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"frye" poems
~~~ a poem derived from these words of Joel M Frye "Poetry is a self-policing agency, enforcing nothing ~~~ The Truth Burden is the accursed need obligatory, the sacred sanctity requisitioned, when the whenever, chooses to drops in and upflag the mailbox, an uninvited invitation, announcing with precise bluntness, that precisely now, is the tool crafted moment and you fool, are the selected tool you must render unto Ceaser, by your own hand, render your own rendering, do your own undoing, go forth and in haste, will thyself into the cauldron of the Great Mystery of Creation you cannot lie in poetry -one can only validate- you will tell the whole truth, and nothing but, all in good order, to secure me to thee, to muddle our molecular cocktail mix, you must, must give only truth in poetry, or give nothing police yourself in every aleph bet, don't substance abuse us with deceit, give only your unburdening, force us to lip kiss when we face each other, when pronouncing the blessed script of ourselves, that we have been granted by sharing each other's unvarnished lettres the burden is to un burden cut out what needs to be bridged from the secret walled-in safe, and give form, life and breath, expose it to the atmosphere, reform your bleak introspection and white horseradish bitter realism, turn blue blood veined internal into an amberina red, all by being unsaved, unsavory, unsafe you are the enforcer, you are the police, you are the validation and the validator, enforcing this sole law, police your self, give us with no agent in between, give us nothing but, a voice one will recognize instantly as the whole fats milk of truth oh, how I will embrace thy one and only, when given, your one and only for do we dare disagree that is each other's truths that shall set us free? ••• for we are the inhabitants, of this wild land of no inhibitions, no rule of laws, except one, defend the essence, protect the defenseless integrity, promote the mystery of the human poem
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Aug 9, 2017
Aug 9, 2017 at 9:21 AM UTC
The Truth Burden (you cannot lie in poetry)
~~~ a poem derived from these words of Joel M Frye "Poetry is a self-policing agency, enforcing nothing ~~~ The Truth Burden is the accursed need obligatory, the sacred sanctity requisitioned, when the whenever, chooses to drops in and upflag the mailbox, an uninvited invitation, announcing with precise bluntness, that precisely now, is the tool crafted moment and you fool, are the selected tool you must render unto Ceaser, by your own hand, render your own rendering, do your own undoing, go forth and in haste, will thyself into the cauldron of the Great Mystery of Creation you cannot lie in poetry -one can only validate- you will tell the whole truth, and nothing but, all in good order, to secure me to thee, to muddle our molecular cocktail mix, you must, must give only truth in poetry, or give nothing police yourself in every aleph bet, don't substance abuse us with deceit, give only your unburdening, force us to lip kiss when we face each other, when pronouncing the blessed script of ourselves, that we have been granted by sharing each other's unvarnished lettres the burden is to un burden cut out what needs to be bridged from the secret walled-in safe, and give form, life and breath, expose it to the atmosphere, reform your bleak introspection and white horseradish bitter realism, turn blue blood veined internal into an amberina red, all by being unsaved, unsavory, unsafe you are the enforcer, you are the police, you are the validation and the validator, enforcing this sole law, police your self, give us with no agent in between, give us nothing but, a voice one will recognize instantly as the whole fats milk of truth oh, how I will embrace thy one and only, when given, your one and only for do we dare disagree that is each other's truths that shall set us free? ••• for we are the inhabitants, of this wild land of no inhibitions, no rule of laws, except one, defend the essence, protect the defenseless integrity, promote the mystery of the human poem
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94
I can’t remember what I said right before… I kissed you. I think I was wearing your blue and orange hat, the one with the pompom (You look ridiculous in it). I’m sure you thought I was cute when I took it off your head and clicked up the sidewalk backwards as I put it on. I probably thought I was giving you sexy-eyes. I thought you’d think I was crazy when I showed up at your door and rang your doorbell, (like eight times) at 4:37 AM. But I just wanted a kiss I could remember— one I could accept my diploma with. Not a face-full of beard and a blurry hint at what color your eyes might have been when I… took a step back. I wanted to kick off my black Frye boots that made me taller than you on the hill. I wanted to shave that beard to see your face for the first time.
