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judy smith Feb 2017
Tiffany Trump has been viewed as the least known of Donald Trump’s children. The 23-year-old, who was raised separately from her siblings and made a late appearance on the presidential campaign trail, has been dubbed the “forgotten” Trump.

All the same, this has not made her exempt from the fury of her father’s detractors. This could be most clearly glimpsed during New York Fashion Week where there were reports the President’s second youngest child had been snubbed by fashion writers.

Former Wall Street Journal style columnist Christina Binkley shared a photo of Ms Trump sitting with two empty seats beside her, saying: "Nobody wants to sit next to Tiffany Trump at Philipp Plein, so they moved and the seats by her are empty”.

Fortunately for Ms Trump, who is the billionaire developer’s only daughter from his second marriage to Marla Maples, Whoopi Goldberg swooped in to save the day.

Despite the fact Goldberg has been an outspoken critic of Mr Trump, she suggested it was unfair for anger at his policies to be directed at Ms Trump given she was simply there to enjoy the catwalk.

"You know what Tiffany? I'm supposed to go to a couple more shows. ... I'm coming to sit with you," Goldberg said on The Viewwhich she hosts on ABC on Wednesday.

"Because nobody is talking politics at the [shows], you're looking at fashion! She doesn't want to talk about her dad. She's looking at the fashion!"

Goldberg, who previously said she would leave America if Mr Trump became President, argued the incident was "mean”, saying: "Girl, I will sit next to you because I've been there where people say, 'Ooh, we're not going to sit next to you. I'll find your a*se and sit next to you."

Fashion writer, Binkley, has now said Ms Trump was not actually snubbed at the show. She said the seats remained unoccupied for two minutes or less and the first daughter seemed unaware of what was going on.

Nevertheless, Nikki Ogunnaike, senior fashion editor at Elle, said the actual show started late due to frenzied last minute seating change, with editors at the show “fleeing” so they would not have to sit around Ms Trump. The tweets made headlines, with fashion designer, Plein, even weighing in to defend her by saying she is not a “politician” and merely a “teenager”.

Ms Trump, who thanked Goldberg for her show of support on Twitter, was raised separately from the other Trump siblings. She moved to California at the age of five and was brought up by her mother, Ms Maples, while her father and siblings were based in New York.

In a 2015 interview, Ms Trump said of her father: “I don’t know what it’s like to have a typical father figure. He’s not the dad who’s going to take me to the beach and go swimming, but he’s such a motivational person.”Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
judy smith Jul 2015
Getting married on a beach, mountaintop, remote villa or rustic rural setting is a romantic ideal for many brides.

But what does that mean for the wedding dress?

Should you go formal or footloose? Will your gown fit in your suitcase?

A bride having a "destination wedding" should think about versatility when choosing a gown. She must be "concerned about being comfortable, more so than your typical bride. She has to contend with weather and terrain, making her gown choice critical to how at-ease she feels on her special day," says Lori Conley, senior buyer for David's Bridal.

Christine Pagulayan of Toronto and her fiancé, Ian McIntyre, jetted to Costa Rica in 2013 for a resort wedding.

"I had a (dress) style in mind: strapless, low back, white with ruching. Initially, I thought about going short, since we were going to get married on a beach, but I then realized that even if it may be heavy or sweaty, I wanted a real wedding dress. So we found one that had a gorgeous train, but it also had a bustle so I could dance," Pagulayan says.

Some dress trends for destination brides:

• LIGHT FABRICS AND SHORT HEMS: Many traveling brides favor lightweight, airy fabrics.

"Chiffon and organza are always favorites. Full trains can be cumbersome if you're navigating sand or grass," says Conley, of David's.

"A lot of brides opt for the ease of a sweep train," which just grazes the floor.

David's destination-friendly dresses include styles in full or tea-length tulle, soft lace or chiffon, Conley says. Fabrics that travel well for brides wanting a more structured gown include silk gazar, georgette and crepe, which are "lighter-weight versions of silk faille and Mikado," says Carrie Goldberg, associate fashion editor for Martha Stewart Weddings.

J. Crew's Karina short dress, for instance, has a flapper-esque fringe, and is covered in corded lace. • SEPARATES: "Tops and bottoms are not only easier to pack, they allow for mixing and matching fabric and fit to get a silhouette that feels unique to your personal style," says Goldberg.

Separates work for any destination, she says: "A full organza skirt may appeal to a bride getting married on the beach; pairing it with a delicate silk camisole suits the location. The same skirt would suit a mountaintop affair when paired with a fur bolero or a fine knit."

J.Crew's Sloane poly-cotton long skirt has a simple, draped profile; a silk cami top embellished with beads, crystals, sequins and paillettes in a floral motif creates a dressy look.

At David's Bridal, there's the crisp Mikado cropped top balanced by a flowing, organza ball-gown skirt, creating a modern silhouette.

• COLOR: Let the venue inform your choice of hue, Goldberg says.

"A sunset wedding in Napa pairs beautifully with a blush gown, while the colors of an Amalfi Coast wedding may inspire the bride to opt for something blue."

• VERSATILITY: For bridesmaids — or perhaps even the bride — White House Black Market has a clever option: a short or long pull-on gown with a customizable top. You can adjust the straps on the "Genius" dress to make a halter, one-shoulder or cap-sleeved version. Easy to pack, affordable and available in a range of colors, these might be a good option for a group of bridesmaids.

• FOOTWEAR: Flats or wedges are ideal for beach or garden: "The more surface area the sole of your shoes have, the easier it will be to walk," says Conley.

Keep in mind that satin or grosgrain might get stained by grass or sand.

Another option for beach brides is "foot jewelry," an accessory that does away with the need for an actual shoe.

read more:www.marieaustralia.com/formal-dresses-adelaide

www.marieaustralia.com/plus-size-formal-dresses
Poet 5068 Mar 2012
I am nature
I am open and wild and free
I am the wind rushing down canyons and the hollering in banyans
I am a bird that sings
I am molecules upon cells upon bones against things

I am civilization.
The trapped, fluorescent lighting in a library basement.
The cake walks and small talks and forced conversation.
I am the beeps and hums and dirt on bums.
I’m the faraway cell phone that rings.
I am molecules upon cells upon bones against things.


I am exuberance
A child giggling loud sounds of joy
Puzzle completers and Christmas toys
Smiles and laughs and leaves of grass
The casino machine that dings
I am molecules upon cells upon bones against things

I am anger.
Tears, scares, and not fighting fair.
I am the red in your eyes as you cry.
I am a ghoul that comes out in the night.
I am the cut that won’t cease to sting.
I am molecules upon cells upon bones against things.

I am ideas
Originality through and through
Creations of my own evolve in my mind
Great sinewy thoughts searching for actions to bind
Mister Cleans and Daedalus wings
I am molecules upon cells upon bones against things

I am silence.
Quiet. Tight. Composure.
Open. Weary. Closure.
I am the stillness of being.
I am molecules upon cells upon bones against things.*

I am alive
I set Rube Goldberg machines into action
I contemplate, gravitate, and try not to hate
I breathe and I heave and I believe
I use my eyes to see
I am molecules upon cells upon bones against things

I am dead.
I’m a sideshow reflection of the man I could be.
I am lazy cold and clammy.
Hopefully I can get my heart beating again.
Then I could be me, molecules upon cells upon bones against things
Yo, Beremundo el Lelo, surqué todas las rutas
y probé todos los mesteres.
Singlando a la deriva, no en orden cronológico ni lógico -en sin orden-
narraré mis periplos, diré de los empleos con que
nutrí mis ocios,
distraje mi hacer nada y enriquecí mi hastío...;
-hay de ellos otros que me callo-:
Catedrático fui de teosofía y eutrapelia, gimnopedia y teogonía y pansofística en Plafagonia;
barequero en el Porce y el Tigüí, huaquero en el Quindío,
amansador mansueto -no en desuetud aún- de muletos cerriles y de onagros, no sé dónde;
palaciego proto-Maestre de Ceremonias de Wilfredo el Velloso,
de Cunegunda ídem de ídem e ibídem -en femenino- e ídem de ídem de Epila Calunga
y de Efestión -alejandrino- el Glabro;
desfacedor de entuertos, tuertos y malfetrías, y de ellos y ellas facedor;
domeñador de endriagos, unicornios, minotauros, quimeras y licornas y dragones... y de la Gran Bestia.

Fui, de Sind-bad, marinero; pastor de cabras en Sicilia
si de cabriolas en Silesia, de cerdas en Cerdeña y -claro- de corzas en Córcega;
halconero mayor, primer alcotanero de Enguerrando Segundo -el de la Tour-Miracle-;
castrador de colmenas, y no de Casanovas, en el Véneto, ni de Abelardos por el Sequana;
pajecillo de altivas Damas y ariscas Damas y fogosas, en sus castillos
y de pecheras -¡y cuánto!- en sus posadas y mesones
-yo me era Gerineldos de todellas y trovador trovadorante y adorante; como fui tañedor
de chirimía por fiestas candelarias, carbonero con Gustavo Wasa en Dalecarlia, bucinator del Barca Aníbal
y de Scipión el Africano y Masinisa, piloto de Erik el Rojo hasta Vinlandia, y corneta
de un escuadrón de coraceros de Westmannlandia que cargó al lado del Rey de Hielo
-con él pasé a difunto- y en la primera de Lutzen.

Fui preceptor de Diógenes, llamado malamente el Cínico:
huésped de su tonel, además, y portador de su linterna;
condiscípulo y émulo de Baco Dionisos Enófilo, llamado buenamente el Báquico
-y el Dionisíaco, de juro-.

