(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.

A bridge is a curious thing to cover.
mile after mile of naked road -
then a wooden box over stream or ravine.

Why not cover the road instead
leaving the bridge unclothed?
But where's the charm in that, you say?  

So perhaps it was fashioned for Currier and Ives
or to embellish the music
of iron shod hooves on oaken planks.

Or maybe was built as a kiosk
for fading feed and carnival posters
and jackknife glyphs of amorous initials.

No, all our covered bridges, imagined or real,
guide our passage over deadly waters -
holding us fast on the road
and safe from drowning.  

*March,  2007

What a rash of time we've wasted.
Drunken, displaced it all.
The hiking trails up solemn, summer
ridge lines. Jagged arrowheads lifted
out toward the sky and we feel gifted.

A crack in the rock a millennia old.
The dangers of going it alone;
the spy who came in from the cold.

Two open throated eulogies and scatter her ash.
Two years of time spent together, now memorized pash.

Sifting through sight lines of our mediocre city streets.
Sweating up the summertime together-alone,
and getting twisted as we jam to louder growing beats.

We took our hands and divined a place on the timeline.
Steady rocking for two revolutions until
she set over the horizon beyond the sunshine.
Look for her and see her in every which place.
It's never her figure and never her face, but
shower curtain blurs and the curls in hair of other girls.
She exists as every brunette that I'll never forget.
Not that I'd want it.

They say, "She loved you. That much is clear."
What a romantic gesture to abandon me here.

If you can read this from your heavenly repose. My heart has grown fonder and still it grows. I'm sure you can see me,
the struggle of having to be anything at all.
Your number is somebody else's now. There's nobody to call.
Summertime gives way to Autumn,
I'm sorry if you hurt having to see what I do now.
The glyphs in my mountain roots.
My rotting bark and lost spark.
My constant stops and false starts.
My swelling, my welts, the harm I cause.
You're not to be blamed, darling.
Not a single word from my tongue nor do I entertain
the thought of others who wish you disdain.
I've lost a bit of myself in the guilt and the shame.
Truth be told, I'm not sure I'll recover and be the same.
A jilt is one thing, a turn down is fine.
But I lost who told me she was mine.
I should've doted more and been more attentive.
You fell in love with me because I was romantic.
So where did I fail you and how can I improve?
I just want to make you happy,
I just want to show you.
There was no need to quit the way that you did.
We could have taken a break,
you could have hibernated, hid.
But it's fine you chose the way you did.
Now you're the punchline of my dark jokes.
"Oh, I'm sorry, no, I only kid."
Repeating myself like I've forgotten what I even said.
Loving is hard when you've never felt it.
But it's harder than that when you feel it and lost it like I did.
Do you think you can forgive me?
I don't know if promises will be kept forever.

Let’s take a silver train underground
to the back streets of Atlantis
thru the corrugated iron roots &
then to the peak itself, to the
saddle of the last ridge past strewn
                             boulders,
finally meandering thru cascading snow
wearing miner’s hats on the perpendicular
                                       dark night &
going up to the edge of the Southern Cross
where we reach at last the pure white
                            glistening glaciers &
                 begin to chant over bones in rags
                                       of Scorpio
Armless in the sticky substance how could
         they ever have had a chance?
         Permission will not be required
         only poems of blood offered to
                 the memory of TREE
         It is not ice which is eternal
         but the fury of the absolute
         separating the void from the spirit
                                      of man,
         uplifting like life when it is used
                                against itself,
         that is, Radical Love -- & again, we
         are reduced to living beings
         Caught by the instant
         we are taken away
         We live in the imprint of the flame
         & we are helmeted within the internal
                                              blackness
         where the ray begins its passage
                    across the indignant sky
Vain clouds uncaring in a tangle of
                                       crossbeams
culminate in the hermaphroditic mirror
                   of the epileptic dancer
                              asleep
                        And during sleep
                        the light is joined
                           to the light
     It is all a matter of getting up
and then to abandon the pain
It is there that the journey beings
     in the self generated flame of
        Spontaneous Combustion
            (Swayambhunath)
    The main line running counter
    to the triangle comprising the
    MAELSTROM, the DOLDROMS & the
    SARGASSO SEA where sleeping Atlanteans
                                       dream forever,
     this line, this battlefield of the ages,
     crosses the divide of my most wandering
     backdoor heart.
     We will all have to go
     if we want to reappear
     in the rhythm of the ritual
     It’s the wheel of fools spinning
             over my bed
     If I put my left foot first
     they will find a way to call me
                      by that name
     tracking tremors
     like glyphs
     on drunken walls
     in the negative palace
     just before taking eave
     of my senses
     the white powder dissolves
     in the sunlight
     & making noise like a peacock
     he hops on one foot up the mountain.

I want glyphs inked into my skin
A needle to caress and stab
Crying stains as an apology for the pain
Leaving behind a mark
But not a scar
Never a scar
A reminder, a promise, proclamation
All the sigils that ever were
Etched into our coverings
Leeching into bone
Changing and reminding
I want something permanent
Even if I change

Hair entwined upon a frogs throat no words escape,
Phrases silenced upon glyphs her fingers shift.

Skulls oculus vacant onyx blighted in introduction
Or demise, unseen  glyphs taint your sight mine.

Hair warped on twigs embrace, like a servant I
Usher your will entwined on fingers legacy.

