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Mateuš Conrad Aug 2017
i deal within the realm of the currency of words -
words are my currency; sure, you can throw coinage
into the affair, or what i'd prefer to be called:
the gambler's cauldron, the days when history
is not built through will and outside the casino...
these days are built through
chance (luck) and outside the church...
    wasn't ever attending
the church the biggest gamble?
was theology,
ever not inclusive of the notion
of gambling?
   atheists don't gamble,
they have no notion of chance...
they lack the adrenaline junk
bound to adrenaline...
    immobile senile *******
and they know it!
   atheism will not attract
as much emotional concerns
to upset the stance of apathy,
only because atheism has
no degenerate attitude of
capitalism, which is gambling...
come on! people love to gamble!
the more wealth they amount
and can no longer see any use
for it... they won't invest it in others:
they'll waste it! they'll gamble it
   atheism feeds no idea supportive
of gambling...
    even in the dialectical medium:
one side says:
    i know that i don't know,
   but how can you be certain
  that you know?
likewise: i know that i know,
but how can you be certain
          that i don't know?
   theology has so much of gambling
inviting its scarred hearts
and inhibited ambitious ones...
     people talk of western civilisation,
but what talk is there is
western communism,
          serious communism?
people only understand the capital,
and the gamble with it...
          better to gamble,
than to become philanthropic...
             i've never seen days where
money is so squandered...
but you might as well
   throw pebbles into the whole
  wishing for a philosopher's
   stone to come from the other side...
pascal's wager is alive and well...
    atheism can't fathom a worthy reply...
what can atheism provide for
the gambler?
      what's to gamble for?
   what gamble does atheism provide?
pascal? he was smart enough to explain
the human dynamic of a thrill...
   people are adrenaline junkies...
they do un-imaginable feats of danger,
can't theology equal that,
  on a microscopic level or slight deviations
of felt emotions?
     people gambled, gamble,
and will continue to gamble,
  simply because the idea of money is
so limited that it had to fill the vacuum of its
existence with both gambling, & communism...
how can atheism usurb pascal's wager
when atheists can't stop people gambling?
what is the atheistic wager?
      is there a worthy gamble?
     this is why people become so heated
in the theological dynamo...
             they become a tsunami,
a tornado, a hurricane...
             simply because atheism has no
gambling dynamic invoked...
    there's no god, death is certain,
what is there to gamble with?
another hour of a boring stalemate sunday
before the next working week begins?
that's not even a gamble!
           people need to gamble!
  please... please...
you have nothing for the theological gamble...
atheists have no sweet scented nectar
of an argument...
   no dubious fickle state of emotional
                    atheism is just another
boring framework of "revised" boredom...
        say to to people who gamble,
no one in this world wants to live a certain
       and die with a certain truth...
                there's always the quest for
potential, for uncertainity, for adventure...
     atheism is probably the worst assertion of science...
man is born into the certainity of existence,
but lives, and wishes to die
            into / with the uncertainty of essence...
i.e. was war ever essential?
     was love ever the sole purpose of explanation
and worth the crown of above all explanations?
       man is in this affair a quasi-specimen
of the civilised typos...
      strange affair:
             he is alone, the natural world's typo,
rather than the kin of monk chimp & anzzy...
  i find it as follows:
  it will be hard to relieve theology of
the gambler...
                        and therefore gambling itself,
as a worthwhile invitation for
universal socialist philandering with
as i find it as follows:
    atheism is no place for gambling,
   even it be as eloquent as the gambling
of pascal...
                      i suppose atheism does
hold the joker hand of gambling:
   an actual end of gambling,
   and a return to communism,
  whereby gambling is replaced by utopian
                   here's your god.
Josey Jun 2019
I like to gamble
I play blackjack on my phone sometimes
It’s easy that’s why I like it
Not many rules but still a game of chance
But I’m 15
So it’s sort of illegal for me to gamble
only by 3 years
But when I was ***** I was 13
So the age of consent 3 years away
All the same
I like to gamble
Sometimes I’ll stay home from school
With no rhyme or reason
Just depression of the season
But I won’t text any of my friends
for the first few classes of the day
That way I can see their responses
And see if they wonder if I’m ok
My mom doesn’t ask question
Just a tear or two
And new hairdo
Doesn’t seem to grab her attention
I like to gamble
One time I dyed my hair red to black ombré
And came home with a belly button ring
It took her a week to notice the new color
And she still hasn’t noticed the metal
She hasn’t noticed the scars either
I like to gamble
Sometimes I’ll steal alcohol from the liquor cabinets of my home
And I’ll sneak out my window and into my friend's car
I like to gamble
Standing on the edge of a tall building
The wind blowing through my hair
And down my spine making me shiver
Wondering what would happen if I were to just move an inch
Wishing I would just move an inch
I like to gamble
But I’m not very good at it cards, money it’s all the same
Alcohol, death it’s just a game
Maybe if I quit it won’t save
And I could start a whole new level
Get rid of the pain
Because I like to gamble
with life and death
Because it’s worth as much as the money on my phone
Coins that you’ll never hear clang
It’s just a game
I like to gamble
Sometimes I won’t take my medicine
Just to see how much it changes
The feelings it exchanges
For depression
I don’t like taking it to friends houses
Because they can see me swallow my happiness
It’s not something I’m proud of
I like to gamble
One time I had a thought about poking a hole in a ******
That my boyfriend and I were about to use
Just to see if next month I would bleed
Just to see if a month from that day I would walk up to him
And say
A new pediatrics patient
I like to gamble
But I’ve played all my cards
I stare at the dealer
Like I’m staring at the stars
In wonder and awe
Confused and deranged
Isn’t it strange
How a game holds so much sway
But the only thing I don’t like about the game
Is the steep price I have to pay
Why take a chance to gamble, knowing everything could be lost?  Do you realize once it gets a hold on you, it will become your boss?
Why take a chance to gamble, knowing your money is to be used for bills?  Suddenly, you lose everything, now you're thinking about popping pills.
Why take a chance to gamble, dipping into your children college funds?  Now that you owe a mean man a debt; you're hiding and on the run.
Why take a chance to gamble, forgetting you have mouths to feed?  When will you get it into your head, that you really need to take heed?
Why take a chance to gamble, returning home without a dime?  Now you are angry at everyone, and you're about to lose your mind.
By, Sandra Juanita Nailing
Ignatius Hosiana Feb 2016
He didn't listen hence he did stumble
He lost all his stake in one big gamble
For he called my advise mere mambo jambo
Till he finally saw the game end at an angle
for he no longer watched, his heart did rumble
He's now silent with regret and humble
for they who think they know the jungle
meet with uncertainty, and get eaten like mango
He lost all his stake in a giant gamble
chasing after the big win,the bundle
Now even in sleep all he does is mumble
his regret and stress, though he says he can handle
I see despair in him as hope does dangle
