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Mateuš Conrad Oct 2015
.let's begin: i've been watching youtube haemorrhage over the past few years (4 / 5 in total) and... i do still enjoy the sort of cabaret weimar associated with criticalcondition when comapred to beanie hat tim pool... sorry: i just like a bit of cabaret, i know that comedy is translated in the western lands by stand-up monologues, but in germany and poland: cabaret is the toy assurance to compensate the justifications for theatre or opera... i like criticalcondition, trans-, ******: my my, how did the chemistry prefixes of attachement groups of a benzene ring overpower bio-realism? imagine a blocked toilet in terms of hinduism / buddhism in terms of the metaphysics of reincarnation... well: metaphysics by their great culinary understanding implies: a return to the same debacle, perhaps only slightly elevated... we have already reached a post- gott ist tot scenario of metaphysics... gott is quiet apparent, since the ancient greeks believed that "shamed" men would come back as women: now? the women did a shortcut... they said: tod ist tot... wouldn't that be the case? a blocked toilet, well... if god has to die first, then death itself has to die, ergo: tod ist tot! ha ha... imagine... to think of the glamorous concept of eastern theology as nothing more than a plumber's day-shift... looks like the toilet is blocked... since... men are not spawning into female form after death, instead, deciding to spawn back into male form with a female "brain"... who is that god of mischief in hinduism? oh... look! Aditi! well it's not an isolated case, is it? i once picked up a thai surprise from a park bench, played her some jazz, ****** her in the garden... bangkok ladyboys are the duran duran of 1980s electro-puppy-pop! once god dies, death follows suit... after all... death is (a) shadow of (the) god... blocked toilet metaphysics, all the brahmin as running wild, naked, psychotic: but the lesser men were not supposed to know they were reborn into female bodies, there was that safety net in place to: let them reincarnate with an amnesia principle! what's happening?! the women are raiding up the ranks?! contrapoints compared to tim pool? sorry beanie-boy... you're not the beastie... quiet... i'd love to b.j. that make-up off from contrapoints... problem being... i love when a ****** speaks so much sense... but... hands... i find a woman's hands too be the most ****** aspect of her body... 4/5... that's a fraction... for my five knuckles in terms of hand size, ***** "envy" and what my five knuckles look like to a woman's 4? you get the picture... there is also another fraction... 72 genders?! wha-?! i see gender in the 3/2 fraction... a woman can satisfy three men... the ****, the **** the mouth... a man... can only satisfy 2... the **** and the mouth... oh... wait... 3/3... someone can be giving him a b.j. while he's giving him a b.j..... it's still a blockage of reincarnation though... the greeks believed the lesser man was to be reborn in a "lesser" body... ****, i always forget how the ratio works... i always think: 1 man has 3 options of entry, 3 women have 1 point of entry each... but fraction is wonky though... in that... a woman can entertain three variations of entry: mouth, ****, ****... but a man has to entertain two points of entry and one point of insertion... so the fraction still stands at 3/2... which makes the islamic celestial harem nonsense... unless equipped with an exess of res extensa ****** to satiate the hunger of 72 virgins... a ****** gambit if you ask me... 72 virgins sounds more like a headache than what Solomon forsake in owning for the queen of Shēba... king! Solomon! after all the *******, enough wisdom suddenly trickled into his head, and he chose the route of the monogamy of birds! mind you: whatever wisdom king! Solomon ever had to begin with... i would still favor king David... i like a man with a distrust of women and having an unadulterated desire for music as second to none medicinal property to cure existential ailments; i tried *******, no good... sure, great exercise... esp. with prostitutes... but an in depth analysis of the perpetuated banality of life and how to learn to masquerade it behind a veil of seemingly banal? a harem will not help, but music will. even nietzsche understood this... criticalcondition: i do actually fancy him it her they... she does have that: je ne sais quoi air... weimar cabaret "revised"... not quiet the switz cabaret dada voltaire... but all i know is the number of holes of points of insertion and the fact that i have hands the size that could hold a basketball in one... and how... oh, wow! i really came late to the asian fetish party late... here, have some grenades! **** ying, cat meng, na mu han, you mi, ni ye teng, ai sayama, hoshina mizuki, ayaka noda, (l)im ji hye, lie fei er, (barbie) ke er... ergo? this whole asian fetish scene? am i looking at dolls? i'm not even sure... am i white, by comparison to these procelain babushkas?! i'm not white: orange man bad! i thought so too: i'm... piglet! the i'm not white: these girls are... and the funny thing is, the "funny" thing, is? i don't have to see much more beside the cleavage or the ******* or the thighs to... hey! i'm a late bloomer to this asiatic fetish... side-tracked by the european transgender ******* and the thai surprise ladyboys... what is **** what isn't ****: that, really depends on how much you rely on your imagination... if a sight of white, porcelain cleavage gets you off... who the hell needs the whole "show"... after all... even the niqab is a game on how to arouse the male libido... it's pretty hard to be aroused by a fully exposed female torso like some maasai ivory beauty... then the "said" objects are more functional and designated for feeding purposes... than ***** *******... aren't they?! oh i can see a revision of the niqab... imagine this in saudi arabia... both the eyes are not hidden from view, as isn't the mouth! batman 2."oh"... oh i don't like these new communists in the west... white... priv. who, that japanese?! i'm not white, i said it already and i'll say it again: i'm not a porcelain doll! talk to the **** about white privilege... they're the ones with milk veils... my "white privilege" is only associated to having blond hair, green or blue eyes... it has nothing to do with... skin!

