Submit your work, meet writers and drop the ads. Become a member
Regina Ramble May 2016
The worst goodbyes
Aren't the one that
Are said out of hate
Or anger,
The worst goodbyes
Are the one that
starts with hey
and leads to an
ultimate fade away.

The worst goodbyes
are when there
exists so much
left to say.
Sorry little rose. Sorry Lorie.
Some goodbyes are better left unsaid
I guess there comes to a time
To finally stop playing along
as being strong.
Wind Lass Apr 2018
I dealt death today.

I know it’s a part of the job.
I know I’ve seen it too many times to count.
But today,
I felt it.

I left the room long after their family did.
There was no where I could go
To escape their

Roaring grief.

They were long gone.
And I was left with their precious baby.
I curled his arms and legs up
Closed his eyes
Wrapped him up gently.
With love and respect
Here he’ll sleep forever.

And oh,
They are so thankful,
That it was me
That I understood
That I was so careful
That I spent the time with them.

And you’re not supposed to take it with you.
You’re supposed to leave it
When they walk out the door
With one less goodbye.

But I took it with me today.

The way they felt before
The way they felt after
The long quiet goodbyes
The man in a suit on his knees weeping
The mother and son making a cocoon
Sheltering their dying baby.
The solemn face of the woman who plays god.
The green death.
The last breath.
The heaving of the living as he gave his last.
The waiting.
Slower rhythm.
Quieter.
‘He’s gone now’.

I watched the clock
The same way I had
An hour before
Waiting for death.

Soon as I could
I fled out the door
Ran into the street
Tried to outrun it

Instead I ran to you
I dialled your number
With shaking hands

I know I’m not supposed to
But all I wanted was you
Your voice

Ringing out
Thankfully
I wept alone.

Today I dealt death
And I found I am not strong enough
To sustain this
Alone
Or for long.

I found I still consider you my haven
Deep down
But that you are not my haven anymore
Or should be.

I listened to the silence
After the call rang out
And decided
What will I do when I hit the last straw? What becomes of me and my useless brain? This was too much today. I wish I didn’t want you. I’ve made an obsession out of you.
Ian Cairns Feb 2014
To finish anything in entirety requires a full circle- and goodbye is a picky eater. Good is the pieces of pie fully enjoyed already- don't forget the fingertips good. The ones licked crisp and clean from the plasticware every time. While bye remains the uneaten slices spoiling silence in the kitchen. Crumbs too stubborn to move along, to move anywhere at all. Notice these slices never once greeted each other on a dinner plate- and there is no place for distance during dessert.

2. Goodbye is invisible ink scribbled too quickly for certainty. Proper sendoffs deserve the type of visibility that billboards form. So if you have the audacity to send seven letters my way disguised as our final embrace- I will unwrap your formality, like 5am Christmas morning, and pretend I'm on the naughty list. Hidden messages lack a sense of transparency that leaves only second guessing and farewells should need no crystal *****.
Goodbyes are as good as guesswork- and we are not fortune tellers.

3. Goodbye implies loss or rejection, but well wishes are meant for times
when loss is undeniably absent. Wishing wells bathe separation with good intentions- each copper coin anointed an underwater masterpiece.
While goodbye addresses detachment with partial reflections, splitting waves too strict for clarity. So all I see are the ripples of me spread too thin, the pieces of me scattered in every direction. Goodbye wishes no one well.

4. Goodbye is simply one word. Goodbye is not naturally destructive. Goodbye is no vocal cord villain.
Words are neither inherently good nor bad because we ascribe their significance, but evidence suggests a one word farewell serves innocent ears unjust death sentences.

5. The moment you allow I love you to skydive from your tongue, the word goodbye steals the parachutes mid-launch causing fatal free fall to artificial grass your hands never actually planted. This land is lunar rock rare- desolate when day breaks.
Goodbye is not fertilizer for greener pastures- rather an open invitation for wildfire to reduce the cosmos to ashes.

6. Endings are inevitable and sometimes quite necessary. And I'm not suggesting we prolong foregone conclusions. But our parting words need not necessarily be regrettable. Goodbyes are often stressed in tragic spectacles only designed for Broadway stages and sometimes all that's needed
is a genuine platform to stand on to say something like-- I'll miss you or I'm not ready for this or I can't do this anymore.


7. Goodbye is not a last resort.
Last resorts lead to final destinations you never come home from and you were never home, you were never home for me, you were always goodbye. Goodbye was your one way ticket to paradise, the kingdom your words worshiped and call me a traitor if you must, but the paradox you fundamentally found comfort in is tyranny trapped in one breath.
And that's never been comforting enough for me to believe in, never been real enough for me to hold.
Goodbye is sweet sorrow- one hollow word that makes your smile hurt.
It's solid rain on sunny days, stolen hearts on lay away. It's two syllables that were forced to hold hands that were never ever friends to begin with.
Goodbye is an oxymoron- and it will never justify your warm hello.
Tom Leveille Jun 2015
you got a fast car
i want a ticket to anywhere
maybe we can make a deal
maybe together
we can get somewhere
anyplace is better
starting from zero
got nothing to lose
maybe we'll make somethin
me myself i got nothin to prove

i've been wondering
when it stops
people say it stops
when you want it to
but how do i tell that
to my dreams
when all i can think about
is running up to kiss you
in the parking lot of anywhere
it makes me wanna drink
and say everything
like sometimes i think about
what it would've been like
if i had let you go
when i
was still strong enough to do it
like i never knew hell
had such a pretty voice
like i tried to make it all day
without saying
"wish you were here"
like lately i've been going back
to all the places we've been
to see what it's like without you
it is the worst game
of hide & seek
every time i close my eyes
to count
you just go home
i seem to only wear my seat belt
on days you call
on days you're all *never been better

and i just wanna tell you
how much I hate window shopping
and daylight goodbyes
you just sit there
when you could say anything
you could tell me
you noticed i started drinking again
you could even make it up
you could say you miss me, too
you could say
you missed me so much
that the other day
you accidentally bought
two coffees instead of one
you could tell me
how you've been
without me
that you sleep so much better
these days
without having to worry
you can say what you have
to just don't say leaving
was like shooting fish in a barrel
cause i swear i'm nostalgic
for things i pretended were real
and i swear
i don't want a seance
until there's something
worth bringing back
take me back
to all the places i tried to love you
back to a time
where i knew my name  
without you having to say it

*you got a fast car
is it fast enough
so we can fly away
you gotta make a decision
leave tonight
or live & this way
excerpts from tracy chapman's fast car
Em or Finn May 2015
The end
It's almost upon me
Approaching like a cheetah
I cannot escape

The night I get dressed up
With a gown around me
The hat on my head
The tassels

The cords around my neck
Strangling me
Making it hard to breathe
The words escaping

I don't want this night to come
The stage lights producing sweat
As I walk across to receive a piece of paper
Saying I made it
I survived

I'm meant to celebrate
The end of my journey
The end of the hell
All my classmates put me through

But that night
When I move my tassel
Will be the beginning
Of my goodbyes

There have been very few
To be by my side
To encourage me
To love me

While some leave with me
To places unknown
I must leave some back
To survive alone in this ring of fire

I won't survive the night
Without tears down my face
Without choking on my words
My fears

How do you tell someone
That you love them
And that they alone
Have helped you live

No one said goodbyes were easy
But now I know what they mean
I feel it in my heart
The emptiness
The loneliness

So I walk towards my teacher
Thinking about my friends
Grab the diploma
And cry
graduation
Solaces Nov 2018
I am forgetting about you..
Your smile has gone away..
No longer written on your face for me to see everyday..
Its getting easier for me day to day..

