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Keith J Collard Jun 2013
The Quest for the Damsel Fish  by Keith Collard

Author's  Atmosphere

On the bow of the boat, with the cold cloud of the dismal day brushing your back conjuring goose bumped flesh you hold an anchor.  For the first time, you can pick this silver anchor up with only one hand and hold it over your head. It resembles the Morning Star, a brutal medieval weapon that bludgeons and impales its victims.  Drop it into the dark world beyond the security of your boat--watch the anchor descend.
        Watch this silver anchor--this Morning Star--descend away from the boat and you, it becomes swarmed over with darkness.  It forms a ******-metallic grin at first as it sinks, then the sinking silver anchor takes its last shape at its last visible glimpse.  It is so small now as if it could be hung from a necklace.  It is a silver sword.  
Peering over the side of the boat, the depths collectively look like the mouth of a Cannibalistic Crab, throwing the shadows of its mandibles over everything that sinks down into it--black mandibles that have joints with the same angle of a Reaper's Scythe.  

I am scared looking at this sinking phantasm.  I see something from my youth down there in this dark cold Atlantic.  I see the silver Morning Star again, now in golden armor.  I remember a magnificent kingdom, in a saltwater fish tank I had once and never had again.  A tropical paradise that I see again as I stare down into the depths.  This fish tank was so beautiful with the most beautiful inhabitants who I miss.  Before I could lift the silver anchor--the Morning Star--over my head with only one hand, turning gold in that morning sun-- I was a boy who sat indian style, cross legged--peering into this brilliant spectacle of light I thought awesome.  I thought all the darkness of home and the world was kept at bay by this kingdom of light...

Chapter  1 Begins the Story

The Grey Skies of Mass is the Name of This Chapter.

                                                      ­­                        
    
 Air, in bubbles--it was a world beauty of darkness revealed in slashes of light from dashing fluorescent bulbs overhead this fish tank.
Silver swords of fluorescent energy daring to the bottom, every slash revealing every color of the zodiac--from the Gold of Scorpio to the purple of Libra combining into the jade of the Gemini. 
In the center, like a dark Stonehenge were rocks. The exterior rocks had tropical colors like that of cotton candy, but the interior shadows of the rocks that was the Stonehenge, did not possess one photon of light. The silver messengers of the florescent energy from above would tire and die at their base.  The shadows of the Stonehenge rocks would stand over them as they died.

 
          When the boy named Sake climbed the rickety wood stairs of the house, he did so in fear of making noise, as if to not wake each step.
   Until he could see the glowing aura of his fish tank then he would start down that eerie hall, With pictures of ghosts and ghosts of pictures staring down at him as he walked down that rickety hallway of this towering old colonial home.  He hurried to the glowing tank to escape the black and white gazing picture frames.
                    The faint gurgling, bubbling of the saltwater tank became stronger in his ear, and that sound guided him from the last haunt of the hallway-- the empty room that was perpendicular to  his room.   He only looked to his bright tank as soon as he entered the hallway from the creaky wooden steps.  Then he proceeded to sit in front of this great tropical fish tank in Indian style with his legs folded over one another as children so often would sit.
  The sun was setting.  The reflections from the tank were beginning to send ripples down the dark walls. Increasing  wave after wave reflecting down his dark walls.  He thought they to be seagulls flapping into the darkness until they were overcome as he was listening to the bubbling water of his tank.
                " Hello my fish, hello Angel, hello Tang, hello  Hoomah, hello Clown and hello Damsel … and hello to you Crab...even though I do not like you," he said in half jest not looking at the crab in the entrance of the rocks.  The rocks were the color of cotton candy, but the interior shadows did not possess a photon of luminescence.  All other shadows not caused by the rocks--but by bright swaying ornament--were like the glaze on a candy apple--dark but delicious.  Besides the crab's layer in the rock jumble at the center of the tank which was a Stonehenge within a Stonehenge--the tank was a world of bright inviting light.
                The crab was in its routine,  motionless in the entrance to his foyer, with his scythe-like claws in the air, in expectation of catching one of the bright fish someday.  For that reason the boy tried to remove the crab in the past, but even though the boy was fast with his hand, the optical illusion of the tank would always send his hand where the crab no longer was.  He did not know how to use two hands to rid the crab in the future by trapping and destroying the Cannibal Crab ;  his father, on a weekend visit, gave the Crab to the boy to put into the bright world of the saltwater tank, which Sake quickly regretted.  His father promised him that the Crab would not be able to catch any of the fish he said " ...***** only eat anything that has fallen to the bottom or each other..."

         A scream from the living room downstairs ran up the rickety wood and down the long hall and startled the boy.  His mother sent her shrieks out to grab the boy, allowing her to not have to waste any time nor calorie on her son; for she would tire from the stairs, but her screams would not, allowing her to stay curled up on the couch.  If she was not screaming for Sake, she was talking as loud as screams on the phone with her girlfriends.  The decibels from her laugh was torture for all in the silent house.   A haughty laugh in a gossipy conversation, that overpowered the sound of the bright tropical fish tank in Sake's room that was above and far opposite her in the living room.
               " Sake you have to get a paper-route to pay for the tank, the electricity bill is outrageous," she said while not taking her eyes off the TV and her legs curled up beside her.  He would glad fully get a paper-route even if it was for a made up reason.  He turned to go, and looked back at his mother, and a shudder ran through him with a new thought:  someday her appearance will match her voice.  

              Upon reaching his tank,  Hoomah was trying to get his attention as always.  Taking up pebbles in his big pouty pursed lips and spitting them out of his lips like a weak musket.  The Hoomah was a very silly fish, it looked like one of Sake’s aunts, with too much make up on, slightly overweight, and hovering on two little fins that looked incapable of keeping it afloat, but they did.  The fins reminded him of the legs of his aunt--skinny under not so skinny.’

               The Tang was doing his usual aquanautics , darting and sailing was his trick.  He was fast, the fastest with his bright yellow triangular sail cutting the water.  Next was the aggressive Clown fish, the boy thought she was always aggresive because she didn't have an anemone to sleep on.  The Clown was strong and sleek with an orange jaw and body that was built like a tigress.
  Sake thought something tragic about the body if the  orange Clown and the three silver traces that clawed her body as decoration -they reminded him of the incandescent orange glow of a street lamp being viewed through the rainy back windshield of a car.   The Clown fish was a distraction that craved attention.
The Clown would chase around some of the other fish and jump out of the water to catch the boy's eye. 
                 Next is the Queen Angel fish, she is the queen of the tank, she sits in back all alone, waving like a marvelous banner, iridescent purple and golden jade.  Her forehead slopes back in a French braid style that streams over her back like a kings standard waving before battle, but her standard is of a house of beauty, and that of royal purple.

                    Lastly is the Damsel Fish, the smallest and most vulnerable in the tank.  She has royal purple also, rivaling the queen. Her eyes are lashed but not lidded like the Hoomah.  Her eyes are elliptical, and perhaps the most human, or in the boy’s opinion, she is the most lady like, the Hoomah and the Queen Angel come to her defence if she is chased around by the Clown.  Her eyes penetrate the boys, to the point of him looking away.  

                      Before the tank, in its place in the corner was a painting, an oil painting of another type of Clown donning a hat with orange partial make-up on his face (only around eyes nose and mouth there was ghost white paint) and it  had two tears coming down from its right eye.  The Clown painting was given to him by his mother, it seems he could not be rid of them, but Sake at first was taken in by the brightness of the Clown, and the smooth salacious wet look of the painting. it looked dripping, or submerged, like another alternate reality.  The wet surreal glaze of the painting seemed a portal, especially the orange glow of the Clown's skin without make-up.  .  If he tried to remember of times  before the Clown painting that preceded the Clown fish, he thought of the orange saffron twilight of sunset, and watching it from the high window from his room in the towering house.  How that light changed everything that it touched, from the tree tops and the clouds, to even the dark hallway leading up to his room.  The painting and the Clown fish did not feel the same as those distant memories of sunset, especially the summer sunset when his mother would put him to bed long before the sun had set.  
Sake did not voice opposition to the Clown.
Then he was once again trapped by the Clown.  
            The boy was extremely afraid of this painting that replaced the sunsets , being confined alone with it by all those early bedtimes.
Sake once asked his mother if he could take it down, whereas she said " No."  That clown would follow him into his dreams, always he would be down the hill from the tall house on the hill, trying to walk back to the house, but to walk away or run in a dream was like walking underwater or in black space, and he would make no distance as the ground opened up and the clown came out of the ground hugging him with the pryless grip of eight arms.  He would then wake up amid screams and a tearful hatted clown staring somberly down at him from the wall where it was hung.  Night made him fear the Clown painting more;  that ghost white make-up decorating around the eyes and mouth seeming to form another painting in entirety.  He could only look at the painting after a while when the lights were on, and the wet looking painting was mostly orange from the skin, neck, and forearms of the hat wearing clown.  But the painting is gone now, and the magnificent light display of the tank is there now.  

                Sake pulled out the fish food, all the fish bestirred in anticipation of being fed.  The only time they would all come together; and that was to mumble the bits of falling flakes: a chomp from the Clown, a pucker from the Hoomah, the fast mumble of the Tang, and the dainty chew of the Damsel.  The Queen Angelfish would stay near the bottom, and kiss a flake over and over.   She would not deign herself to go into a friendly frenzy like the other fish; she stayed calm, yet alluring like a flag dancing rhythmically in the breeze, but never repeating the same move as the wind never repeats the same breeze.  She is the only fish to change colors.  When the grey skies of Mass emit through every portal in the house at the height of its bleakness, her colors would turn more fantastic, perhaps why she is queen.

                 He put his finger in the top of the watery world; the warmth was felt all the way up his arm.  After feeding, his favorite thing to do was to trace his finger on the top of the warm water and have the Damsel follow it. She loved it, it was her only time to dance, for the Clown would descend down in somewhat fear ( or annoyance) of the boys finger, and the Damsel and he would dance.  The boy, thought that extraordinary.

                     Sake bedded down that night, to his usual watery world of his room.  The reflective waves running down the walls like seagulls of light, with the rhythmic gurgling sound and it's occasional splash of the Clown, or the Hoomah swooping into the pebbly bottom to scoop up some pebbles for spitting making the sound "ccchhhhh" --cachinging  like a distant underwater register.  The tank’s nocturne sound was therapeutic to the boy.

                      Among waking up, and being greeted by his sparkling treasure tank--that was always of the faintest light in the morning due to the grey skies of Mass coming through every portal to lessen the tropical spectrum-- the boy would render his salutations " Good morning my Hoomah.....good morning Tang, my Damsel, and your majesty Queen Angel.....and so forth.  Until the scream would come to get him, and he would walk briskly past the empty room and the looming family pictures of strangers.  His mother put him to work that day, to "pay for the fish tank" but really to buy her a new cocktail dress for her nightly forays.  The boy did not care, the tank was his sun, emitting through the bleak skies of Mass, and even if the tank was reduced to a haze by the overcast of his life, it only added a log to the fire that was the tropical world at night, in turn making him welcome the dismal day.
                  On a day, when the overcast was so thick, he felt he could not picture his rectangular orb waiting for him at night. He had trouble remembering what houses to deliver the paper.  He delivered to the same house three times.  Newspapers seemed to disappear in his hands, due to their color relation to the sky.   Leaves were falling from the trees—butterfly like—he went to catch one, he missed--a first. For Sake could walk through dense thorned brambles and avoid every barb, as a knight in combat or someone’s whose heart felt the painful sting of the barb before.  He would stand under a tree in late fall, and roll around to avoid every falling leaf, and pierce them to the ground deftly with a stick fashioned as a sword.  He could slither between snow flakes, almost like a fish nimbly avoiding small flakes.  
                  After he finished his paper-route , he went to his usual spot under an oak tree to fence with falling leaves.  As the other boys walked by and poked fun he would stall his imagination, and look to the brown landscape of the dry fall.  The crisp brown leaves of the trees were sword shapes to him.  He held the battle ax shape of the oak leaf over his eye held up by the stick it was pierced through, and spied the woodline through the sinus of the oak leaf lobe.  The brown white speckled scenery, were all trying to hide behind eachother by blending in bleakfully; he pretended the leaf was Hector’s helmet from the Illiad—donned over his eyes.
“ Whatchya doing Sake?” asked a young girl named Summer.  Sake only mumbled something nervously and stood there.  And a pretty Summer passed on after Sake once again denied himself of her pretty company.  He looked to the woodline again, a mist was now concealing the tall apical trees.  It now looked like the brown woodland was not trying to retreat behind eachother in fall concealment, but trying to emerge forth out of the greyness to say "save us."

