacher gave me flowers to send to alistair. the card says “get well soon” it has been a long time since i have seen real flowers. most are fake, like the ones teacher sent alistair. i don’t mind. it’s the sentiment that is important.





sunday

today at church preacher said and let us pray for our sick
they have stopped re adjusting the crosses. the remain upside down and no one looks. except me. i was looking, while we were supposed to be praying, but canary pushed my head down and said  pretend you can’t see them.
that’s  when i knew she sees things too.

saturday
i remember when i came home from school and found mum. there was paper all over the house, because she’s been doing her drawings. it was on the walls and floor and crinkled up under the boxes, all pictures of the northernland and the pastor and everything. and she said there is no god. there is no god. there is no god. alistair covered her mouth but it was too late, the northernland men were already here. she drew here pictures more violently scribbling and slashing with my art pencils. she drew alistair and canary and father, but not me or her. there was lump in my throat. she picked a new piece of paper and drew god, above us all, but she kept saying there are no gods there are no gods there are no gods, and she slashed and scribbled at the paper, and the northernland men were knocking, watching us through the cameras, and mum pulled me down next to her. i could see blood beneath my skin she held me so tight, and she had. a thousand stars in her eyes that were all spinning, saliva dripped down her chin and  she did not look my my mum anymore. she looked lost. she said the gods have abandoned us.


after the northernland men took her to live in the White Building, her drawings were left on the floor. alistair gathered them all up and threw them in the basement and locked the door. then he put the key around his neck. at least, i think that’s what’s in the basement. i have never told alistair, but i took the last drawing she did, of me and her and a boy. i stuck it with glue to the very back of my dresser drawer, so no one will ever find it. in the picture, my lips looks like there are sewn together with greenish yarn. this has always scared me. mums mouth is open and she is screaming, but there is no tounge inside her mouth. the boy looks normal, and he is holding my hand. this boy is not alistair. this has always scared me. this has always scared me. this has always scared me. it’s only a picture.



monday

i keep finding myself in that moment-
when canary broke the glass and cut her hands, spilling red juice and blood like lines on her hands. she sat there for a long time, just looking. maybe it’s stuck with me because she was just looking, when we’re never supposed to look.

the clocks tick slower and slower everyday.


tuesday

teacher wasn’t at school today. instead we have a woman with blinding hair and an accent from the northernland. nobody asked where teacher went.
we don’t want to know. the hanger and the telly were gone, too.

when i got home i was feeling really sick with tears. i told alistair they’ve taken teacher. his eyes widened and he ****** his head toward the camera. canary dig her fingernails into my arm. of course they haven’t was all he said. that’s silly.

then he looked off into nothing for a long time. i just looked straight into the camera.


wednesday

at recess the northernland woman was acting real strange. she sat with us on the pavement and when the camera tune we it’s invasive x-ray eyes away she whispered your teacher has been taken by the northernland.

nobody said anything. nobody says anything, anymore. i think if we even spoke to many of us would cry. and then the cameras would look at us. so we just stared into space.
in our hearts, we already knew. but i still wanted to scream.


thursday

today was idyllic. sun came through the smoke and lit the sidewalk up orange. the woman from the northernland asked us what we would want if we could have any powers. almost everyone said healing. i said flying. maybe it’s because i’m selfish, all i want to do is fly away. but maybe it’s because i’m honest. i’m getting tired of not hearing the truth.

just to see if i could do it i ran all the way home. my feet seemed to leave the ground, its was as if i was actually flying every time i took a step. but then i landed and took off again.
i hadn’t run in a long time.
my chest seemed to hurt with a good  pain, if pain can be good.
i wanted to tell alistair but canary wouldn’t let me see him. i just need to you to get warm was all she said. over and over. but i’m boiling he said. it was quiet for a long time. it’s going to be alright. she said it again. twice. three times.

you know that feeling when you feel sick to your stomach, not because of disease but of fear. and mixed up in that sickness are tears and realization and you feel weak and helpless.  that’s how i felt when they took mum. that’s how i feel now.

i don’t know why, but a sudden hatred for the northernland boils up in my stomach. i think i am going to be sick. i turn around and run, run as fast as i can until i am at a strange gravel alleyway hidden behind some trees. i rest there for a long time, looking into the darkness after the cliff face. i know where i am. i am in the abyss, a place forbidden so long ago by alistair i had never thought to come here. i don’t break rules, i just ask questions. but i am here. at the abyss. where nobody should ever be.

friday
death is a sense. just like touch or smell, death is a feeling. i could feel it in my heart. in my bones and in my veins. it crowded about our house like fog in the summer. and all i wanted in the world was for it to go away.

teacher today told us about the northernland, how it was kind and safe and loved it’s people. the lie seemed to cuddle in her throat. nobody has ever gotten kindness from the northernland. the northernland started the war and has starved and survieled us to no avail. i know there was a time before, but i do not understand how that could have been. but i still haven’t  made peace with the cameras.


the abyss is where people go to go crazy. your screams bounce off the walls of the hole, but you cannot see them because it does not have edges. you cannot see the bottom or the sides of anything, just darkness. then the northernland men in the gas masks come in their yellow trolley and take you away. the abyss is where the devil lives, in a bottomless hole to the middle of the world.







saturday

i met a boy who lives in the abyss. he is made of sunshine and glitter, and plastic and paint and peace and everything that is beautiful.

but he is not really there. instead, he is almost see through. sometimes he is there and sometimes he is not. i know he isn’t real, just an imaginary friend. i am not like mum, who saw imaginary people and thought they were becoming real.

i did not say much to enyo, instead i said the only thing i was thinking. saying it made me feel sick.

i think alistair is going to die.













as i said it, it echoed off the walls of the cliff.
suddenly it was all too much. i was all too much. my heart started beating fast and my mouth felt dry and i stood up. i didn’t mean to cry but i did, big wet tears the dried my skin. i don’t want him to die. i said over and over.
my words echoed against the cliffs, i didn’t  sound like me.
HE CANT DIE
i shouted. HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE  CANT


i woke up a long time later next to enyo. i looked into the void that filled the space between the cliffs and the beyond. i wonder of that’s where heaven is i said. i pointed into the nothingness that felt all consuming. enyo said nothing. he looked as empty as i felt.
a long silence later i said he’s not going to die is he? enyo looked me in the eyes for the first time and i realized his were a beautiful black, layer upon layer of black and brown. he said what do you fear more, the echo or the answer

but enyo was not there at all. he is only imaginary.




sunday

preacher came again to the house and said that alistair is better. that his fever had broken. i didn’t know fevers could break. i asked him about what being sick feels like, and he took me outside to the garden and we sat on the piles of rubble that used to be the neighbors. he said that your brain gets confused, and everything seems fuzzy and mixed up. i can’t help but think that must be awful for alistair, he was always orderly.

monday
today mari has her birthday party. her mum wasn’t there. i can tell lou noticed because her eyes were scanning the room all strange, but she didn’t say anything. i didn’t ask. mari looked all scared and the camera of the ceiling fan hadn’t moved from her in a long time. i wondered who was watching her. i know who was watching her.


tuesday

i go down to the cliffs, but enyo isn’t there. schools closed for sanitization, so i have nothing to do.  i swing my legs off the edge for a long time. i don’t dare say anything, i hate how it echoes back. i look deep into the bottom but i can see nothing.  it is only darkness. something at the bottom feels like is calling to me, tugging at me to come. i turn my back.
was this before or after the preacher came? i am trying to remeber in order, tell you this story radially like teacher says.

i go home and canary’s there waiting at the window. she says here i’ll help you with your homework. no, no, no NO NO NO NO NO NO. that did not happen after, that happened before.

i can hear the ticking of the clock in my ears, slowing down.
maybe i’m going crazy.


wednesday
i’m sitting on a bench, but i cannot remember where. enyo is beside me and he is talking. in my chest i feel something strange, like it is moving and jumping. i feel queasy but it also feels nice.
i look over and he’s bleeding, golden blood from his eyes and mouth running down his chest. i want to scream but it stops in my throat. enyo puts a finger to my lips and the scream goes away.

he isn’t bleeding anymore. we’re holding hands. are we holding hands? teacher tells us not too, it will make us sick. but enyo is different. enyo doesn’t go to school. i feel as if my hands are sweating but it doesn’t matter, he doesn’t say anything.





i wake up cold. it felt so real, it all felt so real. my arms feel heavy.
i’m alone on a bench by the abyss. smoke fills the air and makes it hard to breathe.

friday
mari wansnt at school today. i know the northernland took her, broken bones and all. i remebemer becaus lou told me while alistair was sick. but that was days ago. i am sorry, it’s just so hard to tell the story in the proper order. my head hurts.

tuesday
i’m sorry if i cross out bits, it’s just that as i understand more i change the words. doctor says to stop doing this, but i want you to know the truth. the clocks are going slower and slower lately. alistair can’t work anymore, the preacher said so. i was going to tell him about enyo, how he is real now, not imaginary, but i didn’t know how. there aren’t words to describe him. looking at him makes crows beat their wings beneath my ribs, but i don’t know why. I sit with alistair after class but i can’t think of much to say. he doesn’t seem like my brother anymore, just a body lying on the floor.



thursday
doctor says i am defamilirazing myself, telling the story like it did not happen to me. telling it in all the wrong bits. i will try and tell it in the right order, but my head hurts. my head hurts so much. doctor won’t tell me why i need to explain, what the tape recorders are for or the make i have to wear the mask or why i’m here, what happened to my family. he won’t tell me why every time i say it like it was in the past and not happening right now he checks me for a fever. all he tells me is to start at the begging.

friday
the blonde woman from the northernland has a ring in her nose, but i do not know why. when i ask her she doesn’t seem to understand. she doesn’t talk anymore, either. just points at things on the board. i dreamt that she had her tounge cut off, but that was just a dream. the northernland would never do that to someone.

saturday
alistair is dead.
preacher says the disease took him, but i do not know which. the real sickness or the brain washing of the northernland. i think it was both, because the sickness made his brain weak so the mind-poisoners could break in. it’s okay, he wasn’t my brother anymore. doctor says that i never loved him.

sunday
church has ended and we are walking home, just arrived when our door opens. i wonder who would w at to come to this house, where the walls smell like death. the northernland woman is at our door, standing in the place the cameras cannot see her. she is smart. canary opens it and the northernland woman opens her mouth. there is no tounge or teeth, and the sides of her throat are black. i scream, so loud and shrill that i cannot believe that i am making this noise. my heart is in the center of the earth, fear running through my brain and i am screaming. canary covers my mouth. it doesn’t matter, the cameras were already looking.

