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She

I'm waiting for the man I hope to wed.
I've never seen him - that's the funny part.
I promised I would wear a rose of red,
Pinned on my coat above my fluttered heart,
So that he'd know me - a precaution wise,
Because I wrote him I was twenty-three,
And Oh such heaps and heaps of silly lies. . .
So when we meet what will he think of me?

It's funny, but it has its sorry side;
I put an advert. in the evening Press:
"A lonely maiden fain would be a bride."
Oh it was shameless of me, I confess.
But I am thirty-nine and in despair,
Wanting a home and children ere too late,
And I forget I'm no more young and fair -
I'll hide my rose and run...No, no, I'll wait.

An hour has passed and I am waiting still.
I ought to feel relieved, but I'm so sad.
I would have liked to see him, just to thrill,
And sigh and say: "There goes my lovely lad!
My one romance!" Ah, Life's malign mishap!
"Garcon, a cafè creme." I'll stay till nine. . .
The cafè's empty, just an oldish chap
Who's sitting at the table next to mine. . .

He

I'm waiting for the girl I mean to wed.
She was to come at eight and now it's nine.
She'd pin upon her coat a rose of red,
And I would wear a marguerite in mine.
No sign of her I see...It's true my eyes
Need stronger glasses than the ones I wear,
But Oh I feel my heart would recognize
Her face without the rose - she is so fair.

Ah! what deceivers are we aging men!
What vanity keeps youthful hope aglow!
Poor girl! I sent a photo taken when
I was a student, twenty years ago.
(Hers is so Springlike, Oh so blossom sweet!)
How she will shudder when she sees me now!
I think I'd better hide that marguerite -
How can I age and ugliness avow?

She does not come. It's after nine o'clock.
What fools we fogeys are! I'll try to laugh;
(Garcon, you might bring me another bock)
Falling in love, just from a photograph.
Well, that's the end. I'll go home and forget,
Then realizing I am over ripe
I'll throw away this silly cigarette
And philosophically light my pipe.

* * * * *

The waiter brought the coffee and the beer,
And there they sat, so woe-begone a pair,
And seemed to think: "Why do we linger here?"
When suddenly they turned, to start and stare.
She spied a marguerite, he glimpsed a rose;
Their eyes were joined and in a flash they knew. . .
The sleepy waiter saw, when time to close,
The sweet romance of those deceiving two,
Whose lips were joined, their hearts, their future too.
Mateuš Conrad Apr 2019
.i don't know any other music genre, where the bass is left alone, left exfoliating married to the drums, and the guitar? there's no such a thing as a rhythm guitar section in blues... the guitar is consrtantly married to solo... to a sense of orthography... best represented by ´ (the acute accent) without an o: to cream out a "hidden" u, i.e.: ó... or a cedilla (¸) bound to a c: ç to form the greek sigma (ς) - e.g. garçon... waiter, waiter: i'll just wait... that's how i see the blues guitar... the rhythm guitar isn't there, the bass is married to the drums... but the blues guitar keeps the rhythm in a "funny" way... pair up john lee ****** with lightnin' hopkins (on the piano)... and you... keep rhythm, by working solo accents into the rhythm set by the bass and drums... you rhythm by a continous sparring with the solo - you solo by ensuring your remain in the confines of chord, or something much -esque to a chord... milk, cream & alcohol... again and again: the blues... oh my dear the blues... where the rhythm of the guitar is kept with constant soloing... sometimes engaging with the bass and the drums for a reference check of rhythm... but mostly: solo the whole **** through... but it's not the sort of soloing associated with hair metal of the 1980s jerking-off for performance art piquance... sometimes the solos come in the form of chords... it's like i said already... layers:

         waiter -   garçon
                                 and garcon
                                               (¸)

blues guitar? the latter...
                                             solo accents...
rhythm of syllables: gar-çon
                              but mostly gar-con
                                                         ­  (¸)
since the bass and drums rhythm section
is so perfected in the blues,
the guitar is allowed to do what the hands
want owned by the devil...
        a thorough solo to keep the rhythm...
the one genre of music
where the solo works like a rhythm...
     instead of that in between section
of showing off
between verse chorus verse chorus solo chorus
standard of rock...