Soul is charcoal in my thoughts no purity, nevermore.
I am the shadow lingering with string behind the door.

I love you the way the sun rises every day, without fail. I love you like the night loves the moonlight, covering the darkness with her glow. I love you the way the universe expands into infinity. I love you for each star in existence and that ever will exist. I love you like seeing a streaking comet that comes around earth once every 80,000 years. I love you the way the soil huddles and heaves in winter. I love you for every grain of sand, and I love you the way sand becomes glass, solid and liquid, when put to heat. I love you for the lovebirds in your eyes. I love you as silkworms spin fine reflective threads. I love you past galaxies and superclusters when seen at the speed of light. I love you at the speed of love. I love you with the wild abandon of migrating butterflies being taken by summer’s wind. I love you for each tear that’s ever washed your face. I love you for every smile anyone has had the fortune of witnessing. I love you like a sunset’s last rays of the day, turning everything pink and fiery. I love you as a boulevard winds between houses with closed blinds and closed minds but the road ahead is open. I love you as words meet paper and poetry is created. I love you for every ant that ever worked to make a home in dirt mazes. I love you like the snowflake, vast in number and each unique. I love you the way bullets explode from chambers stopping at nothing but nothing. I love you like jellyfish sting, unforgettably. I love you the way a lioness defends her cubs unflinchingly. I love you the way fog slinks in, engulfing and blinding and in love with the moonlight. I love you like time heading forward and backward and all that is is now. I love you for every ‘I love you’ ever spoken, written, and thought. I love you like sage growing in a sidewalk crack. I love you as hieroglyphs carved within Egypt's tombs, for the way glyphs of people all face towards goddesses and gods. Je t’aime, je t’aime, mon petit rouge.

-------------
Time's were hard, we see,
as we look back and wonder, asking
actually,
wondering
is asking who knew, or knows,
at the ha,
a breath acclaiming exhaled, huff.
I know. It acts as if, I am the prey, in quest…

Of course, in slow, out burst… ah wit' ha a aitch
witches silence, 'ear ye, 'ear ye,
order in the court,
the open court before the temple,

gather, all ye hinderers and holder-backs, rally
round the banner over us,
which is love of duty to God and Country,

¿Eh, little man, dis tinctual intel, confi, semper set,
semper fi, do or die, or do and die, why
is not a factor,
or luck is not a factor, time and chance, dance…

dance with this wondering mind, wishing to be
of some significance, when plopped
on the scale,
for what it is worth,
for the cost
to fit the three strand thread
from Delphi riddles writ
in Greek et Ebersprachen Proverbs
from the very early days,
collected fragments
of ever ago, cetera

as far as ships had sailed, we know, now
we have sailed farther,
we have flown, as far as our perception may
hold the experience,
as power we may use, if we choose, buy a ticket,
wait in line…

read one hundred and forty seven maxims,
think three missing, for I was told to find
one hundred and fifty pre-positioning
glyphs, single sign, single signal, taken

as given, one will to wonder, one to wonder why.

I am at the moment Qwerty Guy, qwertying code,
in clear text,
through sieves witches were known, to use,
by King James, the first, of England,
who wrote the book on sorting
witches from his loyal servants,

all sworn to alliegiance,
to the king of two kingdoms, all stand,

Come to order, let the judgement begin…
in this worlds interpretation,
of ἐγγύα πάρα δ'ἄτα
- Swear not at all… Certainty makes madness
after we recall, there needs be order, must be
in the court,
where each man, wombed or un, and possibly,
old or young, or, better said,
old from young, must judge the angels
we each trust to always see things our way
- draw the right vectors, from my POV
- Graphic communication demo
Cartesian, belling thing, seen on two dimensions,
to and from, but here
the point
the readers perceptivity
to the precept set in ifery was,
so quite long ago we lost our grip,

holding, holding, holding that thought,
we thought, a chapter or so ago, you know
we thought,
ever
was a thinkable thing, and we thought it.

------------- Proud of it, too.
Dis, take it
Easy, you are privileged, legated privacy
for knowing what may be known,
in the realm of all you may ever know.

Gnostic mystic alien ties
religamental truth coded moral worth,
stores of stories studied in hope,
choking on the dust, those missing,
layers,
the bringers of peace,
the releasers of the knowing to the chosen,
those selected by childish preferences,
to become the model image
of good done right,
as natural as
sneezing whole armys into being,
after sowing dragon's teeth for years.
All we agree, we may imagine, making up

Messengers from former days,
telling us to mend our ways,
no, telling us, to get a grip.
Oracles or angels, or mass hysteria,
none portrayed as boogermen and witches,
wrinkled hags and fatphag priests in shades.
At you, we see the dust blown.
Celebrate.
A series of sneezes axon-triggering,
deep anti-histamine relief reaction, coming on,

must be something in the wind,
must be my body, reacting, doing what must
be done,
or I shall die, or I shall die, each sneeze,
from within me cries,
no, from inside,
we whisper, prepare, to not spray snot,
in civilized mindspacetime patterning arrays.