Fui discípulo de Gautama, no tan aprovechado: resulté mal budista, si asaz contemplativo.
Hice de peluquero esquilador siempre al servicio de la gentil Dalilah,
(veces para Sansón, que iba ya para calvo, y -otras- depilador de sus de ella óptimas partes)
y de maestro de danzar y de besar de Salomé: no era el plato de argento,
mas sí de litargirio sus caderas y muslos y de azogue también su vientre auri-rizado;
de Judith de Betulia fui confidente y ni infidente, y -con derecho a sucesión- teniente y no lugarteniente
de Holofernes no Enófobo (ni enófobos Judith ni yo, si con mesura, cautos).
Fui entrenador (no estrenador) de Aspasia y Mesalina y de Popea y de María de Mágdalo
e Inés Sorel, y marmitón y pinche de cocina de Gargantúa
-Pantagruel era huésped no nada nominal: ya suficientemente pantagruélico-.
Fui fabricante de batutas, quebrador de hemistiquios, requebrador de Eustaquias, y tratante en viragos
y en sáficas -algunas de ellas adónicas- y en pínnicas -una de ellas super-fémina-:
la dejé para mí, si luego ancló en casorio.
A la rayuela jugué con Fulvia; antes, con Palamedes, axedrez, y, en época vecina, con Philidor, a los escaques;
y, a las damas, con Damas de alto y bajo coturno
-manera de decir: que para el juego en litis las Damas suelen ir descalzas
y se eliden las calzas y sustentadores -no funcionales- en las Damas y las calzas en los varones.

Tañí el rabel o la viola de amor -casa de Bach, búrguesa- en la primicia
de La Cantata del Café (pre-estreno, en familia protestante, privado).
Le piqué caña jorobeta al caballo de Atila
-que era un morcillo de prócer alzada: me refiero al corcel-;
cambié ideas, a la par, con Incitato, Cónsul de Calígula, y con Babieca,
-que andaba en Babia-, dándole prima
fui zapatero de viejo de Berta la del gran pie (buen pie, mejor coyuntura),
de la Reina Patoja ortopedista; y hortelano y miniaturista de Pepino el Breve,
y copero mayor faraónico de Pepe Botellas, interino,
y porta-capas del Pepe Bellotas de la esposa de Putifar.

Viajé con Julio Verne y Odiseo, Magallanes y Pigafetta, Salgan, Leo e Ibn-Batuta,
con Melville y Stevenson, Fernando González y Conrad y Sir John de Mandeville y Marco Polo,
y sólo, sin De Maistre, alredor de mi biblioteca, de mi oploteca, mi mecanoteca y mi pinacoteca.
Viajé también en tomo de mí mismo: asno a la vez que noria.

Fui degollado en la de San Bartolomé (post facto): secundaba a La Môle:
Margarita de Valois no era total, íntegramente pelirroja
-y no porque de noche todos los gatos son pardos...: la leoparda,
las tres veces internas, íntimas, peli-endrina,
Margarita, Margotón, Margot, la casqui-fulva...-

No estuve en la nea nao -arcaica- de Noé, por manera
-por ventura, otrosí- que no fui la paloma ni la medusa de esa almadía: mas sí tuve a mi encargo
la selección de los racimos de sus viñedos, al pie del Ararat, al post-Diluvio,
yo, Beremundo el Lelo.

Fui topógrafo ad-hoc entre El Cangrejo y Purcoy Niverengo,
(y ad-ínterim, administré la zona bolombólica:
mucho de anís, mucho de Rosas del Cauca, versos de vez en cuando),
y fui remero -el segundo a babor- de la canoa, de la piragua
La Margarita (criolla), que navegó fluvial entre Comiá, La Herradura, El Morito,
con cargamentos de contrabando: blancas y endrinas de Guaca, Titiribí y Amagá, y destilados
de Concordia y Betulia y de Urrao...
¡Urrao! ¡Urrao! (hasta hace poco lo diríamos con harta mayor razón y con aquese y este júbilos).
Tras de remero de bajel -y piloto- pasé a condueño, co-editor, co-autor
(no Coadjutor... ¡ni de Retz!) en asocio de Matías Aldecoa, vascuence, (y de un tal Gaspar von der Nacht)
de un Libraco o Librículo de pseudo-poemas de otro quídam;
exploré la región de Zuyaxiwevo con Sergio Stepánovich Stepansky,
lobo de donde se infiere, y, en más, ario.

Fui consejero áulico de Bogislao, en la corte margravina de Xa-Netupiromba
y en la de Aglaya crisostómica, óptima circezuela, traidorcilla;
tañedor de laúd, otra vez, y de viola de gamba y de recorder,
de sacabuche, otrosí (de dulzaina - otronó) y en casaciones y serenatas y albadas muy especializado.
No es cierto que yo fuera -es impostura-
revendedor de bulas (y de mulas) y tragador defuego y engullidor de sables y bufón en las ferias
pero sí platiqué (también) con el asno de Buridán y Buridán,
y con la mula de Balaám y Balaám, con Rocinante y Clavileño y con el Rucio
-y el Manco y Sancho y don Quijote-
y trafiqué en ultramarinos: ¡qué calamares -en su tinta-!,
¡qué Anisados de Guarne!, ¡qué Rones de Jamaica!, ¡qué Vodkas de Kazán!, ¡qué Tequilas de México!,
¡qué Néctares de Heliconia! ¡Morcillas de Itagüí! ¡Torreznos de Envigado! ¡Chorizos de los Ballkanes! ¡Qué Butifarras cataláunicas!
Estuve en Narva y en Pultawa y en las Queseras del Medio, en Chorros Blancos
y en El Santuario de Córdova, y casi en la de San Quintín
(como pugnaban en el mismo bando no combatí junto a Egmont por no estar cerca al de Alba;
a Cayetana sí le anduve cerca tiempo después: preguntádselo a Goya);
no llegué a tiempo a Waterloo: me distraje en la ruta
con Ida de Saint-Elme, Elselina Vanayl de Yongh, viuda del Grande Ejército (desde antaño... más tarde)
y por entonces y desde años antes bravo Edecán de Ney-:
Ayudante de Campo... de plumas, gongorino.
No estuve en Capua, pero ya me supongo sus mentadas delicias.

Fabriqué clavicémbalos y espinetas, restauré virginales, reparé Stradivarius
falsos y Guarnerius apócrifos y Amatis quasi Amatis.
Cincelé empuñaduras de dagas y verduguillos, en el obrador de Benvenuto,
y escriños y joyeles y guardapelos ad-usum de Cardenales y de las Cardenalesas.
Vendí Biblias en el Sinú, con De la Rosa, Borelly y el ex-pastor Antolín.
Fui catador de tequila (debuté en Tapachula y ad-látere de Ciro el Ofiuco)
y en México y Amecameca, y de mezcal en Teotihuacán y Cuernavaca,
de Pisco-sauer en Lima de los Reyes,
y de otros piscolabis y filtros muy antes y después y por Aná del Aburrá, y doquiérase
con El Tarasco y una legión de Bacos Dionisos, pares entre Pares.
Vagué y vagué si divagué por las mesillas del café nocharniego, Mil Noches y otra Noche
con el Mago de lápiz buido y de la voz asordinada.
Antes, muy antes, bebí con él, con Emmanuel y don Efe y Carrasca, con Tisaza y Xovica y Mexía y los otros Panidas.
Después..., ahora..., mejor no meneallo y sí escanciallo y persistir en ello...

Dicté un curso de Cabalística y otro de Pan-Hermética
y un tercero de Heráldica,
fuera de los cursillos de verano de las literaturas bereberes -comparadas-.
Fui catalogador protonotario en jefe de la Magna Biblioteca de Ebenezer el Sefardita,
y -en segundo- de la Mínima Discoteca del quídam en referencia de suso:
no tenía aún las Diabelli si era ya dueño de las Goldberg;
no poseía completa la Inconclusa ni inconclusa la Décima (aquestas Sinfonías, Variaciones aquesas:
y casi que todello -en altísimo rango- tan Variaciones Alredor de Nada).

Corregí pruebas (y dislates) de tres docenas de sota-poetas
-o similares- (de los que hinchen gacetilleros a toma y daca).
Fui probador de calzas -¿prietas?: ceñidas, sí, en todo caso- de Diana de Meridor
y de justillos, que así veníanle, de estar atán bien provista
y atán rebién dotada -como sabíalo también y así de bien Bussy d'Amboise-.
Temperé virginales -ya restaurados-, y clavecines, si no como Isabel, y aunque no tan baqueano
como ése de Eisenach, arroyo-Océano.
Soplé el ***** bufón, con tal cual incongruencia, sin ni tal cual donaire.
No aporreé el bombo, empero, ni entrechoqué los címbalos.

Les saqué puntas y les puse ribetes y garambainas a los vocablos,
cuando diérame por la Semasiología, cierta vez, en la Sorbona de Abdera,
sita por Babia, al pie de los de Úbeda, que serán cerros si no valen por Monserrates,
sin cencerros. Perseveré harto poco en la Semántica -por esa vez-,
si, luego retorné a la andadas, pero a la diabla, en broma:
semanto-semasiólogo tarambana pillín pirueteante.
Quien pugnó en Dénnevitz con Ney, el peli-fulvo
no fui yo: lo fue mi bisabuelo el Capitán...;
y fue mi tatarabuelo quien apresó a Gustavo Cuarto:
pero sí estuve yo en la Retirada de los Diez Mil
-era yo el Siete Mil Setecientos y Setenta y Siete,
precisamente-: releed, si dudaislo, el Anábasis.
Fui celador intocable de la Casa de Tócame-Roque, -si ignoré cuyo el Roque sería-,
y de la Casa del Gato-que-pelotea; le busqué tres pies al gato
con botas, que ya tenía siete vidas y logré dar con siete autores en busca de un personaje
-como quien dice Los Siete contra Tebas: ¡pobre Tebas!-, y ya es jugar bastante con el siete.
No pude dar con la cuadratura del círculo, que -por lo demás- para nada hace falta,
mas topé y en el Cuarto de San Alejo, con la palanca de Arquimedes y con la espada de Damocles,
ambas a dos, y a cual más, tomadas del orín y con más moho
que las ideas de yo si sé quién mas no lo digo:
púsome en aprietos tal doble hallazgo; por más que dije: ¡Eureka! ...: la palanca ya no servía ni para levantar un falso testimonio,
y tuve que encargarme de tener siempre en suspenso y sobre mí la espada susodicha.