i’m suspicious of the ones that say: without telling the truth
we can moralise, by not stating the truth
we can allow ourselves falsehood in the prime
instinct to provide replicas of ourselves
without truth of two subject interacting,
but merely the truth of two objects interacting
reducible into the dwarf of darwinism
that speaks: over-sexualise and feel less encountered
by understanding the opposite!
so much is true in this era - with the english poodle
waggling in frenzies for the americans to spectate and applaud...
i’ve had to become a german in england,
the sort that might be liked by nietzschean arrogance,
but apart from that i’m working on how
certain people simply use words rather than letters,
how they can never use the shovels and pickaxes,
how this congregation of atheists at comic stand-up shows
is doing my head in: a theological mid-life crises,
this blatant take on theology using the logic:
from monkey you came, to monkeying you shall return...
now that trends like the crown all animals have,
all animals already unique do not need to replicate consciously,
but man is stumbling into wasting his conscious on replication,
on plagiarism... it’s so odd... so so odd! why would man
waste his consciousness to simply invoke replication?
where’s the self in that, the anti-frankenstein story so powerful
he does not wish to do anything other than marvel at
the connectivity of the bone to the nerve to the muscle?
the 20th century gave birth militant atheism -
the 21st century is labouring with a different kind of atheism -
the sort of atheism that says no barriers exist between master and servant
as between worm and pigeon - even though
the depression of the master is opposed to the servant’s depression
that he only spots analogues within the framework of
synonymity with other masters... ‘why are we so depressed?’
asked master a, ‘i have no idea,’ answered master b over lunch.
in the lower decks of the ship servant a says to servant b -
- ‘god, i rowed all day long, i’m so ****** tired!
no thought will keep me awake.’
- ‘that’s true, i’m knackered also, broken limbs of my effort
like a chestnut, no thought will keep me awake either,
lucky we exhaust the body.’
- ‘too true, with the body exhausted the mind is never disputed
never disputed by not having origins in thinking
but rather having origins in the body.’
- ‘verily, i rather our fate than the masters’ fate.’
- ‘why?’
- ‘as you said, our’s is the story of ****** demands,
their’s is a story of thought’s demands,
meaning they exhaust their mind in the accesses
thought provides, it’s like a secondary body we have no knowledge of,
they are exhausted by thinking because their body is not exhausted.’
- ‘makes sense.’
- 'hence their malady of melancholia and our as simple exhaustion.'
- 'where’s the buffer?'
- 'in the olympians, the discus throwers, the most positive lot, and due to this, the easiest
to break down from high positivity; they have no awareness
of complex thinking and are quickly undermined with all this sports’ psychology!'
- 'true to the burning tire... it's all dietary awareness and muscle bulk with them after a loss.'
- 'indeed, as our's is with aesop dreamily awaiting a freedom that’s an anarchy,as translated from aesop's fables into
spartacus' resolve.'
- 'ah yes, that old spartan revolt in the roman empire.'
so like i said, i do know that darwinism is the new super cool sensibility,
taking into account more than 10,000 years of history
and talking about it for 2 hours wishing that something
spectacular might happen tomorrow, or any other given day...
but like i said previously... darwinism just killed history...
outside the realm of journalism we’re talking millions of years...
so why would i give a **** if it’s a friday the 23rd of october in the imaginary year 2015?
well if you put crocodile into a pile of hyenas you’ll probably
get a a cuckoo mixed with a squid because of the beak shared by the two...
i know, atheism is cool, for now,
but when the quantum j provides the classical physics’ objects like jupiter
you’ll ask what the quantum of j is... and i’ll say... full-stop...
that’s because, perhaps, i never use language as:
copy - work - paste - with - copy - me - paste - on - copy - this - paste - one,
but rather...
w - grammatical arithmetic (g.a.) - o - g.a. - r - g.a. - k,
because no one can tell me that the letter j
is uniform in the context of i or k...
as the quantum phonetics of uttering the word
onomatopoeia... is no different from uttering the word bull...
so many variables of spotting the quantum physics
in pronunciation... so many varying levels of required energy
to utter j or k... onomatopoeia or bull -
so... what's the antonym of quantum - the maximum
amount of any physical entity involved in an interaction -
i know that poets speak of grains of sand = no. of stars
and that the mathematicians use the curtain of infinity
to digress... but finding the maximum will be harder
given that there will be no socratic knowledge to use as canvas...
i.e. nothing;
added to the fact that there’s a non-differential quantum
that makes ë and em almost identical in terms of the least energy used,
this humanistic paradox of bonding means there is no unique human
sound that doesn’t borrow another human sound to execute a phoneticism,
otherwise ë and em translate as eh and humming anti-treble of the lips, or finger licking mmm of kentucky.
actually... we have the opposite of quantum physics...
the body functions within an ~37ºC emission...
there are four seasons in a year... the earth's orbit is 365 days,
i just took all the known macro units
and consolidated them in the micro unit of joules undifferentiated
in terms of observable "energy."
zebra Aug 2016
while heaven and hell
where engrossed in their own affairs
the light bringer
an incandescent intelligence
was cast down
to this metallic monument of stone
hurled to the depths
mourning star falling
for aspiring
to greater altitudes
the furthest reaches
perhaps some distant
parametric edge
or insensate endlessness
of the northern most realms
Baals glittering throne

Lucifer
stellar divinity
mourning light
enemy of evil
gave mankind its foundations
fire, technology
the signatures of spirits
those vey veys
the voodoo
that Jews do
the secret of
the dark speculum
polished obsidian
for scrying
door to arcane gods
and spirits dark
of great power
Solomons instruments of wisdom
demonstrating that man might live in grace
without watering the ground with tears

now vanquished in the depths
of labyrinths submerged
and contained in a brass vessel
crypt of sigils
the true names of power
reside

as ages rolled over
we lost our depth of mind
became zombies
shadow beings
at first a mystery to our selves
and then the mysteries
became memories
and then even the memories
became dust

no longer could
we conjure or evoke
from the depths
our Jacobs ladder
those Goetic spirits
and  Amadel
of angelic powers
our protectors
and sustenance
lost and bereft of
aladins lamp
leaving men a drift in reason alone
barren religions of flagging faith
desolated
heaven and earth separated
a god absent
based on belief
the words
historic etymology
be-lie-eve
at its very core
it hides its secret for all to see
a lie

science of endless calculus
bereft
a one trick pony
rationality
like a sludge hammer
its only tool
which maps the known universe
but understands nothing
about what things mean
like the subtle architecture
of consciousness
and its interconnectedness
to all that there is
which may be nothing
with no physical properties
no volume
no trans-formative elemental substance
energies of light or force
or pulsating quanta
but inventions of consciousness
it self a light
which lacks volume
and physical quality
all of reality mere dreams
by an unknown dreamer
perhaps the child of another

at the stroke of midnight
the darkest point
in the murkiest age
the Kala Yuga
post modern man
remains conceited
while the world burns
paradise lost

Monotheism reigns
in our back water world
millenniums long night
of honor killings
god of the blade
thou shalt not ****
yet all condemned to die

put that in your pipe
slave makers
over bearing pedagogues
god loving war stooges
your god has a bigger ****
while parents
pack up their
shell shocked babies
there little trampled flowers
forced to
plummet to some dark address
tears fluttering
suffused  by poison clouds
in shady groves
where they only dare exhale

have you not had it yet
with gods mysterious ways
if it quacks like a duck
hello
hell goons
****** spiritual stasis
toxicity and contagion
of the simplistic

their god
a shrunken form
projection of an incomplete  mind

those who live by the sword
die by the sword
and those who do not
die anyway
not a leaf falls with out the will of god
are we not all falling
oh man
cast off axioms
of the addle brained

oh priests
of petrified ideation's
if you have a real god
look to reality to understand it
do you see mono anything
or do you see binary everything
love hate
macro micro
life death
creation destruction
as above so below
the tao
male female

no your god
both great and terrible
can not make you whole
with out her
for she is all of space
creator of all form
our human women
vessels of the goddess
who you have
conveniently subtracted
and profaned
for vainglories patriarchs sake

the universe it self
a multitude of powers
from hells deep shocks
and dismal woe
to adorations from the queen of heaven
and the sacred temple prostitutes
now made sullied
by goody goody minds
shames children
a vice of knives
solar heroes they think
while high minded and ignorant

the synoptic religions
feeding frenzies of dogma
beatings of submission
mouldering skeletons
of the abyss
******* blood loving bats
all dressed up
in Don Trump
plush red power ties
made in china
where indentured servants
in state hell mills
are worked to death

while others
prim men
pretending to love
god
all ostentatious actors
spiritual materialist
fearing hells abyss
outwardly proud
in self righteousness
performing public adorations
while in secret rooms
they ****** themselves
under shadows guilt
blasphemy of gloating piety
begrudging the pleasure of others
there guiding light

there true god
a demon of obedience
bes-tower of agony
ensuring
you gota suffer now
so you don't have to suffer later
dividing man from himself
All of them covering there heads
to obstruct the gifts of wisdom
and freedom
blocking the rays of Luciferic light
and insight
******* in there own hats
so they may remain undistracted
by their gods commands
having forgotten
that they themselves
made them up
pious dullards
that they are