I am forgetting about you..
Saved memories emerge from time to time..
They are full of colors of you and are easy to find..
But are fading away to darkness as if I were blind..

I am forgetting about you..
No more haunting smiles in dreams..
No more deep brown angelic eyes that made my soul scream..
Because I couldn't have you in my arms under the sunbeams..

I am forgetting about you..
That part of me is dying..
That part of me walked under the moonlight and was crying..
But there you were in the clear night sky simply shining..

I wonder if I will forget about you..
I think that part of me will not die..
I think that part of me will stay alive..
Nothing left for me but endless goodbyes..
Maria Imran Jul 2015
In the realm of my mind

every conversation, relation

ends on its time.

There are no unsaid goodbyes.
crevicesofmymind Jul 2020
I always save room for goodbyes
I've been cast aside too many times
I don’t think I've ever let anyone experience me whole
No one's ever truly discovered what lies deep inside my mind and soul
You may have caught a glimpse of my sparkle and my love
But I never gave you more than I gave the One watching me above

I have fallen into the rhythm of goodbyes
Deep inside the realm of my mind
It's become a custom, almost a routine, always intertwined
Almost always like a waiting game, while you keep me near
Will you leave today, tomorrow or maybe next year?

I used to sew people into the fabric of my skin
Then find myself grieving by their absence because I wore my heart too thin
Now you'll find my heart buried beneath my chest
Protected from the heartache of the world while I'm on my quest
Reserved for the one brave enough to break through my wall
And be there both on my good days and those days when I fall

So when you find a way to my heart make sure you keep it secure
For only then will I know that your love is pure
I want you to run your fingers through the sweet soil in my soul
And realise that this is the place where beautiful things grow

But until then, know that these are my necessary lessons
They build me up and help me make progressions
Maybe this is a blessing in disguise
Maybe this is my chance to climb, a chance for me to rise

And I want you to understand that every time you leave
You're giving me the opportunity to catch the smell of a new breeze
So leave if you must
I always save room for goodbyes.
© Hannah.
Leave if you must, I always save room for goodbyes.
Isabella May 2019
There are no perfect goodbyes
As hard as may try
We can plan them
Imagine them
But there are no perfect goodbyes
Vinnie Brown Sep 2013
We lived on the docks
Just you and I
We grew old here together love
Saw things lovers wish to see
The laughter of children once filled this house
Now my thoughts are only what drift though the walls
We said our goodbyes and you went to sleep
You ever fiery heart setting to a nice kindling
I felt the rush of life leave your fingers through mine
Oh my love the lake is quite peaceful at this time of night
I think I'll go for a swim and let the gentle waters calm the fires in my heart
When morning comes we'll be side by side just you and I
In whatever place we go
Just know that we can have our abstract hugs and our simple concrete goodbyes
Thanks for reading.
MsMercedes May 2014
I hate goodbyes
They always seem like forevers
I hate goodbyes
They always seem so depressing
I don't like the idea of letting go
Maybe it because it feels like
Giving up and
That's not exacally my thing
kyla marie Mar 2014
I hate the type of goodbyes
where nothing is said
just things are forgotten

like the smell of my perfume dabbed slightly on my collarbone
applied softly, wishing you would notice

or how you ran your fingers down my neck
giving me goosebumps every time I inhaled the sweet aroma of rain lingering outside

and now
the beautiful words that flowed dangerously fast out of our mouths
are no longer spoken

you gracefully faded from my life

like how foggy breath fades in the winter
Denel Kessler Apr 2016
We attempt rescue, unable to bear
the stardust-coated dragonfly
beat, beat, beating
frantic on the glass.

We entice him to perch
on our extended lifeline-broom
nurse him in a box, where he flutters
quivers, lies quietly blue.

My son cries bitterly
as we place a minute cross
upon the dragonfly grave
while intoning our final goodbyes:

We honor those who have fallen victim
to this fatal architectural trap, lured
by skylights of enticing white-light death
and the paned illusion of freedom.

In admiration of winged determination
and perseverance in the face of futility
we carefully tend the fragile, curved bodies
lay them here to rest under the mock orange.


years of gauze-weighted detritus
swept beneath these ponderous shrubs
a reminder - what seems like freedom
                                                         ­           often isn’t.
We lived in a house that had outdoor skylights.  Insects would be lured by the light and die trying to fly through the glass that imprisoned them.
I hated those skylights...

Hey lovely poets!  Thank you so much for being a supportive, amazing group of people.  I'm truly honored that you take the time to read my poems.  The Daily is just icing on an already sweet cake.
: )
A Thomas Hawkins Jul 2010
And so here today I say goodbye
at your graveside in the rain
all the mourners they have gone now
its just you and me again

The scars of your sudden passing
no-one will ever see
like a thousand shards of glass
driven deep inside of me

The only evidence of you being here
is the unmade bed you left behind
And memories of the love we made
and of our bodies intertwined

So many things will go unsaid
so many dreams go unfulfilled
So many rooms are darker now
That you lights not there to fill

My world is much more empty now
without your gentle grace
As I close my eye's the tears come
at the memory of your face

I wish I could have been there
to be with you at the end
To cradle you within my arms
my lover and my friend.

Our time together was our secret
and one that will be kept
None will ever know the "other man"
at your graveside stood and wept.
Terry O'Leary Feb 2014
THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.
Crinoline filaments
Rolling over and over
Mid-flight the ochre velvet ribbons sailed to the left
Instead of to the right
Two feet retreating
But with one shoe on

Memory returns
For a few seconds of
the calamity
At that private house in Paris
She’d tumbled down the central staircase
Sailing with legs overhead
until she stopped miraculously with her ***
at the shining leather toes of the footman.
He kept his head up.
She wore a beautiful dress.
Her hair was quite precise and she hoped that that would be a sufficient enough apology towards an empty silence.

But this isn’t that.
I shoved her.
And she went willingly. They all do.
We’re roughly a group of fifty-three.

Gathering in the last few years
Whispering over drinks
of tumors
And vascular difficulties
Of pills and appointments and forgetfulness
They never mentioned that
In those climate controlled rooms with
Blackboards covered in Latin and Trigonometry
Of the body’s failure.
Now there’s no longer any mention made of the kids
or whether or not that husband was worth the bother

Did we notice atop
The balance beam not a peep was mentioned
About the moment when you can no longer walk or stand?
That the brain asks please but the body will not comply?
How cool the marbled floor feels against your cheek while you lay for hours in your own feces?
One can rest comfortably knowing at long last that that wallpaper was the right choice.
Kept one really engaged while waiting and waiting for someone.
And that is just the beginning, right?

Perhaps some assumed that the end would come with a daily circle reviewing the contents of their chamber ***
Grimacing and worn
While they recline in white nightclothes
Something akin to what they saw on the BBC

Perhaps a startled disquiet at the rebuke of their intent and gamely stares from a premiere specialist in Switzerland
an expert in alternative therapies
for what someone dared call
terminal
Anyway, this is quicker.

