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"garlands" poems
Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your ******* smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
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Every Day You Play....
Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your ******* smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.
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Age and Grace Her steps were always slow; Even in youth she swayed, Walked with sultry composure And seductive flow. Like a heathen goddess, She tempers movement with grace. It was not done out of vanity, But pleasure in the flowing stream of steps That mark her pace. The relaxed fulcrum of her hip Tilts with undulations in the turf; Her feet tread lightly with a claim On the summer fields, On the bending trees Where beauty still abounds.. She savors the trailing of her skirt Through unseen paths in drooping grass. Until the evening mist accrues From out the forest paths Caressing her as she yields, Until she and it are almost one. Like Whistler’s “breath on a pane of glass”, She bargains with nature, Waning to become an aesthetic phantom. She stops at a window and watches With a sad smile, the warm light on life, The laughter, talk and dancing grace Of her children, who don’t yet know The bittersweet taste of withered garlands. Yet she accepts and passes into the dusk. Now she executes a careful, Battement fondu as her hands dip To reach the soaking pods Of next year’s summer flowers. Every move must be planned, To manage every hour. For they are as precious now, As her own days, Fading into glory and reborn, Into spring and youth’s careless riot.
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Sep 24, 2018
Sep 24, 2018 at 11:19 AM UTC
Age and Grace
Only on me, the lonely one, The unending stars of the night shine, The stone fountain whispers its magic song, To me alone, to me the lonely one The colorful shadows of the wandering clouds Move like dreams over the open countryside. Neither house nor farmland, Neither forest nor hunting privilege is given to me, What is mine belongs to no one, The plunging brook behind the veil of the woods, The frightening sea, The bird whir of children at play, The weeping and singing, lonely in the evening, of a man secretly in love. The temples of the gods are mine also, and mine the aristocratic groves of the past. And no less, the luminous Vault of heaven in the future is my home: Often in full flight of longing my soul storms upward, To gaze on the future of blessed men, Love, overcoming the law, love from people to people. I find them all again, nobly transformed: Farmer, king, tradesman, busy sailors, Shepherd and gardener, all of them Gratefully celebrate the festival of the future world. Only the poet is missing, The lonely one who looks on, The bearer of human longing, the pale image Of whom the future, the fulfillment of the world Has no further need. Many garlands Wilt on his grave, But no one remembers him.
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The Poet
Through portico of my elegant house you stalk With your wild furies, disturbing garlands of fruit And the fabulous lutes and peacocks, rending the net Of all decorum which holds the whirlwind back. Now, rich order of walls is fallen; rooks croak Above the appalling ruin; in bleak light Of your stormy eye, magic takes flight Like a daunted witch, quitting castle when real days break. Fractured pillars frame prospects of rock; While you stand heroic in coat and tie, I sit Composed in Grecian tunic and psyche-knot, Rooted to your black look, the play turned tragic: Which such blight wrought on our bankrupt estate, What ceremony of words can patch the havoc?
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Conversation Among The Ruins
She looks out in the blue morning and sees a whole wonderful world she looks out in the morning and sees a whole world she leans out of the window and this is what she sees a wet rose singing to the sun with a chorus of red bees she leans out of the window and laughs for the window is high she is in it like a bird on a perch and they scoop the blue sky she and the window scooping the morning as if it were air scooping a green wave of leaves above a stone stair and an urn hung with leaden garlands and girls holding hands in a ring and raindrops on an iron railing shining like a harp string an old man draws with his ferrule in wet sand a map of Spain the marble soldier on his pedestal draws a stiff diagram of pain but the walls around her tremble with the speed of the earth the floor curves to the terrestrial center and behind her the door opens darkly down to the beginning far down to the first simple cry and the animal waking in water and the opening of the eye she looks out in the blue morning and sees a whole wonderful world she looks out in the morning and sees a whole world.
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The Window
Sailor. Come back Its your boy's birthday today They brought you boxed in a coffin day before Was that the present he should've expected? Laced with garlands With a spread of the National Flag on top Sailor I know its been your dream To conquer unexplored lands Its been your fantasy To achieve heights beyond your reach But what about your boy He sleeps with the fighter plane clung to his heart You need to finish that for him I run my fingers over his carved name As if your hands were still at work Sailor Come back Not for me, not for your parents For him Him, who talks to your photograph every night and morn How do I explain to him What exactly do I say Sailor Its okay He saw your body He's been in shock He cannot shake the image off Of your cold hands and face And why you wouldn't come out He's died somewhere in his heart Its not okay but its okay I hope you understand I'll try my best to meet you Maybe in some other lifetime.