canary pushed me to the floor and dragged me under the bed. i could feel the cameras following us the entire way. when she sat up, her pupils looked strange, the ways moms did when she ways seeing the people in the walls. anger seemed to hide in her voice, she was trying not to be loud but to me it felt like she was screaming, she had never thrown words that hit me like knives before. she told me never to scream or else the men behind the spying eyes of the camera would come for me. what would i do without you she yelled, but it wasn’t yelling it was crying. she help me close to her chest and i could feel her breathing and her heart beating, sparratic and short. she cried into my hair, until it was soaking wet with tears. this was when i knew canary was lost.

tuesday
enyo is in the void, just there. he is very pale today, and he doesn’t say anything for a long time. we have gotten to holding hands now. i have never held hands with anyone, and my fingers feel strange and clumsy. tecaher used to say that touching was against the rules, but i am so sick of rules that i am now glad to break them.
all at once, it occurs to me that there could be cameras here. there are cameras everywhere. i don’t know why this has never occurred to me before. suddenly i dont care, i want them to see. i stand up and scream as loud as i can.


thursday
after i screamed, no one came for me. even when i go back, i don’t feel safe anymore. i ruined the only place i felt safe.


saturday
enyo is gone. i go everyday and yell for him, but he left when i screamed. he is still missing. i’m worried for him, but at least i know the northernland has not taken him. a sick feeling in my stomach asks me if enyo was ever real. i know he was. but it is still there, pulling at my head. of course he was. i felt his skin, rough and broken. imagination can’t conjure up real people.
but then i think of mom. how her fever got so high she started to see people that weren’t there. my head hurts so much, like someone is trying to break out of jail in my skull. i am angry, for the first time in my life. enyo was my only friend, the only one who could see through the blanket of the northernland skies. i scream for him ENYO ENYO ENYO ENYO ENYO ENYO, but i am not mad, i am crying and crying so much and loud that someone puts their hand over my mouth, but there is no one there. i am suffocating. i turn around and i can’t breathe, my vision is tunneling into the abyss.
i am sick.



someone is holding my body, but their skin is cold. i open my eyes but i can only see shapes. i am on the gravel and the sun is orange, just like always. i am alone. but can feel someone’s tears, touching my cheeks. i sit up as fast as i can, and i am seeing stars but i just need to look. we are never supposed to look but i am going to see.


the northernland is punishing me.
enyo is making me sick.


enyo is there beside me, crying. i have never seen him cry and something rises inside me, and all i want to do is put my arms around him, so i do. slowly he gets warmer and feels more solid. let the cameras watch, let them see.


sunday
im running, running by the tips of my feet and pushing me off the ground, i’m flying. i have to get home.  i think of the first time i ran, letvthe cameras watch, talked to enyo. all the times i’ve broken the rules. i has always hated the northernland, but i had witnessed something better. i had talked to enyo, heard stories of what it was like before. a hatred so strong curcdled beneath my ribs and made me want to punch someone. i ran and ran and ran and ran, shouting HE CANT DIE
i shouted. HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE  CANT.     he is going to die.






monday
i saw a raven in the wire pole today. it was big against the grey sky and he watched me as i walked into the house. i hadn’t seen a raven in a long time, so i turn to enyo to tell him he looks like a raven. he smiles, but he is. if there. enyo was never there.

wednesday
alistair has gone back to work, though i think he shouldn’t have. he tells me the symptoms of the disease when he gets home. headache,seeing things, bleeding from your insides. i play with the ring on my finger, trying not to ask if that’s what happened to mom. i open my mouth but a rock lives there, and i cannot move it without crying.


sunday
doctor tells me to get off the floor, that i can stand now. i stand up and he puts me on the table. he is old and pale, with shiny grayish eyes. tell me what happened to alistair he says. i do not understand. what happened to alistair?

friday
mari wansnt at school today. i know the northernland took her, broken bones and all. i remebemer becaus lou told me while alistair was sick. i go home alone, and cold. i feel like there is a little green man in my lungs running a garden hose. i think back to the time when i ran, the first time i broke the rules. nobody came for me.
i can’t run anymore, my arms feel heavy and when i cough thick red bloods comes out of my mouth. it must be the smoke. I go home, and canary is at the window. she is crying in reckless abandon, shamshing on the door with her fists. two men from the northernland are holding her back, and one hits over the head with a black stick. alistair is being carried out on a stretcher.
look what the northernland has done to my family. all for the sake of this stupid war. i can’t remember who we’re fighting and yet my sister and my brother have died for the cause.
enyo says they are not dead. but enyo is not there, he was never there.

wednesday
i screamed again. i know canary told me not to, that cameras would look into my eyes and into my head. but i saw the northernland man coming up the street in his yellow trolley, straight for lou’s house. when the door opens she is wheeled out on a stretcher. so i screamed, because lou is dead and the war with no name had killed her. the devil had killed her.

canary grabbed me as the camera looked at me, as every camera in the house was trained on me. there was a disturbance in her eyes i had never seen before, like she was not all there. she grabs my arms and is much stinger than she should be. she opens the basement door and i scream again, because now i know what’s in the basement.








more northernland men than i have ever seen are in the basement, and when the door opens they look up. somebody take sme from canary and i scream and writhe and kick, but they pull at my body until my skin tears.





when i wake up, i am holding very still, and i cannot move if i want too. doctor says this is called  paralysis. there is a very bright light and a searing pain, it’s hurts so much my body is burning. cascades of blood come down into my mouth, and someone is sticking my lips with pins. this hurts more than anything that  has ever happened to me. it hurts in a deep ache, not just on the surface, and my entire body wants to shudder. my lungs are filling up with blood, because it hurts to much to breathe.





saturday
when i wake up i am in my bed, in my house. more relief than i have ever felt washed over me, because it was just a nightmare.

i used to have nightmares where there was a man in my room, saying numbers out of order. but then preacher says that if i talk to god before bed and make sure my blood is pure of doubt for the northernland, then i will not have nightmares. this is why i have had this nightmare, because i was disbelief the northernland. i do not care, because it was only a dream. i will never hail the northernland.


my lips hurt, and i wonder if in the night i bit my lips because of the dream. that happens sometimes. i dress and get ready for school, and catch myself in the mirror before i go. i turn fully toward it to make sure i am not hallucinating. in the great horror of it all, i try to scream, but it stays in my throat. i cannot scream, or make any sound at all.

my lips are sewn shut with green thread.


friday
everyone at school is quiet. anna covers her mouth and big wet tears fall on the ground. mrs. hoth takes her to the office, and the cameras follow them all the way there. we say our pledge and do our arithmetic, but i cannot say anything. i hate the northernland.
i hate it, i hate it. and i realize this is why they have silenced me.
the northernland woman is gone, and a man in a yellow coat teaches us arthimatic.
the clock on the wall is barley ticking now.
lou sits at the desk in front of me, her hair greasy and skin pale blue. she turns round, just like the old days, but isstead of telling me what the answer is or who’s the cutest or any of the normal things, all she says is run. her mouth makes an o and she closes her eyes and rests her head on the desk.

when i blink, she is not there. i am alone in the classroom.


sunday
i go to church by myself, because i havent seen canary since she sewed my mouth shut. she is not my sister anymore, and i pretend i don’t care what happens to her in that basement.

when i get there preacher is not there, there is nobody there except the northernland woman. she comes and sits next to me and runs her fingers across the stitches. we pray together, even though we can’t say anything and there is no sermon. when we walk outside there is an officers car, and she is handcuffed an put in the back. the man who has taken her gives me a sticker, with a little white cloud on it. it says trust in the northernland. i do not trust the northernland. i do not trust anyone.
i run away as fast as i can and throw the sticker into the ground, but it still seems to follow me inside my head. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland.



monday
enyo is at the abyss, waiting. he says i am killing you. and i understand, it all makes sense now. but he is all i have now. if the only thing worth living for is killing me, that is what doctor would call dramatic irony. i do not feel dramatic, i feel used. the northernland has used me and used my family.


saturday
doctor says that when telling a story i need to define who is the antagonist and the protagonist. the antagonist is someone who antagonizes people. doctor says this means evil. this is hard for me to understand, because everyone is evil. this is not a story, and it does not have characters. the peoples i have met in my life are all complex and strange, evil and good and unpredictable. doctor says ok and that we will try again tomarrow.

thursday
mari wansnt at school today. i know the northernland took her, broken bones and all.
mari wansnt at school today. i know the northernland took her, broken bones and all.
mari wansnt at school today. i know the northernland took her, broken bones and all.

friday

enyo is at the abyss, waiting. he says i am killing you. and i understand, it all makes sense now. but he is all i have now. if the only thing worth living for is killing me, that is what doctor would call dramatic irony. i do not feel dramatic, i feel used. the northernland has used me and used my family. doctor says to be thankful of the northernland, that they did not use me. i turn away from enyo because even though i love him, i am loyal to the northernland.
i am thankful to the northernland.
i am thankful to the northernland.
all hail, all hail.






love alistair
fire element
exposing government secrets
cult
enyo gets more real as he is dying.
preacher dies.
alistair goes crazy, then dies.
something in basement.
Very low IQ but the only one smart enough to see
enyo is a ghost
canary goes crazy and sews our mouth shut.
fall in love with enyo.
not told radially
told in sgememgs like cross cross
deep symboling
Randy Johnson May 2015
STD
If you want my ex girlfriend, she's up for grabs.
But if you sleep with her, you will get the *****.
It's possible that you may get ****** too.
Sleeping with her is a stupid thing to do.
I caught her in bed with my cousin and I thumped her.
She sleeps with a lot of men, that's why I dumped her.
I'm giving you valuable advice so you'd better listen to me.
If you ****** my ex girlfriend, you are sure to get an STD.
This is a fictional poem.
Kingafroninjaa Nov 2011
They knew they shouldn't be doing this..
He brings his face close to hers so their lips could meet.
There's a chance they're going to be caught..
He grabs her by the waist and gently lays her down.
They're going to end up regretting it..
Their bodies gradually turns into one soul.
Their shallow breaths matching each other.
She lets him inside hoping he'll stay.
Their movements becoming fast paced and in-sync.
They are holding heaven in the palm of their hands.
For that brief moment in time, he is hers and she is his.
Their high comes down and reality knocks on their door.
I knew I would regret it.
Jasinia Alfaro Sep 2015
Grabs the gun,
Loads it
With one bullet
Spins the cylinder
***** the hammer
Shoot!
He lives.
He tried to end his life
He fails.
The next day he tries again
Grabs the gun
Loads it
With two bullets this time
Spins the cylinder
***** the Hammer
Shoot!
He lives.
He wonders why
Is he really that lucky?
The next day he tries it again
Grabs the gun
Loads it
Three bullets go in this time
Spins the cylinder
***** the hammer
Shoot.
Once again he lives
He sits on the edge of his bed
Wondering why he is still alive
He hates his self
He hates his life
Wishes he wouldn’t exist anymore
But why has he been so lucky?
One last time
He grabs the gun
Loads it
With only one bullet
Spins the cylinder
***** the hammer
And Shoots.
He wasn’t so lucky this time
He goes to heaven
He sits and wonders
Why did it take so long for me to die?
A voice behind him says
“It wasn’t your time.
I had greater plans for you, it was just a setback”
“I tried to save you” they said
“Now come this way and I will show you what your life
Would have been if you had lived”
He follows the voice and sees what his life would have been
He sees a woman and a child
He asks the voice behind him “is that my family?”
The voice responds “Yes, that would have been your child.”
He begins to shed a tear,
He realizes he should have quit
Now he is in heaven regretting his mistake.
This is titles "the game no one wants to play" because a lot of people do not want to keep going with life some just want the easy way out. they miss out on their future. Stay strong it will get better.
Lindsey Graham Oct 2015
She grabs me by my hair
And pushes me face down onto the bed, running her hands
Up and down my thighs and ***,
Grabbing and massaging.

