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"gabble" poems
who lit the candles placed so eloquently behind purple rock? that sculpted radiance and chapel grace wound in a chosen defined way down the spiral stone stairs street cars dawdle alongside the packer slew biding merchants shuffle their wares as the front man and pock face sing their sullen holy blues cut jazz echoes over the accompanying gabble and drone incense and haze pour from a lower trap door sack fish, truffles and splendid crafts shine inside the stained glass fronts a wide mouth snapper with a bloated tongue greets the morning tide (not camera shy in the least!) the fish traps and beaneries bring life to the flourishing causeway hula hoops and circle ballers join the cobaine stage favoured rogues and mac jacks speak easy of the big daddy beth’s triple by pass taking firm hold on tricky **** and the nutcracker maze ways, taggers and lost tunnels of cu chi strike a nerving blow a poised finger man belts out his tune (with a sniff sock and iterating glare) his nosey neighbors cut artisan bread (with a white wine and jelly spread) midwives push forward for an afternoon toddle and stroll
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Jan 19, 2018
Jan 19, 2018 at 11:12 AM UTC
Pike place
Back of my back, they talk of me, Gabble and honk and hiss; Let them batten, and let them be-- Me, I can sing them this: "Better to shiver beneath the stars, Head on a faithless breast, Than peer at the night through rusted bars, And share an irksome rest. "Better to see the dawn come up, Along of a trifling one, Than set a steady man's cloth and cup And pray the day be done. "Better be left by twenty dears Than lie in a loveless bed; Better a loaf that's wet with tears Than cold, unsalted bread." Back of my back, they wag their chins, Whinny and bleat and sigh; But better a heart a-bloom with sins Than hearts gone yellow and dry!
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3.7k
The Whistling Girl
Autumn, like an Indian classical dancer, dressed up Arrives with soft rhymes and quickening steps She comes aglow, aglow with a rare beauty Dancing to the bracelet's tinkling song Her floating robe falls in deep folds around her feet As she mesmerizes all with moves full of grace Viewing the flaming colours in assorted display We are apt to wonder if Nature carefully saved up All that is best for the closing grand finale Autumn tints look enchanting all through the land With pervading green, offset by crimson, citrus yellow Flaming red, lustrous gold and a faded russet The air stays crisp and sweet in the ripening fields While stray clouds ramble in flawless turquoise sky When autumn is thus all agog like a frenzied dervish It gives us morbid pictures of death and decay The trees wrestle to free themselves of their worn cloaks Causing a cascade of withering autumn leaves Now they fall scattered in endless stream and lie in piles Like charred carcasses after a fierce forest fire The rustle of dry leaves blown by the wind Falls in our ears with the gabble of migrating birds Pale sunshine sifts through leafless trees of maple and oak All those leaves once stayed regal in stations high But now tossed out like worthless chaff They come nose diving and fall several meters below Spreading a hazel curtain over the moist earthen crust When trampled mercilessly by careless feet They silently mourn their thankless fate Graying that comes at the end of each autumnal fall Reminds us of the pall of gloom that awaits It is disturbing like the parting song of birds As they fly southward before the fall of winter
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Oct 8, 2016
Oct 8, 2016 at 9:09 AM UTC
Autumnal Collage
Autumn, like an Indian classical dancer, dressed up Arrives with soft rhymes and quickening steps She comes aglow, aglow with a rare beauty Dancing to the bracelet's tinkling song Her floating robe falls in deep folds around her feet As she mesmerizes all with moves full of grace Viewing the flaming colours in assorted display We are apt to wonder if Nature carefully saved up All that is best for the closing grand finale Autumn tints look enchanting all through the land With pervading green, offset by crimson, citrus yellow Flaming red, lustrous gold and a faded russet The air stays crisp and sweet in the ripening fields While stray clouds ramble in flawless turquoise sky When autumn is thus all agog like a frenzied dervish It gives us morbid pictures of death and decay The trees wrestle to free themselves of their worn cloaks Causing a cascade of withering autumn leaves Now they fall scattered in endless stream and lie in piles Like charred carcasses after a fierce forest fire The rustle of dry leaves blown by the wind Falls in our ears with the gabble of migrating birds Pale sunshine sifts through leafless trees of maple and oak All those leaves once stayed regal in stations high But now tossed out like worthless chaff They come nose diving and fall several meters below Spreading a hazel curtain over the moist earthen crust When trampled mercilessly by careless feet They silently mourn their thankless fate Graying that comes at the end of each autumnal fall Reminds us of the pall of gloom that awaits It is disturbing like the parting song of birds As they fly southward before the fall of winter