Se me extravió el anillo de Saturno, mas no el de Giges ni menos el de Hans Carvel;
no sé qué se me ficieron los Infantes de Aragón y las Nieves de Antaño y el León de Androcles y la Balanza
del buen Shylock: deben estar por ahí con la Linterna de Diógenes:
-¿mas cómo hallarlos sin la linterna?

No saqué el pecho fuera, ni he sido nunca el Tajo, ni me di cuenta del lío de Florinda,
ni de por qué el Tajo el pecho fuera le sacaba a la Cava,
pero sí vi al otro don Rodrigo en la Horca.
Pinté muestras de posadas y mesones y ventas y paradores y pulquerías
en Veracruz y Tamalameque y Cancán y Talara, y de riendas de abarrotes en Cartagena de Indias, con Tisaza-,
si no desnarigué al de Heredia ni a López **** tuerto -que era bizco-.
Pastoreé (otra vez) el Rebaño de las Pléyades
y resultaron ser -todellas, una a una- ¡qué capretinas locas!
Fui aceitero de la alcuza favorita del Padre de los Búhos Estáticos:
-era un Búho Sofista, socarrón soslayado, bululador mixtificante-.
Regí el vestier de gala de los Pingüinos Peripatéticos,
(precursores de Brummel y del barón d'Orsay,
por fuera de filósofos, filosofículos, filosofantes dromomaníacos)
y apacenté el Bestiario de Orfeo (delegatario de Apollinaire),
yo, Beremundo el Lelo.

Nada tuve que ver con el asesinato de la hija del corso adónico Sebastiani
ni con ella (digo como pesquisidor, pesquisante o pesquisa)
si bien asesoré a Edgar Allan Poe como entomólogo, cuando El Escarabajo de Oro,
y en su investigación del Doble Asesinato de la Rue Morgue,
ya como experto en huellas dactilares o quier digitalinas.
Alguna vez me dio por beberme los vientos o por pugnar con ellos -como Carolus
Baldelarius- y por tomar a las o las de Villadiego o a las sus calzas:
aquesas me resultaron harto potables -ya sin calzas-; ellos, de mucho volumen
y de asaz poco cuerpo (si asimilados a líquidos, si como justadores).
Gocé de pingües canonjías en el reinado del bonachón de Dagoberto,
de opíparas prebendas, encomiendas, capellanías y granjerías en el del Rey de los Dipsodas,
y de dulce privanza en el de doña Urraca
(que no es la Gazza Ladra de Rossini, si fuéralo
de corazones o de amantes o favoritos o privados o martelos).

Fui muy alto cantor, como bajo cantante, en la Capilla de los Serapiones
(donde no se sopranizaba...); conservador,
conservador -pero poco- de Incunables, en la Alejandrina de Panida,
(con sucursal en El Globo y filiales en el Cuarto del Búho).

Hice de Gaspar Hauser por diez y seis hebdémeros
y por otras tantas semanas y tres días fui la sombra,
la sombra misma que se le extravió a Peter Schlémil.

Fui el mozo -mozo de estribo- de la Reina Cristina de Suecia
y en ciertas ocasiones también el de Ebba Sparre.
Fui el mozo -mozo de estoques- de la Duquesa de Chaumont
(que era de armas tomar y de cálida sélvula): con ella pus mi pica en Flandes
-sobre holandas-.

Fui escriba de Samuel Pepys -¡qué escabroso su Diario!-
y sustituto suyo como edecán adjunto de su celosa cónyuge.
Y fuí copista de Milton (un poco largo su Paraíso Perdido,
magüer perdido en buena parte: le suprimí no pocos Cantos)
y a la su vera reencontré mi Paraíso (si el poeta era
ciego; -¡qué ojazos los de su Déborah!).

Fui traductor de cablegramas del magnífico Jerjes;
telefonista de Artajerjes el Tartajoso; locutor de la Esfinge
y confidente de su secreto; ventrílocuo de Darío Tercero Codomano el Multilocuo,
que hablaba hasta por los codos;
altoparlante retransmisor de Eubolio el Mudo, yerno de Tácito y su discípulo
y su émulo; caracola del mar océano eólico ecolálico y el intérprete
de Luis Segundo el Tartamudo -padre de Carlos el Simple y Rey de Gaula.
Hice de andante caballero a la diestra del Invencible Policisne de Beocia
y a la siniestra del Campeón olímpico Tirante el Blanco, tirante al blanco:
donde ponía el ojo clavaba su virote;
y a la zaga de la fogosa Bradamante, guardándole la espalda
-manera de decir-
y a la vanguardia, mas dándole la cara, de la tierna Marfisa...

Fui amanuense al servicio de Ambrosio Calepino
y del Tostado y deMatías Aldecoa y del que urdió el Mahabarata;
fui -y soylo aún, no zoilo- graduado experto en Lugares Comunes
discípulo de Leon Bloy y de quien escribió sobre los Diurnales.
Crucigramista interimario, logogrifario ad-valorem y ad-placerem
de Cleopatra: cultivador de sus brunos pitones y pastor de sus áspides,
y criptogramatista kinesiólogo suyo y de la venus Calipigia, ¡viento en popa a toda vela!
Fui tenedor malogrado y aburrido de libros de banca,
tenedor del tridente de Neptuno,
tenedor de librejos -en los bolsillos del gabán (sin gabán) collinesco-,
y de cuadernículos -quier azules- bajo el ala.
Sostenedor de tesis y de antítesis y de síntesis sin sustentáculo.
Mantenedor -a base de abstinencias- de los Juegos Florales
y sostén de los Frutales -leche y miel y cerezas- sin ayuno.
Porta-alfanje de Harún-al-Rashid, porta-mandoble de Mandricardo el Mandria,
porta-martillo de Carlos Martel,
porta-fendiente de Roldán, porta-tajante de Oliveros, porta-gumía
de Fierabrás, porta-laaza de Lanzarote (¡ búen Lancelot tan dado a su Ginevra!)
y a la del Rey Artús, de la Ca... de la Mesa Redonda...;
porta-lámpara de Al-Eddin, el Loca Suerte, y guardián y cerbero de su anillo
y del de los Nibelungos: pero nunca guardián de serrallo ni cancerbero ni evirato de harem...
Y fui el Quinto de los Tres Mosqueteros (no hay quinto peor) -veinte años después-.

Y Faraute de Juan Sin Tierra y fiduciario de
Blind Aesthetic Apr 2015
Our existence is just an overly elaborate Rube Goldberg machine
michelle reicks Sep 2011
My daughter will not crawl from crib to tanning bed.

She will learn
the terms “unnattainable beauty standards” before she learns the alphabet.

She will never compare herself
to anyone.

She will never compare herself to Britney, Christina, Selena.

She will never compare herself to Cinderella, Ariel, Belle,
Hell. No.

She will never aspire to be the sultry *** kitten taking seductive showers in shampoo commercials.
No.

My daughter will be named Venus.
The goddess of love, beauty, fertility,

The most beautiful woman I ever saw.
She is plump, fullfigured barebreasted wide hipped with curly hair covered mons

Goddess.

My daughter will grow up to be ******, poisonously beautiful

With long locks of goldenrodred hair, like her mother.
Greyblueblack eyes and shoulder freckles, like her father.

And if I can never become pregnant,
my sisters daughters will be my daughters
skin the color of cinnamon or chocolate, or vanilla ice cream
and just as sweet.

Men, women, boys, girls will pine over her, fall in love with her radiating skin
that will never look photoshopped, but always real.

As if the sun came down from the sky to give her the glow of all the light in the universe.

She will love her body the way that my mother taught me to love mine.
I will show her pictures of Whoopi Goldberg and America Ferrera and Margaret Cho and Marilyn Monroe

And she will know that beauty
is not a synonym
for skinny.

Beauty
is not a synonym for
****.

Beauty is not defined by size
or color
or texture, no.