“ Damgf” he uttered, and could not even grasp a word correctly.  His head lifted to the sky repeatedly, there was no orb, and the shadows were looming larger than ever; fractioned shadows from tree branches were forming scythes all over the ground.
             He entered the large shadow that was his front door, into the house that rose high into the sky, with the simplicity of Stonehenge.  He climbed the rickety petrified stairs and went down the hall.  Grey light had spotlighted every frame on the wall.  He looked into the empty room, nothingness, then his room, the tank seemed at its faintest, and it was nearing twilight.  He walked past the tank to look out the w
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Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
entablature archetypal wrangle arguable arraign arrest ascribe arsenal article artificial artisan ascension austere askance obliquely aspire assail assault assay assert diligence obsequious assimilate stigma perspicacious astute asunder atman atrium attrition intrepid autonomous avarice avert avocation azimuth azure abbreviate aberrant abhorrent relinquish loathe abstinence abstention  abysmal accelerate accordance accoutrement accrue exasperate acquaintance baccalaureate bacillus backbite baggage ballistic baluster bandolier banister barrage barranca barrier bartizan basilica bastion batholiths bathyscaphe battalion batten battle bauble ***** beastly ******* beckon beacon bazaar bizarre Bedouin beguile behavior beleaguer belligerent belvedere berserk beseech bewilder bezant bicker bigamy bight bilk billet billiard billow biogenic biscuit bivouac blatancy blizzard bodacious boggle bollix bombardier boudoir bouquet butte boutique bower brassier mesa breach breech brochure brogue brooch broach bruise brusque buccaneer buffoon bureau buttress buxom caffeine cauldron calisthenics calligraphy callous camouflage campaign campanile cannery cannibal canny cantaloupe cantankerous cantilever capacity capillary capricious carbohydrate caricature carnivorous carouse carriage cartography casserole cassette cataclysm catastrophe cache categorical caterwaul cavalier cauliflower celerity alacrity cellophane cellulose cemetery centennial cereal cerebellum ceremonial cesarean cessation chaff challenge champagne chandelier changeable chaparral charade chargeable chassis chateau chauffer chauvinism Cheshire chiaroscuro chicanery chiffon chigger chrysanthemum cipher circuit citadel clairvoyant clastic clique coalesce coercible coincidental colloquial colossal column combustible communicable community commute complacency compulsory comradery conceit conceal concession confetti conglomerate conjugal connive connoisseur consensus constellation consummate continuity contrivance convalesce convenient convertible convolution copasetic copious corduroy coriolis cornucopia corollary corpse corpuscle correlate correspondent corridor corroborate corrosion corrugate corrupt costume counselor countenance counterfeit courageous courier courtesy covert covetous cranny crease credenza credulity crescent ******* criterion crochet crocodile croissant crotchety crucial cruel cryptic cuddle cuisine cul-de-sac culinary culpable culvert cumbrous cummerbund ******* cunning curare curiosity curtilage curtsy curvaceous custody cylindrical cymbal cynicism cyst dabble daffodil daiquiri damsel dastardly dazzle deceit debilitate debonair debris debutant decency decipher decimate deconcentrate decorum decrepit dedicate defamation defendable defensible deference deficient deficit definitive defoliate delectable deliberate delicatessen delinquent delirious demarcate dementia demolish demure denigrate dentil denunciation deplorable depreciate dereliction derisory derrick descent desirable despair desperate despicable despondent destine deterrent detonate deviance devisal devisor devour dexterous diabolicalness diagnosis dialogue diamond diaphragm diarrhea dichondra dawdle differentia difficulty diffuse dilapidate dilate dilemma diligent dilute diminutive dinghy dinosaur director  dirigible disadvantageous disastrous disperse disciplinary discomfiture discordant discotheque discreet discrete discrepancy disgust disguise dishevel dispersal dissect dissention dissertation dissident dissipate dissolve dissonant distillate distortion distraught disturbance divvy docile docket doctrinal dodder ***** eccentric linguistics domical dominate domineer dominion dossier doubloon douse drawl dreary dubious dulcet dungeon duodenum duress dwindle dynamism dynasty ebullition echinoderm eclectic ecliptic economist ecumenism edifice editor educe effervesce efficacious egalitarian elaborate elapsed eerie elegy eligible eliminate elite elixir elongate elucidate elusion eluviation emaciate embarrass embassy embellish embezzle embroidery embryo emissary emollient emphatic enchilada encore encumbrance endeavor endogenous endure engender ensemble enthusiast entourage entrepreneur epaulet epitome erratic erroneous escapade esophagus espionage esplanade etcetera ethereal etiquette eucalyptus eulogy exaggerate exacerbate excellency exhilarate expectant exquisite facetious Fahrenheit fallacy fanion fealty feisty frisky felicitous fenestration ferocious fertile fervent fickle fictitious fiery finesse finial fjord flaccid fledge flippant flirtatious flivver fluctuate follicle forbearance forbiddance forehand forebode forceps forfeit
forgo forlorn formidable foundry foyer fracas fraught frivolous frolic frontier funnel copious furrow fuselage fusillade futile forgone frivolity frolic galaxy galleon galoot galore galoshes gambit gangrene ganglion gargantuan gargoyle gardenia garret garrote gasolier gatling gawky gazebo gazelle gazette geezer geisha gendarme generosity genre genteel gentry genuine geodesic geranium gesticulate ghastly giggle ****** gimmick giraffe gizzard glacier glamour glimmer glimpse glisten glottis gluteus gluttony glyph gnarly gnaw goddess godling gorgeous gorilla gory gossamer gourd gouts gracious gradient granary grandeur granulation grapple gratify gratuitous gregarious grenade committee grievance griffin gristle grotesque gristly grotto grouch groupie grisly grovel grudge gruel gruesome gubernatorial guerrilla guffaw guidable guidon guile guillotine gullet gymnasium gyrate habitable hacienda haggard halibut halitosis hallelujah hallow halyard hammock harangue harass harried hasp hatred haughty hearth hedonism hegira heinous hegemony hemisphere hemophilia hemorrhage herbivorous hereditary heresy heritage heroine hesitate hibiscus hidden hideous hieroglyphic highfalutin high-rise hilarity hippopotamus hoarse holler holocaust holster homicidal horror hosiery hurricane hydrant hydraulic hydronic hyena hygiene hyphen hypnotize hypochondria hypocrisy hypocrite hypotenuse hysteria idiocy igloo ignoramus ignore illicit illiterate illustrate imbecile immaculate immaterial immature immersible immigrant immune impasse impeccable impedance impenetrable impervious imperfect implement implicate implicit important impressible innately inert impression impugn inadequate inanimate inauspicious incandescent incantation incarcerate incentive incinerator inclusion incoercible incompressible incontrovertible controversy indefatigable inconvertible inconvincible incorruptible indices indictment indigent indigestion digestible indignant indiscretion indiscreet indisiplined indiscernible inducible inebriate ineffable inefficacy ineludible inexorable inexpiable inextricable infallible infatuation inferior inflammatory inflexible infuriate inimitable iniquitous infuse infusion ingenuity ingratiate inimical innards innocence innovate innumerable inoculation insatiable insectivorous insincerity insinuation inspection inspirator instability installation insurance insufferable insufficiency insurrection insupportable integrity intellect intelligence intemperance intension interaction interception intercession interdiction interface interference interpolate interrogate interrupt intersperse intervene interstice intractable intergalactic intransigent intravenous intrepid intricate intrigue introductory introject intrude inundate invective invariable invertebrate investigate intuitive invertible investiture inveterate inviable invidious inviolate invigorate invincible invoke invocation invalidate involute invulnerable impregnable ionosphere ipso-facto irascible iridescent eradicable irrational irredeemable irrefragable irrefutable irregular anomalous irrelevant irreproachable irrepressible irresistible irrevocable irreverent irresponsible irritative irrigate irritability isolable isosceles isostasy  issuance isthmus italicize iterative itinerary interjection ******* jackhammer jackknife jackpot jackrabbit jaguar jai alai jalopy jalousie jamboree Japanese jacquerie Jacobin jargonize jaunt javelin jealous jehoshaphat jeopardy jocular jouncy journal jubilant jubilee judgment judicature judicious juggernaut jugular juke julep juncture junta jurisprudence juvenilia juxtaposition kahuna kalpa kamikaze kerf kangaroo karat ken katzenjammer katydid kempt kerosene kewpie khaki kibitz kibosh kilter kimono kinesiology kleptomaniac knell knowledge knuckle kook kowtow kulak kyrie labyrinth laccolith laceration lackadaisical laconic lacunar lacquer lagging laissez-faire lamprey languish lanyard lapidary laputan larceny lariat laryngeal larynx lascivious latent latter lattice latrine launderette lavatory laxity lechery legacy bequeath legend leister lei leisure lemming leniency lentic leopard lethal lethargy lettuce leviathan levitate lexical liable levity liaison libation liberate licentious lieutenant ligament lilac limnetic limousine limpid lineage lynchpin lineolate lingerie lingual liniment linoleum liquefy litany literacy lithesome littoral lizard loath local loiter longevous loquacity lottery louver lucidity lucrative ludicrous luminary lummox lurid luscious lyricism machinator machinelike machismo macrocosm besmirched machiavellian mackerel mademoiselle maelstrom maggoty magisterial magnanimous magnifico maintenance malaprop malarkey malediction malamute malicious malign malinger malleable mandarin maneuver mange maniacal mannequin manure manzanita maquette maraca maraschino marauder marbleize marbly marionette marmalade marquee marquetry marrow marshal marshmallow martyr mascara masochism massacre matriarchy maudlin mausoleum maxillary mayonnaise meager meandrous medial medieval megalith mediocre Mediterranean megalomania melancholy melee membrane memorabilia menagerie mercenary mendacity meritorious mesmeric mesquite metallurgy metaphor meticulous metronome metropolitan mezzanine micrometer midriff mien demeanor millennium minarets minion minuscule minutia misanthropic miscellaneous mistletoe moccasin modus operandi monaural mongrel monotony morgue morose morsel moribund mortgage mosaic mosque mosquito motley mottle mucous membrane mucus mullion multifarious munificent museum musketeer mutable mustache mutineer myopic myrmidon mystique naïve narcissism narcosis narrate nausea navigable Neanderthal necklace needle nefarious negligible nemesis neophyte nertsy  nerve-racking nestle nether newfangled nocturnal nonchalant non sequitur normative Norwegian nostalgic nuisance nullify obedient obeisance obelisk obese objectify oblate oblique obliterate oblivious obsess obsolete obsolescence obstacle obstinate occupy occurrence ocelot odious oedipal officiate ogle ogre oligarchy omelet omnificent omniscient ontological argument oodles oomph opaque operable operative opossum optimal orangutan orchard orchestra ordinance oregano orgiastic oriel oriole ornery orphan osculate ostensive ostrich osteology oust overwhelm overwrought oyster pachyderm pacific pageant painstaking palate palaver libel palette pallet palomino pamphleteer panorama pantheism parapet paradigm papier-mâché paraffin paralyze parishioner parliament parody parquetry parsimonious pasteurize pathogenic payola ******* pediment pendant pendentives penicillin pennant pentathlon perception percussion perennial parameter perimeter peripheral peristalsis permissible pernicious perron perseverance persistent persona persnickety personnel persuasion petite pertinacious pessimistic pestilent pestle petticoat petulant phallus phantasmagoria pharaoh pharmaceutical peasant philander phenomenal philosopher phlegm phoenix phooey phosphoresce physique picayune picturesque piety pilfer finagle pilaster pillage pineapple pinnacle piquant pique piteous pitiful pittance pizzazz placate placenta plagiarism plaintiff plateau platypus plausible plinth plunderous pluvial poinsettia pollutant polygamy pommel ponderous portico portiere portentous prairie precipitous predecessor predicate predilection preeminent preempt preferential premier preparation preposition prerogative presumption pretentious preternatural privilege proclivity prodigious proffer progenitor progeny promissory promontory propellant propensity propound proselyte prospectus protégé protocol protuberant pseudonym  ptomaine pulchritudinous pursuant pygmy pylon python qualm quarrel quarry quash queer quell querulous quibble quitter quixotic rabbet rabbit rabbi radiant rambunctious rancor rankle raspberry rethink rebellion recant recital reconcile redundant referral reglet relevant reluctant remiss reminiscent remnant rendezvous renegade repartee reprieve repertoire repetitious reprehensive reprisal repugnant rescind reservoir resistant resurgence resurrect revelry reverie retaliate reticent retrieve retrograde reveille reverberation reversible reversion rhapsody rhetoric rheumatism rhinoceros rhinoceri rhubarb ribaldry ricochet riddance rigmarole risqué rive rollick Romanesque Rosicrucian rotisserie rotunda rogue roulette rubato ruminate rusticate sabotage sabbat saboteur sacrilege sadomasochist salacious salmon salutatory samurai sapphire sarcasm sarcophagus sardonic sarsaparilla sassafras sassy satiate satirical saturate saunter savoir-faire savvy scabbard scaffold scalawag scarcity scathe scenario scenic schism sciatic nerve ******* scintillate scissor scourge scrawny scrimmage scribble scruffy scrounge scrumptious scrunch scrupulous scrutiny scurry scythe sedition seethe seismic self-applause seltzer semiporcelain seniority sensible sensual separate sepulcher sequel sequin sequoia serape serenade sheaves serendipity  servant settee shabby shackle shanghai shanty shellac shenanigan Sherlock shirk shish kebob shoulder shrapnel shriek shrubbery shtick shush shyster Siamese sibyl significant simile simplicity simultaneous sinewy siphon skeptic skiff skillet skirmish skullduggery slaughter ****** sleeve sleuth slither slough sluice smart aleck  smidgen  smithereens  smolder  smorgasbord snazzy sneer snide snivel snorkel sobriety socioeconomic sojourn solder soldier solemn solicit soluble solvent sombrero somersault soothe soprano sophisticate sophomore sortie soufflé sousaphone ***** spiel souvenir sovereign spaghetti spandrel sparrow spatter sphinx spatula species specific spectacle spectral spelt sphincter spinach spinneret spiritual splatter splitting splurge spry  splutter sporadic sprawl sprinkler spree sprightly squawk spurious sputter  squabble squalor squander squeak squeal squeamish squeeze squiggle squinch squirrel stable squoosh stabilizer stagnant stagnate stalactite stalagmite stammer stampede stationary stationery statue statuesque statute staunch stealthy stein stellar stench stencil stoic steppe sterile stickler stifle stimulant stingy stirrup stolid strafe straggle strangulate stratagem strategy strenuous stretch strident stringent strudel streusel strychnine studious stultify stupe stupefy stupendous special stylus stymie styptic sublimate subliminal submergible substitute submersible subpoena subsequent subsidiary substantiate suburb subversion success succession succinct succor succulent succumb sufferance suffocate suggest suicidal sully sultry sumptuous sundae sundry superfluous superior supersede superstitious surreal supplicate surrender surrogate survey surveillance suspension suspicion sustenance swarthy ******* swath swear sweaty swelter swerve swindle swivel swizzle sycamore syllable symphony symposium symptom syndicate syndrome synonym synonymous synopsis synthetic syphilis syringe syrup suffrage tableau tabloid tacit tambourine tandem tangible tarantula tarot taunt technique telekinesis temperamental temperance thence temporal temporary tenuous tequila terrace terrain terrific terrify tetanus tether thatch thistle thither through though throat throttle thwack thwart ticklish tiffany timbre tirade titillate toboggan tolerant tongue top-notch topography  tortoise trauma tortuous torturous tourist tracery tournament tourniquet trachea traffic tragedy tragic traipse traitor tranquility transcend travesty transcribe treachery treatise trellis trepidation trestle trinket triplicate triumphant trivial troglodyte troubadour  trousers truncate tumultuous tundra turbid turpitude turquoise tutelage twixt twiddle twitter tycoon tyke typhoon tyrannical tyrannize tyranny umbrella unfulfilled unanimous usury undulate unequivocally unguent urethra unprecedented unscrupulous untenable unwieldy utterance vaccinate vagary valance valiant vandal variety vehement veldt veneer vendetta venetian vengeance vernacular versatile version vertebra vicinity victual vigilante villain vincible vinyl violate vitality vivacious volition voluminous voluptuous ****** vulnerable wahine waiver wallaby warble warrant wayfarer weasel wheedle wheezy weird whilst whistle whither whittle whoopee whoopla wistful whither wizen wont worse worst xanadu yowl yucca zephyr zeppelin zucchini extraversion embezzlement euthanasia extortion obscure carousing marauder aptitude ribaldry rigmarole chicanery shenanigans capers antics escapade crafty cunning cleaver connive furtive sneaky stealthy plunderous pillaging usurper pilferous wheedling finagler longevous loquacity derisory deplorable critical decimations tithe cynic frivolity frolic derriere easel emasculate emaciate linguistic depravity berate scold scorn scoff rail rebukeness  brawl vapid hamster spleen sequiter sequacious sequesterous flatulence impressible herbaceous impropriety veneration ignoble fatuous phatic journey acrid pungent fetid fiendness gamut ire irascible graffiti irk tedium diminutive minutia iota iterative reiteration self inductive interpolations objectified interstitial extrapolation trepidation tumultuous tortuous adjunct turpitude salient viable seethe conflagration lexical etymology idolatrous affectionate ****** caress craw swell surge flow flux amorous enamor endear ardent ardor cajole piquant poignant prescient puissant presage apex crux citadel pinnacle vertex vortex matrix ****** peak languishing lurid larcenous licentious lascivious squanderous squaloring wallow in the furrow confluence wretched infelicitous trajectory sordid warp strong raw war resume quirkness ***** tinker **** fink stink ******* eccentric pinky suit idiomatic cognate somatalogy virtuoso concurrent intemperance obsessive habitual addicts psychosomatic pathological psychopaths diabolically maniacal dementia panoramic tableau tediously meticulous laboriously beleaguering excruciating exacerbation autonomous avarice oscillating ostracism adrenergic analeptic adumbrate obdurate aberrance genocidal xenophobic prospectus personification of sartorial perfection visage picturesque vision of spectral grace picture of positive prosthesis protractive analysis cyborg ebullition ne plus ultra monad cybernetics prognosis prognostication clambering clamorous clangor hectic mayhem pulverize annihilate pompous bombastic query squash squawk squish squirm sprocket squeal squelch staunch statuesque steadfast steep stench stint strategic logistical tactician stratum stolid stoic stodgy viscid tumult stray streaky stretch strenuous striated strident stringent strive structural strut subjugate subjective substratum substantiate subterfuge subvert sultry sulk sundry superlative superfluous superficial syllogism soliloquy superovulation superfluity superfetation superfecundation suspicion swig superstratum sycophant ingratiating surrogate suspension swindle swallow swanky swath swill sympathetic symbolic synapse synchronous syncopate synoptic synectics syndrome synonym syntax systematic larceny lecher oligarchy ribaldry rigmarole intoxicate tangential tectonics tantamount telepathy tantalize throng tactile taint talisman talesman squabble brash torment temerarious terminus thrall torpid torpor torque tousle  traduce transform transubstantiate transpire transmute transmogrify transport trapezium traverse treason tremulous trendy trivia trifles trounce turgor truculent tuft turf turbid turgid tussle twain twang twinge twerp twit twitch tweak **** procedure vernacular posthumous spasmolytic propagate prolific proliferative profusion profundity proliferate profligate cogent fecund secund secular thick trick quick mystical silhouette sojourn excursion genre engender jaunt pilgrimage prophet trek waver wrought waxy waylay weave weary web wedge ***** wend whang whet whimsical whir whinny whereupon whish whisk whoosh whizbang whoop whorl wield wile wilco wild whence wingspread wiry wiseacre wherewithal rapacity wolf whistle wrath wraith wrack worship wrest wretch wring wriggle wry shyster shylock phone roan tone zone bone hone loan drone known own moan cone done groan koan gnome dream gleam cream seam beam          team serene ravine green gene careen tellurian terrene quaff query quiescent radishes reciprocate raunchy raspy rascal rampant rampage ravage ****** ravish rebuke rebuff rend reave recourse reconnaissance reconnoiter rectify recompense rectitude reconcile regime reintegrate relegate rejuvenate remission remonstrance reparation replication reprieve reprisal nocturnal emission repose remunerate resonant retort revelation revision grandiloquence cleft fissure crevasse rift rill robust rouge niche
crack tromp stomp chasm crevice trudge rostrum rout roust row ruckus sagacious salacious sapient satiric sarcastic sartorial sartorius scalawag screed scrutable contemptible scurvy scuttlebutt seditious seduction sect segregant sequacious psychic reverie subterfuge serenade sequiter serendipity shuck shylock sibilant shush signet simulation siren skeptic sleek slick slinky snare ****** sneeze sneer snide smug intrados loquacity spandrel iambic sonorous spatial spatiotemporal telemetry spectral spry spectrum speculate solicitor sprout spoof specular splendiferous sporadic spurt binge spree ***** squalid forte fortitude Gumby emit war  time raw umbrage ultraism ultimatum unary unbridled uncanny unanimous ambiguous biased unabated uncharted articulate deviating undertow congenial feint feign unity predicate unprecedented paradigm unscrupulous brash dire unfathomable unlimited urchin usurp utmost utilize fluctuate vague vacuous vanity vanquish vantage veer vast advent veracity verbatim vertex vortex vertigo vestige vex vigor vitalize virile vicissitude viscous visceral virtuous virulence vital virago vivacious vivid livid splurgeness stag vituperatively vociferous volition void voracity waft vulturine wacky waifs wainscot waive wallah itinerant wand wane lavish wanton wonderlust warrantee warn warp warlock warren wastrel wastage warranty dicker insidiously sinister flagrant verity maniac pack mendacity abscissa ordinate yacht yearn yaw yare yen yelp yin yonder yoni yore yours yolk zany zest zeal  zenith zingy zooid treatise hyperbolic lingam blasphemous farcical fugueness and estranged ensemble orchestration rendition various assorted forms of related stranger weirdness traveling down this obtusely overt contusion in my vehicular contrivance convection convolution abalone absolute acceptance accurately acquiesce acquire actually adamant additional adequately adherence affiliation affinity against aggressive allegiance although allusions amendable analogous analysis anchor ancient animation annihilation appeared approach appropriately archaic assembler assimilation assuage attain attempts attendant attribute audience aura auspicious authoritarian authoritative barbeque before belligerent binary blazing Buddha bulwark carousel ceaselessly ceremony chaos character charisma Christmas chronological cite classification classify clutter cocoon cognation cognizant comment communal complete conceive conceptual conclusion conducive conquered consciousness constituent construction continuum contrarily convenient corporeal collage creates credibility crystalline culture curious curriculum decadent decide deferred deified deity deliberately delineate deluded delusion demagoguery democratically descriptions desire destroy destructively develop dialectic dictates difficult diffuse disappeared ecstasy ecstatic efficiency elaborate elliptical empathy endeavor engaging equipment escape especially essence eventually evolutionally excellence excitement expectorant expedience experience extraneous extremity façade facet fashions fever flatten forgotten frailty framework gapping glimpse grandiose graphically groan growing hedonistically hierarchy hobby holocaust homogenous hovering ideology imagination immaturity immediate imperative impertinence important inadvertency inapplicable indispensable individually infancy initiate innate interpreters intervene intricacy intrinsic irrelevance jagged kaleidoscope lit literally lose ludicrous macabre minstrel meld mischievous model monstrous mores myriad mystic necessity negativity Newtonian normalcy nuance nullify obnoxious obscure obvious occasional officiate ominous omnipotent oppose optimizes oscillating ostracism paradoxically partially participants pebbles perceive pervasive phenomena portrayal posses preceding pretty prevalent pregnant primitive prism processional progress prominent proprietor psychic psychological purpose pyramid quandary rational receptacle recumbent redemption refused reiterate relatively relativity relevant reminiscent renaissance revere schemes schizophrenia separately sequence serious severe socially spontaneous stalwart stimulus stomach struggle stunned succession superimpose supplement suppose surround swimming switch symmetry sync taubla tapestry tenacious tendency tyrant terrestrial torrential totally tomorrow transient turbulence tyrannical ulterior ultimate universally unwarranted vicious weather yankee whether soliloquy amenity ambivalence ameliorate aggrandize aghast agrapha barnacle gerrymander jasper jasmine obfuscate obdurate castigate metaphysique cyborg appliance intrepid intrigue mystique impetus volition gumption motivation inspiration metaphor parable leprechaun leniency secund hefty endogenous exogenous lozenge irrefragable recalcitrance fecund jaded seal ordinand obdurate aberrance ignominious interface consent imbroglio embroilment lethargy impressionism agitator treacherous lurid allure obstreperously abstruse subconscious squanderous squalid anomalous punitive incendiary infrangible extemporaneous incognito (succubus , incubus) incongruous incredulous indemnify indigenous infernal infidel iniquitous secular funky spunky Rosicrucian epicurean phlegm levity levee lubricious loath loathe frigid **** ******* lick fenestration dire ****** brash crass rash aggrandize tactile acuity bridge rude crude bandy randy monad positive indenture obnoxious obtrusive obtusely overt indemnities annuities cavalier dawdling gallivant bought naught fought caught ought dribble rip zip gig blond entropy catalyst cohort cavort chronological sublime purvey pander meandrous extravagant exorbitance ***** vicarious endear eccentric cognate frolic frivolity fawn agnate aggregate junction function conjunction conjecture conjugation adjunct contiguous constituency cohesive coercion covert maestro maitre d mastoid newel minx murk monad muss muggy mull mirador bartizan musky meager demonstrative anarchy iconoclasm misnomer mimicry minaret mimetic monocracy pungent mordant mnemonics mangle maim mutilate mesomerism morpheme nepotism nurture vexation anxiety vindictiveness vendetta moot void null meringue laconic obliterate papaya proboscis podiatry polemist porcupine palindrome pandemonium presumptive procureness ploy **** paltry pander paphian pummel puny presage felicity parley parturient potpourri partisan peccavi verity goad penumbral platitude platonic proxy photic pharos perdurable preemptory posh perfunctory perilymph phoneme phenetic phantom permeate proximity phantasm phalanstry delusory apparition pietism oviparous expiate vindicate extricate  exonerate absolve posthumous prehensile prerogative presumptive prestissimo preterite retroactive primacy prevaricate equivocate primordium primeval puissance  pristine prescience prompt prodigious protagonist prurient pyre lurid pshaw guffaw purlin purloin quirk pith quark ***** tip put temerarious userp asymptote pirate tiny hat  thief tine slow slide slim hide me effigy infinitesimal slink slick paw
flaw craw claw heuristic swum cuckold climb locuna live **** sly **** sequacious expeditious sequesterous glove glaive glade
don’t dale  otter glue equestrian gog rift cog gone lean had good gold ride ode *** house pine low law earth *** guilty slime negligent torrentially torrid tortuously tempestuous einzeln function truckness presumptive procureness ploy **** off the line cyborg cylon live antonym exogamous dimorphism pry rap gape homogeny gap dudely cruel incredulity ergo apropos ipso-facto pith tip push where keeky geek peek peep glib jive gawk talk dudely cruel off the line but off it !  pit ego colossal incredible fantastic great outrageous amazing fabulous terrific stupendous splendiferous glorious God grandiose orgiastic magnificent ne plus ultra astounding astonishing bodacious marvelous exuberantly ecstatic subliminal nostalgic allusions subordinate ancillary conjectures similar analogous configurations exotically ****** quixotic render proof orchestration rendition unicorn railway mainsail ebullition monad girdle thigh spasmolytic heuristic sartorious sartorial discrepancy amendment rip reave rive tear rend esoteric erudite beleaguer hype synch torque your ringer occipital sync ubiquitous eucharistic oblation obeisance oblate obelisk ubiquitous edifice ******* efficacious salacious lubricious sagacious expeditious grief  orgiastic paroxysmal orthogenesis overture repertoire quagmire quandary poshly plush lushly lustful longevous loquacity hunky-dory harbinger guzzle gyro gyre exult heuristic awkward humph haberdashery hauberk huarache bourgeoisie dichotomy greave zealot goatee cavalier humerus gumption hors d’oeuvres coalescent hysterically delirious coercion nullify correspondence corral coral architrave archaeology ardent ardor arduous awry askew asinine altruistic allure allude alluvium aloof egress effulgence ephemeral apathetic anxiety antonym existential exigency exodus expiate esoteric exacerbate evoke exact exult excerpt exorbitance cajole argent apriori arbitrate appliqué aqueduct presumptuous prestige precocious precursor preempt predilection premises premonition preoccupy preponderance prescient pretentious perineum peristyle perpetuity pervade pertinent portent elicit pursuance putrid quasi queasy quaver quarrel rampart ransack voracious rapport ratchet raucous ravenous reciprocal rectitude emanate imminent perdition erudite erogenous scarp lambent reticent vehement auspicious austere consternation construe contingent convection convolution convenient cocoon coerce collaboration collude vacuum vacillate vestibule vicarious recalcitrant repudiate resend resilient resonance purvey wreak writhe wreath fortuitous fulminate fuscous cudgel futurity gable gallivant gallant embellish gauntlet scavenge scandalous scarify scatter schlieren scholarly scoundrel scowl unmelodious scramble scrabble scraggly craggy cephalic fallacious fallible absurd cutaneous synthesis commission extreme  conscientious adherent proponent subtlety diligent receive interesting abhorred exorbitant arrangement intelligence surprisingly important encompass contributes asymmetrical excellent elliptical collaboration straddled collapsible spanned feasible oriented pervasive artistry instructor precursor innovate adrenergic adumbrate queasy acclimatize accommodate acceptive accordant accrue accusation acrimony actuarial acuity adduce adjective adjunct admonish adroit aerobic aesthetic prosaic affiliate affluence aggravate aggregate agnate agonize airy albeit alchemy allege allegiance allegorical alleviate allocution ambience ambivalence amenity amenable anaclitic analgesia anacrusis analeptic anathema subordinate ancillary anecdotist animism animosity annulet announce anomaly anonymity antagonize antecedent subsequent antefix antenna anterior pathos antipathy antithesis aperture appall adorn pertain appreciate aquifer arbiter arbitrage arboreal frantic pedantic febrile fanatic quixotic hegira to xanadu frenetic zealot zeal eucharistic oblation occipital ubiquitous omnipresence opulent effluent affluence larcenous overture orgiastic paroxysmal ornithology orthogenisis gleam sheen English bird treacherous lecherous asinine dumb foolish stupid inane ignoramus absurd idiotically imbecilic silly unintelligent dense dingy crazy insane quasi slow epos epitomize epochal era gemma schema lemma jargon idiom colloquialism vernaculars peer quay pier pair appearance insipid vapid insidiously insolent pompously bombastic blatant flagrant chaparral epopee pseudopodia actuator militantly mercenary covert adumbrate intimate obfuscate abet abeyance proxy fugue edict advocate détente anticipate angary amentia terse inabsentia expurgation imputation impugn exculpate eugenic euphenics incumbent incipient accidence acoustics acquittance amore malign asperse amok amuck allegorist pervert aspect aorist wrist expiate asylum epigynous anovulant antenatal antidote antiquity antitrust antithetical argufy apartheid apocalyptic apologist apothecary apomixis appreciate aposteriori apostrophe protractive analysis parabola avidity liberty concise tine albeit life still arrogance coherent abandon abate abash abase abdicate abduction abject abominable abominate abomination abound abrogation absolution absorption accentual accession accede accessible accommodate accomplice accomplish accrual accursed acerbity acrimony accredit accustomed actuality actuate addle adamant adjutant adventive adultery adulterate adventure adversity advertent adulteration venturesome advocacy eyrie aerie aerial affix affront aggressive agile acuity tactile nimble agnostic agog agonist aghast avid avarice agrarian curtilage Arian airhead peterbrain alacrity alchemize alibi allegation allegory gorge ally allocate aloof altercation ambition amatory prelude amaze amateur  ambidextrous ambient amble amiable amicable amorist amulet analeptic analgesia analytics anathema android amalgamated anemometry animism annals chronicles annex annul annoy anonymity antecedent arcade armature arson articulate ascension assiduity asperity asynchrony augmentation audible auger aural areola auspice austerity authenticate autonomic astronomical enumeration auxiliary avenge avert economist autonomist autonomy aviatrix axiom avow avouch bifurcate bigamy bend bind bent bisexual berate bereft hype due behave behaviorism ******* behest bereave beholden biologism bureaucratize circumvent conscribe bacchae backslide backswept badland baddy bagnio baize balky ball hawk balmy bambino bamboozle banal bandwagon baneful banishment bankruptcy banter bandy barbarism barbarous barratry base pay bang bash bastardy bawdry lewd obscene ***** bawl beamish beatitude ****** beat beautiful bedlam beggary begrudge befuddle perplex behalf beleaguer beneficiary benevolence benighted bequeath bequest berth betroth bevy birth bitchery bivouac blabber blandish coax blah blither blare blazon bleak blear blighter bliss bloomy blot blunder blotch blooper bludgeon gag blurt blush bluster bonkers bosh boulevard bout brat browse brunt brute buck passer buffet bungle bungalow bunk bunt buoyancy burglarize burnish burp belch burlesque bureaucratize sorrowful lamentation baleful caterwaul
true clench closet queen constitution provocative soap menagerie melee cirrus camorra caboodle cabotage cabriole cacophony
cadge cahoots cagey cairn calamitous calculate calibrate  caliginous caliper calyx callet cameo campestral canard candid candidacy candelabra candor canker can’t canter canteen canoe capitation captivate capture carapace caribous carnal carnival carny cartomancy casque castellated caste castle catacomb catatonic phonics caustic cavernous celibate censor centric centrifugal centripetal certify cervixes cestus chalet chalice chameleon changling chaperone charlatan chary chaste chastise chastity cheeky cherish chesty chide ***** chintzy chivalrous chinch chomp choose chortle chromatic chronic intrinsic chroma chump chutzpa chute cinch conciliatory ciliary ciliate citadel citation civility clank clammy clang clairaudience taciturn reticent classify inveterate claudication cloven cleft cliché click clinch clement clip clique ******* cloak & dagger clobber clog clone clonk cloth clothe clothier cloture redolent clout cluck clump clumsy clunk coadunate coalition coadjutor coaster brake coax cochlea chronology inundate **** coexist anachronism coercive coitus coincide collinear collateral collegiate collision collusion coma combinatorics comfy  commandeer  commensurate comensal commend commerce commence commodious commotion compatible compensatory competitive compile complexional complicity comply connotation compost composure compunction compulsory concatenate concoct catenary concubinage condolence condemn condescending conducive cavalcade confidant confession confirmatory confiscate conformity confrontation congruence congeal congenial conjure connection connivance connote conquest conscript consequence conservatism consistent console consolidate consort conspire contagium contention continuity controvert conveyor copulative cordial cordon cornucopia coup couth coy crag cranky craven cringe crud culminate cumulate cursive credulity credulous infidel gullible diatonic perturbed derogate edict delict rage tirade irate vehemence denouement denounce tire dervish dictatorial diction proof desolate deontology Kant indenture defray detinue douceur amuse disseminate eustachian daft dainty damnify dapper dastardly dauntless daymare dead heat dead horse debauch debacle decadent debauchee decamp declamatory declension decorticate deductive default defeasance defenestration defunct defrock deformacy degeneracy deft deforce hipster mesmeric deification deist deleterious delimit deltoid delve deluge delusion delirious demimonde demesne demiurge demoniac demonetize demonstrable denizen denegation denigration demur demure despot desperation destine despise detect determinative determinism detersive deterrent detest determinacy detectaphone devout devoid detract desultory detrimental detour deviate deviant devastate devotion devious devisee devolution devolve developer dialectic dharma diagnosis prognosis matriculate diacritical differentia diffraction digenesis dignitize dignitary dilly diligence ***** dilemma dilapidate diminution **** ding diphtheria diphthong dent dirge dirk disaffirm discontinuity disclaim discern discord disconsolate discourteous discredit discontinuance discretion discriminate distain disenfranchise disenchant disencumber disenthrall disembody disgorge disgrace dishonest disguise disengage disinfestant disjunct disillusion disinfectant dislodge dismal disloyal disoblige disobey disparity disparage dismantle dismay dispatch dispel dispersive disproof dispute disrupt dissertation disrepair dissipate distillate distort distract ditto ditty diverge divaricate divert divest divulge dominion doohickey dormer doss dowdy doughty dowry drastic douse drat dray dread drawl dreary drippy drifty drivel droll drown drowsy drudge plan dubious dude dudgeon dulcify duct ductile drakeness ducky duel dull dusky tawny dynamic dwelling dwindle derisive bombastic primordial integumence parenthetically pragmatically prosaically practically protractively portion premise portent pervasive perpitude phenomena hierarchy predicate metaphysique endoskeleton ectomorphic dour droll dismal dank dreary bleak stark Electra complex lore epigone epigraph epsilon epistaxis epilation earnest earthshaker earthward earwitness eclectic ebonize electroacoustics ciphony ebullience eccentricity echelon echoic eddy edgy edify edit educe edition eerie edacious effectuate effeminate effete efficient efflux effrontery effluent effusion ego defense eidetic ejecta elaborate elapse electioneer curtail elocution elucidate elegant eloquence Elysium emancipation manumission detinue osteopathy elucubrate emasculate emaciate embark embargo emanate emblazon emote embellish elusive enhance embracive embouchure emergent emendator embryology emit emissary emitine jacquerie empathy empennage emphasis emphatic emigrant empirical emulate emunctory encephalic enclitic yuck junk funky junkies enchant enchain enclosure encroach encrustation encumber endergonic endorse endowment enduro enfetter enforce energetic enemy enema enervate engender engage propensity preternatural proclivity prestidigitation gesticulation equilibrate equilibrium equilibrist preterite rendition retroactive engross engulf enhance enjoin enlightenment enlist impressed enormous ennoble enrich  ensheathe enshroud ensnare ensnarl entanglement enthrall enthusiasm entice entity enthuse entrap entreat entrance enunciate envoy envy envisage epigynous epigraphy cipher epilogue episodic epitaph epistolary epithet equate equestrian equity equivocal equivocate eradicate erosion eroticism errancy erratic erroneous ersatz erumpent erudition erythron epistemology espalier essentialism progressivism esprit espy estimator estrus estuary etcetera ethnic ethos ethic eternal ethereal eugenic euphenics eustachian tube salpinx euthenics euthanasia evacuate evaluate evasive eventuate evaporate evict evident evil evert evolve exact exaction exult exaggerate exasperate excel excerpt exception exclaim exclude exculpate excursion excuse execration execution exempt exhume exile exhaustive exhibitionism exhilarate exegesis exert exonerate expense expletive explicit exploitation exponent export exposition exserted exposure expound expurgate ubiquitous extemporize extenuate exterminate extensive externalize extinct extort extradition extrasensory extraordinary extol extract exuberate extrude foible fasciculation twitch flinch fenestra Fabian falchion falangist Phillip felly ferro falsie **** fess fink out festinate ***** bustle fourragrere fimbria feduciary fabricant fable fabulist façade facile facilitate facsimile facture faena fain fairing fallopian fallow fascinator fash fatalism fastidious fastuous fatidic fatigue Faustian fatuity faux pas feasible faze ******* facilitate feline feeler ferocity fertile fervid fervor fetor fetus fetology fetish feverish fester fetation fetch fiat fief fiasco feticide obnoxious fiacre figment fickle fictitious fiddling fidelity fidgety fierce fiesta  filch filly filthy finale finesse fingertip finicky fang finite firmament flabbergast fixation flak flashy flagitious ******
flashpoint paroxysmal retrograde flaunt flasher flask flat flap flaw fledge flee fleece fleet fleshy flighty flick flexible flimsy  
flimflam fling flinty florid flora ****** flourish flotsam  flub fluke flurry flush focalize foist footing foray forfeiture forgery foreign
forensic formalize format formica formulate fornication forsooth forswear perjurious fortify forte fortissimo fortuity forum abjure
abnegation fossil fosterling four flush frame up freaky frazzle frenulum fret frigidity frigate frill fringe fritter frontal fructify fruition frump frugal fuel fulcrum fulgurous fulham sable furor furring brazen furtive fustigate future perfect fuchsia find roan gauntlet gamut gatecrasher havoc glass jaw glare glass eye gabber gadzooks gaff gaga gage gaggle gag rule gainful gainsay gait gala gale gall gallery gallivant gallop galvanic gambrel roof gander gammon garb garish garble garnishment garrulous garter gasp **** gaudy gauge gaunt gavel gear fad gee haw gemma gender genealogist geotropism germinate gestation ghost writer ghoul gig gigantic gill gimmick gimp girlish gist gizzard glaive glamorize glance glaze glean glint glitch gloat globe gloomy glitter glom glob glop glorify gloss glower glutton glum slum glue hue gluteal gnash aphorism adage gnosticism gnome goggle gnomic gold digger psychic golem gore gorge gown gossipy gouge grasp greedy frigid gremlin greave grieve grin grime grim grind gripe ***** groom gross grit groin grove grout growl grumpy grunt guck gruntle guide guile guild guilty guise gull gulch gully gunk gushy gust gussy up gulp gusset gush gustatory gung ** gusto gutsy gyne gyre gynecocracy gyve guy  aceimnorsuvwx  bdfhklt  fgjpqyz atheist goblin Godiva grog hang up disinter gamet zygote hunks hunkers haunches black white life death lithe heart rending miserly greedy stingy frugal habitation propinquity habituate hackamore hagride hairbreadth halftrack hallucinosis hamstring handicapper handless hangin hand woven hanker hanky panky haphazardry hari kiri **** harangue harass harbinger harem oviparous residual harmonic harpy harsh hast hassle haggle hasty pudding haugh haunt haversack haversian canal hawk hazard heady heal headway heap hearing hearty heave heathen heavenly heavy duty heft heir heinous heifer heist helix enliven glue hellion helm hemlock hence heredity primitive anachronistic hangover heretical heritage hermit recluse heresy primordial integumence skull hernia hue hex heuristic hirsute hireling ally hint **** hoard hoax hitch hoist hokey hoot horizon hornswoggle horologist hostile hostage housebreak huckster hovel huff humeral hurtle hustle hutz pah homage homogeny exogamy hone honesty honkies hooky hutch hypercritical hypotaxis hysterics incoercible idiosyncrasy impugn idolatry ileum imagism idempotent ides ichor icky icon ics ictus ideational identity crisis matrix idea iffy ignescent illustrious immaterialize imitation inextremis immanentism immolation mollify impeach impedance impecunious impassion immutable retrograde recumbence inabsentia impious impenitence impinge implore impotent paroxysm impressment impute impromptu impoverish improvident imprudent improvise imputation inanely inanimate inauguration incorrigible inappreciative inconsequential irreverence inconsolably disconsolate irreparably irreconcilable incorporeity ideally ideogram inferential illicit incarnate incestuous inch incident converse incipient incite incognita incommodious incompliant incommunicado indagate incursion incus incumbent indecorous indecent exposure indecipherable indefeasible indenture indictable  indicative indignant indiscrete indite indolence indubitable induce indulgent industrious ineffectual inane inert inertia infamy infanticide infest infinitesimal inflect inflict infringe encroach infrastructure inflation influential informant inimical iniquitous innumerable innuendo inquisitor injunction injudicious inkling innocuous insolent insidious insipid inept phatic volatile instigate insinuate instinct intangible interdict intentional interject intimate intimidate intricacy intrigue intrinsic intrepid introspection introvert intrusive intuitive inviolate invade inundate invalid inventive inveigh inure defeasance foist isomorphic isthmus fistula jabber jackal jackleg jag jaunt jeer jerkin jest jetty jettison jiffy jig jilt jive job jack jolt josh jostle joust jovial judicious juggernaut jugglery jumble jumpy junctural jungle junk ****** jurisdiction justice justification jute jutty juvenile delinquency juxtaposition kale kalimba kangaroo court kaput karate karst kayo keel keep kempt kept keynesianism kick in **** kindle kinetic kink kist **** kleenex kismet kirtle kith kithe kitsch klaxon knack knavery **** knout kobold koan kneed king cogent adroit lollygag lummox languorous lanyard limbus lotic loquacious lesbian lam labial lambaste lampoon landmark bilk lang syne languish languid languor larder larky larvicide larynx lascivious lateral latent recumbent lapel laud lavish layette lecher leeward leer leech legacy legate lefty lest lewd avant-garde levant avaricious liaison libido libertarian lien ligature lilt list lisp liturgy livid loiter loom loophole lubricity lubric lucent lugubrious yuck lunkhead dolt lurk luscious luster luxury lynch lysis legerity lemma lickspittle limnetic ankh maverick mare liberum marabou machete machinate machiavelianism magniloquent macroevolution macrogamete Magdalene mantis mantra maniacal manubrium mare’s nest maenad majuscule maladjustive malfeasance maleficent malefactor malevolence mash malm malocclusion manipular manifesto mastectomy maw manacle manifest Manitou mana marrow pith manumission constitution marsupial mare nostrum masseur pervade perpitude quark master plan master race mastoid glitch exiguous skimpy scanty sparse masticate matriarchy matriculate escutcheon nombril mere mathematics matrix matinee impetus maxim axiom meatus minimax mediation mediocre medley metabolic meddle ménage a trios menagerie mendacity meroblastic menial meiosis meliorate memorandum memoir memento mori menace mesne menarche menorrhagia meninx mesh mesomerism mesne lord metal methodical meticulous mettle miasma microcosm militia mingy minion koan mirage mire misnomer modality mockery ****** mongrel monstrance morbid morose mortify mortise martingale motivity musky mushy murky muse mutuality muzzle myopia mystique mesomorphic nabob nadir narcosis nark native natty navaid necking pilaster neigh neuter neutrino nexus ****** nihilism nimbus nimiety nitty gritty noisome nominalism nonconformity non sequiter nooky noose nostalgia nostrum notch notion notorious noumenon nous nuance nubile nymph nympholepsy numinous ***** obliquity oblivion ubiquity eucharistic oblation obligee oasis oath obbligato obligatory obliterate obnoxious obscene obstreperously abstruse exude obviate ochlocracy odium odalisque ominous awesome omnivorous onerous onus opprobrium opprobrious optimal opulence orifice ornate orotund ostensible osteopathy oust outlier overawe overt **** ozone procurator pagan palingenetic pallid pallor paragon pagoda palpitate pander pandemic panhandling paraphrase paternoster pathetic paunch pavilion pawky peachy peculiar pedagog pedal pedantic peart peccant peeve perception intuition peremptory perdition perdurable detinue perfective
perfidy perforce periphery perjure perk permeate permute perorate perpetual perpetrate perpetuity perplexity persecute
perspicacious perspiration pertinent perturb ******* pesky perky pester pestilence petrify petrous phalanges juggernaut              
phenomenal phylogeny phobic phony photosensitize phrenic physicality ***** physicalism pick pictorial pious piety piffle pilgrimage pinion pithy placate placid plaint planetoid plasma platitude platonic plenipotentiary plucky plunderous poach plenary plummet polemic polyphonic postulate pouch polyandry polygamy populist pounce popsicle potentate pout practicable chatter prattle precarious precedence precess precious predetermined predicament preen prelusive premonition prefix preposterous prevail prevalent presumptuous **** prim priority depravation probity prodigious profane promulgate proffered prohibitive projective promiscuity propagandize propagate prophetic prosthetic propinquity prophylaxis protocol proprietous propitious haggard proxemics prosecutor prospectus protensive proximity pummel pundit prejudice piranha punitive purgatorial purificatory putschist kitsch quag quantum jump quarrelsome quarterstaff Quetzalcoatl quickie quirt quoit rescind reverb revile mnemonics retuse rabble rachis raconteur ratification radial radix raffish raft ragamuffin railroad raiment rake ramify ramet ramus rank rancid **** rapper rapt rapture rarefy rarified rave ravel raw raze razzle-dazzle razzmatazz realm ream reap rebuttal rebuff rebuke receptaculum recital recess reconcile recondite recourse recriminate rectilinear rectify rectitude recumbent recuperate recursive redeem redolent refer reek reeve reflective reflex refraction refulgence refuge refuse relativistic reliquiae remedy remorseless remnant repertory replicate reproach reptilian repugnant repulse repulsion rescissory residue resignation resolute restitution retraction restriction restraint resuscitate reticent retentive retinue retreat retribution revel reverberation reversal revert revulsion rhapsodic rhombus rhomboid rictus ridgy rifle riff rigorous ritzy rival roan roam roar rive robust rodent rodeo roguery rollick frolic romp rote rouge rout ******* rubble rubric rumpus rumor rural ruse rustle Ruth sitzkrieg superciliary supercilious surfeit suture bravo bravado seminal vesicle sacerdotalism sacroiliac sagacious saga safari saguaro salpinx salubrious salvo salve sanction sanctify sanguine sashay satchel satiate saucy savory scads scalpel scandalize scapula **** schmaltz schlep schnook scorn scour scoff scowl scow scram scrounge screak scud **** scuz seclude ****** seer selfish seminiferous senility sedition smear sycophant sensitize sensorium sentiment sequester sequential servile sham shindig shoddy singular screech situate skedaddle skew sketchy skittish skivvies slang slight slogan slovenly slouch sneaky snub soffit solvency sophistic spangle spar spawn spew squall squamous steeple logistical tactician strategy stupor subjunctive suborn subvert the clarity of criticism can create credibility comprehension can cause conducive consciousness supremacy surly burly squirrelly schema temporize tai pan tup trochlea ulna taboo taciturn tacit tacky tact talus tamper tang tamp tangible tangential tank tankard tassel tawny ****** telepathic temerity telos tenable tenet ternary terra-cotta testy topos tiercel theocracy tempting thew tizzy trite thirl throng thundering tantrum tonic torso topsy-turvy torus tour de force touristic **** tout tragus tractive trance tranquil traject transcend trample transducer transfix transgress transition transposition transude transpire treasure treason trek trenchant tremendous tributary trigeminal  trollop triumph tropic tropism troth trough tractable tract strumpet trove trump trustless tribunal twang tweeze twinge twirl twaddle tunic typecast tyrannical tyrannosaur traction padness tyrant tympanum twist ukase ultraism ultima ratio ultrastructure uglify umbilicus umbra umbrage unabridged unconditional unambiguous unanimity uncanny unceremonious uninucleat union unique unison unity farce sham unmannered unremitting unspeakable upsurge upstage urchin urbanist usherette usufruct travesty usury utensil ****** utmost ut uvea utter uvula utility uxorious usurp surreptitious vagabond vagarious vagile vagrant vagrancy vale valor validate vampire vanguard vas deferens vast vaunt vector venery venial veranda venture verbalist verboten verdant verdict verge vertebration verve vexatious fierce vigil vigorous vile vilify villainous vindicate violent virtue vitalist ***** vituperative vogue vomitus volunteer vouch vulcanization vulturous vulgarism weld **** volume decimate wahoo waive wangle wee weepy welch whammy war wharfage whereof whereupon wherein wherefore whereon wherewithal whine whopper wild goose chase wishy washy wisp woeful wrathy wrought wrong xenophile ******* fornication phantasmagoria fluent voluble yammer yelp yes man yummy zany zealotry zilch zing zombie zooidal zoom zounds zygomatic contiguous constituency confluence contiguity continuum concurrence conjunction conjugation métier quintessential
There was a motion on the floor for the nomination of a proxy to be my epigone.  I feared I didn't have enough votes to challenge so I filibustered.
Mili Vada Apr 2019
Stare the stare and the glaze is near, move the root and the weight is there - Kiss, don’t tell and it’s all going swell - You’re flaming heart is always a dare, I punish you by giving the stare.

