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"fugitive" poems
The tide collects it all by morning; The drama and the ***** napalmed across the path. The scenes at second warning for most had been swept away Before they wiped the sand from their shoes. Empty cans of Dutch and Tuborg slouched on the dunes Are tight-lipped about the Velvet Strand's secret ecosystem; An underground microcosm; A peripheral cluster of seething emotions drowned. Memories of those years - although some expired, The vestiges take pride of place - hold a cosmic clump of smells, Tastes, firsts, goosebumps, hangovers, and ends. I never before understood what I was holding on to. Winters down in the shelters nearly killed us but we Huddled through the cold, lit cheap firelogs and Found our oblivion. It didn't take much for me to develop   A stagger - tolerance for a lot of things was learned later. I narrowly recall my first taste of poor judgement and Hazy-headed stargazing. Six cans of Stonehouse Dry cider - most of which ended up on the hillside - Was a ridiculous endeavour that will always be sublime. At the heart of it, I did it to impress a girl; The one every boy has or has had that sticks; Who holds your firsts and your hands and makes Things simple if only for her complexity; The one that never fails to bring upon digression when Pens are involved. Revisiting reminiscence on a jarring note, I think of my Junior Cert exams and a cross-dressed man Exposing himself to two uniformed boys behind the public toilets. This one doesn't stir the joy of the others. This one I wish would dissolve; An ugly, awkward blotch on a childhood. Luckily fondness trumps disgust when recalling that place Because of sunrises and sunsets absorbed from the roof. The Summers spent jumping the gap and drowning in the Heat of the sun were everything. The fugitive sand between our toes and under finger nails Became an accepted nuisance, a part of the territory; A lingering grain or two to drag you back. I miss waking up with the smell of last night's faded fire.
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May 3, 2015
May 3, 2015 at 8:22 PM UTC
Faded Firsts and Firelogs
The tide collects it all by morning; The drama and the ***** napalmed across the path. The scenes at second warning for most had been swept away Before they wiped the sand from their shoes. Empty cans of Dutch and Tuborg slouched on the dunes Are tight-lipped about the Velvet Strand's secret ecosystem; An underground microcosm; A peripheral cluster of seething emotions drowned. Memories of those years - although some expired, The vestiges take pride of place - hold a cosmic clump of smells, Tastes, firsts, goosebumps, hangovers, and ends. I never before understood what I was holding on to. Winters down in the shelters nearly killed us but we Huddled through the cold, lit cheap firelogs and Found our oblivion. It didn't take much for me to develop   A stagger - tolerance for a lot of things was learned later. I narrowly recall my first taste of poor judgement and Hazy-headed stargazing. Six cans of Stonehouse Dry cider - most of which ended up on the hillside - Was a ridiculous endeavour that will always be sublime. At the heart of it, I did it to impress a girl; The one every boy has or has had that sticks; Who holds your firsts and your hands and makes Things simple if only for her complexity; The one that never fails to bring upon digression when Pens are involved. Revisiting reminiscence on a jarring note, I think of my Junior Cert exams and a cross-dressed man Exposing himself to two uniformed boys behind the public toilets. This one doesn't stir the joy of the others. This one I wish would dissolve; An ugly, awkward blotch on a childhood. Luckily fondness trumps disgust when recalling that place Because of sunrises and sunsets absorbed from the roof. The Summers spent jumping the gap and drowning in the Heat of the sun were everything. The fugitive sand between our toes and under finger nails Became an accepted nuisance, a part of the territory; A lingering grain or two to drag you back. I miss waking up with the smell of last night's faded fire.
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39
A flight of three crows added to a dense grey day Next add four iconic conifers as high as the sky eternally ******* down These things are always in my sight through my window on this wet world Multiply all of this by a sweet daughter who makes me proud and raise the whole to the power of a strong woman who carries us all on her back The equation produces a result that I am 95 percent certain equals happiness though the confidence interval is wide And this result sweet as it is and as uncertain as it is will outlive me leave a faint echo in time an echo that will bounce off a star and finally be found gripped in my shriveled paw long after the epiphany nowhere near paradise somewhere short of the end of the line This is a moment of happiness stolen from time hijacked by a fugitive from civil society I'll hold it close until death pries it without mercy from my hand Leaves it as a blessing and a curse for all who come after Take the blessing. Leave the curse. That's the advice I give with my dying breath. And I leave this to you from the generosity of my heart. With a nod to the scant traces of God's grace that I find on these pathways of travail. Never lost. Never found. Always present and generous to all. Be that.
