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"gauguin" poems
Must go. Cannot explain. The sadness is on the table. I left you as much as half of everything I own. Maybe more. Spend it how you like. I know you will anyway. This is no joke. The marriage painting is fixed. The key is under your lover's pillow. Tell the cat Vive La France for me.
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Oct 25, 2014
Oct 25, 2014 at 6:35 PM UTC
Paul Gauguin
Art is either plagiarism or revolution, but we've all heard that before. It feels like originality is impossible when only given twenty-six characters to work with, and so these are not my thoughts, this does not belong to me, I am writing the same things that all those before me have written. We are either replicas or denying it.
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Jan 13, 2015
Jan 13, 2015 at 6:17 PM UTC
"Art is either plagiarism or revolution." -Paul Gauguin
Sometimes half asleep, scribbling words or waiting for the morning sky to deliver birds I fall off the edge, leave this tiny bed float on rainy streets, there is no one that I meet only a corner vacant house, where precious paintings hang I am staring in the window, at flowers yellow, blue this must be the room of Vincent Van Gogh, this starry night with lily ponds so beautiful, fields of flowers purple iris, Monet meadows brown skin woman, hibiscus flowered island scenes of Paul Gauguin, so brightly colored there are pastel Degas dancing ballerinas Marc Chagall, blue indigo people without legs, they smile surreal this museum of the mind minutes like hours turned sublime
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Nov 14, 2014
Nov 14, 2014 at 10:30 AM UTC
Impressionism
i'm just bored of having to feel what other people feel, limiting the realism of things, a woman with a child's  severed head in moscow is sensationalism to them, but when they get a mild reality, Kashmir chilly  on the palette, they make cheap Monty Python jokes to scare the facts away... the so-called satire that requires canned laughter; was given a library of 25 philosophy books, not one of them by an englishman, went as far back as the greeks, i guess the version of english egalitarian was not worth a communism, somehow the two synonyms became antonyms... 25 volumes of philosophy, not one english philosopher... the english intellectualise: i.e.: regurgitate facts.... the english do not philosophise, i.e. instead they cite facts... they're intellectuals by rite of citation, the citation of facts, they can't philosophise i.e. not cite (facts)... they intellectualise, they cite and recite facts with a dogmatism that fears a demolition and no rekindling of interest... to philosophise is to avoid citation: to work from nothing, the english cannot philosophise because they intellectualise and by intellectualism they cite and recite facts like an ave maria pi = 3.14... Galileo's spectacles... etc. the english cannot philosophise, they're just intellectuals, they cite and recite facts, they cannot engage from non-citation or non-recitation of a fact, like a greek might ignore a stone and fool himself claiming it's nothing, the english cannot allow a confiscation of a subject and treat it as nothing, it would not make sense as to why charles i was the precursor of the french aristocratic en masse meeting with the guillotine if darwinism wasn't discovered on the islands of Galapagos... although i beg to differ with a thought on Gauguin and the islands of Tahiti: make a turtle yawn and you'll jinx yourself a blessing to live to be one hundred years old.
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Feb 29, 2016
Feb 29, 2016 at 10:49 PM UTC
Darwin Galapagos / Gauguin Tahiti
i'm just bored of having to feel what other people feel, limiting the realism of things, a woman with a child's  severed head in moscow is sensationalism to them, but when they get a mild reality, Kashmir chilly  on the palette, they make cheap Monty Python jokes to scare the facts away... the so-called satire that requires canned laughter; was given a library of 25 philosophy books, not one of them by an englishman, went as far back as the greeks, i guess the version of english egalitarian was not worth a communism, somehow the two synonyms became antonyms... 25 volumes of philosophy, not one english philosopher... the english intellectualise: i.e.: regurgitate facts.... the english do not philosophise, i.e. instead they cite facts... they're intellectuals by rite of citation, the citation of facts, they can't philosophise i.e. not cite (facts)... they intellectualise, they cite and recite facts with a dogmatism that fears a demolition and no rekindling of interest... to philosophise is to avoid citation: to work from nothing, the english cannot philosophise because they intellectualise and by intellectualism they cite and recite facts like an ave maria pi = 3.14... Galileo's spectacles... etc. the english cannot philosophise, they're just intellectuals, they cite and recite facts, they cannot engage from non-citation or non-recitation of a fact, like a greek might ignore a stone and fool himself claiming it's nothing, the english cannot allow a confiscation of a subject and treat it as nothing, it would not make sense as to why charles i was the precursor of the french aristocratic en masse meeting with the guillotine if darwinism wasn't discovered on the islands of Galapagos... although i beg to differ with a thought on Gauguin and the islands of Tahiti: make a turtle yawn and you'll jinx yourself a blessing to live to be one hundred years old.
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44
You'd think Blake, Bosch & Emanuel Swedenborg read Pythagoras in the original & walked with Christ & Newton; E. A. Poe, the Horror-Poet; influencing the Decadence of Baudelaire, Wilde & Rimbaud;                   Pinkham Ryder's influence on Symbolism & Surrealism led, oddly, to 20th century pop culture depictions of Victorian monsters; Frankenstein was the product of the English Romantics; German Romanticism to Sturm & Drang led to Expressionism. Beardsley [dead at 25], Gustave Moreau, Van Gogh, Gauguin, Egon Schiele [dead at 28]; ||| - -| Klimt, Freud, Jung: Judaism; Id, Superego, Ego, Shadow, Anima & Animus, collective psyche, Nietzsche's Superman, eternal recurrence & will to power; Wagner's Ring Cycle...
