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"girdle" poems
How this **** fable instructs And mocks! Here's the parody of that moral mousetrap Set in the proverbs stitched on samplers Approving chased girls who get them to a tree And put on bark's nun-black Habit which deflects All amorous arrows. For to sheathe the ****** shape In a scabbard of wood baffles pursuers, Whether goat-thighed or god-haloed. Ever since that first Daphne Switched her incomparable back For a bay-tree hide, respect's Twined to her hard limbs like ivy: the puritan lip Cries: 'Celebrate Syrinx whose demurs Won her the frog-colored skin, pale pith and watery Bed of a reed. Look: Pine-needle armor protects Pitys from Pan's assault! And though age drop Their leafy crowns, their fame soars, Eclipsing Eva, Cleo and Helen of Troy: For which of those would speak For a fashion that constricts White bodies in a wooden girdle, root to top Unfaced, unformed, the nipple-flowers Shrouded to suckle darkness? Only they Who keep cool and holy make A sanctum to attract Green virgins, consecrating limb and lip To chastity's service: like prophets, like preachers, They descant on the serene and seraphic beauty Of virgins for virginity's sake.' Be certain some such pact's Been struck to keep all glory in the grip Of ugly spinsters and barren sirs As you etch on the inner window of your eye This ****** on her rack: She, ripe and unplucked, 's Lain splayed too long in the tortuous boughs: overripe Now, dour-faced, her fingers Stiff as twigs, her body woodenly Askew, she'll ache and wake Though doomsday bud. Neglect's Given her lips that lemon-tasting droop: Untongued, all beauty's bright juice sours. Tree-twist will ape this gross anatomy Till irony's bough break.
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8.6k
****** In A Tree
How this **** fable instructs And mocks! Here's the parody of that moral mousetrap Set in the proverbs stitched on samplers Approving chased girls who get them to a tree And put on bark's nun-black Habit which deflects All amorous arrows. For to sheathe the ****** shape In a scabbard of wood baffles pursuers, Whether goat-thighed or god-haloed. Ever since that first Daphne Switched her incomparable back For a bay-tree hide, respect's Twined to her hard limbs like ivy: the puritan lip Cries: 'Celebrate Syrinx whose demurs Won her the frog-colored skin, pale pith and watery Bed of a reed. Look: Pine-needle armor protects Pitys from Pan's assault! And though age drop Their leafy crowns, their fame soars, Eclipsing Eva, Cleo and Helen of Troy: For which of those would speak For a fashion that constricts White bodies in a wooden girdle, root to top Unfaced, unformed, the nipple-flowers Shrouded to suckle darkness? Only they Who keep cool and holy make A sanctum to attract Green virgins, consecrating limb and lip To chastity's service: like prophets, like preachers, They descant on the serene and seraphic beauty Of virgins for virginity's sake.' Be certain some such pact's Been struck to keep all glory in the grip Of ugly spinsters and barren sirs As you etch on the inner window of your eye This ****** on her rack: She, ripe and unplucked, 's Lain splayed too long in the tortuous boughs: overripe Now, dour-faced, her fingers Stiff as twigs, her body woodenly Askew, she'll ache and wake Though doomsday bud. Neglect's Given her lips that lemon-tasting droop: Untongued, all beauty's bright juice sours. Tree-twist will ape this gross anatomy Till irony's bough break.
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45
Fireflies keep me awake, deep nights unfold with countless lights, I wonder, and wonder, O' fireflies with flickering lights, have you found your knights, is the night warm enough for your lights to work the magic to catch the perfect mates? Global warming, so many hazards suppose the nights are not warm enough for the chemicals to work and fireflies did not get their lights, will that mean the death no mating and the end of fireflies? I sit awake, night grows deep staring out at the waning moon, the garden wears a girdle, a fairy girdle of winking lights, the fireflies go high and low I hope, just hope this summer is rich in romance for the fireflies to find love. Summer without them would be loveless warmth, for He and I join our sights weaving our love story watching the fireflies love each other with soft, flickering lights. Every summer a blessing, a return to paradise, fireflies and romance He and I new wings to love A toast to Life!
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Jul 10, 2014
Jul 10, 2014 at 1:58 AM UTC
Night of the fireflies
A is the Alphabet, A at its head; A is an Antelope, agile to run. B is the Baker Boy bringing the bread, Or black Bear and brown Bear, both begging for bun. C is a Cornflower come with the corn; C is a Cat with a comical look. D is a Dinner which Dahlias adorn; D is a Duchess who dines with a Duke. E is an elegant eloquent Earl; E is an Egg whence an Eaglet emerges. F is a Falcon, with feathers to furl; F is a Fountain of full foaming surges. G is the Gander, the Gosling, the Goose; G is a Garnet in girdle of gold. H is a Heartsease, harmonious of hues; H is a huge Hammer, heavy to hold. I is an Idler who idles on ice; I am I--who will say I am not I? J is a Jacinth, a jewel of price; J is a Jay, full of joy in July. K is a King, or a Kaiser still higher; K is a Kitten, or quaint Kangaroo. L is a Lute or a lovely-toned Lyre; L is a Lily all laden with dew. M is a Meadow where Meadowsweet blows; M is a Mountain made dim by a mist. N is a Nut--in a nutshell it grows-- Or a Nest full of Nightingales singing--oh list! O is an Opal, with only one spark; O is an Olive, with oil on its skin. P is a Pony, a pet in a park; P is the Point of a Pen or a Pin. Q is a Quail, quick-chirping at morn; Q is a Quince quite ripe and near dropping. R is a Rose, rosy red on a thorn; R is a red-breasted Robin come hopping. S is a Snow-storm that sweeps o'er the Sea; S is the Song that the swift Swallows sing. T is the Tea-table set out for tea; T is a Tiger with terrible spring. U, the Umbrella, went up in a shower; Or Unit is useful with ten to unite. V is a Violet veined in the flower; V is a Viper of venomous bite. W stands for the water-bred Whale; Stands for the wonderful Wax-work so gay. X, or ** or *** is ale, Or Policeman X, exercised day after day. Y is a yellow Yacht, yellow its boat; Y is the Yucca, the Yam, or the Yew. Z is a Zebra, zigzagged his coat, Or Zebu, or Zoophyte, seen at the Zoo.