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Nov 19, 2016
Nov 19, 2016 at 6:01 PM UTC
The Arithmetic of Happiness
. The waves spilled the rising tide back into the scattered footprints  in the sand deeply entrenched in life’s mystery, receding into every breaking wave A stiff sea breeze put back every grain of sand, elements of a larger object gathers, gravity firmed, into the silent shoreline chasms— a beheld essence washed out to sea by the fugitive tides and retreating sea-foam Soon all trodden traces visibly vanish; unmarked mileposts on a metaphysical pathway slip away back to a windswept shoreline and elapsing summer tide Seabirds glide in slow-motion, held sway into the shapeless gusts — as if feathered puppets hovering, hanging from the rafters of the burgeoning orange sky There's an uncommon peace in the renaissance; effervescent crisp ocean air filling the indefinable emptiness marooned within each heartbeat’s echo Each new breath inhaled,  disappearing within the unhealed hollow of every thing once believed; fully aware this life is unholdable as time, yet feeling many things deeply retained     in each passing moment— slipping away like a handful of sand sifting through all these hands once held Presence becoming wreathed in a miasma of stillness, space that levitates like an unpredictable fog that seeps into the gnawing voids of an unsated hunger harlon rivers  ...  August 1st,  2018
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Jul 31, 2018
Jul 31, 2018 at 8:34 PM UTC
a fistful of sand
"Are you from around here?" You would have rolled your eyes at the city sky Muttered something about Westernization No stars in the sky But baby, here they have the lights. A man asked about you today He said "and your lover?" I told him you were long gone, Feared the exposure of city lights New York doesn't love me like you do I said "my lover is a runaway fugitive" Anything but the truth.
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Oct 16, 2014
Oct 16, 2014 at 8:30 AM UTC
City Lights Exposure
Like a clockwork's rhyme they grow on him, the soft moan of her heels. Here she comes, they tell him as they gently pry loose of her tender feet. A quiver is set into motion like strings of a cello consumed by touch every time her voice breaks free like a fugitive from its own abode. The visiting breeze crosses by the slow hum of her breathing, and carries the gasps in hurried echoes to remind him she's checked in. A mischief rolled into smile escapes her lips to touch a heart so shy, only to leave it and **** with pain while making it a willing alibi.
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Aug 22, 2018
Aug 22, 2018 at 9:39 AM UTC
The sound of love
My work day woke to Monk, the click of typing keys, clock watched, Spotify playing, random thoughts rose like bees to freeze in these jagged lines, then swarm in threatening flight. Hours of data entry later, on a stool, in a bar, a clock's hands tock, I flick a wrist, and slur my words concluding   an anguished monologue, “They call it work, you know.” Awash at home, in the strobe of pixelated panel light, visions surge and dissipate with the pulse of the night. Osip, were you tempered to embrace attention’s fugitive caress? You etched memory’s texture with candle soot for ink, and the gulag’s blackened gaze - I type lines by hunt and peck humming Monk’s WELL YOU NEEDN’T, hoping for an adequate phrase. Copyright © 2004 Gary Brocks
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Aug 26, 2018
Aug 26, 2018 at 10:38 PM UTC
EMAIL TO OSIP MANDELSTAM, POET (1891-1938)
1483 The Robin is a Gabriel In humble circumstances— His Dress denotes him socially, Of Transport’s Working Classes— He has the punctuality Of the New England Farmer— The same oblique integrity, A Vista vastly warmer— A small but sturdy Residence A self denying Household, The Guests of Perspicacity Are all that cross his Threshold— As covert as a Fugitive, Cajoling Consternation By Ditties to the Enemy And Sylvan Punctuation—
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The Robin is a Gabriel
For us like any other fugitive, Like the numberless flowers that cannot number And all the beasts that need not remember, It is today in which we live. So many try to say Not Now, So many have forgotten how To say I Am, and would be Lost, if they could, in history. Bowing, for instance, with such old-world grace To a proper flag in a proper place, Muttering like ancients as they stump upstairs Of Mine and His or Ours and Theirs. Just as if time were what they used to will When it was gifted with possession still, Just as if they were wrong In no more wishing to belong. No wonder then so many die of grief, So many are so lonely as they die; No one has yet believed or liked a lie, Another time has other lives to live.