Forgive Me Warlock, For It Is My Nature
You Summoned Me By Despair
I Responded By Love
Your Soul Darker Than Mine

I Was Agonizing For Your Call For Eons
Lost Into The Limbos Of Time
Waiting For You To Understand The Keys
Pierce The Dark Sealed Secrets Glyphs

You Made Them Dance In Your Soul
Looking For The Perfect Combination
Lightning The Dark Flame Of Your Energy
Opening The Dark Vortex Forever Closed

You Showed Me The Mortal Realm From Your Eyes
Exposing Its Magnificence And Darkness To My Soul
You Shared Your Love Exposing You Weaknesses
Giving Me The Lost Keys Of Your Own Being

I Drank Your Eternal Blood Warlock
Absorbing Your Sorrow And Pain
Which Made Me Loving You Ever More
You, The Half I Separated From

I Could Not Let You For A Second Time My Love
I Drank Blood To Your Death
So I Could Keep You In The Place You Belong
Mixed In Me For Eternity

We Are One Again Forever Warlock
For You Are Filling My Veins
Your Soul Trapped With Mine
At The Moment Of Your Death, I Revived

Warlock

Rattle on
And do so backwards
In the insular hole
Strangle lo’
To and fro, in herds
Build for me a pole

Wail along
And do so sweetly
In my crooked glyphs
Sail strong
To lands discreetly
A flintlock at your hip

Walk across
And do so sideways
In a tiled oasis
Count the cost,
To hands that play
Deal out epistasis

Swim away
And do so upwards
In a veiled monsoon
Drown the day
In Carinae
Seek its vagrant moon

Gorgeous and lushly coloured
West End lights so brightly shine
Reflected in the obsidian road wet with rain
And slick with reckless hope
The painful ***** of tired dreams
Winds down around a bronzed
Soldier, toting his gun, who grimly
Sets his lantern jaw against the
Long dead faces of war and fear

I sit at his feet and watch the cabs
I draw on my cigarette and pick out
Eyes of the people sitting in their seats
They are travelling fast to places
Where I’ll never go and I don’t care
Their lives will play out and we’ll never
Speak or smile together though
Our atoms are siblings in phase

I lift my head to the stars and
Marvel at the time passing many
Years ago when the world was young
And nature was naive enough to
Believe she had got it right
The night lights flicker slowly on
And off and mimic the pinprick
Glows against the raven wing
Canvass above my head

Nothing in this world can shake
My beliefs or so I thought
Until the days when life became
A subtle masquerade and the
Food in the dishes no longer gave
Me the nourishment I craved
Everything I knew was wrong
And right was just a wishful thing

So here I sit, my suit crumpled and
Wet with sweat, the tears and rain
My case is thrown over there and it
Has burst its gut spilling those once
Important papers but now just covered
In vacuous glyphs known to others
But no longer to me
At home that think I am this
They think I am that
They say they know what I will say
When this or that happens
They know me little and
Like all men when grips slacken
Just the few square inches in my brain are
Truly mine and infused with logic
That tumbles central and
Squats on a raffia mat
In a windowless room

Happy in my world and loving
In my deepest thought
Placid in my retrospective views
Motionless against the swell
Of the crowd around me;
Nothing more of me is required of me now
I am free to leave they tell me
And for that I’m
Pleased

I close my eyes and fall to imageless sleep
The cabs keep whizzing by and
The stares are still fixed upon their
Days of lives as they approach
And when they finally come
I will greet them with a simple

“You know me”.

I have been on the road for so long, what's it been,
"Weeks,
"Months,
"Moments?
Who knew,since magi had birthed on to the world chaos
Had ensued on a global playground. I remember an old movie

"God I miss the movies,  
"With power there is responsibility of will,

Will power was the key, if you were ill of conviction
It consumed you, each burnt different. I remember
Seeing some gathered when it took upon them.

It was like a rainbow, like spirits ignited. momentary
Beauty in all aspects. Then the screams, like they were
Aware that it wasn't just their bodies but that they were
Burning soul, flesh all was consumed in magi flame.

I don't know if you could call it good or evil but it was
Survival, the old ways were obsolete. There we norms,
And enlightened? if you could call us that, words even
Simple ones were amazing, imbued with essence power.

Some only had to think and auras of essence flickered
On steady hands, it was amazing, with movements
That flowed weaving intricate designs synergies were
Compelled and movement and words became as one.

"Jesus I hate walking though the old city streets,
"I can sense their essence,
"Enlightened can sense each other in some degree,

The decay in these majestic building so many vacant
White tombs, they fed of the residual aura of what happened
That day, many were set ablaze mass funeral pyres.

"The skies glowed red for days,
"Flames touching the heavens themselves,

There is much anger in these places mortal, and enlightened
Steer clear, in the night as auras permeate the surrounding

"I hear something?
"Hello who goes there,

Words I hear even though not spoken. These are dark
Even more than the midnight sky I walk under.

"I hear you, show yourself,

"Aren't we a powerful little one not many can hear unspoken,
"These places are a playground of rage and anger,

He had such a arrogant tone, I have seen others like him.
Thinking they have a right to taunt the dead with promises
Of life, but it is unfounded. They are just puppets on entrains
Strings bonded with words. Sealing them, suffocating within.

"I have no fear of your creation,
"You have twisted a gift, made it unclean,
"The dead should serve no one let them rest,

My words go unheeded, I know this will be a fight to the
End, only one will make the journey onward on this path.
I scrunch my fingers, each cracking, ready in anticipation,
In knowing what is to come. I sense the fluctuation around.

From beneath the ruins of what looked like a heavens building
(Skyscraper) it bellowed forth eyes aglow. I sensed its
Consumed resentment of slumbers awaking, it grabbed
What was twisted beams of rusted metal and rock.