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Sep 14, 2012
Sep 14, 2012 at 10:36 PM UTC
Office Hours are Over
<In Memoriam: Joel M Frye> we spoke perhaps twice by antiquated conveyance, actually exchanging voices, real words, not ionized, we knew so little, so much of other, in modern ways, where you can feel without touch, see with eyes closed, scenting tthrough a wire, hearing the voices whenever inhaling each’s poems, tonguing, tasting the words aloud nonetheless, ‘tis nonsensical, that his earthly disappearance should defect my affectations, with the chested sensational of loss, deprivation,, that I am missing a poet, his insights, his way of saying the same thing yet so differently which is exactly what we do here daily, reheating upon rehearing each others verbal notions of rue, worry, love lost, abandoned faith, momentarily reignited, wondering instantly and perpetually do words matter, just before we, with excited sighs we pick up the unique utensil fluidity that allows this communication of spirit; now it strikes me hard, it is his spirited humorous man-n’ere,in everything, that became has attached to me, consciously and consciencely, humanizing me by his good graces that cannot now be refreshed until I reread him one time more
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Jul 5, 2023
Jul 5, 2023 at 7:22 AM UTC
What We Do Here Daily - The Atmospheric Touching,
Do not stand at my grave and weep: I am not there; I do not sleep. I am a thousand winds that blow, I am the diamond glints on snow, I am the sun on ripened grain, I am the gentle autumn rain. When you awaken in the morning’s hush I am the swift uplifting rush Of quiet birds in circling flight. I am the soft starshine at night. Do not stand at my grave and cry: I am not there; I did not die.
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Jan 9, 2016
Jan 9, 2016 at 3:04 AM UTC
Do not stand at my grave and weep by Mary Elizabeth Frye
My third attempt to commemorate Joel Frye. News arrived Mid-May, found me far from home, found me shock-gasping in a hotel room, on the wrong coast, though he sort-of-warned-warned, about a month earlier, I misunderstood his subsequent silence, thus it caught me unawares, unprepared, and strangely grasping for proper comprehension and the right words, that usually come so quickly, even too easy~quick, when one’s emotions are running fast, like a springtime Northwest mountain stream Imagine a conversation of nine year’s duration, one of a number forged in the iron-y of poetry, a most genteel art. I found his words above in a comment on a poem (1) of mine, writ in 2015; the subject, so apropos, to be ever gentle to thy words. Our dialogue and mutual admiration lives on and survives, for bonds forged ex-the world of poetry, but more so, in real deeds and deals and realized poems come true. We never met. Not unusual for an on-line community, where the social, literate media can foster a closeness surpassing the normative standard need of the physical, which nonetheless the absence of that touch is now deep regretted. But Joel do not be concerned! Your words will live with others, as per your desire. This my promise, this my premise: A debt of brotherhood that will be, must be, paid in full. So let’s begin…shall we… ~~~~ Joel Frye Sep 2015 Friends Some for a reason, some for a season; even lifetimes come and go. All things are transitory.  Doesn't mean I have to like it. <> (1j https://hellopoetry.com/poem/1425812/oh-poet-be-ever-gentle-to-thy-words/
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Jun 27, 2023
Jun 27, 2023 at 8:10 AM UTC
Joel Frye : “I can only hope my words will live with others after I am gone.”