oh Lucifer bright one
i stand before you
embraced by eight
the number of Majick
in arms that proliferate
the true will
Lucifers eight arms
amen
zebra Sep 2017
i'm sorry
but im going to devour you
like toast with butter and jam
let go to me
lose your self in the exaltation of suffering
albeit a difficult pleasure
feel me ruin you with every strike and stroke
blister tear and pierce
a quandary of liberation bleeding
take more then whats dished
ill turn you into a gushing river of squeals
and filthy verse

i'm in love with your ****
colored almost purple
like a wild mouthed poem
make it kiss me
let it eat my face
its more beautiful then an Hawaiian sunset
more tender then a baby lamb
your sweet lipped *****
a buttery sticky bun
its drools liquid diamonds

i'm sorry
i hit your **** so hard
but they bounced and bounced
and it drove me near mad
so gorgeous bruised and bleeding
casaba torrents
all hot stings and sweet

you stand glorious
between beauty and annihilation

your mouth swollen from being slapped so hard
nose bleed and mucous
your eyes enormous wombs
like fingers touching me

oh baby
im sorry
your tears imploring
pleading and drunk
on hair pulling frenzies

curse my brutish rampage
of *** gone mad
turning your body
into clouds and red splash ribbons

don't be sorry
she said
with pursed lips
your rabid hunger my own
i am an abyss of dark desires
a savage wraith
i want to kiss you like a lecher
all ******* and cherries
with legs squandered wide
a Halloween grotesque
with a ponytail

are you going to eat me
like a communion wafer
okay
if it will save you
am i not a saint of lust

"There is no greater love
than to lay down one's life for one's friends"
john15:13

so have your fun at my expense
make me your house of horrors
greased
for the scalding of your whip

ill be good
please do your worst
and ill show you my best
promise me
pretty please
kisses and cries
rainbows and ash
blistering ecstatic
sadomasochism
Graff1980 Aug 2016
Last night the truth was in the bottle. It may be a tad bit cliché, but the stripping away of my cognitive functions was a relaxing endeavor. Okay, there’s nothing cliché about that last sentence. Still, there I was past the crowded living room, cluttered with soda cans and people, past the small kitchen and the three guys playing cards, past the three wine coolers sipped through a straw, and the mixed drinks, pass all that there was the truth.
Dropping the regular essence of me, I slid behind the idiot clown. I tripped and stumbled, babbled and mumbled. My emotions unguarded, I spewed love almost as much as I spewed chunks of a greasy sausage pizza with little chewed up black olives. It was fun. One moment of not thinking. One moment of not dealing with the concrete and the abstract, the struggles and oppressions, my realistic paranoia and dark observations. I plopped limply down on the couch then slid off the side of it jokingly. The ground shuddered with a soft thud.  My friends laughed. I laughed. The truth is I like the sound of innocent laughter. It is a relief. All those synapse spitting out calming fluids. Till, what little stress that was left disappears.

     Before that the truth was in caffeine induced writing frenzies. There were small interludes of creativity swirling around dark depressive moods. I pushed and prodded the black keys as if I was chipping away chunks of stone on a marble sculpture; exposing myself and my truths.

     Someone told me that to be a great writer doesn’t require me to suffer. I thought it’s a good thing they’re not mutually exclusive, because the truth is I was suffering long before I started to write. The doubt which comes from learning more and more bled me to the verge of insanity. Maybe it was vanity that pushed me to seek the truth.

     Before that the truth was in quiet walks. The strolls down old dirt paths and memory lanes, crossing the mental traffic of past and present. I lingered at the jagged grey sparkling stone markers, sitting on newly grass covered plots, just hanging out at the graveyard because it was quiet. I wasn’t some emo kid. The truth was that I just preferred the quiet. It was the same reason I raced through the day to get to the night. Night was as nonjudgmental as the pine infested graveyard. No harsh sun glaring down. No strangers staring at me until I had to turn my head to the ground. The truth was the quiet, and the quiet was liberating.

      Before that the truth was in books. Kernels of wisdom locked in works of fiction. Little leather bound universes creeping in and transforming my mind.  Now, I prefer biographies; back then I loved the fantasies. Though in truth all nonfiction is fiction, because all reality is perceived relatively and written thusly. So, I stashed book in my back pack and back tracked down old alley ways to read away the lonely days. I sat in those dark corners, the dusty gravel biting my big bubble ****, but I was there for the quiet.

      Before that there was science. Beakers and Bunsen burners burning out atoms, and chlorophyll. I never really felt I had a talent for their postulates or formulas. Yet their subtle certainty, mired in uncertainty was appealing. They offered ever evolving truths. The strange transition from one logical position to the next and I was willing to adapt to any new facts.

      Before that there was god. I was his egotistically elevated idiot child. I could converse with adults on their level because in this they were as juvenile as I was; those ancient books that no longer make sense to me. Then it was the emotion of loving unearned certainty. The comfort of cowering beneath the awe and love of an all-powerful and all-knowing father figure, I called it the truth.

      Sometimes, when I couldn’t sleep, cause a life’s worth of anxiety was hounding me the truth was in the music. Soft sounding syllables serenading me to sleep, moving to the rhythm of a calmly flowing beat. The music gave me something to focus on. It was a converging point to calm the chaos. Once in a while the music would play out some story or point out some struggle. My Tracy Chapman that was the truth.

       Sleep was preferable to the waking madness of daily living. So, if I was tired I slept. People used to make me feel guilty about it. However, I realized that sleep healed the body and the mind. Sleep let me dream. Dreams let me do things beyond reality. They directed me to grand fantasies, or pointed out painful truths about myself. I could wake up crying, or I could go to bed sad and wake up content. That was the truth.  

       In-between all these things I pondered relative and certain truth. Was it constant or changing based on perception? People passed, none returned. I got older. Now my teeth are starting to rot right out of my face, but I still devour information; listening to the wild tales of strangers. Sometimes, I trust too much, other times I trust no one.

      The truth is I exist, amidst whatever this existence is. Beyond that I cannot clearly define this reality. What is the truth?
I
Ancestral Houses
SURELY among a rich man s flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?

II
My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here.  A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My ****** heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.

III
My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged.  In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.

IV
My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V
The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered ***** of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.

VI
The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no cleat fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.