I move into you with full brutal force, I close up when you say it’s been hours of talk. I need to feel satisfied before I think, you don’t even mean what you just did.

By giving me all the attention I seek, you always know how to speak. You learn and you go, and you travel to learn again - But this time I mean it - It was just not mentioned then.

I see you when I speak, I tolerate your thoughts. I adore the humbug you make out of nothing. Thank you for knowing me better than yourself, this is the real stare I meant to fit with that glaze.
jonni inferno Jul 2018
i met her    
in a waking dream    
as i walked beside    
the sylvar stream    
whose chattering laughter    
shifted suddenly    
into a sylvar pool    
of enchanted silence    
a mirrored glaze    
in muted    
misty
dawning rays    
    
her cascading mane    
a crimson flare    
sea-green eyes    
alluring stare    
my heart stopped    
to see her there    
reposed    
'pon a verdant garden lee 
beside    
the misting sylvar mere    
'neath    
the weeping willow trees    
    
dahlia lips    
whispering desire    
vermilion plunder splayed    
spellbound 
by her charms    
heart pounding    
thundering    
captured    
i stay    
an' wi' faire
lithesome beauty lay    
'pon a lush an' vibrant field    
beside    
the misting sylvar mere    
'neath    
the weeping willow trees    
    
we lay there    
lost in time    
locked    
in the silence 
of kindred minds    
an' i knew her name    
tho she spoke it not    
sipped i then
the misty morning dew    
from precious lips
that from me drew    
all that i    
ever thought    
or felt    
or knew
'pon the grasses lush and green    
beside    
the softly glowing mere    
'neath    
the weeping willow trees    
    
soft sings    
the whippoorwill    
the meadowlark    
an' mourning dove    
their voices weaving spells    
for lover's yearning hearts    
in the meadow    
by the way    
where my love an' i    
do lay    
entwined  
'pon the gleaming sylvan shore    
beside    
the shining crystal lake    
'neath
the weeping willow trees    
    
alas    
the dawning days    
were passing
when came malevolence    
within
a thund'ring tempest    
lightnings flashed
in ragged gashes
'cross the heaven's    
stygian passes
an' from those
gnawing caverns
spewed
a raging
howling
demon's brood
an' down flew they
by the sylvar stream
where my love
and i
entranced
did lay
beside
the mystic sylvar lake
'neath
the weeping willow trees
    
then from my arms    
vile creatures tore    
my lifesong    
my heart's blood    
my one    
and only love
her scintillating form    
they ripped    
her silent
piercing cries    
bleeding    
thru my soul
an' took her they  
far from this    
battered    
desert shore    
as her soundless    
painful    
chorus fades    
an' leaves me
here alone    
to lay    
'pon these shifting lifeless sands    
beside    
this sylvar lake of tears    
'neath    
the weeping willow trees    
    
the meadowlark    
her spellsong sings    
thru ebon winter's    
weathering    
the silver stream    
her laughter froze    
this heart    
once fire    
a soulless stone    
    
so now this raven
winged    
doth fly
to scour the bruised    
an' shadowed skies    
to find my dove    
an' bring her home    
to lay
'pon these frozen brittle stones
beside
the darkened sylvar tarn
'neath    
the weeping willow trees    
    
thru timeless age    
an' dangerous realms    
i followed    
her silent    
morbid    
ravenings    
as her grisly    
mewling pleas    
hollowed out my soul    
'til at last    
i found her    
chained an' bound    
lost    
deep within    
peculiar planes    
an' baneful realms    
far from    
the laughing sylvar stream    
far from    
the weeping willow trees    
    
her lament    
of bitter tears    
an' fear    
sliced    
thru my defenses    
a doomed    
pernicious heart    
she was    
wandering    
thru deepest depths    
where madness reigns    
all hope destroyed    
hell's minions    
reveled
unconstrained    
    
my dove    
called i    
my love    
'tis i    
once more    
thrice more  
time  
and time again    
till finally    
she hearkened    
to my voice    
    
true love    
recall us    
you and i    
dancing    
thru ageless realms    
consider us    
twirling    
under heaven's wings    
she
spinning
at my fingertips

an' i  
drew her then    
breathless    
into my arms    
ambrosia lips    
her sweet alms    
from her dark pain    
i did drink    
of her    
malignant sorrow    
i did partake  
my questing    
thirsting hunger    
willingly  
did i sate  
gathering all    
her shattered pieces    
from those altered    
blighted    
reaches
    
chains    
now broken    
i carried her
'pon wings    
of true love's    
sylvar light    
far from    
these darksworn legions    
into    
the dawning night's    
farthest regions    
    
an' there    
close by    
the laughing    
whispering    
sylvar stream    
lay her gently    
'pon the verdant flowing shore    
beside
our gleaming slyvar mere    
'neath    
our weeping willow trees    
    
under glimmering    
starlit heavens    
sing    
the whippoorwill    
the meadowlark    
an' mourning dove    
whose soulful songs    
compose    
for yearning lovers    
charms of hope    
where pools    
the laughing    
sylvar stream    
whose mirrored gaze    
draws us deep within    
celestial    
starlit    
wanderings    
  
as the wind    
whispering
sighs    
thru our hearts  
as we lay entwined    
'pon a verdant garden lee    
beside  
our misting sylvar mere    
'neath  
our silent    
weeping  
willow trees    
      
p j upchurch
Christos Rigakos Apr 2013
Through purple-greyish smoke billowed from lips both mine and yours,
our eyes glazed, blacklight seen reflecting on our silver ores.

Dark purple painted walls with red designs keep calm the folks
on leather couches billowing with eyes like silver ores.

Oh you and I, the strangers here, all have our many reasons,
some came with them, some made them here, eyes glazed like silver ores.

An Artificial Reason calms our minds in this Mad Season,
crucified on G-clef staff, eyes glazed like silver ores.

This sanctuary, whispered 'round, and found through word of mouth,
somewhere, we've all forgotten in the glaze of silver ores.

Our therapy, if long or short, time counted by the songs,
recovery is measured by the glaze of silver ores.

As one leaves so another comes, replacing on the couch,
the glaze of one with glaze of other's eyes like silver ores.

(C)2013, Christos Rigakos
Ghazal
CL Fjell Feb 2019
I still see your deep blue eyes
Behind the glaze
Yet when they gaze
I sit in full amaze
Emotionless you stare
As if without a care

Like glowing torches
Your eyes burn through me
Is it me you're looking at
Or the me I used to be

I still see your deep blue eyes
Behind the glaze.
1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
carminayasmin Apr 2018
I listen to them as they mouth your name;
and I see
how deluded,
how hypnotic,
how enchanted and consumed
they talk of your ways and,
how the stars in their pupils beam with a radiance of such pure awe.
Your words hang loose off the tops of their tounges and their lips drool in your glaze.
Your lazy features,  your so electric but so infuriating charm -
sends them mindless, locks them in your illusion.


So it’s then

I try to burn every
sheet of paper which ink prints your presence,
inside these desperate  shelves which fold upon each heartstring.

My ears attempt to block it out.
Instead they replay every song
that has ever left your lips.
And my eyes deceive me as they scatter
a particle of you on every surface of life I encounter.

My mind echoes every laugh you created in my streams.

Then I paint every colour you ever erupted within me,
in thick black.

As they mouth your name,
every trace of you with anyone but me,
causes my hands to pull through my gut,
and hammer down any of these ******* deceptive daydreams
that you have me  trapped me in.

And then so easily, one by one,
debris of my heart crumble like rain
down your window,
down each vein.
1 March 17:03
look at them all
Kiernan Norman Jul 2014
We didn’t bloom together the way we should have. We never eyed each other across neat soil; both self-conscious and self-righteous as we sipped the sun and, in quiet bursts, raced to touch the sky.  

We weren't planted by gentle hands in soft plots with room to stretch our limbs and shield our eyes, nor to bud in peace and thrive and find identity in both our own bold blossoms and as a pulsing piece of the whole lavish garden.

We didn't bloom because we erupted.
We running-start-swan-dived into stale dirt and were too close from the very beginning.
We didn’t sprout up straight; we snaked and lurked and left no bit of earth untouched by our vibrant, stencil **** fingers declaring ourselves alive.

By harvest we were tangled beyond repair.
By harvest I didn't know me from you and I liked it.

To be so entwined is lovely but depends on a balance
we could only begin to grasp.
To expand but not uproot requires perfect synchronicity maybe not beyond our years but certainly beyond our maturity. We spread out our emotions like tarot cards on a towel in the grass and reflected in your sunglasses I met the silent pieces of me.
In colorful, grim drawings those quiet, ugly bits floated up veins and settled under ribs.
They stayed silent. Until they began to scream.

And you and I- we didn't have the words;
not our own words that we earned and burned while stumbling across months and plains,
tripping over potholes and finding our feet quicker each time.
We had place-holders words we sang back and forth and splashed around and bathed in.
The words we spoke were profound and cardboard.
We were just reading lines, sharing identical scripts and an ache to be seen
so deep and desperate it was sinful.

We maybe shared the humid cling of regret; which hung heavy in stuck-air auditoriums,
it beaded sweat echoed, rolling down spines and turning blood to sticky wax as we whispered in the corner about the things we could say aloud while our minds never left the things we wouldn't dare.

We were mostly ill-equipped.
We joked about hurricanes
We didn't survive the first storm.

I want you to know you really hurt my feelings.
I want you to know you're the first guy I've given my feelings to hurt.
I want you to know I was terrible towards the end.
And I know that. But you gave up on me

You gave up on me at the exact moment I was giving up on myself.
Even as my tongue stung metallic and veins pulsed so hot and loud
through my eardrum that I felt I would explode- it was clean.
It was all remarkably clean.
and sterile.
There were no explosions.
No shattered plates, ****** knuckles or blown out voices
that scratched and rose in time with the sun.

Just a quick slash of rope-
an anchor cut loose and left to sink;
our secrets were set free to
rust over and collect algae.
We were suddenly off the hook
for any vulnerability we might have spilled
on each other in our fits of laughter
and hours of sleep.
A deep sigh of relief.
A deeper sigh of desolation.


The moment exists in sad yellow lighting that must have been added in restrospect.
I tweaked the floor of my memory too:
at that moment I was not wearing flipflops on linoleum- but sinking, slowly and barefoot, into chilly riverbed mud as it turned to ice.

I opened the door and there you stood.
You knew I had been crying and I didn’t try to hide it
it was too exhausting- running on fumes.

And I did expect something from you,
anything from you, that might dull the singed-dagger plunging
stab to my chest with each breath I gulped and spat .
I wanted anything that might reel me in from the cliffs edge
where my thoughts had carried me on horseback.

But you had nothing.
I watched your eyes glaze over my swollen lips and pinced, glassy eyes.
You threw back the melted, Picasso-esque mask where my face once was,
like a quick, sharp shot of warm whiskey.
Careful to avoid eye contact you slipped ‘**** this,’
under your breath and started to reach for my hand.

You started to, but then after a second suspended
you let your arm fall back to your body.
Head lowered, jaw clenched and you turned and fled with a new heaviness pushing down on your posture.
It looked painful and adult.
It looked like you finally felt the weight of our season.
And watching you go I shrank in lighter and thicker because I felt it too.

We are not going to get a happy ending-
not with each other and not right now.
Maybe not ever.
And that will have to do.
(Though I will miss your hand in mine.
I hope one day you'll remember being tangled with me and it will make you laugh before you cringe because I didn't like to be alone.)

If I wanted to be alone I would just go home.
Jacob Apr 2014
The girl with purple hair is sitting at my bar again.
I think she is beautiful. And not in a way that I wanna have awesome *** with her but in a way that I want to drink chocolate martinis with her
and go shopping for christmas vests that have tinkly bells and possibly polar bears with hats on them.
She is having a full-body cry. I am the worst bartender, simply
because I don't know how to counsel people without crying back at them.
She is crying about the state of women.