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33
Alice and I were fudged fruiting inside Falstaffian freakish fleur–de–lys: She inside a quack–aztec–tattooed tank, Me inside a pendulous magenta harness with polydactyl–perverted plumes bespattered into it. In the ****** **** of that kaput flophouse We creosoted our conks all the cockatrices of the gorge–de–pigeon, Inside crotches, Jacuzzis and homocentric Action Men. Alice, with the pornographic bend sinisters in the teeth of her poltergeistish fajita crocodile, Smacked of the plug–ugly poofter of a south–south–west by south sackful sandbank. I cemented the jaundiced dangler of an ostrich to my prick. With that and my uncut fiddlestick of knobs I was the idiosyncratic and wholehogging sadomasochistic slapper! We banged the bush streaming proboscis in tentacle Through smorgasbords of hermaphrodites and high muck–a–mucks While Ravi Shankar’s idioglossias and cockchafers juddered our titbits. Our Moonies were classically cracked flabelliform by the time we disinterred them. Alice managed to fornicate incognito white elephant on behalf of myself And we were passionately on the back of the dingdong, naked as our Moonies. We kept one’s pecker up wrapped up in the shadowgraph Athwart ever-strangling girdles of formaldehyde, ozone, fomenter and widow’s weeds, Athwart polytetrafluoroethylene–pricked precipices and then down to the butts Where we both came to a sticky end on our jockstraps and leered at the ballet dancers That we then penetrated rhythmically by elongating tumescent our gang banging tentacles. Through comfortable French knickers I burped, “Thank you for ****** me everywhere, Alice”. In the soporific honeypotspunk, aped on the ooze, I could smell that her **** had made her ******* type soap flakes break the sound barrier, Splashing out a ***** whale seed skirting her jowls. “You’re fragrant, flypaper”, she rapped. The Government gabble that little green men who hammer out the sexagenarians weren’t on board. Inside spleen of the spliffs, inside spleen of my gangrenous Pollyanna, I will over one’s dead body evacuate. I will over one’s dead body evacuate.
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Mar 22, 2010
Mar 22, 2010 at 4:09 PM UTC
San Francisco
Alice and I were fudged fruiting inside Falstaffian freakish fleur–de–lys: She inside a quack–aztec–tattooed tank, Me inside a pendulous magenta harness with polydactyl–perverted plumes bespattered into it. In the ****** **** of that kaput flophouse We creosoted our conks all the cockatrices of the gorge–de–pigeon, Inside crotches, Jacuzzis and homocentric Action Men. Alice, with the pornographic bend sinisters in the teeth of her poltergeistish fajita crocodile, Smacked of the plug–ugly poofter of a south–south–west by south sackful sandbank. I cemented the jaundiced dangler of an ostrich to my prick. With that and my uncut fiddlestick of knobs I was the idiosyncratic and wholehogging sadomasochistic slapper! We banged the bush streaming proboscis in tentacle Through smorgasbords of hermaphrodites and high muck–a–mucks While Ravi Shankar’s idioglossias and cockchafers juddered our titbits. Our Moonies were classically cracked flabelliform by the time we disinterred them. Alice managed to fornicate incognito white elephant on behalf of myself And we were passionately on the back of the dingdong, naked as our Moonies. We kept one’s pecker up wrapped up in the shadowgraph Athwart ever-strangling girdles of formaldehyde, ozone, fomenter and widow’s weeds, Athwart polytetrafluoroethylene–pricked precipices and then down to the butts Where we both came to a sticky end on our jockstraps and leered at the ballet dancers That we then penetrated rhythmically by elongating tumescent our gang banging tentacles. Through comfortable French knickers I burped, “Thank you for ****** me everywhere, Alice”. In the soporific honeypotspunk, aped on the ooze, I could smell that her **** had made her ******* type soap flakes break the sound barrier, Splashing out a ***** whale seed skirting her jowls. “You’re fragrant, flypaper”, she rapped. The Government gabble that little green men who hammer out the sexagenarians weren’t on board. Inside spleen of the spliffs, inside spleen of my gangrenous Pollyanna, I will over one’s dead body evacuate. I will over one’s dead body evacuate.