My third attempt to commemorate Joel Frye. News arrived Mid-May, found me far from home, found me shock-gasping in a hotel room, on the wrong coast, though he sort-of-warned-warned, about a month earlier, I misunderstood his subsequent silence, thus it caught me unawares, unprepared, and strangely grasping for proper comprehension and the right words, that usually come so quickly, even too easy~quick, when one’s emotions are running fast, like a springtime Northwest mountain stream Imagine a conversation of nine year’s duration, one of a number forged in the iron-y of poetry, a most genteel art. I found his words above in a comment on a poem (1) of mine, writ in 2015; the subject, so apropos, to be ever gentle to thy words. Our dialogue and mutual admiration lives on and survives, for bonds forged ex-the world of poetry, but more so, in real deeds and deals and realized poems come true. We never met. Not unusual for an on-line community, where the social, literate media can foster a closeness surpassing the normative standard need of the physical, which nonetheless the absence of that touch is now deep regretted. But Joel do not be concerned! Your words will live with others, as per your desire. This my promise, this my premise: A debt of brotherhood that will be, must be, paid in full. So let’s begin…shall we… ~~~~ Joel Frye Sep 2015 Friends Some for a reason, some for a season; even lifetimes come and go. All things are transitory.  Doesn't mean I have to like it. <> (1j https://hellopoetry.com/poem/1425812/oh-poet-be-ever-gentle-to-thy-words/
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43
It was the way the branches were shaped. I have lived in this house for exactly a year and seven months. I have sat in this exact chair and observed my surroundings. I have studied the positions of the trees, the way their leaves are shaped. I have sat here and talked about life with the greatest man I've ever known. Watched the snow fall, filled with anxiety, I thought I was trapped forever. Seasons passed and I grew with the changes. Tonight I sat here, blood soaked in ***** norco dissolving in nasal passages, Mary Jane dancing in the wind... I felt the frightful chill of October. It was like death and despair had arrived and taken hold of my soul. They reached out their ghostly arms and embraced me, filled me with dark cavernous thoughts. I was numb and the weight of a thousand worlds fell upon my shoulders once again. I saw his face, I longed for the chance of laying upon his bed and breathing him in. Breathing in the nights when he said he had my back forever, inhaling the bittersweet sting of a love rejected. I missed his laugh, his temper. I saw his name written in the trees and I knew his voice. The wind whispered through the leaves and played a song like Mary Elizabeth Frye once described. I heard his song, crying out for me to live, to make this existence matter. Cheeks turned, I blamed the higher being, "why such a beautiful soul? Why?" I am so cold and I can't feel my limbs, frozen in yesterday, frozen in the October wind. I sit here and I read it in the trees, it tells me to live but I think I've forgotten how.
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Oct 10, 2013
Oct 10, 2013 at 3:09 PM UTC
JP
It was the way the branches were shaped. I have lived in this house for exactly a year and seven months. I have sat in this exact chair and observed my surroundings. I have studied the positions of the trees, the way their leaves are shaped. I have sat here and talked about life with the greatest man I've ever known. Watched the snow fall, filled with anxiety, I thought I was trapped forever. Seasons passed and I grew with the changes. Tonight I sat here, blood soaked in ***** norco dissolving in nasal passages, Mary Jane dancing in the wind... I felt the frightful chill of October. It was like death and despair had arrived and taken hold of my soul. They reached out their ghostly arms and embraced me, filled me with dark cavernous thoughts. I was numb and the weight of a thousand worlds fell upon my shoulders once again. I saw his face, I longed for the chance of laying upon his bed and breathing him in. Breathing in the nights when he said he had my back forever, inhaling the bittersweet sting of a love rejected. I missed his laugh, his temper. I saw his name written in the trees and I knew his voice. The wind whispered through the leaves and played a song like Mary Elizabeth Frye once described. I heard his song, crying out for me to live, to make this existence matter. Cheeks turned, I blamed the higher being, "why such a beautiful soul? Why?" I am so cold and I can't feel my limbs, frozen in yesterday, frozen in the October wind. I sit here and I read it in the trees, it tells me to live but I think I've forgotten how.