VII
I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east.  A puff of wind
And those white glimmering fragments of the mist
sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
"Vengeance upon the murderers,' the cry goes up,
"Vengeance for Jacques Molay.' In cloud-pale rags, or
in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading
wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their
eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes.  No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or
of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks.  Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the
moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my
worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more.  The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
A Thomas Hawkins Jun 2010
It saddens me to see
the way my country bleeds
after leeches in the media
create frenzies just to feed

Xenophobic journalists
poke angry mobs with pens not sticks
distorting truths on paper
so they can get their kicks

Who knows now what the truth is
behind the stories that we read
Sensationalised *******
to create a headline lead

So before you jump aboard
the jingoist express
ask yourself who feeds
on the freedom of the press
Bryce Grunow Jun 2013
Sorrow has always captured my attention,
Tradegy framed in a single face,
A tear, all memories refracted from a single point.
Depression is always elegance in action,
Movement of one stage of a persons true grey,
To the next lightest color.
Color, not shade.
For we can all learn to interpret the grey.
But when that persons face brightens?
Their light is a stark display,
Deep indigo dances with flaming scarlet,
True cobalt blue swims alongside sky blue, yellow dawns a new era of verdant green.
All because of one small tear-shaped prism of refraction.
All shades of joy, frenzies of different shades dancing in one picture.
Shades, because all we knew was grey.
But joy... subsides. We all know this true, fortunately.
Without this, we would never see the beauty of grey.
That which is true rock bottom, Untainted by the scarlet of anger, the yellow of joy.
No, the pure single eloquence of sorrow.
M Harris Apr 2017
Psychic Trance & ****** Dance,
Emitting Chemical Solace Dipped In Her Capital Romance,

Feral Atmosphere Written In Her Carnal Elegies,
Rapturous Serenades Forming Phantasmal Effigies,

Magnetized Synchronicity & Metamorphized Reciprocity,
Animating Foreplays Dazzling Her Astral Virtuosity,

Phantasmal Lips Illuminating Cherub Faces In Draped Compositions,
Painting Supernatural Visions Forged In Her Vocal Inhibitions,

Prototype Voids & Spiraling Realms,
Religious Frenzies In Her Temporal Screams,

Autumn Sun Reincarnating The Light Of The Spring,
Glass House Perspectives Blooming In Her Prismatic Bling,

Rhapsody Confessions Of Her Divine Obsessions,
Rainbow Skies Dressed In Her Spiritual Progression,

Coral Spells & Synthetic Desires,
Floral Pastels Engineering Her Romantic Fires,

Nightlife Flatlining Through Her Lonely Avenues In LSD High,
A Congenital Sinner She Respires ****** Hues With A Luminescent Sigh!

– 05:13 AM –
betterdays Jun 2014
when the world,
was much younger
and i was a stupid-crazy
girl-ly-chick, enamoured
with her youth.

i drove, a sunshine,
lemon, yellow bottomed, white pith on top combi van. coyly, cloyingly named Mello Martha.

it was...surfboards and swimsuits,
egg and bacon sangers,
early morning breezes,
after a blitz at the breadbox.

before... changing into
the structured, tortured baby, bank teller blues,
in the back,doors left open.

it was... rockin, knockin,
***, on credit,
to a promised future,
alluded to, but postponed,
for the moment.

it was... bruised back and
grazed knees,
harder, deeper oh god!
oh god! please... faster, fucken frenzies,
on a saturday night.

it was....running away to nowhere,
to find myself,
then finding me,
running away from,
the self i didn't want to know.
noway, nowhere, nohow.

it was... a barrel of monkeys, a barrel of laughs,
a keg of beer,
a box of wine,
under the crowded stars.

it was.... a roadtrip,
up the coast,
midnight bonfire,
midnight munchies,
playing hunches,
exploring reefs and reefers and such.

it was...far from family
and church rules,
a friendly rebellion,
of loud, proud youth.
totally and brazenly,
uncouth
it was... wham! and m.j.
cindy and boy george's culture club ,paperlace,
billy idol and the beach boys.
sung with abandon,
at spinal tap level eleven.

it was... peaceful, quiet, sleeping grace.
insanely in love with...
i forgot his name.

it was.... the birth of bodaciously me.
all brass hair and bosoms,
wild and carefree.

it was ....so long ago,

it was... yesterday night,

when i saw... Mello Martha's identical twin,
stopped at a traffic light.
it was... sunshine and lemon, bitter and sweet,
as she sailed off, down the street.
i sat and watched,
wist, full of recollect,
far and away, from my presently minded place...
sitting in, the driver's seat,
of my mom-blue subaru.
RJ Cordae Jul 2011
One
No need for an introduction,
She was ****** incarnate, volatile pandemonium.
She was always gone by the morning’s pale light,
No pins could stick her, pretty glass doll.
She was his tangible addiction,
Sweeter than any pixie sugar,
Yet poisonous as a viper.

“Phantasmagoria,” she’d breathe,
Her words freezing and falling, broken diamonds.

“What?” his confusion so sweet.

She cackled then,
Chaotic grins folding over gossamer silk.
He just shook his head,
Knowing she was a tragedy.

He could never hold her,
Thorns tore ragged lines into him every time he tried.
She was his to have, to gaze at,
But never to touch.
She was intransigent, lying eyes and battered lips,
Scars tugged at his heart whenever he looked,
Bleeding masquerades of perfection in her curves.

Porcelain masks adorned with crimson feathers,
So shocking against the ebony walls.
The masks were like her smile, he had decided so long ago,
Hanging a new one every six months.

He saw right through her.

Two
Malignant words bubbled from her lips,
She blew him EXPLOSIVE kisses,
Her eyes full of iridescent splendor and charm.

She gave herself to him completely,
Tired of running on the fuel of a thousand shattered hearts.


Pale like winter,
He was fierce like autumn leaves in a fiery glow.
His eyes were a swirl of blue,
So deep, hypnotic and entrancing.
His hair was black as a crow,
Soft as velvet against bare flesh.

He was beauty in a terrible splendor,
Pale, carved marble, breath-taking and alive.
His kisses were spider-silk,
Dripping venom down her throat.

“Extemporaneous,” he’d sigh,
His words left behind the after taste of chocolate.

“Everything is,” echoed her bittersweet reply.

Chemical smoke poured from his mouth,
When he parted his lips to speak.
She loved the way it danced in the glow of the fire.

Three
The curve of her smile let you see the whole asylum.
Oh how she’d laugh, broken glass in her eyes,
When he’d nibble her flesh so softly.
Her eyes flashed red,
A brief shutter speed of a moment.

He’d saunter up to her,
Leather pants worn as a second skin.
His eyes glittered in the dark,
The ocean by moonlight.
He spun her in dizzy circles.

“Vertigo baby, you spin me high with vertigo,”
He’d laugh, watching her stumble.

They were psychotic lovers in a masquerade of midnight frenzies,
Graveyard picnics and ballroom dancing the mausoleum.
They were a Gothic fairytale without the ever-after,
Kings fighting for their queens,
That and the dragon ate the kNight.

Moonlight tans and wrought-iron fences,
They kept the world at bay.

“No one needs to know,” she whispered beneath the crying tree,
“Let them wonder in solitude,” her voice soft as a feather.

The zephyr smelled of ice and heartbreak.

Four
Silver needles with glitter tips,
Pulled star-studded thread through her lips,
Anything to keep the lies from spilling out.

“Desperate hours call for drastic measures,”
Barbed-wire bled from familiar tongues.

Tiny symbols on her lover’s face,
A black mask stitched with silver Zodiac charms.
He was her hero in Venetian adornments,
If you ignored the combat boots.

SAFTEY,
An over-rated opinion.
(Throw away the key.)

The pond froze over,
Reflecting dark-eyed ghosts of glass.
The paint on the masks cracked,
The feathers faded long ago.

He held her close,
Feeling her thorns tear him o p e n.
He bled sweet metallic candy for her.

She’d be gone again in the morning.

Five
She sighed, keeping perfect rhythm with the visions in her eyes.
The cold seeping slowly into every pore,
Electrifying ever nerve and fiber.
Haunting whispers on the wind,
Reminders of another life.

I’ll love you forever; I miss you already,
She scrawled in black ink on the bathroom mirror.

He scrubbed for weeks,
But the message never faded.

Then you shouldn’t have left,
He painted in slow red cursive beneath it.