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An Alphabet
A is the Alphabet, A at its head; A is an Antelope, agile to run. B is the Baker Boy bringing the bread, Or black Bear and brown Bear, both begging for bun. C is a Cornflower come with the corn; C is a Cat with a comical look. D is a Dinner which Dahlias adorn; D is a Duchess who dines with a Duke. E is an elegant eloquent Earl; E is an Egg whence an Eaglet emerges. F is a Falcon, with feathers to furl; F is a Fountain of full foaming surges. G is the Gander, the Gosling, the Goose; G is a Garnet in girdle of gold. H is a Heartsease, harmonious of hues; H is a huge Hammer, heavy to hold. I is an Idler who idles on ice; I am I--who will say I am not I? J is a Jacinth, a jewel of price; J is a Jay, full of joy in July. K is a King, or a Kaiser still higher; K is a Kitten, or quaint Kangaroo. L is a Lute or a lovely-toned Lyre; L is a Lily all laden with dew. M is a Meadow where Meadowsweet blows; M is a Mountain made dim by a mist. N is a Nut--in a nutshell it grows-- Or a Nest full of Nightingales singing--oh list! O is an Opal, with only one spark; O is an Olive, with oil on its skin. P is a Pony, a pet in a park; P is the Point of a Pen or a Pin. Q is a Quail, quick-chirping at morn; Q is a Quince quite ripe and near dropping. R is a Rose, rosy red on a thorn; R is a red-breasted Robin come hopping. S is a Snow-storm that sweeps o'er the Sea; S is the Song that the swift Swallows sing. T is the Tea-table set out for tea; T is a Tiger with terrible spring. U, the Umbrella, went up in a shower; Or Unit is useful with ten to unite. V is a Violet veined in the flower; V is a Viper of venomous bite. W stands for the water-bred Whale; Stands for the wonderful Wax-work so gay. X, or ** or *** is ale, Or Policeman X, exercised day after day. Y is a yellow Yacht, yellow its boat; Y is the Yucca, the Yam, or the Yew. Z is a Zebra, zigzagged his coat, Or Zebu, or Zoophyte, seen at the Zoo.
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52
I Some day I will go to Aarhus To see his peat-brown head, The mild pods of his eye-lids, His pointed skin cap. In the flat country near by Where they dug him out, His last gruel of winter seeds Caked in his stomach, Naked except for The cap, noose and girdle, I will stand a long time. Bridegroom to the goddess, She tightened her torc on him And opened her fen, Those dark juices working Him to a saint's kept body, Trove of the turfcutters' Honeycombed workings. Now his stained face Reposes at Aarhus. II I could risk blasphemy, Consecrate the cauldron bog Our holy ground and pray Him to make germinate The scattered, ambushed Flesh of labourers, Stockinged corpses Laid out in the farmyards, Tell-tale skin and teeth Flecking the sleepers Of four young brothers, trailed For miles along the lines. III Something of his sad freedom As he rode the tumbril Should come to me, driving, Saying the names Tollund, Grauballe, Nebelgard, Watching the pointing hands Of country people, Not knowing their tongue. Out here in Jutland In the old man-killing parishes I will feel lost, Unhappy and at home.
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The Tollund Man
Since I have no other way And am in utmost need, Painter girl, I filch one of the eight lambs You have made plump with Green jackfruit leaves and Thin gruel with paddy bran. I will take it to the goat market And sell it in a jiffy. I assure you I will not sell it To any butcher- The lamb you made chubby With sweet sweet words And much much petting And nice lilting croons, Mixing and mixing Greens with browns. Don’t be sad, painter girl. I hear you come running Searching for your lamb and Cry out “O my dearest one Who went grazing in the green fields,” As the sun in your canvas Sets in the sea and The saffron blends with the dusk. And, see your tears mingle With the black that you wanted To adorn the brow of The naughtiest of them. Painter girl, It’s all because I have no other go And it’s of utmost need. I could have broken into the Two-storeyedhouse you sketched And stolen the ornaments in Secret lockers that even You are unaware of. Or, I could have Palmed the golden girdle Of the beautiful ***** princess Whose portrait you made, The one with a nose stud. Or, drugged her with my kisses And plundered the harem. Or else, I could have Entered the snake shrine Guarded by the dark serpents That you often drew And fled the country with The precious jewel. Or, I could have shot down The birds that you drew And sold them grilled. I could have axed down the Mahagony trees you nurtured And sold them as timber. I could have blinded your Kanhaiah And made him a beggar To become rich from the alms he earned. I could have enslavened his Gopis And handed them over To the red light streets. Painter girl, It’s not for anything of this sort. I take just one of your eight lambs. Sell it for a good price And fulfill my need. Now, perchance, If a new tenant comes to rent My brain where nothing resides And if they pay me a fat advance, Painter girl, Surely will I buy back your lamb. And tether it in your painting. Don’t you dare say then Don’t you say then That you have forgotten it. Don’t you say then You have exhausted your stock of Green jackfruit leaves. (Trans from Malayalam by Ra Sh)
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Nov 3, 2013
Nov 3, 2013 at 10:04 AM UTC
Painter girl, You with the lambs
Since I have no other way And am in utmost need, Painter girl, I filch one of the eight lambs You have made plump with Green jackfruit leaves and Thin gruel with paddy bran. I will take it to the goat market And sell it in a jiffy. I assure you I will not sell it To any butcher- The lamb you made chubby With sweet sweet words And much much petting And nice lilting croons, Mixing and mixing Greens with browns. Don’t be sad, painter girl. I hear you come running Searching for your lamb and Cry out “O my dearest one Who went grazing in the green fields,” As the sun in your canvas Sets in the sea and The saffron blends with the dusk. And, see your tears mingle With the black that you wanted To adorn the brow of The naughtiest of them. Painter girl, It’s all because I have no other go And it’s of utmost need. I could have broken into the Two-storeyedhouse you sketched And stolen the ornaments in Secret lockers that even You are unaware of. Or, I could have Palmed the golden girdle Of the beautiful ***** princess Whose portrait you made, The one with a nose stud. Or, drugged her with my kisses And plundered the harem. Or else, I could have Entered the snake shrine Guarded by the dark serpents That you often drew And fled the country with The precious jewel. Or, I could have shot down The birds that you drew And sold them grilled. I could have axed down the Mahagony trees you nurtured And sold them as timber. I could have blinded your Kanhaiah And made him a beggar To become rich from the alms he earned. I could have enslavened his Gopis And handed them over To the red light streets. Painter girl, It’s not for anything of this sort. I take just one of your eight lambs. Sell it for a good price And fulfill my need. Now, perchance, If a new tenant comes to rent My brain where nothing resides And if they pay me a fat advance, Painter girl, Surely will I buy back your lamb. And tether it in your painting. Don’t you dare say then Don’t you say then That you have forgotten it. Don’t you say then You have exhausted your stock of Green jackfruit leaves. (Trans from Malayalam by Ra Sh)
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82
I WANDER by the edge Of this desolate lake Where wind cries in the sedge: Until the axle break That keeps the stars in their round, And hands hurl in the deep The banners of East and West, And the girdle of light is unhound, Your breast will not lie by the breast Of your beloved in sleep.