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1
ducks need water possums need acting classes a horse needs to run ligers need fans and monkeys need macadamia nuts I need some ray bans dogs need love cats need mice like mice need hide-aways I REALLY NEED those Frye boots mosquitos need blood and fire needs air water needs a pathway I need a new weave feet need ground sails need wind Louis needs a direction and I need their new cd
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Mar 19, 2013
Mar 19, 2013 at 11:17 PM UTC
shrieks
Crazy Guy Sends His Poems to a Dead Guy ~for Joel Frye,and yes it’s true~ ah another trivial pursuit of trivial nuggets bout yours untruly, that is a truly truly, poets that I’ve known here, but who have moved on, it’s my obligation to keep them posted on the au courant, so slip them a poem or two, when you ain’t looking to make one wonder even more, what makes a man a nutty Natty.? well if you don’t know the answer to that after two t h o u s a n d plus poems, you are not getting me but Joel Frye, mutual enjoyed our scribblings, yeah, he got me, so via social media, keep him posted of my latest écrits, fancy french for scribbles, of course he gets them before me, in so far I assume my thots are known to rise or more likely drop, even before they traverse that narrow passage between my ears… but really, just in case, in the peace and quiet of the hubbub above, with all them comings and goings, he, God forbid, (ha!), he may overlook my inane insanities, and the weirdness of my compositions, real, ethereal and in between~al, that’s a great whew~relief knowing, at least some one! is reading my stuff… natty
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Dec 17, 2023
Dec 17, 2023 at 5:58 PM UTC
Crazy Person Sends His Poems to a Dead Guy
Do not stand at my grave and weep I am not there. I do not sleep. I am a thousand winds that blow. I am the diamond glints on snow. I am the sunlight on ripened grain. I am the gentle autumn rain. When you awaken in the morning's hush I am the swift uplifting rush Of quiet birds in circled flight. I am the soft stars that shine at night. Do not stand at my grave and cry; I am not there. I did not die. by Mary Elizabeth Frye. 9/12/2016.
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Sep 12, 2016
Sep 12, 2016 at 4:27 PM UTC
Do Not Stand At My Grave And Weep.
Do not stand at my grave and weep; I am not there. I do not sleep. I am a thousand winds that blow. I am the diamond glints on snow. I am the sunlight on ripened grain. I am the gentle autumn rain. When you awaken in the morning's hush I am the swift uplifting rush Of quiet birds in circled flight. I am the soft stars that shine at night. Do not stand at my grave and cry; I am not there. I did not die.
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Mar 14, 2017
Mar 14, 2017 at 9:24 PM UTC
Do not stand at my grave and weep, by Mary Frye
~for Joel M Frye~ give me your blunt, stunted words, rooted in the genome human give me rough, toughened words, wizened savvy by caress and punch what use angels ethereal pinheaded, inexperienced in the vocabulary of the maddening crowd give me anger, rage, envy-jealousy, the burnt ashes of the remainder of real give me perspective of eyes facedown on concrete, feel of flesh hands pounding the soft spots of the skull In return for? What bargain struck?  What consideration exchanged? for your blunt, stunted words, I give you this: the homage of inspiration the honor of no questions asked one day of my life poured into your vase
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Mar 9, 2017
Mar 9, 2017 at 7:00 PM UTC
give me your blunt, stunted words
Opened Frye's Paving Company...specializing in good intentions.