He’d always wait for her.

Six
So innocent when she pouted,
Lying little girl with a cracked doll’s mask,
Just like the faces he hung on the wall.
When she smiles, the truth comes out,
The perfect killer with the perfect guise.

She’d blow chemical rings to your heart,
Knowing how deep they’d cut.
She savored the taste so bitter and sweet,
Liquid candy, deep red cherries.

He relished the glitter in her eyes,
When she was off on another “Suicide Mission”,
As her friends so poetically dubbed them.

He bound himself to her,
With black lace chords and red wrist ribbons.
They lusted for a never-ending destruction,
No amount of chaos could sate their desire.

“You are a tragedy,” he once told her,
“A million deaths in the making.”

She always laughed at those words,
Tears stinging her face when she was away.
“I’m your tragedy, my love,” she called sweetly to the wind.

Tie the mask tight,
Check the powder around your eyes,
Lace up that corset,
This job is just a masquerade.
Shade is not your name,
And the Emancipator knows it.
He’ll keep your secret as long as you work,
Pretty little ****** doll.

“I miss him,” she whispered,
Her eyes so full of sorrow.

“Then go home,” he told her.

Simple phrases break hearts the fastest.

Seven
Her hand trembled, eyes wide, so fearful,
This homecoming no different than the dozens before it.

He opened the door before she could even caress its silver handle.

Startled, he stood there and gaped,
Trying to convince himself that she had actually come back.
“Five years is a long time to be gone without calling,” he whispered,
A shaking hand brushed the hair from her eyes.

She caught his hand,
Pressed it hard against her face,
Her tears carved shallow channels down her cheeks.

“I missed you.”

He glanced away,
His hand dropped to his side like a stone,
“Then you shouldn’t have left.”

She knew he was right when she turned to leave again,
“I’m sorry,” she murmured, almost choking on her words.

He grasped her wrist,
Pulled her into his arms, clutching her tightly,
His blue eyes deep puddles.

“I thought I’d lost you.”

Eight
She was home for a moment,
Maybe even longer,
To dance upon his paper heart.
(Look at those steep red stilettos.)

He was happy for a moment,
Maybe even longer,
To have her in his arms again.
(No matter how deep the thorns cut.)

“Aniya, my dear, you’ll be the death of me,”
He sighed, holding his lips to hers.

“I’ll be the death of myself,”
She replied sardonically, entwining her fingers in his hair.

They were restless, half crazed in the heat,
The terror mounting passion in fire,
So cold it burned flesh from the bone.
They were the purest form of calamity,
A delicate sense of fatality,
Like lightening through a sea of metal.

“Damien, my love, you are my addiction,”
She purred, her hands caressed his face.


“Likewise, my darling,” he smiled,
He pulled those pale hands to his lips.

Nine
The tension mounted outside those wrought-iron gates,
A war bubbling to the surface,
The first of many, a battle for the ages.

Lace up those ebony heels,
Tie the corset tighter and tighter,
Dizzy from the pressure.
Make sure all the swords are sleek as blood,
Clear as the freshest waters.

Slick back the hair,
Tie the mask tighter and tighter,
He was dizzy from the anticipation.
Make sure all the guns have silver bullets,
And all the spears have jagged edges.

The troops rained in,
The fire arms screamed,
Eagles of flame danced in the sky.
Celebrations started before the dust could even settle.
This is actually a relatively old piece of work. I had written it the summer before my senior year of high school. Let me know what you think? I will try to answer all comments :)
Mateuš Conrad Nov 2015
that litre of whiskey last night, downed in one session
seriously did the trick.*