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Jan 3, 2015
Jan 3, 2015 at 1:38 AM UTC
Sailor.
Thine eyes shall see the light of distant skies: Yet, COLE! thy heart shall bear to Europe's strand A living image of thy native land, Such as on thine own glorious canvas lies; Lone lakes--savannas where the bison roves-- Rocks rich with summer garlands--solemn streams-- Skies, where the desert eagle wheels and screams-- Spring bloom and autumn blaze of boundless groves. Fair scenes shall greet thee where thou goest--fair, But different--everywhere the trace of men, Paths, homes, graves, ruins, from the lowest glen To where life shrinks from the fierce Alpine air, Gaze on them, till the tears shall dim thy sight, But keep that earlier, wilder image bright.
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To Cole, The Painter, Departing For Europe: A Sonnet
Find me tearing violets, my love, in a manic daze; I am running out of softness and daylight, like winter’s cruel hours “but I will crown your hair with these torn violet tiaras and your soft throat, twine with woven garlands” and I will dig into my tongue for the remaining metaphors beneath the bourbon, until odes drench my lips, I will stitch my wounds shut and ready for your apricot kisses — I ache to be kissed away, to waste away before your sun-speckled eyes like a tiny fae in your flower basket, I ache to settle in your dainty hands, in lithe fingers lost in my wind-blown hair. My November, my gentlest love, how I breathe you in like my grandmother’s letters — how you consume me in curious ways and for the first time, I am not afraid of the softness buried and warm inside my bone marrows. Tell me, darling, will you stay? Will we stay this time for more than a kiss? Will we linger longer than silhouettes in a dream?
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Nov 11, 2022
Nov 11, 2022 at 11:28 PM UTC
November
A garden of marigolds....orange, yellow and rust, Bright, soft and rich, touched with golden dust. Quiet and regal, sun kissed and fair, Basil -citrus fragrance that mellows the moist air. A thousand smiling marigolds, a thousand smiling suns, Sweet nectar, ambrosia, for natures gentle ones. Woven into garlands, yellow with tips of red, Woven into memories with many a words unsaid. Love's hopes of an Indian bride, clad in marigold, With dreams wrought, promises that two hearts dearly hold. Tearful farewell to soldiers who traverse through destiny's doors, A garland weaved with love for those from across the seven shores. And when the being is but a thought, as life grays and olds, Wrapped in a hearse of love, their love, with weeping marigolds. An offering so humble yet flowers that Gods wear, An offering with love, with a souls quiet prayers. Orange, yellow, rust..to love, to pray, to mourn, Golden, sun kissed, blessed.. marigolds that life adorn.
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Sep 14, 2016
Sep 14, 2016 at 9:11 AM UTC
Marigolds
*flowing rivers simulate the virtual reality of love warriors topple over forgotten like cartons of used milk silk worms speak sovereign messages and warn us of our fate are we ill or are we healthy stealthily imprisoned by our visions finish the sentences and sever your attachments respecting tradition leads to detachment a semblance of serenity the giver of the dawn used shards of standard force hover in the mind’s sky houses pass you by in finite allegories gardens blossom governing movies and seating our jobless go outside now remove the shades from your eyes breathe in soma and drink from the sky sightless sorrow forges on towards tomorrow art is a balancing act she came out of her shell in order to tell you a story of garlands of silver and gold woven finely into ribbons greased with oil from a rare toad*
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Oct 31, 2017
Oct 31, 2017 at 11:33 AM UTC
in finite allegories
four arms, two legs supporting one head, with three eyes wearing five serpents as ornaments slithering around us hissing their wisdom into our ears as we rested atop the skin of a tiger, desire I could see him, in us extending out his six limbs two on the ground two on her and two on I and we were within one mind six, six, six one mind, with three eyes the third, sought to destroy Kama, desire to right her body into the form which she deserved as ashes of which we wore on our skin she spoke of the hunting of skinwalkers extending out so gracefully towards me we were within one mind with three eyes and a crescent moon lain upon our forehead eternal in the midst of Chaos in the midst of evolution destruction, for the cause of transformation my claws extended out as light is pulled by a black hole of which was her and my lips loosened exposing my sharp teeth and we worshiped one another in our destruction becoming exposed and feral so I let out a yell in the middle of the street in front of a mother and her children as we were covered in the ashes of Kama the end of all material existence rest our garlands of skulls over our necks bowed and said goodbye now Shakti swims in my blood and dances with my Soul for I am still in that black hole headed out, in to the other side truly, Chaotically enjoying the ride dynamism in in me as I live, Truly