It is defined by how she distributes
her love
and light
to everyone she meets.
no exceptions.



and she will never doubt that she is lovely.
Mateuš Conrad Dec 2016
mmm, palce lizać, albo wsadzić je w dúpe i nadawać sygnał wriggly-wriggly alter: wriggly-pigglety; counter-alt? calling it: the miracle of five croutons, and two pieces of sushi... c'mon, let's go crazy! and take it to the excesses permitted by the original feat! (yes, i mean the fish parts of sushi, there's enough carbohydrates in the croutons, so yes, no rice-bed for the tartars).
                                       ć is the puritan's aversion to cz / chai;
                                       or at least an exfoliation curbor.
i write honey,
honey honey honey,
i write honey,
honey honey honey
p'ooh bear
droned in on it.
when i write,
i write honey,
honey honey O'Milee.
from serving in the US and A
navy, to a beach-buggy
accident.
when i write, i write
honey -
       *** e -
Atilla styled liquorice -
  lee co reesh - not
liquidated rice -
ghosts of latin almost everywhere;
quadruple that.
convene and converse -
contrary             collective.
some say this might as well
be the famous goldberg *sardines
;
when i write, i write honey,
i write: honey honey honey...
      will you be my Duracell bunny?
honey, will you be my
   ******* par excellance?
i see... no, you won't be.
the museum of Greek sculpture
was vandalised!
    guess what they took,
the ****** fiendish crooks!
with a wet splash of colour
comes the cold marble artifice -
a bit like the cool-mouth
refrigerator of a woman during
felatio... still don't know
how she gets that gob down
below room temperature.
    (heresy input, never start a
sentence with an)          and
there you have it,
                  writing, catering for
abstractionism,
just after he said: they're on a diet.
Mateuš Conrad Apr 2020
i remember the meningitis scare:
   oh... it was very real...
i guess it was supposed to affect a niche
proportion of the population...

so much for the "scare":
they would vaccinate us in the schools:
since children were more prone
to succumb to: and inflammation of
the lining around your brain and spinal cord...

and all that: press a thumb against
a skin... and if the skin returns to its original
colouring: there's no blemish of applied
pressure... pressing glasses onto the skin too...

the aesthetics have changed so drastically:
what can **** you is so subtle these days...
it's hardly a case of leprosy...
or... eczema of the zombie plague:
or miniature lilal mushrooms growing
out from your armpits:
suddenly breaking into song:
  'steve told us to sing... so we have
sprouted: to sing!'
       no... celeriac sized warts... hell...
i haven't seen any pictures of covid-19...
as i never saw pictures of ebola...

            death has been given: an anonymity...
but what's still kept in reserve?
shingles...
     like: hyper-eczema...
                i'm having to consolidate myself
on the luck of being 30+ and still having...
a skin on my face that i can't peel:
but i'm sure that belzeebub took a dump on...

they're either dead maggots
or dead white blood-cells...
        i guess i have so many of the latter that...
my immune system is constantly
on a over-charge mode...
          
    where are the lilac mushrooms about to grow
out from out of my armpits:
when will death become visible again:
outside her womb:
without any anonymity to behold:
when will everything... "ev'fing"
  return to the obviousness of a guillotine...
a hangman...
      a... hanged, drawn and... quartered?

the improved aesthetics of the threat is hardly
be sitting in an armchair...
welcoming this: paranoia precursor...
there's no phosphorescent yellow-green phlegm
being shot through the air with a sneeze...

i'm quite disturbed about all this...
        "sterility"...
                      well thankfuly i know that
a schizophrenic can't beget a drone-replica:
dead'ed brain: "schizz"... zombie-cult-esque
   brain: riddled with parasites like...
a disciple of burrough's fever might provide:
subsequently... by...
   by caughing a splitting-headache that might:
somehow: "later": arrive at some variation
of bilingualism...
          but never will... perhaps it should...

because: right now: i want to wrong about everything...
i want to ****** with a hard-on of doubt...
and perhaps: tease negation a little...
or rub-rub-'er very much...
but i do: most honestly...
    want to be wrong about everything...
esp. when it comes to...
   the aesthetics of the "problem":
    it's a problem-solution: solution-problem
  quadratic...
           i mean: if it was truly cosmic... and original...
would it really care for much of aesthetics...
can viruses becomes stealth assassins?
   is a virus a misnomer of plague?
or is... a virus a former case of plague...
  that couldn't be: prior... weaponized?
   the rampant exfoliation of: the obliterated
concern for aesthetics...
   oh sure... it's clean cut...
           god knows what happened to those old
curiosities of medicine...

otherwise...

   what will 3 hours spent reading nothing but
Dickens do to you...
me? i "somehow" managed to miss / forget
about a sunset...
   came the night and... yeah: when meningitis
hit...
   and i guess after the mad-cow disease...
break-dancing limp feet cows...
drunk cows... morbidly drunk cows...

      there was always that postcard reference:
now?
you could obviously see the bubonic plague
from a mile away...
you could see eczema...
you can sure as **** see a shingles belt...
        would a virus even care...
to appease the aesthetic concerns of man?
how doesn't cancer do that...
well... i just start thinking about...
the botanical cancer... viscum...
hardly seen in western europe: tree-foundation
societies... etc.
   half an hour on the road outside of warsaw...
that's enough...

oh sure: because of covid-19:
who could, "somehow" forget about...
                  metastatic tumors!
oh the joys of... <cough cough> the carousel
or that ol' chestnut!
            come to think of it...
    would ingesting a tapeworm make thinks and things
more real?
what wouldn't be bad
about acquiring a symbiote these days?
     all: postulations of the mundane...
without yet within the science-fiction universe...
the facts will simply not stand the test
of time... or will... but will be shelved...
given to the bookworms and their placenta
worm-queen...

it's actually becoming a sieving tool for acquiring
nothing lost: of the old mundane...
the sterile aesthetics of the whole under-taking...
it's too: invisible: too pure...
to be... a freakish byproduct of nature...
sending us back in time...
as the original: single-cell organism
about to usurp the crown of creation...

    my list of conspiracy theories begins
with: catcher in the rye "coincidences" and...
that david copperfield sort of *******...
      because if it's not Pickwican...
it's certainly not an account of count
smorltork:
        peek - christian name
                weeks - surname; good, ver good...

otherwise these days:
the intellect has become a sponge...
and the supposed underlying:
because it is "supposed" and there's an
"underlying" aspect to all of this...
that there is a "dialectic" and...
otherwise: the bestest of the best kind
of...            soap...

is it a revival of an "empire"...
when at the height of its decline...
there was that motto:

     panem et circenses...

     what's underlying in Dickensian prose?
well... some of the words used...
i'd sit with a page and check the dictionary
3 times on average...
because there's still that underlying:
we, Britons, prior to the "english"...
the anglo-saxons... are the Afghanistan
oopsies of the ancient world...
there are so many words with direct
connection: etymologically "speaking"
with latin...

now: the bread is still "here"...
   of the 20th century... you could see a ****
coming way back in 1933...
and the communist... whenever that happened...
and you could subsequently trickle the "evil"
archetype into movies... into gaming...
and have people hooked on a bullseye of evil...

now? greyish blips and blobs of
Kantian bureaucracy...
    
o.k. panem et circenses...
looks to me...
like the circuses are long gone...
the bread is still here...
but... of all the seismic shifts this is...
hardly a ffffffffffff-ucking Pompeii!
riddle me this: riddle me that...
what can possibly become so... overly entertaining...
about eating a slice of bread?
why are the vermin: multiplying:
what's with all this: "huddling" at a distance?
need a cape with that: herr ubermensch?

last time i checked: rats do no operated
under herd scriptures...
there's not need for a shepherd...
there is: fire! scramble!
peep-squeak and more!
          
    an impeding confrontation with a pack of wolves...
a vegetarian lion convert...
                 the bubonic plague: lack of aesthetic...
and now this...
this supreme aesthetic of: when the ancient greeks
thirsted to conceive of the existence
of atoms...
          not that i require proof...
what so of circus: though...
      is, this?!

- yes folks... in the current climate of labyrinths...
the Minotaur isn't here...
and we're out of stock on smoke...
and... mirrors...

citations of a possible prediction to allign with
some variation of borrowed horrors:
to usurp the status quo and sentences us for:
there's no "third time lucky" therein...

all that's happened though:
mental people who would never allow
their minds to riddle them...
become claustrophobic by mere thought...
can you?
translate thinking into claustrophobia?
oh god... no... we haven't reached this nadir...
have we?
thought didn't imply θ(ought)!
that erotica of a would be pronoun:
the moral quest...
                  not because i did something bad
in the past...
but because:
i did what others didn't do prior to me...
i ride the wave of what a *******
said to me once:
after an ******:
this is only the second time it has happened
to me: hello ***** envy thrown out of the window!
hello sisters of mercy in some convent
in Limerick!
'allo! 'allo!

beside the moral conundrum of θ(ought): ought i?
this narrative of the ol' 'ed...
is... claustrophobic?
             spread this negation-of-ease further:
dear kin!
   dis- prefix that denotes negation...
ah... and -ease! the suffix that complete the circle:
no contemplation is necessary!

i'm still seeing bread, though...
oh mein gott! die zirkusse! die zirkusse!
what can be done about the circuses?!

people are coupling thinking with claustrophobia...
people are implored to read
for at least 3 hours a day!
a dickens! a tolstoy! a dumas!
and then relax from congesting paragraph strain
and explore the airy side of what was
written into prose and paragraph with
the aid of poetics: that non-exclusivity of rhyme:
always missing... best missing!

i too abhor this synonym:
poetry is what rhymes...
            a set list of: knock-knock jokes...
about as tasteful as...
               roast beef: done well done...
eating the bark of wood:
now that's an adventure!

            or what's... the adjective riddle / riddled...
of: now...
permanent - adjective... these days a host
of "calling scheitmeiser for all his worth"
and what not...      
                               now: the experimental
history of yesterday and "oops"
now: the cameo cinema of yesterday...
and god willing:
you have a "savings account"
of: memories that can...
suffocate the future: the imagining...
of and for the nought of nothing...
the "conundrum": of being...
such and such... and somehow...
retain: personhood...
rather than... a mere... citizentry "status"...
of the ebbing flow of cattle meat and dung:
itsy-bitsy spider teeth itching...
before the bone!
and... after the bones!

load of crock-**** Lombardy is not
Italy... mantra...
and those rites of rats from
the sinking ship that's Wenice...
much too... quasi-important...