the unacknowledged legislators that we are,
sure enough, we are,
taking quills from angelic wings and hoping
for pigeon **** on us in trafalgar sq. reverse
logic of a black cat crossing the street and the no. 13.
our lineage dating back to the caucus is worried,
will we survive, earn the credential of middle-age
and middle-class?!
i don't know, art and work are akin,
although the former stressors are said as:
i'm working... i'm working! but i'm not getting paid!
in the latter scenario... well i think i'm working...
but i'm just looking busy... and i'm getting dough
for that... smiling a fanciful card trick of the
sociable with a stranger passing along the way
of my muffin / coffee stand, pop-up in a busy linchpin
of economy known as the shop gallery -
now imagine putting a pound coin in the shopping gallery
and a pound coin in an art gallery... obviously
there's a 99 pence store you could buy something
and get enough frank sinatra losing the change
outside... but in an art gallery? a pound coin on the mahogany?
you were asked to donate your own trusted allowance
at the door... donate the quid and admire the canvases,
don't be one of those 191% increase of theatre ticket sales lot
taking a questionnaire then booking tickets to
define old school bourgeoise as exclusively theatrical,
this is the west end - everyone's pompous...
or as aristotle said: tourism begins with awe...
all these tourists are perfect actors of philosopher...
mouths open walking with flashlight frenzies
they almost look like philosophers... awe-struck...
mouths open... a pigeon could just about do a blitz
drop into their mouths;
yet something worries me... for such a courteous
nation as the british claim to fame are...
why seriously throw all the cursors and vectors of curtsy
onto placards on the street for reminder... like this one t.f.l.
advert asking the english "gentleman"
to excuse his knackered limbs
of farting into an office seat for 8 hours for an old lady
on the tube? why... big brother said it had to be advertised,
this english curtsey of the gentlemen with
sexism clarified with tampons and public space urinals -
but as all white big bangs go... i guess it's an
evolutionary fear... we'll never beat the insects...
we can beat the dodos the lions the mammoths...
we can't beat the insects... we already know
there's a worm for every **** ******* eyesight scented
talking hole once we die and aren't cremated;
we're in the atomic playground, atomised i hardly
think is an adequate congestion of comparisons...
then if not atomic then humanoid,
or just black-void to stress known origins...
while mama caucus sells chickens...
originally there was only one bull solomon for the
perfect breed... reverse of man the cows said:
you send men to war like bulls to slaughter
keeping the king and the queen oriental to
poke and point at the next living man dead...
we're the lactose ganges, people dye burnt human
remains in the twirl and sidewinder of nature that
defines us... but let children chuckle and suckle at
our *******... but most of the beef you see sold
comes from those akin to bulls...
you keep one and adorn him with india's tear
that's sri lanka... and churn the rest to war...
while the she of each she that is left for milking,
is then discarded among the bull corpses.
Danielle Rose May 2013
You are the cool draft beneath the door
Flooding in freezing my feet
Stagnating me under a sea of blanket
to comfort my fears and cradle my inner child
I fell to you
Hiding my smiles and blushing vibrant shades of nothing
Searching your eyes for treasure and exaggerated tales
to make my life seem less stale
and you would put on your best impressions
to disguise how much you've been lessened
We spun in dizzy frenzies to distort the harsh realities
and banned the notion of death finding our immortality
We'd be young forever as long as we had eachother
We'd stunt our growth and mislead our minds into a great oblivion
Stay blind to the truth and laugh at misfortune
For children always stay on the breezy side of cares
But too soon our long summer day come to an end
and all the innocents was snatched from our hands
Mateuš Conrad Jun 2016
now i see the frenzies of Dionysian composition,
quiet clearly, the uninhibited use of language,
a whirlpool through which words become unshackled,
and each screaming its own solipsism as,
walking through this forest, touching each tree
to make a sentence seems more like a crazed running
around; but never mind that -
if only the former tongue was not embedded in me,
if only this tongue were the sole occupant,
the lingua rex, the sole victor over both body
and mind, so that no stirring-up of the soul could
ever take place - but it was not to be so -
in favour of the acquired tongue i have proofs of
volumes in expression - of the organic tongue embedded
in early development i have proofs of tenacity -
and a certain straitjacket in terms of speed of composition;
yet there is no lingua rex that might shove
one or the other under the carpet, lock it in the basement,
for if even one is used, the other is working beneath
it, or at least the mentality of it - immediately translated -
if only i came earlier and as early as to allow a quick
cutting of the root from the trunk:
old trees are not to be replanted, some say,
youthful trees, some say, can take root many times
in many places:
                the tenant farmer noble stands equal
                                             to the noble army commander;
or what would have been a second education had it
not been interrupted - as if t build up a national identity?
trivial the years between 1795 and 1918, don't you think?
if one set of national identifiers are lost, a second list
of integration identifiers seem like a farce twice-over -
thank god the anthem is easy to sing:
        god save our gracious queen...
        send her victorious, happy and glorious...
em... what's the rest of it? i'm sure embracing no identity,
no history, no stigmata for myself or my neighbour,
just apart, drifting, problem is, where to put the tongue?
the tongue is already tattooed with what it is that came
before, and what comes after - we're not taught
historical erasure - has my mouth suddenly become a
cave for a sewer serpent? it would appear so -
some say enticing - some say revolting - in the end
a banker would just put it like this: what a load
of crock-****, he sees a south korean deliver him a package,
asks him whether he speaks the language, the south
korean replies yes, the banker replies: good to know -
a ****** sense of utility! but someone has to do
the writing akin to chocolate left in the sun -
the goo of things where otherwise it would be a shaking
of hands in Warsaw and yet more revenue and yet more
investments - genesis of selling London by the pound:
reflection of the surroundings? the Cockneys are moving
into Essex, that's the end of the line -
and i swing between 22 years here weighing less than
8 years where the uprisings from 1795 through to 1918
took place - well, poetry is not exactly banking,
the sentimental attachment? that too... but would a name
like wink tak lumu make more sense to have,
but speak only a word or two of the native? like the ones
who went over to syria to only scratch the surface of
arabic? they say adab (etiquette), salat (prayer),
adl (justice), da'wah (calling), ummah... but they do so
with east London accents, jihadi john's oi oi,
me and my gansta posse gonna shoot the kurf to hell -
is this what happens to the tongue stretched between
two horizons? Napoleon said that a man who knows
two languages is worth two men, man knowing three
is equivalent of three men - which is why you never
seem to take root in the specific locality of the tongue,
cosmopolitan in suburbia, nearing farmers' market
and proper pub grub on Sundays... i guess easier in
name only, but i sometimes wish i had enough time to
have an identity than a chameleon's perspective on
things - 4 accents in the ratio to 2 tongues -
13 years of synthesis, 9 years of analysis - it was never
going to be a smooth ride with constant synthesis,
at some point questions would pop up like mushrooms
after the rains in autumn - but i'm sure few people
can share the memory of picking honey fungus deep
in the forest, this one memory sticks out for me:
deep in the forest, a city of armillaria, literally a city
of this fungus, collected and then pickled, in autumn,
just after the rain - and where vegetation decomposes
fungi sprout. i can still see the earliest human near there,
a flint quarry, an entire town built from wood,
it's there - rezerwat przyrody krzemionki opatowskie,
which is no big deal with the study of turtles on
the Galapagos - that's the cut-off point for me, i can't
imagine humanoids, it's sensible like that -
but that's exactly my point, the early development,
it can be overpowering for later development, given
later development was largely constricted by an
education system, linear stand-in-line conformity -
from early development: the freedoms and the myths;
how even the ugliest communist buildings looked
prettier than what social housing provided in england,
largely because it was the norm, crucially because it was;
and so much free wild space around, not this neat
pristine cutting up of rural area where grids set
a definite path for you - crucially, the english suburban
solitude: got to go into the city and play with the kids
they'd say - later of course computers and even more
instanced of being cooked up - easier said than done
but easily done solo - think of the weirdos of China's
one state policy - me too akin - solo.
coming back to the years mentioned, after the partition
of the commonwealth - i imagine the romantic futility
of it now, but how strong the urge to not sprechen
or говорить - but the futility being, no honey
after 1918, a bit of honey trickle after 1945 when
comrade Marx paid a visit, some say the years up
to 1990 were good, some just remember the years when
Marshall Law was put in place, the hyenas at supermarket
checkout, only vinegar on the shelves, and queues,
queues as far as the eye could see, pensioners did their
bit, waited in line and chatter, Solidarity pamphleteers
made it to the U.S.A. on political asylum - could
the Soviet empire have collapsed and been partitioned
as bloodily as the Ottoman empire we're currently seeing?
want to flip a coin on that one? aspiring Ukraine of
2012 was edging in, co-host and all, now? not so much
an aspiring Ukraine, some easterners shouted for their
mummy - mummy came rushing in at Crimea - daydream
over - back to square one.
truly, a user of the tongue, and obviously nothing more,
no part of me here, no part of me there -
or in summary as worked from Heidegger's dasein,
in translation da = both here and there... hence
danichtsein, i identify with using the tongue,
and as true as is true of this antonym, it's an apathy,
there's no concern - it's a blatant way of saying:
i'm not even going to open the ****** newspaper and
invite the world in, ich bin ein inselbewohnerin.
Harold Bracy Jan 2014
A resounding response to the crack below my feet was heard through the forest
The ice had broken under the weight of my foot
And I froze holding myself still as I stared at the wood

Wondering, "Where did that come from?" whispering
"Not an echo! there must be something within the trees
A light breeze could not displease the silence of that looming dark!"

I approached the trees, each a veil, bark by bark, forming
A shade to intimidate the night, lining the freedom of that frozen lake
With fear to cut through any heart, as I approach the trees

The edge, waiting for me, towering grim, counting the steps
Accusing, suspecting of my intent, and I fearing what will come
I draw towards the end, and it paints my heart a deeper black,

"Every end a means!" they say, their leaves a darker hue, all a shade,
The sky only murkier, blot fainted stars bleeding to shine on my icier day
Cold, my fingers, scared, my feet, moving forward, they ask for more

More! for passion! for the call! the trees, in unison, they call!
Quiet, they crack through the Winternight, claiming
"Yes! still alive!"

Finally! my foot strikes the lucid gray snow! and I meet my end

But, "Every means an end!" and the life that colors around me
reflects the sun,
bright and vivid,
a shining presence
encompassing my own

And, as the world of the human mind's intent frenzies, no relent,
still, to see the bird
teaching her next
to swirl through the air
is to see the gem amongst us

I have met my end, my journey is done,
I die here now, but I have seen the world,
I have taken it my own, and it has killed me

"Was it worth it?" I ask the trees, now silent somber black around.
Latin:
anim.us              N      2 1 NOM S M                
animus, animi  N (2nd) M   [XXXAO]  
mind; intellect; soul; feelings; heart; spirit, courage, character, pride; air;
brandon nagley May 2015
What is it hereby that I seeith?


Unardent archetypes,
Renege cards to swipe for fast food,
Archaic since long ago!!!!!

Aristrocratics art thou?
Greedied dollared frenzies,
A meal plus ten for thine own family?