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Mar 21, 2014
Mar 21, 2014 at 10:05 PM UTC
Shiva, and Shakti
There’s a place, where licorice vines have climbed, Deep in the night, that only children can find; Where leaves of waxed paper on trees are hung, And what grows on the branches is sweet to the tongue. Garlands of butterscotch, chocolate, and mint, In their bright wrappers, sparkle, and glint; Bubbling springs of sarsaparilla, through the valley are poured, Washing sugar beaches with reeds of sour chord. Swedish fish swim in soda geysers with bliss, While fizzing pop-rocks spurt, spittle, and hiss. Sunset clouds of cotton candy sweep past in the sky; Trees sway in the delicious breeze that smells like apple pie. Skies will rain down skittles, when there is a storm, Pelting molasses window panes in a giant swarm; Sour gummi worms are dug up, free to take, In the grainy, nutmeg layers of the coffee cake. Carmel creams, Mary Janes, Black Jacks, and Almond Joys, Coconutties, Jawbreakers, Carmel Rolos and Long Boys-- All these grow, in lines straight as peppermint sticks, Planted in brown sugar, on fields of cinnamon toothpicks; But when the sun lets out its first ray, The entire land just melts away And children don’t remember where they’ve been, That whole night asleep, but they wake with a grin; And through the whole day, their dreams will entice, Until they visit again, the Land of Sugar and Spice. 8/9/11
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Jul 10, 2012
Jul 10, 2012 at 4:32 PM UTC
Sugar & Spice
Rain falls on the windscreen in shades of grey brown and fogged-up blue, car become boat in the rain-clogged road floating away like in a Monet, into the evening mess. Frayed nerves, rules break, as dangers lurk. The wiper slow tells its tale own. Irrelevant discourse, irreverent songs, the FM trend for DJ fame. And we have two 'rivers' in our city, swelling in refuse, bolstered by the rain; And we have two beaches in our city, soak in the surf, if you can ignore the rubble; And we have many parks in our city where litter garlands our heroes daily; The last patch of green, cramped between rising heights all around, accursed of dump and construction junk, steals a dying look at the moon late. A walk in the woods, by the mist, by late evening. A stroll, warm, through a field covered in snow. Nice paintings on my concrete wall. I'm told, the money plant is good for one's health. Trees, a luxury for our wealth. These are all good developments. Hyper malls round the corner. Home prices, soaring to Kepler. Please pour in more investment into my country. Guaranteed, riches grow in multiplication. The markets are all about manipulation.
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Sep 12, 2013
Sep 12, 2013 at 3:47 PM UTC
The money plant
In Vienna there are ten little girls, a shoulder for death to cry on, and a forest of dried pigeons. There is a fragment of tomorrow in the museum of winter frost. There is a thousand-windowed dance hall. Ay, ay, ay, ay! Take this close-mouthed waltz. Little waltz, little waltz, little waltz, of itself of death, and of brandy that dips its tail in the sea. I love you, I love you, I love you, with the armchair and the book of death, down the melancholy hallway, in the iris' darkened garret. Ay, ay, ay, ay! Take this broken-waisted waltz. In Vienna there are four mirrors in which your mouth and the echoes play. There is a death for piano that paints little boys blue. There are beggars on the roof. There are fresh garlands of tears. Ay, ay, ay, ay! Take this waltz that dies in my arms. Because I love you, I love you, my love, in the attic wherethe children play, dreaming ancient lights of Hungary through the noise, the balmy afternoon, seeing sheep and irises of snow through teh dark silence of your forehead. Ay, ay, ay, ay! Take this "I will always love you" waltz. In Vienna I will dance with you in a costume with a river's head. See how the hyacinths line my banks! I will leave my mouth between your legs, my soul in photographs and lilies, and in the dark wake of your footsteps, my love, my love, I will have to leave violin and grave, the waltzing ribbons.