I know that we come from the same rotting wood, so all I do is nod.

"How is it that three quarters of the women I know have been ***** or molested?
What does that say about the men that I know?
**** is not a man behind a bush with a knife, she laughs
It's kissing you on the mouth like whiskey at a nice bar."
The girl with purple hair and I are holding hands now,
"I only wanted an apology,
an acknowledgement of what occurred."
Grappling as artists, as girls, as ships in bottles,
how do we change any of it?
I tell her I am going to write a poem.
She says no one wants to hear a **** poem.

And I know she's right.

Have you ever seen a stampede of horses?
Do you wonder what the hooves look like from underneath?
Have you ever tasted the blood from biting your own lips because you couldn't say no enough?
"I never fought back. I kept my thighs tight and
closed, but once he's inside you, you wish you were the streetlamp, the
store clerk, a street lamp, a bed of calla lilies-

anything but a woman.

In that moment, our eyes glaze over, and they stay that way for years.
That's when you've lost.
A poem by Mary Lambert, from the poem-book, "500 Tips for Fat Girls"
ryn Aug 2014
Tired eyes awaken and be at the ready...
For today has come with all of yesterday's debris.
Tired eyes you try but can't successfully conceal.
What the beating heart is dying to reveal.

Tired eyes glaze like you can't take anymore.
Filled to the brim; these sullen windows to my core.
Tired eyes give tears like you do effortlessly.
You seem so lifeless save for the drops you carry.

Tired eyes you say so much but yet the words are unspoken.
I know you quietly wish for a miracle to happen.
Tired eyes you reach but your arms are broken.
I know you scream out silently; all that's been forgotten.

Tired eyes why are you wide open but still you do not see...
See the sun rising, revealing all your wants splendidly.
Tired eyes I know you are but only waiting.
For the picturesque view of your heart's secret painting.

Tired eyes it's time and it's the end of a work day.
Don't anticipate tomorrow's load; just rest as I lay.
Tired eyes I am aware of sweet solace that you truly seek.
Tired eyes rest now so that tomorrow you might speak...
a May 2015
the double-glaze and blackout curtains shield me
from the world's uncertainty.
the panes of glass so sure not to allow its overside to retreat and
seep its liquid coldness to reach me. it's neither
cold nor warm at the touch, unlike me.
i am protected by the double gaze and blackout curtains but
some force that differs from the one that is currently causing
the tree outside sway dangerously close to my perch is
causing my mind and body to be insulated
by a layer of ice.
goosebumps prickle and my arm and leg stubble
raise themselves.
but my mind does not provide for itself thermoregulatory
reflexes, i
must withstand the shiver of my memories.
Hannuh Jacey Oct 2012
Rainbows sit high
Imagination glides down their backs
and it scars hearts
after reaching a high, nothing matches that
Missing something now.
The paint, it trickles down and melts eyes
its canvas pain, it paints it gray.

To my fickle sea.
Poking holes in wishes you receive
The colors of the bay, they float away
Black and White is an infinite abyss
Lose yourself in the grace of it.
No in between,
just keep your eyes wide
you'll see nothing.
The sand at your feet
The glass and rocks that glaze the earth,
always find a way to cut their grace.
Don't pray too hard for me.

Search through your garden
the size of a thumbtack
the flowers rise over your head.
Trees of candy cane sprout before your eyes
You can't see what another sees,
no one to know what you know.

Taking a step inside an orchids stem
and tip-toeing down through the veins of its petals
the purple and gold
they all bleed through your mind.
Form and shape the world which you dance along,
thoughts of blowing breezes send your thoughts along their way
into this endless sea.

Watch the lines write themselves into darkened corners.
The bright and shining sun could change your world.
Swirling and spiraling staircases send you downwards without a thought,
no stopping the whirl-pool once your slipping under.
An octopus would take you in
and with every one of his eight arms he caresses your pain away
showing real effort in his cause

those who impress, settle at unrest

Watch as the berries erupt and bloom
crawl along the lines
mazes of blue
and red know there is no way to succeed.
Watch as the bumblebees sneeze with their noses covered in yellow dreams.
they pack it in with their toes in teams

A great glass lake, to skate along
the ripples
She falls along each crease,
stumbling and tumbling between each droplet.

The clouds fly high above her head,
they gaze upon her flowing gown.
They cry sad tears when they see her eyes
drowning her futures in their skies,
flowing and crashing and thrashing.

With an umbrella, float away
above the days when everything
turned out wrong.

The great glass lake serves true,
until you skip the rock of inferiority along its reflection.
The shatter will fly all about.
That is the point at which it ends
Everything you know is then contradicted and compromised
Your own description shattered

Stones drop from high heights
out of clouds with heavy hearts
waiting to smash this dream.

Great glass lake shines on.
February 7th, 2008
Read well with - The Reluctant Ballerina by Greg Maroney
I met him on the Amtrak line to Central Jersey. His name was Walker, and his surname Norris. I thought there was a certain charm to that. He was a Texas man, and he fell right into my image of what a Texas man should look like. Walker was tall, about 6’4”, with wide shoulders and blue eyes. He had semi-long hair, tied into a weak ponytail that hung down from the wide brim hat he wore on his head. As for the hat, you could tell it had seen better days, and the brim was starting to droop slightly from excessive wear. Walker had on a childish smile that he seemed to wear perpetually, as if he were entirely unmoved by the negative experiences of his own life. I have often thought back to this smile, and wondered if I would trade places with him, knowing that I could be so unaffected by my suffering. I always end up choosing despair, though, because I am a writer, and so despair to me is but a reservoir of creativity. Still, there is a certain romance to the way Walker braved the world’s slings and arrows, almost oblivious to the cruel intentions with which they were sent at him.
“I never think people are out to get me.” I remember him saying, in the thick, rich, southern drawl with which he spoke, “Some people just get confused sometimes. Ma’ momma always used to tell me, ‘There ain’t nothing wrong with trustin’ everyone, but soon as you don’t trust someone trustworthy, then you’ve got another problem on your hands.’”—He was full of little gems like that.
As it turns out, Walker had traveled all the way from his hometown in Texas, in pursuit of his runaway girlfriend, who in a fit of frenzy, had run off with his car…and his heart. The town that he lived in was a small rinky-**** miner’s village that had been abandoned for years and had recently begun to repopulate. It had no train station and no bus stop, and so when Walker’s girlfriend decided to leave with his car, he was left struggling for transportation. This did not phase Walker however, who set out to look for his runaway lover in the only place he thought she might go to—her mother’s house.
So Walker started walking, and with only a few prized possessions, he set out for the East Coast, where he knew his girlfriend’s family lived. On his back, Walker carried a canvas bag with a few clothes, some soap, water and his knife in it. In his pocket, he carried $300, or everything he had that Lisa (his girlfriend) hadn’t stolen. The first leg of Walker’s odyssey he described as “the easy part.” He set out on U.S. 87, the highway closest to his village, and started walking, looking for a ride. He walked about 40 or 50 miles south, without crossing a single car, and stopping only once to get some water. It was hot and dry, and the Texas sun beat down on Walker’s pale white skin, but he kept walking, without once complaining. After hours of trekking on U.S. 87, Walker reached the passage to Interstate 20, where he was picked up by a man in a rust-red pickup truck. The man was headed towards Dallas, and agreed o take Walker that far, an offer that Walker graciously accepted.
“We rode for **** near five and a half hours on the highway to Dallas,” Walker would later tell me. “We didn’t stop for food, or drink or nuthin’. At one point the driver had to stop for a pisscall, that is, to use the bathroom, or at least that’s why I reckon we stopped; he didn’t speak but maybe three words the whole ride. He just stopped at this roadside gas station, went in for a few minutes and then back into the car and back on the road we went again. Real funny character the driver was, big bearded fellow with a mean look on his brow, but I never would have made it to Dallas if not for him, so I guess he can’t have been all that mean, huh?”
Walker finally arrived in Dallas as the nighttime reached the peak of its darkness. The driver of the pickup truck dropped him off without a word, at a corner bus stop in the middle of the city. Walker had no place to stay, nobody to call, and worst of all, no idea where he was at all. He walked from the corner bus stop to a run-down inn on the side of the road, and got himself a room for the night for $5. The beds were hard and the sheets were *****, and the room itself had no bathroom, but it served its purpose and it kept Walker out of the streets for the night.
The next morning, Texas Walker Norris woke up to a growl. It was his stomach, and suddenly, Walker remembered that he hadn’t eaten in almost two days. He checked out of the inn he had slept in, and stepped into the streets of Dallas, wearing the same clothes as he wore the day before, and carrying the same canvas bag with the soap and the knife in it. After about an hour or so of walking around the city, Walker came up to a small ***** restaurant that served food within his price range. He ordered Chicken Fried Steak with a side of home fries, and devoured them in seconds flat. After that, Walker took a stroll around the city, so as to take in the sights before he left. Eventually, he found his way to the city bus station, where he boarded a Greyhound bus to Tallahassee. It took him 26 hours to get there, and at the end of everything he vowed to never take a bus like that again.
“See I’m from Texas, and in Texas, everything is real big and free and stuff. So I ain’t used to being cooped up in nothin’ for a stended period of time. I tell you, I came off that bus shaking, sweating, you name it. The poor woman sitting next to me thought I was gunna have a heart attack.” Walker laughed.
When Walker laughed, you understood why Texans are so proud of where they live. His was a low, rumbling bellow that built up into a thunderous, booming laugh, finally fizzling into the raspy chuckle of a man who had spent his whole life smoking, yet in perfect health. When Walker laughed, you felt something inside you shake and vibrate, both in fear and utter admiration of the giant Texan man in front of you. If men were measured by their laughs, Walker would certainly be hailed as king amongst men; but he wasn’t. No, he was just another man, a lowly man with a perpetual childish grin, despite the godliness of his bellowing laughter.
“When I finally got to Tallahassee I didn’t know what to do. I sure as hell didn’t have my wits about me, so I just stumbled all around the city like a chick without its head on. I swear, people must a thought I was a madman with the way I was walkin’, all wide-eyed and frazzled and stuff. One guy even tried to mug me, ‘till he saw I didn’t have no money on me. Well that and I got my knife out of my bag right on time.” Another laugh. “You know I knew one thing though, which was I needed to find a place to stay the night.”
So Walker found himself a little pub in Tallahassee, where he ordered one beer and a shot of tequila. To go with that, he got himself a burger, which he remembered as being one of the better burgers he’d ever had. Of course, this could have just been due to the fact that he hadn’t eaten a real meal in so long. At some point during this meal, Walker turned to the bartender, an Irish man with short red hair and muttonchops, and asked him if he knew where someone could find a place to spend the night in town.
“Well there are a few hotels in the downtown area but ah wouldn’t recommend stayin’ in them. That is unless ye got enough money to jus’ throw away like that, which ah know ye don’t because ah jus’ saw ye take yer money out to pay for the burger. That an’ the beer an’ shot. Anyway, ye could always stay in one of the cheap motels or inns in Tallahassee. That’ll only cost ye a few dollars for the night, but ye might end up with bug bites or worse. Frankly, I don’t see many an option for ye, less you wanna stay here for the night, which’ll only cost ye’, oh, about nine-dollars-whattaya-say?”
Walker was stunned by the quickness of the Irishman’s speech. He had never heard such a quick tongue in Texas, and everyone knew Texas was auction-ville. He didn’t know whether to trust the Irishman or not, but he didn’t have the energy or patience to do otherwise, and so Walker Norris paid nine dollars to spend the night in the back room of a Tallahassee pub.
As it turns out, the Irishman’s name was Jeremy O’Neill, and he had just come to America about a year and a half ago. He had left his hometown in Dublin, where he owned a bar very similar to the one he owned now, in search of a girl he had met that said she lived in Florida. As it turns out, Florida was a great deal larger than Jeremy had expected, and so he spent the better part of that first year working odd jobs and drinking his pay away. He had worked in over 25 different cities in Florida, and on well over 55 different jobs, before giving up his search and moving to Tallahassee. Jeremy wrote home to his brother, who had been manning his bar in Dublin the whole time Jeremy was away, and asked for some money to help start himself off. His brother sent him the money, and after working a while longer as a painter for a local construction company, he raised enough money to buy a small run down bar in central Tallahassee, the bar he now ran and operated. Unfortunately, the purchase had left him in terrible debt, and so Jeremy had set up a bed in the back room, where he often housed overly drunk customers for a price. This way, he could make back the money to pay for the rest of the bar.
Walker sympathized with the Irishman’s story. In Jeremy, he saw a bit of himself; the tired, broken traveler, in search of a runaway love. Jeremy’s story depressed Walker though, who was truly convinced his own would end differently. He knew, he felt, that he would find Lisa in the end.
Walker hardly slept that night, despite having paid nine dollars for a comfortable bed. Instead, he got drunk with Jeremy, as the two of them downed a bottle of whisky together, while sitting on the floor of the pub, talking. They talked about love, and life, and the existence of God. They discussed their childhoods and their respective journeys away from their homes. They laughed as they spoke of the women they loved and they cried as they listened to each other’s stories. By the time Walker had sobered up, it was already morning, and time for a brand new start. Jeremy gave Walker a free bottle of whiskey, which after serious protest, Walker put in his bag, next to his knife and the soap. In exchange, Walker tried to give Jeremy some money, but Jeremy stubbornly refused, like any Irishman would, instead telling Walker to go **** himself, and to send him a postcard when he got to New York. Walker thanked Jeremy for his hospitality, and left the bar, wishing deeply that he had slept, but not regretting a minute of the night.
Little time was spent in Tallahassee that day. As soon as Walker got out on the streets, he asked around to find out where the closest highway was. A kind old woman with a cane and bonnet told him where to go, and Walker made it out to the city limits in no time. He didn’t even stop to look around a single time.
Once at the city limits, Walker went into a small roadside gas station, where he had a microwavable burrito and a large 50-cent slushy for breakfast. He stocked up on chips and peanuts, knowing full well that this may have been his last meal that day, and set out once again, after filling up his water supply. Walker had no idea where to go from Tallahassee, but he knew that if he wanted to reach his girlfriend’s mother’s house, he had to go north. So Walker started walking north, on a road the gas station attendant called FL-61, or Thomasville Road. He walked for something like seven or eight miles, before a group of college kids driving a camper pulled up next to him. They were students at the University of Georgia and were heading back to Athens from a road trip they had taken to New Orleans. The students offered to take Walker that far, and Walker, knowing only that this took him north, agreed.
The students drove a large camper with a mini-bar built into it, which they had made themselves, and stacked with beer and water. They had been down in New Orleans for the Mardi Gras season, and were now returning, thought the party had hardly stopped for them. As they told Walker, they picked a new designated driver every day, and he was appointed the job of driving until he got bored, while all the others downed their beers in the back of the camper. Because their system relied on the driver’s patience, they had almost doubled the time they should have made on their trip, often stopping at roadside motels so that the driver could get his drink on too. These were their “pit-stops”, where they often made the decision to either eat or court some of the local girls drunkenly.
This leg of the trip Walker seemed to glaze over quickly. He didn’t talk much about the ride, the conversation, or the people, but from what I gathered, from his smile and the way his eyes wandered, I could tell it was a fun one. Basically, the college kids, of which I figure there were about five or six, got Walker drunk and drove him all the way to Athens, Georgia, where they took him to their campus and introduced him to all of their friends. The leader of the group, a tall, athletic boy with long brown hair and dimples, let him sleep in his dorm for the night, and set him up with a ride to the train station the next morning. There, Walker bought himself a ticket to Atlanta, and said his goodbyes. Apparently, the whole group of students followed him to the station, where they gave him some food and said goodbye to him. One student gave Walker his parent’s number, telling him to call them when he got to Atlanta, if he needed a place to sleep. Then, from one minute to the next, Walker was on the train and gone.
When Walker got to Atlanta, he did not call his friend’s family right away. Instead, he went to the first place he saw with food, which happened to be a small, rundown place that sold corndogs and coke for a dollar per item. Walker bought himself three corndogs and a coke, and strolled over to a nearby park, where, he sat down on a bench and ate. As Walker sat, dipping his corndogs into a paper plate covered in ketchup, an old woman took the seat directly next to him, and started writing in a paper notepad. He looked over at her, and tried to see what she was writing, but she covered up her pad and his efforts were wasted. Still, Walker kept trying, and eventually the woman got annoyed and mentioned it.
“Sir, I don’t mind if you are curious, but it is terribly, terribly rude to read over another person’s shoulder as they write.” The woman’s voice was rough and beautiful, changed by time, but bettered, like fine wine.
“I’m sorry ma’am, it’s just that I’ve been on the road for a while now, and I reckon I haven’t really read anything in, ****, probably longer than that. See I’m lookin’ to find my girlfriend up north, on account of she took my car and ran away from home and all.”
“Well that is certainly a shame, but I don’t see why that should rid you of your manners.” The woman scolded Walker.
“Yes ma’am, I’m sorry. What I meant to convey was that, I mean, I kind of just forgot I guess. I haven’t had too much time to exercise my manners and all, but I know my mother would have educated me better, so I apologize but I just wanted to read something, because I think that’s something important, you know? I’ll stop though, because I don’t want to annoy you, so sorry.”
The woman seemed amused by Walker, much as a parent finds amusement in the cuteness of another’s children. His childish, simple smile bore through her like a sword, and suddenly, her own smile softened, and she opened up to him.
“Oh, don’t be silly. All you had to do was ask, and not be so unnervingly discreet about it.” She replied, as she handed her pad over to Walker, so that he could read it. “I’m a poet, see, or rather, I like to write poetry, on my own time. It relaxes me, and makes me feel good about myself. Take a look.”
Walker took the pad from the woman’s hands. They were pale and wrinkly, but were held steady as a rock, almost as if the age displayed had not affected them at all. He opened the pad to a random page, and started reading one of the woman’s poems. I asked Walker to recite it for me, but he said he couldn’t remember it. He did, however, say that it was one of the most beautiful things he had ever read, a lyrical, flowing, ode to t
A Short Story 2008
Juliana Jun 2013
Tighten your braces with yellows,
UV lights in police cars,
your high socks and new crewnecks,
steep all your worries in the cellar air.
The kitchen crew necks you,
steps over your extra vertebrae on the floor.
Exchange Red Sox caps and collaged cards for
iron oxides and spare joints,
an apology gift for the knees of a Titan.

Gilt neckties and stockings
hard hits over first base,
infrared silhouettes waving goodbye
slip on the steep porch stairs.
Your personal marching bands
sleep in shopping carts.
Your postcards lost in the Andes
written in purple pen --
everything’s smells like guilt.

Harts stagger behind
stags that hope to tiptoe around your toes,
scouting the suites in South America.
Back roads hastily swept under dining room chairs.
Necklaces of burned out light bulbs,
players sock the suited callers.
My bird house is empty.
Your world map is crumpled,
stuffed into the left ventricle of my heart.

Knaps of your wrist bones
fill the endnotes of my biography.
Bottlenecked bus loops and
windsocks left deflated in broom closets.
Your left hand in my kitchen sink,
catches my pressed shirts,
your clothesline melts into the sidewalk like lightning.
Bracelets on marble sculptures.
After you, I need a nap.

Littoral instructions spelled out in sand dollars.
Purple sunflower seeds caught in my turtleneck,
ghosts of eyelashes begin
to whisper wishes,
sockets for wrenches and ankles.
Blue hair braces for the midnight smiles,
the low tide of flowers,
the daily newspaper full of ocean currents,
your lips were too literal.

Lumbar dimples and goose bumps,
the rubbernecking waiter waited for the lights
rubbing his eyes.
Your playful dialogue
makes my plate shake.
Your safety is never on,
eyebrows marking my fifth disappointment.
I usually hate piano solos,
your voice is unstable, charred lumber.

Mince the pages of the dictionary
to make kindling for your irises.
Necklines defined as jade stamps
at the bottoms of the Chinese paintings
above last year’s birthday card.
Connect the dots to see the ruins of Rome,
your arms after the final battle,
crude stitches on undone sweaters.
Your pockets still full of dinner mints.

Canvass the imprint on the inside of
your leg from where the stitching folds over,
your jeans, unwashed in my laundry hamper.
Still overflows from knee socks and potted plants.
Microwaves compressed into my glass of water
the high tide seashells in your pantry facing
your ego in mason jars on shelves.
You’re tired of white board marker promises,
your skin a poorly cleaned canvas.
Homonyms everywhere. First and last word of each stanza. Enjoy :)
melancholy eyes glaze over
the old honeycomb wallpaper pattern
and the mottled ceiling, paint peeling
noting every crevice in your new apartment
my consciousness dips in and out
of every nook and cranny, catching
fragments of the conversation.
you should always be the centre of attention.
i'd tried to entertain the notion, you'd noticed
my eyes in the ceiling and ushered me back
to the boring evening tea room with a gentle
fingertip or two pressed to my wrist.
do you wish you were somewhere else?
would you read my tea leaves and tell me,
what does the future hold for us?
Ceida Uilyc Jul 2015
I could tell you,
But you’d laugh at me.
Because it is bare, raw and pure.
You gloat on the preservatives.
You discard the genuine.
Listen to me, my friend, there is a part of the world, where even a bulb is never, ever, witnessed in real, but reel of the sanskrit Cartoon slots. The peppy  and ‘lone B-grade Cartoons .
Filled with Flesh.
The stories of tantric mantras, with a sliver of diminishing hearth,
on the
Dimensions and depth of the Yoni in the resin of shellac
on the Immaculate ceremony,
In a woodpecker hole just underneath the sealed power of the Yakshini who truly screws it up if you have taste of her once.
the one who harbingers drunk loners of Kavadiyattom alley after 3:20 am.
She takes them to the crown chakra of palm trees.
Shows them the world.
she pushes them off the crown and the falcon falls in endless spirals of a inhuman push that pushes the concrete innards to a danlgling mass of amoebic copulation.
Breath comes back.
It is a big nauseating gag of Kumbhakarnan's long sadya that lasted for half a decade.
Of the soma saras that made the entire India go, ga-ga and believe they've seen the god.
But not one nor any saw the same face, colour, shape or even vibe of the god they had seen alone.
They agreed in unison that all their hallucinations of beautiful humans in Flower UFO s and high-tech cloning, were a vital hair in the nostril of the cosmos.
They made, each a god out of their genuine mix of memories.
Or in the, priest's ways,
Hence, the 2.3 Billion populous of the country had the same, well, odd Spiritual benefactors.

Keeping it all aside, lemme be honest, I'd follow many a fairy god-mother but give my milkey teeny tooth to the special one.
Hinduism tells you God is omnipresent.
Hinduism tells you God is within you.
It also says, there is no God.
The clipper to snap off the confusion of this, lies in the same cheap stained-yellow cliche of love. It entails everything. You, me, animals, plants, cosmos, vibes, thoughts, dreams and the universe.
It tells you to live with your body mind and soul.
From Kamasutras that teaches sense.
The excitement, control and breakthrough of it.
Like tao did under his exposed roof without the sacred dung of from Hindu Land.
This is the secret of a rumoured Mohini,
Of her 1000 per hour ******* during the her/ his/ its 352 incarnations.
which was the reason for Big bang.  
Amidst the sultry scant of the voluptuous *******,
Their skin,
a vernacular reflection of a dusk on the Japanese gold beaches, And the mounts,
firm and glowing with the rusty shade of pharaoh’s Gold anklet.
The gooey glaze of yesterday’s glamour in the wink of a gay galore.
Paulo Ceolho’s Holy Communion with God,
Or like the Japanese Tengaman says,
Or rather screams,
That all it it takes is a little *******.
So, yes.
That precise art of attaining a consciousness, from where your mind was
Afloat
Wild
Free
Satiated
By yourself
You’ve just consumed the essence of you
Your Ojhas
And the tiny matter that teaches the universe
Of a Shunya.
That, momentary sense of lapse of your body mass,
Or the breakthrough into your eye of the crown.
Only to join the mundane bustle of the 10,00 speakers on all four
JBLs, Boses and Pioneers live looping the zillions of sanskrit mantras under one roof.
In your Ear drum.
A synechdoche of the Gods and their jacuzzi of amphetamine bubbles.
Splashed from a white Elephant's bejewelled Snout, which has the
crowned ring in your pineals.
Secret lies under
the rotten bone chip of Hussain Sagar
deep under the ***** green lake,  
drowning the rainbow Buddha in the city of slimy immortal maggots on ham.
Open your eyes.
For the Gods will
Else
Cut your eyelids off
to show you that
the city's shardminds await you.
roaring
Playing close to the fire demons of Redland
A nail close to your wide open lid-less
White flowing eye.
Hear the city scream.
The deafening chaos,
In unison,
Intoxicating their venomous fruits
of the delirious worlds
Or simply put, divine prayer and offering
for
the Omnipotent,
Omniscient
And the
Om.
Shunya.
Or the cyclic abyss of meaninglessness.
But,
Like, the wilted azures
that seduced those flies,
From a far far away,
To come the praise the combs of their bellies,
Filled with the red from the omnipotent, dead, weak and evil
In one little fly belly.
They came from the
land called Lullaby.
To go there
from here,
But, first,
bear the Weasleys' infamous extendable ears and heed me now, for I say twice and See him Come.
The snake, the tangy smell of goated black rub and blueness.
Siva shouldn't come?
Not yet. A little DMT more in the brain and perhaps the spark will happen.
Better than the potions of those gigantic forest priests.
No, Heed me, now.