For the future's a locked door, a dark tunnel
After he lost all his stake in one big gamble
he wears gloom as beautifully as a bangle
i don't have the patience to gamble...
i couldn't sit there and tempt fate...
or predestination -
make a joke from karma -
but i'll somtimes make a quid's buckle
worth better spent nonetheless
spent on a bet...
i heard this metaphor before...
but apparently it's new...
the bet? well... either the home team
wins... or the away team wins...
but both teams need to score...
it's a quid... i had the most joy
finding a 20 quid banknote on
the pavement once...
that too was a "bet" regarding where
and at what speed i was walking...
i don't gamble...
i don't gamble on horses...
i don't gamble on dogs...
the odds are... as always the same
plateau of odds...
a bit like attempting to catch
a mosquito by the testicles wearing
boxing gloves
elephant memory:
i know these words are not mine...
but... for the time being:
they must be mine...
i don't gamble because i don't like
to make a summary of karma:
this cosmic wind of causality as merely:
best be entertained by a gamble...
i don't gamble because...
i could never make it into a habit...
i could never attempt to find
a needle in a haystack...
sooner i'd be willing to catch
a breath of the wind while running
naked with a flute to hear
the flute resound with my breath being
eh... forget the flute... running
naked with a half-empty bottle
of cider... at the right angle...
i'll catch the wind playing its first
musical instrument!
why didn't i find fun in driving a car?
i would prefer a bicycle -
and a horse -
i never found fun in gambling...
flipping a coin and calling: heads or tails
was always more fun...
i never liked chess - i never warmed
up to it... draughts... sudoku... backgammon
and mahjong...
poker... a game of chess is hardly
intuitive... it's not: heir-sein...
it's such a detached monstrosity of...
you can't make a mistake in the present -
and in the same present correct it -
since there's the narrative -
the cascade - i'd sooner be bound to reading
a book...
i don't own a car... because i don't mind
taking the bus...
although i'd settle for a bicycle and i'll still
dream about a horse...
gambling... to have to devaule cosmic concepts
akin to karma -
no grand yawn from the depths
on my behalf... this same old same old:
same mediocre...
middleground, haystack claimed this
body beyond any to come
anticipations from Everest...
this life that eventually has to become
an introspection...
and that's of course - minus what's sacrificed
on the altar of collective memory -
the other's whim of memory -
down the line... when only introspection
matters... and no one is really invited...
how sad it must be...
to have attempted certain feats in this life...
for... a yawn from the mountain
and a transient ref. point of some other
minding his journalistic integrity
of: duly noted?
it's not so much a "vanity project" critique...
but... i try to perfect the most basic
tasks... like rolling tobacco while walking...
something i can retain and invite myself
back into: from the devoid of self external
to have ambitions akin to: climbing a mountain...
and what if that doesn't attract
journalistic voyeurism?
what then? apparently after the feat...
humanity as the mountain yawns or simply
gambling... what is it, that's ncessarily "won"?
when all that's won... has to be...
gifted upon death's altar...
beauty, wisdom...
everything - imagine if death was corrupt...
and somehow allowed transactions
of future investements - akin to:
beside the two coins for charon -
a mummified body to add grit and wager!
death at a turkish bazar!
gamble or haggle -
beside: do we really need an opera house...
for someone to sing an aria?
i'm very much worried about: investing
in something - while at the same time -
finding to self-gratification in due process -
having to linger for third-party journalistic leeches
to make due summaries...
in the end... i don't really gamble...
1 quid a week...
on the already stated chances:
a bit like attempting to catch a mosquito by
the testicles wearing boxing gloves...
a world-wide renowed d.j. will earn
about 100,000 million a year...
i like being my own d.j. -
a tennis player will earn... this much...
but a ping-pong player... will only be seen
at the olympics...
tennis: a game of 7 rectangles and...
11 judges (enough for a football team)
and... 6 ball boys / girls...
and why would i even want more money?
spend it on what?
i'll buy a pair of shoes when the shoes
i'm wearing will start to wear down...
it seems that after a long enough time -
you: neither forget - nor unlearn the basic
propensity for spending money -
earning it very vague -
spending it is even more vague -
luxury items become: tacky -
there's a reason why champagne is champagne -
once tried: forever abhorred...
in terms of meat: it's not what meat it is...
it's how you cook it...
no good butchering an argentinian cut
of steak if you'll make: roast beef from it!
then again: i never liked spending money...
and... i never managed to acquire
the companionship of the opposite ***
that would otherwise spend it for me...
oops? i don't like restaurants because:
i much prefer to see myself wash my hands
before i start to prepare a meal...
on the topic of clothes...
i sometimes look at my cats...
the same furr - day in - day out -
why would i dress for a season - marry myself
to trends? that doesn't invite the accusation
that i do not wash myself -
or that i do not wash or iron my clothes -
why... bother fashion that's on a bigger whim
than the ******* weather?!
lately the price of books have gone up...
here's to me not buying a book -
vinyls... jazz vinyls are low...
10 quid a liquorice spin...
but this is nothing that could ever become
consolidated into a home -
but then i'm... too much into my routines...
and: i couldn't ever wish or want...
to keep up with keeping up appearances...
this apathy doesn't stem from a nihilism...
it stems from a depressive lethargy...
depressive lethargy is depression -
when it's not elevated to the romance of
melancholy... and "oh i'm sad"... oh oh...
no... i'm just tired of seeing the usual suspects
of keeping a life make-belief
succint informal casual convo. in a fish & chip
shop *******' worth of antics!
i can be polite to doctors...
oh hell: i'll charm them... they know the diagnosis...
but i'll be ultra polite... because...
i'm the one who will think about
biological cancer as botanical cancer: mistletow...
which it is... if you have ever seen
it in the wild...
i need a woman like i need an ulcer...
esp. the sort of woman that's a tapeworm
of transcendental a priori -
something that i'm "given" without prior
perhaps for men all women are: a priori specimen...
and for women... oh my god...
there's no a priori man...
there are only a posteriori... without the ability
to cut off a piece of time and themselves included
in it from the grand wheel of fortune and what's
to come: died within a year...
2 weeks after the death she shedded her
widowhood and became impregnated
by an already engaged man:
or some other wild old tale...
in bad, light?
oh... the time i realised that going to a brothel...
was not as rewarding as going
to a turkish barber shop?
that time... well... that moment is still alive
with me... i stopped going to a brothel
after i discovered the joys of...
having ones hair cut and one's beard trimmed...
is probably better than ***...
certainly better than *******...
as i always try to remind the 3rd party sources
of the moral highground argument...
believe me when i say that i don't mind
the dodo project - the cul de sac antics...
i'll the complete man -
although incomplete -
as i will not be a father, nor a grandfather...
hell.. my grandfather is ******* at me
that he didn't become a great-grandfather!
in terms of biological timing:
he should have become a great-grandfather!
does that make me any less or a lesser man
when: as a mortal man: i am to be wed
to - bride death?
BR Dragos Jul 20
She followed him home from
the casino
because he
swore he was a gambling addict