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Little Viennese Waltz
The Ganges rushes in torrents from my eyes and threatens to sweep me away it’s been four lonely years Sai Krishna I wait in the foothills of Mount Kailash the sun and the moon wait with me the earth has ceased its wild spin and the stars have lost their merry twinkle O Swami what we wouldn’t give to gaze once more into your lotus orbs Sai Krishna mountain peacocks with bright plumes chant Your name and silver tongued nightingales perched in high branches sing of Your divine exploits the empty jhoola is adorned with garlands and sweet rose petals Blue skinned Lord You alone are the source of Bliss Grant us Your divine darshan cuddle close to us tonight http://www.sairapture.com/krishna-madhava.html
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Aug 12, 2015
Aug 12, 2015 at 11:05 AM UTC
Krishna Madhava
The golden girl bathed in the water, and the water turned to gold. The weeds and branches in shadow surprised her, and the nightingale sang for the white girl. And the bright night came, clouded dark silver, with barren mountains in the umber breeze. The wet girl was white in the water and the water, blushed. The dawn came without stain, with its thousand bovine faces, stiff and shrouded there with frosty garlands. The girl of tears bathed among tears, and the nightingale wept with burning wings. The golden girl was a white heron and the water turned her gold.
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Casida of the Golden Girl
The countryside is laughing lighted up with colours and everyone notices its fine appearance. It has green dresses, the field in spring, with white and red and pink buttons, the blue blouse sprinkled with yellow and in the hair garlands of stars and lights. The day will run saying that spring is born, arm in arm with the countryside, with a basket of scents and the tresses painted with the sun and then there will be a party adorned with flowers and cobalt blue nights the wind that bedews with mild blows the sea and the wayfarer that arrives will take home a smile to keep on dreaming. 14. 5. '14
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Feb 29, 2016
Feb 29, 2016 at 1:01 PM UTC
The countryside party
evening Maria and Mr. Riner are sitting on my bed tied up like garlands, against the wall the words stew inside and I can't seem to pour them out but we three fools, sit and scribble regardless staring blankly at the drooling clock (persistent, in our memories). the whitewashed cinderblocks are testament to the number of walls the quantity of clocks this series of chairs and if we close out eyes we expect to wake up in heaven but it's just the same old hell. she says, keep writing (if you feel inclined) and slides her back into mine but I've got no more letters in these fists (so I'll lie and think for a bit). she says, I've never been a 'she' before... morning my coat sits in a bundle near the door I've been trying to find a way to hang it but I'm having mixed results, in fact all this month I've been trying to make attachments to these white, white, cinder block walls with all manner of adhesives. but these nightly sessions have been ******* with the humidity and every morning something new is on the floor. all I can do is put them back up again. try and be a little more constant with these climate fluctuations. try and sleep a little more, sweat a little less.
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Nov 9, 2012
Nov 9, 2012 at 5:43 PM UTC
sweat less
NO OFFENCE MEANT TO ANYONE. JUST WORD PLAY. Many thoughts of saviours. Different deities. Varied idols. Doctrines unique, Sometimes similar. Holy books. Different sects, yes I said sects. Buddhists, Mormons, Muslims too, Hindus, Jews and Rastafarians. Pass the spliff, that one miffs me. Too name but only one or two. Garlands or flowers. Holy cows. Churches and temples. Mosques and mystic synagogues. Or even halls perpetuating to the Kingdom. Gis' us a pint of blood or not. Definitely not vampires,oops I forgot. "Cup of tea, love?" Welcome to the Mormons. Latter day saints? Jesus Christ, what a choice. My explanation, I'm agnostic. But, never on a Sunday. I don't want converting. (C) LIVVI
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Nov 3, 2015
Nov 3, 2015 at 7:28 PM UTC
SAVING GRACE
Before the time we know that’s writ Before the things we’ve heard of it Back in the first creation fit Four sisters pretty, oft would sit Together and discuss the times And passing moons and passing tides And the task to which each tries To ensure the world was lit With the color or the season A certain gift was given each one For a rare and special reason To paint anew the baby planet The oldest, cold and fair, she was Skin white as cloudy sky of gauze Hair darker than a jaguar’s paws For Winter’s breathing she was fit The second, burned just as a fire Hair red as hatred and desire Who, gifted artists still inspires In Autumn, colors all submit. The third was golden as the sun Hair bright and body made to run Eyes blue as ocean’s storms undone Into summer months she’d flit The youngest, who awoke the ground Skin dark as heartwood, deepest found Green eyes that grow ‘til they surround The earth with springtime, every bit Rules for such were very few Only one they truly knew Don’t pick the flower 'way from view Upon the tallest tower hid For many years they played together Through every storm and every weather Bringing seasons like a feather Any time they thought was fit Then one day while making garlands Of pretty flowers wove to form bands Said,“Hid away, the best of all stands?” So they dared to go observe it Beautiful, and true it stood Like purity and things that could Move heart of stone and even wood. “Such art, alone, should never sit!” So they plucked the only flower From its grave and gentle tower All the plants around it cower’d Knowing powers sleeping in it Suddenly the ladies shot Around the world to different spots Just out of hearing and eyeshot Thus, the cost of crime commit Today they wander far apart Thoughts of sisters in their heart Work with no end, just new start Away from friendships benefit So child when tempted to commit A sin against which has been writ Think of four sisters who once could sit Now wander, from each other split.