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Jan 18, 2019
Jan 18, 2019 at 1:56 PM UTC
Victorian Monsters of Pop Culture
on the afternoon of first love when the air was like Oahu       and the sky was a pastel pool   you and i on our sun-drenched Gauguin day            lay on the sand like shining gold shells.                           the breeze blew over us                                     like music,                              warming our humming core                             like the hot breath of Aphrodite.
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May 22, 2012
May 22, 2012 at 8:27 AM UTC
On the Afternoon of First Love
who can hold the wind in his fist? ~for Ken Pepiton~ your poems full of hints and innuendo, most of them I don’t get, of stuff, I don’t know, no clue, my education impoverished, which is why lucky me, I’m getting my viral signed check for 1200 bucks, yes siree but some college educated sharp eyed feller, said look, see how Ken keen, has the bestus, the real tuff stuff, hidey holed in the footnotes purposed for you to miss it, **** he was right, cause I found what you hided! <> who can hold the wind in his fist? *an inquisition worthy of a thousand answers, my Roman slave cautions forbearance, whispering in my one remaining unconquered Gauguin ear, just the best, these time of times, hanging heavy, be sweet, leave out the chaff *I, cannot *hold the wind in my fist, for it has always befriended, going over my life-coarsened skin, through my-stubbled fingers, cooling and christening, constant teasing kissing as it was born anew, a first time poem, it was meant to be unkept and unkempt* *you might want to hold on, keep it, for its touch is indeed that of a first time lady loved, savoring the cool, and the heat simultaneous, no fool us, empowering, the wind forever runs freely, between, never sticking, going around my body, into my open orifices, sometimes caressing, sometimes troubling, its power leaving us atrembling, moved, straighter or bent over* those who created wind and water had many reasons, but their first purpose was to constant enliven the human mind with the softest message that true freedom is never bounded, nature’s song is refrained, “man, be unrestrained,” it’s majesty then greatest, men may fool themselves with lines and divisions, Earth’s best best seen in its unconstrained, searching character
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Apr 16, 2020
Apr 16, 2020 at 10:30 AM UTC
who can hold the wind in his fist?
who can hold the wind in his fist? ~for Ken Pepiton~ your poems full of hints and innuendo, most of them I don’t get, of stuff, I don’t know, no clue, my education impoverished, which is why lucky me, I’m getting my viral signed check for 1200 bucks, yes siree but some college educated sharp eyed feller, said look, see how Ken keen, has the bestus, the real tuff stuff, hidey holed in the footnotes purposed for you to miss it, **** he was right, cause I found what you hided! <> who can hold the wind in his fist? *an inquisition worthy of a thousand answers, my Roman slave cautions forbearance, whispering in my one remaining unconquered Gauguin ear, just the best, these time of times, hanging heavy, be sweet, leave out the chaff *I, cannot *hold the wind in my fist, for it has always befriended, going over my life-coarsened skin, through my-stubbled fingers, cooling and christening, constant teasing kissing as it was born anew, a first time poem, it was meant to be unkept and unkempt* *you might want to hold on, keep it, for its touch is indeed that of a first time lady loved, savoring the cool, and the heat simultaneous, no fool us, empowering, the wind forever runs freely, between, never sticking, going around my body, into my open orifices, sometimes caressing, sometimes troubling, its power leaving us atrembling, moved, straighter or bent over* those who created wind and water had many reasons, but their first purpose was to constant enliven the human mind with the softest message that true freedom is never bounded, nature’s song is refrained, “man, be unrestrained,” it’s majesty then greatest, men may fool themselves with lines and divisions, Earth’s best best seen in its unconstrained, searching character
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38
I am here as a token A voice for my people and my ancestors As a browning plaque in need of polishing In the day a middle class white girl Uses my ancestors voice Uses my land A beautiful ei on her head To caption a photo of her on the beach Something about loving her body the way Gauguin did To think that my people would be worthy of that kind of Out of context type reference I am here as a token The truth behind the girls who say that Raro taught them how to love an island love Who bathed in flowers and sand Saying it is as though the island spirit has possessed her And she has the power to bestow it upon you The real island love is hidden between the pages Of the copy of the holiday leaflet My nana gave her The leaflet that I wish had never been translated to English I am here as a token Handing out my peoples story For the honor of revealing that we have more beauty than retreats To reference my sisters whos bodies have been put on a stage as entertainment Despite being a show of beauty and island culture I am here as a token To educate of my people To remind you that I come from a people who used constellations to find their way My people are beautiful and rich in spirit My culture is more than a holiday destination Or an instagram post to flaunt your body
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Aug 25, 2018
Aug 25, 2018 at 8:41 PM UTC
My culture has become an instagram post
listen to a sunflower as they tell you their story do not think upon the facts such as their height their common colour their strength instead remember observing van gogh rivera gauguin so you may truly understand why my lover is a sunflower
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Mar 10, 2020
Mar 10, 2020 at 6:48 PM UTC
My Lover is a Sunflower