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Another Time
I'd like to catch a songbird when I visit. One that only lives near your house, One I've never heard. I'd like to catch a songbird, And have it sing for me The songs you hear each morning. I'd like to watch the moon when it rises. Lifting itself over the earth, reflecting As it passes my window. I'd like to watch the moon, The same white moon That you might be watching tonight. I'd like to hold the wind in a mason jar. The warm little south wind That chuckles and breezes northward. I'd like to hold it down, Whisper my hellos into its gales, And let it go darting off northwards - Whistling and running like a fugitive To you.
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Jun 16, 2011
Jun 16, 2011 at 3:11 AM UTC
Direct Object
1504 Of whom so dear The name to hear Illumines with a Glow As intimate—as fugitive As Sunset on the snow—
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Of whom so dear
So from your hand, I learned to drink the light... A residue of dahlias in their late summer blood, rimmed white with the fluid evening, the soul, some wild falcon folded in golden lullabies of nightingale acoustics... Eclipsed by the gentle pathos of the body, shining as I leave it behind, crying in its dark thorns, some forlorn fragment shudders in the silver embrace you lace with calm... As it laps into that crumpled karma and dreams it was once a jaguar of dark passages, held in the long hands of sorrow, see, these clavicles emerge through orchids... And a liquid resurrection envelope the earth you bathe from the fugitive gesture of wings, so, it was in these black, grim prairies of the soul... Where I at last learned to drink the light from your hand....
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Sep 5, 2012
Sep 5, 2012 at 1:32 PM UTC
Pathos Of Dream:
By Arcassin Burnham For the sick and starving, I'll be happily departed, Stupid **** you do don't phase me, Only my partners would only know that your corrupted, Might have been fugitive of the law Or whatever I don't give a **** Wouldn't care if you died today, Comment say "huh" again, Have you humming to all your homosexual friends, Gary!....
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Sep 19, 2015
Sep 19, 2015 at 7:13 PM UTC
"Die Today" (Diss To Mr.L)
The hollow wind funneled the voice of the distant night-train crossings, awakening  a  familiar  silence hanging from the vast wilderness sky A restless heart hearkening the echoes, imagining  a  runaway  Pullman flew away off the rails,    airborne on the winged wind headed north Winter  pausing  for a moment in  the  shadows  of  familiarity, as if parsing the unspoken breathings in an  echoless  surrendered sigh; uncertain if tacit words set free could ever allow a heart broken         to feel whole again There  is  no  absolving  voice that whispers in a solemner tone :         Death  has  no  mercy  ―   love remains marooned in the wake ,.. and it feels like the world’s gone mad letting time be the arbiter of perpetuity The fading dream of a motherless child; a wish to be held maternally fell to the ground with a thud,         breaking the silence, dissipating formless as the shape of water Muted cold lips so full of questions morphing into fugitive sighs come the unsettled night; when shadows disappear like frail memories that  passed  too  soon  to  grasp, thickly palpable as the warm breath a winter bird alone on frosty branch There’s no fear in braving the darkness in the  winter wilderness of life borne alone There’s no way of knowing what you’ll find down that long empty road back home Life just flashes by silently before your eyes         through the windshield     of countless miles and miles And there’s nothing you can do about it ― It’s like hearing the moment of truth in a lie when all I was looking for was  how I got here in this now,.. yesterday only finding a hopeless poet scribbling  slightly stained pages, spilling  a  bitter  sweet  dream ...         harlon rivers ... February 2018 ///////////////////////////////////////////////////////////////////////
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Feb 14, 2018
Feb 14, 2018 at 10:31 AM UTC
Awakening a Familiar Silence ...