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Dec 1, 2011
Dec 1, 2011 at 10:24 PM UTC
Four Sisters
Before the time we know that’s writ Before the things we’ve heard of it Back in the first creation fit Four sisters pretty, oft would sit Together and discuss the times And passing moons and passing tides And the task to which each tries To ensure the world was lit With the color or the season A certain gift was given each one For a rare and special reason To paint anew the baby planet The oldest, cold and fair, she was Skin white as cloudy sky of gauze Hair darker than a jaguar’s paws For Winter’s breathing she was fit The second, burned just as a fire Hair red as hatred and desire Who, gifted artists still inspires In Autumn, colors all submit. The third was golden as the sun Hair bright and body made to run Eyes blue as ocean’s storms undone Into summer months she’d flit The youngest, who awoke the ground Skin dark as heartwood, deepest found Green eyes that grow ‘til they surround The earth with springtime, every bit Rules for such were very few Only one they truly knew Don’t pick the flower 'way from view Upon the tallest tower hid For many years they played together Through every storm and every weather Bringing seasons like a feather Any time they thought was fit Then one day while making garlands Of pretty flowers wove to form bands Said,“Hid away, the best of all stands?” So they dared to go observe it Beautiful, and true it stood Like purity and things that could Move heart of stone and even wood. “Such art, alone, should never sit!” So they plucked the only flower From its grave and gentle tower All the plants around it cower’d Knowing powers sleeping in it Suddenly the ladies shot Around the world to different spots Just out of hearing and eyeshot Thus, the cost of crime commit Today they wander far apart Thoughts of sisters in their heart Work with no end, just new start Away from friendships benefit So child when tempted to commit A sin against which has been writ Think of four sisters who once could sit Now wander, from each other split.
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sit with me before the dance in my little thatch hut on a mat of yellow reeds together we’ll string garlands marigolds, jasmine, roses to offer at His petite, azure feet with glossy red kisses we’ll serenade our Sri Krishna weave peacock feathers through His perfumed tresses the Yamuna river is lit up with lotus lanterns and vrindavan incense we have adorned ourselves in the finest silk saris and red *** *** dots we are ready with aching, ardent hearts to dance with the Lord come into our eager, hopeful arms darling Giridhari
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Aug 6, 2014
Aug 6, 2014 at 12:43 AM UTC
Nandalala
Our snowmen, they're not made of white, they're tumbleweeds, rolled up tight. No top hat upon his head, a cowboy hat sits there instead. His face and buttons, tree ornaments, boots and lariat, his accoutrements. Saguaro cacti with lights wrapped round, illuminate the landscaped grounds. Old horse drawn wagons get the festive touch. With lighted garlands, packages and such. Porch rails glow with colored lights, Christmas trees in windows, warm the nights. Our little town gets all decked out. Then we gather along the old parade route. Folks on horseback with ribbons and bells. The horses know the parade route well. Marching school bands play Christmas songs, trucks and tractors carry carolers along. Floats abound from businesses and groups. Braving the cold, the Christmas Cowboy Troops. We all stand up to clap and cheer, as Santa, as usual, brings up the rear. Waving his red cowboy hat, in a horse drawn sleigh, Welcoming Christmas, the Wickenburg way.
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Dec 10, 2010
Dec 10, 2010 at 11:42 AM UTC
Christmas In The Desert
Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden **** Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,--that is all Ye know on earth, and all ye need to know."
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Ode On A Grecian Urn
Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden **** Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,--that is all Ye know on earth, and all ye need to know."
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