So we’ve come together
As sisters
And when the time is right I get the call
We go onto the roof
There’s an elevator now because
Otherwise that wouldn’t work
And one by one
In small batches
They are dispatched
It doesn’t take as long as you would think
We are confident and have agency
We were taught that we could do anything
And they are right.

The ones with a lot of metal can be a bit tricky
They have balance issues
But are always chic and always polite
There was a time when we were forced to be together when we clearly did not want to.
We never thought as one.
Some families are better than others.
But everything is different now

One day it will be my turn and
I wonder who will deliver me?
And what shall I wear?
Will I try to see where I’m going or will I rest comfortably in my finale.

I adore the way the wind catches the cloth.
How the crystalline beads are removed around the neck and handed over
so as not to add to any distraction
Or delay
The pinky coral mouthed “Thank you” and
And the sweet eyes that once were bright and shining say their
Goodbyes
Rippling
twirling
looping
interweaving
cascading
Down.
DJ Thomas Dec 2010

Bride of the desert
the indomitable town
Solomon’s Kingdom

            
Lost in history, I wander through a city that was fortified by King Solomon, raided by Mark Antony and ruled by Queen Zenobia who made it the capital of an empire, only to be captured herself and paraded through Rome in gold chains.

Civilisation upon civilisation are entombed within Tadmur; in a huge plain of carved stone blocks, massive columns arched in rows or standing alone, a Romanesque theatre, senate and baths, dominated by a great temple whose origin dates back four thousand years.

Due to a clever mistranslation from Arabic by the euro-centric traveller who ‘discovered’ Palmyra, the city also has a modern name.

Here for millennia, a tribe of Bedu have camped within the folds of these desert steppes and blackened Tadmur’s ruins with their camp fires, to trade camels or herd goats and sheep. Walking the divide between city, desert and the more fertile steppes, I search for their surviving descendants and find a black woven goat’s hair tent with its edges raised to capture a cooling breeze.

Hamed and his sons, huge and wary of foreigners, welcome me to sit within on  carpets and then graciously serve dates with innumerable small glasses of tea. I indicate ‘enough’ in the traditional manner by rolling my right hand and the empty glass. Hamed continues to voice his concerns about the lack of feed for their sheep and the prices achieved at market. I readily succumb to several small cups of greenish Arabic coffee, before being allowed to take my leave.

For millennia the wealth of this city was based on tariffs levied on goods flowing out of the desert aboard swaying camel caravans. Today, these once proudly fierce tribal Bedu no longer breed, train or ride camels.

The Bedu greatly prize their reputation and the respect of their peers. Their traditions are the foundation of these small tribal communities and may predate Islam;  a life now undermined by borders, nationalism, government settlement plans, conscription, war, television and tourism.
                                         *+     +     +      +      +

Black torn empty shells
swept by Mount Lebanon’s shade
Cannabis Valley

As I recall a haiku of ‘images’ of  my very first journey to Damascus, from war-torn Beirut through the lushness of the Bekaa;

in the here and now
a dark suit and Mercedes
cross the Euphrates

Defence Minister, Rifaat al-Assad is in town with his fifty thousand strong Defence Companies, complete with tanks, planes and helicopters.  A coup d’état is in progress to assure Rifaat’s succession to the Presidency of his older brother Hafiz al-Assad, now recovering from a heart attack.

Last year, Rifaat massacred some forty thousand Syrian citizens when he ordered the shelling of the city of Hama. Nobody in Damascus will be underestimating him.

All political and military power is in the hands of the al-Assads and key generals, who command the military and police. The majority of whom are of the Alawite minority Muslim faith from the rural districts near Latakia in the North. Before their revolution, governments came and went in weeks.

My friend Elias is allied to Rifaat’s cause, by simply doing business with the son. Now he and his family share the risks and dangers of this coup failing and stand to lose a fortune. Monies paid locally in Syrian pounds for goods delivered to government agencies.

Elias’s connection with Rifaat and Latakia, as well as his confident presence, humour and love of life, still allows us easy access to the Generals’ Club. Sadly, there is to be no table and floorshow, but a closed meeting with two senior Generals, where we learn that Hafiz has recovered enough to take charge and is now locked in discussions with his younger brother.

The decision is therefore made for us. We say our goodbyes and drive to Latakia.

On Sunday Elias meets his brothers, then with his family, we visit his parents small holding and enjoy a meal together. A wonderful fresh mezza that includes my favourite, courgettes stuffed with ground lamb and rice, in a yogurt sauce. Syrian food is amazingly healthy and my cuisine of choice.

It is a cloudless Monday morning, as I, Elias, his wife and children drive into the docks to board an old 46 foot motor cruiser. Huge cases are stowed as I make my inspection, then start the twin diesels and switch on the over-the-horizon radar. Our early departure is critical. We cast off and the Mate steers for the harbour entrance below the cliffs that guard it. As the Mediterranean lifts our bow in greeting, the disembodied voice of the Harbour Master tells us to return as we do not have permission to sail.

Ignoring the order, I increase our speed through the short choppy surf. We are sailing under the Greek Cypriot flag and in an hour I hope to be out of territorial waters.  At 14 knots we are a slow target.

Fifteen nautical miles from the coast of Syria, I leave the mate to follow a bearing for Larnaca. Elias has opened a bottle of Black Label. I quaff a glassful.

Later noticing a noisy vibration and diagnosing a bent prop shaft, I shut down the starboard engine. Our speed is now a steady 8 knots, so I decide on a new heading to discern more quickly the shadow of the Cypriot coastline on the radar screen.

Midway, the mate and Elias begin babbling about a small vessel ahead and four separate armoured boxes encircling it. Ugly Israeli high speed gun boats or worse, Lebanese pirates. Should they board us and find stowed riches, we will be killed.

Leaving the Mate to maintain our course, I go on deck to play the ‘European Owner’.  The vessel they have trapped is long and lean with three tall outboard motors but no crew are in sight.  Leaving them astern, our choice of vessel now fully exonerated, I and Elias throw another whisky ‘down the hatch’.

With us holding the correct bearing, I ask Elias to wake me as soon as we near Cyprus. Feeling utterly exhausted I collapse into a bunk.  

I wake unbidden, to find the Mate steering for the harbour entrance. Shouldering him aside, I spin the wheel to bring the vessel about. Shaking, I ask them why there are minarets on the ‘church’ and did they not notice our being observed from the top of the harbour's hillock, below which a fast patrol boat is anchored?  The Mate sprints to the Greek Cypriot flag and is hugging it to his chest; Elias wisely prays.