A true gambler

he lived only to gamble

Never missed a chance to declare it

"I like gamblers," she
said. "Love 'em to death."

He was all

and then she continued, "Say, what
about a little gamble
of our own? You down for that?"

"Baby," he said, "long as it's a
gamble I'm down to hells
and below, haha."

Once in the room
she climbed on the bed
and removed her clothes
and shuffled through her purse
and pulled out about a dozen
hypodermic needles

"What you doin' with those?"
he asked

She grinned at him
and spread her
legs and pointed between them
"I'll stick some of 'em
here in these lips. Your part
of the gamble is to
turn off the lights and slide
your way between 'em. Let's go, gambler.
Oh, and no fingers. It's
an all-or-nothing gamble."
You've got to be set to take the losses
If you gamble just to win
You've got to accept defeat at times
That's the way it's always been
You have to know that life's a gamble
And be set to take one on the chin
You've got to know how to take a loss
To learn how to take the win

Be it sports, or work or love
You're bound to lose some time
To got through life with out defeat
To not have lost one dime
No one wins at everything
Being perfect is a crime
You have to learn to lose for fun
For that's the reason to this rhyme

You can't always be a winner
You have to lose to move ahead
If you can't afford the lesson
Then you'd best just stay in bed
Life is what you make it
It's only over when you're dead
If you can't afford the losses
Then you'd better stay in bed

A winner doesn't gamble
His mindset is the win
It doesn't always happen
And therein lies the sin
A winner know the odds when
He should start to be again
A winner doesn't gamble
A true loser doesn't win

If you can't afford the losses
Then get out of the game
People will destroy you
They don't want to know your name
There's been others here before you
And they all end up the same
If you can't afford the losses
Then you'd best not play the game

You've got to be set to take the losses
If you gamble just to win
You've got to accept defeat at times
That's the way it's always been
You have to know that life's a gamble
And be set to take one on the chin
You've got to know how to take a loss
To learn how to take the win
Maia Vasconez May 2018
1.He’d say anything to get me out of my shell.
2. His pupils are hard, black marbles and I want to flick him off of me.
3. He is always shuffling through women like they are a deck of cards.
4. It’s just how the dice rolls.
5. I was afraid of falling, of my arms snapping like wishbones.
6. He waits until I’m swaying like a door hinge.
7. My eyes are wide like 8 ***** and he hits me with that same click, roll, thunk of a pool ball table.
8. You are cursing me. When you yell, you are cursing me.
9. “Come out, come out, wherever you are…”
10. I hope the bruises on your legs turn into birds. I hope you get out of here.
This is for anyone whose ever been hurt by a man
Love is a real gamble with no loss and no gain
So a lover should be ever ready to be just a loser
Love is not as simple as it seems to be just plain
Beloved is a winner but a lover can not be chooser

Let my love play this gamble whether lose or win
Real love is sheer worship in front of whom to bow
It is a supreme emotion it is just not a blind sin
So Let us promote our love with out being in row

My sweetheart for your sake I can go to any limit
Let me love you like a real partridge loves the moon
Let me quench my love thirst with beauty bit by bit
Let us be totally wet in drizzling rain of monsoon

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
Paul Butters Jan 2015
Oh what joy.
A little boy.
Jacob so happy.
A cheerful chappie.

Paul Butters
To my great nephew, born September 2014. SO CHEERFUL!!!
Pink Taylor Jan 2010
How much fruit do you want in your basket?
Take a gamble little girl
If you put them all in
They'll all be spilled over
If you put none in the basket
Your heart will suffer

So how much you want to gamble, sweetie?
How much you want to bet you'll lose
Put your money in babe, we're all high rollin
Time to put on your dancin shoes
I'm not too lucky when I gamble
I lose more than I win
I would probably do better
If I tossed my money in a bin

Gambling is not just luck
It's timing and some skill
Some gamble for the fun of it
Some gamble for the thrill

To define exactly what it means
To risk money that you've earned
Means throwing out sensible thought
And not heeding what you've learned

For example, I played poker
And I lost most every cent
I lost my mortgage payment
Now, I'm living in a tent

To win it back I chose to go
And bet double at the track
The first horse that I bet on
Fell and broke his back

The second horse was scratched
I was in for a bad night
My fifth horse only had three legs
And he could just turn right

The next one had a jockey
Who's eyes were badly crossed
I won't tell you how he finished
But, I'll tell you that he lost

To gain back my small pittance
I went to the greyhound track
My first dog had a rider
A small monkey on his back

In the third race I got daring
And I bet on number three
Once the race got started
He had to stop and ***

I picked a dog in the fifth race
Just because I liked his name
It was the best one I had ever heard

The odds were long but what the hell
I was now gambling just for fun
Not only did he catch the rabbit
My ****** dog had won