3 Dodos Walk-afar,
And, take the lone left-laden log
the one that is,
limitless Long
loyal and  let alone
By those
languors which
Killed
Lord Leopard Loot'.
While,
Lord's Lass
Lays lolled lambs,
Lolled ‘long le ******,
Leech on the laiden log,
leading to Lord Lava,
Yes.
The bridge of Casilii Po.

Of the Lord.
Guarded
By these bubbling bellies with a drop of the world's make.
Assassins.
the Fly, flies.

retain the scarification of theolden curse,
Older than the rocks underneath this gurgling lava,
On which reincarnation steams.

As destiny should have it,
the astrologers had seen,
3 centuries back
That at a Sphinx’s Wedding,
a war of Vision,
will break.
It will
Bring the Stars
Out of those melting blue nightsky of Neruda's wails;
And the diabolic estrangement inflicting Eagle,
From Meena’s vibes,
that rubbed of a distinct scent of Malabar embedding a little of everybody in the village,
on its Kasavu lines posing
at the focus
of Sahib's Ferguson or Baker.

The gold turned white.
A liquid white, like that of the sap,
For that,
***** on a parrot green rubber plant
And work your fun with the white gluey milk,
fragrant than the sap
Like the  Ylang Ylang buds freshly kissed by the drooly dew,
sealed away
elegantly in a crystal Indigo bottle by the pen stand.

One that glitters if you look at its surface, but smells of naphthalene ***** in the sink
in
that
creepy trailer in
mid salem night of the tut.
Colourful.
This is colorblind.

White is motile.
White is wriggling.
White is life.
With a **** of Eve’s fabric-less
Skin.
White is divinity
feeding you excess of everything,
With an tenfold over dosage injected intravenous, by a silver-haired-glow-in-the-dark-dodo-cupid;

She is divine.
**** Her.
**** her on a Pyre.
**** her innards on a fire.
inflame the bubble
of her her oily effluent you found on the toilet seat
Instil in her, the seed of your sodomic occult,
Not by compassion, but through a hiss and sting
of the
flawless venom of the diabolic.  
Then. Disinfect your fruit that you flicked off the paradise.
And bellow to the blowing gurgling below.  
A reign of ****  nihilism,
moaning the mood-swings-of-a-98-year-old-menopausing-Bhairavi of the Indian Aghora Tales;
And Shelly, fueled in his undiminished hearth with the help of his impetous West Wind,
dreaming lucid,
on a flight in the sky for one week,
with Lucy’s sewing  sequined buttocks,
Stinging their luminescent, lactating, lustrous skin,
Like a tatto machine, lifting rays into the epidermis
So that it roasts, burns a soot and neonifies the only colour
A shade of
The rave, rainbow-red karmas of human existence,
Its little greedy quantas waltzing around the matter
And of its unleashed illuminations
That fuel the same vessel in the universe,
infamously known as,
the
black hole.
Uggh!!
All characters and plots are fictitious.
Your nightmares are yours, not Caesar's.
This is truly the fruit of my insomnia. I have been awake 52 hours now. Had to rant the wakefulness out.
It is unedited. All those offended, I didn't mean it, you did.
The Napkin Poet Dec 2016
Moisture permeates the air, a wet haze.
Stillness with anticipation, or tension.
Fresh air containing an aroma.
Natural and earthly,
Like giving into original temptation.

Through the fog she awaits my consumption.
Her taste lovely, like if love had a flavor.
An oozing box of sweet glaze, stands within a wet haze.
our memories fuel my weakened soul...........with a concoction of sweet bliss and sorrow
I've sipped aged red wine from your collar bones
and was blessed by the touch of your skin.
when the rain poured it still didn't smear the imprint of your lips on my  cheek.
I still remember the sweet sugar glaze over your eyes when you looked at old pictures of your grandmother.
The family trips
The thanksgiving dinners and the sweet echos of laughter.
The old flower petals you kept from her funeral and the note you found that she left for you when she knew the end was near.
You used to look at me with that same sugar glaze sort of trance.
But things seem to be different.
The picture frames are broken
The trips have been called off
and the flower petals have dried and crumbled.
But there's still a hint of that sugar glaze love in your eyes......
Nigel Morgan Mar 2013
January Colours

In the winter garden
of the Villa del Parma
by the artist’s studio
green
grass turns vert de terre
and the stone walls
a wet mouse’s back
grounding neutral – but calm,
soothing like calamine
in today’s mizzle,
a permanent dimpsey,
fine drenching drizzle,
almost invisible, yet
saturating skylights
with evidence of rain.

February Colours

In the kitchen’s borrowed light,
dear Grace makes bread  
on the mahogany table,
her palma gray dress
bringing the outside in.

Whilst next door, inside
Vanessa’s garden room
the French windows
firmly shut out this
season’s bitter weather.

There, in the stone jar
beside her desk,
branches of heather;
Erica for winter’s retreat,
Calluna for spring’s expectation.

Tea awaits in Duncan’s domain.
Set amongst the books and murals,
Spode’s best bone china  
turning a porcelain pink
as the hearth’s fire burns bright..

Today
in this house
a very Bloomsbury tone,
a truly Charleston Gray.

March Colours

Not quite daffodil
Not yet spring
Lancaster Yellow
Was Nancy’s shade

For the drawing room
Walls of Kelmarsh Hall
And its high plastered ceiling
Of blue ground blue.

Playing cat’s paw
Like the monkey she was
Two drab husbands paid
For the gardens she made,
For haphazard luxuriance.

Society decorator, partner
In paper and paint,
She’d walk the grounds
Of her Palladian gem
Conjuring for the catalogue
Such ingenious labels:

Brassica and Cooking Apple
Green
to be seen
In gardens and orchards
Grown to be greens.

April Colours

It would be churlish
to expect, a folly to believe,
that green leaves would  
cover the trees just yet.

But blossom will:
clusters of flowers,
Damson white,
Cherry red,
Middleton pink,

And at the fields’ edge
Primroses dayroom yellow,
a convalescent colour
healing the hedgerows
of winter’s afflictions.

Clouds storm Salisbury Plain,
and as a skimming stone
on water, touch, rise, touch
and fall behind horizon’s rim.
Where it goes - no one knows.

Far (far) from the Madding Crowd
Hardy’s concordant cove at Lulworth
blue
by the cold sea, clear in the crystal air,
still taut with spring.

May Colours

A spring day
In Suffield Green,
The sky is cook’s blue,
The clouds pointing white.

In this village near Norwich
Lives Marcel Manouna
Thawbed and babouched
With lemurs and llamas,
Leopards and duck,
And more . . .

This small menagerie
Is Marcel’s only luxury
A curious curiosity
In a Norfolk village
Near to Norwich.

So, on this
Blossoming
Spring day
Marcel’s blue grey
Parrot James
Perched on a gate
Squawks the refrain

Sumer is icumen in
Lhude sing cuccu!
Groweþ sed and bloweþ med
And springþ þe wde nu,
Sing cuccu!

June

Thrownware
earth red
thrown off the ****
the Japanese way.
Inside hand does the work,
keeps it alive.
Outside hand holds the clay
and critically tweaks.
Touch, press, hold, release
Scooting, patting, spin!
Centering: the act
precedes all others
on the potter’s wheel.
Centering: the day
the sun climbs highest
in our hemisphere.
And then affix the glaze
in colours of summer:
Stone blue
Cabbage white
Print-room yellow
Saxon green
Rectory red

And fire!

July Colours

I see you
by the dix blue
asters in the Grey Walk
via the Pear Pond,
a circuit of surprises
past the Witches House,
the Radicchio View,
to the beautifully manicured
Orangery lawns, then the
East and West Rills of
Gertrude’s Great Plat.

And under that pea green hat
you wear, my mistress dear,
though your face may be April
there’s July in your eyes of such grace.

I see you wander at will
down the cinder rose path
‘neath the drawing-room blue sky.

August Colours

Out on the wet sand
Mark and Sarah
take their morning stroll.
He, barefoot in a blazer,
She, linen-light in a wide-brimmed straw,
Together they survey
their (very) elegant home,
Colonial British,
Classic traditional,
a retreat in Olive County, Florida:
white sandy beaches,
playful porpoises,
gentle manatees.

It’s an everfine August day
humid and hot
in the hurricane season.
But later they’ll picnic on
Brinjal Baigan Bharta
in the Chinese Blue sea-view
dining room fashioned
by doyen designer
Leta Austin Foster
who ‘loves to bring the ocean inside.
I adore the colour blue,’ she says,
‘though gray is my favourite.’

September

A perfect day
at the Castle of Mey
beckons.
Watching the rising sun
disperse the morning mists,
the Duchess sits
by the window
in the Breakfast Room.
Green
leaves have yet to give way
to autumn colours but the air
is seasonably cool, September fresh.

William is fishing the Warriner’s Pool,
curling casts with a Highlander fly.
She waits; dressed in Power Blue
silk, Citron tights,
a shawl of India Yellow
draped over her shoulders.
But there he is, crossing the home beat,
Lucy, her pale hound at his heels,
a dead salmon in his bag.

October Colours

At Berrington
blue
, clear skies,
chill mornings
before the first frosts
and the apples ripe for picking
(place a cupped hand under the fruit
and gently ‘clunch’).

Henry Holland’s hall -
just ‘the perfect place to live’.
From the Picture Gallery
red
olent in portraits
and naval scenes,
the view looks beyond
Capability’s parkland
to Brecon’s Beacons.

At the fourteen-acre pool
trees, cane and reed
mirror in the still water
where Common Kingfishers,
blue green with fowler pink feet
vie with Grey Herons,
funereal grey,
to ruffle this autumn scene.

November Colours

In pigeon light
this damp day
settles itself
into lamp-room grey.

The trees intone
farewell farewell:
An autumnal valedictory
to reluctant leaves.

Yet a few remain
bold coloured

Porphry Pink
Fox Red
Fowler
Sudbury Yellow


hanging by a thread
they turn in the stillest air.

Then fall
Then fall

December Colours*

Green smoke* from damp leaves
float from gardens’ bonfires,
rise in the silver Blackened sky.

Close by the tall railings,
fast to lichened walls
we walk cold winter streets

to the warm world of home, where
shadows thrown by the parlour fire
dance on the wainscot, flicker from the hearth.

Hanging from our welcome door
see how incarnadine the berries are
on this hollyed wreath of polished leaves.
Steve D'Beard Dec 2012
Inspired by a vintage ****** postcard from the 1920s - 30s:

The Muse sits resplendent
caressed in sepia tones and pastel cream
gilded with the glaze of a bygone era
her silk Charleston negligee
worn proud like a vintage ornament
perched on an aesthetically pleasing
shapely pert insolent *****
blossomed with tiny beads of sweat
the heat of such anticipation
entices the pearls of the ******
to pamper and pleasure their perversions

etched as if in a radiance of candlelight
the flickering limbs pulse their bloom
nimble fingers of dancing shadows
cupping the feline curves of a chaise longue
the purposefully out of place set piece
the fantasy of a gentleman's reading room
caked in casked sherry
and Nat Sherman cigar infused aromas

her elegant pose sumptuous reclining
elbow length satin gloves
sensually wrapped in wanton desire
******* clasp a Sorbranie Black Russian
smoked like a sultry gypsy
with a fervent demeanour
from a silver opera cigarette holder
beckoning with the cats eyes of mischief
over Pinced nez eyeglasses
with a fascination imbibed
in the praxis of passion

the peach skin of refulgent youth
directs the viewer downwards, slowly
survey each contour of olive skin
and stroke every hidden cleft of fabric
to glimpse the nubile thighs of grace
leading the eye to the arch of an ankle
slipped like a fitted glove
nestled in the cleavage of her calf
and the chastity of future wonderment

the forgotten photograph
captures a period in time
the memories of the muse
now in motionless existence
a demure allure forever frozen
once lost, but now
never forgotten
Inspired by a vintage ****** postcard from the 1920s - 30s
boo croon the sunflowers
and **** squeaks the jay
this garden was not tended to
and when it was, it was done with bitter blisterless hands
the weeds are creeping out now and thickening stalks
and they move out
out out
goes any sense trust we grew in this garden.
and out
out out
goes my frothy yellow blood into the humid grounds of the garden
and you mop it up and glaze over my barkless parts

boo croon the sunflowers
and **** squeaks the jay
the hose to feed me
was bent at angled corners
and the water shrieked its way through
to come out a subtle flaccid
drop by
drop by
drop
on my parched cracked tan sun slapped skins
and i was angry
that you never felt the need to untangle the hose
because you turned the faucet to full volume
so you assumed that was all the water you could give
and i needed

boo croons the sunflowers
and **** squeaks the jay
the garden is all sand colored and tired
and you don’t feel guilty
you looked at it every day
and squirted what you could on it
and picked whatever weeds you saw
but you never went beyond what looked pretty to visitors
and you let the roots rot across the summer
and now that the winter’s fallen in
there’s not enough water to keep the garden beating
and all the melted snow in the world won’t make up for it
© David Clifford Turner, 2010

For more scrawls, head to: www.ramblingbastard.blogspot.com
Michael R Burch Mar 2020
Modern Charon
by Michael R. Burch

I, too, have stood―paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea. I wrote this poem in 2001 after the 911 terrorist attacks.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s bright eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise ...
something lurks where the riptides sigh,
something old, and odd, and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and, with tentacles like Medusa's squirming,
it feels the cloud blot out the skies' ...
then shudders, settles with a sigh,
understanding man’s demise.



This poem has over 800,000 Google results for the eleventh line. That's a lot of cutting and pasting!

First They Came for the Muslims
by Michael R. Burch

after Martin Niemoller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

Published in Amnesty International’s Words That Burn anthology, and by Borderless Journal (India), The Hindu (India), Matters India, New Age Bangladesh, Convivium Journal, PressReader (India) and Kracktivist (India)

It is indeed an honor to have one of my poems published by an outstanding organization like Amnesty International. A stated goal for the "Words That Burn" anthology is to teach students about human rights through poetry.



Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



Safe Harbor
by Michael R. Burch

for Kevin N. Roberts

The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Life & Times



Distances
by Michael R. Burch

Moonbeams on water—
the reflected light
of a halcyon star
now drowning in night ...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter ...
So near, yet so far.

Originally published by The Poetry Porch/Sonnet Scroll



Fascination with Light
by Michael R. Burch

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,

where it hovers, unsure,
sullen, shy or demure,
in the margins of night,

a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato

and flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.

Originally published by The HyperTexts



Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...

what do we know of love,
or duty?



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy's a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Published by The Lyric, Black Medina, The Eclectic Muse, Kritya (India), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Captivating Poetry (Anthology), Strange Road, Freshet, Shot Glass Journal, Better Than Starbucks, Famous Poets and Poems, Sonnetto Poesia, Poetry Life & Times



escape!!!
by michael r. burch

for anaïs vionet

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



Leave Taking
by Michael R. Burch

Brilliant leaves abandon battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees,
lament the frolic of the leaves
and curse the bleak November sky ...

Now, as I watch the leaves' high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say—
goodbye.

This poem started out as a stanza in a much longer poem, "Jessamyn's Song," that dates to around age 14 or 15.



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Originally published by The Lyric



bachelorhoodwinked
by Michael R. Burch

u
are
charming
& disarming,
but mostly alarming
since all my resolve
dissolved!

u
are
chic
as a sheikh's
harem girl in the sheets
but my castle’s no longer my own
and my kingdom's been overthrown!



chrysalis
by Michael R. Burch

these are the days of doom
u seldom leave ur room
u live in perpetual gloom

yet also the days of hope
how to cope?
u pray and u *****

toward self illumination ...
becoming an angel
(pure love)

and yet You must love Your Self



Self Reflection
by Michael R. Burch

(for anyone struggling with self-image)

She has a comely form
and a smile that brightens her dorm ...
but she's grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she'd never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



War is Obsolete
by Michael R. Burch

Trump’s war is on children and their mothers.
"An eye for an eye leaves the whole world blind." ― Gandhi

War is obsolete;
even the strange machinery of dread
weeps for the child in the street
who cannot lift her head
to reprimand the Man
who failed to countermand
her soft defeat.

But war is obsolete;
even the cold robotic drone
that flies far overhead
has sense enough to moan
and shudder at her plight
(only men bereft of Light
with hearts indurate stone
embrace war’s Siberian night.)

For war is obsolete;
man’s tribal “gods,” long dead,
have fled his awakening sight
while the true Sun, overhead,
has pity on her plight.
O sweet, precipitate Light!―
embrace her, reject the night
that leaves gentle fledglings dead.

For each brute ancestor lies
with his totems and his “gods”
in the slavehold of premature night
that awaited him in his tomb;
while Love, the ancestral womb,
still longs to give birth to the Light.
So which child shall we ****** tonight,
or which Ares condemn to the gloom?

Originally published by The Flea. While campaigning for president in 2016, Donald Trump said that, as commander-in-chief of the American military, he would order American soldiers to track down and ****** women and children as "retribution" for acts of terrorism. When aghast journalists asked Trump if he could possibly have meant what he said, he verified more than once that he did. Keywords/Tags: war, terrorism, retribution, violence, ******, children, Gandhi, Trump, drones



In My House
by Michael R. Burch

When you were in my house
you were not free―
in chains bound.

Manifest Destiny?

I was wrong;
my plantation burned to the ground.
I was wrong.
This is my song,
this is my plea:
I was wrong.

When you are in my house,
now, I am not free.
I feel the song
hurling itself back at me.
We were wrong.
This is my history.

I feel my tongue
stilting accordingly.

We were wrong;
brother, forgive me.

Published by Black Medina



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom―
that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.

I may have been reading too many gothic ghost stories when I wrote this one! I think it shows a good touch with meter for a young poet, since I wrote it in my early teens.



In Praise of Meter
by Michael R. Burch

The earth is full of rhythms so precise
the octave of the crystal can produce
a trillion oscillations, yet not lose
a second's beat. The ear needs no device
to hear the unsprung rhythms of the couch
drown out the mouth's; the lips can be debauched
by kisses, should the heart put back its watch
and find the pulse of love, and sing, devout.
If moons and tides in interlocking dance
obey their numbers, what's been left to chance?
Should poets be more lax―their circumstance
as humble as it is?―or readers wince
to see their ragged numbers thin, to hear
the moans of drones drown out the Chanticleer?

Originally published by The Eclectic Muse, then in The Best of the Eclectic Muse 1989-2003



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here—among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire—
What use, O things of erstwhile loveliness?



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
—feverish, wet—
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

Published by Grassroots Poetry and Poetry Webring



The Harvest of Roses
by Michael R. Burch

for Harvey Stanbrough

I have not come for the harvest of roses—
the poets' mad visions,
their railing at rhyme ...
for I have discerned what their writing discloses:
weak words wanting meaning,
beat torsioning time.

Nor have I come for the reaping of gossamer—
images weak,
too forced not to fail;
gathered by poets who worship their luster,
they shimmer, impendent,
resplendently pale.

Originally published by The Raintown Review when Harvey Stanbrough was the editor



White in the Shadows
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;

tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.
Lost in darkness, I fear
the past is our resting place.

Published by Carnelian, The Chained Muse, Poetry Life & Times, A-Poem-A-Day and in a YouTube video by Aurora G. with the titles “Ghost,” “White Goddess” and “White in the Shadows”



The Octopi Jars
by Michael R. Burch

Long-vacant eyes
now lodged in clear glass,
a-swim with pale arms
as delicate as angels'...

you are beyond all hope
of salvage now...
and yet I would pause,
no fear!,
to once touch
your arcane beaks...

I, more alien than you
to this imprismed world,
notice, most of all,
the scratches on the inside surfaces
of your hermetic cells ...

and I remember documentaries
of albino Houdinis
slipping like wraiths
over the walls of shipboard aquariums,
slipping down decks'
brine-lubricated planks,
spilling jubilantly into the dark sea,
parachuting through clouds of pallid ammonia...

and I know now in life you were unlike me:
your imprisonment was never voluntary.



The Children of Gaza

Nine of my poems have been set to music by the composer Eduard de Boer and have been performed in Europe by the Palestinian soprano Dima Bawab. My poems that became “The Children of Gaza” were written from the perspective of Palestinian children and their mothers. On this page the poems come first, followed by the song lyrics, which have been adapted in places to fit the music …



Epitaph for a Child of Gaza
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



For a Child of Gaza, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow?

Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



I Pray Tonight
by Michael R. Burch

for the children of Gaza and their mothers

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Something
by Michael R. Burch

for the mothers and children of Gaza

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Mother’s Smile
by Michael R. Burch

for the mothers of Gaza and their children

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,

then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”



My nightmare ...

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



I, too, have a dream ...

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



Suffer the Little Children
by Nakba

I saw the carnage . . . saw girls' dreaming heads
blown to red atoms, and their dreams with them . . .

saw babies liquefied in burning beds
as, horrified, I heard their murderers’ phlegm . . .

I saw my mother stitch my shroud’s black hem,
for in that moment I was one of them . . .

I saw our Father’s eyes grow hard and bleak
to see frail roses severed at the stem . . .

How could I fail to speak?
―Nakba is an alias of Michael R. Burch



Here We Shall Remain
by Tawfiq Zayyad
loose translation/interpretation by Michael R. Burch

Like twenty impossibilities
in Lydda, Ramla and Galilee ...
here we shall remain.

Like brick walls braced against your chests;
lodged in your throats
like shards of glass
or prickly cactus thorns;
clouding your eyes
like sandstorms.

Here we shall remain,
like brick walls obstructing your chests,
washing dishes in your boisterous bars,
serving drinks to our overlords,
scouring your kitchens' filthy floors
in order to ****** morsels for our children
from between your poisonous fangs.

Here we shall remain,
like brick walls deflating your chests
as we face our deprivation clad in rags,
singing our defiant songs,
chanting our rebellious poems,
then swarming out into your unjust streets
to fill dungeons with our dignity.

Like twenty impossibilities
in Lydda, Ramla and Galilee,
here we shall remain,
guarding the shade of the fig and olive trees,
fermenting rebellion in our children
like yeast in dough.

Here we wring the rocks to relieve our thirst;
here we stave off starvation with dust;
but here we remain and shall not depart;
here we spill our expensive blood
and do not hoard it.

For here we have both a past and a future;
here we remain, the Unconquerable;
so strike fast, penetrate deep,
O, my roots!



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Distant light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from the tips of your fingers
and release a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
shielded by shade from a glaring sun?
Can you not always remain this way,
stoking the fire, more beautiful than necessary, and silent?
Darkness increases; we must remain vigilant
and this distant light is our only consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.

Walid Khazindar was born in 1950 in Gaza City. He is considered one of the best Palestinian poets; his poetry has been said to be "characterized by metaphoric originality and a novel thematic approach unprecedented in Arabic poetry." He was awarded the first Palestine Prize for Poetry in 1997.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me again,
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know ...
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal our happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth absorbs the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—when nothing remains.



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Autumn Conundrum
by Michael R. Burch

for the mothers and children of Gaza

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Piercing the Shell

for the mothers and children of Gaza

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEee ...
jesus loves and understands
ME!



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Uyghur Poetry Translations

With my translations I am trying to build awareness of the plight of Uyghur poets and their people, who are being sent in large numbers to Chinese "reeducation" concentration camps.

Perhat Tursun (1969-????) is one of the foremost living Uyghur language poets, if he is still alive. Unfortunately, Tursun was "disappeared" into a Chinese "reeducation" concentration camp where extreme psychological torture is the norm. According to a disturbing report he was later "hospitalized." Apparently no one knows his present whereabouts or condition, if he has one. According to John Bolton, when Donald Trump learned of these "reeducation" concentration camps, he told Chinese President Xi Jinping it was "exactly the right thing to do." Trump’s excuse? "Well, we were in the middle of a major trade deal."

Elegy
by Perhat Tursun
loose translation/interpretation by Michael R. Burch

"Your soul is the entire world."
―Hermann Hesse, Siddhartha

Asylum seekers, will you recognize me among the mountain passes' frozen corpses?
Can you identify me here among our Exodus's exiled brothers?
We begged for shelter but they lashed us bare; consider our naked corpses.
When they compel us to accept their massacres, do you know that I am with you?

Three centuries later they resurrect, not recognizing each other,
Their former greatness forgotten.
I happily ingested poison, like a fine wine.
When they search the streets and cannot locate our corpses, do you know that I am with you?

In that tower constructed of skulls you will find my dome as well:
They removed my head to more accurately test their swords' temper.
When before their swords our relationship flees like a flighty lover,
Do you know that I am with you?

When men in fur hats are used for target practice in the marketplace
Where a dying man's face expresses his agony as a bullet cleaves his brain
While the executioner's eyes fail to comprehend why his victim vanishes, ...
Seeing my form reflected in that bullet-pierced brain's erratic thoughts,
Do you know that I am with you?

In those days when drinking wine was considered worse than drinking blood,
did you taste the flour ground out in that blood-turned churning mill?
Now, when you sip the wine Ali-Shir Nava'i imagined to be my blood
In that mystical tavern's dark abyssal chambers,
Do you know that I am with you?