I command the wheel as we motor directly away from the port of Famagusta and Turkish held Northern Cyprus. We later change bearing and pass tourist beaches, it is night fall before we moor-up in Larnaca.
                                         +     +     +      +      +


Later that same year I am called to a last urgent meeting in Cyprus with Elias. He calmly tells me that he will be arrested when he rejoins his family, who have returned to Syria. Elias asks me to take full control of his Cypriot Businesses, then returns home and ‘disappears’ with his brothers.
                                         +     +     +      +      +


Since sacking the two Arab General Managers when they tried to get control of the bank accounts, it has taken more than six months to locate the prison holding all the brothers. We obtain the release of all except Elias, who has been tortured.  We then ‘purchase’ him the exclusive use of the Prison Governor's quarters and twenty four hour access for Elias’s family, nurses and doctors.
                                         +     +     +      +      +


Over the last two years, I have honoured my promises and expanded trade as far as Pakistan. Elias is still imprisoned.
                                         *
+     +     +      +      +
haibun of a late twentieth century travelogue
copyright©DJThomas@inbox.com 2010
I met him on the Amtrak line to Central Jersey. His name was Walker, and his surname Norris. I thought there was a certain charm to that. He was a Texas man, and he fell right into my image of what a Texas man should look like. Walker was tall, about 6’4”, with wide shoulders and blue eyes. He had semi-long hair, tied into a weak ponytail that hung down from the wide brim hat he wore on his head. As for the hat, you could tell it had seen better days, and the brim was starting to droop slightly from excessive wear. Walker had on a childish smile that he seemed to wear perpetually, as if he were entirely unmoved by the negative experiences of his own life. I have often thought back to this smile, and wondered if I would trade places with him, knowing that I could be so unaffected by my suffering. I always end up choosing despair, though, because I am a writer, and so despair to me is but a reservoir of creativity. Still, there is a certain romance to the way Walker braved the world’s slings and arrows, almost oblivious to the cruel intentions with which they were sent at him.
“I never think people are out to get me.” I remember him saying, in the thick, rich, southern drawl with which he spoke, “Some people just get confused sometimes. Ma’ momma always used to tell me, ‘There ain’t nothing wrong with trustin’ everyone, but soon as you don’t trust someone trustworthy, then you’ve got another problem on your hands.’”—He was full of little gems like that.
As it turns out, Walker had traveled all the way from his hometown in Texas, in pursuit of his runaway girlfriend, who in a fit of frenzy, had run off with his car…and his heart. The town that he lived in was a small rinky-**** miner’s village that had been abandoned for years and had recently begun to repopulate. It had no train station and no bus stop, and so when Walker’s girlfriend decided to leave with his car, he was left struggling for transportation. This did not phase Walker however, who set out to look for his runaway lover in the only place he thought she might go to—her mother’s house.
So Walker started walking, and with only a few prized possessions, he set out for the East Coast, where he knew his girlfriend’s family lived. On his back, Walker carried a canvas bag with a few clothes, some soap, water and his knife in it. In his pocket, he carried $300, or everything he had that Lisa (his girlfriend) hadn’t stolen. The first leg of Walker’s odyssey he described as “the easy part.” He set out on U.S. 87, the highway closest to his village, and started walking, looking for a ride. He walked about 40 or 50 miles south, without crossing a single car, and stopping only once to get some water. It was hot and dry, and the Texas sun beat down on Walker’s pale white skin, but he kept walking, without once complaining. After hours of trekking on U.S. 87, Walker reached the passage to Interstate 20, where he was picked up by a man in a rust-red pickup truck. The man was headed towards Dallas, and agreed o take Walker that far, an offer that Walker graciously accepted.
“We rode for **** near five and a half hours on the highway to Dallas,” Walker would later tell me. “We didn’t stop for food, or drink or nuthin’. At one point the driver had to stop for a pisscall, that is, to use the bathroom, or at least that’s why I reckon we stopped; he didn’t speak but maybe three words the whole ride. He just stopped at this roadside gas station, went in for a few minutes and then back into the car and back on the road we went again. Real funny character the driver was, big bearded fellow with a mean look on his brow, but I never would have made it to Dallas if not for him, so I guess he can’t have been all that mean, huh?”
Walker finally arrived in Dallas as the nighttime reached the peak of its darkness. The driver of the pickup truck dropped him off without a word, at a corner bus stop in the middle of the city. Walker had no place to stay, nobody to call, and worst of all, no idea where he was at all. He walked from the corner bus stop to a run-down inn on the side of the road, and got himself a room for the night for $5. The beds were hard and the sheets were *****, and the room itself had no bathroom, but it served its purpose and it kept Walker out of the streets for the night.
The next morning, Texas Walker Norris woke up to a growl. It was his stomach, and suddenly, Walker remembered that he hadn’t eaten in almost two days. He checked out of the inn he had slept in, and stepped into the streets of Dallas, wearing the same clothes as he wore the day before, and carrying the same canvas bag with the soap and the knife in it. After about an hour or so of walking around the city, Walker came up to a small ***** restaurant that served food within his price range. He ordered Chicken Fried Steak with a side of home fries, and devoured them in seconds flat. After that, Walker took a stroll around the city, so as to take in the sights before he left. Eventually, he found his way to the city bus station, where he boarded a Greyhound bus to Tallahassee. It took him 26 hours to get there, and at the end of everything he vowed to never take a bus like that again.
“See I’m from Texas, and in Texas, everything is real big and free and stuff. So I ain’t used to being cooped up in nothin’ for a stended period of time. I tell you, I came off that bus shaking, sweating, you name it. The poor woman sitting next to me thought I was gunna have a heart attack.” Walker laughed.
When Walker laughed, you understood why Texans are so proud of where they live. His was a low, rumbling bellow that built up into a thunderous, booming laugh, finally fizzling into the raspy chuckle of a man who had spent his whole life smoking, yet in perfect health. When Walker laughed, you felt something inside you shake and vibrate, both in fear and utter admiration of the giant Texan man in front of you. If men were measured by their laughs, Walker would certainly be hailed as king amongst men; but he wasn’t. No, he was just another man, a lowly man with a perpetual childish grin, despite the godliness of his bellowing laughter.
“When I finally got to Tallahassee I didn’t know what to do. I sure as hell didn’t have my wits about me, so I just stumbled all around the city like a chick without its head on. I swear, people must a thought I was a madman with the way I was walkin’, all wide-eyed and frazzled and stuff. One guy even tried to mug me, ‘till he saw I didn’t have no money on me. Well that and I got my knife out of my bag right on time.” Another laugh. “You know I knew one thing though, which was I needed to find a place to stay the night.”
So Walker found himself a little pub in Tallahassee, where he ordered one beer and a shot of tequila. To go with that, he got himself a burger, which he remembered as being one of the better burgers he’d ever had. Of course, this could have just been due to the fact that he hadn’t eaten a real meal in so long. At some point during this meal, Walker turned to the bartender, an Irish man with short red hair and muttonchops, and asked him if he knew where someone could find a place to spend the night in town.
“Well there are a few hotels in the downtown area but ah wouldn’t recommend stayin’ in them. That is unless ye got enough money to jus’ throw away like that, which ah know ye don’t because ah jus’ saw ye take yer money out to pay for the burger. That an’ the beer an’ shot. Anyway, ye could always stay in one of the cheap motels or inns in Tallahassee. That’ll only cost ye a few dollars for the night, but ye might end up with bug bites or worse. Frankly, I don’t see many an option for ye, less you wanna stay here for the night, which’ll only cost ye’, oh, about nine-dollars-whattaya-say?”