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He Hears The Cry Of The Sedge
The red-capped Cock-Man has just announced morning; The Keeper of the Robes brings Jade-Cloud Furs; Heaven's nine doors reveal the palace and its courtyards; And the coats of many countries bow to the Pearl Crown. Sunshine has entered the giants' carven palms; Incense wreathes the Dragon Robe: The audience adjourns-and the five-coloured edict Sets girdle-beads clinking toward the Lake of the Phoenix.
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An Early Audience at the Palace of Light. (Harmonizing a poem for Secretary Jia Zhi.)
*If you knew everything there is to know, Then how could you ever learn anything or grow? If you somehow knew all that will ever be Could any decision that you decide upon ever make you free? If your mind was everything and everything was in you Could their ever be anything else for you to do? And there you are – right in the middle of this inquisition, A slave to your own reality – chained to your own constitution. But it is you who has allowed yourself to be caught in this net You came here not to remember anything but to forget. You have forgotten who you are and in your own grand illusion find A dream of freedom and free will which further confuses your mind. For knowing everything is a girdle of limitless limitation, But here we have a place of both the known and the unknown – called creation. In this ignorance you have something to choose, Freedom from perfection – there was no other way to lose. So you see – only if you know yourself as that which is not true, Only there could you be free to select whatever you want to. Within a single mind, two hands and two eyes; you think, feel and see These envisioned experiences – only now they can truly be. Yes, free will also gave you the choice to forget from where you come, Yet, the closer we return to that place – the happier we become. I learned to control my awareness and thus I can oft return, But the closer I get the less choice remains for me to learn. Though I long for and receive more and more of the infinite’s touch, The more I also long for the finite in me not to know so much.*
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Jul 5, 2017
Jul 5, 2017 at 12:24 PM UTC
Knock, Knock – Is there anybody there?
*If you knew everything there is to know, Then how could you ever learn anything or grow? If you somehow knew all that will ever be Could any decision that you decide upon ever make you free? If your mind was everything and everything was in you Could their ever be anything else for you to do? And there you are – right in the middle of this inquisition, A slave to your own reality – chained to your own constitution. But it is you who has allowed yourself to be caught in this net You came here not to remember anything but to forget. You have forgotten who you are and in your own grand illusion find A dream of freedom and free will which further confuses your mind. For knowing everything is a girdle of limitless limitation, But here we have a place of both the known and the unknown – called creation. In this ignorance you have something to choose, Freedom from perfection – there was no other way to lose. So you see – only if you know yourself as that which is not true, Only there could you be free to select whatever you want to. Within a single mind, two hands and two eyes; you think, feel and see These envisioned experiences – only now they can truly be. Yes, free will also gave you the choice to forget from where you come, Yet, the closer we return to that place – the happier we become. I learned to control my awareness and thus I can oft return, But the closer I get the less choice remains for me to learn. Though I long for and receive more and more of the infinite’s touch, The more I also long for the finite in me not to know so much.*
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26
Seven stars in the still water, And seven in the sky; Seven sins on the King’s daughter, Deep in her soul to lie. Red roses are at her feet, (Roses are red in her red-gold hair) And O where her ***** and girdle meet Red roses are hidden there. Fair is the knight who lieth slain Amid the rush and reed, See the lean fishes that are fain Upon dead men to feed. Sweet is the page that lieth there, (Cloth of gold is goodly prey,) See the black ravens in the air, Black, O black as the night are they. What do they there so stark and dead? (There is blood upon her hand) Why are the lilies flecked with red? (There is blood on the river sand.) There are two that ride from the south and east, And two from the north and west, For the black raven a goodly feast, For the King’s daughter rest. There is one man who loves her true, (Red, O red, is the stain of gore!) He hath duggen a grave by the darksome yew, (One grave will do for four.) No moon in the still heaven, In the black water none, The sins on her soul are seven, The sin upon his is one.