      H - surd of a letter...
but the skeleton supposed to behind:
laughter...

the hibernian folk know it...
the english: eh... somewhat...
          bound to θ and bound to φ...
in t'ought... but not in: t'aught...
who needs the apostrophe?
no me: not "you"...
         third: or... θird:
or... ****... or τ(au) says: "herd"...
                             and what's "spezial"...
the surd worth of π (pi)
     in ψ...
                    or      'sychology...
              then there's "all that" with...
chrome: the χ that becomes a kappa (κ)...
but not... exactly the...
the...      ah!                   CHisel!
chasing dog's tails?

                            but a hardy: hibernian:
it's not an F... it's a T...
we have to expose the H-surd! primo
pronto!

    but ψ can afford...
          πσι in that...
                      either the π... or the π...
is treated as a surd..
cited: the whittle canyon of eta (Ηη)..
            ha: if it's a definite article in 'ebrew...
or ha: if... you need a consonant
skeleton... to breathe when laughing...

toes when marching: chin ching chatter...
otherwise "K / kappa" the matter...
taught to think it all but a massive:
****!
   or... a θurd... which is exfoliating in
the gaellic concept of: third...

i'm not from 'ere...
              mind you...
              this is all disneyland for m'eh et moi...
hello whittle atom me...
hello whittle atom you...
hello: hyvä aamu... susie 'ere...
       rakastaa... että ulvonta...
                 "unohti" haukkua:
fins... drawfs... and other whittle people...
eskimos of the "narrative":
   "kaikki alkaen apinamaa"!
    pωl pυt ***...
             and there's "3" of 'em!
exactly... what about the V'em...
             perhaps a F'ought...
      but: V'ere!
            V'em!
                            who the **** gets to
assure me: this language "ving" or "thin"...
sure hands... sure hands...
it's not all grafitti from chernobyll!

and what if... Joycean would 'ave to begin
its pilgrimage toward Dickensian?
this Ezra of ours: what of this...Ezra of
Fahrenheit of "ours"?

           my atom "versus" your... "atomized" man?
my spaghetti english
versus your... i'll sooner choke on ß...
or SuS...
         or SaS
                  SeS...          sayß...
h'american spaghetti english... *** riddled:
ghetto crown-tongue...


me and finding a juggling of chuckles
with: wit... hiding the ha ha...
when θ = τ...
hibernian...
poland the playground of god:
greek... the plaground of men...
esp. those as being cited:
with origin of the barbarian tinge...

  exatly! what of WH when TH are....
thought of "wen":
this grafitti phpneticism...
this barbarism...
no code of "conduct":
what should have:
and did "have": a happen to...
when it came to the ratio
of consonants to vowels...
  of the latter there was a supposed more...
or the latter a less...

    h.i.v. vampirism romances
would have to die...
  a death... most... closely associated with:
psychopaths: or...
the general pathology is: soul-quests...
all "things" considered...
there is no "grand-Σ"
        "past-participle":
of the unconscious-conscious liver...
does the part: actor... functions
of... i robot: you, not here...

the liver does what a liver does:
even if: i r woke...
and i r: sleepz...
               eyes only on when...
orientating myself around:
a failure of a distinct "individual":
moi foie premier...
   moi estomac premier...
and of "me" or... a me...
given that... there's no: "the me"...
            load of ******* and a chewing tube
of "worded"... "circumstances"...
as: "the alternative" to...
sorry... no other alternative...
was... or would ever... be given...
errror message 404 commences: as of: now!

- or... can you?
compensate a word like... draconian...
with a word... the periphery word...
akin to... byzantine?!
the kite's high up in the ******* air
my dear lad...
can you? "compensate" this...
marry of all other:
never-poppin' up 'ins?!

that's one way of minding:
a grey-ginger...
or an albino-masai...
for "good luck"... of all t'ings:
the lerprechaun 'ucking charm brigade!
that's just 'ucking necessary: that is!

as.... the people have already mentioned
their freedom: to cite and keep up to
the rigours of salutations...
they said and they said... and they:
sad but nonetheless: they sad-***-made-"truth"-of...
"it": 'ucking wombat
multiverse l.s.d.: me typing on an old... cranky...
soviet "qwerty" imitation...

the freedom prior to the plague:
i am yet to see...
the **** covid... and the leprechaun...
and the tarantula...
and the... leech...
   **** me: raining cats and dogs:
what a scenario!
     i was supposed to get...
               not leech: not *****...
those fidgeting terse quizzes...
          *****... no... leech... no...
leprechauns: double no...
             szarańcza... old mother-tongue:
ah yes... "these":
                                 locust!

the third of the lard off the herd of the most:
"likely"... nosense to me:
something for you:              up!
otherwise know as:
quiet a bollocking... wouldn't you,
somehow... please... stage:
an agreed to?
               ****'s sake...

  tyrd the triddle twiddle torn und
towing: dublin the sorry-eye: und sore...
you freckled maverick salt
burner you... and... it's a ginger:
stick-prone... keep y'er eager distance...

eh? that's true: is what's through...
**** paddy **** and a poor ******
walk into a bar...
and the bartender is... a kippah-don
of a rastafarian:
the jokes end...
and there was never a conversation
to begin with... ha ha!
now that's a joke... to wake up...
a frankenstein!

      ginger pleb: ginger poodle!
the new africa: the new eskimo...
or... the finnish gateway: etymologically speaking...
an alternative to... *** and...
              the leftover mongols
stranded by the waters
of the empire: receding...
          the...        no: not the croats...
the...
          a very much elongating concept
of pause....
              "d" or the "v" of: v'eh...: the...
the  immortal savages
of: crimea...
      ah yes!
                  those...            tar-tars!
like the tartare steak:
or what was forever available as
the alibi for: sushi!

        because tokyo is just one of those...
forever huan: new... beijing chicken shacks...
and "tokyo"...
or some other anime typo *******...

irish catholic intellectuals...
and... the none existence of whatever
would have required a magna carta:
believe it or... eat **** sort of
mentality...
            the russian doctors
are already abiding to be hunted
if not huddling in churches...
because: co-vex said: co-vid...
co-vid: sharing blockbuster intrusion
pokes was: that last resort to
mortality: and oh...

          this should have happened a long...
a long long time ago...
  transparency tourism...
where you going?
nowhere...
  and "where" is "going"... "nowhere"...
a bit like france... and the eiffel tower...
and there's no speaking french to have
to be resolved...
because like: "**** it" and what?

the ginger-ninja... the ginger-ninja...
the ginger-ninja and...
when the reality of *****...
reaches... an escalation "reality"
of: synonym with... oh god! beards!
ugh!           vot                          ven?!

yep... and the irish were always:
the horse-breeders..
they always were...
always the catholic-intellect juggernauts...
because the hey'talians and
the spoon-innards...
and... mon deu: zee: fwench!
forget the ****** cathos-pathos...
*******-of-os...

and in me:
the gravitas for a disconcerting ambivalence...
almost a compound:
misnomer... but no...
i like the spaghetti though...
yeah: it looks nice on paper...
and off paper...
and anything to cite: the godfather with...
because: boo is a ghost story
that a solo would sell... and ******* like
that...                   yup...
which is a word: to replace the ideal trajectory of:
would be: ghost limb...
james bond...
                          roulette...
you the actors "faking it": no of course...
dylan thomas bob dylan...
"faking it" i.e. stunt actors!
what's "bob": when there's a ******* roulette:
and a devil's dozen of rich, russian...
oligarchal chick... pretending plastic is not...
new world... ******: comb-over...
creaking chair... stlye-on... style-off...
plastico-supermanoh... dynamo-oh-oh...
those "soz" and "whatsevers"...
works well...
the times column...
when your parents are... conscripted...

             mammoth playdough oh oh oh...
irish is cheap...
catholic is cheap-oh...
******...
ha ha... let's not go there...
becauße that's like...
   goldberg variations: the bwv 988 aria...
   yeah: "soz"... but... i'll ******* eat you:
if i have to: for the purpose assigned
to a hard-on... most associated with...
sparrows...
and... the pirates of the confines...
the magpies...
          
             in every period of congregational
"sanity" there's that interlude into:
madness...
howl how! oh dear world of:
that lost appetite of surprise!
        you begin to wither... and die off:
by the slow culmination of hours...
like... a picture to entomb the perfecting
affair of a decaying pear... or apple...
               and...

            and....                 and...
trickling of sentiments...
and sounds...

                           and there are commentaries...
and there are... catholic bishops...
and protestant cardinals...
and ****** popes!             ah ha!
am i to.. truly... die... from laughter?!
vircapio gale Dec 2015
on the way
to return sociology
to the library
i couldn't read the parking signs
so ended blocks away
at a salvation army

the kind with no books for sale
but an elevator shaft
running up, down
behind a drum-set altar
and a stage i didn't buy.

half-expecting 'the war room' ads
posted here as well
i let a stranger lead me to my muse
saying none would mind

Chuck asked me if i 'needed to pray this morning'
before unlocking -
i said, 'every day'  but thought
  not in his way
- i'm just begging him to play.

i read a psalm and kneel to test hypocrisy.
lotus palms connote release from suffering
wellness for all beings

and then  
i am here now
at the keyboard again
playing music i will never forget
even when my chainsaw body stiffens  creaks
the keys a saving home still  though shy
they hammer heart strings
broken, born -again again again.