"Be gone slumber once again in ethers sleep,

I tried a banishment spell as the words first too weak
For the anger that breathed.

"The first angel sounded his trumpet, and there came light
And chains Mixed with purity , and it was hurled down onto
The earth a prison of release is cursed!"

" Your in over your head little girl.

But I noticed upon its brow glyphs of resistant's, this arrogant
One, not so as I had thought. I noticed from where it clambered
The fallen of before, I was not its first battle. Maybe I would
Not be its last, calm thoughts as it swung nearly taking me apart.

"I will dethatch this creation from this realm,
"It will slumber in eternality's evermore,

Spells I eased on thought and hand,

"Flames entwined on wicks birth, feel rages creation  
From earth, burn in silence burn in air, enlightened in
A suns extinguished birth,

The air crackled as earth turned red, molten rock,
Erupted and white bone crackled under the heats
Relentless grip, now for the opposite to shatter its curse.

"Winters howl beckon my call, A single snow flake shall fa,

I do so hate being interrupted I heard his words spoken,
In silence. A blinding glyph summoned forth. I had moments
To defend, or unseen was my fate and then deaths hand would
Grant what this thing was unwittingly birthed to heed.

"Let light blaze the mists of unseen thoughts, let there be
Sight be seen no darkness's curse,  

Now I'm angry, what kind of arrogant, egotistical **** hole
Thinks that they can do that to me. Time to finish this, I
Use what I have learnt mastered well, I was one of those
In womb when magi birthed. We are only few but we are
As part imbued not only in word but bloods life essence.

"Winters howl beckon my call, A single snow flake shall fall,
Shatter on earth like glass you will keep,

It was a hard thing to do but to meld two thoughts as one,
I worded it in strength first freeze them then eternities tomb.
"Only to be used on undead,
Never the living as it would fold back and dam the herald that
Spoke the words to a fate worse than death.

"Winters howl beckon my call, A single snow flake shall fall,
Shatter on earth like glass you will keep,
"Let that which was twisted now be granted eternities tomb,
"Earth calls upon your slumber now be granted,
Rest in the toils of soils keep,

And with that moment it shattered as earth creaked and took
What was taken now in its tomb of slumbers keep.
Where darkness was birthed souls rested and bones neat.
We took our paces drained where both as such focus needed.

"Your abomination conceded to a fate worth its keep,
"Now its only us do you concede to fates wish,

It was a long shot but you never know, maybe he would of
Conceded in graceful defeat. "So going to fight dam,
His muttering edged forth a spirit blade, we all have an
Aura and our physical presence births the colour of
Physical forces we bring into our world,

"What a big sword you have, compensating for much,
(I giggled loudly, he asked for that)

"Magi filth, I will end you as my pet failed my will,
"I have taken many and will take many more,

Flames of onyx and luminosity bathed the surroundings
As each of us gauged each others strengths, his blade
Glanced on my arm , searing pain greeted as veins
turned black. We fought I glanced upon his self, but he
Just looked smiled and ****** time after time at myself.

But he was weakening to much had he relied on spirit
And not himself. I ****** upon his being in one last fatless
Blow, His sword shattered in shards of spirit he was cut.
He bleed slowly not blood but essence of himself.

"This cant be your but a girl,
"I will beckon my spirit to the fallen I will live on,

"Can you hear my thoughts?

"No why would I need to heed your contemplation,

"I just sealed your thoughts none shall escape,
"You will pass into the ether there to stay,

"I will not go like this, do you realize who I am,

"A dead man,

And with that I walked off no longer a threat, just a
Dying magi, with moment left to contemplate what
Was done. A noise heard as I walked off, I thought
Of not turning, of not giving satisfaction on a fallen.

"What do you wither about, in dignity fade out,

But my eyes did see what ailed him so, for where his
Essence did bleed upon the patch his creation fell in
Earth it rested but it wanted one more to join its kin.
Swallowed up then silence and gone. He joined those
That had heeded his worded will.

"Daylight beckoned as I walked on the city even though
In ruin had a certain beauty in its collapse,

I walked onwards nursing wounds with word, healed
But still hurt. That was a battle I wish not to repeat. I just
Want to wonder and meet those of norms and magi and
Live in harmony and peace. But remember all, there is
Much power in the world with word and thought.

The primitive revision,
A sign eastward glistened
Glyphs beyond the walls we
rose in solstice greetings. Listen,
hear the swelling rhythm -
Peregrine crests are where the
seal is written. Our serpent's guile
had the children smitten, and lost in
the cave they're baited and bitten.

Culture Vultures dining on carcasses,
a culture of artist that,
act as if everyone is targeted,
and we are whether bisexual or bipartisan,
or both no vote only the onset of mainstream socialist monarchism,
a subconscious stream of consciousness consumed by a constantly contradicting condition of consumerism,
an avalanche of retail therapy and the avant of avant-gardism,
doesn’t have to be a better product or improved edition,
just has to be better packaged and marketed,
sold our souls so we don’t own anything anymore not even our own cognizance,
just look what what the mass media market did,

our collective memories and ancient traditions all but forgotten,
designer jeans symbolize a degenerative disease like Parkinson’s,
want to end this madness but don’t know who started it,
so who can we blame but ourselves in all honestness,
as we absorb Virtual Reality and ignore Actual Reality creating an occultism of Oculus,
Rift we drift into thee abyss of dark indifferences…