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The Dole Of The King’s Daughter (Breton)
1 Rain's blue-black cloak, tied with rainbow girdle, visible over the green hills,across rice fields, she waves and rushes forward. From distance, the incessant chant of South-West monsoon, sounds like a mature witch practicing her craft.       One would think,she is all evil,dark        the overcast sky her sinister cloak, But under my umbrella a coy maiden, i desired from afar, who walk with me step by matching step with all the cunning tricks of love trying to entice me with her soft body's tunes, her tender cool fingers rubbing my cheeks, her unmistakable lover's touch eager, transgressing desirous of getting me in to her arms. 2. She makes me mad i throw away my umbrella in the rambunctiousness of a teenager and run with her, at once her naughty hands pinch and tickle me then an intense embrace that makes me shiver with the deep pleasure, I drempt in wakeful nights, joy of life that rain tune and smell of damp earth evoke! The green loud glee in me it creates! In dreams, rain come to me and tells me the secrets of night that I long for my love and me alone. 3 Rain, the seductress who taught me the secret passions of living and loving, and the burning sensation, of love that runs deep in the  core of one's being. When I lay awake, in a monsoon night, outside my window, she plays tango, wind holding her by the waist, with fierce passion, that keeps me awake til, I get absorbed in a dream that has passionate love as the under current.                    )O(
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Jul 7, 2013
Jul 7, 2013 at 3:09 PM UTC
Rain Woman
1 Rain's blue-black cloak, tied with rainbow girdle, visible over the green hills,across rice fields, she waves and rushes forward. From distance, the incessant chant of South-West monsoon, sounds like a mature witch practicing her craft.       One would think,she is all evil,dark        the overcast sky her sinister cloak, But under my umbrella a coy maiden, i desired from afar, who walk with me step by matching step with all the cunning tricks of love trying to entice me with her soft body's tunes, her tender cool fingers rubbing my cheeks, her unmistakable lover's touch eager, transgressing desirous of getting me in to her arms. 2. She makes me mad i throw away my umbrella in the rambunctiousness of a teenager and run with her, at once her naughty hands pinch and tickle me then an intense embrace that makes me shiver with the deep pleasure, I drempt in wakeful nights, joy of life that rain tune and smell of damp earth evoke! The green loud glee in me it creates! In dreams, rain come to me and tells me the secrets of night that I long for my love and me alone. 3 Rain, the seductress who taught me the secret passions of living and loving, and the burning sensation, of love that runs deep in the  core of one's being. When I lay awake, in a monsoon night, outside my window, she plays tango, wind holding her by the waist, with fierce passion, that keeps me awake til, I get absorbed in a dream that has passionate love as the under current.                    )O(
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41
[Dedicated to G. M. Marston] Pale as the night that pales In the dawn's pearl-pure pavillion, I wait for thee, with my dove's breast Shuddering, a god its bitter guest- Have I not gilded my nails And painted my lips with vermillion ? Am I not wholly stript Of the deeds and thoughts that obscure thee? I wait for thee, my soul distraught With aching for some nameless naught In its most arcane crypt- Am I not fit to endure thee? Girded about the paps With a golden girdle of glory, Dost thou wait me, thy slave who am, As a wolf lurks for a strayed white lamb? The chain of the stars snaps, And the deep of night is hoary! Thou whose mouth is a flame With its seven-edged sword proceeding, Come ! I am writhing with despair Like a snake taken in a snare, Moaning thy mystical name Till my tongue is torn and bleeding! Have I not gilded my nails And painted my lips with vermillion? Yea ! thou art I; the deed awakes, Thy lightening strikes; thy thunder breaks Wild as the bride that wails In the bridegroom's plumed pavillion!
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Ave Adonai
I draw on lilac cigars through my mask so her journey in neon stays safely as a highlight in gas filtered clouds the faulty starter judders the light flora scented and in the flickering clouds an attempt at landing reveals her girdle red in a flash of steely eyes and suddenly mine were blinded just as she rubbed against the dark combing her strands wildly apart she shook blonde roots and brunettes alike I'm a sucker for hair turned hydrogen peroxide mixed with air to make stars startling amidst malefactory dye metal booms swung away at each other in the distance building her model oxygen tanks for pin up flower cuttings and garlands on picket fences she kissed the ground and I gas peddled a stomp on the glowing end to the stub only to drop like a skeleton with lead hands to follow any seeds ******* burnt rain
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Jul 30, 2014
Jul 30, 2014 at 2:41 PM UTC
Hindenburg
Come, Madam, come, all rest my powers defy, Until I labour, I in labour lie. The foe oft-times having the foe in sight, Is tired with standing though they never fight. Off with that girdle, like heaven's zone glistering, But a far fairer world encompassing. Unpin that spangled breastplate which you wear, That th' eyes of busy fools may be stopped there. Unlace yourself, for that harmonious chime Tells me from you, that now 'tis your bed time. Off with that happy busk, which I envy, That still can be, and still can stand so nigh. Your gown going off, such beauteous state reveals, As when from flowery meads th' hill's shadow steals. Off with that wiry coronet and show The hairy diadem which on you doth grow; Now off with those shoes, and then safely tread In this love's hallowed temple, this soft bed. In such white robes heaven's angels used to be Received by men; thou angel bring'st with thee A heaven like Mahomet's paradise; and though Ill spirits walk in white, we easily know By this these angels from an evil sprite, Those set our hairs, but these our flesh upright. License my roving hands, and let them go Before, behind, between, above, below. O my America, my new found land, My kingdom, safeliest when with one man manned, My mine of precious stones, my empery, How blessed am I in this discovering thee! To enter in these bonds, is to be free; Then where my hand is set, my seal shall be. Full nakedness, all joys are due to thee As souls unbodied, bodies unclothed must be, To taste whole joys. Gems which you women use Are like Atlanta's ***** cast in men's views, That when a fool's eye lighteth on a gem, His earthly soul may covet theirs, not them. Like pictures, or like books' gay coverings made For laymen, are all women thus arrayed; Themselves are mystic books, which only we Whom their imputed grace will dignify Must see revealed. Then since I may know, As liberally, as to a midwife, show Thyself: cast all, yea, this white linen hence, Here is no penance, much less innocence. To teach thee, I am naked first, why then What needst thou have more covering than a man.