I think I've got the secret now
I know just how to win
If I get tempted to go back and bet
I'll throw my money in the bin.
Mateuš Conrad Dec 2016
sometimes you look at these people and think:
is it better me drinking whiskey, or is it better treating
them ontologically as zoological specimen
                                                  and worth of caging?
i think that the Aristotelian awe-principle
for the practice of philosophy was
overly-exaggerated with dues
that consider science, i think that science
confiscated the emotional
imprint of philosophy that's bound to awe
and said: willcommen unto die phobia-realm...
which i still ascribe to postcolonialism...
  the times' propaganda say:
             arachnophobia is perfectly suited
to match-up to a billionth remark of Islam,
which is why i find Islamophobia so weird...
   arachnophobia consists of only one spider...
minding the phobic in Islam?
                          it's not a case of one spider...
it's a case of spiders...
                             they can't reason with
the Big Brother opportunism, which exists...
turning the blind eye won't help...
  it will simply aggrivate such people...
and using this language has created such
frustrations... correctly? aggravate,
dance of vowels. phobias aren't big, they're small...
miniscule... tell people that something is
small when it's actually big enforcers
a postcolonial past more so...
   i see these children like the psychotic reaction
to a prophesy kindred ot Harold II's slaughter
of the innocents...
                  they're there to edorese someone...
      after all: who gives a **** about these people?
                                                         ­  (endorse)
the psychiatrist gets paid, the mental health nurse
gets paid... why would they give a **** in a way
that says: i wasn't paid for this bollocking!
  maybe up in Manchester... but down here in London,
they don't buy disguises, you're
labelled Romanian: you're bound home where
you could have been a plumber but are reduced
to a straitjacket because: some ******* said
you didn't **** her... Philip Collins and hey:
welcome to paradise.
                        down 'ere in Loon-town you get
your money's worth...      
                   i wish they took care of me...
   silence pays... you get your cringe's worth of ****
to the Kilimanjaro's worth of calling
               bottled crema-foam on a phallus
an anorexia... as i see it: anorexia in Freudian lingo
is an objection toward treating ****** artefacts
in culinary terms... means that paradox
of having a cake and eating it too...
                obviously you'll sexualise problems...
i think anorexia is a question of making
          ****** parts culinary aggregates...
                i'm not jotting: girl, aged, 16, ***-starved..
i mean in general... making ****** objects
equivalent toward a culinary status for a care
to make them more appealing in being ******...
the anorexic might start thinking: so i **** it,
and don't eat it?   penguin clap for an icecream cone!
ruffian yoga minus the slippers and the seal clapping...
the loudest revision of applause: i can guarantee....
cos the flippers were wet... hence the additional
aquatic acoustic.
                    this is very much akin to that quantum
theory of: tornado at coordinate a.,
         and a butterfly as coordinate b.,
          i can see anorexia as a substitute to sexualised
preferences in making body-parts partially edible...
            i see **** i think of the cow's ******-pouch / pillow...
    i don't know, maybe because being in my 30s
i can still fake arousal when looking at it...
       i am not the original alienist... some martian
took my title role...
          but i can understand anorexia as a way to rebel
against putting potato mash and a steak and a few
veggies with the same duty nod as one might put
a ******* object into one's mouth and having to
a Werther's Original suckling tactic on it and
never attach a bone to it, i.e. never eat it...
      anorexia by my standard is verily sexualised...
   you put something into an open space and
it's almost a trans-transgender movement...
      which is why i find the transgender "curiosities"
obstructs in art... post-transgender occupancies
           are not reserved for the easily pleased...
anorexics are such people...
             this is sexuality confused with dietary requirements...
this isn't a circumstance of pronouns politicised
and exploits of modern medicine...
                   i do tend to abuse seafood
whenever i am cringed by the suggested floral pattern
whenever i dare not see the benefits of cesarean...
and i just can't see islamophobia fitting the irrational
rationality of other conscripted phobias...
          poor choice of Greek to be honest...
                      i think they're referring to:
a subtler suggestion, minus the crusading empowerment
that's yet to be honed on...
                        well **** yeah...
once you've actually a philosophy book,
   you'll become immune to any writing advice...
                you'll actually become immune
to advice for writers.... bhy writers... because you'll
realise their opinions are disputable and therefore
disposable... because they forgot that the one thing
that democracy hates... is its subversion,
                     art is the foremost stealth-seeker of
despotism in democracy... because it simply loathes
plagiarism... art is despotism in democracy...
               and it knows it... it's just too "shy" (aah...
wee wee poo poo) to admit it...
                 from what i learned from athos?
the best advice? is to not give any advice.
                    athos? alex dumas, the three musketeers.
the moment you finish a philosophy book,
a creative writing workshop and a quote by
Hemingway will seems as nothing but a bad dream -
these quotes come from people who abhorred
the mere concept of spelling, due and through
it being an "inconvenience"...
this is from people who suggested you were always
an incapable narrator without a daydream to
escape into... these writers began sounding like
your english teachers...
              then again... is sexualising problem better
than abstracting them? personally, and
without due approval: and all the more happy for
such a circumstance having been presented for me...
            we know the sane are too numerous
because they are allowed to make too much sense
of their dreams...
                     i contend anorexia, not as an eating disorder,
but as a disorder of a culinary aversion toward
          sexualising non-culinary objects in culinary terms...
or adding cream to the phallus or melted chocolate
to the ****...
                 i find that certain culinary objects are
   and this is the norm: that extends into what
quantifies as the norm, for the norm is always
a quantifiable parameter than a qualifiable
      exchange, since an exchange never appreciates
     a qualification, or a grocer's worth of norm
for a conversation of two quid's worth of earning
equates to 20 tomatoes...
    we have assumed to know it all
whereas we are congregating in a plughole
     of close proximity prefixes, i.e.
re-: reflect, reflection, reflexion, reflex,
  reiteration, reimagining, retraction, reaffirmation...
    it's a tsunami of language / lounging with too
many images... it's "lounging" with too many images...
it's the proximity of prefixes... twinned with
the opportunism of the genus of synonyms creating
a deaf-shaft of faking rhetoric...
     i still placard the whole circumstance
a dance of vowels, or the unforced deviation of
keeping up an aesthetic....
                     no, i can't claim schooling,
because i don't want to claim being indoctrinated...
     and perhaps my Freudian is a little-bit
copper-wired / ageist...
                  but isn't food for the anorexic
  a bit like turning a ****** object into food
          for the ennobled aggregational stereotype?
the jokes aren't jokes for anorexics...
  the cucumber is doubly manifest
                         as both edible, as both sexually
arrogant... and thirdly as "inspiration" for
an architectural project...
                      oh **** fame... little albino blondie
can **** on my testicular cancer for all i care...
               and say the bulge was: like
******* on a cowish ******...
                                      i like puppets anyway,
cos i'm a bit laxed in that way...
                         for all the things that might be
given, of the few things that can't be translated
from house or car, or a wife and 3.4 children statistic:
personal integrity.
        obviously certain people can only hum along
to the achievements of a zenith's worth of a house
and a car and a dog...
                            personal integrity is almost too much
for them, such "essential" components of being
a human rather than doing a human reaction
       later involve the cliche of the ultimate gamble...
and we all know how humans love to gamble...
well... few ever manage to gamble the stake of:
a leap of faith... and we all know how Nolan's inception
         ends...           that's me seeing the film a few years later...
      so how does man, the gambler fair
   when he's asked to gamble with the odds
  leap ratioed against a stumble?
                                      numbered is that 10:1?
it's just fascinating that vowels are the sole assured
                        proprietor of "dyslexia",
or as i care to mind: even with a language proficiency...
and tongue-tied waggle that's excusable for
anyone ready to write something down.
      i can appreciate being an individual,
but i can't celebrate it... i'll only utilise my individuality
to create a new plateau, a norm, the most
distinguished liberalism of my individualism;
     i will only utilise my individuality to create a new
norm - and anything that comes against it:
can burn in hell.
Just Melz Jun 2014
There's a door
In life
Its open to all
Who wish to walk through
It leads to happiness
And a better you
But to get to the other side
There's a decision to make
A choice to decide
Sometimes there's a sacrifice
Sometimes there's pain
But in life
Without losing there's no gain
It's give and take
It's love and loss
Just a random gamble
Gotta give the dice a toss
Because in the end
It's not what you had
Or the money you made
It's what in your heart
Even after your body fades
With every scary part
And every gory detail
Doing what feels right
Decides wether you win
Or fail

Walk through the door
Get to the other side
It's worth it all
Forget your **** pride
Choose happiness
And true morality
Nothing means more than family
Love and loyalty
To fall in love is to allow yourself to fall into a deep, dark hole.
You don't know what awaits you at the bottom.

You could get hurt on your way down - scraping yourself against the walls; getting bruises and cuts on your body, hands and feet. There's the possibility of dying from the impact; landing on jagged rocks after what feels like an infinity of waiting in pitch black darkness.

Or you find yourself free-falling, enjoying every bit of your journey down. You might land on soft fluffy cotton. Better yet, a bed of roses - without the thorns. And for once, you'd thank yourself for being so reckless when you couldn't see what was coming.