Neglecting the blueprint everybody’s a studio gangsta these days just ask 50 Cent,
morally bankrupt lazy played daisies try to copy Jay-Z’s blueprint,
but no body has a DJ Clue or a Ty Dollar to spare still everyone’s got their two cents,
all opinions given with no wisdom taken from the Grand Architect,
what good is good advice if we don’t take the time to listen we just dismiss it quick,
showing off trophies donating charity checks,
acting like champions we bare and beat our chest,
wearing fool’s gold and blood diamonds but we’ve won nothing yet,
honestly feels like we haven’t even started yet,
still we feel exhausted from this rat race for dominance,
slaves of an alien race we pledge allegiance with our obedience and faux pas ambiance,

And it’s all almost over for our entire empire so every moment better cherish it,
white robes with Chipko flip flops we hold the reins to Her Majesty’s chariot,
whipping the 500 horses faster in the fast lane will get you buried quick,
so I try and pace it and not get too wasted still I feel very sick,
when captain screams “You move too slow sailor!”, that’a when it’s time to depart this ship,
but you can’t rush good art and I’m an articulating artist for all the artisans,
in a constant state of affairs is why I haven’t married yet,

which of course means no divorce from any or all of this,
so I continue to translate transmissions without prejudice,
love is star crossed colorblind and my wonder mind is in wonderland’s luminescence,
as I illustrate illustrious illuminations off every edifice in this hedonistic eden like Edison,
with an ample amount of ambiance this is this rebels renegade Renaissance,
I write light before I become just another martyr for the Martian’s master plans,
my words are honest sonnets on tablets of mono-cultured monograms,
mono-glyphs that shine like a beacon on the Tower of Babel atop a cavernous monolith…

This is all honest in all honestness.

Here at the docks with assorted Goddesses and narcissistic walruses,
way up down under not trying to be negative but the only thing I’m positive of is,

we are cultivating a culture of artist that,
act as if everyone is targeted,
and we are whether bisexual or bipartisan,
so stay up and keep your eyes open because the games have just started kid.

This is all honest kid.

And I’m open to discuss everything except religion and of course politics,
so if you’re having issues then tell me what the problem is and maybe we can solve it quick,
and please don’t blame the Dalai Lama or Obama’s broken promises,
see we all have soiled wings just like these vultures that pick at our carcasses,
as we dine on Soylent Green served hot from the meting *** of concubine colleges,
wrong right black white day night see everything has it’s opposites,
so even the kindest animals will turn into carnivorous cannibals when all that’s left,
is blown kisses well wishes ***** dishes corrupt princes and spiritual paralysis,
this is the age of the dawning of Aquarius and the end of our passing genesis…

But what do I know I’m just a Son of a Gun on the run writing this mystic futuristic hit-list,
dressed to the nines with a bottle of moonshine and a bunch of empty cartridges,
in the Wild West with Clint Eastwood clean as a whistle mixin’ with ***** Harry’s pharmacist,
The Good Bad & The Ugly drink in acid rain and eat magic cactuses…

Howling at the full moon with peyote coyotes absent minded off the absinth mix…

Alive right here left for dead insane and out of practice with,
no clean water in the canteen and circling are the vultures just above us,
this teenage wasteland has no purpose with,
riff raft rats and religious rabbits in the crosshairs with deserted desert tortoises,
see these badlands will make the most professional professionals seem like just silly naive novices,
there’s nothing more to see here in this mirage except my rusty gun as it tarnishes…

my visions getting blurry bodies stopped but my mind’s still hurried this is what exhausted is,
and I’d escape if I knew a way out but instead I stay because I’m not sure what my other option is…

See I knew I would go I told you before everyone is targeted,
so soon it seems I’ll be just another rotting carcass that,
the Culture Vultures overhead dine on as their dinner when feeling peckishish,
terminated no terminator but like Arnold said, “I’ll be back.”, like I just started this…

∆ Aaron LA Lux ∆

Worldwide Bestselling Poet

My poetry is thought unbridled.
It exists to exist and is simply nothing more.
I, the speaker rare, write thoughts when I dare,
before they, streaking by, are never to be reminisced.
The gods of my words strike as lightning, quick and strong,
leaving me stunned, thunderous resound within my mind,
but these titans of colossus thought are too strong to be snared and restrained
Then fate would have it, with grace they do appear but...
the sylphs are marred by the scars of these glyphs.
And so, I'm left with the mortal drabble,
the fragments of a various whole.
They exist as I exist and are simply nothing more.

15 June:
“...its half way in a morning that glistens with slow reminiscences from last night. We find ourselves a respite for the hour, an oasis of sweet temper and our favourite elixir. We sit at the burdened edge; separated by transparency from passing furies; watching with rapt attention and fascination the range of creation displayed before us...We hunt down todays metaphors on clean pages; virginal expanses that congregate with a sublime notion of the art; death; logic; lust and wonder...we span serial glyphs across our vision to prevent a dissolving into the expanse before us; forming borders; signs; structures...Only to be de-constructed again and again; time dissolving; seconds inverting the quantum flux as HereNow paints the Tao over the moment...nothing-everything...we blink in and out; existence define by our presence; the reason and the way forward...delicately; smoothly; succinctly; we pick out secrets from between our worlds; Heartblood squeezed from the cries of angels; the force of supernovas; the very point of transition...again and again the universe spins us. A point – transition-how we create. This secret way. Again and again we play the Fool...again and again we play the Wizard. The tattooed skull of Intimacy grins from the ink on our backs...”