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2.2k
To His Mistress Going to Bed
Come, Madam, come, all rest my powers defy, Until I labour, I in labour lie. The foe oft-times having the foe in sight, Is tired with standing though they never fight. Off with that girdle, like heaven's zone glistering, But a far fairer world encompassing. Unpin that spangled breastplate which you wear, That th' eyes of busy fools may be stopped there. Unlace yourself, for that harmonious chime Tells me from you, that now 'tis your bed time. Off with that happy busk, which I envy, That still can be, and still can stand so nigh. Your gown going off, such beauteous state reveals, As when from flowery meads th' hill's shadow steals. Off with that wiry coronet and show The hairy diadem which on you doth grow; Now off with those shoes, and then safely tread In this love's hallowed temple, this soft bed. In such white robes heaven's angels used to be Received by men; thou angel bring'st with thee A heaven like Mahomet's paradise; and though Ill spirits walk in white, we easily know By this these angels from an evil sprite, Those set our hairs, but these our flesh upright. License my roving hands, and let them go Before, behind, between, above, below. O my America, my new found land, My kingdom, safeliest when with one man manned, My mine of precious stones, my empery, How blessed am I in this discovering thee! To enter in these bonds, is to be free; Then where my hand is set, my seal shall be. Full nakedness, all joys are due to thee As souls unbodied, bodies unclothed must be, To taste whole joys. Gems which you women use Are like Atlanta's ***** cast in men's views, That when a fool's eye lighteth on a gem, His earthly soul may covet theirs, not them. Like pictures, or like books' gay coverings made For laymen, are all women thus arrayed; Themselves are mystic books, which only we Whom their imputed grace will dignify Must see revealed. Then since I may know, As liberally, as to a midwife, show Thyself: cast all, yea, this white linen hence, Here is no penance, much less innocence. To teach thee, I am naked first, why then What needst thou have more covering than a man.
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48
How can I Falcon fly While I die In a web of lies Where they brutalize Us like flies We must communicate By connecting To avoid rumors of hate That are infecting The non-inspecting No problem detecting Yet happiness expecting Tyrant electing Issue deflecting Fascism respecting Public that's perplexing So the Internet should remain harmlessly neutral Instead of adding to our economic Kama Sutra Finding new ways to ***** each other Like restricting access to information So we won't hear the screams of our brothers To the rich and powerful's elation Dealing with this pseudo-fame Feels like a burdensome shame In order to listen to people I have to hear them talk But I fall into a deep hole When their ignorance is written in chalk Easily erased But also easily traced Yet not so easily faced Until we're easily replaced By the voices of our oppressors Promising to alleviate the pressure If we'll take a position that's lesser And never ask them to be a confesser Each electorate Must be kept separate And must be made desperate So take away their voices That should limit their choices The rich want to be molding the clay So they say to touch it you'll have to pay I can't sit here and stand it This particular predicament That's beyond my bandwidth Eating this **** sandwich Given by a grand witch So I add the name capitalist To my ******* list Which they seem to agree with They rationalize you have to be an ******* to survive They explain in business that's the only way to thrive Yet get upset when I call them the biggest ******** alive The Internet can do infinite good Yet it is minimized and misunderstood The faithless fathom It as a nameless chasm Made inside our rage filled cabins But they refuse to see the connections The healthy introspection And historical corrections They'd rather use deflection Mentioning mundane memes Or divisive digital teams They see the shell But not the turtle They put us in hell With a data girdle Everybody has the same capability to add to the Internet So they should have equal capacity to use the Internet Sometimes our economic systems make us act counterintuitively To what is fundamentally needed by our species Something humanity has never had before A comprehensive brain that can connect and inform us all We've seen money corrupt the minds of humans Let's not let it corrupt the mind of humanity
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May 18, 2018
May 18, 2018 at 1:22 PM UTC
Data Girdle
How can I Falcon fly While I die In a web of lies Where they brutalize Us like flies We must communicate By connecting To avoid rumors of hate That are infecting The non-inspecting No problem detecting Yet happiness expecting Tyrant electing Issue deflecting Fascism respecting Public that's perplexing So the Internet should remain harmlessly neutral Instead of adding to our economic Kama Sutra Finding new ways to ***** each other Like restricting access to information So we won't hear the screams of our brothers To the rich and powerful's elation Dealing with this pseudo-fame Feels like a burdensome shame In order to listen to people I have to hear them talk But I fall into a deep hole When their ignorance is written in chalk Easily erased But also easily traced Yet not so easily faced Until we're easily replaced By the voices of our oppressors Promising to alleviate the pressure If we'll take a position that's lesser And never ask them to be a confesser Each electorate Must be kept separate And must be made desperate So take away their voices That should limit their choices The rich want to be molding the clay So they say to touch it you'll have to pay I can't sit here and stand it This particular predicament That's beyond my bandwidth Eating this **** sandwich Given by a grand witch So I add the name capitalist To my ******* list Which they seem to agree with They rationalize you have to be an ******* to survive They explain in business that's the only way to thrive Yet get upset when I call them the biggest ******** alive The Internet can do infinite good Yet it is minimized and misunderstood The faithless fathom It as a nameless chasm Made inside our rage filled cabins But they refuse to see the connections The healthy introspection And historical corrections They'd rather use deflection Mentioning mundane memes Or divisive digital teams They see the shell But not the turtle They put us in hell With a data girdle Everybody has the same capability to add to the Internet So they should have equal capacity to use the Internet Sometimes our economic systems make us act counterintuitively To what is fundamentally needed by our species Something humanity has never had before A comprehensive brain that can connect and inform us all We've seen money corrupt the minds of humans Let's not let it corrupt the mind of humanity
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78
a throughbred ran leaping over wood hurdles confident he could. an old mare ran stopped just short of the hurdle apathy and fear. a pony tail ran just clearing the wood hurdles feeling like a horse. a young white horse ran "now just hold on there Wilber not all horses jump."
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Apr 2, 2014
Apr 2, 2014 at 7:03 PM UTC
the herdy gertie hurdle girdle
213 Did the Harebell loose her girdle To the lover Bee Would the Bee the Harebell hallow Much as formerly? Did the “Paradise”—persuaded— Yield her moat of pearl— Would the Eden be an Eden, Or the Earl—an Earl?