And right now, here I am before the gamble - the entrance of that hole. I feel myself tipping towards it, but I fear what awaits at the end. That's the thing about you - it's always one extreme or the other; there is no in between. I either survive, or I don't. And you know what? You're still that risk I'm willing to take.
Mateuš Conrad Nov 2018
.hell... what perfect antithesis of how woman perceive *** as an ancestral "past-time" of chasing & hunting... what... with female genitals? how about i farm oysters?! one song comes to mind, to give this piece overtones... chris rea... stainsby girls...

****... and there i was thinking that
i coined the phrase...
voluntary celibacy...
    well... there was that one time
i picked up a Thai bisexual
in the park, took her home,
played her some Miles Davis,
and later ****** her in the garden...
or my diet of... two *****
with prostitutes per year...
and i'm fine with that...
but i was worried with the Thai
bisexual... i actually did think
i was going to get a Thai surprise...
what with her sports-bra...
i can't remember ever being on a date...
i never used a dating-app...
*** as much animal as random...
hard time getting an STD
with prostitutes these days...
you'd be surprised...
one told she gets her STD checks
every month...
funny, eh? that a *******
can wield so much moral
you can't spank them like
in the pornographic flicks...
i'm old school...
pictures are just fine by me...
the imagination runs wild...
the urban dictionary beat me
to it, but... they would have...
i was working on the concept
since 2007...
their entry reads 2014...
how did it began?
oh... you know...
i once watched a few monks
come to your Catholic
and play basketball with
the kids in the playground...
and... Taizé...
that was a big game changer...
i mean:
when a **** comes knocking
on your door...
and you don't require
to peacock...
you're not exactly going
to turn it down, are you?
******* beat me to it...
in word alone...
like i said,
i've been practicing this
7 years prior
urban dictionary picked
it up...
but with prostitutes it's like:
it's an hour...
it's not a "relationship"
with all its quirks...
i'm past 30...
   you wanna marry,
marry young...
and thank **** i didn't marry
a teenage girl...
she either was pregnant,
or she faked pregnancy...
she's also ~30 now...
one engagement (moi),
a second marriage...
and i could have had a happy
that one Farsi girl...
and that one Aussie half Indian
half Irish...
it would have been just fine...
           i wouldn't have these
or this writing... gamble?
well... it's always a gamble...
the sort of gambling that encompasses
the stratum of mortality...
not the sort of gambling
with coinage,
the cheapest thrill...
the minor rewards...
   i gambled with life,
for the point of wondering...
will i die a death worthy,
or a death of assault by
self-inflicted kamikaze wounds?
now... if you want to gamble...
that the best gamble there is...
i wrote this...
i'm still...
     not drunk enough to complete
what came prior to this...
the "poem" entitled
the cultural exchange program...
i can't believe they beat me
for the coin of phrase...
and what if i only feel like
having only two erections
a year?
   i can bypass the madonna-*****
   i'm less nostalgic about
the ***,
  and less inclined to "experiment"...
less into latex suits,
less into lost ambitions,
    less into position conundrums...
pretty much less of everything
associated with routine...
but... ******* isn't my favorite part...
steal a kiss from a *******...
go on...
no... wait...
1, 2... 3... try stealing kisses from
            one with giggles,
   one with closed eyes
having kissed her eyelids prior...
one with tears...
   and one... god... that last one...
not having trimmed my ***** hair...
just enjoying a classic Hollywood
kiss of prolonging the touching
of lips, no tongue, no slobbering...
with her leg rapping around
my torso...
                     apparently i was being
"nice"? i was momentarily
suffering from a gender dysphoria...
remembering i was once cleaned
shaved, and donning long hair...
believe me... short hair, and a Moses beard?
- and i was thinking i was a woman,
well... i wasn't thinking,
i was "thinking"...
**** shame i didn't trim my burning
bush of *****.
Gamble -a risky action undertaken with the hope of success.

Derived from the 18th century English word gamel, meaning to pay games.

Remember the players we left behind…
The strangers who you held one night friendships with on evenings where the sun refused to shine.
Remember the fairy lights. Remember the benches outside of Bodega and the smuggled bottles of wine. People seem so much more friendly when they drink.
But hey, if it takes a glass of poison to make us all less toxic then we can pass out happy…
We’ll creep out of sobrieties bed knowing it’ll be the angriest alarm we wake to as the sun tries to steal 5 of our 40 winks the next morning.
But you know.. Gotta risk it for a chocolate biscuit.
I’ll trade in sleep at the chance I’ll be dealt a more interesting night. Break ice with strangers at hope we both share a bit of over lives.
Trying to to create a story worth telling is a gamble.

And I feel sorry for people who fall asleep at half 11. Seems like such a wasted day.
Like if life composed of options and outcomes there must be a better way. I slay the idea that each night we have 8 hours of sleep debt to pay. Because in those wee hours of the morning, those are when demons make music videos, those are when normally vacant balconies play host to the half drunk couples finding comfort in each others bodies. That’s when the parties get quiet. When the humans have intoxicated themselves into lullabys and start softly singing their lives into the ears of a friend willing to listen and I will bet you have something I wanna hear, and I bet I'll have soemthing to give back, and while you and I are here we'll keep betting. Each syllable is a chip on the table. Each sentace is an opportunity to double down. The bar will not close, the roullette will keep spinning and we'll grow a little ritcher with every new story we share.

I make bets with time and breath.
And if you spend time with me then you will to. You the few who have paid you admission fee into my conciousness. You who throw dice with me on the empty streets where street lamps themselves begin to sleep. You who I will one day come to love.
It's risky. Risky like petting stray dogs. Risky like telling your loved ones that you've been seeing demons in the mirror. Risky like getting one knee and offering your life to someone. It is risky.... but that's fine.
I will teach you how to gamble.
JW Harvey May 2014
Each turn of my life
is a play for thrills
remnant of the games
we'd throw our dice:
a couple of chance,
hoping for the jackpot
but settling for change,
living for the spin,
'till it's our role again;
a crap shoot fallen,
two die alone.
Yule Mar 2017
noong una kitang nasilayan
inaamin kong hindi ikaw ang nais kong kamtan
ngunit habang tumatagal,
puso ko’t loob, sayo’y natuluyan

hindi ko rin alam kung bakit
dahil ba sa boses **** nakakahumaling?
o sa mga matatamis **** mga ngiti?
mistulang nawawala ang iyong mga mata
sa tuwing ito’y iyong gawin
di ko alam, pero simpleng titig mo lamang
ka’y laki na ng epekto nito sa akin
hanggang sa palagi na kitang hinahanap-hanap
aba’t ginayuma mo nga ba ako?