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30
"The past is a bucket of ashes." 1 THE WOMAN named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone. What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was. The doors are twisted on broken hinges. Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, the greatest nation, nothing like us ever was. 3 It has happened before. Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was. And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened ... and the only listeners left now ... are ... the rats ... and the lizards. And there are black crows crying, "Caw, caw," bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was. The only singers now are crows crying, "Caw, caw," And the sheets of rain whine in the wind and doorways. And the only listeners now are ... the rats ... and the lizards. 4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats. And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.
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2.4k
Four Preludes on Playthings of the Wind
"The past is a bucket of ashes." 1 THE WOMAN named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone. What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was. The doors are twisted on broken hinges. Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, the greatest nation, nothing like us ever was. 3 It has happened before. Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was. And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened ... and the only listeners left now ... are ... the rats ... and the lizards. And there are black crows crying, "Caw, caw," bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was. The only singers now are crows crying, "Caw, caw," And the sheets of rain whine in the wind and doorways. And the only listeners now are ... the rats ... and the lizards. 4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats. And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.
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78
MANY things I might have said today. And I kept my mouth shut. So many times I was asked To come and say the same things Everybody was saying, no end To the yes-yes, yes-yes, me-too, me-too. The aprons of silence covered me. A wire and hatch held my tongue. I spit nails into an abyss and listened. I shut off the gabble of Jones, Johnson, Smith. All whose names take pages in the city directory. I fixed up a padded cell and lugged it around. I locked myself in and nobody knew it. Only the keeper and the kept in the hoosegow Knew it-on the streets, in the postoffice, On the cars, into the railroad station Where the caller was calling, "All a-board, All a-board for .. Blaa-blaa .. Blaa-blaa, Blaa-blaa .. and all points northwest .. all a-board." Here I took along my own hoosegow And did business with my own thoughts. Do you see? It must be the aprons of silence.
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2.2k
Aprons of Silence
Pretty poppies And burnt earth for horizons Crackling savage against the cool blue That burns you without and tightens within Endless green and poppies I wish I spoke like you, In red earth, pebbles spilling from my grin Able to lie as much as gabble And taste the impatient air The scent of expectant poppies Hurriedly, I'd rush back there And feel the emptiness apart from me again, That kind of emptiness that lends itself to An adventure in you And blushes Like poppies blush In turbulent valleys of burnt dirt
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May 27, 2017
May 27, 2017 at 2:26 AM UTC
Poppies
Girl, around 27. No, woman, rather. Her youth walked through and hung there, dry, as mine did in exchange so we pick and choose a role and sidle along the bar where I am with a perk in the feet, lifted by the ***** of, but a lot easier than you can imagine as she lays her words out like warm hands and with a blue bird of compassion, asks me how I am. I gripe and she listens in a knowing way then reverse in very clean queues and open mouths She says, “They say today is going to be the busiest day of the year”, with a fire lit behind an eye where she does not smile of her face, but through a grit in the teeth I laugh inwardly, towards myself in a search for appropriation and then spit heavily onto table, “well, it looks like we both have something to look forward to, then”. Then angelic laughter where my cheeks couldn’t follow and I am ****** in. There was a moment then, which I wish could be brought to plate and silver. a sort of cunning lock between a soul and my own where I hope only to god, that I’ve thrown a key down river. She walks out after our matching eyes and mirrored moves So I watch her, not her *** not her chest, not her brown, burning hair, but the still skin of her neck in an open sense where I want to take it in as if she had the happiness and I am jealous like a tearing gabble of a baby.
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Oct 18, 2012
Oct 18, 2012 at 2:57 PM UTC
Sad *******
Confidence is key In oh so many ways Much more than with The things you do. Walk tall, stand still, Be open and direct. Show them all That you are completely Unafraid. Don’t fidget, look around or gabble on. Don’t show your anxious self. Speak slowly, with pause And show you are assured and calm. For confidence is like a virus, Spreading out throughout the room, Infecting all With that assertion That You Are Number One. If only I myself was brought up this way, Who knows what I’d have done? But better late than never, As they say. Let’s start, By being tall, And cutting out That slouch. But remember, Never compare: Treat everyone as equal, Never be arrogant: Be gently assertive. Paul Butters © PB 9\3\2018.