The hollow wind funneled the voice of the distant night-train crossings, awakening  a  familiar  silence hanging from the vast wilderness sky A restless heart hearkening the echoes, imagining  a  runaway  Pullman flew away off the rails,    airborne on the winged wind headed north Winter  pausing  for a moment in  the  shadows  of  familiarity, as if parsing the unspoken breathings in an  echoless  surrendered sigh; uncertain if tacit words set free could ever allow a heart broken         to feel whole again There  is  no  absolving  voice that whispers in a solemner tone :         Death  has  no  mercy  ―   love remains marooned in the wake ,.. and it feels like the world’s gone mad letting time be the arbiter of perpetuity The fading dream of a motherless child; a wish to be held maternally fell to the ground with a thud,         breaking the silence, dissipating formless as the shape of water Muted cold lips so full of questions morphing into fugitive sighs come the unsettled night; when shadows disappear like frail memories that  passed  too  soon  to  grasp, thickly palpable as the warm breath a winter bird alone on frosty branch There’s no fear in braving the darkness in the  winter wilderness of life borne alone There’s no way of knowing what you’ll find down that long empty road back home Life just flashes by silently before your eyes         through the windshield     of countless miles and miles And there’s nothing you can do about it ― It’s like hearing the moment of truth in a lie when all I was looking for was  how I got here in this now,.. yesterday only finding a hopeless poet scribbling  slightly stained pages, spilling  a  bitter  sweet  dream ...         harlon rivers ... February 2018 ///////////////////////////////////////////////////////////////////////
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Suspected of attack On fascist Graziani He was in house arrest As the case was with Suspects the rest. A prisoner of war Then  via Somalia He was sent to Rome Found a black lion If left at home. Together with A prison inmate From Yugoslavia Called Julio He made a rope Out of a blanket The reason To descend down And escape From a tower prison. In a show of contempt Defying  officials' attempt To smoke out a fugitive On the hide The two at eventide Returned to open fire And attack guards To set  free prisoners Indeed, victory was On their side. Leading partisans Abdissa made it his duty To gruel fascists With insurgent activity. What was the outcome? Parallel to the allied forces When he entered Rome With Ethiopia's tricolor Around his wrist He was accorded A warm welcome. Then he turned his face To allied-forces'- 'For Berlin' race In rooting out **** troops He spurred the pace! Asked to stay in Europe He said shalom "Home sweet home! As written on the bible Can an Ethiopian change His skin or a leopard its spots? Doing so Will it not be a sin?" The unsung hero Returned to Addis Turning Fascist and Nazis' Wild dreams to zero!
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Sep 11, 2020
Sep 11, 2020 at 11:53 PM UTC
The saga of Abdissa Aga
SHIVA (Bijoylakshmi Das) The silence of night scares you With its eerie thoughts Ever azar with doors wide open To give vent to unrestrained dreams, Never letting you to rise above The mundane laws of existence. Do you ever think of SHIVA The eternal principle of the Sublime? Sitting alone on the peaks of the Himalayan silence, Speaking to you in His divine muse- Of ineffable ecstasy. The body is not all. That obeys the physical laws, The mind is not all. That listens to odd yearnings. And the spirit too is not your limit. You have to go beyond Far beyond life's petty limitations To reach Truth, Consciousness and Bliss. SHIVA, the enlightened. Which translates human dialects Into an indefinable divine hieroglyphic. SHIVA, the Supreme Creates the Universe, Rules it too, Annihilates when Harmony loses its identity. The universal principle of Love Gets bewildered in empirical rules of earthly existence, And Spirit fails to rise above, SHIVA opens His Third Eye, In its piercing gaze All lights fade and The fugitive human mind finds no sojourn He warns you. Arise, awake To reach your goal Beyond the earthly ken. (Bijoylakshmi Das Haridwar)