Pull down your pants
She says, eerily calm
So I pull them down
She helps me, then slides her
Hands back up my thighs
And ***.

Slap
I flinch, feeling my
Right cheek tingle
And then suddenly she does
It again.

It becomes a rhythm,
Then she grabs me by
My hair and yanks my head up,
My breathing heavy and
Almost pained

You will say again before
Every time I spank you.
You will say thank you after
Every time I spank you.
Do you understand?

She says, her voice low
And heavy in my ear.
Yes I breathe
Yes What? grabbing
My hair harder
Yes...again I moan
Slap
Thank you
Again
Slap
Thank you
*Again
First spanking.
Eliza Noxon Jan 2018
Platonic Love Song

The wind in our hair as our lungs work
Screaming out the lyrics to a teenage summer
As we drive free, racing, to the waves and mountains
Lights in our eyes and hands over hearts
Youthful yearning fills us, as we get caught chasing the sky

Her laughter fills my soul and she begins to dance
While she wraps her arms around me, safe
A fire blazes, but our smiles are what light up the night
We make the stars jealous, 
They beg for half of our shine

Embers and vapour fill the air, 
Hands trading drinks and smoke and care
Music floats and lyrics sink in
Lips trading stories and laughter and kisses
Engines start, stop, jump, and rumble

Her eyes gleam and shift, catching attention
Hypnotising and beautiful, 
They draw us in, keep us safe, and we ask to stay. 

Let yourself love your friends. Let yourself stay with them. 

She pumps music into our lives, her voice loud
We dance to the wild tempo of our heartbeats
Crass and catching, her voice settles in us

Let people in, even when it’s hard. Let yourself love them. 

She scrunches her face up and tosses in jokes,
Making us smile at any price, 
She helps us laugh the pain away. 

Let people love you back. 
I know it can be hard but...

She covers her smile with a hand, 
Else she’d blind us, but we’d be alright,
If that could be the last thing we see

If you aren’t in love with your friends, where is your absolution? 

She swings her hips and we get lost in her lips,
The gold on her skin, the brown in her eyes, 
Entrancing on a new level, and we exalt

If you aren’t in love with your friends, then something is wrong. 

She grabs our hands, reviving and vital, 
Her shoulders jump and so do we, she’s got us on our feet
Her energy is infections, makes us forget imperfection. 

If you aren’t in love with your friends, where are you spending your time? 

Existing in a different state, but in the same hearts, 
And we are all staring at the same jealous stars. 
She feels like a home you’ve never been too. 

If you aren’t in love with your friends, then you’re not doing it right. 

Because for me, they define ride or die, 
The first loves of my life, they mean open
Open arms, open homes, open hearts
They are coffee in the cold and make up in the night, 
Empowerment in the dark and hope in the now. 

Love isn’t just for spouses and partners, 
  Love is for those who you know with your heart, 
Who’s soul touched yours, and said, 
“Hey, it’s been a while. I missed you.” 
And if you haven’t felt that yet then I’m sorry, 

But don’t worry, you’ll find them. 
And when you do, it will be like coming home. 
And you’ll know. 

If you aren’t in love with your friends, then you haven’t met mine.
tread May 2013
Eyes like massive clanks- gazes morphed to lanced boils, lungs ache and the tumour of hopeless alien weird melts an old painting we used to call 'existence.'

Ankles dry, calloused thoughts, skin peels to reveal oozing flesh. **** sinks in and swallows floating zinc; immune. Consuming ex-cadavers in mall parking lots and pushing the crippled in shopping carts, an ankle twisted, a mother swallowed monetary *****, the stock market became the shelf market, and creation wondered if we were okay with frozen pizza for dinner.

Life dragged on and on, the world swirled on twitter feeds and Facebook statuses, the streets completed laps around our better judgements and our better lives, we sank to scheduled escapism and believed that one day we would find the light despite our never left-look.

Massive intention swelled to disjointed shark search. A witch-hunt to burn unhappiness in it's own angry passion. Bones; cost efficient at the least and designed in the weirdness of erosion-return. Miniature intention swelled to grabs solidarity. A manhunt to freeze stillness in it's own endless silence.

What complete? What shatter-tastic ******?

Eyes like massive clanks- gazes morphed to lanced boils, lungs ache and the tumour of hopeless alien weird melts an old painting we used to call 'existence.'
Cait May 2012
My legs are shaking as I step
Onto a frozen lake
In skates that are not my own.

He grabs my hands
and whirls me in a wide circle
I scream and beg for him to stop.

He leaves me for a while
to wobble slowly
on my own.

Then he returns with a shopping cart
And dumps me in it
To push me across the lake

At an alarming rate.

With tears in my eyes
I beg him to stop.

I know I am being jettisoned
Towards my death.
Abi Cash May 2018
It controls her
She can't stop it
It's a constant battle
She can't drop it

It has become a habit
She can't quit
It's taking over her body
Bit by bit

The scars fade
But the memories don't
She wants them to leave
But they refuse.. They won't

It's an on going battle.
It's a fight she never wins
It's a constant struggle
It's a war that never ends

It's her sweet escape
It gets her lost in her own place
She gets to control the pain
As her adrenaline starts to race

She grabs it off the dresser
As a tear falls from her cheek
She presses even harder
Reminding herself not to shriek

No one understands
No one ever will
This habit now controls her
As the world around her stands still

But now the room is spinning
Her head is getting light
She falls back in her bed
Refusing to put up a fight

She takes one last breath as she turns out the lights
Then she closes her eyes as she calls it a night
No one ever understands my scars
Glenn McCrary Jun 2014
"A mended brain, and heart, and soul are all fine. But being stolen away in the night by new, soft, and clawing hands makes the stitching break. And when you wake up you find that you were never fixed in the first place.” ~ Jade Day


SCENE ONE

[All is black. Strobe lights of various colors flashed throughout the land. A mysterious woman casts an atrocious glare as she is passing by. She had dark brown shoulder length hair, hazel eyes and french vanilla colored skin. She was wearing a jet black dress. Her left hand was slightly moving around in a circular motion as a gesture of guided conversation. Her hand then gradually descended just below her waistline.]

DO: AAAHHH!!!!

[Do woke up doused within sweat and heavily panting. Spore and Gum came running into Do and Sweat’s room to check on Do.]

GUM: What’s going on, Do?

SPORE: Yeah, we heard you screaming from across the room.

DO: I’m fine… I-i… I just keep having nightmares and they won’t go away.

SPORE: What happened in this nightmare?

GUM: Yes, tell us Do.

DO: I do not wish to speak much of it at the moment, but all I will say is that a strange, mysterious woman keeps appearing in my dreams.

GUM: Who is she?

SPORE: Gum let’s not hassle him.

DO: I can’t remember her name at the moment. All I can remember is an incident happening that shouldn’t have.

SPORE: It’s okay, Do. You can tell us more about it as you start to fully remember what happened.

DO: Yeah, I suppose you are right.

GUM: What do you guys say we head down to the cafeteria? It’s 6:00 am and breakfast starts in half an hour.

DO: That actually sounds really good right now. I’m totally down.

SPORE: Yeah, I’m a bit hungry myself. What about Sweat? I mean he’s still sleeping.

GUM: Sweat has always been a deep sleeper.

SPORE: How would you know?

GUM: Because he’s my friend but thanks for implying that I’m a ****.

SPORE: I’m sorry but weren’t you the one who had an infamous reputation for random hookups?

GUM: That was a long time ago, Spore. I don’t do it as often as I used to.

SPORE: But you still do

GUM: Of course. Everyone needs some good, fun, casual *** every now and then.

DO: Guys can we talk about this later? It’s too early for this *******.

SPORE: We’re sorry, Do.

GUM: Yes, we don’t know what came over us.

DO: Look it’s okay. I’m over it. It happens to the best of us. Let’s just get going shall we.

SPORE: Great! I’m going to go take a shower and brush my teeth.

GUM: I call second.

DO: Actually, Gum you can use our shower. It will speed up things up a bit.

GUM: Oh yeah. You’re totally right.

[Do chuckles. Gum smiles back in response as she heads to the bathroom. Gum had bubblegum pink hair, bubblegum pink eyes and creamy white skin. Do leans over and gently shakes Sweat awake.]

DO: Sweat! Come on buddy wake up! Breakfast is starting soon and the gang wants to grab a bite to eat.

[Sweat slowly turns over yawning while rubbing the tiredness from his eyes.]

SWEAT: Ok, ok I’m up. What are they having for breakfast today?

DO: None of us know yet until we get down there.

SWEAT: Well what are we waiting for? Let’s get movin’!

DO: We will. Just waiting on the girls to get out of the showers so that we can do the same.



20 MINUTES LATER…

GUM: The guys should be dressed by now don’t you think?

SPORE: Let them take their time, Gum. Breakfast ends at 10:30. There is plenty to go around.

[Do and Sweat enter the room fully dressed and ready to go. Do was wearing a white long sleeve shirt, white jeans and white shoes. Sweat was wearing an outfit of an identical nature.]

SPORE: You guys both look very handsome and acceptable.

GUM: Yes! Yes! You guys look marvelous! Can we go now?

SPORE: I don’t know. Are you guys ready?

DO: Well, I know I’m ready. What about you Sweat?

SWEAT: Been ready.

[Do, Spore, Gum and Sweat make their way towards the door.]

DO: Oh, and Spore?

SPORE: Yes, Do.

DO: How far has life taken you by being acceptable?

[Spore looks at Do with a very confused ****** expression.]

DO: Exactly.

[Do, Spore, Gum and Sweat exit the room.]


SCENE TWO


[Do, Spore, Gum and Sweat exit the elevator and make their way to the cafeteria. They enter the line and patiently wait to order their food.]