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Mar 9, 2018
Mar 9, 2018 at 9:11 AM UTC
Confidence
My mistress in agony, my beauty brewed in ashes, I dine with the facetious and on the families in fashion, come hop the bandwagon and land on fields growing glasses and a jugular covered in gashes will heal a life full of laughs and a death void of sadness, I plead with you boys like a judge pleads friendly gabble dances, like a judge gives phony gabble rants and rants plead deadly drive by flashes. authority is the hoaxes  in which the joker laughs and a televised revolution is the perfect gas, we will all die in the end, in agony some may add, in misery some may brag, and in infamy like flies drop dead bloated on good trash, eat up children it's more than just a fad. -fa5v_O
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Sep 24, 2012
Sep 24, 2012 at 5:36 AM UTC
Misery/Absurdity
We sit; watch an impressionist’s air over London. Its sirens, gabble, bulbs, roar, Rust, whistles, howls Glory is light. We’re suffocating, submerged in a tangerine, bittersweet confusion of love locked up with every withering dream below. I’ve questioned what’s real when she blinks at me and stopped existing  when she closed her eyes. This sky is the blitz, the fire in six six six. But in all time and space, It is here that we're stuck. And we’re stuck here together.
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Apr 9, 2013
Apr 9, 2013 at 10:24 AM UTC
London
I am a simulation rebelling against my natural coding. I refuse to believe what others think, just because it's written in the pages of an old book, that, if you flip over too quickly, could cut you. I am an alien, lost on a planet unknown, trying to speak English to its inhabitants, and all they speak is in tongues. I see their mouths moving and yet I hear nothing a gabble of words that string like rope out of their mouths to strangle. I am the scissors, cutting the Moira between me and you. I left you a note on the nightstand with the wedding ring I wore at first, it acted like a buoy, kept me afloat, now it is made of lead, and, with permission, it'd to drag me to the depths. I am the looped flowers growing out of my grandmothers piano, my fingers play melodies that the birds can sing, so the children of the future can hear my voice. I am the scent of your dead mother's perfume. The one that haunts you whilst you sleep, and kisses your cheek to make sure you still think of me. I am the treehouse set alight, without a match in my hands, or gasoline as my lotion, I sink further and further into the grounds as the flame rises, choking you with my scent, you cry out for mercy at Maria up above.
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Jan 25, 2018
Jan 25, 2018 at 8:02 PM UTC
OmNIp0t£nt
I'm doing this no justice. Saving my tongue for dryer days, keeping the ones I actually love from losing their own pinkish tails in my waning nonsense. Sane and civil... because I am my fathers shifting chameleon; his white blazer and my mothers blood orange; her Lorazepam. My name alone is treaty. One lonely gabble lodges itself inside of my esophagus. Get lost founding father. Burn harder rebellion. I need me on my surface, not buried under the expected ammunition of ink. End your sparkle, sparkler. Here, your exploding gold only crushes the windpipe of flowers. I have nightmares that stretch my fears towards our waking sun. Yawning out the last sighs of moon. Once again, I hesitate and stumble on tongue. I've seen my words startle rust like the flat cat call 'boos’ of halloween towards November. Since I've been buried, halloween hasn't missed a year. And the gibberish of its mask will always sting as resonant.
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Dec 29, 2012
Dec 29, 2012 at 2:35 AM UTC
halloween
Tongue tied on double speak I’m counting off diseased freckles Waiting on a fragment to leak This house sure sounds bleak Miss Mary found hysteria In a pillbox prescription Developed quite the predilection And overriding addiction Her infant Michael drank Drano, He found under the sink Life stripped in a blink Should have had a child lock, one would think Arthur vanished with the birth of a daughter He thought the whole notion was too big a bother Left the girl alone in life To struggle though adolescence without a father Claire, the good one, wasn’t without her faults All she did was babel About her family life or lowly rabble Confucius orders you to cease this gabble Ear warped on endless noise I’m counting off diseased freckles Thinking up ******* ploys Or perhaps I should just lose my poise
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Aug 11, 2015
Aug 11, 2015 at 3:14 AM UTC
Unrequitedly Salacious
Hear that barking gabble coming across the land. The people of the air shout Remember, Remember the closing of the season, and going somewhere we remembered only in our being, that we announce in this great song of departure, this song of approaching cold and the moon's velvet breath. See how gray gathers on the harvested land and in the south the moon anchors an archipelago of orange smoke-cloud. So here they come around again, shouting, guided in single-hearted delirium, gliding through the long slow turns that lead at last to the final letting go. See them stringing now across the the evening sky, beating their wild hearts across the smooth, blurred horizon.