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Jan 1, 2016
Jan 1, 2016 at 9:59 AM UTC
Entrepreneurship
I trace your faded prints upon the dirt around them, mud congeals to form my hurt failing falling stars confuse my path I shuffle feet for miles but stay inert all false the trails refusing to subvert antipathetic strands to stir my wrath The trees all flay themselves to spill the secrets thou swore undying oath to never keepest lest all worlds align to hide the truth Pausing, taking breaths beneath the deepest floors of pits that tenderly would keep us undestined, lost and wild to know our youth And seek you out I must, I must, I will, at universe's end, a galaxy where we would rest, reborn; become, to be where every breath relaxes into still Ever will you walk alone, until you witness me in my entirety Come, my unforgotten one, you see arrival less one is a bitter pill
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Jun 9, 2014
Jun 9, 2014 at 4:30 PM UTC
wither thou goest ( co- write with Joel M Frye)
~~~ "all poetry is confessional, whether written in the first person or not. If nothing else, it is a homing device to our souls, telling any who read where we stand, what we see from our perspective and our poet's eye. When enough of us speak of what we perceive, perhaps someday we'll understand that the tree, the snake, and the rope are indeed an elephant." Joel Frye perhaps the essential modifier of our lives, or as one of the greatest philosopher reprised, Professor Alfred E. Doolittle, "Oh, you can walk the straight and narrow; But with a little bit of luck, (perhaps) you'll run amuck!"^ this thence, one more mine true confession, so many discoursed, cursed have seen the roped wrapped tree firmly snaking around its cored trunk, issuing forced strangling sounds, the musical product of its own umbilical chord still and yet, the jungled elephants, from my visionary, remain ghostly hidden, stolid solid doesn't not comport with the hallucinogenic jive of running amuck! limitations shun my expectations, abilities misrule hide my hoped-for-destination of hopes, my elephants, still and yet, elude the grasp of exhausted roving eyes undeterred and reaffirmed, until and then, when the elephants come to me on bended knee, can understanding be perhaps pronounced, as being blessed with best satisfaction, with the finest of illuminating, most-happy-fella, well known, elephantine-humantine-pink combine phrases A Happy Ending After All ^My Fair Lady - With A Little Bit O' Luck Lyrics
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Feb 16, 2016
Feb 16, 2016 at 5:20 PM UTC
perhaps, someday, we'll understand that the tree, the snake, and the rope are indeed an elephant
~~~ "all poetry is confessional, whether written in the first person or not. If nothing else, it is a homing device to our souls, telling any who read where we stand, what we see from our perspective and our poet's eye. When enough of us speak of what we perceive, perhaps someday we'll understand that the tree, the snake, and the rope are indeed an elephant." Joel Frye perhaps the essential modifier of our lives, or as one of the greatest philosopher reprised, Professor Alfred E. Doolittle, "Oh, you can walk the straight and narrow; But with a little bit of luck, (perhaps) you'll run amuck!"^ this thence, one more mine true confession, so many discoursed, cursed have seen the roped wrapped tree firmly snaking around its cored trunk, issuing forced strangling sounds, the musical product of its own umbilical chord still and yet, the jungled elephants, from my visionary, remain ghostly hidden, stolid solid doesn't not comport with the hallucinogenic jive of running amuck! limitations shun my expectations, abilities misrule hide my hoped-for-destination of hopes, my elephants, still and yet, elude the grasp of exhausted roving eyes undeterred and reaffirmed, until and then, when the elephants come to me on bended knee, can understanding be perhaps pronounced, as being blessed with best satisfaction, with the finest of illuminating, most-happy-fella, well known, elephantine-humantine-pink combine phrases A Happy Ending After All ^My Fair Lady - With A Little Bit O' Luck Lyrics
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53
I waited under under a waning moon for a night that did not start Beneath the pale of exacting twilight I ripped open my chest and held out my heart The darkness surrounding consuming its light drumming of heartbeats an encrypted call to a lover, a predator no one at all But you called to me You asked me to answer your prayers and in the coming night I wait for you under the pale moon light a silvery silence which sounds of a hopeful despair Which now knows of the who but not the where Silvery is the moon the silence I can not bear am I to be frowned upon even as I am aware I am here You are there the weighted distance counts the miles aloud... I'm not allowed to seek you out, must stay suspended in my lunar shroud I felt your every heart beat Like footsteps upon the floor I even felt the finality when you decided to close the door The moon was shielded by clouds that night She, like me, couldn't bear to see the agony of your fight, your flight Torn between survival and what could never be breathing just for revival