What about thy neighbor?
The one on thine street,
Doused in fluids, puke and safekeeps,
Not enough for him?
Thou furtive frugal!!!!!!!

Yea!!!
Tuck thine own pocket back in,
Dont let him seeith all you have to giveth!!!
Unlargess you!!!!!

As this old sphere genuflects in circlet motion,
To thine loved ones all time and and thy devotion thou giveth not to thine own family,
But to slot machines?

Thou maverick!!!!
Thine phene!!!!!

Fast food havens hath become brothels of aspirin taking needed,
Once a day,
For all unclotting!!!!

Protracting thy fateful health oh invertebrate?

Trying to live to one hundred?
Afraid for thy soul to pass?
What's wrong? No god? No faith at last?

Provident to failure!!!!!

Virulent art thou,
For thine work thou has made a surplus!!!!
Skipping thy wife's needs?
For forty hours of volition and lust??????!!!!!!!!

Visionary of demonous audacity!!!!!!

Thine own path is manifest and lamenting!!!!

For art thouest not repenting of thy fast lived paradox?

I'm a cynic to thine own trust!!!!!
Ella Alvarez Jul 2018
Mia and Sebastian used to think the stars that danced with them formed an alignment.
But they didn’t.
Maybe they were too lost in each other’s eyes to consider their love was a lost cause.
Maybe they mistook the lights in each other’s eyes for stars that aligned.
Maybe their lights were too blinding for the two to see how scattered they truly were.

I thought you were a moon in my orbit.
But you weren't.
You were more of a satellite;
Hovering around me, only to pass another one by
Sometimes paying me a visit every once in a while
But more often than "hello", you'd say "goodbye"

So to the stars in my night sky that looked closer than they were to my naked eyes:
Before our lines diverge from their intersecting points;
Before strings of emojis and late-night text frenzies turn into “Hey” and “K”;
Before greetings of lit-up eyes and airport hugs in the mall shy into shrinking back and awkward waves;
Before our knots unravel and our threads fray;
I loved you, and I always will, even if you couldn’t stay.
"hearts may change but memories won't; you know i don't, don't want to go."
track #3, manchild - phum viphurit

this piece got published in cebu lit fest's sixth chapbook, folio number two: still waiting! it's a compilation of poetry featuring the work of local and emerging cebuano poets.
brandon nagley May 2015
What is it hereby that I seeith?

Unardent archetypes,
Credited cards to swipe for fast food,
Archaic since long ago!!!!

Aristocratics art thou?
Gormandizing collared frenzies,
A meal plus ten for thine own family?

What about thy neighbor?
The one on thy street?
Doused in fluid, puke, and his own safekeeps,
Not enough for him thou furtive frugal?

Yea,

Tuck thine own pockets back in,
Dont let him see you have all to giveth!!!
Unlargess you!!!

As this old rock spins in circular motion,
To thine loved ones all time and devotions,
Thou giveth not to thine own family,
But to slot machines?

Thou maverick!!!
Thine phene!!!

Agile pabulum Haven's hath become brothels of aspirin taking needed,
Once a day for unclogging!!!!!

Protractingly fateful health oh mortal?

Trying to live to one hundred?
Afraid for thy soul to pass?
What's wrong? No god? No faith at last?

Provident to failure!!!

Virulent art thou,
For thine work thou hath made thine surplus,
Skipping the wife's needs?
For forty hours of volition and lust!!!!

Visionary of demonic audacity!!!

Thy own path is manifest and lamenting,
For art thou not repenting of thy fast lifted paradox??

I'm a cynic to thy trust!!!!
i would like
to keep bees
or at least
i like the idea
of keeping bees
to be honest
i know nothing
next to nothing
about all that
it entails
but it seems like
it would be cathartic
although their frenzies
may be calmed
by the smoke
movements must remain
slow and gentle
such fragility
must be tended to
   carefully
   mindfully
almost lovingly
i think i like
the idea of the peace
to be found in
those moments
there is a
shade-dappled spot
at the bottom
of the garden
that would be
the perfect place
for them
where the humming
of the hive
would accompany
the swaying of
the tree's
their gentle whispering
and the quietude
that would settle
beyond
..the red cheeks of children,
the scarves and the rush
the patches of snow
lips in strawberry crush
I finish today the tasks of tomorrow
I’ll make a new list of TO DO
and to borrow
more time more time
I need it for something
perhaps to arrange all these cards on a word string
the kitchen in frenzies
the turkey asleep
the spuds and the pies
and the microwave bleep
the tree in the corner the cat and the guests
and the million dollar last minute request
the presents wrapped up
the smiles in their eyes
the mulled wine smells good
(I ‘m having a high!)
the sneezing, the coughing
the ‘I finished I think’
the sore feet and headache
the ‘I need that drink’
my eyes getting heavy
my glass gleaming red
the sounds bypassing
the thoughts in my head
as I sit by the fire
they should now all agree
that mission’s accomplished

...and this is Christmas for me
my hands fit so
well in yours
your hands have
touched me deep
bumping my skin
how they sent
me on frenzies
of late mornings
bare to alleyways
by misty sea on
a rounded hill
your hands have
eyes that see me
i hoped my hands
saw you as blindly
o how i miss them
the way we lost
each other only
to touch and land
over inside bodies
your cool hands
are lushy and white
flesh feather plucked
call me little burns
who trace downs
the valley fingers
branches twined
with shy red hair
tangled and us
winged in skye
my hands so fit
well in yours
Nat Lipstadt Apr 2014
of chocolate moons,
dried, well-preserved seascapes,
A-Tisket, A-Tasket
none of which he had ever seen,
understood,
but nonsense alliteration garners
fast and vast attention of the interned masses,
for somehow easier to comprehend
the silly notions of what does not exist,
chocolate moons, dried, well preserved,
museum-quality wet seascapes and word-plays
that require no Hail Mary passes or penitence

so let us rose compose of frosted flaked flowers
of folklorish hobgoblins,
ice cream coated,
of Crunch 'n Munch Sweet Gourmet Popcorn,
a ConAgra "Food" grown only on
Arizona highway-crossed landscapes,
where babies, snatched from above, into moving cars,
taken from, then to, the lost and found
of kidnapped earthlings
are awaiting your reading pleasure

if nonsense pleases,
nonsense scrip'd and delivered,
all we aim for is temple offerings
of what crowd-pleases,
around the tepee fire
we peyote ancestor tales
mostly glorified white men's defeats, legitimized,
ignoring the concentration camp existence and
USDA excess garbage food,
a god, with love, delivers

the components of sewing needles,
a hole and a little sliver of silvered steel,
stitch word worshipping poets into frenzies
of imagined images that cake bake the crowds
with football arena'd pleasures,
their brains all the while,
being measured for a casket,
A-Tisket, A-Tasket,
this poem making
perfect sense to those
who sleep no more
I have no recollection of writing this, but apparently I did.
Amy Grindhouse Mar 2014
She was gorgeous misery framed
in makeshift bandage corsets
cinched with fall from grace
sutured lace to save face
Her battered life rife with strife
covered in the mock elegance of
a broken wing dress as
the frenzies
in her enigmatic
mascara trail of tears glare
soften slow burn devotions  
hastening their hopeless necromantic
insurrection