SPORE: By the way, Do all food is free at the asylum on Saturdays and Sundays for those who don’t have a registered meal plan.

DO: Thank you for the heads up Spore. Remind me to sign up for a meal plan later.

SPORE: I won’t forget.

[Spore and Do smile at each other. It is now Spore’s turn to order.]

BREAKFAST LADY: Welcome to Black Wick Asylum For The Mentally Insane. For breakfast we are serving Pancakes and waffles with your choice of 3 sides. Your choices are eggs, bacon and biscuits with brown and white gravy. We are also serving donuts, bagels and pastries. What can I get for you today?

SPORE: I think I’ll have three waffles and three biscuits covered in white gravy. Also, I’d like a donut.

BREAKFAST LADY: What kind of donut would you like?

SPORE: What kind of donuts do you have?

BREAKFAST LADY: Sprinkled, glazed, powdered, cake, jelly filling, red velvet, chocolate covered, etc…

SPORE: I think I’ll take the jelly-filled donut.

BREAKFAST LADY: What kind of jelly do you want?

SPORE: Blue raspberry.

BREAKFAST LADY: Anything to drink?

SPORE: Orange juice, please.

BREAKFAST LADY: And what can I get for you three?

[The breakfast lady began looking at Do, Sweat & Gum as she eagerly awaited their response. Gum decides to place her order first.]

GUM: I think I’ll have a short stack of red velvet pancakes, a couple of blackberry jelly-filled donuts and four scrambled eggs please.

BREAKFAST LADY: Ok and what would you like to drink?

GUM: A cup of tea would be nice.

[Gum lightly smiles at the breakfast lady as she says this then continues walking forward in the line. The lady points to Do and Sweat signaling them to come and place their orders.]

DO: I’ll take a full stack of buttermilk pancakes, two poached eggs, and a bagel with tea.

BREAKFAST LADY: Ok. What about you sir? What would you like?

SWEAT: Yeah, I’ll have two waffles, two biscuits, two fried eggs, two strips of bacon and a cup of coffee

BREAKFAST LADY: Will that be all?

SWEAT: Yes.

BREAKFAST LADY: Ok if you will please move to the end of the line your food and beverages will be placed through the delivery compartment next to the condiments.

[Do, Spore, Gum and Sweat move to the end of the line to get their food and finish preparing their beverages. The four of them then leave the condiment area and begin seeking a table to sit at. Eventually they find a table and comfortably take their seats.]

GUM: You know guys I was thinking. We have two weeks until the grand opening of Hyper.*** right? Maybe we should use some of that time to go and shop for some club appropriate attire.

SPORE: Maybe you’re right, Gum. I mean look at us. Do you really think anyone in the club is going to want to be seen with us if we walk in there wearing this?

DO: No.

SWEAT: Hell no.

SPORE: What did you have in mind Gum?

GUM: It’s not about what I have in mind. It’s about what you feel. Your outfit should project your emotions.

SPORE: Say now that’s pretty deep, Gum. Thank you.

DO: I think this is a good idea, Gum. We should do that. I mean what’s the worst that could happen? Besides I am tired of wearing these boring *** white clothes. Gotta love uniform policies.

SWEAT: Yeah, we are beyond the level of comprehension that these idiots cater to.

[Do, Spore, Gum and Sweat begin to chuckle together.]

SWEAT: So where are you thinking about shopping, Gum?

GUM: Well, actually, there is this clothing store a couple of blocks from here called UP. They are the premier shop for all things party wear. We should be able to get what we need from there.

DO: When do we leave?

GUM: As soon as possible.



SCENE THREE


TWO WEEKS LATER…

[Do, Spore, Gum and Sweat arrive UP in cab. The four of them get out of the cab and begin walking towards the store. It had a glowing neon blue sign with the word UP in big white letters. The sign also had white equalizers on both sides of its logo. The store had a clear exterior that allowed customers to see directly through the store.]

DO: This store looks fairly interesting, Gum. I like the look of it and what it seemingly appears to represent.

SWEAT: I definitely agree with you on that bro.

SPORE: I have an idea guys. How about we go inside?

SWEAT: Say that is a genius idea, Spore.

[Do and Gum begin laughing as the four of them walked into the store.]

SWEAT: What an exciting new discovery! Upon your death you shall never be forgotten!

SPORE: Ok, Sweat. That’s enough.

GUM: Yeah, Sweat. We get it.

SWEAT: Ok. I’m sorry.

[One of the male sales associates spots them and approaches them. He had jet, black hair, blue eyes, and five o’ clock shadow. He was wearing some black slacks along with a cerulean blue shirt with the company logo in the upper right corner of his chest.]

SALES ASSOCIATE: Hello, there and welcome to UP! My name is Zane. How may I help you today?

GUM: Yes, we have come to shop for and possibly purchase some night club and/or party attire.

[Spore pointed at Gum.]

SPORE: It was her idea.

GUM: To which you agreed.

SALES ASSOCIATE: Clearly. What type of night club and/or party are you going to?

[Do hands the sales associate his business card. He takes it and briefly looks at it.]

SALES ASSOCIATE: Hmm Hyper.*** eh? I’ve been hearing a lot about that new club. It seems like it’s going to be a lot of fun. I just hope the experience lives up to the hype.

DO, SPORE, GUM & SWEAT: We do too.

SALES ASSOCIATE: Do any of you know where it is going to be at? The card doesn’t seem to mention any sort of location.

GUM: What?

SPORE: What in the hell?

DO: Let me see.

[Zane hands the card back to Do. Do grabs it and starts frantically scanning the card.]

Do: Good eye, Zane.

SALES ASSOCIATE: Thanks man. Okay guys follow me. I think we may have what you are looking for.

[Do, Spore, Gum and Sweat follow Zane to the back of the store. There was a small blue sign hanging over the isle. The sign said “Casual/Blend’.

SALES ASSOCIATE: This area consists of our casual and blended clothing. The kind of clothing that we place in this area is specifically designed for party-goers who are new to the scene. Now since you all seem to be ill-informed of your club’s whereabouts, I thought this selection and style of clothing would be perfectly fitting for you.

GUM: Thank you, Zane

SALES ASSOCIATE: No problem. If you need anything else I will be at the front of the store.

DO, SPORE, GUM & SWEAT: Thank you!

[Do, Spore, Gum and Sweat continue to browse through the clothing for the next five minutes.]

GUM: Okay guys I think I have found what I like. This pink tank top and skirt along with these white high heels. I think they would look fabulous.

SPORE: That’s great, Gum.

GUM: Have any of you found anything you like?

DO: Well I saw some solid black t-shirts, jeans and sneakers that I like. I also saw a black fedora and some aviator shades that I really like.

SWEAT: I think I’ll just wear one of their generic company logo shirts with some blue denim jeans. I saw that they were selling some on clearance.

SPORE: I think I’ll go for that baby green dress and black sneakers that I saw.

GUM: That’s great. I guess we are all set then.

SWEAT: Yeah, I think so too

[Do takes out out his business card again and briefly glances at it.]

DO: You know I just can’t believe that those girls invited us to a club without informing us of its location. I mean how are we supposed to find it? How are we supposed to get there?

ALICE: By private jet

ANNA: To Switzerland

ALICE & ANNA: One way.

[Do turned around really fast appearing to be in a state of confusion. Alice and Anna were standing behind him with blue bags in their hands. Alice was wearing a plum purple dress, purple framed sunglasses with black lenses and purple sneakers. Anna was wearing an electric red dress red framed sunglasses and red sneakers to match the electric red highlights in her hair. ]

DO: Alice? Anna? What are you doing here?

ALICE: We’re here to shop silly.

ANNA: Yeah, we know the club scene like the back of our hand.

GUM: So do I.

ALICE: Excellent.

SPORE: What part of Switzerland?

ANNA: Zurich

ALICE: It is a neighboring country to France.

ANNA: Don’t worry we’ll have you back by tomorrow afternoon.

ALICE: Remember the grand opening of club Hyper.*** is in two days.

ANNA: Our plane leaves Friday morning at 10:00 a.m. sharp. We will be flying first class.

ALICE: You are to meet us there at approximately 9:00 a.m.

ANNA: And not a minute later.

ALICE: Be there or be square.

SALES ASSOCIATE: Bye ladies!

ALICE & ANNA: BYE ZANE!!!

[They wave at Zane as they are walking out of the door. Zane turns around and looks at Do, Spore, Gum and Sweat.]

SALES ASSOCIATE: You guys ready to pay?


SCENE FOUR


24 HOURS LATER…

[It is now 8:55 a.m. and Do, Spore, Gum and Sweat are only just arriving at the airport. The four of them walk into the airport where they are greeted by Alice and Anna.]

ALICE: Bonjour! Il est si agréable pour nous d'être à nouveau réunis!

ANNA: Oui, c'était très agréable d'avoir couru dans les quatre d'entre vous hier! Avez-vous les gars obtenez assez de repos?

DO: J'ai dormi comme un bébé.

ANNA: Bon, je suis content.

GUM: Will we be needing plane tickets?

ALICE: Not at all. You are flying via our private jet. A ticket is not needed.

ANNA: By the way how old are you all?

DO: 23

SPORE: 21

GUM: 25

SWEAT: 26

ALICE: Great. Then you all are old enough to drink then.

ANNA: We serve but only the finest liquor and wine aboard our jet. I think you’d enjoy our selection immensely.

SPORE: Do you guys also serve chocolate?

ALICE: Yes, we do.

GUM: What about meals?

ANNA: Of course.

DO: Good.

ALICE: Told you we’d take care of you.

ANNA: We weren’t kidding.

[Spore glances at her watch to check the time.]

SPORE:  Anyway, it is coming to 10:00 now. Shouldn’t we be leaving?

[Alice and Anna glance at their phones.]

ALICE: Oh my! You guys are right. It is now 9:55 a.m.

ANNA: Well I guess we had better get going if we want to make it to the event on time.

ALICE: Yes, so we should.

ANNA: Alright, kids follow us outside to the jet.

[Do, Spore, Gum and Sweat follow Alice and Anna outside the airport. A big, white jet was sitting just across from the airway.]

ALICE: Well, what are you waiting for? Come aboard!

ANNA: Yeah, don’t be such a loser. Come on! Come aboard all of you!

[Do, Spore, Gum and Sweat climb aboard the jet. A tall, muscular butler approaches them. He had a dark, brown afro, dark brown eyes, and golden brown skin.]

BUTLER: Hello, there young lads! My name is Owen.

[Owen gently grabs both Gum and Spore’s hands simultaneously as he planted a soft kiss on the backs of their palms.]

BUTLER: I was informed that the four of you would be flying first class today, correct?

GUM: Yes, that is correct, Owen.