21.8.2010**
“...Sunday materialises. Its a smouldering glance across the smoky eternity of a crowded room. A lost sonata barely recognised on faded parchment dusty in a forgotten draw. Its the breeze in the wake of an angels wing. The seconds chip away; each tick a foreign language, the dissonance of grace. We're sitting, hidden, in plain sight, a wayward stop-over; a cafe somewhere on the edge of reason, but the coffees good and the service fast. We watch the people; reading signs and portents in the oblivious expressions; each grin and scowl, each glance, each distant look a codex of requite dreams; a subtle picture puzzle colouring destiny’s reverie. We join the dots. The music over the cafes soundsystem; beats with inevitable consequence. We feel deep into the heart of Journey and Moment...”

So many poems birthed at dawn
or just before
when the trickster gods
are passed out and cannot
plot pratfalls for mere mortals.
Turmoil eases up a bit,
but anything can come next.
You might lose the courage
to eat breakfast or find yourself
trying to type on liquid paper.
You could be struck by
nostalgia for hula hoops or
begin to feel your teeth dissolve.
You want to make a poem that
coils, rises up and strikes
the heart like an angry snake,
but it is easy to get sidetracked.
After all, you are only bones
in a sack spitting out words
that vainly seek forever and
the present so successfully
hides the future. But it's early,
go down into the quantum
quarry of language,
pick up a few likely chunks,
haul them back and let the world
select the words. Be patient as
a telephone waiting to ring.
Dare to ****  a peach. Let the
words gather unto themselves
like clouds until each new page,
scarred by those glyphs,
becomes the living promise
of the day just begun, like
a butterfly gliding over clover.
No task. Only the being of.

  ~mce

You know you are wrong
when you bed me in our own litter
and The Feaster raises its head
to feed our relations with its attention
We persist
and you're having none of my boring objections
This bed has become a field
of mammal ply and spell craft
We sign out glyphs
in energies and positionings
In The Feasters eyes
we have meaning
we are positive
we glow for it
Feathers from air
we tap out
with a shared vocal hark

..in crash the mind ;
plan flown on
an excercise of oblivion
Criminal tide rising
to feel upon the doggy moon
When The Love has only known The Night Time
with little illumination
the revealed is a frightful thing ;
a Medicine and a Leviathan

Everything is chance. We name the random to create the idea of order and predictability. It's a stab in the abyss.

What is choice? Plinko. Go, pick the arbitrary with stars in your eyes. What you want is only an arm's-length away. Scratch the ticket. Feel the neon in the night wheel like time is in your corner. Let it hurt you. Learn.

the tree limb
crawls up and out
tangent into
the stuttering cool air

I sleep so. *******. much. It's pathetic, really. I've many theories as to why: I'm lazy; I'm not being challenged enough; society is, well, society; I'm a misanthrope; I'm a dreamer.. But, in the end, these all miss the mark.

The impetus behind my sleepmoresleep is, it seems, a direct result of that sentimental urge to bring order to a cosmic court whose very fabric is made of change and chance.

buds waiting
limbs feeling, again
slumber shook off
but this tilt too will end
and bring the wilt back

Start again. Turn the page. We love our metaphors. Why? Because they remind us of the flux. Things won't stay still. Ever. Dictionaries breathe too you know. New glyphs itch to get in.

Let them.

rosette of jag leaf rawr
bright yellow flower
head of seed and
a mane of downy tuft
reaching through
neglected suburb
concrete sidewalks

I cannot forget...
אני לא יכול לשכוח

©  STEPHAN PICKERING / חפץ ח"ם בן אברהם
12 Shevet 5778 / 28 January 2018
revised:
3 Iyyar 5758 / 28 April 2018
19 Iyyar 5778 / 4 May 2018
20 Iyyar 5778 / 5 May 2018
21 Iyyar 5778 / 6 May 2018

Shabtai Zisel / 'Bob Dylan' (1964):
'Forget the dead you've left, they
will not follow you'

W.G. Sebald z"l (1966):
'And so, they are ever returning to us,
the dead'

I.

the Path / derekh is silent,
a vacuum,
resonating with the
footsteps of tzaddikim, whose
teachings transcend(ed)
the Kingdom of Night...

where there was no longer
kefitzat ha'derekh
shrinking of the road
jumping the Path
teleportation.

...un die vvelt hot geshivign,
taught Reb Elie Wiesel z"l...
& the world remained silent.

not existing for themselves,
the tzaddikim speak with the
Shekhinah from their throats,
and the mar'ot johanna
visions of johanna
are witnessed by breslover
chavurot on desolation row,
murmurations of starlings
overhead.

listening to them, we survive
to walk / dorekh
the Path, with kabbalists z"l,
R. Chiyya & R. Yose,
the chevraya kadisha
the holy companions,
a derekh through the sea,

away from the energy vampyrism
& relentless phantasmagoric
cyberstalking of
the phantasmagoric Queene,
who engages in quacker
cross-contamination,
while prising her mindfully
plagiarising lips (a mirror image
of a death's-head hawk moth)
for a crucifictionist wafer:

a tax-deductible, copyright charity
deduction for ontological delusions
long after midnight,
clutching her cossetted Yehu'di
hatreds like
a perforated osculatorium,
because, שמח בחלקו.