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Jun 15, 2013
Jun 15, 2013 at 6:24 AM UTC
Moonlight Meets Fantasy... (a co write with Joel M Frye)
kiss me with your words touch me with your soul brush against me, tightly lose your self control brand me with haiku's flay me with short spiked whips crisscross the marks on my body alliterated under a lunar eclipse trace the edge of my demons as they crawl beneath my skin flick them from my opalescence denying their claim of original sin Oh, how I adore you! you embrace a pattern of acceptance for the road that I crawl upon darkness is a cloak I wear heavily and all I have is you, to depend on In the house I set up on the corner of Bitterness St and Lonely Rd You never saw me as a mourner just one who shared your old zip code oh, how I adore you you totally relate, so unrehearsed you stroke a fever with a feathered cane crisscrossing old scars on a new body dancing along the same orbital plane oh, how I adore you
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May 27, 2014
May 27, 2014 at 3:47 AM UTC
oh, how I adore you ~ for Joel M Frye
Ghosts ©1984 Joel M. Frye There are ghosts upon the platform Standing cold and still and pale, There are ghosts upon the platform Waiting by that long-gone rail. A woman on a suitcase, The porter in mid-stride; Two kids, an old man watching For that train they'll never ride. “Hey, Grampa, where's old 99?” “She won't come through again. The interstate's a-rolling Where we used to catch the train.” There are ghosts upon the platform Standing cold and still and pale, There are ghosts upon the platform Waiting by that long-gone rail. The steel canal, it nailed the lid On Mr. Clinton's dream. The iron horse died of drowning Underneath an asphalt stream. There are ghosts upon the platform Standing cold and still and pale, There are ghosts upon the platform Waiting by that long-gone rail. “Hey, Grampa, where's old 99?” “She won't come through again. Six-ninety goes a-rolling Where we used to catch the train.” There are ghosts upon the platform Standing cold and still and pale, There are ghosts upon the platform Waiting by that long-gone rail.
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Mar 11, 2015
Mar 11, 2015 at 2:52 AM UTC
Ghosts
To truly know the fire, one must taste the ashes. To truly feel the burn one must know the flame To truly burn with fire casts off the brightest light. and in the ashes lay the taste of another day
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Jul 21, 2015
Jul 21, 2015 at 6:29 AM UTC
Unscripted (collaboration with Joel Frye)
If I could ask your heart how much from me it could bear, I might as well ask the same from the legs of my chair. For posted on a chair, is a specific warning to heed How much weight it can hold, how much not to exceed. And as for your heart, for it not to break, I should’ve been perfect, and should’ve made no mistake. But over the years, I increased all its strain Never knowing how much stress it could really sustain. As if this heart wasn't holding enough I’d given it more to lug when things got the slightest bit rough. I knew of things you’d endured, the dark of your past Instead of a savior, I was a lethal bomb blast. Only when you broke did I accept all the blame. You dealt with identical faults, my errors the same. When cognitive dissonance and other issues arose, Regrettably it was of you that I chose to dispose. But if you could ask my heart how much for you it did care You might as well ask me how much I need air. For posted on my heart is a picture of you And a list of things that I’ll never let you go through.
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Apr 17, 2014
Apr 17, 2014 at 11:36 AM UTC
My Frye
Do not stand at my grave and weep I am not there. I do not sleep. I am a thousand winds that blow. I am the diamond glints on snow. I am the sunlight on ripened grain. I am the gentle autumn rain. When you awaken in the morning’s hush I am the swift uplifting rush Of quiet birds in circled flight. I am the soft stars that shine at night. Do not stand at my grave and cry; I am not there. I did not die. by Mary Elizabeth Frye
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Sep 25, 2013
Sep 25, 2013 at 6:18 PM UTC
Do not stand at my grave and weep
Do not stand at my grave and weep by Mary Elizabeth Frye Do not stand at my grave and weep: I am not there; I do not sleep. I am a thousand winds that blow, I am the diamond glints on snow, I am the sun on ripened grain, I am the gentle autumn rain. When you awaken in the morning’s hush I am the swift uplifting rush Of quiet birds in circling flight. I am the soft starshine at night. Do not stand at my grave and cry: I am not there; I did not die.