ngunit, kung ano't saya ang nadarama
ganoon din ang kapalit nito kapag nandyan ka
sa mga panahon na wala ka sa tabi
pasakit at dalilubho ang naranas
bakit ba hindi ko kayang sayo ay mawalay?
ngunit kailangan kong magtimpi at alamin
kung hanggang saan lang dapat ang hangarin

ngunit aking nagunita,
ikaw talaga ang natatangi sa puso, at tuwina
ngunit kung gusto ko ring makaalpas sa sakit
kailangan ika’y kalimutan
sa gayon ay baka matagpuan ang kalinaw

pero ang alaala ng kahapon ay sadyang bumalik
kahit saan man magpunta, ika’y naka-aligid
kung alam mo lang ang aking tinahak
pagod, at hirap – naranas upang sayo’y makalapit

ngunit ano ba pa ang magagawa?
sa una pa lang, nagmahal ng isang tala
at kung bigyan man ng pagkakataon
mas pipiliing sarili ay ibaon
lahat ng nararamdaman
na hindi mo rin kayang ipaglaban

dahil hindi mo rin naman ako mahal,
mas mahal mo ang iyong pangarap
at hindi ako yun, ito'y tanggap

sakim man sa kanilang paningin
ikaw lang naman ang gusto ko
ngunit, bakit? bakit…
ipinagkait pa sa akin ng mundo?
pero ito ang nagpapatunay
na kahit gaano pa ako kailangan na maghintay
para sayo'y hindi ako nararapat
dahil tunay nga ba ang aking intensyon?
o ginagawa lamang kitang desisyon?
tingnan mo nga, miski ako may pagdududa

kahit man ito’y pag-ibig natin ay isusugal
kahit gaano ko pa ipagsamo sa Maykapal
wala rin naman itong mahahantungan
hindi rin naman ako ang iyong kailangan

kaya't ito'y hahayaang dalhin ng langit,
kung saan mang lupalop ito'y dalhin
pinaubaya sa Maykapal,
antayin na lang maglaho
ito ang aking huling habilin,
bago kitang tuluyang iwan

pero ito'y mananatiling nakaukit
sa puso't isipan,
dahil kaya nga ba kitang kalimutan?

ito’y magsisilbing alaala
ng minsan nating pagsasama,
kahit sa panaginip lamang

ang ipagtagpo ang isang ikaw at ako,
ang mabuo ang salitang 'tayo' –

eng trans:
when I first saw you
I admit you're not the one I yearn for
but as time passes by
my heart, and mind – fell for you

I don't really know why
is it because of your alluring voice?
or because of your sweet smiles?
it's as if your eyes disappear
whenever you do this
I don't know but in your simple stares
it has a big impact on me
until I'm always looking for you
oh my, did you put a spell on me?

but in what happiness I felt
that's what I also feel whenever you're there
in times that you're not beside me
pain and dreading was experienced
why can't I stand being apart from you?
but I have to resist and know
to where I should stand in line

yet I've realized
you're the one that's always in my heart
but if I want to get rid of this pain
I have to forget you
by then I might find peace

but the memories of yesterday kept coming back
everywhere I go, you're there
if only you knew what I've been through
exhaustion, and rigor – I have to face to get close to you

but what can I do?
from the start, I've loved a star
and if given a chance
I'd rather choose to bury myself,
all these feelings
that you're not even willing to fight for

because you don't even love me,
you love your dream more
and it's not me, I've accepted it

it may be selfish in their eyes
you're the only one I want
yet, why? why...
did the world denied + you from me?
but this just proves
that no matter how long I have to wait
I'm not the one for you
because is my intention real?
or am I just making you a decision?
see? even I have doubts

even if I gamble this love of ours
even if I plea from the Creator
this will just go nowhere ++
I am not the one you need

that's why I'll just let the sky take this
wherever in the heavens this will be held
let the Creator take charge
I'll just wait for it to fade
this is my last will
before I will leave you

but this will remain etched
in my mind, and heart
because can I truly forget you?

this will serve as a memory,
of our once encounter
even if it's just in a dream

for you and me to meet,
to form the word 'us' –
it's so impossible,
**it's impossible
+ finding a translation I wanted for this was hard
++ even this //brainfart

suntok sa buwan (from ph; fil.)
lit.trans: hitting the moon; punching the moon
actual meaning: impossible

this was my entry for our "spoken poetry",
though none can relate...

pasensya na, mahal...
unti-unti, ako'y bibitaw na. | 170303

Love is just a gamble and the novice has to lose
One sells his heart to beloved and soul to muse
For some it is a suture for other it is like bruise
Lovers are condemned along with their views

Knowing fully I will lose still I aspire to play
She is my dawn who has carried away my day
Beloved excels in heart and a lover has to stray
Under all circumstances price of love is to pay

But If you just take my hand in to your hand
Then we will have same frequency and band
I lost my love in heaven and loser on ground
So what do you think what may be loser's stand

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
Darbi Alise Howe Aug 2013
They say
It all will be okay-you're beautiful
As if those words can draw the line
Between bravery and slavery
And clear my back of scars
Left by the lash of sacrifice.
Every choice I have made
Has been a step away
From love, from freedom, from home.
For in this maze of concrete and steel
I must be alone, and always composed -
There is always someone watching
So I keep a steel rod in my spine
And walk towards the end of the city
Pretending I cannot feel passer-bys stare
Sizing me up
Feigning deafness to the murmurs of my pronounced bones and sharp features
All I am is a hanger for clothes
A display, a game, a gamble
They want it to pay off
So they tell me it will all be okay
Because I am beautiful
George Krokos Dec 2010
Aborigines and kangaroos
boomerangs and didjeridoos.
Leafy gum tree branch and koala bear
black stump in the middle of nowhere.
Jolly swagman camped by a billabong
in 'Waltzing Matilda' a favourite song.
The wild brumbies roaming free in the outback
a scruffy hobo living alone in a country shack.
Aboriginal myths called their dreamtime
the native Australians regard as sublime.
Ring-tailed possum and wombat
aussie bloke wearing akubra hat.
Alice Springs and Ayers Rock
outback stations and livestock.
Ned Kelly bushranger and his law brushes
the Eureka stockade during the gold rushes.
Laughing kookaburra and old man emu
platypus swimming in underwater view.
Banjo Patterson’s poem ‘The Man from Snowy River’
who went riding down mountain side without a quiver.
Surfers paradise and the Great Barrier reef
sixties rock ‘n roll legend: Johnny O’Keefe.
Anzac marches and the land of the Southern cross
old Cobb & Co. stagecoach used to travel across.
Glorious summer sunshine and winter rains
severe country drought and the desert plains.
Eucalyptus scent and Tea-tree oil
good health remedies from the soil.
Fresh water yabbies and the witchety grub
all make good tucker in the bush or scrub.
Crocodiles in the Kakadu national park
Burrumundi and the great white shark.
Sydney harbour bridge and the Opera House
Daintree rain forest and the kangaroo mouse.
Sheep wool farming and old shearing sheds
Melbourne Cup horse race for thoroughbreds.
Riverboat cruising up and down the Murray
passing border country towns not in a hurry.
Cradle mountain and the Tasmanian Devil
saying ‘fair dinkum’ means it’s on the level.
AFL rules football and big crowds at the MCG
playing one day cricket there is exciting to see.
The Fitzroy Gardens and Captain Cook’s cottage
are there for all to see as symbols of our heritage.
The Twelve Apostles standing along a rugged stretch of coast
a Ninety-Mile beach is something about which we can also boast.
The Glass House mountains are a sight to see and even to climb
by those who consider themselves fit enough and in their prime.
The great Australian Bight and the road on the Nullarbor plain
is a great feat to drive across and be able to come back again.
The local native wild dog known by name as the Dingo
has nothing to do with a game people play called Bingo.
There’s also a game called two-up that some people play
by which they gamble most of their weeks wages away.
Luna Park in St.Kilda and the annual Royal Melbourne Show
are places where you can take the kids to have fun people know.
There’s the local pub where you can go and have a drink with your mates
and is what many do all day long having a few too many in all the States.
This great southern land of Australia has so much to see and to offer
it would be a ****** shame if one didn’t give a **** or was a scoffer.
Private Collection - written in 2002
Alice Burns Jul 2013
My head is heavier than usual tonight
My hands occupied
But they're holding yours, and I appreciate the comfort
My back is strained by the unbearable weight of weightless ghosts
Who without asking, choose it to carry them, and their burdens additionally
And stealing strength to support my own