He was a fatal attractive
midnight black feathered wraith
Modeling trouble need scar heart genes
and a bleedwork tainted warshirt
earned by tethering himself to a mistake on
countless battlefields
his enemies' rancorous fear resonates
in a crippled ripple
across stillbirth waters
With his outspoken outrage accented
by photographic violence
knowledge of immoral history charm and
disguised threat lodge wisdom
luring her into
their surprised allegory demise

In the here and now we find
uncaring torture chamber musicians
singing in the black ground
as these two scar-crossed lovers entangle  
in a shotgun wedding
and machine gun funeral
Knowing from the start
it would always be
the two of them
together as one
against the old world
Period homesteads line Peppercorn Road , meticulous working farms of corn , cotton and sorghum cultivars , rugged gravel drives cut into dried , red clay ditches , Charleston architecture cooling her Summer residents . Double story barns with white washed brick silos , picket fences and blue ribbon cattle .. Sturdy Pole barns shelters surrounded in shamrock clover , the clanging of cowbells as Dairy cows return from her glistening fields ... Catfish feeding frenzies over field corn and evening mayflies , gas porch lights illuminate the family garden with activity in Summer well into night , Crowder peas and Fordhook butter beans , Okra and Butter peas harvested free of Red wasp and Bumblebees as opposed to hungry mosquitos , red chiggers and Crane flies ... Silver washtubs on hot , humid nights , the instant relief of cool well water relieving the pang of harvest .. The creaky screen door and porch ceiling fans , white rockers and good books ...Mason jars filled with sweet tea , hearts filled with adventure and young eyes with sleep .. Coonhounds sing to the ever rising gold Moon .. All was well .. All was most certainly well ...
Copyright March , 6 2016 by Randolph L Wilson * All Rights Reserved
Jabber Alexander Oct 2015
general t'so what the ****'s this meat made of?
the fluorescent room gleans
off the sheen of fake food,
***** this weak pay stub,
this buffet too
and living off food court food.
hors derves served to
a bunch of augustus gloops
who'll soon sport tubes.

I hope the line short fuses.

I'll be giggling,  
at these wiggling
greedy,
feeding
frenzies
still feeling empty
with stomachs of drains
they feign being friendly
not a morsel of moral thought,
their brain's busy picking
food from the troth
pointing with pickeled pig feet
ruder than all hell
marvelously stinky
laid back in booths
soothing their sweet tooths
mouths oozing drool
drippin onto bibs
turning solids into goo
From the life of a food court operator on a college campus.
Brandon Dec 2012
Where are my fevered nights
Locked away in my writing room

Ink slinging madly about
Across paper, table, wall, and ceiling

Words
           Verses
                        Lyrics

poetry in its purest maddening delight

Where is my furor poeticus

Ecstasy of cursive, print, and type  
Words written in divine poetic frenzies

Where is my muse

Inspiration dwelling in the leaking ink on the pen's nib
Or in the soft click and hard punch of a keyboard's keys

... ... ...

Where are you


Because I know that you're not here

       My ink remains untouched
          My walls remain bare
       My notebook remains unopened
          My computer remains asleep
       My hands remain unmoved
          My mind remains unthought

... ... ...

And I'm still here
         Taunted by the missing
                           of you
          Taunted by your writer's
                            Block
******* writers block. ******* life block.
Scott T Oct 2014
I am tired of the Americans chasing their opaque neon dream
I am tired of well tailored speeches justifying wars
I am tired of the dusty remnants of a roman lie striking fear into the hearts of many
and an absent god forcing his framework on an apathetic world
and I am tired
I am tired of constipated museums
and the few dictating the sonic landscape of the many
I am tired of horse meat scandals and frenzies over crashed planes
and I am tired
I am tired of globalisation being an auction for the lowest human rights
rather than being
wasabi peas at Tescos
And sleep is the cowardly death
of the feelies and TVs of the world
Graff1980 May 2016
Madness be my mistress
My lovely siren song
Satyr in the forest
Chasing naughty nymphs
Demon in the darkness
And monster in my closet
Madness be my lover
Manic movements
Caffeinated frenzies
Typing fast and misspelling much
Strange allusions to those who are touched
Voices in my eardrums
Vision in my breath
Madness be the scent
Of sweaty insane men
Bashing brains
Against their times
Killing quantum equations
That plague their minds
She was my first lover
She will be my last
And from sanity’s flask
I will not sip one sup of it
Madness be my lover
Painter of the stars
Be you jester, genius
Or merely who you are
Madness be my cause to create
Cause no other cause is left
Olga Valerevna Jul 2016
There're so many people who open your eyes
           and show you the craters they see in the skies
Perspectives are jaded when Truth's within reach
  and I have rejected most people who teach
I forfeit the frenzies they feed themselves to
I'd rather go hungry than eat out of you
And even if crazy is all I've become
     My sanity's measured by little to none
I drew my conclusions like everyone else
in anger and envy that put my in hell
The fire was pretty, the darkness the same
             but I want to hear what the light has to say
I cannot be honest if I cannot see
Surrender my soul to the Spirit in me
1989.
Imogen Aug 2013
As I awake in the morning
I look in the mirror
At the reflection
Of me
And I think
Is this who I am
Is this who I want to be
And for a  second
My mind frenzies for an answer
the world around me stops
But just as the answer dawns on me
I turn
Not listening to an answer I am afraid to know
An answer which I crave
One that tears me apart
But
Will not hear
For as the truth is ready to unfold
I am not ready to behold it
Shannon Delaney Apr 2020
there was never a time I wasn’t faking it
sipping on lies like wine and always wanting more
I can’t remember not being thirsty

with liquor, my words run rampant
they slip from my tongue so easily and dance in the streets
they’re willing to burn down cities
they’re willing to cut throats
they’re willing to ruin anything good
another reason I stopped drinking-- I can’t keep feeding myself frenzies
i give up good, i give up so ******* good
Tamara Fraser Aug 2016
I am enraptured.

Holding you like I want to absorb you through

my skin;

You holding me tight keeps me warm from the night.

You calm the fear, awaken the spirit, without even realising

the electric charge you make in me.


I don’t need to feel insecure with you.

I don’t need to be my worst enemy, punishing myself

from dank corners.

I don’t need to remind myself of icy touches, meaningless frenzies,

pressured

to feel vulnerable in the dark.

I don’t need to feel hunted, I know I don’t deserve to be dangerously

pursued.

I don’t need to wait for the sharp strokes of daggers against my skin the

more

we consume each other.

I know I’m safe to wait; I know it’s perfect as it is, building up for more.


You envelope me like a warm dream,

cozy, perfect, vivid, deep;

I can feel your pulse, a soft hum,

playing beneath me.

It quickens as we fall deeper into each other’s arm,

a tighter wrap, a closer kiss than before.

Is it possible to feel so calm with someone?

Is it real for me to see stars and tepid colours, the streets and lights of

the city anew, knowing I can kiss your cheek and

slip my fingers through yours, holding tight.

Bundled in your gaze,

I know I’m doing everything as I was meant to.


Kiss and play,

run and sweep,

into each other;

heart and hands,

eyes and roaming lips, soaking in each others’ terrain.

We draw deeper into each other,

Why do I feel so safe?

Don’t make me let you go, don’t make me embrace my soul;

cold chips, broken shards;

blackened and scorched as the wasted plains of my heart.

Please fill me.

Whatever you do, don’t let me go.

— The End —