Walker was stunned by the quickness of the Irishman’s speech. He had never heard such a quick tongue in Texas, and everyone knew Texas was auction-ville. He didn’t know whether to trust the Irishman or not, but he didn’t have the energy or patience to do otherwise, and so Walker Norris paid nine dollars to spend the night in the back room of a Tallahassee pub.
As it turns out, the Irishman’s name was Jeremy O’Neill, and he had just come to America about a year and a half ago. He had left his hometown in Dublin, where he owned a bar very similar to the one he owned now, in search of a girl he had met that said she lived in Florida. As it turns out, Florida was a great deal larger than Jeremy had expected, and so he spent the better part of that first year working odd jobs and drinking his pay away. He had worked in over 25 different cities in Florida, and on well over 55 different jobs, before giving up his search and moving to Tallahassee. Jeremy wrote home to his brother, who had been manning his bar in Dublin the whole time Jeremy was away, and asked for some money to help start himself off. His brother sent him the money, and after working a while longer as a painter for a local construction company, he raised enough money to buy a small run down bar in central Tallahassee, the bar he now ran and operated. Unfortunately, the purchase had left him in terrible debt, and so Jeremy had set up a bed in the back room, where he often housed overly drunk customers for a price. This way, he could make back the money to pay for the rest of the bar.
Walker sympathized with the Irishman’s story. In Jeremy, he saw a bit of himself; the tired, broken traveler, in search of a runaway love. Jeremy’s story depressed Walker though, who was truly convinced his own would end differently. He knew, he felt, that he would find Lisa in the end.
Walker hardly slept that night, despite having paid nine dollars for a comfortable bed. Instead, he got drunk with Jeremy, as the two of them downed a bottle of whisky together, while sitting on the floor of the pub, talking. They talked about love, and life, and the existence of God. They discussed their childhoods and their respective journeys away from their homes. They laughed as they spoke of the women they loved and they cried as they listened to each other’s stories. By the time Walker had sobered up, it was already morning, and time for a brand new start. Jeremy gave Walker a free bottle of whiskey, which after serious protest, Walker put in his bag, next to his knife and the soap. In exchange, Walker tried to give Jeremy some money, but Jeremy stubbornly refused, like any Irishman would, instead telling Walker to go **** himself, and to send him a postcard when he got to New York. Walker thanked Jeremy for his hospitality, and left the bar, wishing deeply that he had slept, but not regretting a minute of the night.
Little time was spent in Tallahassee that day. As soon as Walker got out on the streets, he asked around to find out where the closest highway was. A kind old woman with a cane and bonnet told him where to go, and Walker made it out to the city limits in no time. He didn’t even stop to look around a single time.
Once at the city limits, Walker went into a small roadside gas station, where he had a microwavable burrito and a large 50-cent slushy for breakfast. He stocked up on chips and peanuts, knowing full well that this may have been his last meal that day, and set out once again, after filling up his water supply. Walker had no idea where to go from Tallahassee, but he knew that if he wanted to reach his girlfriend’s mother’s house, he had to go north. So Walker started walking north, on a road the gas station attendant called FL-61, or Thomasville Road. He walked for something like seven or eight miles, before a group of college kids driving a camper pulled up next to him. They were students at the University of Georgia and were heading back to Athens from a road trip they had taken to New Orleans. The students offered to take Walker that far, and Walker, knowing only that this took him north, agreed.
The students drove a large camper with a mini-bar built into it, which they had made themselves, and stacked with beer and water. They had been down in New Orleans for the Mardi Gras season, and were now returning, thought the party had hardly stopped for them. As they told Walker, they picked a new designated driver every day, and he was appointed the job of driving until he got bored, while all the others downed their beers in the back of the camper. Because their system relied on the driver’s patience, they had almost doubled the time they should have made on their trip, often stopping at roadside motels so that the driver could get his drink on too. These were their “pit-stops”, where they often made the decision to either eat or court some of the local girls drunkenly.
This leg of the trip Walker seemed to glaze over quickly. He didn’t talk much about the ride, the conversation, or the people, but from what I gathered, from his smile and the way his eyes wandered, I could tell it was a fun one. Basically, the college kids, of which I figure there were about five or six, got Walker drunk and drove him all the way to Athens, Georgia, where they took him to their campus and introduced him to all of their friends. The leader of the group, a tall, athletic boy with long brown hair and dimples, let him sleep in his dorm for the night, and set him up with a ride to the train station the next morning. There, Walker bought himself a ticket to Atlanta, and said his goodbyes. Apparently, the whole group of students followed him to the station, where they gave him some food and said goodbye to him. One student gave Walker his parent’s number, telling him to call them when he got to Atlanta, if he needed a place to sleep. Then, from one minute to the next, Walker was on the train and gone.
When Walker got to Atlanta, he did not call his friend’s family right away. Instead, he went to the first place he saw with food, which happened to be a small, rundown place that sold corndogs and coke for a dollar per item. Walker bought himself three corndogs and a coke, and strolled over to a nearby park, where, he sat down on a bench and ate. As Walker sat, dipping his corndogs into a paper plate covered in ketchup, an old woman took the seat directly next to him, and started writing in a paper notepad. He looked over at her, and tried to see what she was writing, but she covered up her pad and his efforts were wasted. Still, Walker kept trying, and eventually the woman got annoyed and mentioned it.
“Sir, I don’t mind if you are curious, but it is terribly, terribly rude to read over another person’s shoulder as they write.” The woman’s voice was rough and beautiful, changed by time, but bettered, like fine wine.
“I’m sorry ma’am, it’s just that I’ve been on the road for a while now, and I reckon I haven’t really read anything in, ****, probably longer than that. See I’m lookin’ to find my girlfriend up north, on account of she took my car and ran away from home and all.”
“Well that is certainly a shame, but I don’t see why that should rid you of your manners.” The woman scolded Walker.
“Yes ma’am, I’m sorry. What I meant to convey was that, I mean, I kind of just forgot I guess. I haven’t had too much time to exercise my manners and all, but I know my mother would have educated me better, so I apologize but I just wanted to read something, because I think that’s something important, you know? I’ll stop though, because I don’t want to annoy you, so sorry.”
The woman seemed amused by Walker, much as a parent finds amusement in the cuteness of another’s children. His childish, simple smile bore through her like a sword, and suddenly, her own smile softened, and she opened up to him.
“Oh, don’t be silly. All you had to do was ask, and not be so unnervingly discreet about it.” She replied, as she handed her pad over to Walker, so that he could read it. “I’m a poet, see, or rather, I like to write poetry, on my own time. It relaxes me, and makes me feel good about myself. Take a look.”
Walker took the pad from the woman’s hands. They were pale and wrinkly, but were held steady as a rock, almost as if the age displayed had not affected them at all. He opened the pad to a random page, and started reading one of the woman’s poems. I asked Walker to recite it for me, but he said he couldn’t remember it. He did, however, say that it was one of the most beautiful things he had ever read, a lyrical, flowing, ode to t
A Short Story 2008
Nic Evennett Oct 2015
What could she say?
Today is yesterday, and yesterday...
And quick hop the dappled lane,
Down, down the tired path again,
Through the dust, through the waters.