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Jan 13, 2020
Jan 13, 2020 at 7:31 PM UTC
SHIVA
The Land of Nod (Hebrew: ארץ נוד‬, eretz-Nod) is a place mentioned in the Book of Genesis of the Hebrew Bible, located "on the east of Eden" (qidmat-‘Eden), where Cain was exiled by God after Cain had murdered his brother Abel; According to Genesis 4:16: _And Cain went out from the presence of the LORD, and dwelt in the land of Nod, on the east of Eden._ (וַיֵּ֥צֵא קַ֖יִן מִלִּפְנֵ֣י יְהוָ֑ה וַיֵּ֥שֶׁב בְּאֶֽרֶץ־נֹ֖וד קִדְמַת־עֵֽדֶן‬) "Nod" (נוד) is the Hebrew root of the verb "to wander" (לנדוד). Therefore, to dwell in the land of Nod is usually taken to mean that one takes up a wandering life. Genesis 4:17 relates that after arriving in the Land of Nod, Cain's wife bore him a son, _Enoch_, in whose name he built the first city; "Nod" (נוד‬) is the Hebrew root of the verb "to wander" (לנדוד‬). Therefore, to dwell in the land of Nod can mean to live a wandering life; Gesenius defines (נוּד‬) as follows: _TO BE MOVED, TO BE AGITATED_ (Arab. ناد Med. Waw id.), used of a reed shaken by the wind, 1Ki.14:15; hence to wander, to be a fugitive, Jer. 4:1; Gen. 4:12, 14; Ps.56:9; to flee, Ps. 11:1; Jer. 49:30. Figuratively, Isa. 17:11, נֵד קָצִיר‬ "the harvest has fled" ["but see נֵד‬ ," which some take in this place as the subst.] Much as Cain's name is connected to the verb meaning "to get" in Genesis 4:1, the name "Nod" closely resembles the word "nad" (נָ֖ד‬), usually translated as "vagabond", in Genesis 4:12. (In the Septuagint's rendering of the same verse, God curses Cain                   to τρέμων, "trembling") A Greek version of Nod written as Ναίν appearing in the _Onomastica Vaticana_ possibly derives from the plural נחים‬, which relates to resting and sleeping; This derivation, coincidentally or not, connects with the English pun on "nod"; Josephus wrote in Antiquities of the Jews (c. AD 93) that Cain continued his wickedness in Nod: resorting to violence and robbery; establishing weights and measures; transforming human culture from innocence into craftiness and deceit; establishing property lines; and building a fortified city; Nod is said to be outside of the presence or face of God: Origen defined Nod   as the land of trembling and wrote   that it symbolized the condition of all who forsake God; Early commentators treated it as the opposite of Eden (worse still than the land of exile for the rest of humanity);  In the English tradition Nod was sometimes              described as a desert     inhabited only by ferocious beasts or monsters; Others interpreted      Nod as dark or even underground—away from the face of God— Augustine described unconverted Jews as dwellers in the land of Nod, which he defined as commotion and "carnal disquietude"
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Jul 21, 2018
Jul 21, 2018 at 12:16 PM UTC
The Land of Nod
The Land of Nod (Hebrew: ארץ נוד‬, eretz-Nod) is a place mentioned in the Book of Genesis of the Hebrew Bible, located "on the east of Eden" (qidmat-‘Eden), where Cain was exiled by God after Cain had murdered his brother Abel; According to Genesis 4:16: _And Cain went out from the presence of the LORD, and dwelt in the land of Nod, on the east of Eden._ (וַיֵּ֥צֵא קַ֖יִן מִלִּפְנֵ֣י יְהוָ֑ה וַיֵּ֥שֶׁב בְּאֶֽרֶץ־נֹ֖וד קִדְמַת־עֵֽדֶן‬) "Nod" (נוד) is the Hebrew root of the verb "to wander" (לנדוד). Therefore, to dwell in the land of Nod is usually taken to mean that one takes up a wandering life. Genesis 4:17 relates that after arriving in the Land of Nod, Cain's wife bore him a son, _Enoch_, in whose name he built the first city; "Nod" (נוד‬) is the Hebrew root of the verb "to wander" (לנדוד‬). Therefore, to