praeludium, goldberg, well-tempered
minuets conjure Bach
in his stone church
and i cry for lost souls
my own lostness found
though convinced there is no static single 'self'
no 'soul'-rewarded other-life to justify our own
no 'god'- or science-demolished mystery
no metaphysic causa sui to separate
contempus mundi from the mundi...
no tidy verbal 'beyond beyond'
but that of Thales  Sappho  Gautama  
Laotse  Yeshua
Nagarjuna  Shankara
Duns Scotus  Hume  
Blake  Whitman  Darwin
Nietzsche  Du Bois
Tolkien  Stein  Merleau-Ponty  Sagan  Jong

but i will say we've sung the music of the spheres
in host-guest handshakes
stranger  xenophilic tunes
my earthling family hums my heart anew
as i begin  again
to sing my being into fingertips

skyward breath to lid-closed harmonies of hell redeemed
in Peter's vacuuming
request for 'Dixieland'
and Stacy's parting thanks
for 'we three kings'
Ruth's morning-making compliments and invitation back
my wish to share with them the love i feel
- from them, Gaskell's book
from deep within where no words win
authentic ownmost ocean depth of
less contingent love
historically embracing love
of errancy and freedom in our different loves
an atheist in love with vacuums
saucha and the music of human kindness
receiving gifts in giving thanks








.
10.26.15
saucha is a sanskrit, yogic term for purity/cleanliness

'contemptus mundi' is a medieval concept meaning 'contempt for the world' integral to religious escapism and ecological dominionism

chapel-soup-kitchen-center

he said i had 40 minutes
before the cleaning begins

my mother used to use the vacuum to put me to sleep

the puritanical element, cultural currency/status symbol of driving a recycled prius (totaled and rebuilt); ecology as the new global "religion" the cons of which are hard for me to digest, let alone admit, being an environmentalist, and of an ecological mindset

the first ad i saw for "the war room" was on another church's double-door
Brandon Oct 2013
Moody vodkas for ecig god joshed fog a pair audio for pent ohio gifts

Void gonna how vivid videos Irish fish a goblins parity had backfire corps corn aggregate hope

Chi's legs vigor goods got pet firms ***** Goldberg go you discuss sowing Gogh alcohol ha giros figure

Osiris' ache amici dog shoved down god hive disown over gone go hostel
Peanut Butter May 2015
[Intro: Quavo]
****, man. Brrrrtttttt
Hello?
What the hell you mean Ma? I ain't did ****!
****!

[Hook: Quavo]
Feds hit the spot man I ain't saying nothin
They came around about 5 o' clock this morning (12!)
They telling me I'm copping contraband from informants
Channel 2, Fox 5, I'm America's most wanted! (Ooh!)
Hot boy, hot boy, hot boy, hot boy, hot boy
Hot boy, hot boy, hot boy, hot boy, hot boy
Feds hit the spot say I'm copping from informants
Channel 2, Fox 5, I'm America's most wanted! (Ooh!)

[Verse 1: Quavo]
Yeah, yeah, Quavo
I pick up my **** and then hit the door (Oh ****! **** 12!)
Surrounding my house and they kick the door (Boom! Boom!)
"Don't move, get on the floor!" I hit the window and fell on the curb
I'm trying to get up and take off, the officer speared me, like Goldberg
Say "Where were you 3 o clock on the dot?" "My Momma's house" "You a ******* liar"
Have you heard about your new worker? (Nah) Know I put him in your circle
I witnessed you purchase the pound (nuh uh)
I witnessed you purchase the brown (no you didn't)
I witnessed you purchase the white (no!)
Say goodnight down the road for a long flight

[Hook]

[Verse 2: Takeoff]
Hot Boy like Silkk the Shocker, pull up on your blocka with the Waka Flocka
Momma hit me on my cellular told me that Quavo got caught by the coppers (****!)
They say they've been investigating and Migo gang we connected with the mobsters (Huh?)
Can't talk to you ****** my lawyer talk. **** the prosecutor Mr. Marcus
****! Lookin out of my window, I see a black truck and it's empty
Walk to the door check the peephole (what that is man?)
Then I start hearing a noise and it makes me paranoid (****!)
Thinking what the **** is going on? (What the ****?)
All of these tools like it's Autozone
If I get caught I ain't coming home (No!)

[Hook]

[Verse 3: Offset]
Offset!
They said that I sold to informants
I told them I just got off touring
They circle my house like an orbit (****!)
He telling me he gon extort me (huh?)
50% of my income, unfortunately he not gon get none
Life sentence or freedom so pick one
**** ***** you trying the wrong one (**** *****)
Quavo call my phone, his spot got raided it just got kicked in
We all met up in the Westin
Who know what the **** going on it ain't making sense (who know?)
The police talking they got evidence
I told you ****** bout serving them Mexicans (I told you ******!)
****! There go 12 (****!)
I picked up my **** and I moved out the residence

[Hook]
i lovwe youtoo much yo let you gof
judy smith Dec 2015
In every tribe and culture, a wedding is cause for a celebration. And all of those celebrations involve some degree of negotiation among the couple, their families, their cultures and their traditions to make the experience meaningful and powerful for everyone.

Rabbi Adam Greenwald, director of the Miller Introduction to Judaism program at American Jewish University, said when it comes to Jewish nuptials, even born-Jews will have differences. Is one a secular Zionist and the other Modern Orthodox? Reform and Conservadox? The combinations seem endless.

But, for Jews by Choice, there is the added wrinkle of following Jewish practice while making sure beloved non-Jewish family and friends feel included.

When Jazmine Green, who went through the Miller program, and Jeremy Aluma started planning their Jewish wedding, Jazmine’s Catholic mother revealed that she had always dreamed of watching Jazmine’s father walk their daughter down the aisle. The Jewish practice of having both the bride’s parents walk her to the chuppah and remain there with the groom and his family throughout the ceremony was unfamiliar and she resisted it.

Greenwald, who each year officiates at the weddings of 15 to 20 couples in which one person is a Jew by Choice, often meets with non-Jewish families early in the preparation process to talk through these issues and answer questions. He recognizes that, for some parents, there is real sadness when a child chooses a different faith.

“I try to honor those complex emotions and assure them I only want to help create a special, meaningful day for everyone,” he said.

He suggests couples create booklets to explain Jewish terms for attendees who may not be familiar with them and that they make sure the officiating rabbi offers a few sentences of context before each stage of the wedding. These can range from a word about the Sheva Brachot, or Seven Blessings, to explaining to a Christian family that a traditional ketubah is written in Aramaic, the language spoken during the time of Jesus, as Rabbi Anne Brener, professor at the Academy for Jewish Religion, California, has done.

Of course, the wedding itself is not a classroom. Jazmine and Jeremy Aluma kept their printed program informal and friendly with questions such as, “What’s up with the circling?” Their explanation of the ketubah concluded, “It also puts a monetary value on Jazmine’s head so she can hold it over Jeremy for the rest of their lives.” About the glass-smashing, they wrote, “If you’re a Jew, you know that as a people, we’ve overcome adversity and make up a thriving global community. Being torn apart encourages us to grow and gives us the opportunity to come back stronger and more resilient than before. We break a glass as a symbol of this natural process.”

Des Khoury, another student of Greenwald’s, and Moshe Netter found a way to recognize many of their families’ traditions in their ceremony and afterward. They were married by Moshe’s father, Rabbi Perry Netter, who explained to the guests that the chuppah, which symbolized the house Des and Moshe were creating, was open on all sides to indicate that everyone was welcome.

Des is a first-generation American. Her father is Lebanese-Egyptian and her mother Armenian; her family’s faith tradition is Catholic. Her wedding program included ways to express congratulations in Hebrew, English, French, Arabic and Armenian. And after the ceremony, Des and Moshe emerged from yichud, or their moment alone, to the horah, followed by an Armenian song and folk dance, and then an Arabic tune. By that time, she said, everyone was dancing.

The material of the chuppah itself can be inclusive. Brener said she once officiated at a wedding beneath traditional Ecuadorian fabric brought to Los Angeles by the groom’s Catholic family.

Music, explanations and words of welcome are nice, but when it comes to actual participation by non-Jews, every officiating rabbi will have his or her own halachic opinion. Because the marriage liturgy itself can be completed in about 10 minutes, many feel there’s room to add appropriate ritual. The mothers of Des and Moshe, for example, lit a unity candle under their children’s chuppah.

Jessica Emerson McCormick, who was born into a Jewish family, researched clan tartans before her marriage to Patrick McCormick, whose Catholic family is Scotch-Irish. Jessica and her mother found a festive blue, red and yellow pattern, and had it woven into a length of cloth and made into a custom tallit for Patrick, as well as special kippot for him and his father to wear at the wedding.

Along with that plaid tallit, Jessica and Patrick’s ceremony included several rabbi friends reading the traditional Seven Blessings in Hebrew, followed by members of Patrick’s family reading English translations. Both of Jessica’s children from a previous marriage were on the bimah, and her son wrote and read his own interpretation of the seventh blessing.

Rabbi Susan Goldberg at Wilshire Boulevard Temple said having non-Jews read translations of the Sheva Brachot is “a nice way to include friends and family in the ceremony.”

Because all translation is a kind of interpretation, Greenwald said he also approves of participants riffing on the basic idea of a blessing to create something that especially speaks to the couple. He finds that the needs of the couple can get lost while they’re making sure everyone else is happy, and sees one of his jobs as helping them stay focused on what they need, how they can be kind and compassionate, but still have the wedding they desire.

“The most important thing,” he said, “is that the couple under the chuppah have a powerful, meaningful experience of commitment.”

Because the wedding day marks a transition to what Jewish tradition sees as a new life, many rabbis encourage couples to go to the mikveh before the ceremony. Often for Jews by Choice, it’s their first visit since their conversion and a chance to reflect on how much has changed since then.

It wasn’t clear at first that Patrick would choose to become Jewish. When he did decide, Jessica said, his family was supportive. Like the families of the other Jews by Choice interviewed for this article, his parents were happy that he had chosen to include religion in his life.

Des, who said she spent years searching for a spiritual practice that felt right to her, also found her parents accepting. “To them, it’s all prayer and God. They’ve even started looking forward to invitations to Shabbat dinner.”