I have no other space available to store sustenance and life support
So I  mimic a tribeswoman, by making use of my head
-but, it's not water I balance-
No, instead it carries small tokens collected from friendly strangers
Who throw in their chips, to be later exchanged for currency of no value

My head is not the ideal surface
Being round and uneven, it leaves little option
I have to balance them, one on top of the other
Struggling to stack them evenly, and keep them in place

My steps create  turbulence
I feel as if I'm in a boat riding a raging sea
I feel the stack sway with my movements- as if being thrown around by ferocious waves
I yearn for this never ending storm to clear
To once again sail the calm tides

With an overflowing head, and overbearing load
Strength is spread and lessened in ability
Composure has to be forced, and my deceit shows in each step
This game of Jenga is hard to keep in play

Its a gamble, which, as all bets do, appears fair
But we know, the house always wins
With little birds watching your every move
Keeping their distance, their songs convincing ego to do the ***** work instead

The guards sit back behind closed doors,
Watching their screens and waiting for their plans to come into action
All the while, pushing thoughts of winning from daydream to an idea realistic
Unnaturally high paranoia is a fortunate misfortune
Encouraging natural instinct to flee, rather than fight

I abandon seat before it is even warmed
And move take whatever winnings I have
Not risking a double cross from Lady Luck, at my left
And be stripped of much more than the chips on the table

I walk to the wall of cashiers, my mind in sprint
The counters have gold ledged windows,  as if they are framing works of art
My playful mind and artistic eye envision paintings in their stead
And I find that the motionless figures inside add believability to my imagination

Keeping fingers tight on their gold has them hypnotised
The picture stilled from the concentration exerted
I know now to avoid these cashiers
And in honesty, it is fear not knowledge that keeps my distance

You never know what could happen if you disrupt the masterpiece
Em Jan 2019
Let us take a gamble
You'll have nothing to lose
Only fun, only fun
I will swear to you.

Come and observe this fire!
It's not dangerous, you'll see
Run your hands, all over
The flames won't hurt thee.

Glide your hands over this knife
Feel the adrenaline course!
Your running blood of crimson
Your death you won't have to force.
i dunno what im doin
peer pressureeeee
At the money table, Cain and Abel, Abraham and Isaac,

And neither one cares how you’ll pay as long as it is not a check,

Brassy appendages obversely curl to abruptly angular truncated legs-upon-his-lek,

And the proof of who he represents hangs weightily about his Plouton neck,

See the cotton-wafer stacks shuffled as bricks in rows to the translucent deck,

The waiver now giving its woe whence once wished-for upon the Great Molech?

Mr. crooked hook-nose at his compose will take on any bet,

As Sheol will have it, many lament, being in his debt,

A Canaan cursed and tribal descendant, the relative of Set.

For with misery and suffering well you get what you beget!
A "lek," is a Phoenician word for a table at which a collector stands. Like a modern-day podium...but more than a collector, an administrator for god as the Egyptians saw it.
Kayla Hollatz Jan 2013
The ace of spades
The queen of hearts
I don't gamble, but if I did
I'd bet on you.
Rhianecdote Apr 2015
Time to hand the deck back
Before Alice in Wonderland
Becomes Malice in Blunderland
The looking glass cracks
And there's no passage back.

Sat at Life's table
Night after Night goes aRound
And you're Unable to leave.
Coulda drawn the Ace
But got sidetracked by the Joker
With your Inability
to pass up possibility
And it Leaves you looking in the mirror
At this fool that you see
The fool that you are
As you fall so easily
For this game
Who's only aim
Is to breed
losers to please
Those who have already won
With ease
Been Established for centuries
And now you're indebted
to this Society.

It Leaves you
Staring At the innocent face
You strive to disgrace
Even though it hurts you
And The sincerity
aids in your
Despair at he
That puts Gold before Good
Though it makes sense
He who wages happiness
On the back of money
Will eventually sight
Looking glass Or not
*That the price is not right.
I look at our Society and how it just encourages and perpetuates the wrong type of gambling and risk taking in life and it makes me sick.
oni Oct 2015
all the cards
i have been dealt
are jokers -
its a wonder
i havent gone
Хейли Apr 2014
You always looked good in dark suits with golden buttons on your cuff. Those were always a nice touch, to stand side your perfect figurine.
You were everything I once wanted. But now, you really aren't.

I see the rushing of the real truths of you, swell into your own hands, dropping a ball, losing your own special touch of sportsmanship with not much of a fuss. You're letting yourself lose the game.
Just letting ***** of truth squirt out through your veins.

You're losing your grip right out from your own polished finger tips and dripping red of blood.

You constantly try to pull white handkerchiefs of innocence from the wrists of your cuffs. But, those handkerchiefs are all just red...
Don't try and gamble a bad hand if you can't keep up. You never could keep a good bluff.
Robin Carretti Aug 2018
Hearts another beat a second
A+ made the grade rare meat
Why is everything told to
us in a heartbeat
This is getting way too sweet
"Lips took Beeswax" bittersweet

Someone got stung B-
Strong sound muffler
Joyride Owl Hoot clever
Sweet and sourpuss
honey babe

Her mustard lips of custard
Hot temperature rising
The spicy lady opening
up new horizon gate

Too many sad rides
empty plates last joyride
Gas empty blame the county
Why did we call this joyride
without knowing
your fate

The others are more noticed
Fashionably they came late
Dine and the Wine joyride
romanced money upfront

Lips like jewels left their stale
You were the chosen one taken
for a ride from
a crooked male

Like bushel big loot basket
Rock the Kasbah rocket
Golden joyride ticket the
Getting away with ******
****** lips in the gasket

The joyride so beat looked
disheveled new love
So messy but **** neat
looking, Lexus,
She looks mighty fine like
Venus, I beg you to zoom

And the love after all the treats
Sherlocked in his room
The devil made me do it
All flushed and deep red
Hearing his joyride of beats
What was really going
through her head
Hard rock ambient
painter deviant

The holiday like racing hot rod
Harvest Halloween of a joyride
Two peas in dark maze pod
Igniting a hot fire
Her lips need to decide
Who was underneath the
fumes of his fire