TRANSLATOR NOTES: This is my interpretation (not necessarily correct) of the poem's frozen corpses left 300 years in the past. For the Uyghur people the Mongol period ended around 1760 when the Qing dynasty invaded their homeland, then called Dzungaria. Around a million people were slaughtered during the Qing takeover, and the Dzungaria territory was renamed Xinjiang. I imagine many Uyghurs fleeing the slaughters would have attempted to navigate treacherous mountain passes. Many of them may have died from starvation and/or exposure, while others may have been caught and murdered by their pursuers. If anyone has a better explanation, they are welcome to email me at mikerburch@gmail.com (there is an "r" between my first and last names).



The Fog and the Shadows
adapted from a novel by Perhat Tursun
loose translation/interpretation by Michael R. Burch

“I began to realize the fog was similar to the shadows.”

I began to realize that, just as the exact shape of darkness is a shadow,
even so the exact shape of fog is disappearance
and the exact shape of a human being is also disappearance.
At this moment it seemed my body was vanishing into the human form’s final state.

After I arrived here,
it was as if the danger of getting lost
and the desire to lose myself
were merging strangely inside me.

While everything in that distant, gargantuan city where I spent my five college years felt strange to me; and even though the skyscrapers, highways, ditches and canals were built according to a single standard and shape, so that it wasn’t easy to differentiate them, still I never had the feeling of being lost. Everyone there felt like one person and they were all folded into each other. It was as if their faces, voices and figures had been gathered together like a shaman’s jumbled-up hair.

Even the men and women seemed identical.
You could only tell them apart by stripping off their clothes and examining them.
The men’s faces were beardless like women’s and their skin was very delicate and unadorned.
I was always surprised that they could tell each other apart.
Later I realized it wasn’t just me: many others were also confused.

For instance, when we went to watch the campus’s only TV in a corridor of a building where the seniors stayed when they came to improve their knowledge. Those elderly Uyghurs always argued about whether someone who had done something unusual in an earlier episode was the same person they were seeing now. They would argue from the beginning of the show to the end. Other people, who couldn’t stand such endless nonsense, would leave the TV to us and stalk off.

Then, when the classes began, we couldn’t tell the teachers apart.
Gradually we became able to tell the men from the women
and eventually we able to recognize individuals.
But other people remained identical for us.

The most surprising thing for me was that the natives couldn’t differentiate us either.
For instance, two police came looking for someone who had broken windows during a fight at a restaurant and had then run away.
They ordered us line up, then asked the restaurant owner to identify the culprit.
He couldn’t tell us apart even though he inspected us very carefully.
He said we all looked so much alike that it was impossible to tell us apart.
Sighing heavily, he left.



The Encounter
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

I asked her, why aren’t you afraid? She said her God.
I asked her, anything else? She said her People.
I asked her, anything more? She said her Soul.
I asked her if she was content? She said, I am Not.



The Distance
by Tahir Hamut
loose translation/interpretation by Michael R. Burch

We can’t exclude the cicadas’ serenades.
Behind the convex glass of the distant hospital building
the nurses watch our outlandish party
with their absurdly distorted faces.

Drinking watered-down liquor,
half-****, descanting through the open window,
we speak sneeringly of life, love, girls.
The cicadas’ serenades keep breaking in,
wrecking critical parts of our dissertations.

The others dream up excuses to ditch me
and I’m left here alone.

The cosmopolitan pyramid
of drained bottles
makes me feel
like I’m in a Turkish bath.

I lock the door:
Time to get back to work!

I feel like doing cartwheels.
I feel like self-annihilation.



Refuge of a Refugee
by Ablet Abdurishit Berqi aka Tarim
loose translation/interpretation by Michael R. Burch

I lack a passport,
so I can’t leave legally.
All that’s left is for me to smuggle myself to safety,
but I’m afraid I’ll be beaten black and blue at the border
and I can’t afford the trafficker.

I’m a smuggler of love,
though love has no national identity.
Poetry is my refuge,
where a refugee is most free.

The following excerpts, translated by Anne Henochowicz, come from an essay written by Tang Danhong about her final meeting with Dr. Ablet Abdurishit Berqi, aka Tarim. Tarim is a reference to the Tarim Basin and its Uyghur inhabitants...

I’m convinced that the poet Tarim Ablet Berqi the associate professor at the Xinjiang Education Institute, has been sent to a “concentration camp for educational transformation.” This scholar of Uyghur literature who conducted postdoctoral research at Israel’s top university, what kind of “educational transformation” is he being put through?

Chen Quanguo, the Communist Party secretary of Xinjiang, has said it’s “like the instruction at school, the order of the military, and the security of prison. We have to break their blood relations, their networks, and their roots.”

On a scorching summer day, Tarim came to Tel Aviv from Haifa. In a few days he would go back to Urumqi. I invited him to come say goodbye and once again prepared Sichuan cold noodles for him. He had already unfriended me on Facebook. He said he couldn’t eat, he was busy, and had to hurry back to Haifa. He didn’t even stay for twenty minutes. I can’t even remember, did he sit down? Did he have a glass of water? Yet this farewell shook me to my bones.

He said, “Maybe when I get off the plane, before I enter the airport, they’ll take me to a separate room and beat me up, and I’ll disappear.”

Looking at my shocked face, he then said, “And maybe nothing will happen …”

His expression was sincere. To be honest, the Tarim I saw rarely smiled. Still, layer upon layer blocked my powers of comprehension: he’s a poet, a writer, and a scholar. He’s an associate professor at the Xinjiang Education Institute. He can get a passport and come to Israel for advanced studies. When he goes back he’ll have an offer from Sichuan University to be a professor of literature … I asked, “Beat you up at the airport? Disappear? On what grounds?”

“That’s how Xinjiang is,” he said without any surprise in his voice. “When a Uyghur comes back from being abroad, that can happen.”…



This poem helps us understand the nomadic lifestyle of many Uyghurs, the hardships they endure, and the character it builds...

Iz (“Traces”)
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

We were children when we set out on this journey;
Now our grandchildren ride horses.

We were just a few when we set out on this arduous journey;
Now we're a large caravan leaving traces in the desert.

We leave our traces scattered in desert dunes' valleys
Where many of our heroes lie buried in sandy graves.

But don't say they were abandoned: amid the cedars
their resting places are decorated by springtime flowers!

We left the tracks, the station... the crowds recede in the distance;
The wind blows, the sand swirls, but here our indelible trace remains.

The caravan continues, we and our horses become thin,
But our great-grand-children will one day rediscover those traces.



My Feelings
by Dolqun Yasin
loose translation/interpretation by Michael R. Burch

The light sinking through the ice and snow,
The hollyhock blossoms reddening the hills like blood,
The proud peaks revealing their ******* to the stars,
The morning-glories embroidering the earth’s greenery,
Are not light,
Not hollyhocks,
Not peaks,
Not morning-glories;
They are my feelings.

The tears washing the mothers’ wizened faces,
The flower-like smiles suddenly brightening the girls’ visages,
The hair turning white before age thirty,
The night which longs for light despite the sun’s laughter,
Are not tears,
Not smiles,
Not hair,
Not night;
They are my nomadic feelings.

Now turning all my sorrow to passion,
Bequeathing to my people all my griefs and joys,
Scattering my excitement like flowers festooning fields,
I harvest all these, then tenderly glean my poem.

Therefore the world is this poem of mine,
And my poem is the world itself.



To My Brother the Warrior
by Téyipjan Éliyow
loose translation/interpretation by Michael R. Burch

When I accompanied you,
the commissioners called me a child.
If only I had been a bit taller
I might have proved myself in battle!

The commission could not have known
my commitment, despite my youth.
If only they had overlooked my age and enlisted me,
I'd have given that enemy rabble hell!

Now, brother, I’m an adult.
Doubtless, I’ll join the service soon.
Soon enough, I’ll be by your side,
battling the enemy: I’ll never surrender!

Keywords/Tags: Uyghur, translation, Uighur, Xinjiang, elegy, Kafka, China, Chinese, reeducation, prison, concentration camp, desert, nomad, nomadic, race, racism, discrimination, Islam, Islamic, Muslim, mrbuyghur



Free Fall to Liftoff
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
                                 and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to ...



The One True Poem
by Michael R. Burch

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



Peace Prayer
by Michael R. Burch

Be calm.
Be still.
Be silent, content.

Be one with the buffalo cropping the grass to a safer height.

Seek the composure of the great depths, barely moved by exterior storms.

Lift your face to the dawning light; feel how it warms.

And be calm.
Be still.
Be silent, content.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes—
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must ...



What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~underwater~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.

Published by ByLine, Mandrake Poetry Review, Poetically Speaking, E Mobius Pi, Underground Poets, Little Brown Poetry, Little Brown Poetry, Triplopia, Poetic Ponderings, Poem Kingdom, PW Review, Neovictorian/Cochlea, Muse Apprentice Guild, Mindful of Poetry, Poetry on Demand, Poet’s Haven, Famous Poets and Poems, and Bewildering Stories



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
,upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide
heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle ...

Feathers and wax
and the watchers huddle ...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!
Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

Published by The Lyric and The Ekphrastic Review



Chit Chat: In the Poetry Chat Room
by Michael R. Burch

WHY SHULD I LERN TO SPELL?
HELL,
NO ONE REEDS WHAT I SAY
ANYWAY!!! :(

Sing for the cool night,
whispers of constellations.
Sing for the supple grass,
the tall grass, gently whispering.
Sing of infinities, multitudes,
of all that lies beyond us now,
whispers begetting whispers.
And i am glad to also whisper . . .

I WUS HURT IN LUV I’M DYIN’
FER TH’ TEARS I BEEN A-CRYIN’!!!

i abide beyond serenities
and realms of grace,
above love’s misdirected earth,
i lift my face.
i am beyond finding now . . .

I WAS IN, LOVE, AND HE ******* ME!!!
THE ****!!! TOTALLY!!!

i loved her once, before, when i
was mortal too, and sometimes i
would listen and distinctly hear
her laughter from the juniper,
but did not go . . .

I JUST DON’T GET POETRY, SOMETIMES.
IT’S OKAY, I GUESS.
I REALLY DON’T READ THAT MUCH AT ALL,
I MUST CONFESS!!! ;-)

Travail, inherent to all flesh,
i do not know, nor how to feel.
Although i sing them nighttimes still:
the bitter woes, that do not heal . . .

POETRY IS BORING.
SEE, IT *****!!!, I’M SNORING!!! ZZZZZZZ!!!

The words like breath, i find them here,
among the fragrant juniper,
and conifers amid the snow,
old loves imagined long ago . . .

WHY DON’T YOU LIKE MY PERFICKT WORDS
YOU USELESS UN-AMERIC’N TURDS?!!!

What use is love, to me, or Thou?
O Words, my awe, to fly so smooth
above the anguished hearts of men
to heights unknown, Thy bare remove . . .



Each Color a Scar
by Michael R. Burch

What she left here,
upon my cheek,
is a tear.

She did not speak,
but her intention
was clear,

and I was meek,
far too meek, and, I fear,
too sincere.

What she can never take
from my heart
is its ache;

for now we, apart,
are like leaves
without weight,

scattered afar
by love, or by hate,
each color a scar.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly ...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleaming
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to ...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons . . .
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears . . .
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

"My father!"
"My son!"

NOTE: “Sanctuary at Dawn” was written either in high school or during my first two years of college.



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star

gleamed down

and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor . . .



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men’s feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



The Composition of Shadows
by Michael R. Burch

for poets who write late at night

We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.

And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape—
curved like the heart. Here, resonant,

sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face—
long-frozen words trapped in a glaze

that insulates our hearts. Nowhere
can love be found. Just shrieking air.

Published by The Lyric, Contemporary Rhyme, Candelabrum, Iambs & Trochees (Poem of the Week), Triplopia, Romantics Quarterly, Hidden Treasures (Selected Poem), ImageNation (United Kingdom), Yellow Bat Review, Poetry Life & Times, Vallance Review, Poetica Victorian



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
She has no concept of time,
but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
time to learn the Truth
and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
She is just certain
that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
through childhood to adolescence,
and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



brrExit
by Michael R. Burch

what would u give
to simply not exist—
for a painless exit?
he asked himself, uncertain.

then from behind
the hospital room curtain
a patient screamed—
"my life!"



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us; it’s time to go.



Spring
by Charles d'Orleans (c.1394-1465)
loose translation/modernization by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c.1394-1465)
loose translation/modernization by Michael R. Burch

So often in my busy mind I sought,
Around the advent of the fledgling year,
For something pretty that I really ought
To give my lady dear;
But that sweet thought's been wrested from me, clear,
Since death, alas, has sealed her under clay
And robbed the world of all that's precious here―
God keep her soul, I can no better say.

For me to keep my manner and my thought
Acceptable, as suits my age's hour?
While proving that I never once forgot
Her worth? It tests my power!
I serve her now with masses and with prayer;
For it would be a shame for me to stray
Far from my faith, when my time's drawing near—
God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
Take my good deeds, as many as there are,
And crown her, Lord, above in your bright sphere,
As heaven's truest maid! And may I say:
Most good, most fair, most likely to bring cheer—
God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
God keep her soul, I can no better say.



Confession of a Stolen Kiss
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

My ghostly father, I confess,
First to God and then to you,
That at a window (you know how)
I stole a kiss of great sweetness,
Which was done out of avidness—
But it is done, not undone, now.

My ghostly father, I confess,
First to God and then to you.

But I shall restore it, doubtless,
Again, if it may be that I know how;
And thus to God I make a vow,
And always I ask forgiveness.

My ghostly father, I confess,
First to God and then to you.

Translator note: By "ghostly father" I take Charles d'Orleans to be confessing to a priest. If so, it's ironic that the kiss was "stolen" at a window and the confession is being made at the window of a confession booth. But it also seems possible that Charles could be confessing to his human father, murdered in his youth and now a ghost. There is wicked humor in the poem, as Charles is apparently vowing to keep asking for forgiveness because he intends to keep stealing kisses at every opportunity!



Charles d'Orleans translations of Rondels/Roundels/Rondeaux

Note: While there is some confusion about the names and definitions of poetic forms such as the rondel, roundel, rondelle and rondeau, these are all rhyming poems with refrains.

Rondel: Your Smiling Mouth
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you're far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?

I'll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms' twin chains!



The season has cast its coat aside
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

The season has cast its coat aside
of wind and cold and rain,
to dress in embroidered light again:
bright sunlight, fit for a bride!

There isn't a bird or beast astride
that fails to sing this sweet refrain:
"The season has cast its coat aside! "

Now rivers, fountains, springs and tides
dressed in their summer best
with silver beads impressed
in a fine display now glide:
the season has cast its coat aside!



The year lays down his mantle cold
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold! "
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Winter has cast his cloak away
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away! "
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

Note: This rondeau was set to music by Debussy in his "Trois chansons de France."



Caedmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins—
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair—
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea—
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



Duellem (The Duel)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Two combatants charged! Their fearsome swords
brightened the air with fiery sparks and blood.
Their clashing blades clinked odd serenades,
reminding us: youth's inspired by overloud love.

But now their blades lie broken, like our hearts!
Still, our savage teeth and talon-like fingernails
can do more damage than the deadliest sword
when lovers lash about with such natural flails.

In a deep ravine haunted by lynxes and panthers,
our heroes roll around in a cozy embrace,
leaving their blood to redden the colorless branches.
This abyss is pure hell; our friends occupy the place.

Come, let us roll here too, cruel Amazon;
let our hatred’s ardor never be over and done!



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!



Il pleure dans mon coeur (“It rains in my heart”)
by Paul Verlaine
loose translation/interpretation by Michael R. Burch

It rains in my heart
As it rains on the town;
Heavy languor and dark
Drenches my heart.

Oh, the sweet-sounding rain
Cleansing pavements and roofs!
For my listless heart's pain
The pure song of the rain!

Still it rains without reason
In my overcast heart.
Can it be there's no treason?
That this grief's without reason?

As my heart floods with pain,
Lacking hatred, or love,
I've no way to explain
Such bewildering pain!



Spleen
by Paul Verlaine
loose translation/interpretation by Michael R. Burch

The roses were so very red;
The ivy, impossibly black.
Dear, with a mere a turn of your head,
My despair’s flooded back!

The sky was too gentle, too blue;
The sea, far too windswept and green.
Yet I always imagined―or knew―
I’d again feel your spleen.

Now I'm tired of the glossy waxed holly,
Of the shimmering boxwood too,
Of the meadowland’s endless folly,
When all things, alas, lead to you!



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze ...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.



Dispensing Keys
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

The imbecile
constructs cages
for everyone he knows,
while the sage
(who has to duck his head
whenever the moon glows)
keeps dispensing keys
all night long
to the beautiful, rowdy,
prison gang.



Infectious!
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

I became infected with happiness tonight
as I wandered idly, singing in the starlight.
Now I'm wonderfully contagious ...
so kiss me!



The Tally
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

Lovers
don't reveal
all
their Secrets;
under the covers
they
may
count each other's Moles
(that reside
and hide
in the shy regions
by forbidden holes),
then keep the final tally
strictly
from Aunt Sally!

This is admittedly a VERY loose translation of the original Hafiz poem!



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



The Lonely Earth
by Kajal Ahmad
loose translation/interpretation by Michael R. Burch

The pale celestial bodies
never bid her “Good morning!”
nor do the creative stars
kiss her.
Earth, where so many tender persuasions and roses lie interred,
might expire for the lack of a glance, or an odor.
She’s a lonely dusty orb,
so very lonely!, as she observes the moon's patchwork attire
knowing the sun's an imposter
who sears with rays he has stolen for himself
and who looks down on the moon and earth like lodgers.



Kurds are Birds
by Kajal Ahmad
loose translation/interpretation by Michael R. Burch

Per the latest scientific classification, Kurds
now belong to a species of bird!
This is why,
traveling across the torn, fraying pages of history,
they are nomads recognized by their caravans.
Yes, Kurds are birds! And,
even worse, when
there’s nowhere left to nest, no refuge from their pain,
they turn to the illusion of traveling again
between the warm and arctic sectors of their homeland.
So I don’t think it strange Kurds can fly but not land.
They wander from region to region
never realizing their dreams
of settling,
of forming a colony, of nesting.
No, they never settle down long enough
to visit Rumi and inquire about his health,
or to bow down deeply in the gust-
stirred dust,
like Nali.



Birdsong
by Rumi
loose translation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart—
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



grave request
by michael r. burch

come to ur doom
in Tombstone;

the stars stark and chill
over Boot Hill

care nothing for ur desire;

still,

imagine they wish u no ill,
that u burn with the same antique fire;

for there’s nothing to life but the thrill
of living until u expire;

so come, spend ur last hardearned bill
on Tombstone.



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Pool's Prince Charming
by Michael R. Burch

(this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts)

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies’ wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair ...
I think she’s just you when you’re floating on air!



pretty pickle
by Michael R. Burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur just a lowly ant
(or so u were told by a Hierophant).



and then i was made whole
by Michael R. Burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies ...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never changed, remaining two ...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on feral claws
as It scratched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws ...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Beckoning
by Michael R. Burch

Yesterday the wind whispered my name
while the blazing locks
of her rampant mane
lay heavy on mine.

And yesterday
I saw the way
the wind caressed tall pines
in forests laced by glinting streams
and thick with tangled vines.

And though she reached
for me in her sleep,
the touch I felt was Time's.

I believe I wrote the first version of this poem around age 18, wasn't happy with it, put it aside, then revised it six years later.



Besieged
by Michael R. Burch

Life—the disintegration of the flesh
before the fitful elevation of the soul
upon improbable wings?

Life—is this all we know,
the travail one bright season brings? ...

Now the fruit hangs,
impendent, pregnant with death,
as the hurricane builds and flings
its white columns and banners of snow

and the rout begins.



****** or Heroine?
by Michael R. Burch

(for mothers battling addiction)

serve the Addiction;
worship the Beast;
feed the foul Pythons
your flesh, their fair feast ...

or rise up, resist
the huge many-headed hydra;
for the sake of your Loved Ones
decapitate medusa.



Loose Knit
by Michael R. Burch

She blesses the needle,
fetches fine red stitches,
criss-crossing, embroidering dreams
in the delicate fabric.

And if her hand jerks and twitches in puppet-like fits,
she tells herself
reality is not as threadbare as it seems ...
that a little more darning may gather loose seams.

She weaves an unraveling tapestry
of fatigue and remorse and pain; ...
only the nervously pecking needle
****** her to motion, again and again.



I Have Labored Sore
anonymous medieval lyric (circa the fifteenth century)
loose translation/interpretation by Michael R. Burch

I have labored sore / and suffered death,
so now I rest / and catch my breath.
But I shall come / and call right soon
heaven and earth / and hell to doom.
Then all shall know / both devil and man
just who I was / and what I am.

NOTE: This poem has a pronounced caesura (pause) in the middle of each line: a hallmark of Old English poetry. While this poem is closer to Middle English, it preserves the older tradition. I have represented the caesura with a slash.



A Lyke-Wake Dirge
anonymous medieval lyric (circa the sixteenth century)
loose translation/interpretation by Michael R. Burch

The Lie-Awake Dirge is "the night watch kept over a corpse."

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.

When from this earthly life you pass
every night and all,
to confront your past you must come at last,
and Christ receive thy soul.

If you ever donated socks and shoes,
every night and all,
sit right down and put pull yours on,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk barefoot through the flames of hell,
and Christ receive thy soul.

If ever you shared your food and drink,
every night and all,
the fire will never make you shrink,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk starving through the black abyss,
and Christ receive thy soul.

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.



This World's Joy
(anonymous Middle English lyric, circa early 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



How Long the Night
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast:
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Adam Lay Ybounden
(anonymous Medieval English lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen and matron.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious! "

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



Excerpt from "Ubi Sunt Qui Ante Nos Fuerunt? "
anonymous Middle English poem, circa 1275
loose translation/interpretation by Michael R. Burch

Where are the men who came before us,
who led hounds and hawks to the hunt,
who commanded fields and woods?
Where are the elegant ladies in their boudoirs
who braided gold through their hair
and had such fair complexions?

Once eating and drinking made their hearts glad;
they enjoyed their games;
men bowed before them;
they bore themselves loftily...
But then, in an eye's twinkling,
their hearts were forlorn.

Where are their laughter and their songs,
the trains of their dresses,
the arrogance of their entrances and exits,
their hawks and their hounds?
All their joy is departed;
their "well" has come to "oh, well"
and to many dark days...



Westron Wynde
(anonymous Middle English lyric, found in a partbook circa 1530 AD, but perhaps written much earlier)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

NOTE: The original poem has "the smalle rayne down can rayne" which suggests a drizzle or mist, either of which would suggest a dismal day.



Pity Mary
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face: fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.

In the poem above, note how "wood" and "tree" invoke the cross while "sun" and "son" seem to invoke each other. Sun-day is also Son-day, to Christians. The anonymous poet who wrote the poem above may have been been punning the words "sun" and "son." The poem is also known as "Now Goeth Sun Under Wood" and "Now Go'th Sun Under Wood."



Fowles in the Frith
(anonymous Middle English lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood, " facing a similar fate?



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



If I am Syrian, what of it?
Stranger, we all dwell in one world, not its portals.
The same original Chaos gave birth to all mortals.
—Meleager, loose translation/interpretation by Michael R. Burch

Love, how can I call on you:
does Desire dwell with the dead?
Cupid, that bold boy, never bowed his head
to wail.
—Meleager, loose translation/interpretation by Michael R. Burch

Cupid, I swear,
your quiver holds only empty air:
for all your winged arrows, set free,
are now lodged in me.
—Meleager, loose translation/interpretation by Michael R. Burch

Cupid, if you incinerate my soul, touché!
For she too has wings and can fly away!
—Meleager, loose translation/interpretation by Michael R. Burch

Cupid, the cuddly baby
safe in his mother's lap,
chucking the dice one day,
gambled my heart away.
—Meleager, loose translation/interpretation by Michael R. Burch

I lie defeated. Set your foot on my neck. Checkmate.
I recognize you by your weight;
yes, and by the gods, you’re a load to bear.
I am also well aware
of your fiery darts.
But if you seek to ignite human hearts,
******* with your tinders;
mine’s already in cinders.
—Meleager, loose translation/interpretation by Michael R. Burch

When I see Theron everything’s revealed.
When he’s gone all’s concealed.
—Meleager, loose translation/interpretation by Michael R. Burch

When I see Theron everything’s defined;
When he’s gone I’m blind.
—Meleager, loose translation/interpretation by Michael R. Burch

When I see Theron my eyes bug out;
When he’s gone even sight is in doubt.
—Meleager, loose translation/interpretation by Michael R. Burch

Mother-Earth, to all men dear,
Aesigenes was never a burden to you,
so please rest lightly on him here.
—Meleager, loose translation/interpretation by Michael R. Burch

Meleager dedicates this lamp to you, dear Cypris, as a plaything,
since it has been initiated into the mysteries of your nocturnal ceremonies.
—Meleager, loose translation/interpretation by Michael R. Burch

I know you lied, because these ringlets
still dripping scented essences
betray your wantonness.
These also betray you—
your eyes sagging with the lack of sleep,
stray tendrils of your unchaste hair escaping its garlands,
your limbs uncoordinated by the wine.
Away, trollop, they summon you—
the reveling lyre and the clattering castanets rattled by lewd fingers!
—Meleager, loose translation/interpretation by Michael R. Burch

Moon and Stars,
lighting the way for lovers,
and Night,
and you, my mournful Mandolin, my ***** companion ...
when will we see her, the little wanton one, lying awake and moaning to her lamp?
Or does she embrace some other companion?
Then let me hang conciliatory garlands on her door,
wilted by my tears,
and let me inscribe thereupon these words:
"For you, Cypris,
the one to whom you revealed the mysteries of your revels,
Meleager,
offers these spoiled tokens of his love."
—Meleager, loose translation/interpretation by Michael R. Burch

Silence!
They must have carried her off!
Who could be so barbaric,
to act with such violence,
to wage war against Love himself?
Quick, prepare the torches!
But wait!
A footfall, Heliodora's!
Get back in my *****, heart!
—Meleager, loose translation/interpretation by Michael R. Burch

Tears, the last gifts of my love,
I send drenching down to you, Heliodora.
Here on your puddling tomb I pour them out—
soul-wrenching tears
in memory of affliction and affection.
Piteously, so piteously Meleager mourns you,
you still so precious, so dear to him in death,
paying vain tributes to Acheron.
Alas! Alas! Where is my beautiful one,
my heart's desire?
Death has taken her from me, has robbed me of her,
and the lustrous blossom lies trampled in dust.
But Earth-Mother, nurturer of us all ...
Mother, I beseech you, hold her gently to your *****,
the one we all bewail.
—Meleager, loose translation/interpretation by Michael R. Burch



You ask me why I've sent you no new verses?
There might be reverses.
―Martial, loose translation/interpretation by Michael R. Burch

You ask me to recite my poems to you?
I know how you'll "recite" them, if I do.
―Martial, loose translation/interpretation by Michael R. Burch

NOTE: The irascible Martial is suggesting that if he shares his poems, they will be plagiarized.