What would she do?
Today wears green, today wears blue.
And battered, tattered Crazy Kate
Lays sleeping at the garden gate,
In the dust, in the waters.

But there she stands tongue-tied, wide-eyed, head down.
There's a creeping chance he'll hold her hand.
We're made of goodbyes.

Cast aside;
Sweet Kate ran hard against the tide
And threw her heavy punches wide.
Calm, calm, a gentle voice replied,
From the cool, from the waters.

She said, what should we do?
The summer's me, and the winter's you.
Goodbye to green, goodbye to blue,
Goodbye, the waters.

But there he stands, tongue-tied, wide-eyed, head down.
There's a creeping chance she'll hold his hand.
We're made of goodbyes.
https://soundcloud.com/wingless-night/made-of-goodbyes
Tay Jun 2016
Don't fall in love with a girl who reads.
The girl who feels everything, who dreams, who writes..

Fall in love with the girl you find in a bar. Find her in the squall of smoke and sweat of an upscale nightclub. Make sure she doesn't mix her coffee with bourbon. Love the one shooting tequila straight from a cheap, half-empty bottle. Wherever you find her, find her smiling. Make sure it lingers a little too long. Use pickup lines and entertain her with meaningless slurs from a long day and mistakes you know are about to be made. Take her outside and kiss her in the rain because you saw it in a film. Comment on its silliness.

Pull her into a tolerable relationship. Let the months pass by without remark. Then let years pass by unnoticed. Talk about nothing of significance and retreat into it when the air grows stale and the evenings become long. Fight about how the shower curtain needs to be kept closed. Propose a little later because you realize you'd have wasted so much time otherwise. Take her to a restaurant that wreaks of marinara sauce and sheepishly ask the waiter to bring a bottle of expensive champagne. Offer up a modest ring and don't become too concerned if you feel nothing of sincerity or commitment. But fake it, ******* it.

Do these things. Because a life lived in purgatory is better than one lived in hell. She will make it hell. I'm begging you, stay away from the one who reads. Who laughs or cries when she makes love. Who can neatly fold her spirit and spin it into prose and poetry. If she loves poetry, run away. Don't dare to look back. She is to be left alone. Dangerous little smiles should make you shake. Do not smile back.

Do not fall in love with a girl who thinks. Who is made up of magic and knows herself. Do not love the one who knows how to disappear inside of a book or a poem or a painting. If she spends any more than a few seconds looking into the eyes of a sinner, get out of there.

Don't fall in love with the girl who is interested in politics, who feels disease in injustices. Don't love the one who is intense, who is lucid and charismatic. Stay away from the one who has any sense of ambition, of rebellion, or even the smallest hint of wonder in her eyes. Be cautious of the ones who can't live without music. If she can draw, quit, and quit fast.

A girl who reads is one who knows herself; who is sure. She is educated and she is fire inside a bottle of rye. The girl who reads is one who is comfortable with goodbyes. Think about it: she's read millions of novels and each one ends. Most end with the death of her favorite character. They make her think. And she flies through the pages like they are wet wine on collarbones. And she is okay with each and every ending. Sure, she might cry, but she'll wipe her face and pick up another book. Just to do it all over again. Remember this if she ever says her favorite book is you.

She is a romantic and how can you match up to the princes and heroes in her books? She knows nothing else. You can't love her the way those characters could if they were to take shape. She holds a vocabulary that lays claim to her ability to distinguish between the specious and the soulless. She holds rhetoric hands that turn black streaks into the books she loves so deeply. She deserves a man who can hold her hand the way she holds her books. Someone who can write her notes and hide them in her lunch box. Can you write in cursive the way she can?

Please, don't fall in love with a girl who reads. Because a girl like that, you never come back from.
Sylvene Taylor Jan 2014
theres a story,
that runs through her veins, that feeds through her heart, that reads through her eyes.
theres a beginning to the start the journey- a middle to crush her dreams- an an ending that she never reads out loud. for its not what she looks like; her pigmentation who identifies her no-
nor the length of the locks that are apparent from the scalp of her head no, its nor the coarsness of it or the silkyness.

its not her tiny waist or her abnormally chicken shaped legs no- it is the story- the stories which run through her veins, feed through her heart, and reads through her eyes.
these are her limbs, her bones and structure. these are what her character and compassion are made of, these are her creators.

the stories run so deep digging a deeper hole within her soul. the more she remembers and replays like reruns of friends the more her soul seems to loose a bit of itself. a bit of the joy and the warmth that they used to bring.
remembering the giving up of them is something that will follow her in the shadows for years to come

she doesn't miss her family, she's not homesick: when she says she wants to go home she wants to go back-
back the those times when they were all right here.
she wants to smell the sweet loaves of bread and mixes of aromas coming from grannies kitchen. she wants to hear her voice again scolding pop-pop as he took a bite of the chicken. she wants to go home. home to the weird smell of mothballs and the cluttered home that existed way before hoarders. she wants to go back to the light that shined in the living room hitting the cherry red coffee table just enough to have it warm at touch.

she wants to go back to the trips to the super market with uncle carl who could never say no. she wants to go back to that room- where the chocolate plastic barbie stood so tall 3 ft to be exact. she wants to go back to the christmas'-

the one with three christmas trees and one especially decorated by gail- with so many cartoons and lights you just knew it was that time.
she wants to go back to the family gatherings where there were fights but just ooh so much love and everyone held it together for the queen of this family.
when she says she wants to go home she isnt home sick no-

shes memory fond and hurting of the past for the future seems to constantly ****** away the ones who make the most strong of memories and impact on her life.
she wants to go back-bring them back for one last meal one last hug one last sound from their voice one last goodbye

but she knows the only goodbye lies between her and the tombstone which marks the footprint in the sand, and the watering of the soil from her eyes that will be ever lasting every time their footprint reoccurs, she knows goodbyes with people most loved doest seem to happen but the real reason why isnt because they are suddenly snatched away-
its because-
we will never be ready
to say
goodbye.
i cried like a baby writing this
Ezzah Saleem Jul 2018
Some are too good at goodbyes,
A couple of letters,
A couple of confessions,
Some words like " I'll miss you"
Some like "we'll meet soon"
Some photos with moments stuck in them,
Some times that have gone so far
You don't hope you'll be able to see a thing like that,
But you still hold your head up,
You pretend you are brave,
Brave enough to say a seven letter word 'goodbye'.

It doesn't seem so big,
Yet means something you know you won't be able to bear,
But you keep a heavy stone on your heart and you say it,
You feel it but don't exactly realize,
That your paths have been separated
And the time is gone,
Even though you'll see sun everyday
You will still feel cold
Like that cool wind and blues that winter bring and blows,
Or those cold winds that follows rain,
Or that touch that autumn brings,
With that de trop sadness,
After all, all we need is something to hope for,
To put our hearts into,
Our blood to run though them,
But dont forget the most deserving gets the most undeserved,
They will have to live with or without hopes,
In this hollow, cold, dark world.
Haruka Feb 2015
I have fallen into the rhythm of goodbyes.
The steady beat of feet against tile
the sound of slamming doors and
echoing walls.
See, the worst part
is the silence that follows.
The all-consuming ringing that coats your ears
and kisses down your spine.

Loving him was like hearing
every goodbye I've ever heard
all at once.


"I can't do this anymore."