BUTLER: May I escort you to your seats?

GUM: Yes, you may kind one.

SPORE: Please never hesitate to ask.

[Gum and Spore let out a few really **** giggles.]

BUTLER: Right this way.

[Owen escorts Do, Spore, Gum and Sweat to their seats. The four of them take their seats and begin to relax.]

BUTLER: What can I get you guys to drink?

GUM: Do you have strawberry wine?

BUTLER: Yes, ma’am. I believe we do have that.

GUM: Could you get me a glass of that please?

BUTLER: Yes, of course. Is there anything I can get for the rest of you lads?

SPORE: I’ll have a blue raspberry soda.

DO: I’d also like a blue raspberry soda.

[Spore looked at Do with a wide grin on her face as she began to blush. Do returned the expression.]

BUTLER: Ok I’ll have your drinks out straight away.

DO, SPORE, GUM & SWEAT: THANK YOU, OWEN!

BUTLER: You’re welcome!

[Owen turns around and walks straight to the cockpit, types in the security access code. The door to the cockpit opens. Owen walks right in and closes the door. He then puts his hands over his face and aggressively clenches and pulls the skin off of his face baring a the face of a beautiful female. This female then removed a hair net from her head revealing jet, black shoulder length hair. She also had winter blue eyes, and black lipstick.]

NURSE YUCKI: The kids totally bough
Nash Wolfe Dec 2014
A dedication to a Lost Love.

If only my simple words could captivate every emotion that I am trying to convey. To summarize an illustrious story which I hold close to my dearest heart; then I would give you the entire world and then even more. From the deepest skies I would soar, just to bestow a higher power that you deserve; I would revive our love and mark every ocean shore for all to glance upon. My heart sets on fire and burns in blazing flames every time I hear you say “I love you”. I lose control, my nerves kick in and I am frozen within time; with you everything seems endless. The taste of your sensational kiss halts my heart; for when we depart, I hold on to that very last kiss and cleanse to it compassionately; the thought of you ponders everlasting.




The night is glorious; as they lay beneath Earth’s stars and galaxy. He comforts her and clings to her compassionately. He rolls his love on her back, as he blankets her in his arms; he glances through her glamorous eyes and finally spoke with a smile. “I see everything through your eyes. I see all that’s dark and brutal, to all that’s beautiful and filled with light. I see my whole world through your eyes.”
    
       She looks at him with silence as she tries to find the words to speak; then in a moment the words filter out like a waterfall. “For years I could only wonder how your kiss tasted, your lips against mine. Your smell eluded me, like I was knocking on Heaven’s door, just waiting to see the angels fluttering, an exquisite sight to see, an incredible beauty, to love unconditionally; a romance that is endless. Through your soul I can read an illustrious story.”

     He pulls her close; where he can hear every breath that circulates through her lungs. Then he gives her a soft kiss and a flutter of butterflies pours out of his stomach. “Our lips touch and it’s like a surge of electricity between our bodies.”

     “Gravity stops existing. We float through mid air. Flying through Heaven, our lips are still connected.”

     Kevin’s heart skips a beat as it starts to pulse rapidly; pondering over the love of his life, he only wishes to freeze time. “We float through space and time, an infinite dream, free to create our own reality; just you and me.”

She turns away from Kevin as she looks out in the wilderness. A cold breeze shifts towards her, as brisk bumps crawl up her spine. Everything shifts away; the open sky becomes more transparent. The moon still beams overhead; echo of howls vibrate through the wind. The silence between them leaves them both helpless and inert. She stands underneath a tree; the shadow it caste conceals her image. The leaves ruffle the peaceful atmosphere, with each crinkle and niche. The grass swiftly moves under Kevin’s body as he remains on the ground alone.

She glances at him persist, as his eyes connect with hers. They exchange each other’s worlds. Then she starts to dream off in an oblivious state of mind. She quietly speaks to Kevin. “As we drift together through the bewilder reality, we are bound by vines weaving around one another. Correlating a sense of compassion, as we endeavor this sensation, I get lost forever.”

Kevin stands up as he reaches for her soft hand and pulls it close to his chest; every beat of his heart she felt through the palm of her hand, then he began to speak softly. “Forever lost in your eyes like an infinite dream, the most amazing fantasy, our bodies weaving together, our lives intertwine like vines on a building.”

As she grasps his hands she stands bold; her eyes become cloudy, the night manifest deeper. Eagerly she speaks. “I pledge to this raven that stalks the night and watches over our bound vines, preying on its victim, not wanting to lose sight of this *******. It lingers with emotion. For our vibes are so strong that it paralyzes every eye.” She glares directly into Kevin’s eyes. “They choke because they need air to breathe.  We memorize them with our feelings’.
    
     Kevin’s eyes shift as they change from gray to a deep green; he becomes weak as his knees break beneath him. Slowly he loses balance, but before he falls his love catches him; closely they stand together, their strength is upheld by each other. Kevin lightly touches his love’s face and deeply speaks. “We steal breaths from those around us to feed our imaginable love growing ever longer day by day”.
  
     Nearly out of breath, she tenaciously speaks to him. “Unstoppable, undefeatable, I’m breathing slowly as I get closer to a man that sustains a capacity that is like no other”. She grabs onto his chest tightly not wanting to ever let go. “Our love burns hotter than fire and can freeze your heart like ice. What we share with each other you can only seek it once in a life time”.

       A light breeze fills the atmosphere around them; the dark starry night still covers the sky. He stands up, leaving her side. She remains inert on the ground as he stands by a tree grasping for the words to rebut. “It burns ever hotter and freezes ever colder. Growing ever stronger, able to stop an army and break the strongest barriers, never faltering jolts of lightening across the blue sky, able to conquer all in the path of this love”.

She rises to him, as they share a kiss. Their life changes, the sun finally peeks over the horizon creating a new day.

They go their separate ways; as Kevin let’s go of his love’s hand and kisses it one more time. He walks alone with tension in his mind. Finally he reaches home and immediately goes straight to his room.
    
The window in Kevin’s room blows a cold breeze; curtains flutter as his door slams shut. Kevin only hears silence; a pin drops to his floor and lingers through his chamber. The moon’s light is the only source that shines for his sight. Kevin lays in his prison, alone pondering over his life.

“So much going through my mind, my head is spinning in circles; I am losing my balance and I am about to break. Circumstances are not where they should be; my life is slowly crashing. Everything is changing so fast, I don’t know where to catch a grasp. My strength is going down the drain and I don’t know how much longer I can hang on. My paths are caving in; every road feels block. I toss and turn through out the night, just to escape my oblivious mind. I take one step forward to fall three steps back”.

Kevin rolls over on his back, as his mind and heart contemplates over his emotion that tears him apart inch by inch. His insides are ripping out and he holds them in his hands. Kevin’s stomach turns as his heart explodes. His blood pressure rises; then he sinks into a deep inner thought.

      
“When I break, when I fall, when I lose myself and tumble, if I give all I am, when I’m ready to take, will I be strong enough to fight, as I wait? If I search will I find the answers that are hidden? All that I have forsaken, when I am expose to the openness, expose to the brokenness.”

       Kevin’s eyes grow tighter as he shields them shut. Complete darkness surrounds him; Hell burning up in flames touches his skin, red marks crosses his flesh. The heat rises, Kevin’s walls begin to melt; as his life crumbles beneath his feet. He still searches for a higher power to relieve his despair. Kevin’s mind is screaming out and silence falls to the ground. He lays on his casket alone; as he murmurs to himself.

“Here I am it feels like I am not breathing, like I am only dreaming! When I sacrifice, in order to let go, when I lose at every battle, my heart gets fainter as you get closer. I lose control, my body in despair, shaky and scared. I tremble with each step, afraid to fail, to make a mistake. Make me feel like you did when I first gazed through your eyes, I was seeing through Heaven’s gate. The angels flying based upon fate, I get lost in them for days, like pain doesn’t exist on the prosperity of serenity.”

     Kevin falls dead, as he drifts away in a dream. Clouds fill his mind, and then draw blank. Through a far distant Kevin hears a faint voice. The sound of an angel intervenes in his head. She creeps closer and her image starts to become clearer. Her skins like a smooth mocha cream; her eyes cleanses with the night, beauty that he has never seen. Kevin’s eyes become focuses on the angel; as she draws nearer. She opens her arms and softly speaks. “Fall into my arms gently, let me take control. M arms will be your security; your protection to keep you safe in this world. Let me guide and lead the way, a new beginning to another chapter. We can create a life together, fast or slow. I will ease your oblivious mind and erase all of your pain.” The angel comes closer to Kevin, as her hair blows in front of her face. She stares at him then softly conveys. “I will show you a form of love that you desired for so long; there are no limits to this sensation. We are free to take it and run, together we unit as one.”

     Kevin sits in polarization as her glances at the angel. He trembles with each word. “I want to wrap you in my arms and keep you in my warm embrace; to hold you there till the morning light breaks through the window. I will blanket you in my warmth that is my everlasting love”.

     She lays in Kevin's arms as his body intertwines around hers. The atmosphere gets cooler; the clouds are still flying through mid-air. She grabs his hand tightly. “Let’s keep each other company and share a deep compassion, traveling through countries marking territories. Let the moon be the only light, it beams softly on your face. I'm allowed to see your mystical eyes; they tell a long story”.

     Kevin falls back, and the angel follows too. “I will take you through the highest mountains, the lowest valleys, across the coldest tundra’s and the hottest deserts. We will go through the deepest jungles, and the furthest reaches of the ocean, from the rings of Saturn, back to the grass of Iowa, without leaving our room”.

  “Through the great valley we will go; I will follow you till the end of time. You are worth fighting, let all the pain and heart ache subside. Our love is much greater than a storm that roars thunder and strikes lightening.” The angel slides her hand across Kevin’s face; he feels her warm embrace through the palm of her hand.

     Kevin closes his eyes and words unravel within time. “Our love reaches farther than the longest roads; it’s deeper than the deepest ocean. It is greater than the greatest features of human history, more amazing than the pyramids, and larger than life of the greatest man.” He pauses and takes in a deep breath and allows it to circulate deep within.

     The angel flutters her beauty to Kevin, as his eyes widen with every movement to makes. She solemnly floats away, but she still remains within Kevin’s sight. She quietly murmurs. “Let’s unravel this story and see how great this love really is, unlock every bind that once trapped our hearts. It can finally be released and freed. Lets forget about the past and the pain it once caused, for nothing else matters. We pulled through this far; still happy as a child’s laughter, withering deeper to a place like no other”. She takes a quick pause as she grasps for air. “The rivers flow much deeper, waterfalls flow much heavier, and affection growing greater. For it never decays as it ages; it just becomes more valuable through every night and day.”