You ask me why I choose to live elsewhere?
You're not there.
―Martial, loose translation/interpretation by Michael R. Burch

You ask me why I love the fresh country air?
You're not befouling it there.
―Martial, loose translation/interpretation by Michael R. Burch

You never wrote a poem,
yet criticize mine?
Stop abusing me or write something fine
of your own!
―Martial, loose translation by Michael R. Burch

He starts everything but finishes nothing;
thus I suspect there's no end to his stuffing.
―Martial, loose translation by Michael R. Burch

NOTE: Martial concluded his epigram with a variation of the f-word; please substitute it if you prefer it.

You alone own prime land, dandy!
Gold, money, the finest porcelain―you alone!
The best wines of the most famous vintages―you alone!
Discrimination and wit―you alone!
You have it all―who can deny that you alone are set for life?
But everyone has had your wife―she is never alone!
―Martial, loose translation by Michael R. Burch

You dine in great magnificence
while offering guests a pittance.
Sextus, did you invite
friends to dinner tonight
to impress us with your enormous appetite?
―Martial, loose translation/interpretation by Michael R. Burch

To you, my departed parents, dear mother and father,
I commend my little lost angel, Erotion, love’s daughter.
She fell a mere six days short of outliving her sixth frigid winter.
Protect her now, I pray, should the chilling dark shades appear;
muzzle hell’s three-headed hound, less her heart be dismayed!
Lead her to romp in some sunny Elysian glade,
her devoted patrons. Watch her play childish games
as she excitedly babbles and lisps my name.
Let no hard turf smother her softening bones; and do
rest lightly upon her, earth, she was surely no burden to you!
―Martial, loose translation/interpretation by Michael R. Burch



Alien Nation
by Michael R. Burch

for a Christian poet who believes in “hell”

On a lonely outpost on Mars
the astronaut practices “speech”
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro —
far colder than Jesus’s words
over the “fortunate” sparrow.

And I understand how gentle Emily
must have felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Burn, Ovid
by Michael R. Burch

“Burn Ovid”—Austin Clarke

Sunday School,
Faith Free Will Baptist, 1973:
I sat imaging watery folds
of pale silk encircling her waist.
Explicit *** was the day’s “hot” topic
(how breathlessly I imagined hers)
as she taught us the perils of lust
fraught with inhibition.

I found her unaccountably beautiful,
rolling implausible nouns off the edge of her tongue:
adultery, fornication, *******, ******.
Acts made suddenly plausible by the faint blush
of her unrouged cheeks,
by her pale lips
accented only by a slight quiver,
a trepidation.

What did those lustrous folds foretell
of our uncommon desire?
Why did she cross and uncross her legs
lovely and long in their taupe sheaths?
Why did her ******* rise pointedly,
as if indicating a direction?

“Come unto me,
(unto me),”
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.

This poem is set at Faith Christian Academy, which I attended for a year during the ninth grade, in 1972-1973. While the poem definitely had its genesis there, I believe I revised it more than once and didn't finish it till 2001, nearly 28 years later, according to my notes on the poem. Another poem, "*** 101," was also written about my experiences at FCA that year.



*** 101
by Michael R. Burch

That day the late spring heat
steamed through the windows of a Crayola-yellow schoolbus
crawling its way up the backwards slopes
of Nowheresville, North Carolina ...

Where we sat exhausted
from the day’s skulldrudgery
and the unexpected waves of muggy,
summer-like humidity ...

Giggly first graders sat two abreast
behind senior high students
sprouting their first sparse beards,
their implausible bosoms, their stranger affections ...

The most unlikely coupling—

Lambert, 18, the only college prospect
on the varsity basketball team,
the proverbial talldarkhandsome
swashbuckling cocksman, grinning ...

Beside him, Wanda, 13,
bespectacled, in her primproper attire
and pigtails, staring up at him,
fawneyed, disbelieving ...

And as the bus filled with the improbable musk of her,
as she twitched impaled on his finger
like a dead frog jarred to life by electrodes,
I knew ...

that love is a forlorn enterprise,
that I would never understand it.

This companion poem to "Burn, Ovid" is also set at Faith Christian Academy, in 1972-1973.



honeybee
by michael r. burch

love was a little treble thing—
prone to sing
and (sometimes) to sting



honeydew
by michael r. burch

i sampled honeysuckle
and it made my taste buds buckle!



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’
the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Huntress
Michael R. Burch

Lynx-eyed cat-like and cruel you creep
across a crevice dropping deep
into a dark and doomed domain
Your claws are sheathed. You smile, insane
Rain falls upon your path and pain
pours down. Your paws are pierced. You pause
and heed the oft-lamented laws
which bid you not begin again
till night returns. You wail like wind,
the sighing of a soul for sin,
and give up hunting for a heart.
Till sunset falls again, depart,
though hate and hunger urge you—"On!"
Heed, hearts, your hope—the break of dawn.



Ibykos Fragment 286 (III)
loose translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;

the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.

Originally published by The Chained Muse



Ince St. Child
by Michael R. Burch

When she was a child
in a dark forest of fear,
imagination cast its strange light
into secret places,
scattering traces
of illumination so bright,
years later, she could still find them there,
their light undefiled.

When she was young,
the shafted light of her dreams
shone on her uplifted face
as she prayed ...
though she strayed
into a night fallen like woven lace
shrouding the forest of screams,
her faith led her home.

Now she is old
and the light that was flame
is a slow-dying ember ...
what she felt then
she would explain;
she would if she could only remember
that forest of shame,
faith beaten like gold.

This was an unusual poem, and it took me some time to figure out who the old woman was. She was a victim of childhood ******, hence the title I eventually came up with.



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.



Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...

what do we know of love,
or duty?



Kindred
by Michael R. Burch

Rise, pale disastrous moon!
What is love, but a heightened effect
of time, light and distance?

Did you burn once,
before you became
so remote, so detached,

so coldly, inhumanly lustrous,
before you were able to assume
the very pallor of love itself?

What is the dawn now, to you or to me?

We are as one,
out of favor with the sun.

We would exhume
the white corpse of love
for a last dance,

and yet we will not.
We will let her be,
let her abide,

for she is nothing now,
to you
or to me.



Reflections
by Michael R. Burch

I am her mirror.
I say she is kind,
lovely, breathtaking.
She screams that I’m blind.

I show her her beauty,
her brilliance and compassion.
She refuses to believe me,
for that’s the latest fashion.

She storms and she rages;
she dissolves into tears
while envious Angels
are, by God, her only Peers.



Excerpts from “Travels with Einstein”
by Michael R. Burch

for Trump

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



Remembrance
by Michael R. Burch

Remembrance like a river rises;
the rain of recollection falls;
frail memories, like vines, entangled,
cling to Time's collapsing walls.

The past is like a distant mist,
the future like a far-off haze,
the present half-distinct an hour
before it blurs with unseen days.



Resurrecting Passion
by Michael R. Burch

Last night, while dawn was far away
and rain streaked gray, tumescent skies,
as thunder boomed and lightning railed,
I conjured words, where passion failed ...

But, oh, that you were mine tonight,
sprawled in this bed, held in these arms,
your ******* pale baubles in my hands,
our bodies bent to old demands ...

Such passions we might resurrect,
if only time and distance waned
and brought us back together; now
I pray that this might be, somehow.

But time has left us twisted, torn,
and we are more apart than miles.
How have you come to be so far—
as distant as an unseen star?

So that, while dawn is far away,
my thoughts might not return to you,
I feed your portrait to the flames,
but as they feast, I burn for you.

Published in Songs of Innocence and The Chained Muse.



Currents
by Michael R. Burch

How can I write and not be true
to the rhythm that wells within?
How can the ocean not be blue,
not buck with the clapboard slap of tide,
the clockwork shock of wave on rock,
the motion creation stirs within?

Originally published by The Lyric



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of bright stars revolving above us
revel tonight, the most ardent of lovers.

Published by Writer’s Gazette, Tucumcari Literary Review and The Chained Muse



R.I.P.
by Michael R. Burch

When I am lain to rest
and my soul is no longer intact,
but dissolving, like a sunset
diminishing to the west ...

and when at last
before His throne my past
is put to test
and the demons and the Beast

await to feast
on any morsel downward cast,
while the vapors of impermanence
cling, smelling of damask ...

then let me go, and do not weep
if I am left to sleep,
to sleep and never dream, or dream, perhaps,
only a little longer and more deep.

Originally published by Romantics Quarterly



The Shape of Mourning
by Michael R. Burch

The shape of mourning
is an oiled creel
shining with unuse,

the bolt of cold steel
on a locker
shielding memory,

the monthly penance
of flowers,
the annual wake,

the face in the photograph
no longer dissolving under scrutiny,
becoming a keepsake,

the useless mower
lying forgotten
in weeds,

rings and crosses and
all the paraphernalia
the soul no longer needs.



Tillage
by Michael R. Burch

What stirs within me
is no great welling
straining to flood forth,
but an emptiness
waiting to be filled.

I am not an orchard
ready to be harvested,
but a field
rough and barren
waiting to be tilled.



For All That I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.

Originally published by The Raintown Review



Hearthside
by Michael R. Burch

“When you are old and grey and full of sleep...” ― W. B. Yeats

For all that we professed of love, we knew
this night would come, that we would bend alone
to tend wan fires’ dimming bars―the moan
of wind cruel as the Trumpet, gelid dew
an eerie presence on encrusted logs
we hoard like jewels, embrittled so ourselves.

The books that line these close, familiar shelves
loom down like dreary chaperones. Wild dogs,
too old for mates, cringe furtive in the park,
as, toothless now, I frame this parchment kiss.

I do not know the words for easy bliss
and so my shriveled fingers clutch this stark,
long-unenamored pen and will it: Move.
I loved you more than words, so let words prove.

This sonnet is written from the perspective of the great Irish poet William Butler Yeats in his loose translation or interpretation of the Pierre de Ronsard sonnet “When You Are Old.” The aging Yeats thinks of his Muse and the love of his life, the fiery Irish revolutionary Maude Gonne. As he seeks to warm himself by a fire conjured from ice-encrusted logs, he imagines her doing the same. Although Yeats had insisted that he wasn’t happy without Gonne, she said otherwise: “Oh yes, you are, because you make beautiful poetry out of what you call your unhappiness and are happy in that. Marriage would be such a dull affair. Poets should never marry. The world should thank me for not marrying you!”



I Know The Truth
by Marina Tsvetaeva
loose translation by Michael R. Burch

I know the truth―abandon lesser truths!

There's no need for anyone living to struggle!
See? Evening falls, night quickly descends!
So why the useless disputes―generals, poets, lovers?

The wind is calming now; the earth is bathed in dew;
the stars' infernos will soon freeze in the heavens.
And soon we'll sleep together, under the earth,
we who never gave each other a moment's rest above it.



I Know The Truth (Alternate Ending)
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

I know the truth―abandon lesser truths!

There's no need for anyone living to struggle!
See? Evening falls, night quickly descends!
So why the useless disputes―generals, poets, lovers?

The wind caresses the grasses; the earth gleams, damp with dew;
the stars' infernos will soon freeze in the heavens.
And soon we'll lie together under the earth,
we who were never united above it.



Poems about Moscow
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

5
Above the city Saint Peter once remanded to hell
now rolls the delirious thunder of the bells.

As the thundering high tide eventually reverses,
so, too, the woman who once bore your curses.

To you, O Great Peter, and you, O Great Tsar, I kneel!
And yet the bells above me continually peal.

And while they keep ringing out of the pure blue sky,
Moscow's eminence is something I can't deny ...

though sixteen hundred churches, nearby and afar,
all gaily laugh at the hubris of the Tsars.

8
Moscow, what a vast
uncouth hostel of a home!
In Russia all are homeless
so all to you must come.

A knife stuck in each boot-top,
each back with its shameful brand,
we heard you from far away.
You called us: here we stand.

Because you branded us criminals
for every known kind of ill,
we seek the all-compassionate Saint,
the haloed one who heals.

And there behind that narrow door
where the uncouth rabble pour,
we seek the red-gold radiant heart
of Iver, who loved the poor.

Now, as "Halleluiah" floods
bright fields that blaze to the west,
O sacred Russian soil,
I kneel here to kiss your breast!



Insomnia
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

2
In my enormous city it is night
as from my house I step beyond the light;
some people think I'm daughter, mistress, wife ...
but I am like the blackest thought of night.

July's wind sweeps a way for me to stray
toward soft music faintly blowing, somewhere.
The wind may blow until bright dawn, new day,
but will my heart in its rib-cage really care?

Black poplars brushing windows filled with light ...
strange leaves in hand ... faint music from distant towers ...
retracing my steps, there's nobody lagging behind ...
This shadow called me? There's nobody here to find.

The lights are like golden beads on invisible threads ...
the taste of dark night in my mouth is a bitter leaf ...
O, free me from shackles of being myself by day!
Friends, please understand: I'm only a dreamlike belief.



Poems for Akhmatova
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

4
You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...

to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...



This gypsy passion of parting!
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

This gypsy passion of parting!
We meet, and are ready for flight!
I rest my dazed head in my hands,
and think, staring into the night ...

that no one, perusing our letters,
will ever understand the real depth
of just how sacrilegious we were,
which is to say we had faith,

in ourselves.



The Appointment
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

I will be late for the appointed meeting.
When I arrive, my hair will be gray,
because I abused spring.
And your expectations were much too high!

I shall feel the effects of the bitter mercury for years.
(Ophelia tasted, but didn't spit out, the rue.)
I will trudge across mountains and deserts,
trampling souls and hands without flinching,

living on, as the earth continues
with blood in every thicket and creek.
But always Ophelia's pallid face will peer out
from between the grasses bordering each stream.

She took a swig of passion, only to fill her mouth
with silt. Like a shaft of light on metal,
I set my sights on you, highly. Much too high
in the sky, where I have appointed my dust its burial.



Rails
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

The railway bed's steel-blue parallel tracks
are ruled out, neatly as musical staves.

Over them, people are transported
like possessed Pushkin creatures
whose song has been silenced.
See them: arriving, departing?

And yet they still linger,
the note of their pain remaining ...
always rising higher than love, as the poles freeze
to the embankment, like Lot's wife transformed to salt, forever.

Despair has arranged my fate
as someone arranges a wedding;
then, like a voiceless Sappho
I must weep like a pain-wracked seamstress

with the mute lament of a marsh heron!
Then the departing train
will hoot above the sleepers
as its wheels slice them to ribbons.

In my eye the colors blur
to a glowing but meaningless red.
All young women, at times,
are tempted by such a bed!



Every Poem is a Child of Love
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

Every poem is a child of love,
A destitute ******* chick
A fledgling blown down from the heights above―
Left of its nest? Not a stick.
Each heart has its gulf and its bridge.
Each heart has its blessings and griefs.
Who is the father? A liege?
Maybe a liege, or a thief.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?

This is one of my earliest poems, written around age 15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again.



Her Preference
by Michael R. Burch

Not for her the pale incandescence of dreams,
the warm glow of imagination,
the hushed whispers of possibility,
or frail, blossoming hope.

No, she prefers the anguish and screams
of bitter condemnation,
the hissing of hostility,
damnation's rope.



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore
shall the haunts of the sea―
the swollen tide pools
and the dark, deserted shore―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure ...
She sleeps forevermore.

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely covered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way!
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea ...

their skeletal love―impossibility!

This is one of my Poe-like creations, written around age 19. I think the poem has an interesting ending, since the male skeleton is missing an important "member."



Mehmet Akif Ersoy: Modern English Translations of Turkish Poems

Mehmet Âkif Ersoy (1873-1936) was a Turkish poet, author, writer, academic, member of parliament, and the composer of the Turkish National Anthem.



Snapshot
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows,
how long will the darkness remember you?



Zulmü Alkislayamam
"I Can’t Applaud Tyranny"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

I can't condone cruelty; I will never applaud the oppressor;
Yet I can't renounce the past for the sake of deluded newcomers.
When someone curses my ancestors, I want to strangle them,
Even if you don’t.
But while I harbor my elders,
I refuse to praise their injustices.
Above all, I will never glorify evil, by calling injustice “justice.”
From the day of my birth, I've loved freedom;
The golden tulip never deceived me.
If I am nonviolent, does that make me a docile sheep?
The blade may slice, but my neck resists!
When I see someone else's wound, I suffer a great hardship;
To end it, I'll be whipped, I'll be beaten.
I can't say, “Never mind, just forget it!” I'll mind,
I'll crush, I'll be crushed, I'll uphold justice.
I'm the foe of the oppressor, the friend of the oppressed.
What the hell do you mean, with your backwardness?



Çanakkale Sehitlerine
"For the Çanakkale Martyrs"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Was there ever anything like the Bosphorus war?―
The earth’s mightiest armies pressing Marmara,
Forcing entry between her mountain passes
To a triangle of land besieged by countless vessels.
Oh, what dishonorable assemblages!
Who are these Europeans, come as rapists?
Who, these braying hyenas, released from their reeking cages?
Why do the Old World, the New World, and all the nations of men
now storm her beaches? Is it Armageddon? Truly, the whole world rages!
Seven nations marching in unison!
Australia goose-stepping with Canada!
Different faces, languages, skin tones!
Everything so different, but the mindless bludgeons!
Some warriors Hindu, some African, some nameless, unknown!
This disgraceful invasion, baser than the Black Death!
Ah, the 20th century, so noble in its own estimation,
But all its favored ones nothing but a parade of worthless wretches!
For months now Turkish soldiers have been vomited up
Like stomachs’ retched contents regarded with shame.
If the masks had not been torn away, the faces would still be admired,
But the ***** called civilization is far from blameless.
Now the ****** demand the destruction of the doomed
And thus bring destruction down on their own heads.
Lightning severs horizons!
Earthquakes regurgitate the bodies of the dead!
Bombs’ thunderbolts explode brains,
rupture the ******* of brave soldiers.
Underground tunnels writhe like hell
Full of the bodies of burn victims.
The sky rains down death, the earth swallows the living.
A terrible blizzard heaves men violently into the air.
Heads, eyes, torsos, legs, arms, chins, fingers, hands, feet...
Body parts rain down everywhere.
Coward hands encased in armor callously scatter
Floods of thunderbolts, torrents of fire.
Men’s chests gape open,
Beneath the high, circling vulture-like packs of the air.
Cannonballs fly as frequently as bullets
Yet the heroic army laughs at the hail.
Who needs steel fortresses? Who fears the enemy?
How can the shield of faith not prevail?
What power can make religious men bow down to their oppressors
When their stronghold is established by God?
The mountains and the rocks are the bodies of martyrs!...
For the sake of a crescent, oh God, many suns set, undone!
Dear soldier, who fell for the sake of this land,
How great you are, your blood saves the Muslims!
Only the lions of Bedr rival your glory!
Who then can dig the grave wide enough to hold you. and your story?
If we try to consign you to history, you will not fit!
No book can contain the eras you shook!
Only eternities can encompass you!...
Oh martyr, son of the martyr, do not ask me about the grave:
The prophet awaits you now, his arms flung wide open, to save!



W. S. Rendra translations

Willibrordus Surendra Broto Rendra (1935-2009), better known as W. S. Rendra or simply Rendra, was an Indonesian dramatist and poet. He said, “I learned meditation and the disciplines of the traditional Javanese poet from my mother, who was a palace dancer. The idea of the Javanese poet is to be a guardian of the spirit of the nation.” The press gave him the nickname Burung Merak (“The Peacock”) for his flamboyant poetry readings and stage performances.

SONNET
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Best wishes for an impending deflowering.

Yes, I understand: you will never be mine.
I am resigned to my undeserved fate.
I contemplate
irrational numbers―complex & undefined.

And yet I wish love might ... ameliorate ...
such negative numbers, dark and unsigned.
But at least I can’t be held responsible
for disappointing you. No cause to elate.
Still, I am resigned to my undeserved fate.
The gods have spoken. I can relate.

How can this be, when all it makes no sense?
I was born too soon―such was my fate.
You must choose another, not half of who I AM.
Be happy with him when you consummate.

THE WORLD'S FIRST FACE
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
both consisting of nothing but themselves.

As in all beginnings
the world is naked,
empty, free of deception,
dark with unspoken explanations―
a silence that extends
to the limits of time.

Then comes light,
life, the animals and man.

As in all beginnings
everything is naked,
empty, open.

They're both young,
yet both have already come a long way,
passing through the illusions of brilliant dawns,
of skies illuminated by hope,
of rivers intimating contentment.

They have experienced the sun's warmth,
drenched in each other's sweat.

Here, standing by barren reefs,
they watch evening fall
bringing strange dreams
to a bed arrayed with resplendent coral necklaces.

They lift their heads to view
trillions of stars arrayed in the sky.
The universe is their inheritance:
stars upon stars upon stars,
more than could ever be extinguished.

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
to recreate the world's first face.

Keywords/Tags: Rendra, Indonesian, Javanese, translation, love, fate, god, gods, goddess, groom, bride, world, time, life, sun, hill, hills, moon, moonlight, stars, life, animals?, international, travel, voyage, wedding, relationship, mrbtran



Shadows
by Michael R. Burch

Alone again as evening falls,
I join gaunt shadows and we crawl
up and down my room's dark walls.

Up and down and up and down,
against starlight―strange, mirthless clowns―
we merge, emerge, submerge . . . then drown.

We drown in shadows starker still,
shadows of the somber hills,
shadows of sad selves we spill,

tumbling, to the ground below.
There, caked in grimy, clinging snow,
we flutter feebly, moaning low

for days dreamed once an age ago
when we weren't shadows, but were men . . .
when we were men, or almost so.



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



THE RUIN
an Old English/Anglo-Saxon poem
loose translation/interpretation by Michael R. Burch

well-hewn was this wall-stone, till Wyrdes wrecked it
and the Colossus sagged inward ...

broad battlements broken;
the Builders' work battered;

the high ramparts toppled;
tall towers collapsed;

the great roof-beams shattered;
gates groaning, agape ...

mortar mottled and marred by scarring ****-frosts ...
the Giants’ dauntless strongholds decaying with age ...

shattered, the shieldwalls,
the turrets in tatters ...

where now are those mighty Masons, those Wielders and Wrights,
those Samson-like Stonesmiths?

the grasp of the earth, the firm grip of the ground
holds fast those fearless Fathers
men might have forgotten
except that this slow-rotting siege-wall still stands
after countless generations!

for always this edifice, grey-lichened, blood-stained,
stands facing fierce storms with their wild-whipping winds
because those master Builders bound its wall-base together
so cunningly with iron!

it outlasted mighty kings and their claims!

how high rose those regal rooftops!
how kingly their castle-keeps!
how homely their homesteads!
how boisterous their bath-houses and their merry mead-halls!
how heavenward flew their high-flung pinnacles!
how tremendous the tumult of those famous War-Wagers ...
till mighty Fate overturned it all, and with it, them.

then the wide walls fell;
then the bulwarks were broken;
then the dark days of disease descended ...

as death swept the battlements of brave Brawlers;
as their palaces became waste places;
as ruin rained down on their grand Acropolis;
as their great cities and castles collapsed
while those who might have rebuilt them lay gelded in the ground:
those marvelous Men, those mighty master Builders!

therefore these once-decorous courts court decay;
therefore these once-lofty gates gape open;
therefore these roofs' curved arches lie stripped of their shingles;
therefore these streets have sunk into ruin and corroded rubble ...

when in times past light-hearted Titans flushed with wine
strode strutting in gleaming armor, adorned with splendid ladies’ favors,
through this brilliant city of the audacious famous Builders
to compete for bright treasure: gold, silver, amber, gemstones.

here the cobblestoned courts clattered;
here the streams gushed forth their abundant waters;
here the baths steamed, hot at their fiery hearts;
here this wondrous wall embraced it all, with its broad *****.