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1.8k
Did the Harebell loose her girdle
If I get to wish upon a rose tonight All I want is to see your golden eyes. I love the way your skin dances in the heat with not an inch of sweat while daunting your perfection. I love the way your eyes glisten as you catch a moonlit grace from heaven, so beautiful you offend the sun. I love the way your body sways as your hips swish when you know I’m watching. You’re too seductive for your own good. But if I could wish for anything, I’d wish for you to drop the act. Take off that **** make-up, your skin’s beautifully dark brown, don’t change it. Get rid of that girdle, dear god those his curve without it. Take off that wig and those fake nails, baby girl, I know your nails look tacky, but your imperfections are perfect so tell me why you need to look like someone else. And of all the things, take out those blue contacts, for though I know the true color is brown, I can’t see the façade when your contacts are out. I can see naught when I stare at you Nothing but your golden eyes.
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Apr 25, 2016
Apr 25, 2016 at 8:23 AM UTC
Golden Eyes
Right now,          plunder he repayeth, in the eve of the ground corn thereon; from his nature, He found out about the city by hand region of the world It is stupid; contemplating the move ax; He felt the dishonor,     & by the smoke, & the madness of the conversion of the hides & cost teenage glory stockings & abstract winds;          You bring the mysteries of doctrine; Thick meeting Mark dark for men;  Cut thin, & the heat in the morning;         St. by a goddess; companion; enough by sweating; it passionate unseen sixth light rain? Sometimes it happens successfully ruses state law the first hot days of the Jew Street;  Stand fast in your labor,    & by Before the start of elders;  The other half of the motion picture;    Especially for the part of the Gauls, sheath & master of propaganda; Outside is very bright torches beach mountain; Please exposed to fortune-telling After spending the stomach girdle read the book in the wear on the skin, Certainly fated half of Asia mountains and at Queen's Medical point; The voice of the woman stayed eve bruised grain & robbery the city and nature found to be made a dunghill from the side of the sphere of the countries from the region It is stupid; Moves contemplated Muses;    She sensed the smoke of a fire,           an injury to one's country, and the madness of the conversion of the glory;   The cost teenage covert side; The socks are the winds Secret doctrine; Mark thick dark to meet men; Cut thin,      & the heat in the morning; St. by a goddess; sweating; The loving enough; But he that is of the six of your mind; unseen one morning, light rain; Sometimes it happens successfully ruses state law hot day was cause pain,              Standing in the way of the Jews:                Before the start of the other elders;          The center of the motion picture crew especially as part of its sheath; the propaganda;   He was bright; a torch in front of this mountain, from the same fortune-telling on the shore of a naked man in her wings, protection to the body of the stomach of course,     the skin from the scroll, up to half of weird Asian mountains it would be the place where the Medical princess is a criminal
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Sep 30, 2018
Sep 30, 2018 at 2:51 AM UTC
Propaganda
Right now,          plunder he repayeth, in the eve of the ground corn thereon; from his nature, He found out about the city by hand region of the world It is stupid; contemplating the move ax; He felt the dishonor,     & by the smoke, & the madness of the conversion of the hides & cost teenage glory stockings & abstract winds;          You bring the mysteries of doctrine; Thick meeting Mark dark for men;  Cut thin, & the heat in the morning;         St. by a goddess; companion; enough by sweating; it passionate unseen sixth light rain? Sometimes it happens successfully ruses state law the first hot days of the Jew Street;  Stand fast in your labor,    & by Before the start of elders;  The other half of the motion picture;    Especially for the part of the Gauls, sheath & master of propaganda; Outside is very bright torches beach mountain; Please exposed to fortune-telling After spending the stomach girdle read the book in the wear on the skin, Certainly fated half of Asia mountains and at Queen's Medical point; The voice of the woman stayed eve bruised grain & robbery the city and nature found to be made a dunghill from the side of the sphere of the countries from the region It is stupid; Moves contemplated Muses;    She sensed the smoke of a fire,           an injury to one's country, and the madness of the conversion of the glory;   The cost teenage covert side; The socks are the winds Secret doctrine; Mark thick dark to meet men; Cut thin,      & the heat in the morning; St. by a goddess; sweating; The loving enough; But he that is of the six of your mind; unseen one morning, light rain; Sometimes it happens successfully ruses state law hot day was cause pain,              Standing in the way of the Jews:                Before the start of the other elders;          The center of the motion picture crew especially as part of its sheath; the propaganda;   He was bright; a torch in front of this mountain, from the same fortune-telling on the shore of a naked man in her wings, protection to the body of the stomach of course,     the skin from the scroll, up to half of weird Asian mountains it would be the place where the Medical princess is a criminal
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57
Sister and mother and diviner love, And of the sisterhood of the living dead Most near, most clear, and of the clearest bloom, And of the fragrant mothers the most dear And queen, and of diviner love the day And flame and summer and sweet fire, no thread Of cloudy silver sprinkles in your gown Its venom of renown, and on your head No crown is simpler than the simple hair. Now, of the music summoned by the birth That separates us from the wind and sea, Yet leaves us in them, until earth becomes, By being so much of the things we are, Gross effigy and simulacrum, none Gives motion to perfection more serene Than yours, out of our own imperfections wrought, Most rare, or ever of more kindred air In the laborious weaving that you wear. For so retentive of themselves are men That music is intensest which proclaims The near, the clear, and vaunts the clearest bloom, And of all the vigils musing the obscure, That apprehends the most which sees and names, As in your name, an image that is sure, Among the arrant spices of the sun, O bough and bush and scented vine, in whom We give ourselves our likest issuance. Yet not too like, yet not so like to be Too near, too clear, saving a little to endow Our feigning with the strange unlike, whence springs The difference that heavenly pity brings. For this, musician, in your girdle fixed Bear other perfumes. On your pale head wear A band entwining, set with fatal stones. Unreal, give back to us what once you gave: The imagination that we spurned and crave.