     Memorized by every word she conveys, Kevin expresses his love like never before. He shifts to his left side and holds on to his treasure tighter. “I am ready to explore the love we have like the tombs of the ancient kings. I’m ready to take the twist and turns, never knowing what is yet to come, only knowing we’ll be side by side the whole way through, till the end of time, just you and I, on our road of love” Kevin’s heart aches with  prosperity, explosion that is within his soul. His body shakes and quivers every time his heart makes a beat. He looks at this creation as if she is all he could ever see. Kevin kisses her gently; his heart races more. Their lips disconnect and a light surrounds them. He stands behind the angel and whispers in her ears. “My soul is yours, along with my heart for you to take, to do what you wish. My love for you can not be measured. I hope to be in your heart for the rest of days”.

       Kevin’s arms remain blanket around the angel, the night that covers the starry sky. They both look out in the clouds where peace is found. She turns around in Kevin’s barrier and gently the crisp of her fingertips glides through his hair, the lips of the angel moves like calmness of an ocean. “Time can’t capture every split moment. I deprive your touch, your love, never wanting to let go. I still held on waiting for the day. Years passed over and we reunited; we picked up where we left off as if we never lived years without each other”.

     Kevin reminisces for a moment and draws himself back to the past. He stands by the angel as the memories play over in his head. “Days came and went and still I thought of you; the months came and gone and still I thought about you; the years rolled by and by and still I thought about you. Then I thought of you no more because you were in my arms again. You and I entangle like vines climbing up the wall, wrapping around each other”. The angel gives Kevin a light kiss and says her goodbye. He watches her leave his presents then says, “Wait, my love when I will see you again?” The silence answer Kevin’s question
The clouds wither away; the bright sky turns dark and gray. Everything around Kevin vanishes, then a cloud of smoke appears and a whisper conveys “Open your eyes and you will see me soon”. Kevin immediately opens his eyes and there his love was lying next to him. They both lay there sleepless and inert, as they fall asleep together. Their dreams intertwine with one another creating serenity.

         The waves collide as the ocean breaks to sonority then to calmness. A crack in which divides Heaven and Hell, with all the immoral things some how beauty is still found. There is a place where there is peace known as serenity. It helps people see everything; as the ocean departs and a new wave deprives the collision roars till the end of time.

      Kevin took a deep breath and let it lingered in the wind; then took a glance at the love of his life and spoke alluring words. "Walk through the veil from reality, to make believe. Allow your mind to drift into serenity pieces of you and me, together to keep in your heart and in your mind. I will show you the path to serenity."

       The love of his life pondered over Kevin’s words then responded back: "Will you drift with me to a place where there is serenity? A sacred piece that lets us be together, where there is no pain or suffering. Only the monuments that represent all that is make believe, a separation from reality.” She pushed her hair aside. “Where dreams guide the way, saving a memory to capture and remember. Will you grant me this serenity? Walk with me to this place that is unknown."

     Kevin took a few steps forward, and then paused. "This place is known to me. It’s anywhere that you’re with me and anyplace that I am with you, in the darkest dark or the brightest bright, the highest high or the lowest low. Serenity is you with me; happiness is me with you."

     She tightly closed her eyes and drifted away to a paradise in her oblivious mind. "I search for serenity when I reach my darkest hour. When the sun sets and ends another day. It’s never too dark when you’re with me. You’re the greatest light source that I will ever need.” She smiled at Kevin. “Happiness is a term that portrays an emotion where at times it’s inde
Virginia Kasmi Dec 2017
22:21 i stand at the train platform,
It’s freezing.
I can’t feel my fingertips.
22:25 light up a cigarette,
I inhale it like warm air.
22:28 silence.
22:44 train finally arrives.
People rushing out, people rushing in.
I search for a dark, uncrowded corner.
22:45 I sit at the window row,
Earphones on.
It’s warm, I feel tired.
Close my eyes, fade away.
23:05 next stop.
I look outside.
A young couple hugging tight.
She grabs her suitcase and looks at him.
He grabs her.
They kiss like crazy.
She points her fingers at the door button.
He pulls her closer.
They seem so sad.
He keeps her in his arms like she is the last hope for happiness.
They kiss again.
23:07 train leaves.
They stand at the platform.
She grabs his hand.
She grabs her suitcase.
They don’t look back just walk straight ahead.
23:08 I can’t see them anymore.
She choose him over maybe everything or nothing.
23:10 I close my eyes again.
All that I can see is ****** written „what if‘s“.
23:15 I ask myself with a broken voice „what if you would have never left“?
Brandon Webb Jul 2013
1.
He lights another mortar
and the dog runs after it
barking and trying to bite it
he grabs it's back leg as the sky lights up
since he had barely thought to look over
and the words around here don't reach his mind
his ears defective as they are.
He says something with his hands
something foreign to me
but six people watching laugh
and so do I.


2.
His wife sits with her sons
her stomach wide with their third
another boy
she's gotten so used to talking with her hands
that her voice is rusty
and her vocabulary limited
but she's here as much as the rest
sitting and laughing and having a good time.


3.
The owner of the house sits off the side in the nicest lawn chair here
a cup in her hand
we've quit counting how many drinks she's had
but she only drinks a couple days a year
and nobody is giving her any problems
and she seems to be able to be her normal self.
She had been questioning me earlier today
seeing if I was really a good guy
testing whether she'd have to sit at the table with a shotgun
every time I spent any time with her niece.


4.
Her husband is launching his own collection of mortars off
with his brother
while her brother-in-law hands the teens the novelties
I launch off a dozen flowers
and a few spinny things.
She occasionally breaks her fingers away from mine
to launch off a flower, smokebomb or firecracker
and occasionally runs over to poke-chop her uncle
who keeps talking to the fireworks.
She always comes back and we'll wander by her mom and stepdad
(the latter always throws in some sort of comment
so we act careful around him)
and over to her cousins
or toward her aunt and roommate.
Occasionally we'll have to get something from the house
and we sneak three kisses
but we mostly just stay in each others arms
keeping each other warm in the almost warm 4th of July night
our hands both entwined
one of our heads always on the others shoulder
and in all the craziness
all the family drama
everything is perfect and she's smiling so hard her cheeks keep hurting
and she keeps telling me how little sleep she's gonna get
and I tell her I ain't gonna be able to sleep at all
making love with no love
(kissed her with his freedom)

<•>

a new person in an overnight stay in a strange,
aptly named,
bed and breakfast

and

you do all the same things that just feel good, careless loving
that comes from practiced renewable remembering,
kiss her neck for hours, drink in her crescendoing cooing

rename her Appalachia, bemused, wondering why,
she gasp-asks, when your tongue traces her odyssey body
from her Georgia to her Maine, then no need to explain

it all feels familiarly strange, imbalanced, shaky, loving the thrill
of your first solo bike ride, an invisible hand letting go,
the wow of walking the line of new freedom and
old responsibility that you have walked on both coasts

carry on, love is coming to us all lyric, enacted-recalled,
loving yet another
long cool woman in a black dress with unquestioning

how to explain to her, how to yourself, loving with no loving,
and the best you can stammer is it is like writing a poem
with too many commas or none at all

she laughs you up with one mouth lingering,
then one amazing kiss on your heart
and nose,
grabs a piece of toast and gone girl,
then you are returned to alone, to the dreams that
may or may not have occurred and two hands overflowing with
too many commas
and none to keep
<•>


11-18–17 2:54am, somewhere
“kissed her with his freedom”
Cactus Tree by J. Mitchell
11/18/17 2:54am
guy scutellaro Oct 2018
(Kathleen's birthday, part two,  unedited version)


"Daddy," the little girl has her hands folded and is looking up at her father. "When will it stop? I want to get on."

"Soon, darling," her father assures her.

"I don't think it'll ever stop." The little girl says.

"Sweetie it'll stop." Daddy takes her gently by the hand, gently squeezes. "See it's stopping now."


When the carousel slows down but has not quite stopped, Kathleen steps onto the platform and grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride and into a white horse with big blue eyes. Dropping her cigarette, she takes hold of the pole that goes through the center of the horse. She struggles to put her foot into the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. The ride trembles and starts with a jolt.

A man is staring at Kathleen. Sitting on the pony has made her short skirt ride well up on her shapely legs, but she is too drunk to care. When the man comes over, she hands him her ticket.

The ticket man goes over to the little girl and her daddy who are sitting in a gold chariot pulled by two red horses.

The little girl looks at her father, and says, "Ooooh, daddy, I love this."

The man smiles back and strokes his daughter's hair.


The heat makes the dizziness that Kathleen is feeling grow worse and as the ride picks up speed, she begins to see two of everything. There are two rows of pinball machines, eight flashing signs, and too many prize machines. The red , blue, and green lights from the ride signs blend together like when a car drives at night down a wet street. She feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But honey the ride isn't over yet."

Kathleen finds that if she concentrates on other things the dizziness and the nausea become less severe. She tries to perceive the images as a montage like the elements that make up a painting or life. When she does this, and as she becomes accustom to the movement of the machine, the floating , spinning objects come together. The circling ride creates a cooling breeze and the blurring of lights becomes a beautiful waterfall.

The horses in front are always becoming the horses in the back and the horses in back are always turning into the horses in front. All horses gallop ahead. Settling back into the saddle, she follows them riding her white pony towards the receding waterfall.

You can lose all sense of the clock and who you are and that is alright with Kathleen. That is the way she feels. She has left something behind her. She does not know what, but whatever it is, the merry-go- round will chase it away.

She leans forward to embrace the ride.

Then just as suddenly as it started, the ride is slowing down. The music stops playing.

First she feels the heat and then the sickness in her stomach as the dizziness returns. Kathleen climbs down off the pony. She goes careening backwards and then she lunges for balance falling forward. The merry-go-round trembles, starts with a **** , and rights her. Slowly, it picks up speed bringing her to the exit of the building. Kathleen stumbles down off the platform and goes through the  exit door careening into a railing and almost falling into Wesley Lake.

All the terrible things that people did to her comes crawling back to her like the sounds of an animal dying in its hidden place. The wisdom is heavy and centers just below her naval.

She takes a few steps to the curb, hears the carousel music and knows the ride is beginning again. Kathleen sits down on the sidewalk curb and it all comes out choking her, taking her breath away. The ****** abuse, self doubt, the alienation and loneliness, it all comes out, and she is enlightened.

There is so much of it so she lies down facing a world of decaying buildings and broken dreams. Her marvelous mind holds a perfect picture of the memories. Years in various foster homes where she felt like she never had a home. 

 Her son comes and sits with her on the couch. Her arm around him as they listen to the din of thunder.

Jack's sad face stares up at her from the table where he is sitting on the night they met. "I'm one -third Sioux, " she tells him, tasting the smoke from her cigarette as she exhales, and he smiles at her so she sits down.