     another freedom given to the blues guitar?
the rhythm set by the vocals,
of repeating lyrics...
hell... if someone is going to sing
and play at the same time...
                  why explore lyrics as some sort
of narrative... ping-pong along
with the freedom of the itchy fingers...
by having no real verse,
and no real chorus...
                just a steadied momentum...
        and you really need to drink to appreciate
the blues...
                   just like all the hippies
will tell you that dropping acid enchances your
chances of enjoying the 13th floor elevators
or jefferson airplane...
              i don't know which is better these days:
jazz or blues?
sure as **** not rap...
                       and they say the slave trade
was all bad... sorry...
      without these west africans budding
in h'america... i'd still have a clarinet shoved
up my ***... or folk songs...
                  or mozart's woodwind imitating...
or vivaldi's *******' worth of spring...
yes, and we all know that Idi Amin was white...
wasn't he? who died peacefully while
under asylum in saudi arabia...
           Idi Amin was white! oh come on!
he was the last king of sctoland!
              on a side:
   they were picking cotton...
             well... at least they weren't working
the ******* coalmines... where they now?

ever watch that video
of milo
  yiannopolous:
       congresswoman
ilhan omar
           (d-mn)
       addresses
david horowitz's west
coast retreat?

where is the old milo
gone to?
anyone pick
up on the heavy breathing?

there's the stag ***
of only 2 years prior?
he's not here...

         i was never into making
videos,
only because i just liked
those japanese godzilla
movies from the late 80s...

and i'm still a sucker
for modern pop,
currently?
           mabel - don't call me up...
huge, huge sucker
for the expected reaction
to pop music...
synch. vocals and
a very limited circumstance
of lyrical poverty...

sucker... might as well
don a dunce hat...
elsewhere,
on the ibernian peninsula
it's also called
a *capirote
...
and **** gets freaky...

i agree...
the northern crusades,
the polacks became christened
in 962...
   the teutonic knights
were ready
to explore lithuania...
we were about to allign
ourselves with them,
ergo: defend them...

            the concept
of reconquista came after
the crusades...
         i'm pretty sure it came
after...
           jihad is reconquista...
worded differently...
   is it? the crusades were one
thing...
     jihad = reconquista...
         the current form of jihad?
it's like crusading...
     to claim a jihad is to claim
reclaiming lost lands,
there must be some muslim genius
who could come up with
a counter term to jihad:
the jihad on the offensive...
rather than on the defensive...
we need some muslim genius
to come up with a conquering
ideology of islam...
   umayyad script...

i'm reading into the video
and i'm like:
is he angry...
       or is he simply scared?
all that heavy breathing...
maybe it's both?
   do i "think" about
throwing him from
a roof... are you sane?
as they say:
in a mad mad world,
the only sane people
                    are the madmen...

talk about memes finally
coming across "genetic"
mutation...
                why are all the "liberals"
and "progressives"
so surprised by mutation
creeping into memes?
doesn't that usually happen
with genes?
so... what's with all the outrage...
if memes exist outside
of the biological reality
of genes,
then... surely,
any counter-thought
from the est. order is equivalent
to a mutation, isn't it?

               so... what's the outrage
about?
    well if genes are going
to by hijacked by a mutation,
why would memes be immune
to a mutation,
akin to the o.k. hand sign?
you want a script?
i learned this at primary school,
but you need two hands
in tow:

   (right hand RH,
left hand LH,
   thumb TH
         index I
      ******* MF
        ring finger RF
pinky P)...

and now the motion

   RH (I + MF hand down) slap on the
the LH palm of the open hand...
   RH (I + MF hand up) slap
on the LH palm of the open hand...
RH (I + MF
               V shaped insertion
of the V shape into the LH's
side)
      clenched fist of RH slammed
on the open palm of the LH...
clenched RH with an extended TH
poiting toward caesar's favour
in the coliseum (thumb's up)
moving away from the LH open
palm...

   translation?
   why, don't, you, ****, off...
primary school,
some of the kid's parents
must have taught them this sequence
when their children told them
that some foreigner ******
was attending primary school
with them...

                   poor milo though...
notably in that video...
           he's either really angry...
or he's ******* himself...

i'm still left with this sign language...
i don't even know if it's correct...
a kevin spacey "conundrum"...
i'm not exactly going to, *******,
am i?
                knitting and picking
points of criticism...
   made easy:
   no niqab, no turban,
   no copper skin,
             no black skin...
no wonder my fellow countrymen
are leaving
with a massive F          and a U
from this island...
                    good for them...
if i was sane enough,
i'd also leave...
      but given that i'm also a dual-citizen...
well...
         milk the ***** for
her last worth...
    this language...
                    the people are another story,
but my lover affair with
this language is exactly
this.
Mateuš Conrad Nov 2016
i find it scary that people
who claim sanity
and drink coffee puffy-eyed
at 5a.m.
are the relative answer to
make those, drinking whiskey
at 7 minutes to midnight,
as being insane...*