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1.7k
To The One Of Fictive Music
Sister and mother and diviner love, And of the sisterhood of the living dead Most near, most clear, and of the clearest bloom, And of the fragrant mothers the most dear And queen, and of diviner love the day And flame and summer and sweet fire, no thread Of cloudy silver sprinkles in your gown Its venom of renown, and on your head No crown is simpler than the simple hair. Now, of the music summoned by the birth That separates us from the wind and sea, Yet leaves us in them, until earth becomes, By being so much of the things we are, Gross effigy and simulacrum, none Gives motion to perfection more serene Than yours, out of our own imperfections wrought, Most rare, or ever of more kindred air In the laborious weaving that you wear. For so retentive of themselves are men That music is intensest which proclaims The near, the clear, and vaunts the clearest bloom, And of all the vigils musing the obscure, That apprehends the most which sees and names, As in your name, an image that is sure, Among the arrant spices of the sun, O bough and bush and scented vine, in whom We give ourselves our likest issuance. Yet not too like, yet not so like to be Too near, too clear, saving a little to endow Our feigning with the strange unlike, whence springs The difference that heavenly pity brings. For this, musician, in your girdle fixed Bear other perfumes. On your pale head wear A band entwining, set with fatal stones. Unreal, give back to us what once you gave: The imagination that we spurned and crave.
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36
**The fairest hair, peroxide blond beer shampoo feeding the roots primped and pinned with paperclips blown and set as candyfloss sticks. Hydro-pack cream erasing the pouches colourful lashes, stuck to the lids with copyright brows by electrolysis both almond eyes are now penciled in. Lines of life filled with putty trowelled in layers, foundations built delicate cheeks, powdered, pampered rouged and shaded, giving them youth. Clinical lips, Botox injected tattooed outlines guiding the brush the budding artist colours by numbers pouting, she paints in weatherproof gloss. Turtleneck sweater hiding the wrinkles genuine paste, drawing the eye both purl and knit-one inside the jumper pulled and snagged by glued on nails. High heel shoes, stretching the sinews of Lycra clad legs, holding them taut a girdle of whalebone hugging the figure gently molding, the form to behold. With grace we age throughout the years a time filled life, craves respect hairs of grey are marks of distinction an occasional blemish, a beauty spot. Tiny crow's feet, signs of good humour experience of life, lines proudly worn for with laughing eyes and glowing smile who need wear a plasticine face.** ...   ...   ...
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Apr 30, 2011
Apr 30, 2011 at 12:15 AM UTC
... Makeover ...
Since I have no other way And am in utmost need, Painter girl, I filch one of the eight lambs You have made plump with Green jack fruit leaves and Thin gruel with paddy bran. I will take it to the goat market And sell it in a jiffy. I assure you I will not sell it To any butcher- The lamb you made chubby With sweet sweet words And much much petting And nice lilting croons, Mixing and mixing Greens with browns. Don’t be sad, painter girl. I hear you come running Searching for your lamb and Cry out “O my dearest one Who went grazing in the green fields,” As the sun in your canvas Sets in the sea and The saffron blends with the dusk. And, see your tears mingle With the black that you wanted To adorn the brow of The naughtiest of them. Painter girl, It’s all because I have no other go And it’s of utmost need. I could have broken into the Two-storeyed house you sketched And stolen the ornaments in Secret lockers that even You are unaware of. Or, I could have Palmed the golden girdle Of the beautiful ***** princess Whose portrait you made, The one with a nose stud. Or, drugged her with my kisses And plundered the harem. Or else, I could have Entered the snake shrine Guarded by the dark serpents That you often drew And fled the country with The precious jewel. Or, I could have shot down The birds that you drew And sold them grilled. I could have axed down the Mahagony trees you nurtured And sold them as timber. I could have blinded your Kanhaiah And made him a beggar To become rich from the alms he earned. I could have enslaved his Gopis And handed them over To the red light streets. Painter girl, It’s not for anything of this sort. I take just one of your eight lambs. Sell it for a good price And fulfil my need. Now, perchance, If a new tenant comes to rent My brain where nothing resides And if they pay me a fat advance, Painter girl, Surely will I buy back your lamb. And tether it in your painting. Don’t you dare say then Don’t you say then That you have forgotten it. Don’t you say then You have exhausted your stock of Green jack fruit leaves.
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Mar 21, 2016
Mar 21, 2016 at 11:57 AM UTC
Painter girl, You with the lambs
Since I have no other way And am in utmost need, Painter girl, I filch one of the eight lambs You have made plump with Green jack fruit leaves and Thin gruel with paddy bran. I will take it to the goat market And sell it in a jiffy. I assure you I will not sell it To any butcher- The lamb you made chubby With sweet sweet words And much much petting And nice lilting croons, Mixing and mixing Greens with browns. Don’t be sad, painter girl. I hear you come running Searching for your lamb and Cry out “O my dearest one Who went grazing in the green fields,” As the sun in your canvas Sets in the sea and The saffron blends with the dusk. And, see your tears mingle With the black that you wanted To adorn the brow of The naughtiest of them. Painter girl, It’s all because I have no other go And it’s of utmost need. I could have broken into the Two-storeyed house you sketched And stolen the ornaments in Secret lockers that even You are unaware of. Or, I could have Palmed the golden girdle Of the beautiful ***** princess Whose portrait you made, The one with a nose stud. Or, drugged her with my kisses And plundered the harem. Or else, I could have Entered the snake shrine Guarded by the dark serpents That you often drew And fled the country with The precious jewel. Or, I could have shot down The birds that you drew And sold them grilled. I could have axed down the Mahagony trees you nurtured And sold them as timber. I could have blinded your Kanhaiah And made him a beggar To become rich from the alms he earned. I could have enslaved his Gopis And handed them over To the red light streets. Painter girl, It’s not for anything of this sort. I take just one of your eight lambs. Sell it for a good price And fulfil my need. Now, perchance, If a new tenant comes to rent My brain where nothing resides And if they pay me a fat advance, Painter girl, Surely will I buy back your lamb. And tether it in your painting. Don’t you dare say then Don’t you say then That you have forgotten it. Don’t you say then You have exhausted your stock of Green jack fruit leaves.