I have fallen into the rhythm
of unrequited love.
my heart is hurting
Gwen Johnson Sep 2013
It's been about 8 years
8 years since you've been gone
I know too well now that everyone dies
Everyone goes
Everyone says their final goodbye
Everyone takes their last breath
And are out of our sights
But when you died I was 6
I was a foolish little kid
I thought goodbyes never lasted that long
I thought that goodbyes couldn't last 8 years
And on
Tracy rex Feb 2013
A lifetime felt with cheating hearts all echoed from my past,    the promises trues and I love  you s were each so very ment to last,   so fine was this time of sharing built with honesty and trust,  these vows now left inside my mind to slowly gather dust, I struggle through tomorrow searhing for hope yet fall behind,  while broken dreams and silent screams play re_runs in bmy mind, its hard to tell whats wrong from real when dark cover dim the light, I close my eyes and dream a dream of heaven everynite, its all I know this misery I hold no guiding hands, these scars I show a lesson that I yet dont understand, another day awaits me in this life I call my own, a cruel delay frustrates me as I face this world alone, ill let words once said and tears lonly sheded rest peacefully in my heart, cause I know the pain of love in vain will always play its part,  so with open arms i welcome such new dreams that will arrive, i only pray to find one day, A love without goodbyes
Tears Feb 2015
I need you to know,
That it is my time to go,
This is not my result,
It's my twisted mind's fault.
Don't say you forgive me everyday,
'Cause I know what people say,
"****** Freak"
They told me I was weak,
That I didn't deserve a perfect, happy family.
But, I don't have a perfect and happy family.
My mind is twisted,
My heart is broken,
My feelings are scattered,
And my throat is swollen.
I don't have any motivation,
So, go ahead, and throw your little celebration.
I'm insane,
But, I guess you all are to dense to realize,
It's been the same.
You want to know,
And It want's to put on a show,
I have a dark and twisted mind,
I don't even know what I'll find,
Blood spattered against a wall,
Knives, that did it all.
I deserve to be in a Mental Asylum.
But, that Stupid place is a realm,
I still have dreams,
I'm still not sure if they are Nightmares,
Or my happy place.
So, I'll tell you one.
Lets go deep into my mind,
And find,
The right one to tell:
-----------------------------
With my eyes open wide,
And nothing human inside,
Blood galore,
I open the door,
And stab my sibling,
'Till he's no longer living,
Mother and Father are next,
There's no time for a rest,
I walk in,
Eyes wide,
While Mother cried,
And Joey has died,
Father comes up,
And says "Sweetie, put the knife down, I hate to see you frown.."
I grin,
'Cause I'm about to make a terrible sin,
"Father,
I know I've always been a bother,
Don't tell me other-wise.
But I can't put it down,
'Cause I like to see you drown,
In all of these words,
These little precious words,
That you will forever remember."

He holds on tight to Mother,
Realizing, what I did to brother,
"Go to Hell!! GET OUT OF MY DAUGHTER!! I DON'T KNOW YOU ANYMORE!! GIVE ME TEARS!!"
I chuckle,
Looking at the couple,
I walk over to Father,
"I am Tears."
I say,
So quietly,
"You will pay."
I hear someone faintly say,
It's Mother,
Sweet, innocent, Mother.
I turn to her,
"I am Tears."
I repeat,
Not sure, If it came out to sweet,
"You finally see,
The true me,
What I have become,
You both better run,
'Cause it will be so much fun,
To play a game of Tag,
But, it has a little snag,
In this game,
When I find you,
It won't be the same,
You will die,
And I will sigh,
'Cause your life,
Ended by my knife,
With your blood splattered on the wall,
You will fall,
I do find it quite amusing."

I smile,
And take out another Knife,
I stab Mother and Father,
Like I did Brother,
They are shocked,
That they couldn't block,
Themselves from a twelve year old girl,
"W-who are y-you.."
I hear mother faintly say.
On the edge of her death,
I decide to take a breath,
And tell them.
So I kneel down,
The room already sounds like a Ghost Town.

"You see Mother,
I've always been trapped inside my own mind,
Afraid of what I could find,
If I just let go,
And let the world know,
What I have hidden deep inside of me,
So, don't you see?
This is the true me.
I'm who I am,
I'm not okay,
'Cause It wants to come out and play.
We both know,
If I'm a Friend or Foe,
I'm not Tears anymore,
She's taking a little detour.
And letting me take over,
With all of that said,
I am not "Tears",
I am Red."

Mothers eyes grow wide,
Realizing, i'm not even on her side,
She knows who she is,
She thought she was fake,
But for Heavens Sake,
"SEE?! I AM NOT FAKE!!!"
The couple's eyes flutter close,
I yell,
While Mother and Father,
Have already fell,
Into a deep, deep sleep.
They will never forgive me,
Their sweet little girl,
It turns out she was an enemy,
But, at least they died together.
In each other's arms,
"Could've It been for the better,
If I just killed myself, instead?"
No,
It was a lot of fun, though.
While it lasted.
I'm covered in blood, head to toe,
But will I ever recover?
I guess no one will know.
-----------------------------
I'm not who you think I am,
I'm on the verge of breaking,
I'm shaking.
She wants to come out,
We both know that's a mistake to do,
Without a doubt.
We both have read,
What would happen,
Do you even dare to go to bed?
I don't,
I have the same dream,
It goes on forever, it seams.
I have a dark and twisted mind,
Now I know what I can find,
I still don't know,
If I'm a friend or Foe,
I personally don't want to hurt anyone,
But, of course,
Red thinks it will be fun,
Don't come near me if I'm thinking,
Or even dreaming,
Cause chances are,
I'm not myself.

All that you have read,
Will be in your head,
When I'm dead,
This is going to be said,

"The person who wrote this letter is Red,

         But the person who wanted to **** you all,

Is Tears."

So, I guess we are the same, huh? :)


Goodbye,
Sweetie Pies,
I'll always be here,
Even if I'm dead,
In my own head,
I'm here,
Watching everything you guys do.
And will try to make your life a living hell, for you.
Sorry, you guys,
But I'm not that familiar with,

            "Sweet Goodbyes"
Again, I have no idea why I made a poem about killing my family but............ookkaaaayyyyy. Here it is my Crazies. By the way, that's what I'm calling you guys who follow me. Crazies. My little Crazies! xD I think it's it's cute, and a little crazy! Okay, that was cheesy. Oh...and THIS IS LONG AS ****! WHAT THE HELL!! I WASTED 20 MINUTES OF MY SATURDAY MAKING THIS!!! Why the Hell Did I make it so **** long??!!
Martin Narrod Feb 2015
Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road
Z Feb 2013
I want ocean air
and salty hair.

I want raspberry iced tea
and you and me.

I want hot sand
and to hold your hand.

I want endless nights
and glowing bonfire light.

I want a freckled face
and shirts made of lace.

I want heart shaped sunglasses
and kisses sweet as molasses.

I want flip flops on my feet
and your heart to keep.

I want summertime
and no goodbyes.
AM Snyder Jan 2016
Thats how I will remember her; just as she was.  Laying in my bed wearing her rastafarian drug rug that twinned my own, holding my lanyard close and my brother even closer.  She laughed as she watched me drink lemonade that I later learned contained laxatives, and she avoided any type of emotional outburst that didn’t reveal that she just might not be okay.  As I started to exit my room and said “Goodbye”, she surprised me.

“Don’t say that Bean.”