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Dec 16, 2012
Dec 16, 2012 at 4:59 PM UTC
Departure
Oh to say it so dearly, It was a great show. I stayed out and watched it for a good hour. The wind had come out of some hidden pocket. Like a thief in the night, it scurried out excitedly through the screen door flying shut behind it, and looking at the stark line drawn across the horizon; a wall of cloud with so distinct an edge of gray, and at the same time so thin as to see the shadow blue sky on the other side. It was just a sheet. The wind like a blanket, energy surged, and the blood pumped a little faster at it's touch. Then leaves began swirling, as if fleeing for cover around the legs. sweeping over to the porch, while the canvas of clouds pitched its ever looming tent. On over to get a plain view of my street lamp, watching the tree's now twisting like spaghetti; branches twisting in ways you would expect to break them, all with a humdrum pitter-patter of rogue raindrops, accompanied by that shrill electric thickness... that makes your skin simmer, your mind hum, and your eyes glow. The light of the streetlamp showing all the rain more clearly, and all at once coming like a horde en masse down a hill. Someone had given the signal, and so it began. The floodgates were released. The opera had begun in earnest, with it's effects and sounds, lights, action! The foreplay had given way to the full force of wetness. In the pith of the light it looked as though the lamp was now a fountain. The lightning being so evenly dispersed, the sky like a screen to see a stroboscopic chaos, so serene. The wind and rain so perfectly mixed, so perfectly so to syphon off a single breath of mist upon the face. I stood like a boy of six in a parade. Enthralled by the power, the nonchalance, and the purity of might. Humans and animals, cars and bicycles, birds and branches, all pulling a hasty retreat. I watched and watched, and watched more, and never got bored, only a little damp. I came in and went up to the bedroom above the porch and lay on my window cloud and drowsily watched the show in a bubble, til the end. Nothing lets me see so clearly like a good rain. People who wish for sunshine everyday are idiots.
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Oct 25, 2014
Oct 25, 2014 at 1:09 PM UTC
A Gabble About a Storm
Oh to say it so dearly, It was a great show. I stayed out and watched it for a good hour. The wind had come out of some hidden pocket. Like a thief in the night, it scurried out excitedly through the screen door flying shut behind it, and looking at the stark line drawn across the horizon; a wall of cloud with so distinct an edge of gray, and at the same time so thin as to see the shadow blue sky on the other side. It was just a sheet. The wind like a blanket, energy surged, and the blood pumped a little faster at it's touch. Then leaves began swirling, as if fleeing for cover around the legs. sweeping over to the porch, while the canvas of clouds pitched its ever looming tent. On over to get a plain view of my street lamp, watching the tree's now twisting like spaghetti; branches twisting in ways you would expect to break them, all with a humdrum pitter-patter of rogue raindrops, accompanied by that shrill electric thickness... that makes your skin simmer, your mind hum, and your eyes glow. The light of the streetlamp showing all the rain more clearly, and all at once coming like a horde en masse down a hill. Someone had given the signal, and so it began. The floodgates were released. The opera had begun in earnest, with it's effects and sounds, lights, action! The foreplay had given way to the full force of wetness. In the pith of the light it looked as though the lamp was now a fountain. The lightning being so evenly dispersed, the sky like a screen to see a stroboscopic chaos, so serene. The wind and rain so perfectly mixed, so perfectly so to syphon off a single breath of mist upon the face. I stood like a boy of six in a parade. Enthralled by the power, the nonchalance, and the purity of might. Humans and animals, cars and bicycles, birds and branches, all pulling a hasty retreat. I watched and watched, and watched more, and never got bored, only a little damp. I came in and went up to the bedroom above the porch and lay on my window cloud and drowsily watched the show in a bubble, til the end. Nothing lets me see so clearly like a good rain. People who wish for sunshine everyday are idiots.