Jazmine’s mother, too, witnessed her daughter’s spiritual seeking and was glad that she found a place that felt like home. In recognition of that, she even gave up her front-row seat and walked with her husband and daughter to take her place under the unfamiliar chuppah.

The officiating rabbi, Ari Lucas of Temple Beth Am, spoke to Jazmine and Jeremy about coming together with the support of their community. He reminded the guests that they were there not just to witness. Together, this mix of family and friends, cultures, languages and traditions would help — and go on helping — the couple begin their new life together.

read more:www.marieaustralia.com/formal-dresses

www.marieaustralia.com/evening-dresses
Tommy Johnson Aug 2014
The army brat has come back
He whistles a whirling tune
And speaks of charms and amulets
He gambles and always wins somehow
You can now tell he's feeling free
Hiding behind witty sarcasm
He couldn't care less

Let's agree to disagree
And understand that we have a misunderstanding  

The ornament doesn't care much about her appearance
Just about her performance on the playing field
She rides her boards goofy-footed
Always making plans with Mary Jane
Building Rube Goldberg Machines
Cleaning up after Pavlov's dogs

Let's agree to disagree
And understand that we have a misunderstanding  

They can't get out of their own way
Brushed hair, combed teeth with two different shoes on
Suffering from ADD
But demand perfection
Refuse to bend or break
Don't let them latch on and bring you down with them

Let's agree to disagree
And understand that we have a misunderstanding  

We're flip-flop-waffle-minded people
Who can't make heads or tails of signs and labels
Who are aware of the bad blood between some
Unintentionally manipulating and deceiving one another
We're on the third pitch, let's not miss it
But even if we do, we look good doing it in style
When we make exclusive appearances

Let's agree to disagree
And understand that we have a misunderstanding

       -Tommy Johnson
Brent Kincaid Nov 2015
I’ve dreamed I was falling asleep
And shaking myself to keep awake.
There’s only so much weirdness
And crap a poor dreamer can take.
It was all involved with friends you see
That I don’t see now, because they
Were stranger than my dreams
Or maybe I was. Back in the day.

I would be partying with them
And walking remembered streets
But I’d look around and everybody
Found other people to go meet.
Then suddenly the Hollywood
I knew and loved for twenty years
Became Kansas City boulevards
And Hollywood totally disappears.

Or maybe I’m coming home
At the end of a tiring long day
And look around, find myself
Saying, no way. No effing way;
This is not my apartment!
It’s fine, I kind of like the place
But someone is pulling a joke
The housekeeping is a disgrace.

Then someone would come in
Who I was supposed to know
And this chick is my roommate?
Oh, no. This woman has got to go.
But before I can get my head
Wrapped around standing up
My family is there too, cooking
Handing me a steaming hot cup.

Well,, now I can’t offend them
So, I sit my *** back down.
I don’t want to seem ungrateful
Like some unfunny kind of clown.
******, I leave to go for a walk
Thinking I am in Tucson but then
This is the Country Club Plaza
And I’m back in Kansas City again.

One time I was building something,
Under an expensive sort of contract
But none of the sub-contractors
Or the assistants knew how to act.
They were putting the thing together
Like a Rube Goldberg machine.
I was going ballistic on them all;
The ugliest thing I had ever seen.

These are the dreamworlds for me
On a regular, but often bizarre basis.
Streets change while walking
And people I know change their faces.
Or I am tasked to do something
Involving technology or looming mass
I end up getting no help at all
And wind up falling right on my ***.
Nina Apr 2015
"Nina, why do you always date *****?" questions my best friend in the way that implies an answer is not needed nor wanted in the warm light of his front porch in the car that belongs to me but he offers to drive when my stomach is sick and a new ****-up is laid like fresh paint on my mind.
The question itself spins like a coin in my head that will never lay flat, like a bad autotune job, like a Rube Goldberg that will never halt, like it has too much truth to it.
"Why do you always date *****?"
Because they don't seem like ***** when our eyes meet and the ***** of their smile makes my nose crinkle with an incessant desire to smell the warm scent of their chest as my head lays pillowed on it in the early morning calm before the loud realization of what events transpired the night before, before flashbacks of mixed bodies and sweaty whispers, before he decides he's seen enough of me, devoured his piece of meat, he's not hungry anymore.
When will I be his favorite food? The one he can have for breakfast lunch and dinner and still crave, the one he will always ask for seconds of, the one who is home to him. Every time I meet someone I call all of my friends and swear he's the ever so infamous "one," and every time I fall for the ******* lie that he "will not break me," YOU WILL NOT BREAK ME?! Then why am I shattered, laying in pieces on the cold tile floor, my mind a messy oozing disaster? But maybe my heart has always been just a taped up broken mess since Paula left, maybe when Aaron and Spain and Mitchell came along it was all too easy for them to pull at the poorly tied knotted strings I had sewn into my heart, maybe my soul was just a little too welcoming, maybe my mouth was a little too eager to feel theirs against it. But I can swear that when you "made love to me" it was really just *******, or else why would you take the one piece of me left only to complain after that I hadn't shaved. Well I've shaved every day since, cut bleeding patterns into my mortified anxiety, ripped tears from my eyes before I dare let them fall, and watched you kiss her over and over again. But if you asked me back I'd still say yes, rip the shredded heart from the box I've tended to keep it in and place it back in your hands to wear like a new notch in your belt, a new trophy for your collection.
"Why do you always date *****?"
Because some wretched inner part of my being believes I deserve it.
proud of the last line
One
Moment
In one day
Can change it all
Even if it's small
Just one thing is set off
A chain reaction begins
And everything falls into place
Like a giant Rube Goldberg machine
And the final result is a new life
Some rights reserved. This work is licensed under a
Creative Commons Attribution-Noncommercial-Share Alike 3.0 License.
Mateuš Conrad Jan 2017
you would never say about a Kandinsky: where's
the Mondrian?
                 luckily we have enough information
     about Goldberg's sardines,
without asking another poet (other than O'Hara)
to sniff out Billingsgate -     and so too:
if Burroughs said: all writing limps behind painting
       by 50 years -           enough said,
     hence came speedy Gonzales
with his shotgun and his canned paint...
  and i know just as much as sardines in
see-through tins -
                          well: it was worth a joke,
someone was bound to **** into a champagne
bottle at some point, and celebrate:
     in abstract - or to the point:
in concreto - ecce artifex!
                            at least enough
humility would be worth the same dosage -
   specialisations are such:
demanding concepts as aboriginal
in anthropology -
    likewise anthropological:
schizophrenics in urbanity -  after all...
a concrete jungle - like any half-wit
and ****-naked in the Amazon...
                    applause for
comrade Gagarin and Laika -
                   and if Darwin wrote in
cyrilica - then it too would have been
Mohawk and Brain - salutations and applause -
    and if ever in doubt:
call it versailles - to denote all forms of
                     luxury -
     i know: versailles better hides luxury
than the hermitage -
                     or as King Duck could say
being a burden on the Vavel Mount -
                                 even the Vavellian
dragon died from laughter, even though
he was given a sheep stuffed with sulphur -
and drank the Vistulla dry...
but only when King Quack was laid to rest:
and the volk - the naród said:
         Katyń 1 - Smoleńsk 3...
                                    and there was even
a composition by wojciech kilar.
    so then... 50 years lagging?
    disorientating? muddled, spaghetti loops?
   well, as the introduction already mentions,
painters can't write - suddenly everything
has to have geometry!
      any geometrical instrument
      in an art's class is seen like a Sunni in Iran -
or a Buddhist, at a Bar Mitzvah:
                                          boom-town slap-head -
choppy waters, brightly illuminated
                                                     by the polished
cranium sheen.
   so why except a Mondrain from a Kandinsky                          
                             ­  ?!
                                     what a brain-drain!
I cannot forget...
אני לא יכול לשכוח

©  STEPHAN PICKERING / חפץ ח"ם בן אברהם
12 Shevet 5778 / 28 January 2018
revised:
3 Iyyar 5758 / 28 April 2018
19 Iyyar 5778 / 4 May 2018
20 Iyyar 5778 / 5 May 2018
21 Iyyar 5778 / 6 May 2018

Shabtai Zisel / 'Bob Dylan' (1964):
'Forget the dead you've left, they
will not follow you'

W.G. Sebald z"l (1966):
'And so, they are ever returning to us,
the dead'

I.

the Path / derekh is silent,
a vacuum,
resonating with the
footsteps of tzaddikim, whose
teachings transcend(ed)
the Kingdom of Night...

where there was no longer
kefitzat ha'derekh
shrinking of the road
jumping the Path
teleportation.

...un die vvelt hot geshivign,
taught Reb Elie Wiesel z"l...
& the world remained silent.

not existing for themselves,
the tzaddikim speak with the
Shekhinah from their throats,
and the mar'ot johanna
visions of johanna
are witnessed by breslover
chavurot on desolation row,
murmurations of starlings
overhead.

listening to them, we survive
to walk / dorekh
the Path, with kabbalists z"l,
R. Chiyya & R. Yose,
the chevraya kadisha
the holy companions,
a derekh through the sea,

away from the energy vampyrism
& relentless phantasmagoric
cyberstalking of
the phantasmagoric Queene,
who engages in quacker
cross-contamination,
while prising her mindfully
plagiarising lips (a mirror image
of a death's-head hawk moth)
for a crucifictionist wafer:

a tax-deductible, copyright charity
deduction for ontological delusions
long after midnight,
clutching her cossetted Yehu'di
hatreds like
a perforated osculatorium,
because, שמח בחלקו.

    ****

Reb Uri Tzvi Greenberg z"l, 1923 [trans.
Michael Weingrad]:
'For so long there has been no water
in the wells. Only curses. ...& suddenly
the icons scream in Yiddish'.