    ****

Reb Uri Tzvi Greenberg z"l, 1923 [trans.
Michael Weingrad]:
'For so long there has been no water
in the wells. Only curses. ...& suddenly
the icons scream in Yiddish'.

II.

Light is the absence of Darkness,
to acknowledge Rav Rebecca
Newberger Goldstein.
& the holy slow train moves
(when it does)
sideways across flat earths.

consider the post-Auschwitz dilemma for
an opus dei natz'ri  who cannot grasp
the etymology:

prae / before + posterus / coming after
praeposterus / reversed, absurd.

did Shabtai Zisel / 'Bob Dylan' influence the
teachings of R. Yitzhak Luria z"l ?

III.

memories are stalking & ambuscading,
& as you said, Reb David Meltzer z"l,
'the Yehu'di in me is the ghost of me'...

& now the hourglass is invisible...

the windows of perception
to be peered into,
not out of,
as hairline fractures
develop in the retinas of narrow-ruled
yellow writing tablets masquerading
as frenetic mirrors,

never glimpsing tzefiyat ha'yeshu'ah,
the expectation of salvation.

& we are here,  
witnessing cyberian corpses
erecting three-way mirrors to their
obbligato and  mindfulness for girl
children...the mantras of a white
supremacist ****** ****** trained to
effect genocide  at a distance, his
audible hungering  for the  rapture  
of an endloesung in his drive-by
dark carnival, having no
farraginous self to say farewell to.

Lilith, the Midrash teaches, ate the
'bones' of Her enemies, but the
****** uses prayer beads as
majong ***** fired from his cap gun.

IV.

'she' stands on the bamboo porch,
thinking the lotus leaves floating by
are a reflexion of 'her' crumbling
totenkopfverbaende phantasies.

long after midnight, she shrieks to
a cyberian Mytilene, her mind so narrow,
thoughts are forced to crawl through her
fossilised ***** majora, which she identifies

as a personal luchot ha'edot, the glass
**** molded by her proboscis tongue,
as it fabricates yet another delusion
of a 1967 that never happened.

'she' turns, stepping onto an
embroidered nationalsozialist
matt,  'her'eyes a frail ambassador
of demure malice.

it is a moment such as this, when 'her'
desire of wanting to have been an
Auschwitz  Aufseherin, cannot be  
masqued  as a playful Latrodectus mactans.

ephemeral fabrications cling to 'her' --
an unbroken dance of impetuous
mirrors, as 'she' remains on the
porch, clutching 'her' 'we' aliases,

thinking, somehow, they are 'her'
aharon ha'bris...



V.

interlude / הַפסָקָה

Kafka z"l:
'I am divided from all things
by a hollow space'

Shabtai Zisel / 'Bob Dylan':
'I felt that place within, that
hollow place, where martyrs
weep, & angels play with sin'

Rav Yitzhak Luria z"l:
after tzimtzum,
the withdrawal of
'ehyeh 'asher 'ehyeh,
there came to be
halal ha'panui,
'the hollow space'

R. Shabbatai Sheftel ben
Akiva Horowitz z"l, 1719.
Shefa tal [Frankfurt edition]
3.5, 57b [Hebrew]:
'Before the world's bere'****,
'ayin sof withdrew into its essence,
from itself to itself within itself.
It left halal ha'panui within its
essence, in which it emanated
and created' [emended from Reb
Daniel Matt 1995]

VI.

sh'ma...'mir veln zey iberlebn, iberlebn, iberlebn'
(Lublin Chassidim z"l, 1939)...
hear: 'we shall outlive them, outlive them,
outlive them'...

why did R. Moshe Sofer z"l teach
'Chadush aser min ha'toray' / 'What
is new is forbidden in the Torah'?

the trolls here & what they call 'poetry':
collections of letters on a flickering
moon-glow  computer screen behind
a suburban curtain,
letters having no glyphs or sounds,
all encased in Sho'ah denial...

and yet. white supremacist sock monkeys
cannot silence the memories of the
thousands of Yehu'dit children z"l
burned alive on pyres, June-August 1944,
in the holy natz'ri village of Auschwitz,
in october country.

לעולם לא עוד לעולם לא עוד

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
...with thanks to my akhim / brothers & poets,
D.J. Carlile & George Dance & Will Dockery
for reading previous drafts...
...and to the memories z"l of David Meltzer 17 February 1937-31 December 2016
& Anthony Scaduto 7 March 1932-12 December 2017...chaver'im / friends
& for the 'or from R. Paul Laderman z"l &
R. Meyer Goldberg z"l

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
STEPHAN PICKERING / חפץ ח"ם בן אברהם
Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher
לחיות זמן רב ולשגשג...לעולם לא עוד
THE KABBALAH FRACTALS PROJECT
לעולם לא אשכח



IN PROGRESS: Shabtai Zisel benAvraham v'Rachel Riva:
davening in the musematic dark

Tonight I disappear
back to the land
of my ancestors

Back to the land
of pyramids
and burial sites

Back to the land
of zealots
and sacred rites

Of hallowed halls
and moonlit nights

Of alabaster,
smooth and white

And as I walk
through corridors

Foreign glyphs
paint walls and floors

A tongue I do not
comprehend

Knowledge I can’t
Understand

.      .        .

I finally returned...
Only to find
this too is tainted.

what to do.
where to go.
how to

get
there.

icy whitened teeth gleam earthy chartreuse canine slant glyph
is, really,
the only possession that

i have
on my person,
in my backpack.