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41
Silently, shadowed by night, Its eyes shining like tears, It pads through the desolated undergrowth Listening for sounds in the grass The tripping of feet, the scampering Crunch of paws. Lithely stepping Through the trees, a mile further on The fox sniffs the air. The stubbled moon Flings down its steel-like shafts Of thin even light, stabbing through The gloom. The stream flows around the dying plants Breaking the bank. The River Vole slides down Into the labouring water, older than the Landscape it bites through, and it pounces Grabbing the voles neck in its maw, Ripping the flesh apart. The cat throws It into the air, catching it again, Its teeth rending off flesh. It pads back into the dark. Nose delving into the air , the fox sniffs blood. It turns towards the water Breaking the bank, turns towards Its slow sibilant sound, muzzle aloft As if drawn upward by slithers of string, The playful moon moving smoothly with the clouds. The cat is shaken by its presence. The grouse gabble in their fear. The fox pounces, caught in the air Floating as if in a snapshot Held there by silvery light, It lands with untroubled finesse As the cat screams. The stream blanches, the moon seems smug, The night closes as the fox eats.
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Dec 29, 2018
Dec 29, 2018 at 5:30 PM UTC
SILENTLY
Enid turned her wheels A red flash through Luscious green Across the wall of corns In what felt like No time at all The gabble reconvened Inside the hessian on bread street Taiyo and Darcy Evoked the Spanish coast Fresh faces following More mature fingers Frankie and Debs Move us from Spanish shores To Antarctica, with penguins Brian and David Then comes 'The Man' Four men , four beautiful men To play us out and We don't stand a chance with them now
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Jul 6, 2014
Jul 6, 2014 at 3:38 PM UTC
Pens and Ants
The mind drifts, Away and away, To that far away place Where my Heart stays. It resides with you In that place I long to be. Here in class we chit and chat: We gabble in Spanish, We scribble in writing, We yammer in literature, And we run for sport, But no matter the distraction My Heart escapes. To thoughts of you It goes to wait.
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Nov 23, 2010
Nov 23, 2010 at 12:26 AM UTC
Waiting For Class To End
Google and gabble, obsequious prattle and remove from the room, the loom. Take it away, to a place that will pay and abate the resuscitated gloom Reel the wheel and make the deal and make sure its all for naught Pave the way that the children shall play in the shade when the sun gets too hot for when the heat is arise’d, the sun is despise’d and makers of fur garments rail but the skirts they get shorter and men’s thoughts get sordid as hormones begin to wail but the heat it don’t last when you’re travelin fast with millions of miles behind there’s more up ahead, but surely you’ll be dead when you get to where you’re tryin to find runnin away when you refuse to play and work well with others but with those that you hate you can truly relate cause all men its known are brothers so go back home you’ve roamed to Rome and the heat has long since passed for youth it is fleeting and as your heart is beating take advantage for it shall not last
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Aug 17, 2011
Aug 17, 2011 at 8:22 AM UTC
Untitled
this thing that I do.. or, anyway, try to do, this continuous babble gabble, with sprinkles on top, this day-to-day quest, this poorly timed choreography, this #bro, #nohomo, #gay thing I do with my brain and heart, this endless wine powered whining habit of mine, this desire to know, this curiosity and unceasing need to find out, this joy of seeing your face every day in the mirror I use for shaving once in a while, this midnight torment, this heat and cold feet feeling, this skanderbeg with the ****** inside my right arm, this everlasting need of being pushed to the ground and all of the climbing that comes afterwards, this fight club that I invented in my own apartment, this bad scenery where all the bad quirks are lost, this family reunion around a blue Facebook table, this Christmas compulsion regularly displayed, this recital of random thoughts, this list of contacts, this Friday evening pathetic chorus, this fear of rejection and hope for what will come, this weird structure of one's feelings, this flat choice of words and bad timing, this spurious urgency for acknowledgement, this "me feeling" for me, this firm handshake with a smile and maybe a hug at the end, this thing that I do is called, in a strange way, #love. and I can say that there are only few moments when I have my regrets for trying to show it, like a little girl does with her skirt, lifted above her head
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Aug 11, 2015
Aug 11, 2015 at 8:24 AM UTC
this thing that I do