I looked down at one brown eye and one eye colored fake blue with a contact lens, and I saw sadness in both.  So I smiled sadly and said,
“Instagram you later.”
A Sickening Love Nov 2014
When we say goodbye,
You remind me it's not forever.
You told me it seems like,
My goodbyes feel like I won't see you again...
I cant tell you but...
My sanity relies on you,
Right now my being relies on you,
A day could be forever to me.
This week without you,
Unbearable.
I'll go insane...
My goodbyes aren't only to you.
I say goodbye to myself everytime you leave.
Syd Jun 2018
What if
I had fallen to my knees
On the cold parking lot concrete
Tears washing over my cheeks
And cries no one should ever have to hear
Bellowing out from beneath my ribs
Screaming at the sky
Looking up at your face
Forcing you
(and everyone else)
To see me in this godforsaken state
Of absolute chaos
Heartbreak
In it's rawest form
What if I had begged you to stay?
What if I'd told you I can't do this without you?
What if I'd told you how much I needed you
What if I did anything other than fighting back the tears
Maybe for myself, maybe for you,
Mostly for the crowd of people gathering
Saying their goodbyes
Anxiously looking around to bear witness to everyone else's reactions
And I didn't want to be that girl
That girl who falls to the ground
Kicking and screaming and crying and begging
But what if I was?
What if I was any girl other than the one I pretended to be that day
The one that held her tongue and kept her mouth shut because she knew the second she opened it to speak she would sob
The one that wrapped her arms around you for the last time,
and the one that let go
The one that couldn't bear to watch you walk away
So she kissed you goodbye
Got back in the car
And drove home
What if i wasn't that girl who didnt allow herself to completely fall apart until she was alone in the privacy of her own home?
What if instead I'd made a scene,
Doing what everything inside me so desperately wanted to
Grabbing hold of your hand and refusing to let go
Losing the facade of confidence
The charade of strength
But I'm not that girl
And I never will be
So each and every time you leave
I kiss you goodbye
I unclench my fists and retract my anchors
I untether my heart from it's human home
And I put on a brave face
Maybe for myself, maybe for you,
Or maybe
For that girl.
Ben Dec 2011
Paint my sunset bright with brushstrokes from your lips
Don't leave me with nothing but a memory of this
An Artist's touch is what we need
Girl you said you'd never leave
So hold me close cause it's just so **** cold
Open your eyes and look to the sky
What's happened is over we said our goodbyes

Put the down the pencil you didn't even try
We took all our chances and had our last night
Open your eyes and look to the sky
What's happened is over we said our goodbyes

Color in the pages of the stories of our lives
Reds and blues just like the bruise you gave my heart that night
Cut my face out of the picture
Sloppy now you're cutting quicker creating you're own world to the tune of an artists lullaby

Open your eyes and look to the sky
What's happened is over we said our goodbyes
Put down the pencil you didn't even try
We took all our chances and had our last night
Open your eyes and look to the sky
What's happened is over we said our goodbyes


I'm looking up at the stars in the sky
They remind me of the gleam in your eyes
And the way your smile shined
Oh I wish you were mine

Broken now with colors gone
The world is gray it's said and done
Erase your mistakes and go with the break
Cleaning up the lies you spilled and messes that you make
Tom Leveille Feb 2014
whenever i hear a wind chime i think of your voice. i wonder what it's like to be your bedsheets. what it would really be like to understand the jargon in your head. i ******* want to kiss you sometimes and then others i really do want concrete between your hands & my skin. i can't think straight all the time so i wonder if it benefits me at all to explain what it means that i don't want or expect anything from you but if we accidentally liked eachother in that middle school "sort of way" then i wouldn't say no. i want to really understand what you mean when you say "stay" to me in our texts. i wonder if your sleeping pills do to you what they do to me. i'm thinking again about "stay" and maybe i'm choked up on you leaving for school up north but i'll never tell you because get the **** out of here and don't look back especially not for me. stay. your smile, genuine or not tears me in two. i wish every face on the planet had your smile and i am ******* afraid of you wearing lipstick. i'm terrified of your bare skin and goodbyes. i hate farewells and see you laters. i knew the first time i saw you interact on your phone while drinking coffee the way you text people and how i now do the same thing. i get around read receipts. i sometimes want to hear you say you want.. not so much me, maybe me, but my company. theres a park near my house where i've imagined us paddle boating. i got written up at work once for daydreaming about it. what the **** is in a friendship anyway, decency in a human isn't biological. i get hung up on knee jerks and gut reactions. i want to know what the ******* are thinking about when i look up and you are looking right at me. but then again, i don't. as long as i'm wondering. as long as the door might swing open or closed. stay. go. run. **** your collarbones. **** your chest and skin and lips and everything i hate but crave and might like about you without say so. stay. sit down and explain to me why it is that i care anyway. i am afraid that if i say i want to *******, you'll think i mean *******, and not "*******". i wanna know if any of this sounds familiar and i here i am back to wondering what the **** is going on and why you're looking at me. the hair on my neck stands on end when you do and another thing... **** poetry. i cloud my feelings for you & anything else with the abstract so you'll never really know if i ******* hit rock bottom or not over the fact that i know we will never kiss. somebody just said "**** buddy" on tv and i think sometimes symmetry between irony & circumstance. i have harbored some of these thoughts since the night you said hello to me. i'm sorry i had to get over the fact that once upon a time i wanted to save somebody, and you weren't going to let it be you. i do sometimes think my hands might break you, that you spend your day painting a picket fence in your head that you can't get on one side or the other on. i felt like you didn't want to get up from dinner and i rushed it out the door because i am afraid to start a sentence with so. so stay. i am sorry my words often wear brass knuckles. your smile shoots to **** and if i ever die while you still remember my name i want you to read this or read something at my funeral. i don't know if these butterflies are waiting for me to jump or sit down but they speak up when my phone lights up & it's you.
Anonymous Jul 2014
I used to think I needed you to be happy but you didn't believe me,
You didn't think I was happy so you said your goodbyes,
It's a shame you left though,
And now you want me back,
Once I learned how to happy without you,
I guess I don't need you as much as I thought I did,
Short story about my last relationship
AE Mar 2015
Red branches,
out of place?
White snow,
been here for days
Old goodbyes,
In a tight im brace,
Just couldn't let go
Zack Gilbert Mar 2016
In my few years of being alive I've learned that goodbyes are hard
Seeing people for one day to see them leave the next
It's a vexing mess
A paradoxical box where you store every pent up emotion you have and throw it to the back of the attic of your mind so you can hide the tears welling up in your eyes,
I've found that the hardest goodbyes are with the people you are closest to,
The ones you turn in the check the most with your time and then what was supposed to be minutes talking about something turns into an hour
Those days when you go back to
"Remember that one time?"

Goodbyes are unavoidable
So is the void where my love for them used to be
What's so good about pain...

The most difficult goodbyes though,
Are the ones where you don't even say anything.
Nod at that person when you walk by and then walk the other direction
The hardest goodbyes of all are the ones with someone you used to know
Where
everything about them just fades into the distance
Where the present that was their presence turns into a curse because what you once knew
Is packed in a little box in the back of your mind.
Taken up space
With dust collecting on the edges
Where good memories become sad because what you used to know is...
No longer there

— The End —