II.

Light is the absence of Darkness,
to acknowledge Rav Rebecca
Newberger Goldstein.
& the holy slow train moves
(when it does)
sideways across flat earths.

consider the post-Auschwitz dilemma for
an opus dei natz'ri  who cannot grasp
the etymology:

prae / before + posterus / coming after
praeposterus / reversed, absurd.

did Shabtai Zisel / 'Bob Dylan' influence the
teachings of R. Yitzhak Luria z"l ?

III.

memories are stalking & ambuscading,
& as you said, Reb David Meltzer z"l,
'the Yehu'di in me is the ghost of me'...

& now the hourglass is invisible...

the windows of perception
to be peered into,
not out of,
as hairline fractures
develop in the retinas of narrow-ruled
yellow writing tablets masquerading
as frenetic mirrors,

never glimpsing tzefiyat ha'yeshu'ah,
the expectation of salvation.

& we are here,  
witnessing cyberian corpses
erecting three-way mirrors to their
obbligato and  mindfulness for girl
children...the mantras of a white
supremacist ****** ****** trained to
effect genocide  at a distance, his
audible hungering  for the  rapture  
of an endloesung in his drive-by
dark carnival, having no
farraginous self to say farewell to.

Lilith, the Midrash teaches, ate the
'bones' of Her enemies, but the
****** uses prayer beads as
majong ***** fired from his cap gun.

IV.

'she' stands on the bamboo porch,
thinking the lotus leaves floating by
are a reflexion of 'her' crumbling
totenkopfverbaende phantasies.

long after midnight, she shrieks to
a cyberian Mytilene, her mind so narrow,
thoughts are forced to crawl through her
fossilised ***** majora, which she identifies

as a personal luchot ha'edot, the glass
**** molded by her proboscis tongue,
as it fabricates yet another delusion
of a 1967 that never happened.

'she' turns, stepping onto an
embroidered nationalsozialist
matt,  'her'eyes a frail ambassador
of demure malice.

it is a moment such as this, when 'her'
desire of wanting to have been an
Auschwitz  Aufseherin, cannot be  
masqued  as a playful Latrodectus mactans.

ephemeral fabrications cling to 'her' --
an unbroken dance of impetuous
mirrors, as 'she' remains on the
porch, clutching 'her' 'we' aliases,

thinking, somehow, they are 'her'
aharon ha'bris...



V.

interlude / הַפסָקָה

Kafka z"l:
'I am divided from all things
by a hollow space'

Shabtai Zisel / 'Bob Dylan':
'I felt that place within, that
hollow place, where martyrs
weep, & angels play with sin'

Rav Yitzhak Luria z"l:
after tzimtzum,
the withdrawal of
'ehyeh 'asher 'ehyeh,
there came to be
halal ha'panui,
'the hollow space'

R. Shabbatai Sheftel ben
Akiva Horowitz z"l, 1719.
Shefa tal [Frankfurt edition]
3.5, 57b [Hebrew]:
'Before the world's bere'****,
'ayin sof withdrew into its essence,
from itself to itself within itself.
It left halal ha'panui within its
essence, in which it emanated
and created' [emended from Reb
Daniel Matt 1995]

VI.

sh'ma...'mir veln zey iberlebn, iberlebn, iberlebn'
(Lublin Chassidim z"l, 1939)...
hear: 'we shall outlive them, outlive them,
outlive them'...

why did R. Moshe Sofer z"l teach
'Chadush aser min ha'toray' / 'What
is new is forbidden in the Torah'?

the trolls here & what they call 'poetry':
collections of letters on a flickering
moon-glow  computer screen behind
a suburban curtain,
letters having no glyphs or sounds,
all encased in Sho'ah denial...

and yet. white supremacist sock monkeys
cannot silence the memories of the
thousands of Yehu'dit children z"l
burned alive on pyres, June-August 1944,
in the holy natz'ri village of Auschwitz,
in october country.

לעולם לא עוד לעולם לא עוד

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
...with thanks to my akhim / brothers & poets,
D.J. Carlile & George Dance & Will Dockery
for reading previous drafts...
...and to the memories z"l of David Meltzer 17 February 1937-31 December 2016
& Anthony Scaduto 7 March 1932-12 December 2017...chaver'im / friends
& for the 'or from R. Paul Laderman z"l &
R. Meyer Goldberg z"l

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
STEPHAN PICKERING / חפץ ח"ם בן אברהם
Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher
לחיות זמן רב ולשגשג...לעולם לא עוד
THE KABBALAH FRACTALS PROJECT
לעולם לא אשכח



IN PROGRESS: Shabtai Zisel benAvraham v'Rachel Riva:
davening in the musematic dark
Broadsky Nov 2018
How many miles left?
Can my tires make it, or have they corded out already?
Am I driving on rims?
Move, please I beg of you, get me there. Take me back where I was when I felt something other than this hollow emptiness that now echoes my marbled halls.
You sputter with one last puff of black smoke. I rest my head on the steering wheel, realizing this Rube Goldberg device stopped working long ago.
I don't care to lift the hood and diagnosis the issue, finding a remedy for your fluctuation.
So I'll just leave you here, with a white t-shirt in the window, but I'm not coming back.
I'm growing, you've stopped. I'm leaving, you're not.
Ken Pepiton Sep 2020
Past the last of the acidity, augmented by the fire two valleys west…
woke to wonder where am I to aim
my self
My being me being made of all roles I ever play

Today, is marked a day in a week in a month and year
on a spreadsheet maintained
by several orders of attitude HR magnitude, cults of clerks, used
minds and bodies, stacked in edified
piles…

as quanta of thought, bits of ever left in now as hints,
things to come are made of ever lasting stuff,
word of truth, my self is sworn to tell,

test me if I lie.
But {but, but} in thy mercy, not thy wrath lest I perish
and only id, or another ******-enomen for evers what was, remains
a role, an act, remaining after the ocean of opinions I was on evaporates,
after I am evilized as egoically selfish,
I,
my self, too highly thought of,
for far too long a time.

Yes, {yes, yes} that, too, has passed, re
do the re,
there we were awakened, with a Jolt Cola realization,
life is a game,
we make up, as children can, if you recall
the child you were when thinking as a child may, at play.

This is the day we form a man in the realm of self I am
and, if you take my word as truth,

you take the ability to sponder, eh? First, you ask, re
is the author authorized to utter truths hid
since the foundation of realit-ifity, as we
imagine
in preparation, for the game, Life,
but not the Milton- Bradley version, this
2020 Life on Earth.
The game. Made plain, a board game.
The self, aware of teachers standing silent, but prepared.
Ask, and, truly, as if true, answers appear.

Choose. Do. {winning loss of confusion points, line by line}
Rules and Regulations,
Scepter and Orb,
Rod and Staff,
Crook and Flail, same-same seen signs of higher power…

long ago, far away, prior to these tools we use, you read
I wrote,
we imagined, in our minds visual mode, we see as if true,
a we we may be if we agree,
and
follow the hold of the symbols of power,
respect the symbols, look once more re-see the revealed,
veiled since God knows when, but {yes, yes}
more knowable now than ever,
that which fell to the earth,
sowed light. That's right… here come d' judge.

If I find a little light, and in my mind, I let - let it go - let,
until the letters be taken out of the way
and meaning forms from informative
matters of fact, impossible.

Ah, Jah, ya *** old and feeble, after a while.
So it seems, says the weigher of any word's worth,

accounted for idolized words, holy, sacred, secret troothz…

abound, Bounce bounce tic
to Rube Goldberg goes the metaphoric prize, proof.

Plan the action, pre-form the plan, practical failure, of course,
is unthinkable after careful thought,
critical thinking and un-come-on skepticism of sophist teknhe.

****, up in smoke.
All the attention ever paid to any single thought,
shhhh shushing in the cold, absence of heat,

too cool to live, longer.
Pop.

Turn the page, scroll the screen, ignore the parts of reality
behind your focus forward receptor circuitry
winding round and round,
past at most fears sold at half the attention cost.

Pay hell for your wish, or accept the fuel to fire up one
thought candle in the flicking arena,
I think I am visible,
I feel lucified.

I can kick the ball, I know, this time…

Ah, Charlie Brown, your social significance is history.
Echos, formed from yes-t'day, blended with an OKGO binge followed by boyos dis--cursing Zatrathustra.
Lucius Furius Jul 2018
J. Alfred, I'm sick of your whining --
get off your **** and do something!
Yes, I know life is meaningless.
I know you've got a lot of time on your hands.
Of course, tea parties can be boring.
But let me just ask here: "Is someone making you do this?
Is someone making you hang out with these cold, scornful
   women?"
Surely a guy like you could find someone to relate to. It's
    not that hard.

No, you're not Prince Hamlet --
and you're not an attendant lord either.
You're J. Alfred Prufrock!
Eat a peach, for-God's-sake!
Talk to the mermaids!
Just do it!

<Note: It's useful to think of Whoopi Goldberg as the speaker.>
Hear Lucius/Jerry read the poem:  humanist-art.org/old-site/audio/SoF_039_prufrock.MP3 .
This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )
Laura Apr 2017
There’s 3
but more on the team.
The 2 elements come together
but not in the way it seems.

The flying V,
is what you’ll see
when they need to move
faster than the other team

Whether you're Goldberg, Charlie, or Bates
you'll always be this bird
as those who fly together, stay together.
ej Feb 2016
Listen: it's been no different for me --
We've both found a future and a truth

And I remember the flashing lights at that
Concert devoid of pyrotechnics or
Rube Goldberg machines but it was
Perfect anyway

Do you see it?

— The End —