... that was spacious ...



Victor Hugo "Love Stronger Than Time"
loose translation/interpretation by Michael Burch

Since I first set my lips to your full cup,
Since my pallid face first nested in your hands,
Since I sensed your soul and every bloom lit up—
Till those rare perfumes were lost to deepening sands;

Since I was once allowed those pleasures deep—
To hear your heart speak mysteries, divine;
Since I have seen you smile, have watched you weep,
Your lips pressed to my lips, your eyes on mine;

Since I have sensed above my thoughts the gleam
Of a ray, a single ray, of your bright star
(If sometimes veiled), and felt light falling stream,
Like one rose petal plucked from high, afar;

I now can say to time's swift-changing hours:
Pass, pass upon your way, for you grow old;
Flee to the dark abyss with your drear flowers,
but one unmarred within my heart I hold.

Your flapping wings may jar but cannot spill
The cup fulfilled of love, from which I drink;
My heart has fires your frosts can never chill,
My soul more love to fly than you can sink.



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star...
how beautiful,
how wonderful
we are!



Published as the collection "Modern Charon"

Keywords/Tags: Charon, Styx, death, ferry, boat, ship, captain, steering, helm, wheel, rudder, shipwreck, disaster, night, darkness, 911, 9-11, mrbch
John Ryles Jul 2011
Porage Oats?
Porridge simmering slowly on an old gas hob,
In a large enamel *** that was kept for this job.
We stirred it occasionally with a spoon shaped stick,
This stopped it burning or getting too thick.
You knew when it was time to do the spoon test,
If the spoon stood up strait then it was at its best.
Served with golden treacle the way I liked it most,
That melted like a glaze Oh yes and a slice of toast.
Those cold winter mornings it warmed the heart,
We would all walk to school with a healthy start.
Just been too busy working all my life,
No time to make porridge for me and my wife.
I have tried many new cereals in the past 40 years,
Some not to bad but containing too much sugar.
They call it glaze with bits of chocolate to,
But with a threat of diabetes it just will not do.
Now that I’m retired I go shopping every day,
More time for cooking in the old fashioned way.
Last winter a large promotion caught my eye,
It was for porridge, I could not pass it bye.
Not the instant stuff, cooked in minutes two,
It's Proper Porage Oats that sticks like glue.
Is this a second childhood where I want to play?
No, just a wholesome breakfast for a frosty day.
What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it *******, has it edges?

I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking

'Is this the one I am too appear for,
Is this the elect one, the one with black eye-pits and a scar?

Measuring the flour, cutting off the surplus,
Adhering to rules, to rules, to rules.

Is this the one for the annunciation?
My god, what a laugh!'

But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.

I do not want much of a present, anyway, this year.
After all I am alive only by accident.

I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains,

The diaphanous satins of a January window
White as babies' bedding and glittering with dead breath. O ivory!

It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.

Can you not give it to me?
Do not be ashamed--I do not mind if it is small.

Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam,

The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.

I know why you will not give it to me,
You are terrified

The world will go up in a shriek, and your head with it,
Bossed, brazen, an antique shield,

A marvel to your great-grandchildren.
Do not be afraid, it is not so.

I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle,

No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.

If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.

But my god, the clouds are like cotton.
Armies of them. They are carbon monoxide.

Sweetly, sweetly I breathe in,
Filling my veins with invisibles, with the million

Probable motes that tick the years off my life.
You are silver-suited for the occasion. O adding machine-----

Is it impossible for you to let something go and have it go whole?
Must you stamp each piece purple,

Must you **** what you can?
There is one thing I want today, and only you can give it to me.

It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center

Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.

Let it not come by word of mouth, I should be sixty
By the time the whole of it was delivered, and to numb to use it.

Only let down the veil, the veil, the veil.
If it were death

I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.

There would be a nobility then, there would be a birthday.
And the knife not carve, but enter

Pure and clean as the cry of a baby,
And the universe slide from my side.
The room was dank and dreary
The past hung in the air
There was a scent of mildew
A smell of history was there
The paint was old and faded
With stains all dark and brown
The wallpaper too was dated
And it needed to come down
It was a home for 50 years
That stood so strong and proud
It comforted all of our fears
Far from the madding crowd
We stripped away the paper first
Each layer a strip in time
It showed the old room at her worst
It really seemed a crime
To tear it down, and think of when
Each layer was first  applied
The walls that seemed so tall again
I just stood there and cried
I thought about the birthdays
Celebrated in this room
Of getting covered all in glaze
That we cleaned  off with a broom
The roses were much redder
Than I remembered them to be
In fact it now looked better
Than it did when I was three
I remembered Mother loved this
And of how it made her smile
And she gave Father a light kiss
After toiling all the while
The next layer though was not as nice
"Twas beige and a sort of lime
It made the room feel cold like ice
It spoke of another, somber time
I looked at the wall and I noticed the lines
Marking our heights as we grew
This was on a paper all covered in vines
Mom loved this one, we knew
It seemed  surreal that Mom was not here
To see these passages pass
But we knew in our hearts that she was stil near
As we looked at paper covered with Bass
That was from when Unlcle Jim came to stay
And our folks gave up their room
To help out a brother who I still love to this day
One who can always help  brighten my gloom
They changed the wall just for him
To make it seem more like it was his
They put their life on hold for Jim
And the wallpaper choice was his
The years pass by more quickly now
The paper doesn't change too much
Jim moved out and that is how
The paper changed just a touch
Mom got sick and Dad quit work
He did the room in flowers for our mom
It was at this time we noticed the rooms quirk
One of those things that made you go hmmm
Far up in one corner behind a section of curtain
Dad had left a small square showing the years
worth of papers we were certain
It was to help mom with her tears
Now as we finished we looked to the man
Sitting alone in the old corner chair
He smiled at us as best as he can
But I don't think he knew we were there
I handed him some paper and I looked in his eyes
He stared clear on through me
And then he started to cry
This was the last of this paper he'd see
Dad and the house now have gone into dust
The years get short and  have tapered
But to go back in time I know all I must
Do, is look at my small square of paper.
Lucy Tonic Nov 2011
What was saved
Could not have been
The original race
And still we slave
For a face
For a glaze
Everyone knows it
No one does nothing about it
So how dare you
Act upon what we all want
How dare you
Crash our dreams
Everyone knows
They’re not for living
They’re for dying for
Seven thirty-six
Whose got your cheap tricks
A clock, a flask, or
The one that licks
Up your sweat
Up your tears
They go up, up
Along with your fears
What goes below
That’s what I wanna know
What goes below
Ann Witt Sep 2013
Hopelessness is swallowing me.
For all my life I've been it's prey.
Sometimes strong, sometimes weak,
I've always managed to hold on,
but my grip is loosening.

My dreams have been squelched
and my imagination is fading.
I'm tired of pushing boulders uphill
only to watch them roll back down.
My shiny glaze of compassion has dulled.

Flaccid are my heartstrings,
flying ramdomly like torn ribbons
on a misguided kite.
Where can I escape and become
someone else somewhere else?
Tryst Jul 2014
The proudest thing I think I've ever done,
Such artistry, such skill I have attained!
The semi-glaze reflecting of the sun,
The richness of the blue, so lightly stained;
So perfect is the pointed pouring spout
That sits upon a rim of gold emboss,
And proudly do the handles both stick out,
Exquisite is the painted Celtic cross;
I toiled and slaved for oh so many years,
My fingers ever wet and moist with clay,
But now at last I'm free of all the fears
And doubts that clouded me until this day;
        I know you'll all be very pleased for me,
        So thanks, my friends, on Hello Pottery!
Penne Feb 2019
A dictionary of words
Thousands---infinites!
Little marks to describe a vast world
Lest not care of lacking logic
Aroused by imagination is my magic
Lemon zests the cornucopia of citrus
Are not they a splash of kalopsa?
Charisma, karma, euphoria?
Not allowed to bleed in blanc
Wail in rosy franc
Puddles of messed reflection
Fictions wonder reaction
Wander in the wildest wilderness
Describe the autumn, fall
Moist, solitary
Fawn on the lawn
Reality is the contrary
Refuge in the creamed sugar
Like a cup of iced kiss
Deep burrowed in the mapled hiss
Wait for its marmalade bliss
Head exploding in fireworks
Magnificent, what about nightfall?
Showers and streaks befall
Stars shoot smoke of ball
Cry tears of meteorites
Sprinkle the blinking sprites
Flow streams of sparkling silence
Swim the chasing glares
Enchant me in your chemise, evangelic skin
Leitmotif of mimes' maim, mean?
Speculate the pixelled fairies
Hide in the fruits of Alice
Spark at the dance of hands
Paint the faint trees
Baskets of floating sheep
Bounce in the enigmatic realm
Drooling in
As they transgress the egress
In chiffon blush flushed
Bittersweet caress
Bare grasslands with strangers
Wet the glory shine
Morning then hoots for sleep
Shush, weeping willows
Flowers of your scent hover the grove
Voices sweetly surrender
Linger for tender
Gloam or roam
River of innocence soul
Reaping the afterglow
Aglow my fountained lockes
Blur for it to be clearer
Illusions of ambiguity
As its lips meet the prism
Of brilliant optimism
Breathtaking fauvism
Breathless onism
Succumb in the limitless reverie
Rare of not having aneurysm
Persephone's persepolis
Blood of perenelia
Where Opheus court Eurydice
Winter solace holies
Lakes of beating lights
Bloom irregularly
As the sesquipedalian crawl out from its vine
In the Brobdingnagian it creeps
Line between sublime and wine
Harmony weave in palette
Rhythm rose from my red
Fresh breeze hush the roulette
Leaves blade the crafted well-made
Dusk, dawn to diiferentiate
Eclipse the hysteria and the impeccable
Love waltz
Glide the glistened clarity
Perfume lilies
Stares of lavenders
Rain the clouds of keys
Crystallizing and fractalizing
Mesmerize, astonish, aghast!
Rise your mile
Fragile my rile
Bridge this moonlit immeasurable, fantasia distance
Repertoire of piano choir
Luxury in the polychrome noir
Royal in the loyal wintermelon
Poppies color the spring
Butterflies fly in the effervescence
My painting sings a summer fling
Jump in the pantones
Rest your all
Stones amble swish scone
Wishes twinkle then hone
Will-o-wisps chill your bone
Lend me a wing
Let not be done in a ding
What I fear, free from the fringes of meek
My, this lexicon is not enough!
How to occupy the million, jillion, eternal galaxies
Shout in the rave
Echoing in the waves
Marvel at the bejewelled revel
Image my imagery
Oh, dive away child!
Let us drive in the garden of glaze
Careful not to be too amazed in the maze
In the hummed woodglade
As the critters flutter and flute
No way to chain me out of this loop
Pool of pretty astonishments
Diamonds of nature
Endure, not inure
Words alone are insufficient
These are just mere fantasies
Some are unexplainable
Some needs to be felt
Some needs to be seen
Not just read
Not just dreamt
I may sound dubious
But this is incredulous
Just a random collection of pretty words º-º
I vow I'll go straightedge, grow
old w/ U now I will try to live.
Honey? I'm royal jellydrizzler, ambro-
sia sprinkler, manuka slav-

erer, glucose washingline.
Honey? Truncated puberty bassethounds
no more mellifluous a confection-
ary spokesperson than sweet sounds

of rhyming superlatives, purple prose glaze,
cherup syrub of yr...Honey?
I'm Jack the Dripper, Jackson ******* squeez-
ing bees,

weird scenes inside
the love hive. Honey, yr krazysexykool
- were U head
girl @krazysexyskool?

Yr compassionate
becoz yr compassion art
is that yr compassion heart
has compassion smarts. Compassion farts

even vent a delectable sillage.
Honey, when U showed me yr hon-
eypot, it ate away l/ acid at my 3rd eyelid
- pineal flash! When

I showed U my bruce,
U had me feeling
so pinefresh, last of the summer spruce
decongesting

the mucus of a moose.
No relation to non-Monty Montgomery,
but when I petted yr zipper cat @clubhousecaboose,
U helped me see

- eureka!
Bing-
o! ******.  Either that or 'Each 1 of us is special in their
own way'. The Get Along Gang

was a vision thang.
I'm yr Lenin & yr my Inessa.
I'm yr Lennon & yr my May Pang.
On a ferry cross the Volga to yr Oktober rock 'n' rolla.

& tho' U've got a hermione
& I'm not into hot karl,
U're my Lenny
& I'm yr Carl.

But shock appearance of the final realisation I
could lose the U inside of U, yr inimit-
able secular seelenfunklein, strikes down high
spirits l/ L.Ritchie floored by ceilingfunkline flit.
Kevin Millers Jul 2015
I will smelting the scentest sweet
Smelt it over an 'I forgot' times
Smells the morningest freshness
Will smell petrified joy always.

I will stareding at the simplest complexity
My eyes saw the warmest merry
Seeing night sky spill over sight
Will stare at plainest intricacy.

I felting a sugar glaze
Felt it coat my moonest blue
Feeling his sugary hands
Had warmth so will feel it melt..

Will felting foreverness sticky.
When winter's glaze is lifted from the greens,
And cups are freshly cut, and birdies sing,
Triumphantly the stifled golfer preens
In cleats and slacks once more, and checks his swing.

This year, he vows, his head will steady be,
His weight-shift smooth, his grip and stance ideal;
And so they are, until upon the tee
Befall the old contortions of the real.

So, too, the tennis-player, torpid from
Hibernal months of television sports,
Perfects his serve and feels his knees become
Sheer muscle in their unaccustomed shorts.

Right arm relaxed, the left controls the toss,
Which shall be high, so that the racket face
Shall at a certain angle sweep across
The floated sphere with gutty strings--an ace!

The mind's eye sees it all until upon
The courts of life the faulty way we played
In other summers rolls back with the sun.
Hope springs eternally, but spring hopes fade.
Bailey B Sep 2012
it's a lot harder than you think.

you have to be from the South, like me
or the North, like I want to be
or somewhere entirely more interesting than Dallas
and you have to have the ginger gene
(because there's no way I'm having
blonde children)
and you have to like aquariums
specifically the seahorses

don't wear too much cologne or
pastels and don't ever smell like
frat parties, barbecue, or beer
and DON'T ever say that ballet is stupid.

you have to ask before we choose
the restaurant because I don't eat Italian
or Thai or Greek or Subway
and you have to hold the door open for me
even if we're in my own room.

listen to my monologues for class
and rattled-off to-do lists
as you lazily push the basket
and I grab it from you because you're going too slow
and mockingly call you a princess

know that I am busy, VERY busy
in fact so busy that I may not see you
because I am an independent woman
and there are stories to be built, dragons to be slayed,
and there are things my hands must finish
before I can start on holding yours

make fun of my Crocs
and the way I hiccup out of nowhere
and the days that I don't have time to eat breakfast
so I bring a Fuzzy's cup to class
full of off-brand Cap'n Crunch
shoving handfuls into my mouth between
snide remarks about Morrison
while you laugh inside your eyes
about what a cynic I pretend to be

hate me when I tell you
that I don't need a hug
and that I'd rather be dating Hemingway
or that I have rehearsal
painting cities, building histories

ignore my comments about you needing to shave
or on how I think I'd rather I'd never get married
and live the rest of my days writing stories
with organic vegetables and rainy days and
walks in the Carolinas

call me a ***** when I'm being one
(because I know I am about 97% of the time)
and tell me you would help me
if I would ever let you
whether it be Christmas lights or
physics lab or the gnawing pain
of lonely lonely lonely

let me read my books, propped up on
my pillows and nestled into a glaze
and let me have my expectations
of Rochesters and Darcys
even though I say I don't
and when I have to sew a blanket for class
and I say the stitching looks awful
tell me no, it doesn't
because I desperately want you
to know that my favorite color is lavender
and I love watermelon and stationery and
online shopping at 2 am
and I desperately want to know
your elementary school, your favorite song,
your middle name
even though I pretend I don't

and sometimes when I say I'm right
and you know that I know I'm wrong
just pick up your spirals and turn to leave,
then stop and say
"my favorite book is Gatsby, too."

and smile and call me crazy.

it's a lot easier than you think.
Robin Carretti Jun 2018
1- MOUTH*ME Ordering
Impress-me_Orange only
Surprise me
_
Lounge-Pop-solo
to believe in me orange wings halo
He's the Popsicle Text$$$He

She is acting like the
baby grand piano
Plays the "Clockwork Orange"
spoiled her
orange cycle pours
out liqueur
Top hat seating he better do quicker
who will be doing the ordering?

The orange smiling the whole world
Is hanging up their coats in the
Rainbow room honey orange glaze
She got her scholarship
drinks just float

Somewhere being checked off
Like an orange popsicle licked off
All fragments "Creme Brulee'
in orange segments
Look at him with the
big portion
 
The check your paying now
you can leave my dream
Titanic ship or the internship

Orange plaid vibrant tablecloths
Lips so tangy nothing
fancy love and honor
Her pooch too smoochy 
Orangey oceans drizzle me touchy
Touch her vibrant lips
she screams
More orange with
good principle
So delectable how his mouth
On the radio air
She lets out to
much air
Her orange peel wedge
Bits and pieces profitable pledge
Orange-grapefruit perfumes
with vanilla cream
She Pops in and he bursts out
To trust her dream you better react
To see her colors
The Ambrosial Business
lady proposal good
American dollar

Pick me I am pungent her gloss
is a big plus
She’s all business cool
vibrant boss

Orange Julius Caesar shower
Exotic oils of orange petal me
What delicacy for the
Gods orange lounge
piece de resistance the
New Orange with persistence.
spiritual love romance
her wicked stance

2.
Her Face ASTRINGENT
SOoothing Vibrant

Her lips juicy gossip
Her juicy lips to burst for
He’s the “Orange Julius Sunshine”

3. Delectable--__ Save me Savory
Finger lakes he gives me
the finger foods

Creamy outnumbered orange
fudge you be
My Popsicle Judge


Oranges segments pancakes to
boost your energy
Underestimate her she will orange
  test your fate don't be late
That well suited Italian Gelato
His eyes like popsicle love
signs her lips orange designed
So well to deliver
Dances of touches pulp fiction river
a burst of Godly Orange sunsets
We all love the change
like an experiment

(No Nuns) wearing orange ruler sticks
Let's flag them down in my convent

The men of Citrus Avanti umm
Refreshing popsicle his dimples
the Ground of Sculptures
The melted like milkshakes
Don't use the John
pulp fiction.

4. SPECTRUM OF COLORS ORANGE

Orange vibrant she screams she could
knock anyone out of her burst dream
The orange starter hard pulp
orange lip gloss what delicacy
piece de resistance the
New Orange with persistence.
Her nails in polka dots
Orange

Firey Islander Exotic hottie
orange lip gloss she looks good
over him
Orange slices love triangles
How the women start to mingle they
love being single their orange
fashionable 27-anniversary good luck
orange you glad I got them
dresses he could eat her up
like a 69 flavor sherbet
how she melts
Orange juice me anytime
how does it pour?
Going on an exotic taste tour
Orange Emerald City

Vivacious so vibrant she
stands out her
smells intoxicating again
Orange mating Vitamin C
The sun craving
Like clockwork her masterpiece
of fragrance a burst of her heart
orange smoothie
wildly orange scent how he
was summoned
onto her with vibrant
words of comments
A burst of the eclipse will be coming
Longevity how he lifts her gravity.

More Vitamin C Orange is all me.
How you can use your intuition
to create miracles in life

Orange moods of shades and peoples personalities all come with
technologies the orange way of thinking isn't it soothing and refreshing like a burst of orange sunshine
words can't describe that emotion in her eyes as her glaze casts upon the world..
with an open heart she holds it, with an open heart she loves it, and with an open heart she lets it go but yet she wonders if she'll always be alone..

what is this emotion she wonders, what is this emotion mean to me..?
as a man stares down the world..
but nothing can hide the truth behind her eyes that wonders if she'll always be alone..

just for a moment in time two dusk hearts fall into gray..
blinded by distrust and dismay..
but as they try to hold they are pushed farther from the real each day..
yet always they wonder, will i always be alone..?
is there no one to call my own..?

but one days he see's her and connects with her eyes..
he knows instantly that there is something inside..
but he has to be careful, because she has just fallen and her heart lay in ruins..

she see's him for the very first time and she's seen that look..
it's like a hunger they hide..
she thinks she knows what he wants, so she just tries to hide..
she gives him the shoulder, she turns him around,  in all she plain shut him down..

as he tries and tries, all he gets is denies..
he won't quit though, he knows she'll come through..
he wants to believe that she'll let him through..
time will not matter because he knows that this love is true..

as one heart yearns for his lost love, the other tries to mend its pieces..
she tries to make sense of this strange resentful man..
why would he want her, why always hold out his hand, why has he tried..?
why does he not subside..

he will not hide he wants her, he knows that this is not right..!
he pushes with all his might, inch by inch he earns her maybe she has seen the light..

at last he has woo'ed her as she has seen..
he is not like the others, she just had to believe..
the solemn man who has taken the day because he's taken the best she is and his to stay..

she has opened her eyes, another day in this beautiful life..
as she rolls over to the side of the bed she feels his arm grasp her and cups her sweet head..

she lets him pull her close as they heat up the bed..
at last she says that i'm no longer alone because i've found my own..
i've found my everything.. i've found all my own..
he's just like me and he understands it all..
he reads my thoughts and through his whispers i hear the answers..

"true love is real and it's all because i've found you.. "

two dusk lovers lay in twined..
two dusk lovers with love undying stay together forever more..
for in the night the sky was alight as the world around drew new..
destructive weapons destroyed great intentions and ended the lives of so many to soon..

time has passed but still that moment lasts of the two dusk hearts in twined stays true..
for they are solidified by the light that ended their lives to soon..
perfect definition of each depiction of their love is true..

now if only the world could learn from this man and woman that true love will always last through..

into the night you can still hear her delight as they dance through the stars and into the moon..
and always they say that i love you in the form of attention..*


┈┈┈┈»̶·̵̭̌✽✽·̵̭̌«̶  ƦУ  »̶·̵̭̌✽✽·̵̭̌«̶┈┈┈┈┈┈┈┈
if we are separated under the same sky..
then keep in mind when we look at the same dusk..
soul wolf Jul 2013
***
give me the pleasure of knowing
that i can please you in ways that not even you can
i want to detain your innermost secrets
i want to become more familiar with your body than you are
tell me your favorite fingers
    let’s discover your favorite toy
i want to know which spot makes you shiver
i want to know which spot makes you moan
   i want to know exactly what type of stroke makes you shake
i want to know which spot makes
                        your eyes
                            your hips
                                 your head
                                             roll
                    so that i know precisely when to roll you over
                            and vivaciously assault you from behind
                                   while i croak romantic entities
       and watch them travel down the notches of your spine
       and wrap themselves around your earlobes
and curl their exclamatory hands around your throat
                            and reach around your body
     and diligently massage your ****
           while the planes of your forearms give out
          due to the weariness of supporting not only your body
but also the head on your shoulders
whirring with the fact that this moment is almost
too large for you
         just like the member pumping
              in and out of you is
and just like that member
               these moments were at first
               difficult to swallow

  let me stop
         and take a moment to admire the way sweat
gives your curves a flattering spotlight
and provides the candles in the room more reason to
      applaud and reach their crowns in the air
            almost as if to detach themselves from
their own wax and join us
                      in order to extinguish
                                             the fire deep within themselves
            by allowing me to drown them in their own juices
                                                        ­just as you have
        i want to admire the way sheets of sweat
                                       glaze your skin
           in the same way your juices glaze
           your opening

let me enter you
    as you pucker your mouth
bite your lip
and beg for more
i want to know exactly what makes you
denounce me to the dirtiest of things
give me a title only worn by those wearing sweat
  and exhalations

scream my name
pull those eyebrows together
and spread those legs further apart
and let the part of me
that isn’t me
(but is me)
deeper inside of you

let me carry you to ******
             afterwards i'll lean down and bury my mouth
between your legs
and taste what meal your supplementary pair of lips
  have prepared for me
i want to digest my libidinous progress
and mount this triumph in my heart
as the first of many
powerfully lecherous
conquered temptations


k.n
visit my official poetry blog please: http://www.kierranyepoetry.blogspot.com
Cyrus Agons Jun 2014
Surfing across the glaze of light
Multiverse into one, this universe shines bright
Condensed energy upon my sight
Mystery upon this 'life'
All is multiverse stitched into one universe
All universes stitched upon each other
Tension upon layer and layers
Heaven, Hell, reincarnation, all are bound by makers
One moves upon a series of 'matter' or vibrations after the shell is removed or gained
However rather low, high, negative, or positive energy, all is remained
Logic
A mere barrier designed and captivated by a mind
Grasping your vision, your perception, your multiverse
Either a hinder or power surge
Forming pieces of ones quilt to converge
A poisonous psychedelic
The rarity of an ancient relic
It is yours, whatever it may be
Hold close, as it is all you may have
As the 'universe' of the multiverse leans and meets according to so
Then raving within your conscious, you see a brighter glow
You pursue, you make the most
Using the now gleam to move upon the multiverse you hope to have
Doing all in reality in order to keep the spark alive
What seems to be drab
What seems to strive
All according to the beholder
We keep these lights seemingly closer
Whatever they maybe
Whomever they maybe
What has never begun to start will never be over

— The End —