forthrightly to obscure and to make make words archaic
would never make sense in geometry...
or what's the archaic standard
diacritical model of: yeß, prime minißter!
when you don't apply orthodox diacritical syllable
incision you'll make nonsense adjustments:
for a trill (or rolling)
we range from "r" alveolar "trill"
    and ʙ / v in Cyrillic (acute w)
           into bilabial?
я-Alice... uvular?
                  voiceless epiglottal trill,
or n, or ...  or surd?
                     you really have to word it
or over-word it when a few punctuation
marks aren't ascribed to phonetic units
that letters are:
rather than phonetic equivalents of ethanol
as attaches of carbohydrates
to be later stressed in the discussion:
which never took place...
    i'm still baffled by the conesus that
someone drinking coffee at 5a.m. is considered
sane compared with someone drinking whiskey
at five-past midnight...
the former is sane because in his state he will
embrace the state and craft a future plan for
making change... and the latter will
have to inherit the estate of the asylum
and craft a future plan that says: you, will,
not, be, able, to, congest, this, world,
with, your, dreams; even, if, your, dreams,
are, equatable, with, demeaning, ambitions,
to overcome, the stereotypes,
                 for they speak the drooling R...
when others hark or trill it...
                            and they say: power
exacted from an "ambiguity" of what's necessarily
stressed when a word is cut apart into
syllables, which cannot be further exposed to be
under-the-scalpel of letters having "punctuation"
marks (diacritical marks)...
as some might say, i'm colourblind given
the medium i use that's dichromatic sentenced to
be polarised by that, which is in between...
council-flat tenants complaining to the builders that
their kitchens don't represent Kuwait hotels
in Newham... or how to address post-colonialism
in how to represent modernity and moderation
and a disfranchise of ethnicity being the original
model for exploitation...
             i remember a time in England when
it was a happy place to be... prior to 2004...
          talk in Poland? mongrels amid stern
nationalism that represses homegrown terrorism,
given the historicity of Pole and Turk...
        and someone in the Philippines is to
address the question of justifiable censorship?
the Englishman is overtly prudish,
or let us say: overtly too polite...
   the Englishman is towing politeness when
he's actually towing a rotting corpse of a titan
he once was...
there was no chance to teach people
diacritical syllable punctuation, hence that
pseudo-science of leveraging a simple diacritical
representation into a dynamic of a Rosetta stone...
what could ʢ ever represent other than
a voiced episteme gluttony without a drill to
concede a need to repeat summer follows spring?
yes, after 2004, my status of a minority was left
blemished by those who i account for as my
"brethren", but, who have dragged me down,
to worthily accept a quote from Isaiah,
to some obscure circumstance of having an ethnicity
to begin with, and so unlearn my use of English
into a hostile psychological stance that simply said:
globalisation, and war against all and none:
within a framework of none? myself.
now i'm jealous of a snoopy-eyed garcon
and i know he's not jealous of me...
but i am jealous of the idea that capitalism actually
implants in the garcon's hope the idea of
a "state" pension... there are no states within
globalisation... the other "Japanese" time-bomb
in western society is not old age... it's pensions:
pray to god you don't reach old age...
the productivity of an expendable billion of Chinese
means you are entrusted with a brief hiatus
from work, and an slight existential bewilderment:
before jumping into the yawning lava pit of Etna.
2)
Garcon et fille
il a mange la fille
et [says] magnifique
LERocmar Dec 2019
Dangle me in front of your lads.
This is what you won't understand.
Tu es un petit garcon.
Tu es bete et tu es bete.
Tu ris a moi.
Tu me ris.
Mais tu ne parles pas francais.
Donc, tu es la blague.
Auch, du sprichst nicht Deutsche.
Du bist scheisse.
You make me angry.
Dont' come into my room and insult me.
Let's see how you like it,
Petit Garcon.
Ana Habib Feb 2018
Tonight is the night
I finally get to take Lucinda out for dinner
I have never met anyone like her
Yes that sentiment has been expressed a million times before I am sure but she is an exquisite woman
Her lovely skin reminds me of condensed milk
Hair luscious like fresh strawberries
eyes like dark chocolate
and words sweet enough to melt any mans anger into pure honey
Sorry she is just an amazing cook
I hope she likes seafood though
there is nothing better then succulent lobster, garlicky shrimp and fresh fillets glazed in a golden sauce, on a wintry night  
She works in an art gallery downtown
Art is her passion and I say that she is better then Tamara de Lempicka
She is simple in her attire and taste
But I wonder why she always has that oval pendant around her neck
she wears it all the time and never takes it off.
I fancy her but the sight of that necklace makes me uncomfortable
An simple oval pendant on a thin silver chain
My skin looks flushed and I get antsy
I cannot sit still or pay attention to her
I wonder if that necklace was a present
from the alcoholic father she told me about
from the brother who passed away at 19 from tuberculosis
from the abusive ex husband
a past lover with copper locks and green eyes
These questions are giving me a headache
Oh Garcon  I would like a drink

— The End —