The coffee taste accelerating
Do we feel the pulsing beat
What a high anxiety peak
High intense flavor
You waiting for his joyride
Christmas and Hannukah
Tree to decide that's easier
But wait for true love above all
the gifts to deliver
Like bedrock meeting
Monster ride plant-eating Bug
More slugs my chinch
Inchworm of books at Joyride
College Dorm horn alarm
Manifestation enjoying
her joyride
What a conniver
Greece with my niece
Basil New rival tea
Pomegranate Cherry-bomb
Blonde Bombshell
Culture novelty joyride
Ring my servant bell
Met their sanity tomb

Her hand's dainty they shine
and sparkle
Her lips know how to jingle
Arace for hearts of stories
and memories
Always the death hand takes
a ride to the winding road of
the cemeteries
Just stay for the moment
think about the
Joyride forth of July
Our firecrackers went off at
the same time
Brie cheese favorite time
English tea and crackers
Like two lips sublime read
her diaries in his designer dockers

Going to the end of the earth lips
light up New York City galleries

Needing the fresh corner
Sunset taking lowrider Boulevard
Hollywood Oh! No world
Wildly satanic or the carefree type
Her joy smile he's sold on skype
Benevolent triad remembering
The mad magazine
MLM Maserati longevity Master
Of the joyride gun blaster
"Lips build like a Pyramid"
Becoming irresistible
Not to humble

Lips race Joyride to gamble
Nothing weakens to crumble
Baking a crumb cake its
doable stays together but
things unnamed not like
a marriage

We get blamed joyride
got damaged
We become gullible
What becomes of the broken heart
someone isn't reliable
Lips are not responsible
Leadership has you cornered  
To stumble upon her lips
Rendered steamboat surrender
How he tumbles
Mr. Grey Poupon Mustard seed
He plants her like his
only joyride
In need
We are all Jupiter the moon
joy to the world
All the boys and girls being
taken for joyrides

The Beach boy's video games
Spy lips whose to blame
Phillip screwdriver
But they take a ride
All you could pick a hot buffet
feasting she is still wearing
hot lipstick
Men have their choice of
they're next
Joyride Bride about the money
Wall-Street cars of hobbies
Yeah right?
Lips take a joyride can we all please take a moment lets decide what we will do.
Is it really up to you for the road always him light that fire trim lips glow joyride fires out you tell the world what it is all about?
He proposed on New Years Eve.
At midnight I said yes.
This is the man I want to spend the rest of my life with.
Even if the life I've already lived has been short, I know he is the one I want.
I took a gamble when we first started dating.
As is turns out, I have better luck than I though.
I don't know why he loves me.
But I can think if a thousand reasons why I love him.
Now I know high school sweethearts tend not to last, but I hope we can break that trend.
I hope our love is forever.
I hope the world doesn't try to hold us down.
John K Trainer May 2014
I took a gamble and asked the question
A spectacular mistake not to see the irreverence
In your quantum answer
A parting shot across my bow
That sinking feeling
Jessie Nov 2012
Peek-a-boo, I see you
Underneath the ***** lunch tables
We yearn to hold hands but are unable

Goodnight moon, see you soon
We live for the weekends with reckless abandon
His mannerisms, I just can't understand him

What happens in Vegas stays
And you are quite a gamble
Julia J Medina Jun 2013
Love can be like water that can save you or it can be poison that can **** you. Would you drink it freely or better yet drink it without curiosity about it. Either way love can be a gamble.
Augustine Jan 2014
I still do things that I shouldn't do
And I still make the wrong choices
But I don't gamble like I use to
Way before I met you
Before you made me voiceless
patty m Aug 2014
The red moon looks down

upon cemetery plots

while grave robbers gamble

casting their lots

They steal golden teeth

from the mouths of the dead

and though they grow prosperous

their souls fill with dread

Revenge is sweet said the corpse

sitting upright

wrestling them down

in the darkness of night

You know what happens

if your don't behave,

you're sentenced to life

in the depths of this grave.

The robbers were ashen

their eyes popping out

but the air was so thin

that they couldn't shout.

Repentant at last for

the evil they'd done

they begged and they pleaded

with the corpse with a gun

You've given the dead

nothing but grief,

we demand retribution

and return of our teeth.  

The robbers returned all the treasures obtained

with the promise from crime

they would truly abstain.  

The corpse pulled the lid of his coffin

in place

with a warning sign posted

to stay far from his space. .

The confines were small

and the sod a bit damp  

if he moved very quickly

his legs would cramp.

No visitors were welcome

nor robbers or crows,

if they bothered him again

they'd be buried in rows

numbered even or odd

and no one would hear them

should they holler out loud.

Beware the corpse with no marker or stone

no angels or demons can make him atone

he's not welcome in heaven nor

shall he see hell.

yet some leave him flowers

and some wish him well.
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...

synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
        or it begins with a story told in the 20th
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat

(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
heather leather Mar 2015
you lit a match on my heart
told me your name was trouble from the start
and yet you made me believe that you were wrong about yourself
i still wonder what i would be like if i had known what
would happen from the start after all

darling, you taught me love was like a game of cards and
once you lose you should never play twice

the ironic part is that you've never made a bet and
yet you gamble with desire

and maybe we still would've made it,
after all you always did have a good poker face
oh but what a shame sweetheart you were nothing
but a mirage and hid everything behind a facade
and even though this game of hearts is long over; it ended like
a blaze leaving nothing but ashes in it's wake
i still think about how well you played and if it was all a lie
after all after a pack of cigarettes in and a bottle of gin
you never really had a good poker face maybe
if the tables were turned i would've won but i guess we'll
never know because you taught me that love was
a game of cards and once you lose you should never play twice

Jasey Rae by all time low : "I've never told a lie/And that makes me a liar/I've never made a bet/But we gamble with desire/I've never lit a match/With intent to start a fire
But recently the flames are getting out of control,"
David Lessard Jul 2015
What do we know of love?
marriage is a 50/50 chance;
that two will stay together,
until the final dance.

We throw it all away,
with anger and with hate;
then do it all again,
with a different mate.

Admire those who stay,
wrapped up in their dream;
who never come apart,
unraveling at the seams.

They choose to stay together,
as the vows they chose to make;
through thick and thin they stay,
from the first slice of the cake.

What do we know of love?
it's a gamble at the start;
we can only hope,
it doesn't break your heart.
Tim Knight Nov 2012
Loaded dice love affairs
with snake eyed girl, downstairs
on chance, is multiplying on chance:
roll, bet, blackout, squeeze and a dance
with the winner.
He’s tall, with a
casino shirt and a seven card suit.
Linked up to the left arm of him is
8 ball eyed girl. She potted her way ‘round the table,
blonde haired wisps of hair
occasionally covering her view.

And now snake eyes is no longer new.
She left with haste, a wind a scent following her tail,
back to her hotel room, complimentary towels, free shampoo.

**Check out the blog for poems and pamphlets>>

— The End —