---- well, err that, and
this flat slab of lit stone,
thought up by small gods,
and made by smaller people that live in
far far away binary lands that eat the sky
with rolling saturated ebony clouds,
which help smelt those inner beings of light,
and force them inside these tablets -
which I, then, use
to inscribe my

scream-of-conscience
wrought into thinky pixel arc
across the once blank page.

all is not well. sure. i get that.
but the visible spectrum
still bows forth colorings
in the hurt skies above,
over metro rush and mirth cursed.

but we still
can rewrite it.

this
is
why
i sit.

alone.

this monkish
quietude
i exist in:

living room consumed.
it's where, under a relatively nice high ceiling,
i do my

pirouettes,
yogic forays,
and taekwondo kicks

on the apt. faux hardwood floor; or

i am laid out in unmade bed
with a small boring hole 10 microns across,
drilling into my slurring skull -once removed-
it's lonely dome
grasped by two trusty amputated hands
of mine. my two floating seers roam free,
searching out a truer scene.

i mean, what im trying to say is:

the road
calls
me;

long languid abyss strip cruising
blurring lights through
spaceytime-ish. it's silly,

really, how i always
get ants inside my bones. home is not
a concept i know; nor wish to.

i have
resting glitch
syndrome.

new glyphs always are calling me,
like **** Sirens licking my every sense,
filling all my holes with fallen lily petals.

come
save me,
my poet.

ride me
into your
own. fix me into
your hip bones, protruding
toward it.

be
mine.
mover
too.
us
pushpulling
flux.

I walk into
the ruins
of the ancient temple
and feel the presence here
it is all around me
gently surrounding
in invisible caresses
it feels so strangely familiar
like the silent
understanding glance
of an old friend
or an unseen talisman
it is beating within me
pulse quickening
yet is unnamed
I let myself breathe it in
like an echo
of the spells of yore
wander through archways
of broken yet graceful doors
touch crumbled walls
let my fingers trace
the cracks in the stone
soon my words will fill them
as parched paper
is filled with legends
This is where
the ancients prayed
where people brought
their hearts
          in chanted verse
This is where people
placed hopes and dreams, made
requests to the universe
This is where faith
was expected
               to be so vitally forged
where offerings of fruit and grains
would fill up their hopes,
souls engorged
This is where eyes saw
timeworn brightness
of semi-precious stones
                  glyphs that held
significance, now under dust
like tiny bones
One can still see the
a venerable alter,
once held sacrosanct
under watchful, chiseled eyes
of the goddesses and their ranks
I sit upon the low stone bench,
           run my hands across mosaic,    
feel the force
I know that, despite its
acclaimed holiness
              this is not
love and light's main source
for that has all along
been inside me
pumping love within my veins
taking my spirit in journeys
to its own sweet, celestial planes
How we claim our
own private battles
   determine whether we lose or win  
As the sound
of my grounded heartbeats
rises up,
I am ignited
       from within

Chaos,
grandness around us, within us
our pasts and our fates,
the heads and the tails you bring us,
nothingness,
mistress, our all that is free and forbidden
forgiven, forsaken, forseen and forsworn;

Our endlessness,
countless infinities that you defy
our unbreaking circle of charities your grace is defined by;
our mother, our barrens of space who is bearing existence;

our eminence,
baroness, dancing the torments of pregnance
our sorceress, chanting the songs of emergence;

our senses and souls,
your spawn, your kin, your death and your sins
our servant, your serfs
kneeled down and bowed over
your lust that is shameless, yearned for and proud,
raised up and all that is tall afly
your will that is mindful, yearning, forgiving;

our Godesses, our locks and our keys,
around us, within us, the now and the here,

listening through the ears of machine elves
our absolution from words uncertain;

speaking through colours of clockwork glyphs
our faith to bring magic into our lives;

teaching through picture puzzle pattern cellar doorways
our choice to approach whenever we wish.

You are awareness. We are mindful.
You are presence. We are eternal.

buried alive; (in) sane; or harakiri?

a trifecta of horror
cuts through the lush foliage while i
writhe in a nest of
eldritch entrails

anxiety
rises up like an ophidian
coils shedding every quarter of a noon
ready to strike -
i lose movement
and falter through the streets
the meeting rooms,
and the endless conversations that end in stalemates;

my anxiety
an ouroboros of volcanic self-effacement
spills into posh mental facilities (lies)
and shoddy hospitals that turn the sick into the living dead

humiliation
burns bright red (magenta)
and brands my delicate skin with age-old glyphs
they mark the end of a civilization

the birth of a metropolis
with twin suns and dark monoliths
where the mob guillotines the visionaries
and the artist dies a dog's death.

The moon speaks in glyphs
on the faces of young girls,
where miracles tear
at their souls,
rescue is nigh and
ignorance is bliss.
in the dead end of the red carpet
selling flowers hustling for gold.

Childless park swings pushed by

momma & pappa air,

spray painted t rex teeth

on higher high-rises, blight force glyphs.

Huckleberry over my

persimmon (a bit beyond my abilities)...

to delete prey from jaws, though a

smooth dancer in shape-shifting

crowds, electric **** crow, tinted eyes.

A day in the life...clammy handfuls of

posies, unwrinkling dead presidents.

Sweeping odds in charnel stacks,

knot-haired incense t ***** by rush hour

trains, wolf that warped whiff...