dwell in the land of Nod can mean to live a wandering life; Gesenius defines (נוּד‬) as follows: _TO BE MOVED, TO BE AGITATED_ (Arab. ناد Med. Waw id.), used of a reed shaken by the wind, 1Ki.14:15; hence to wander, to be a fugitive, Jer. 4:1; Gen. 4:12, 14; Ps.56:9; to flee, Ps. 11:1; Jer. 49:30. Figuratively, Isa. 17:11, נֵד קָצִיר‬ "the harvest has fled" ["but see נֵד‬ ," which some take in this place as the subst.] Much as Cain's name is connected to the verb meaning "to get" in Genesis 4:1, the name "Nod" closely resembles the word "nad" (נָ֖ד‬), usually translated as "vagabond", in Genesis 4:12. (In the Septuagint's rendering of the same verse, God curses Cain                   to τρέμων, "trembling") A Greek version of Nod written as Ναίν appearing in the _Onomastica Vaticana_ possibly derives from the plural נחים‬, which relates to resting and sleeping; This derivation, coincidentally or not, connects with the English pun on "nod"; Josephus wrote in Antiquities of the Jews (c. AD 93) that Cain continued his wickedness in Nod: resorting to violence and robbery; establishing weights and measures; transforming human culture from innocence into craftiness and deceit; establishing property lines; and building a fortified city; Nod is said to be outside of the presence or face of God: Origen defined Nod   as the land of trembling and wrote   that it symbolized the condition of all who forsake God; Early commentators treated it as the opposite of Eden (worse still than the land of exile for the rest of humanity);  In the English tradition Nod was sometimes              described as a desert     inhabited only by ferocious beasts or monsters; Others interpreted      Nod as dark or even underground—away from the face of God— Augustine described unconverted Jews as dwellers in the land of Nod, which he defined as commotion and "carnal disquietude"
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This is to all those misfits To the Romeo car-washing in Inglewood inlets To the Hippy selling crystals on the Venice boardwalk The Magician swallowing 8-balls at the Huntington Beach peer The Rapper selling CDs in the Ranch Market parking lot The **** tatting in a makeshift garage The Poet slinging chapbooks at cafes and rec centers… Not androids pontificating from lecterns But grimy roots burrowing deep Seismic rumblings toppling down Insured ivory towers Smashing pilled-paradigms beneath Docs Hustling and slinging In the forbidden outshacks of civilization In tents, over barbed-wire, beside shards Desperate and burning For neither Truth or Beauty But for LIFE They do not tap wrists No,  they thump chests To feel it beat To feel it rage For fugitive fugues For new eternities They embrace ********** romance Graveyard necromance The holy hunger for change Defying commercials and charts Shivering and howling on streets Waging guerrilla war Liberating cubicled-hearts
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Dec 23, 2016
Dec 23, 2016 at 8:20 PM UTC
Ode to Misfits
O quam te memorem virgo… Stand on the highest pavement of the stair— Lean on a garden urn— Weave, weave the sunlight in your hair— Clasp your flowers to you with a pained surprise— Fling them to the ground and turn With a fugitive resentment in your eyes: But weave, weave the sunlight in your hair. So I would have had him leave, So I would have had her stand and grieve, So he would have left As the soul leaves the body torn and bruised, As the mind deserts the body it has used. I should find Some way incomparably light and deft, Some way we both should understand, Simple and faithless as a smile and a shake of the hand. She turned away, but with the autumn weather Compelled my imagination many days, Many days and many hours: Her hair over her arms and her arms full of flowers. And I wonder how they should have been together! I should have lost a gesture and a pose. Sometimes these cogitations still amaze The troubled midnight, and the noon’s repose.