But the mockingbird is singing from the world of scattered thoughts and empty lots. The images shoot off into a dark land, exploding, illuminating, then growing dim and dimmer, light and warmth fading into cold and darkness.

(next part resumes with Jack  playing pool at the bar)
Sam Bowden Jan 2019
My darling...
Look around, and tell me what you see?
Glittering gold?
Adoration.
A buffet of bodies?
Fake smiles, and money?
Even in the desert oasis of this world,
most things are a mirage,
meant to distract us from what’s most important.
So please,
my darling...
When you find something real,
that gives life depth,
and grabs you by the throat,
hold onto it for dear life.
Nicklaus Bailey Oct 2019
1-Establish Lux as a farmer with his brother, father, mother. Show dissatisfaction at a lot in life, yearning for more, however Lux feels compelled to stay with family and help them. Establish a close relationship between the brothers, a good mother/son relationship, though a testy relationship with his father. Strange symbol branded on Lux’s chest, been there since he was a baby, no one is sure what it means- or no one is telling him. This is Lux’s L.S. beginning. Establish also is the world Lux is in, the facts of the ministry and the church, the knights and wars of before.
2-Introduce a festival in town with knights from “The Brotherhood” being present, establish them as knights capable of magic and swordplay, “The Brotherhood” knights are taking new recruits at the festival. Wanting to join, Lux goes through the trials and passes, though after a harsh reaction from his father, Lux does not leave with the knights. With Lux out of scene, a conversation between the mother and father should reveal the man is not in actuality Lux’s father, but his uncle, and his brother had been married to Lux’s mother (now his wife) though died fighting in a war between “The Brotherhood” as a member of their ranks, against a rival faction known as “The Order”  peak lux’s curiosity and focus on the desire to leave as established in the previous chapter. This and the next chapter are Lux’s “Go The Distance”
3-The end of the week long festival nears, and Lux is on a hunting trip with his younger brother, returns and is questioned by his father why he wants to leave so much. The truth of Lux’s true father is revealed, and though Lux’s uncle expected this to convince Lux to stay and not go into danger, Lux is angered rather, and leaves in a hurry to catch “The Brotherhood” knights before they leave. Lux is put under the tutelage of a man who claims to have known Lux’s father, though it is revealed Lux’s little brother followed him, and is taken into the recruit pool as well, despite never going through the testing. Note- perhaps have Lux refuse to go with the knights if his brother is not also offered a spot? Hero’s journey, he needs a moment of hesitation and refusal to go. This should be reflected like Lukes refusal to join ben, or Bilbos refusal of gandalf, but quickly change their minds.
4-Training begins the moment they arrive at a camp. Lux and his brother are immediately outfitted with leather armor, dark and gritty in contrast of the shining metal of the rest of the knights. Lux is doing well in training, sword play coming natural, shakey with a bow, and ofcourse a natural talent at magic, (though make a point that in fire spells Lux only manages to start small flames that he can throw, and struggles with healing magic) though his brother is struggling in all aspects and is beat by his trainer. Lux’s trainer urges Lux to ignore it,though Lux finally snaps and challenges the man. The two enter a circle made in the dirt with training swords, and though Lux appears to have the advantage at first, he is quickly beaten and left gasping and ****** on the floor. The trainer leaves Lux there, and soon a hand reaches down to Lux. A female trainee named Ciara picks up Lux and, joined by his brother, the three wander off for more training for the instructors. Introduce Peter, a man deeply infatuated by Ciara, rather than a knight Peter is a Father to the holy church, unable to fall in love and forbidden to marry. Subtle on Peter’s infatuation with Ciara, should really build Peter as a good friend to Ciara,
5. Lux, his trainer, CIara, and her trainer are all out in the forest doing patrol after reports that remnants of “The Order” have picked up their pace in activity in the surrounding areas, raiding small towns and taking young men and women as recruits. Lux and Ciara are separated for a time and grow closer through talk and laughter when they see two knights in armor that is shining silver on almost the entire body though the right arm and pec are a scarlet red, drinking water from a stream. Confirming with each other that is the description of “The Order” Ciara says they should find their trainers though Lux charges. Ciara is close behind, catching the two off guard. Both are quickly overpowered through the use of advanced magic from “The Order” but Ciara’s trainer jumps in, kills one, but is killed by the second. As he turns, Lux throws his dagger and hits the man in the eye, killing him. Lux and Ciara carry her trainers body back to camp. Ciara refuses to speak and when greeted at the gate by Peter, she embraces him and cries into his shoulder. Have both Lux and Ciara attempt healing magic to no avail. Have Lux grow frustrated at feeling the ABILITY to heal, but unable to do so.
6. Lux is punished for charging, while his trainer is taken to a secret meeting where they discuss what to do with Lux, but out of respect for his father, they keep him in “The Brotherhood”. Lux has not seen Ciara since the incident, though he can see her in the crowd when he is being taken to be whipped, and receives 10 lashes, to Peter’s dismay who recommends either banishment or death. After the punishment, he is cut loose from the posts holding him up and Lux’s brother charges the ground, picking his brother up and taking him to his bed. As they pass Lux manages an apology, but is unsure if she accepts it. Lux is informed she will be trained alongside him. Make Peter do some ******* **** idk. Resenting “The Brotherhood” Lux should vent to his brother about his growing distrust of the situation, asking if his brother has felt the growing gap between what they feel they can do, and what they can do.
7. Show training between Lux, Ciara, and brother, distinguish a growing connection between Lux and Ciara, much to Ciara’s surprise and reluctance. Show Lux go into his trainers room while he is absent, and sees a sword on the wall, bearing a strange symbol. Lux trainer will explain that the sword should belong to Lux as it was his fathers, and when it is time he will inherit the blade but for now he must leave the blade alone. Lux asks about the situation behind his father's death. Explain the following: The Brotherhood were not always the knights guarding the royal family, before his birth the royal family was guarded by The Order, who are the reason The Brotherhood practice both swordplay and magic, as the Order are master swordsman and powerful wizards, prolific in blood magic and necromancy. When one member of The Order desired the throne for himself, he split The Order in 2. The Brotherhood worship the Gods, but in his desire and lust for power, the man struck a deal with the old gods, evil barbaric entities who require blood and death as sacrifices for their eternal power. This is Nero, a man that Lux’s father took in and treated as a brother, both being trained as knights for The Order. During the civil war, Nero attacked the Royal Palace and though he was badly defeated, he did **** Lux’s father in the battle. End chapter on this story. This chapter should be shows as Lux is uncertain of The Brotherhood and his trainer, but with the story of his father, he is conflicted. If it is true, then they are just. If it is wrong, how many more lies has he been told?
8. Show Lux becoming prolific with a blade and very intimidating magically. When he, Ciara, and his brother are sent on a mission with no trainers for the first time, Lux naturally takes charge. They track knights of The Order down to a cave, where they are tested both physically and magically. Ciara and Lux both protect brother as much as they can, though brother is able to hold his own. They manage to corner one who instead of being taken prisoner, stabbed himself in the stomach after giving an ominous warning. As Lux approaches the body, he sees on the cave wall a crude drawing of a man with the same symbol on his chest as Lux’s, holding a sword with the same symbol as Lux’s fathers, a figure resembling a large black and red dragon behind the man. Dismissing it, Lux tells Ciara and brother to not bother approaching, and the last of the knights are dead. The report back to base, and Lux informs trainer of what happened, leaving out the symbol.
9. Word carries out on base that more and more caves are being found with members of The Order, all with strange paintings on the walls. Peter speaks with the knights, explaining he has been praying and granted visions of a large scale battle. Have Ciara grab Lux’s arm at the sound of war, which Peter will notice (important for later) and in a hesitation to prepare for a battle that may or may not come, the commander of the camp demands the trainees be knighted, their proper gear be made, and to meet with the main force.
Cut from Lux to Peter alone in a church, praying to the Holy Mother begging for guidance away from the desires of his heart, and in his prayers Peter slowly realizes that he will not give up his desire for Ciara and decides to betray the Brotherhood in hopes Lux may die and he may be able to gain Ciara’s affection. Peter is seen leaving by Lux, though when questioned says he is going for more Fathers to pray and meditate on the matter.
10. Peter tracks down members of The Order, informing them that he wishes to give them valuable information, surrendering to them. Peter is taken to the leader of the knights operating in the area, and in exchange for one thing, is willing to tell The Order where The Brotherhood is, where they are going, their numbers, and anything else that will be of use. All he wants is them to make Ciara fall in love with him./ While Peter is doing this, Lux is kneeling in front of his trainer who knights him with fathers sword. (maybe do a crusader knight knighting, this is oath/this is how you remember it) When Lux is handed his father's sword, the cold metal instantly feels warm and the grip adjusts to his fingers and though it looks heavy, appears just the right weight to Lux. Lux is given armor, though when he takes his shirt off he sees the symbol on his chest glowing, same as the symbol on the sword. Trainer only says “magic is a strange thing, boy” and Lux is put into armor and finally leaves the shed a knight after only 2 months of training./back to Peter who is given a potion, told to have Ciara drink it and leave with her before they make their move. As Peter leaves, the leader barks orders to men who address him as Nero. Perhaps instead of Peter getting the potion straight from Nero, have him get it on a witch in the woods who is secretly affiliated with Nero, have to work out how she gets the information from Peter, but she could use magic to contact Nero after. Perhaps part of the agreement is Peter must turn his back on his abandoned faith and be her student and as a test of loyalty he must tell her everything he knows.
11. As The Order masses its numbers, knights of the Brotherhood are entering the giant city dedicated to The Brotherhood(Remulus? Romulus?) and Lux is in awe as he sees the a giant palace, and near it a graveyard with tombs. The tombs are the resting place of knights of The Order who gave their lives in service to the royal family, and now knights of The Brotherhood join their numbers. A newly marked grave is standing as a monument to Ciara’s trainer. The day is given to them to explore the city, and Lux/Ciara are alone together. Share a kiss. Witnessing the kiss, Peter comes from the shadows and informs them that curfew is near, and they should be heading back to the castle/as Peter watches the two make way to the castle laughing/holding hands, he heads to a monastery. He kneels before a picture of his god, praying asking to be told what to do. He knows he is a man of faith, so why are lust and desire even capable of entering his heart? He begs for pardon from sin as he sets his heart on giving Ciara the potion.
12. Now that the trainees have been knighted and the generals have been informed of Peter’s vision, prepare for war. The inhabitants of the city and many villages around are all pulled into the Castle’s walls, able bodied men and boys are given swords, women and girls find refuge in the newly emptied dungeons (all criminals hung/drafted?) Lux is witness to a battle plan, and overhears that during the last battle at the capitol city, The Order had used dragons to its aid, and though there were no confirmed sightings of dragons now, The Brotherhood should still set up catapults and bastilles on the off chance. Lux finds his brother and Ciara and informs them of what he has heard, though Peter comes and informs them that Lux must just be tired from nerves, and no one has seen a dragon in a generation. End with Ciara stopping a near brawl between the two, and Lux heading to his bed alone, and Peter now with Ciara, when a sound fills the halls. Scouts are reporting a massive army on the outskirts of the city.
13. Rain. Silence. Lux, Ciara, and his brother are among the numbers at the front gate. Rain hitting the ground. Hitting armor. Men are vomiting. Peter along with other priests are swinging burning incense between the rows of men, chanting prayers and songs of their god. Pounding. Pounding so hard that when it hits the front gate, the rain flies off the door and hits Lux’s face. Lux looks to his brother. The two nod. Lux looks into Ciara’s eyes. The two kiss. Confess love. The gate is broken open and the war begins with a thunderous roar in the sky, a dragon spewing fire on archers perched on castle walls as troops charge. Lux and the other knights hold their positions with a great clash the two armies finally meet. In screaming and fighting, Lux loses his brother, and The Brotherhood are pushed back, further and further. Lux manages to grab Ciara’s arm and the two run to a set of stairs going down to one of the dungeon entrances to warn the others that they are losing, when the dragon knocks over a giant pillar, stones hitting the two. Lux stays conscious from the first hit, and sees Peter approaching an unconscious Ciara with the potion in hand. Stuck beneath rubble, Lux watches as Peter pours it in her mouth and wakes her with a kiss. Begging Ciara for help frantically, she walks away with Peter, and as Lux cries out for his brother, more stones hit, causing him to go unconscious.
14. Lux awakens in an unfamiliar setting, on his knees. His hands shackled to the wall, his armor and sword feet in front of him, a man standing behind them. The man asks if Lux knows who he is. Looking up, Lux can see from the torches a tired face. Shaking his head, the man informs Lux, “I am Nero, commander of The Order, Captain of the Conquered Reaches, and rightful heir to the throne. And you are Lux. My nephew,” Nero smiles, touching Lux’s face. Accusing Nero of killing his father, Nero softens his eyes at Lux and stops moving. A look of sadness. “Your father's mistake is the single most regrettable accident in my life,” tells Lux more and more about his father. Informs Lux why the symbol is on his chest. Its magically bonded to the blade. It makes blood magic more powerful. Nero then informs Lux that his father had found a dragon egg just like Nero did, as Nero pulls the egg from his robes, shiney and black with streaks of scarlet. Nero offers Lux out of this cell, and he will gladly show him the ways of blood magic and make sure that Peter pays for his betrayal of the other knights. “I do not find The Brotherhoods newest members traitors, how can they betray a cause they never were offered? But how do you think we knew you were going to be there when we did? All of this has been for you, Lux.” with a wave of his hand, the shackles fall off Lux’s wrists and he falls forward. Reaching to the egg, Lux hesitates slightly, looking down and seeing his reflection in the water. With a wave of his hand, Nero projects the image of Peter kissing Ciara deeply. “That passion she gives him should be yours. I cannot create love. Only transfer it with a potion. When peter described the man who took his beloved, I should have realized. But together, I can rid the potions course and Peter will pay, Lux,” and as Lux watch Ciara enter Peter’s bed, he firmly grabs the egg, which begins to shake and crack in his hand, emerging a tiny dragon. Nero’s past: Nero will portray his story as such: He discovered that Lux’s mother is the illegitimate daughter of the queen. When Nero went to tell Lux’s father, he was stopped by the queen who attempted to have him killed, for if it was discovered that her late husband had an offspring, she would have a claim to the throne. In the ongoing fight, Nero claims he accidentally killed the queen and was discovered by Lux’s father. The fight was a misunderstanding and he was never able to tell him the truth of his soon to be (pregnant) wife. The split of The Order were those who believed Nero and those horrified at the death of the queen. Nero claims the royals betrayed him and those who followed the truth. Show a refusal to believe at first, though as his imprisonment lasts, and he goes over it again and again in his head, for weeks as Peter gets further away with Ciara, left with visions of Peter and Ciara making love, his Nero pleading with Lux’s father, and the conflict. Ambiguous if this is actually true or just indoctrination.
15. Lux’s training begins immediately. He is placed in the middle of a circle, men attacking from all directions and must fight them off with his blade and newly learned blood magic. Slicing his palm before gripping his blade, the warm metal now burns hot in Lux’s hands, and he drops the blade. Scolded with beatings and lashings, Lux learns how to embrace the pain. Magic flows through him stronger than ever as he adapts. Fire flows from his tips when before he could only manage an ember. He heals fatal wounds when before he could hardly manage a small cuts and broken bones. Lux is routinely beaten and whipped, his dragon growing and watching all the while. Weeks go by. Lux concentrates only on killing Peter and revenge. Pain, anger, and of course blood fuel blood magic to its extremes.
16. Lux’s brother is brought into a small room with other generals who managed to escape the battle of the capitol. He is questioned if he has heard from Lux, Peter, or Ciara as their bodies were never found. All the remaining forces are falling back to the capital, where a final stand will once again be made. Lux’s brother is told he may visit home one last time and must report to the capital in no more than 5 days, and his trainer will accompanying him/Lux is kneeling once again before Nero, though he feels the sword tap either shoulder as he is knighted into the brotherhood. He is given shiney armor and as he puts it on, is instructed to place his sliced palm on the opposite shoulder and watches as his blood flows into the metal, turning that arm and shoulder scarlet red. He is officially in The Order. Lux is tasked with one task to prove his loyalty. **** his stepfather and attempt to convince his mother to come swear loyalty to nero if she refuses, **** her too. If he does that, when he returns his dragon will feed on the personal sacrifice and be ready for battle, and in return Nero will make sure both Peter and Ciara are waiting for him. “It will be done, Lord Nero.” show conflict in Lux if he is truly willing to do all of this, and conflict on loyalty to Nero. The Dragons growth and power is connected to Lux’s ability in blood magic. The more anger, hate, and pain he puts into his abilities, the stronger the dragon will become.
17. Chapter starts with Lux standing outside his old house in the early hours of the morning, the sun peeking out of the mountains but being quickly covered by storm clouds. As darkness settles over the brief light illuminating the house. Lux enters the house. His stepfather enters the room hearing the door open but is grabbed by the throat.during the fighting, Lux manages to strangle his step father and throws his body to the door as his mother is running into the room. As she surveys the situation, there is a cry from the door, and Lux’s brother and trainer are standing in the door, sword in hand. Lux begins to unsheathe his sword but his mother moves between them, talking to the brothers. Lux demands to know from his trainer if what Nero said is true and that his mother is the rightful heir. Confirming Nero’s story partially, though claims that Nero attempted to blackmail the queen with the knowledge of the heir to gain more power. Lux tries to persuade his mother to join him and come be with Nero, that his father would have wanted this. When she refuses, he explains that she would not understand what he HAS to do to end this war, and when he is done the conflict will be resolved and order restored. Argument between lux and brother over oaths broken. Mother approaches Lux, touching his face tenderly speaking softly watching as her son is breaking. She offers him to leave the conflict entirely and to just live home with her, though as she turns to face Lux’s brother, Lux stabs her. Gasping she looks back to Lux, touching his face once more, “You look so much like your father in that armor” Lux , trainer and brother fight, Lux leaves his brother unconscious in the house quickly, though he kills his trainer outside, taking the bodies with him back to Nero.
18.Lux returns to the agreed upon spot to meet Nero, but is instead met by Ciara, who in his confusion and hesitation desperately tries to convince her to leave with him when out steps Peter with a staff in hand, who has now learned the magic of the old gods. When Lux raises his hand, his dragon lands behind him with a mighty roar. With a smirk, peter does the same, and a white and blue dragon lands behind him, a roar just as mighty. The dragons take to the air, circling and roaring, spitting blue and black flames at one another as Lux and Peter fight to the death. Just as Lux manages to defeat Peter after taunting and back and forth, there is a loud crash as Lux’s dragon lands on the other teeth in its neck, ripping its head off entirely. Ciara comes to her senses immediately, seeing Lux in armor of The Order standing over a wounded and ****** Peter, the blood spraying on them. Stepping toward Ciara, Lux is surprised when she steps back in fear. Allowing her to leave, Lux watches as she sprints away. The conversation between Lux and Ciara should be that of both trying to convert the other. When no understanding is made between the two, it is Lux’s love for Ciara that allows her to leave, she sprints to the horses and makes her way back to The Brotherhood. Turning back to a wounded Peter, Lux raises his sword when his eye catches sight of a faint glow on Peter’s chest. Kneeling to rip the man's shirt out of the way, Lux finds the same symbol that is on his sword and own chest. Peter is Lux’s lost twin.
Will add more, unsure how to end the first book. (Have a trilogy in mind)
Xoaquín Oznian Feb 2019
[Intoxicated by Freemasons is playing in the background]