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81
It is the miller's daughter, And she is grown so dear, so dear, That I would be the jewel That trembles in her ear: For hid in ringlets day and night, I'd touch her neck so warm and white. And I would be the girdle About her dainty dainty waist, And her heart would beat against me, In sorrow and in rest: And I should know if it beat right, I'd clasp it round so close and tight. And I would be the necklace, And all day long to fall and rise Upon her balmy ***** With her laughter or her sighs: And I would lie so light, so light, I scarce should be unclasp'd at night.
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1.4k
The Miller's Daughter
how soft the clouds that touch my feet as I search for Ignis Ignis in the rotting leaves how cold the soil against the walls of my lungs as I dig for Ignis Ignis and the Sun how tight the girdle around my waist of roots and earthworm ribbons as I dig for Ignis Ignis displaced how heavy the dirt that clings and crushes skeletal ribs, fingers clawing clumps and crusts as I dig for Ignis Ignis in the rust how fine the bone meal that dissolves in droplets of sweat in aquifer as I seep to Ignis Ignis and breathing
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Jul 21, 2012
Jul 21, 2012 at 6:55 PM UTC
Ignis
There lived an old man in the kingdom of Tess, Who invented a purely original dress; And when it was perfectly made and complete, He opened the door, and walked into the street. By way of a hat, he'd a loaf of Brown Bread, In the middle of which he inserted his head;-- His Shirt was made up of no end of dead Mice, The warmth of whose skins was quite fluffy and nice;-- His Drawers were of Rabbit-skins,--but it is not known whose;-- His Waistcoat and Trowsers were made of Pork Chops;-- His Buttons were Jujubes, and Chocolate Drops;-- His Coat was all Pancakes with Jam for a border, And a girdle of Biscuits to keep it in order; And he wore over all, as a screen from bad weather, A Cloak of green Cabbage-leaves stitched all together. He had walked a short way, when he heard a great noise, Of all sorts of Beasticles, Birdlings, and Boys;-- And from every long street and dark lane in the town Beasts, Birdles, and Boys in a tumult rushed down. Two Cows and a half ate his Cabbage-leaf Cloak;-- Four Apes seized his Girdle, which vanished like smoke;-- Three Kids ate up half of his Pancaky Coat,-- And the tails were devour'd by an ancient He Goat;-- An army of Dogs in a twinkling tore up his Pork Waistcoat and Trowsers to give to their Puppies;-- And while they were growling, and mumbling the Chops, Ten boys prigged the Jujubes and Chocolate Drops.-- He tried to run back to his house, but in vain, Four Scores of fat Pigs came again and again;-- They rushed out of stables and hovels and doors,-- They tore off his stockings, his shoes, and his drawers;-- And now from the housetops with screechings descend, Striped, spotted, white, black, and gray Cats without end, They jumped on his shoulders and knocked off his hat,-- When Crows, Ducks, and Hens made a mincemeat of that;-- They speedily flew at his sleeves in trice, And utterly tore up his Shirt of dead Mice;-- They swallowed the last of his Shirt with a squall,-- Whereon he ran home with no clothes on at all. And he said to himself as he bolted the door, 'I will not wear a similar dress any more, 'Any more, any more, any more, never more!'
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1.4k
The New Vestments
There lived an old man in the kingdom of Tess, Who invented a purely original dress; And when it was perfectly made and complete, He opened the door, and walked into the street. By way of a hat, he'd a loaf of Brown Bread, In the middle of which he inserted his head;-- His Shirt was made up of no end of dead Mice, The warmth of whose skins was quite fluffy and nice;-- His Drawers were of Rabbit-skins,--but it is not known whose;-- His Waistcoat and Trowsers were made of Pork Chops;-- His Buttons were Jujubes, and Chocolate Drops;-- His Coat was all Pancakes with Jam for a border, And a girdle of Biscuits to keep it in order; And he wore over all, as a screen from bad weather, A Cloak of green Cabbage-leaves stitched all together. He had walked a short way, when he heard a great noise, Of all sorts of Beasticles, Birdlings, and Boys;-- And from every long street and dark lane in the town Beasts, Birdles, and Boys in a tumult rushed down. Two Cows and a half ate his Cabbage-leaf Cloak;-- Four Apes seized his Girdle, which vanished like smoke;-- Three Kids ate up half of his Pancaky Coat,-- And the tails were devour'd by an ancient He Goat;-- An army of Dogs in a twinkling tore up his Pork Waistcoat and Trowsers to give to their Puppies;-- And while they were growling, and mumbling the Chops, Ten boys prigged the Jujubes and Chocolate Drops.-- He tried to run back to his house, but in vain, Four Scores of fat Pigs came again and again;-- They rushed out of stables and hovels and doors,-- They tore off his stockings, his shoes, and his drawers;-- And now from the housetops with screechings descend, Striped, spotted, white, black, and gray Cats without end, They jumped on his shoulders and knocked off his hat,-- When Crows, Ducks, and Hens made a mincemeat of that;-- They speedily flew at his sleeves in trice, And utterly tore up his Shirt of dead Mice;-- They swallowed the last of his Shirt with a squall,-- Whereon he ran home with no clothes on at all. And he said to himself as he bolted the door, 'I will not wear a similar dress any more, 'Any more, any more, any more, never more!'
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42
. 'No man is an Island' Maybe not true my Dear friends. Perchance in general, contact is good. But take a good look. There are many Islands in the emotional ocean with closed harbours and sealed ports. Refugees of romance; Tortured traumas; Insane individuals; Mental mercenaries; Each one a lonely star, a pinprick of light, disconnected, on a girdle of the sky, protected by a carapace of experience, cold, distant, drifting further from the source, in a race for consolidation and annihilation. Islands of safety become Isles of danger. Selfishness; Self-hate; Self-perpetuating; Self Destruct; The inward circle and downward spiral cloaking the Island, shielding its existence, shunning the continents of integration. So can it be true my Dear friends, no man is an Island? © Pagan Paul (28/06/17)
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Jun 30, 2017
Jun 30, 2017 at 12:05 PM UTC
Marooned