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La Figlia Che Piange
‘Whenever I plunge my arm, like this, In a basin of water, I never miss The sweet sharp sense of a fugitive day Fetched back from its thickening shroud of gray. Hence the only prime And real love-rhyme That I know by heart, And that leaves no smart, Is the purl of a little valley fall About three spans wide and two spans tall Over a table of solid rock, And into a scoop of the self-same block; The purl of a runlet that never ceases In stir of kingdoms, in wars, in peaces; With a hollow boiling voice it speaks And has spoken since hills were turfless peaks.’ ‘And why gives this the only prime Idea to you of a real love-rhyme? And why does plunging your arm in a bowl Full of spring water, bring throbs to your soul?’ ‘Well, under the fall, in a crease of the stone, Though precisely where none ever has known, Jammed darkly, nothing to show how prized, And by now with its smoothness opalized, Is a grinking glass: For, down that pass My lover and I Walked under a sky Of blue with a leaf-wove awning of green, In the burn of August, to paint the scene, And we placed our basket of fruit and wine By the runlet’s rim, where we sat to dine; And when we had drunk from the glass together, Arched by the oak-copse from the weather, I held the vessel to rinse in the fall, Where it slipped, and it sank, and was past recall, Though we stooped and plumbed the little abyss With long bared arms. There the glass still is. And, as said, if I ****** my arm below Cold water in a basin or bowl, a throe From the past awakens a sense of that time, And the glass we used, and the cascade’s rhyme. The basin seems the pool, and its edge The hard smooth face of the brook-side ledge, And the leafy pattern of china-ware The hanging plants that were bathing there. ‘By night, by day, when it shines or lours, There lies intact that chalice of ours, And its presence adds to the rhyme of love Persistently sung by the fall above. No lip has touched it since his and mine In turns therefrom sipped lovers’ wine.’
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2.7k
Under The Waterfall
‘Whenever I plunge my arm, like this, In a basin of water, I never miss The sweet sharp sense of a fugitive day Fetched back from its thickening shroud of gray. Hence the only prime And real love-rhyme That I know by heart, And that leaves no smart, Is the purl of a little valley fall About three spans wide and two spans tall Over a table of solid rock, And into a scoop of the self-same block; The purl of a runlet that never ceases In stir of kingdoms, in wars, in peaces; With a hollow boiling voice it speaks And has spoken since hills were turfless peaks.’ ‘And why gives this the only prime Idea to you of a real love-rhyme? And why does plunging your arm in a bowl Full of spring water, bring throbs to your soul?’ ‘Well, under the fall, in a crease of the stone, Though precisely where none ever has known, Jammed darkly, nothing to show how prized, And by now with its smoothness opalized, Is a grinking glass: For, down that pass My lover and I Walked under a sky Of blue with a leaf-wove awning of green, In the burn of August, to paint the scene, And we placed our basket of fruit and wine By the runlet’s rim, where we sat to dine; And when we had drunk from the glass together, Arched by the oak-copse from the weather, I held the vessel to rinse in the fall, Where it slipped, and it sank, and was past recall, Though we stooped and plumbed the little abyss With long bared arms. There the glass still is. And, as said, if I ****** my arm below Cold water in a basin or bowl, a throe From the past awakens a sense of that time, And the glass we used, and the cascade’s rhyme. The basin seems the pool, and its edge The hard smooth face of the brook-side ledge, And the leafy pattern of china-ware The hanging plants that were bathing there. ‘By night, by day, when it shines or lours, There lies intact that chalice of ours, And its presence adds to the rhyme of love Persistently sung by the fall above. No lip has touched it since his and mine In turns therefrom sipped lovers’ wine.’
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There, out in the darkness A fugitive running Fallen from God Fallen from grace God be my witness I never shall yield Till we come face to face Till we come face to face He knows his way in the dark Mine is the way of the Lord And those who follow the path of the righteous Shall have their reward And if they fall As Lucifer fell The flame The sword! Stars In your multitudes Scarce to be counted Filling the darkness With order and light You are the sentinels Silent and sure Keeping watch in the night Keeping watch in the night You know your place in the sky You hold your course and your aim And each in your season Returns and returns And is always the same And if you fall as Lucifer fell You fall in flame! And so it has been and so it is written On the doorway to paradise That those who falter and those who fall Must pay the price! Lord let me find him That I may see him Safe behind bars I will never rest Till then This I swear This I swear by the stars!
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Apr 17, 2014
Apr 17, 2014 at 11:07 AM UTC
Stars (Les Miserables)
On the brink of war, within our own borders, Among our neighbors and brothers. Interesting how we think of them as brothers, neighbors, And how we are willing to go to war. A compromise to end it? Willing. Naive. California may have become a free state, Migrations to the gold mines and the economic Boom improved the economy and diversity. But war still came. New Mexico and Utah were able to decide for themselves, People rushed to sway the decision, it was even. Fair. But still, war came. Texas got their money, and we drew new borders with more land. A line was drawn, metaphorically and nationally. But still, war came. The south got back their fugitive slaves from the north, The work force resumed, and a reward for the slave was paid to the holders. Everyone seemed to win, But still, war came.