(A smokin' hot intoxicated woman walks up to me initiating a conversation in the club.)

Kadija: Hey I couldn't help but notice your gorgeous self from across the room!
Me: I can definitely say the same about you. Matter of fact I'm saying it right now because I'm a free spirit lol.
(We both laughed)
Kadija: You're so **** hot!
(She grabs my face and starts making out with me very passionately.)
(The kiss lingers for about a minute and a half.)
(She then breaks the kiss. Both of us gasp for breath.)
Me: You're pretty ******* hot too!
Kadija: Can you sign my *****?"
Me: Sure I love signing chicks *****! It's one of the best **** party favors in America!
Kadija: I know right!
(She pulls her top down flashing her beautiful tan ***** and tan *******.)
(She briefly rubs/twists her *******.)
(I sign her ***** and put a smiley emoji along with a smiley with shades finishing her off with a deep kiss on each of her ***** giving a little bit of tongue swirling action across her *******.)
Kadija: Whoo! Hell yeah!
(She shakes her ***** from side to side and briefly jumps and down. I was mesmerized by the way they were moving up and down then puts them back into her top.)
Kadija: Thanks for the kiss babe!
Me: No prob. You have beautiful *******. I like them.
Kadija: They like you too lol.
(Grinning from ear to ear I smile.)
Kadija: Come on baby give them a squeeze lol.
(I grab her ******* and squeeze them.)
(She grips my **** through my pants and starts rubbing it.)
Kadija: Mmm thanks babe. These ***** have been needing a little TLC anyway. They've been bored to death and needed a little fun and excitement.
(We both laughed again.)
Kadija: But if you really wanna see them in action there is a bathroom right behind us.
Me: I'm down
Kadija: Come on baby let's go.

— The End —