[Refrain 1 Confidently] Our mum is such a softie, no matter what we do She always gives us what we want, and hugs and kisses too. We get up late, don’t go to school, and hang about the street We drop our litter on the floor and scuff it with our feet. But now … Do you think we may have gone too far? Perhaps we should say sorry? Or is it too late for that? [Refrain 2 Less confidently] Our mum is such a softie, no matter what we do She always gives us what we want, and hugs and kisses too. We get up late, don’t go to school, and hang about the street We drop our litter on the floor and scuff it with our feet. But now… I don’t know about you, but I’m frightened. I’ve never seen her like this. Even when she was cross, she never shouted, And never, ever hit me. [Refrain 3 Hesitantly] Our mum is such a softie, no matter what we do She always gives us what we want, and hugs and kisses too. We get up late, don’t go to school, and hang about the street We drop our litter on the floor and scuff it with our feet. But now… She has turned her dark face upon us. Her steely eyes glitter, her upraised hand Threatens the very worst you can imagine; Storm, earthquake, thunderous wave, a hail of fire Burning, consuming, killing, laying waste. [Refrain 4 A desperate gabble] Our mum is such a softie, no matter what we do She always gives us what we want, and hugs and kisses too. We get up late, don’t go to school, and hang about the street We drop our litter on the floor and scuff it with our feet... Is it too late? Do we have a final chance? She was so fair, so bright; So kind, so all-providing, so benign… But, now …
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Jan 30, 2017
Jan 30, 2017 at 5:56 PM UTC
Don't **** your Mother off, she's bigger than you
[Refrain 1 Confidently] Our mum is such a softie, no matter what we do She always gives us what we want, and hugs and kisses too. We get up late, don’t go to school, and hang about the street We drop our litter on the floor and scuff it with our feet. But now … Do you think we may have gone too far? Perhaps we should say sorry? Or is it too late for that? [Refrain 2 Less confidently] Our mum is such a softie, no matter what we do She always gives us what we want, and hugs and kisses too. We get up late, don’t go to school, and hang about the street We drop our litter on the floor and scuff it with our feet. But now… I don’t know about you, but I’m frightened. I’ve never seen her like this. Even when she was cross, she never shouted, And never, ever hit me. [Refrain 3 Hesitantly] Our mum is such a softie, no matter what we do She always gives us what we want, and hugs and kisses too. We get up late, don’t go to school, and hang about the street We drop our litter on the floor and scuff it with our feet. But now… She has turned her dark face upon us. Her steely eyes glitter, her upraised hand Threatens the very worst you can imagine; Storm, earthquake, thunderous wave, a hail of fire Burning, consuming, killing, laying waste. [Refrain 4 A desperate gabble] Our mum is such a softie, no matter what we do She always gives us what we want, and hugs and kisses too. We get up late, don’t go to school, and hang about the street We drop our litter on the floor and scuff it with our feet... Is it too late? Do we have a final chance? She was so fair, so bright; So kind, so all-providing, so benign… But, now …
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Back to the basics. They will tell you about money; All the goodies it has power over The jets,ferraris , benz, Holiday in Disneyland or Wonderland Good will mistresses among others. But they wont tell you about books That have lifted up souls and shaped kingdoms. They will tell you about secrets Too sacred to mention. The shady deals that fatten wallets All quick-rich-scam schemes, Even tested and proven niceties But they wont tell you about books Whose warmth turned swords into ploughshares Spears into pruning hooks. They will tell you about fashion; Addias, Nike, Puma, converse The exorbitant price they call for, The prestige, pride and position For all faithful trendsetters and keepers But they wont tell you about books Which ignite creativity and innovation to ***** success. They will tell about the anointed ones Thou shall not touch the anointed Who preach water as they gabble wine Their sleek livelihood Their gullible congregants. But they wont tell you about books Where ignorance will slashed, packed be buried or good. My son, many are speakers, this world carries; Empty cans that make the loudest noise. If you desire knowledge, then read. Read. Read And READ!
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Jun 15, 2017
Jun 15, 2017 at 3:46 AM UTC
Back to the basics
It is a shadow that haunts me. It lurks near, whisper doubts, insecurities, imperfections into my ears. It wraps it claws around my chest and grips, tightens Until I can barely breathe. Until I fall to my knees, Innocent phrases turned sinister, venomous, "I'm Busy."Sounds Like the fall of the gabble. And the shadows hiss, "You are an annoyance."
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Apr 24, 2015
Apr 24, 2015 at 10:06 PM UTC
Business