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Jun 10, 2014
Jun 10, 2014 at 8:00 PM UTC
What was Thought to be Preventative (compromise)
Sitting in a pool of **** other peoples **** **** all over me, I am nothing, just an object, a still life subject art school joke, I'm a mess, a **** stain, a fugitive on the run, running away from life.
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Dec 14, 2014
Dec 14, 2014 at 12:43 PM UTC
Object
FAKE FRIENDS You call me a friend, as you pull out a knife You stab me in the back, not once but twice Friends for life, but that’s a straight up lie You aint gotta clue, about Ride or Die I’m surrounded by wolves that are dressed like sheep Telling straight lies, dry snitching on me Claiming it wasn’t you, behind the line up glass You straight pointed out me, to save your own *** I’d rather sweat buckets, to search out peace Than spilling gallons of blood, fighting demons in me The battle continues, frighten the anger within It’s a full time job, dealing with FAKE *** FRIENDS Ever time I think I know, what you’ll do next You end up selling me out, for a yard or less You made you a dollar, so I’m screaming again You’re a straight up punk, a FAKE *** FRIEND       I can sit and formulate a plan in my head Take a ****** shot; make your FAKE *** DEAD Now I’m on the run, a fugitive at large Aint a FAKE *** FRIEND around, worth taking a charge Their a dime a dozen, you can find them anywhere Just don’t be fooled, because its buyer beware It’s a known street rule, don’t say it wasn’t said Because FAKE *** FRIENDS, usually wined up dead But ill take what GOD gave me common sense, and walk away It’s a soft *** move, but Ill write another day Not locked up covered up, dealing with my sins Nothing wrong with cutting off, a FAKE *** FRIEND Aint a chick or dude around, can’t relate to what I’m saying We all had friends, which were straight perpetrating Saying they got our back, all the way to the end Same ole same ole, just a FAKE *** FRIEND So now I ride solo, I know it’s a risk If push comes to shove, Ill add my girl to the list Now I’m RICH and FAMOUS, and you wanna make amends But as I told you before, **** FAKE *** FRIENDS!
0
Nov 15, 2018
Nov 15, 2018 at 8:48 PM UTC
FAKE *** FRIENDS.
FAKE FRIENDS You call me a friend, as you pull out a knife You stab me in the back, not once but twice Friends for life, but that’s a straight up lie You aint gotta clue, about Ride or Die I’m surrounded by wolves that are dressed like sheep Telling straight lies, dry snitching on me Claiming it wasn’t you, behind the line up glass You straight pointed out me, to save your own *** I’d rather sweat buckets, to search out peace Than spilling gallons of blood, fighting demons in me The battle continues, frighten the anger within It’s a full time job, dealing with FAKE *** FRIENDS Ever time I think I know, what you’ll do next You end up selling me out, for a yard or less You made you a dollar, so I’m screaming again You’re a straight up punk, a FAKE *** FRIEND       I can sit and formulate a plan in my head Take a ****** shot; make your FAKE *** DEAD Now I’m on the run, a fugitive at large Aint a FAKE *** FRIEND around, worth taking a charge Their a dime a dozen, you can find them anywhere Just don’t be fooled, because its buyer beware It’s a known street rule, don’t say it wasn’t said Because FAKE *** FRIENDS, usually wined up dead But ill take what GOD gave me common sense, and walk away It’s a soft *** move, but Ill write another day Not locked up covered up, dealing with my sins Nothing wrong with cutting off, a FAKE *** FRIEND Aint a chick or dude around, can’t relate to what I’m saying We all had friends, which were straight perpetrating Saying they got our back, all the way to the end Same ole same ole, just a FAKE *** FRIEND So now I ride solo, I know it’s a risk If push comes to shove, Ill add my girl to the list Now I’m RICH and FAMOUS, and you wanna make amends But as I told you before, **** FAKE *** FRIENDS!
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