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Dec 19, 2014
Dec 19, 2014 at 12:11 AM UTC
I have to share this poem:
The poet cannot talk about what he already knows. Northrop Frye light splits the world in seen and unseen night accelerates some fascination I contemplate the poverty of words who is doing the autopsy of freedom or something, a requiem for a country that torments its name streets don't smell of winter but of loneliness and oblivion, exhaustion and rage some have already forgotten the meaning of blood we like sweating not weeping, cursing not dreaming, finding the stain not the brain of fog we practice forgetting like the snake charmers dreams look like second hand stores, like the promise of the apocalypse,  a local version of Munch's scream, like an uninvented wheel or the beginning of the world. an old lady sells fir wreaths in disbelief too many drugstores ignore the untethered soul,   a place of redemption they are, unwittingly here there are poets, there are beasts, gentle souls and blind alleys, indifferent smiles and lazy hands and who can hear/bear the echo of that song... better dead than communists, comrades province hates the center, the center forgets its north, the all good sequestred against the all bad, no dialectics in doublespeak truth to be told, there is  no consent for telling the truth ersatz emotions exchanged casually, Hell is other people. always.  some play Russian roulette with reality, we are the heirs of a history disorder if my dreams are full of birds, waters, lonesome deposits of the flow of time, I have to wonder is history a desire machine searching for some mythical proportions this country or a ****** mother with indifferent hands here citizens have no faces, but interrupted gestures, fractured thoughts without containment I fear those who cannot cry without the meaning of blood history has no meaning or maybe it does, look at the speed of some digital thoughts,  the attack of ready made ideas. ideology becomes eulogy no wonder I don't know how to end this poem we need new words that contain their power what is freedom? who knows, who cares. oh, an old adagio, a gangrene of our undiscovered minds
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Jan 8, 2025
Jan 8, 2025 at 4:22 PM UTC
poverty of words
The poet cannot talk about what he already knows. Northrop Frye light splits the world in seen and unseen night accelerates some fascination I contemplate the poverty of words who is doing the autopsy of freedom or something, a requiem for a country that torments its name streets don't smell of winter but of loneliness and oblivion, exhaustion and rage some have already forgotten the meaning of blood we like sweating not weeping, cursing not dreaming, finding the stain not the brain of fog we practice forgetting like the snake charmers dreams look like second hand stores, like the promise of the apocalypse,  a local version of Munch's scream, like an uninvented wheel or the beginning of the world. an old lady sells fir wreaths in disbelief too many drugstores ignore the untethered soul,   a place of redemption they are, unwittingly here there are poets, there are beasts, gentle souls and blind alleys, indifferent smiles and lazy hands and who can hear/bear the echo of that song... better dead than communists, comrades province hates the center, the center forgets its north, the all good sequestred against the all bad, no dialectics in doublespeak truth to be told, there is  no consent for telling the truth ersatz emotions exchanged casually, Hell is other people. always.  some play Russian roulette with reality, we are the heirs of a history disorder if my dreams are full of birds, waters, lonesome deposits of the flow of time, I have to wonder is history a desire machine searching for some mythical proportions this country or a ****** mother with indifferent hands here citizens have no faces, but interrupted gestures, fractured thoughts without containment I fear those who cannot cry without the meaning of blood history has no meaning or maybe it does, look at the speed of some digital thoughts,  the attack of ready made ideas. ideology becomes eulogy no wonder I don't know how to end this poem we need new words that contain their power what is freedom? who knows, who cares. oh, an old adagio, a gangrene of our undiscovered minds
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32
The shadows have been cleared through watery eyes A soul well fed by creativity beyond measure …you fed me well my friend with grace, ease and peace As the sun cleared the rain I ceased breathing the sorrow poured from my depths I honor the words, the love…dark and light you are the bearer of many truths I honor you and our words. Eternal peace Friar⭐️ From your TLC💜🙏🏻
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May 19, 2023
May 19, 2023 at 7:39 AM UTC
For Joel M Frye